Chamber_music

Chamber music is a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber. Most broadly, it includes any "art music" that is performed by a small number of performers with one performer to a part.

Contents

1 Classical chamber music
2 The chamber music of Joseph Haydn
3 Twentieth century chamber music
4 Ensembles
5 References
6 External links
7 Credits



The word "chamber" signifies that the music can be performed in a small room, often with an intimate atmosphere. However, it usually does not include, by definition, solo instrument performances.

Classical chamber music
Classical chamber music, or music written during the period of 1750-1820, was very airy and light in sound as compared to orchestral music and it was performed in more intimate settings or chambers. The form of early chamber music appeared to have begun from the writings of Joseph Haydn and consisted of four movements: fast, slow, a scherzo or minuet, and fast. The types of ensembles for this music was the string quartet, consisting of two violins, a viola, and a cello; a string quintet, consisting of two violins, two violas, and a cello; a piano trio, consisting of a piano, violin and cello; and a sonata for violin and piano.

The chamber music of Joseph Haydn
It is reputed that Joseph Haydn invented the form of the string quartet with its four movements and scholars place the 68 string quartets of Haydn as among his best works. In the summer of 1757, before Haydn composed for a string quartet, there was a difficulty finding musicians to perform, yet there were two violinists, a violist and cellist, available to perform since many amateurs played these instruments. Haydn thus began to compose for the instruments he had on hand which started his great interest in the transparency of the chamber music sound.

Twentieth century chamber music
Contemporary chamber ensembles are sought after instrumental mediums for the transparency of twentieth century tones with their unique consonance and dissonance chords. With an emphasis on a non-blended sound, the twentieth century technique of using different timbres with different lines of melody is brought out very well within a chamber ensemble.

Ensembles
This is a partial list of the types of ensembles found in chamber music.



Number of Musicians
Name
Common Ensembles
Instrumentation
Comments


2
Duo
Piano Duo
2 pno


Instrumental Duo
any instrument and pno
Found especially as instrumental sonatas; i.e., violin, cello, viola, horn, bassoon, clarinet, flute sonatas).


any instrument and basso continuo
Common in baroque music predating the piano. The basso continuo part is always present to provide rhythm and accompaniment, and is often played by a harpsichord but other instruments can also be used.


Duet
Piano Duet
1 pno, 4 hands
Mozart, Beethoven, Schubert, Brahms (original pieces and a lot of transcriptions of his own works); a favorite domestic musical form, with lots of transcriptions of other genders (operas, symphonies, concertos and so on).


Vocal Duet
voice, pno
Commonly used in the art song, or Lieder.


Instrumental Duet
2 of any instrument, either equal or not
Mozart's Duets KV 423 and 424 for vn and va and Sonata KV 292 for bsn and vc; Beethoven's Duet for va and vc; Béla Bartók's Duets for 2 vn.


3
Trio
String Trio
vln, vla, vc
Mozart's Divertimento KV 563 is an important example; Beethoven composed a series of 5 Trios at the beginning of his career.


Piano Trio
vln, vc, pno
Haydn, Mozart, Beethoven, Schumann, Brahms and many others.


Voice, Viola and Piano
sop, vla, pno
William Bolcom's trio Let Evening Come for Soprano, Viola and Piano, and Johannes Brahms' Zwei Gesänge für eine Altstimme mit Bratsche und Pianoforte, Op. 91, for Alto, Viola and Piano


Clarinet, Viola and Piano
cl, vla, pno
Mozart's trio K498, other works by Robert Schumann and Max Bruch


Clarinet, Cello and Piano
cl, vc, pno
Beethoven's trio Op. 11, as well as his own transcription, Op. 38, of the Septet, Op. 20; Brahms's trio Op. 114, Alexander von Zemlinsky's Op.3.


Voice, Clarinet and Piano
voice, cl, pno
Franz Schubert's Der Hirt auf dem Felsen, D965, Wolfgang Amadeus Mozart's Schon Lacht Der Holde Fruhling, KV 580; Spohr's Lieder


Flute, Viola and Harp
fl, vla, hrp
Famous works by Debussy and Arnold Bax


Clarinet, Violin, Piano
cl, vln, pno
Largely a 20th century invention, but growing in popularity; famous compositions by Béla Bartók, Milhaud, and Khachaturian


Horn Trio
hrn, vl, pno
Nineteenth century works; specifically the Trio in E♭ Op. 40 by Brahms


Soprano, Horn and Piano
sop, hrn, pno
Franz Schubert's Auf Dem Strom


Reed Trio
ob, cl, bsn
20th century composers


4
Quartet
String Quartet
2 vln, vla, vc
Very popular form. Numerous major examples by Haydn (its creator), Mozart, Beethoven and many other leading composers (see article).


Piano Quartet
vln, vla, vc, pno
Mozart's KV 478 and 493; Beethoven youth compositions; Schumann, Brahms


Violin, Clarinet, Cello and Piano
vln, cl, vc, pno
Rare; famous example: Messiaen's Quatuor pour la fin du temps; less famous: Hindemith (1938), Walter Rabl (Op. 1; 1896).


Saxophone Quartet
s. sax, a. sax, t. sax, b. sax
Twentieth century composers


Flute quartet
4 fls
Examples include those by Friedrich Kuhlau, Anton Reicha, Eugène Bozza, Florent Schmitt, and Joseph Jongen


Wind Instrument and String Trio
vn, va, vc and fl, ob, cl, bsn
By Mozart you can find four Flute Quartets and one Oboe Quartet; Krommer wrote Flute Quartets (eg opus 75) Clarinet Quartets and Bassoon Quartets (such as his opus 46 set); Devienne wrote a Bassoon Quartet


Piano and Wind Trio
pno, cl, hrn, bsn
Franz Berwald's opus 1 (1819)


Voice and Piano Trio
voice, pno, vn, vc
By Beethoven you can find lots of Lieder on several folk roots for such a setting.


5
Quintet
Piano Quintet
2 vln, vla, vc, pno
Schumann, Brahms, Béla Bartók, Shostakovich, and others


vln, vla, vc, cb, pno
An uncommon instrumentation used by Franz Schubert in his Trout Quintet as well as by Johann Nepomuk Hummel and Louise Farrenc.


Woodwind Quintet
fl, cl, ob, bsn, hrn
19th century (Reicha, Danzi and others) and 20th century composers


String Quintet
2 vln, vla, vc with additional vla or vc
with 2nd va: Michael Haydn, Mozart, Beethoven, Brahms, Bruckner; with 2nd vc: Boccherini, Schubert. Sometimes with additional db (Vagn Holmboe) instead.


Brass Quintet
2 tr, 1 hrn, 1 trm, 1 tuba
Mostly after 1950.


Clarinet Quintet
cl, 2 vn, 1 va, 1 vc
Mozart's KV 581, Brahms's Op. 115, Weber's Op. 34, Hindemith's (in which the clarinet player must alternate between a B♭ and a E♭ instrument) and many others.



cl, pno left hand, vn, va, vc
Schmidt's chamber pieces dedicated to the pianist Paul Wittgenstein (who played with left hand only), although they are almost always performed nowadays in a two hands version arranged by Friedrich Wührer.


Piano and Wind Quartet
pno, ob, cl, bsn, hrn
Mozart's KV 452, Beethoven's Op. 16, and many others, including two by Nikolai Rimsky-Korsakov and Anton Rubinstein. (The four wind instruments may vary.)


6
Sextet
String Sextet
2 vln, 2 vla, 2 vc
Important among these are Brahms' Op. 18 and Op. 36 Sextets, and Schoenberg's Verklärte Nacht, Op. 4 (original version).


Wind Sextet
2 ob, 2 bsn, 2 hrn or 2 cl, 2 hrn, 2 bsn
By Mozart there are the two types; Beethoven used the one with cl


Piano and Wind Quintet
fl, ob, cl, bsn, hrn, pno
Such as the Poulenc Sextet, and another by Ludwig Thuille.


Piano Sextet
2 vln, vla, vc, cb, pno
e.g. Mendelssohn's Op. 110, also one by Leslie Bassett.



cl, 2 vln, vla, vc, pno
An example is Prokofiev's Overture on Hebrew Themes Op. 34.


7
Septet
Wind and String Septet
cl, hrn, bsn, vln, vla, vc, cb
Popularized by Beethoven's Septet Op. 20, Berwald's, and many others.


8
Octet
Wind and String Octet
cl, hrn, bsn, 2 vln, vla, vc, cb
Popularized by Schubert's Octet D. 803, inspired by Beethoven's Septet.


String Octet
4 vln, 2 vla, 2 vc
Popularized by Mendelssohn's String Octet Op. 20. Others (among them works by Woldemar Bargiel, George Enescu, and a pair of pieces by Dmitri Shostakovich) have followed.


Double Quartet
4 vln, 2 vla, 2 vc
Two string quartets arranged antiphonically. A genre preferred by Louis Spohr. Darius Milhaud's Op. 291 Octet is, rather, a couple of String Quartets (his 14th and 15th) performed simultaneously


Wind Octet
2 ob, 2 cl, 2 hrn, 2 bsn
Mozart's KV 375 and 388, Beethoven's Op. 108, many written by Franz Krommer.


9
Nonet
Wind and String Nonet
fl, ob, cl, hrn, bsn, vn, va, vc, db
Including one written by Spohr, and two by Bohuslav Martinů.


10
Decet
Double Wind Quintet
2 ob, 2 English hrn, 2 cl, 2 hrn, 2 bsn (Mozart's set) or 2 fl, ob, Eng hrn, 2 cl, 2 hrn and 2 bsn (Enescu's set)
After Mozart's Divertimenti KV 166 and 186 it's hard to find another example of 10 instruments. By convention, after nine players works cease to be considered chamber works, generally speaking, but the decet/dixtuor in D, opus 14 by George Enescu for 2 flutes, oboe, English horn, two clarinets, two horns and two bassoons, written in 1906, will be included here.


Key: vln—violin; vla—viola; vc—cello; cb—double bass; pno—piano; fl—flute; ob—oboe; Eng hrn—English horn; cl—clarinet; s. sax—soprano saxophone; a. sax—alto saxophone; t. sax—tenor saxophone; b. sax—baritone saxophone; bsn—bassoon; hrn—horn; tr—trumpet; trm—trombone

The standard repertoire for chamber ensembles is rich, and the totality of chamber music in print in sheet music form is nearly boundless. See the articles on each instrument combination for examples of repertoire.

ReferencesISBN links support NWE through referral fees
Beethven, Ludwig van and Albert E. Wier. The Chamber Music of Beethoven. New York: Longmans, Green, 1940.
Hefling, Stephen E. Nineteenth Century Chamber Music. New York: Routledge, 2004. ISBN 0-203-49308-7
Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. London: Macmillan Publisher Ltd., 1980. ISBN 1-561-59174-2
Ulrich, Homerm Chamber Music. New York: Columbia University Press, 1966.
External links
All links retrieved January 25, 2017.

Chamber Music America.
Friends of Chamber Music Kansas City.
The Amateur Chamber Music Players publishes a contact list of musicians worldwide who play chamber music for their own enjoyment. They also publish lists of repertoire.

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