List of photographic film formats

Short description: none

For broader coverage of this topic, see Film format.

This is a list of photographic film formats.

Comparison of the exposed area of common film formats currently sold

## Contents

* 1 Multiple image
* 2 Roll film cross-reference table
* 3 Single image
* 4 Instant film
* 5 See also
* 6 References

## Multiple image

Designation[lower-alpha 1] | Type  | Introduced  | Introduced By  | Discontinued  | Image size (in)  | Image size (mm)  | Exposures  | Comment

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35  | roll film  | 1916  | Kodak  | 1933  | ​1 1⁄4 × ​1 3⁄4 in  |  |  | 35 mm stock, unperforated.
50  | for roll holder  | 1915  | Kodak  | March 1941  | ​3 1⁄4 × ​2 1⁄4 in  |  |  | For Graflex roll holder.
51  | for roll holder  | 1915  | Kodak  | Feb 1951  | ​4 1⁄4 × ​3 1⁄4 in  |  |  | For Graflex roll holder.
52  | for roll holder  | 1915  | Kodak  | Mar 1949  | ​5 1⁄2 × ​3 1⁄4 in  |  |  | For Graflex roll holder.
53  | for roll holder  | 1915  | Kodak  | Feb 1951  | 5 × 4 in  |  |  | For Graflex roll holder.
54  | for roll holder  | 1915  | Kodak  | Mar 1949  | 7 × 5 in  |  |  | For Graflex roll holder.
101  | roll film | 1895  | Kodak  | 1956  | ​3 1⁄2 × ​3 1⁄2 in  | 88.9 × 88.9 mm  |  |
102  | roll film  | 1896  | Kodak  | 1933  | 1 × 2 in  | 25.4 × 50.8 mm  |  | One flange has gear teeth.
103  | roll film  | 1896  | Kodak  | 1949  |  | 100 × 125 mm  |  |
104  | roll film  | 1897  | Kodak  | 1949  | ​4 3⁄4 × ​3 3⁄4 in  | 120.65 × 95.25 mm  |  |
105  | roll film  | 1897  | Kodak  | 1949  | ​2 1⁄4 × ​3 1⁄4 in  | 57.15 × 82.55 mm  |  | Like 120 film with 116-size flanges.
106  | for roll holder  | 1898  | Kodak  | 1924  | ​3 1⁄2 × ​3 1⁄2 in  | 88.9 × 88.9 mm  |  | Roll holder films were wound inside out.
107  | for roll holder  | 1898  | Kodak  | 1924  | ​3 1⁄4 × ​4 1⁄4 in  | 82.55 × 107.95 mm  |  |
108  | for roll holder  | 1898  | Kodak  | 1929  | ​4 1⁄4 × ​3 1⁄4 in  | 107.95 × 82.55 mm  |  |
109  | for roll holder  | 1898  | Kodak  | 1924  | 4 × 5 in  | 101.6 × 127 mm  |  |
110
(early roll film) | for roll holder  | 1898  | Kodak  | 1929  | 5 × 4 in  | 127 × 101.6 mm  |  | No relation to the later 110 cartridge format.
110
("Pocket Instamatic") | cartridge  | 1972  | Kodak  | Present[2] |  | 13 × 17 mm  | 12, 20, 24  | 16 mm, registration perforated. Introduced with Kodak "Pocket Instamatic" series. Fujifilm ceased 110 production in 2009. Lomography revived the format in 2011.
111  | for roll holder  | 1898  | Kodak  | Unknown  | ​6 1⁄2 × ​4 3⁄4 in  | 165.1 × 120.65 mm  |  | Possibly discontinued 1924 or 1929.
112  | for roll holder  | 1898  | Kodak  | 1924  | 7 × 5 in  | 177.8 × 127 mm  |  |
113  | for roll holder  | 1898  | Kodak  | Unknown  |  | 90 × 120 mm  |  | Possibly discontinued 1924 or 1929.
114  | for roll holder  | 1898  | Kodak  | Unknown  |  | 120 × 90 mm  |  | Possibly discontinued 1924 or 1929.
115  | roll film  | 1898  | Kodak  | 1949  | ​6 3⁄4 × ​4 3⁄4 in  | 171.45 × 120.65 mm  |  |
116  | roll film  | 1899  | Kodak  | 1984  | ​2 1⁄2 × ​4 1⁄4 in  | 65 × 110 mm  | 8  | Like 616 film with wider flanges.
117  | roll film  | 1900  | Kodak  | 1949  | ​2 1⁄4 × ​2 1⁄4 in  | 60 × 60 mm  | 6  | Like 620 spool with 120 keyslot.
118  | roll film  | 1900  | Kodak  | 1961  | ​3 1⁄4 × ​4 1⁄4 in  | 80 × 105 mm  | 6  | 3.474-inch spool.
119  | roll film  | 1900  | Kodak  | 1940  | ​4 1⁄4 × ​3 1⁄4 in  | 107.95 × 82.55 mm  |  |
120  | roll film  | 1901  | Kodak  | Present  | ​2 1⁄4 × ​3 1⁄4 in
​2 1⁄4 × ​2 1⁄4 in
​2 1⁄4 × ​1 5⁄8 in  | 60 × 90 mm
60 × 70 mm
60 × 60 mm
60 × 45 mm  | 8

15–16  | 2.4 inch (60.96 mm) stock, unperforated, paper-backed.
121  | roll film  | 1902  | Kodak  | 1941  | ​1 5⁄8 × ​2 1⁄2 in  |  |  |
122  | roll film  | 1903  | Kodak  | 1971  | ​3 1⁄4 × ​5 1⁄2 in  | 80 × 140 mm  | 6 or 10  | Postcard format.
123  | roll film  | 1904  | Kodak  | 1949  | 4 × 5 in  | 101.6 × 127 mm  |  |
124  | roll film  | 1905  | Kodak  | 1961  | ​3 1⁄4 × ​4 1⁄4 in  | 80 × 105 mm  | 6  | 3.716-inch spool: same picture size as 118 with longer spool.
125  | roll film  | 1905  | Kodak  | 1949  | ​3 1⁄4 × ​5 1⁄2 in  | 82.55 × 139.7 mm  |  | like 122 on longer spool; also for stereo pairs, ​3 1⁄4 in × ​2 1⁄2 in × 2.
126
(early roll film) | roll film  | 1906  | Kodak  | 1949  | ​4 1⁄4 × ​6 1⁄2 in  | 107.95 × 165.1 mm  |  | No relation to the 126 cartridge format introduced in 1963.
126
("Instamatic") | cartridge  | 1963  | Kodak  | 2008  |  | 28 × 28 mm  | 12, 20, later 24  | 35 mm stock, registration perforated
Introduced with first "Instamatic" cameras under the name "Kodapak".
127  | roll film  | 1912  | Kodak  | Present  | ​1 5⁄8 × ​2 1⁄2 in
​1 5⁄8 × ​1 5⁄8 in
​1 5⁄8 × ​1 1⁄4 in  | 40 × 65 mm
40 × 40 mm
40 × 30 mm  | 8

16  | 46 mm stock, "Vest Pocket".
128  | roll film  | 1912  |  | 1941  | ​1 1⁄2 × ​2 1⁄4 in  | 38.1 × 57.15 mm  |  | For Houghton Ensignette #E1.[3]
129  | roll film  | 1912  |  | 1951  | ​1 7⁄8 × 3 in  | 50 × 75 mm  | 6  | For Houghton Ensignette #E2.
130  | roll film  | 1916  | Kodak  | 1961  | ​2 7⁄8 × ​4 7⁄8 in  | 72.5 × 125 mm  | 6  |
135 | cartridge  | 1934  | Kodak  | Present  |  | 24 × 36 mm  | 24 or 36  | 35 mm stock, double perforated. Formerly available in 12, 18, 20, or 72 exposures.[4] By far the most popular format since the mid-1960s.
220  | roll film  | 1965  | Kodak  | Present  | ​2 1⁄4 × ​3 1⁄4 in
​2 1⁄4 × ​2 1⁄4 in
​2 1⁄4 × ​1 5⁄8 in  | 60 × 90 mm
60 × 70 mm
60 × 60 mm
60 × 45 mm  | 18

24–27
30–33  | 2.4-inch (60.96 mm) stock, unperforated, no backing paper
Twice as long as 120.[5]

Final films in 220 were professional films for commercial/wedding photography; Kodak Portra (2015) and Fujifilm Colour Negative and Reversal (2017 in Japan only). Ilford ceased 220 production in 2004 after their 220 spooling plant broke down. SHANGHAI JIANCHENG is now making 220 film.[6]

235 | loading spool  | 1934  | Kodak  | Unknown  |  | 24 × 36 mm  |  | 35 mm film in daylight-loading spool.
240 / APS  | cartridge  | 1996  | Kodak  | 2011  |  | 30.2 × 16.7 mm  | 15, 25, 40  | 24 mm stock, registration perforated.
335 | stereo pairs  | 1952  | Kodak  | Unknown  |  | 24 × 24 mm  | 20 pairs  | Special length for Realist format stereo pairs.
435 | loading spool  | 1934  | Kodak  | Unknown  |  | 24 × 36 mm  |  | 35 mm film in daylight-loading spool.
500  | film pack  | 1911  | Kodak  | 1948  | ​1 3⁄4 × ​2 3⁄8 in  | 45 × 60 mm  | 12 sheets  | Redefined in 1921 as ​1 5⁄8 × ​2 7⁄16 in.
515  | film pack  | 1905  | Kodak  | 1955  | 5 × 7 in  | 130 × 180 mm  | 12 sheets  |
516  | film pack  | 1909  | Kodak  | 1955  | ​2 1⁄2 × ​4 1⁄4 in  | 65 × 110 mm  | 12 sheets  |
518  | film pack  | 1903  | Kodak  | 1976  | ​3 1⁄4 × ​4 1⁄4 in  | 80 × 105 mm  | 12 sheets  |
520  | film pack  | 1906  | Kodak  | 1976  | ​2 1⁄4 × ​3 1⁄4 in  | 60 × 90 mm  | 16 sheets  |
522  | film pack  | 1904  | Kodak  | 1955  | ​3 1⁄4 × ​5 1⁄2 in  | 80 × 140 mm  | 12 sheets  | 3A postcard
523  | film pack  | 1904  | Kodak  |  | 4 × 5 in  | 100 × 125 mm  | 12 sheets  |
526  | film pack  | 1920  | Kodak  | 1941  | ​4 3⁄4 × ​6 1⁄2 in  |  |  |
531  | film pack  | 1926  | Kodak  | 1941  | ​2 9⁄32 × ​5 11⁄32 in  | 60 × 130 mm  |  |
540  | film pack  | 1920  | Kodak  | 1941  | ​1 3⁄4 × ​4 1⁄4 in  | 45 × 107 mm  |  |
541  | film pack  | 1920  | Kodak  | 1941  | ​3 1⁄2 × ​4 3⁄4 in  | 90 × 120 mm  | 12 sheets  |
542  | film pack  | 1911  | Kodak  | 1948  | 3 × ​5 1⁄4 in  | 75 × 135 mm  |  |
543  | film pack  | 1920  | Kodak  | 1948  | ​3 3⁄4 × ​5 1⁄2 in  | 100 × 150 mm  | 12 sheets  |
616  | roll film  | 1931  | Kodak  | 1984  | ​2 1⁄2 × ​4 1⁄4 in
​2 1⁄2 × ​2 1⁄8 in  | 65 × 110 mm
65 × 55 mm  | 6, later 8  | Similar to 116 film but on a thinner spool.
620  | roll film  | 1932  | Kodak  | 1995  | ​2 1⁄4 × ​3 1⁄4 in
​2 1⁄4 × ​2 1⁄4 in
​2 1⁄4 × ​1 5⁄8 in  | 60 × 90 mm
60 × 60 mm
60 × 45 mm  | 8

16  | Similar to 120 film but on a thinner spool.
828  | roll film  | 1935  | Kodak  | 1985  |  | 28 × 40 mm  | 8  | 35 mm, one perforation per frame. Introduced with the Kodak Bantam camera.
635  | loading spool  | 1960s  | Comecon  | 1990s  |  | 24 × 36 mm  | 36  | Comecon designation for 35mm film on daylight loading spool.[7]
935  | loading spool  | 1960s  | Comecon  | 1990s  |  | 24 × 36 mm  | 36  | Comecon designation for 1.6m long 35mm film for loading in the darkroom.[7]
35-1  | loading spool  | c1950  | FOTON  | c1980  |  | 24 × 36 mm  | 36  | "35 type 1", polish designation for 35mm darkroom loading roll (935 format).[8]
35-2  | loading spool  | c1950  | FOTON  | 1960s  |  | 24 × 36 mm  | 18  | "35 type 2", polish designation of 80cm long 35mm film for darkroom loading. Half of standard 1.6m long 35mm film.[8]
35-3  | loading spool  | c1950  | FOTON  | c1980  |  | 24 × 36 mm  | 36  | "35 type 3", polish designation for 35mm daylight loading spool (635 format).[8]
35-4  | cartridge  | c1950  | FOTON  | c1980  |  | 24 × 36 mm  | 36  | "35 type 4", polish designation for 135 film.[8]
35-5  | loading spool  | c1950  | FOTON  | c1980  |  | 24 × 36 mm  | 36  | "35 type 5", polish designation for box of 10 darkroom loading rolls.[8]
35-6  | bulk roll  | c1950  | FOTON  | c1980  |  | 24 × 36 mm  | n/a  | "35 type 6", polish designation for 17m bulk roll of 35mm film.[8]
40  | roll film  | c1950  | FOTON  | c1980  | ​1 5⁄8 × ​2 1⁄2 in
​1 5⁄8 × ​1 5⁄8 in
​1 5⁄8 × ​1 1⁄4 in  | 40 × 65 mm
40 × 40 mm
40 × 30 mm  | 8

16  | Polish designation for 127 roll film.[8]
60-1  | roll film  | c1950  | FOTON  | c1980  | ​2 1⁄4 × ​3 1⁄4 in
​2 1⁄4 × ​2 1⁄4 in
​2 1⁄4 × ​1 5⁄8 in  | 60 × 90 mm
60 × 60 mm
60 × 45 mm  | 8

16  | "60 type 1", polish designation for 120 roll film.[8]
60-2  | roll film  | c1950  | FOTON  | c1980  | ​2 1⁄4 × ​3 1⁄4 in
​2 1⁄4 × ​2 1⁄4 in
​2 1⁄4 × ​1 5⁄8 in  | 60 × 90 mm
60 × 60 mm
60 × 45 mm  | 8

16  | "60 type 2", polish designation for 620 roll film.[8]
Op 4, Op 8  | roll film  | Unknown  | Agfa  | Unknown  |  | 75 × 105 mm  | 4 or 8  | Roll film format for Agfa Billy Optima camera. Early Agfacolor was sold in 4 exp., other films in 8 exp.[9]
R 12  | roll film  | Unknown  | Agfa  | Unknown  | ​3⁄4 × ​3⁄4 in  |  | 12  | Agfa roll film format probably for the US market.[10]
Karat  | cartridge  | 1936  | Agfa  | 1948  |  | 24 × 36 mm  | 12  | Early Agfa cartridge for 35 mm film.
Rapid  | cartridge  | 1964  | Agfa  | 1990s  |  | 24 × 24 mm
18 × 24 mm  | 12
16  | Agfa cartridge for 35 mm film (replaced Karat, same system).
UniveX #00  | roll film  | 1933  | Gevaert  |  | ​1 1⁄2 × ​1 1⁄8 in  |  | 6  | Made by Gevaert.
Hit (for example TONE camera) | roll film  | 1937  | Kodak  | Unknown  |  | 14 × 14 mm  | 10[11] | 17.5 mm stock; used in imported miniature toy cameras.[12]
Half-frame  | cartridge  | 1934, later than  | Kodak  | Present  |  | 18 × 24 mm  | 48 or 72  | 135 film in "half-frame" cameras.
Disc  | cartridge  | 1982  | Kodak  | 1998  |  | 8 × 11 mm  | 15  | Circular sheet of film attached to rigid carrier in a plastic cartridge.
Minox  | cartridge  | 1938  | Minox  | Present  |  | 8 × 11 mm  | 15, 36, 50  | Nominally 9.5 mm-wide stock (in reality 9.2–9.3 mm).
SL  | cartridge  | 1958  | ORWO  | 1994  |  | 24 × 36 mm
24 × 24 mm
18 × 24 mm  | 12

24  | ORWO Schnell-Lade Kassette for 35 mm film. Similar to Agfa Karat/Rapid.
Kassette 16  | cartridge  | 1978  | ORWO  | 1991  |  | 13 × 17 mm  | 20  | ORWO Kassette 16, 16 mm, perforation in the middle between frames. Eastern bloc 110 cartridge-like format.
Super 16 (Rollei) | cartridge  | 1963  | Rollei  | 1981  |  | 12 × 17 mm  | 18  | Rollei, Super 16 mm, single perforation. Produced by Rollei from existing film stocks for the Rollei 16 camera. Also Wirgin Edixa 16 (Franka/alka 16).
Mikroma  | cartridge  | 1946  | Meopta  | c1970  |  | 11 × 14 mm (single perf.)
10 × 14 mm (double perf.)  | 36, 50  | 16 mm film, single or double perforated, in a reusable cartridge for the Meopta Mikroma camera. Film strip could be up to 90 cm long (50 exp.).
Minolta-16  | cartridge  | 1955  | Minolta  | 1974  |  | 10 × 14 mm (original)
13 × 17 mm (later)  | 20  | Minolta, 16 mm, originally double perforated (single perforated or unperforated film could be loaded), later single perforation to allow larger 13 × 17 mm image.

1. ↑ Unless otherwise noted, all formats were introduced by Kodak, which began allocating the number series in 1913. Before that, films were simply identified by the name of the cameras they were intended for.[1]

For roll holder means film for cartridge roll holders, allowing roll film to be used with cameras designed to use glass plates. These were spooled with the emulsion facing outward, rather than inward as in film designed for native roll-film cameras. Types 106 to 114 were for Eastman-Walker rollholders, while types 50 to 54 were for Graflex rollholders.

The primary reason there were so many different negative formats in the early days was that prints were made by contact, without use of an enlarger. The film format would thus be exactly the same as the size of the print—so if you wanted large prints, you would have to use a large camera and corresponding film format.

## Roll film cross-reference table

Before World War II, each film manufacturer used its own system of numbering for the various sizes of roll films they made. The following sortable table shows the corresponding numbers. A blank space means that manufacturer did not make film in that size. Two numbers in one box refers to films available with different numbers of exposures, usually 6 and either 10 or 12. Spool length is measured between inner faces of the flanges; several films of the same image size were available on different spools to fit different cameras.

Eastman | Agfa  | Zeiss | Ansco | Ensign | Vulcan | Seneca | Rexo | Spool
length (in)

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101  | H6  |  | 8A, 8B  | ​3 1⁄2-inch  | 202  | 303  |  | 3.661
102  |  |  | 1B  | ​1 1⁄2-inch  | 204  |  |  | 1.655
103  | K6  |  | 10A, 10B  | 4-inch  | 206  |  |  | 3.912
104  | L6  |  | 12A, 12B  | 5-inch  | 208  |  |  | 5.064
105  | C6  |  | 5A, 5B  | ​2 1⁄4-inch C  | 210  | 315  |  | 2.509
115  |  |  | 13A, 13B  | 7-inch  | 230  |  |  | 7.126
116  | D6, D8  | D8  | 6A, 6B  | ​2 1⁄2-inch  | 232  | 348  | 425, 426  | 2.814
117  | B1-6  | BI  | 3A  | ​2 1⁄4-inch A  | 234  |  |  | 2.470
118  | E6  | E  | 7A, 7B  | ​3 1⁄4-inch  | 236  | 354  | 430, 431  | 3.474
119  |  |  | 11A, 11B  | ​4 1⁄4-inch  | 238  |  |  | 4.490
120  | B2-6, B2-8  | BII-8  | 4A  | ​2 1⁄4-inch B  | 240  | 360  | 415  | 2.466
121  | AB6  |  | 2A, 2B  | ​1 5⁄8-inch  | 242  |  |  | 1.850
122  | G6, G10  | G  | 18A, 18B  | ​3 1⁄4-inch A  | 244  | 366  | 445, 446  | 3.715
123  | J6  |  | 10C, 10D  | 4-inch A  | 246  |  |  | 4.693
124  | F6  |  | 7C, 7D  | ​3 1⁄4-inch B  | 248  | 372  | 435  | 3.716
125  |  |  | 18C, 18D  | ​3 1⁄4-inch C  | 250  | 375  |  | 3.912
126  |  |  | 19A  | ​4 1⁄4-inch A  | 252  |  |  | 4.898
127  | A8  | A8  | 2C  | Ensignette 1J  | 254  | 381  | 407  | 1.860
128  | O6  |  |  | Ensignette 1  |  |  |  | 1.606
129  | N6  | N  |  | Ensignette 2  |  |  |  | 2.059
130  | M6  |  | 26A, 26B  | ​2 7⁄8-inch  | 260  | 390  | 436, 438  | 3.132
616  | PD16  | DM8  |  |  |  |  |  | 2.814
620  | PB20, K20  | BII-D8  |  |  |  |  |  | 2.468

## Single image

Size (inches) | Type

|

​1 5⁄8 × ​2 1⁄8 | "sixteenth-plate" tintypes
2 × ​2 1⁄2 | "ninth-plate" tintypes
2 × 3 | sheet film
​2 1⁄4 × ​3 1⁄4 | sheet film
​2 1⁄2 × ​3 1⁄2 | "sixth-plate" tintypes
3 × 4 | sheet film
​3 1⁄8 × ​4 1⁄8 | "quarter-plate" tintypes
​3 1⁄4 × ​4 1⁄4 | sheet film,[13] "quarter-plate" glass plates
​3 1⁄4 × ​5 1⁄2 | postcard or 3A
4 × 5 | glass plate, sheet film
4 × 10 | sheet film
​4 1⁄4 × ​5 1⁄2 | "half-plate" tintypes
​4 3⁄4 × ​6 1⁄2 | "half-plate" glass plates, sheet film
5 × 7 | sheet film
​6 1⁄2 × ​8 1⁄2 | "whole-plate" glass plates, sheet film, tintypes
7 × 17 | sheet film
8 × 10 | glass plates, sheet film
8 × 20 | sheet film
11 × 14 | sheet film
12 × 20 | sheet film
14 × 17 | sheet film
16 × 20 | sheet film
20 × 24 | sheet film
Size (cm) | Type

|

6.5 × 9 | glass plate, sheet film
6 × 13  | sheet film
9 × 12 | glass plate, sheet film
10 × 12  | glass plate
10 × 15 | glass plate, sheet film
12 × 15  | glass plate
12 × 16,5  | glass plate, sheet film
13 × 18 | glass plate, sheet film
18 × 24 | glass plate, sheet film
24 × 30 | glass plate, sheet film
30 × 40  | glass plate

## Instant film

Designation  | Type  | Introduced  | Discontinued  | Image size  | Exposures  | Comment

|
|
|
|
|
|

Type 20 | Polaroid roll film cartridge | 1965 | 1979 | ​2 1⁄8 × ​2 7⁄8 in | 8 |
Type 30 | Polaroid roll film cartridge | 1954 | 1979 | ​2 1⁄8 × ​2 7⁄8 in | 8 |
Type 40 | Polaroid roll film cartridge | 1948 | 1972 (color)
1992 (monochrome) | ​2 7⁄8 × ​3 3⁄4 in | 6 or 8 |
Type 50 | Polaroid peel-apart film pack | 19?? | 2008 | 4 × 5 in |  | Including Type 55
Type 80 | Polaroid peel-apart film pack | 1971 | 2006 | ​2 3⁄4 × ​2 7⁄8 | 8 or 10 |
Type 100 | Polaroid peel-apart film pack | 1963 | 2016 by Fujifilm

.[14] Reintroduced in 2018

| ​2 7⁄8 × ​3 3⁄4 in | 8, 10 or 11 | Discontinued by Polaroid in 2008. Produced and sold by Fujifilm until 2016, when it was discontinued.[14] New 100 type film made by One Instant introduced in 2018
SX-70,
Type 600 | Polaroid integral film pack | 1972 | – | ​3 1⁄8 × ​3 1⁄8 in | 8 or 10 | Discontinued by Polaroid in 2008; reintroduced by Impossible Project in 2010.
Kodak Instant | Kodak integral film pack | 1976 | 1986 | 91 × 67 mm | 10 |
F Series | Fuji integral film pack | 1981 | c. 1990 | 91 × 69 mm |  | Film compatible with Kodak Instant, but in a different cartridge and rated at a (slightly) different speed
Kodamatic | Kodak integral film pack | c. 1980 | 1986 | 91 × 67 mm | 10 |
Trimprint,
Instagraphic | Kodak peel-apart film pack | 1983 | 1986 | 4 × ​3 1⁄2 in | 10 | [15][16]
System 800 | Fuji integral film pack |  | 2010 | 91 × 69 mm |  |
Spectra,
Type 700,
Type 1200 | Polaroid integral film pack | 1986 | Oct. 2019 | ​3 5⁄8 × ​2 7⁄8 in | 10 or 12 with original Polaroid; 8 with Polaroid Originals/Impossible Project | Discontinued by Polaroid in 2008; reintroduced by Impossible Project in 2010; discontinued by Polaroid Originals in 2019.
Captiva,
Type 500 | Polaroid integral film pack | 1993 | 2006 | ​2 7⁄8 × ​2 1⁄8 in | 10 |
InstantACE | Fuji integral film pack |  | 2010 | 91 × 69 mm |  |
8 × 10 | Polaroid film pack | 19?? | – | 8 × 10 in | 1 | Discontinued by Polaroid; reintroduced by Impossible Project.
i-Zone
Pocket | Polaroid integral film pack | 1997 | 2006 | 36 × 24 mm | 12 |
Fujifilm Instax Mini,
PolaroidMio,
PolaroidType 300 | Fuji/Polaroid integral film pack | 1998[17][18][19] | – | 46 × 62 mm | 10 |
Instax Wide | Fuji integral film pack | 1999[19] | – | 99 × 62 mm | 10 |
Instax Pivi | Fuji integral film pack | 2004 | – | 46 × 61 mm |  |
I-Type | Impossible integral film pack | 2016 | – | ​3 1⁄8 × ​3 1⁄8 in | 8 | Same image format as Polaroid Type 600, but the film cartridge does not contain a battery
Instax Square | Fuji integral film pack | 2017 | – | 62 × 62 mm | 10 |
Go | Polaroid integral film pack | 2021 | – | 2.12 × 2.62 in | 8 | The film cartridge does not contain a battery

## See also

* List of photographic films
* List of motion picture film formats

## References

1. ↑ "The History of Kodak Roll Films". http://www.brownie-camera.com/film.shtml.
2. ↑ "What is 110 film?". 2012-05-16. http://www.lomography.com/about/faq/3937-110-what-is-110-film.
3. ↑ Richmond, Adrian (1998). "The Ensignette Camera". http://www.ensign.demon.co.uk/ensignette.htm.
4. ↑ "Ilford History and Chronology". http://www.photomemorabilia.co.uk/Ilford/Chronology.html.
5. ↑ https://www.outsidetheshot.com/120-vs-220-film/
6. ↑ "Shanghai 220 Film Page". https://shop.shjcfilm.com/products/shanghai-gp3-100-220.
7. ↑ 7.0 7.1 Tomášek, Zdeněk (1982) (in cs). Fotografické chemikálie (1st ed.). Prague: Merkur.
8. ↑ 8.0 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 "Fotomuzeum.pl - Błony fotograficzne zwojowe - FOTON WARSZAWA". http://www.fotomuzeum.pl/wyroby/448-blony-warszawa-po-1945.html.
9. ↑ (in de) Wir zeigen Ihnen.... Berlin: I.G. Farbenindustrie – Agfa. 1933. https://www.pacificrimcamera.com/rl/02375/02375.pdf.
10. ↑ (in en) AGFA Cameras and Films for Amateur Use. Binghamton: Agfa Ansco Corporation. 1941. https://www.pacificrimcamera.com/rl/00244/00244.pdf.
11. ↑ "Reloading Hit Cameras". http://www.subclub.org/darkroom/roll17mm.htm.
12. ↑ "17.5mm or "Hit" Style Cameras". http://submin.com/17.5mm/collection/introduction.htm#17.5mm or Hit Style Cameras.
13. ↑ "Speed Graphic FAQ file". Rochester Institute of Technology. http://people.rit.edu/andpph/pf-faq/faq-23.html.
14. ↑ 14.0 14.1 "インスタントカラーフィルム「FP-100C」販売終了のお知らせ". Fujifilm. 29 February 2016. http://fujifilm.jp/information/articlead_0384.html.
15. ↑ Ortner, E.H. (September 1983). "What's New in Photography". Popular Science (September 1983): 93. https://books.google.com/books?id=NbgDAAAAMBAJ&pg=PA178.
16. ↑ "Photo Kit Copies CRT Images". Popular Science (December 1983): 74. December 1983. https://books.google.com/books?id=kawCnk4051wC&pg=PA74.
17. ↑ "Fujifilm Instax Mini 10 camera, c2000". National Media Museum. http://collection.sciencemuseum.org.uk/objects/co8094242/fujifilm-instax-mini-10-camera-c2000-instant-camera.
18. ↑ "Fuji may enter U.S. instant film market". The New York Times (EUROPE). 1998-10-31. https://www.nytimes.com/1998/10/31/business/company-news-fuji-photo-may-enter-us-instant-film-market.html.
19. ↑ 19.0 19.1 "23 "Japanese Historical Cameras" of 1999 Named". Japan Camera Industry Institute. http://www.jcii-cameramuseum.jp/museum/historicalc_e/1999_e.html.

* v
* t
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Motion picture film formats

Film gauges|

* 8 mm
* 9.5 mm
* 16 mm
* 17.5 mm
* 28 mm
* 35 mm
* 70 mm

Film formats|

| 35 mm|

* CinemaScope (1953)
* VistaVision (1954)
* Technirama (1956)
* Modern anamorphic (1957)
* Techniscope (1960)
* Super 35 (1982)

|

70 mm|

* Todd-AO (1955)
* Ultra Panavision 70 (1957)
* Super Panavision 70 (1959)
* IMAX (1970)

35 mm × 3|

* Cinerama (1952)
* Kinopanorama (1958)
* Cinemiracle (1958)

Aspect ratio standards|

* Academy ratio
* 14:9
* Anamorphic format

Video framing|

* Widescreen
* Anamorphic widescreen
* Letterbox
* Pillarbox
* Windowbox
* Pan and scan
* Fullscreen
* Open matte
* Shoot and protect

* v
* t
* e

Photography

Terminology|

* 35 mm equivalent focal length
* Angle of view
* Aperture
* Black and white
* Chromatic aberration
* Circle of confusion
* Color balance
* Color temperature
* Depth of field
* Depth of focus
* Exposure
* Exposure compensation
* Exposure value
* Zebra patterning
* F-number
* Film format
* Large
* Medium
* Film speed
* Focal length
* Guide number
* Hyperfocal distance
* Metering mode
* Orb (optics)
* Perspective distortion
* Photograph
* Photographic printing
* Photographic processes
* Reciprocity
* Red-eye effect
* Science of photography
* Shutter speed
* Sync
* Zone System

Genres|

* Abstract
* Aerial
* Aircraft
* Architectural
* Astrophotography
* Banquet
* Conceptual
* Conservation
* Cloudscape
* Documentary
* Ethnographic
* Erotic
* Fashion
* Fine-art
* Fire
* Forensic
* Glamour
* High-speed
* Landscape
* Lomography
* Nature
* Neues Sehen
* Nude
* Photojournalism
* Pornography
* Portrait
* Post-mortem
* Selfie
* Social documentary
* Sports
* Still life
* Stock
* Street
* Vernacular
* Underwater
* Wedding
* Wildlife

Techniques|

* Afocal
* Bokeh
* Brenizer
* Burst mode
* Contre-jour
* Cyanotype
* ETTR
* Fill flash
* Fireworks
* Harris shutter
* HDRI
* High-speed
* Holography
* Infrared
* Intentional camera movement
* Kirlian
* Kite aerial
* Long-exposure
* Macro
* Mordançage
* Multiple exposure
* Night
* Panning
* Panoramic
* Photogram
* Print toning
* Redscale
* Rephotography
* Rollout
* Scanography
* Schlieren photography
* Sabattier effect
* Slow motion
* Stereoscopy
* Stopping down
* Strip
* Slit-scan
* Sun printing
* Tilt–shift
* Miniature faking
* Time-lapse
* Ultraviolet
* Vignetting
* Xerography

Composition|

* Diagonal method
* Framing
* Headroom
* Lead room
* Rule of thirds
* Simplicity
* Golden triangle (composition)

Equipment|

* Camera
* light-field
* field
* instant
* pinhole
* press
* rangefinder
* SLR
* still
* TLR
* toy
* view
* Darkroom
* enlarger
* safelight
* Film
* base
* format
* holder
* stock
* available films
* discontinued films
* Filter
* Flash
* beauty dish
* cucoloris
* gobo
* hood
* hot shoe
* monolight
* Reflector
* snoot
* Softbox
* Lens
* Wide-angle lens
* Zoom lens
* Telephoto lens
* Manufacturers
* Monopod
* Movie projector
* Slide projector
* Tripod
* head
* Zone plate

History|

* Timeline of photography technology
* Analog photography
* Autochrome Lumière
* Box camera
* Calotype
* Camera obscura
* Daguerreotype
* Dufaycolor
* Heliography
* Painted photography backdrops
* Photography and the law
* Glass plate
* Visual arts

Digital
photography|

* Digital camera
* D-SLR
* comparison
* MILC
* camera back
* Digiscoping
* Digital versus film photography
* Film scanner
* Image sensor
* CMOS APS
* CCD
* Three-CCD camera
* Foveon X3 sensor
* Image sharing
* Pixel

Color
photography|

* Color
* Print film
* Chromogenic print
* Reversal film
* Color management
* color space
* primary color
* CMYK color model
* RGB color model

Photographic
processing|

* Bleach bypass
* C-41 process
* Cross processing
* Developer
* Digital image processing
* Dye coupler
* E-6 process
* Fixer
* Gelatin silver process
* Gum printing
* Instant film
* K-14 process
* Print permanence
* Push processing
* Stop bath

Lists|

* Most expensive photographs
* Photographers
* Norwegian
* Polish
* street
* women

* Category
* Portal
* Outline

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