Digital imaging technician

Short description: Job in the motion picture industry

A DIT with her DIT cart

A digital imaging technician (DIT) was created for the motion picture industry in response to the transition from the long established film movie camera medium into the current digital cinema era.[1] The DIT is the camera department crew member who works in collaboration with the cinematographer on workflow, systemization, camera settings, signal integrity and image manipulation to achieve the highest image quality and creative goals of cinematography in the digital realm.[2]

With the progression of the digitization ever more tasks concerning data management emerged: the position of the Digital Imaging Technician was introduced. The DIT is the connector between on-set time and post production. DITs support the camera team with technical and creative tasks with the digital camera. Their purpose is to ensure the best technical quality possible, as well as production safety. DITs are responsible for tasks during preparation, on-set time and post production. They are also responsible for managing data on set, such as making backups and quality checks of the material. In post production, the DIT hands the recordings to the post production team, possibly after checking the quality of the material and generating working copies.

Data backups and quality control are of great significance for the DIT who has to make sure that the original camera data and metadata is backed up at least twice daily, ensuring data integrity with checksum verification. Furthermore, the data may be backed up on LTO tape which is hardier than electronic devices and is used for long-term storage. Another copy must be made on a transfer data carrier that will be sent to post production along with the reports of the content. Again, the data has to be backed up. The data has to be accessible at all times and should be saved in a system where it can be reviewed, displaying the metadata of each clip.

The DIT's role on-set has become especially prevalent through assisting cinematographers, normally accustomed to film stock, in achieving their desired look digitally. This is accomplished by the DIT through monitoring picture exposure, setting up Color Decision List (CDL) on daily basis and, if requested, "look up tables" (LUTs) for the post-production. Additionally, the DIT handles any settings in the digital camera's menu system, such as recording format and outputs. As a courtesy, the DIT also secures the digital audio recorded by the external digital audio recorder operated by the Production Sound Mixer.

## Related positions

Alongside the digital imaging technician, the digital loader position has also been created. Digital loaders may be independent or work under a digital imaging technician. A data wrangler is another common term for the role of digital loader.[3] A digital loader supports the camera department by managing, transferring and securing all the digital data acquired on-set via any digital cinematography cameras, interacting with the 2nd AC. Depending on the scale of the project, the DIT can also wrangle data, but never the opposite.[4] In tradition with the classic role of film loader, the 2nd AC may alternatively take on the responsibility of digital loading as an additional duty.

A digital loader may also be called a loader, DMT (Data Management Technician), data wrangler or film loader. Loaders usually, however, have responsibilities in addition to data wrangling, like maintaining the camera truck and completing paperwork for the camera crew.[5] Traditional film loaders also continue to be employed on film productions where the skills of a DIT aren't applicable.

Prior to the DIT position and its focus on on-set image work, several other positions, including video controllers, video shaders and video engineers performed similar functions of exposure and color control on a live video feed. While video positions still exist (especially in live broadcast and studio television), the DIT position has become commonplace in cinema, commercials and digital television.

## References

1. ↑ "What is a Digital Imaging Technician - Interview with a DIT | ScreenLight". http://www.screenlight.tv/blog/2013/02/08/what-is-a-digital-imaging-technician/.
2. ↑ Pennington, Adrian. "4K - Bane or blessing?". http://www.digitalproductionme.com/article-718-4k__bane_or_blessing/2/.
3. ↑ "Tips for Digital Loaders, Data Wranglers and DITs" (in en-US). 2015-04-01. http://www.pyragraph.com/2015/04/tips-for-digital-loaders-data-wranglers-and-dits/.
4. ↑ Tristan Hey (2012-11-09), The Role of the Digital Imaging Technician, https://www.youtube.com/watch?v=ahH3PZA7Gh0, retrieved 2016-11-17
5. ↑ Gottlieb-Walker, Kim (2011). Setiquette: A Guide to Working Effectively on Set. The International Cinematographers Guild, IATSE Local 600.

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Film crew (filmmaking)

Above the line

* Actor
* Bit actor
* Cameo actor
* Character actor
* Leading actor
* Movie star
* Superstar
* Supporting actor

Film director
* Screenwriter
* Film producer
* Executive producer
* Line producer

Below the line

| Pre-production|

* Unit production manager
* Production coordinator
* Production accountant
* Assistant director
* Script supervisor
* Script coordinator
* Casting director
* Production assistant
* Location manager
* Location scout

| Storyboard|

* Storyboard artist

|

Production
design|

* Production designer
* Art director
* Costume designer
* Greensman
* Hairdresser
* Make-up artist
* Set decorator
* Set dresser
* Property master / mistress ("props")
* Weapons master

| Visual arts|

* Matte painter
* Illustrator
* Scenic design

|

Photography|

* Cinematographer / Director of photography
* Camera operator
* Focus puller
* Clapper loader
* Steadicam
* Digital imaging technician
* Second unit
* Gaffer
* Best boy (electrical)
* Lighting technician
* Key grip
* Best boy (grip)
* Grip
* Dolly grip

Sound|

* Director of audiography
* Production sound mixer
* Boom operator
* Utility sound technician
* Dialogue editor
* Re-recording mixer
* Foley artist
* Dubbing
* ADR
* Subtitles
* Composer
* Music supervisor
* Music editor
* Orchestrator

Special effects|

* Special effects supervisor
* Visual effects supervisor

Animation|

* Animator
* Visual effects
* Modeling
* Rigging
* Layout artist

Talent|

* Acting coach
* Body double
* Dialect coach
* Ensemble cast
* Movement director
* Choreographer
* Extra
* Talent agent
* Actor (voice)
* Cast member
* Stand-in
* Acting instructor
* Stage combat
* Stunt double
* Stunt performer
* Under-five

Post-production|

* Film editor
* Sound editor
* Colorist
* Animator
* Technical director

| Visual effects|

* VFX creative director
* Visual effects editor
* Compositor
* Computer-generated imagery
* Rendering

|

Other|

* Unit still photographer

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