List of large sensor interchangeable-lens video cameras

Short description: none

List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

## Contents

* 1 Digital video cameras
* 2 Still cameras with video mode
* 3 See also
* 4 References

## Digital video cameras

Brand  | Camera  | Sensor size | Crop factor[1] | Lens Mount[2] | Recording media[3] | Codec | Maximum video resolution | ISO range  | Dynamic range (at native/peak ISO)  | Shutter type  | Anamorphic shooting  | Internal filters  | Frame rate(s−1)

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Arri | Alexa[4]
Alexa Plus  | 23.76 x 13.37 mm  | 1.52  | Arri PL  | SxS card, T-link recorder (optional XR module upgrade)[5] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)  | 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] | 160 - 3200 (800 native)  | 14.5 stops (Log C, -6.7, +7.8)[7] | Rolling  | None by default, 2x and 1.33x desqueeze with license[8] | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri | Alexa Plus 4:3[10]
Alexa M  | 23.76 x 17.82 mm  | 1.52  | Arri PL  | SxS card, T-link recorder (optional XR module upgrade)[5] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)  | 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] | 160 - 3200 (800 native)  | 13.8 stops[11] | Rolling  | 2x and 1.33x desqueeze[8] | Optical low pass, IR, UV | 0.75 - 120[9]
Arri | Alexa Studio | 23.76 x 17.82 mm  | 1.52  | Arri PL  | SxS card, T-link recorder (optional XR module upgrade)[5] | 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)  | 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] | 160 - 3200 (800 native)  | 13.8 stops[11] | Mechanical  | 2x and 1.33x desqueeze[8] | Optical low pass, IR, UV, ND 0.6-1.3[12] | 0.75 - 120[9]
Arri | Alexa HD
Alexa HD Plus[13]
| 23.76 x 13.37 mm  | 1.52  | Arri PL  | SxS card  | 12-bit 4444 ProRes, 10-bit DNxHD (with license)  | 1920 x 1080  | 160 - 3200 (800 native)  | 14.5 stops (Log C, -6.7, +7.8)  | Rolling  | None by default, 2x and 1.33x desqueeze with license[8] | Optical low pass, IR, UV | 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri | Alexa Mini[12] | 28.25 x 18.17 mm  | 1.28  | Arri PL, EF, B4 (interchangeable)  | CFast 2.0 card, SDI-6G recorders  | 12-bit 4444 ProRes XQ, ARRIRAW  | 3424 x 2202 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[14] | 160 - 3200 (800 native)  | 14.5 stops (Log C, -6.7, +7.8)  | Rolling  | 2x and 1.33x desqueeze  | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1  | 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri | Alexa LF | 36.7 x 25.54 mm  | 0.98  | LPL, ships with Arri PL adapter  | SXR drive  | 12-bit ARRIRAW, ProRes 4444 XQ  | 4448x3096 (ARRIRAW)
| 160 - 3200 (800 native)  | 13.5 stops[11] | Rolling  | 2x and 1.33x desqueeze  | Optical low pass, IR, UV | 23.98-150
Arri | Alexa Mini LF | 36.7 x 25.54 mm  | 0.98  | LPL, ships with Arri PL adapter  | Codex Compact Drive  | 12-bit ARRIRAW, ProRes 4444 XQ  | 4448x3096 (ARRIRAW)
| 160 - 3200 (800 native)  | 13.5 stops[11] | Rolling  | 2x and 1.33x desqueeze  | Optical low pass, IR, UV, ND 0.6, 1.2, 1.8  | 23.98-90
Arri | Alexa SXT[15]
Alexa SXT Plus  | 28.17 x 18.13 mm[16] | 1.28  | Arri PL  | SXR drive  | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes)  | 160 - 3200 (800 native)  | 14.5 stops (Log C, -6.7, +7.8)  | Rolling  | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] | 0,75 - 120
Arri | Alexa SXT Studio[15] | 28.17 x 18.13 mm[16] | 1.28  | Arri PL  | SXR drive  | 12-bit 4444 ProRes XQ, 12-bit ARRIRAW | 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes)  | 160 - 3200 (800 native)  | 14.5 stops (Log C, -6.7, +7.8)  | Mechanical  | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] | 0,75 - 120
Arri | Alexa XT[13]
Alexa XT Plus
Alexa XT M  | 28.17 x 18.13 mm[16] | 1.28  | Arri PL  | XR drive (optional SXR module upgrade, excluding Alexa XT M)[19] | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)  | 160 - 3200 (800 native)  | 14.5 stops (Log C, -6.7, +7.8)  | Rolling  | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] | 0,75 - 120
Arri | Alexa XT Studio[13]
| 28.17 x 18.13 mm[16] | 1.28  | Arri PL  | XR drive (optional SXR module upgrade)  | 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW | 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)  | 160 - 3200 (800 native)  | 14.5 stops (Log C, -6.7, +7.8)  | Mechanical  | 2x and 1.33x desqueeze[17] | Optical low pass, IR, UV, ND 0.6-1.3[12] | 0,75 - 120
Arri | Alexa XT B+W Monochrome[20] | 28.17 x 18.13 mm[16] | 1.28  | Arri PL  | XR drive (optional SXR module upgrade)  | ProRes XQ, DNxHD (XR drive only), ARRIRAW | 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)  | 160 - 3200 (2000 native)  | 15 stops[20] | Rolling  | 2x and 1.33x desqueeze[17] | Omits bayer filters, internal ND filter module with filters sold separately[18] | 0,75 - 120
Arri | Alexa 65[21] | 54.12 x 25.58 mm  | 0.67  | Arri XPL  | XR drive  | ARRIRAW | 6560 x 3102  | 160 - 3200 (800 native)  | 14 stops  | Rolling  |  |  | 0,75 - 27 (60 fps upcoming)
Arri | Alexa 35[22] | 27.99 x 19.22 mm  |  | Arri PL, LPL, Canon EF (interchangeable)  | Codex Compact Drive  | ARRIRAW, Apple ProRes 4444 XQ  | 4608 × 3164  | 160 - 6400  | 16.3 stops (Log C,-8, +9)[23][24] | Rolling  | 1x-2x desqueeze  | Optical low pass, IR, UV, ND 0.6, 1.2, 1.8  | 0.75 - 120
Arri | Amira[25]
| 23.76 x 13.37 mm  | 1.52  | Arri PL, B4, EF (interchangeable)  | CFast 2.0 card  | ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[26]ARRIRAW (with license)  | 1920 x 1080 (default)
2048 x 1152 (with 2K license)

2880 x 1620 (ARRIRAW)
3840 x 2160 (in-camera upscaling with license)[27]

| 160 - 3200 (800 native)  | 14.5 stops (Log C)[28]
13.1 stops (usable)[29] | Rolling  | None  | Optical low pass, IR, UV, ND 0.6, 1.2, 2.1  | 0,75 - 100 (default), 200 and 4K 60 with license
Arri | D-20
D-21 | 24.9 x 18.15 mm  | 1.45  | Arri PL  | HD-SDI recorder, T-link recorder  | Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders)  | 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders)  | 50 - 320 (D-20)
100 - 800 (D-21, 200 native)[30] | 11 stops (Log C data mode, +6, -5)[31] | Mechanical  | 2x desqueeze  | Optical low pass, IR | 1 - 60
Blackmagic | Cinema Camera[32] | 15.81 x 8.88 mm CMOS  | 2.28  | Canon EF, MFT, Arri PL  | 2.5" SSD  | 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW  | 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW)  | 200 - 1600 (800 native)  | 13 stops (BMD Film, +6, -7)[33][34] | Rolling  | None  | None  | 23.98, 24, 25, 29.97, 30
Blackmagic | Micro Cinema Camera | 12.48 x 7.02 mm CMOS  | 2.88  | MFT  | SD card  | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW  | 1920 x 1080  | 200 - 1600 (800 native)  | 13 stops  | Rolling  | None  | None  | 23.98 - 60[35]
Blackmagic | Pocket Cinema Camera[32]
| 12.48 x 7.02 mm CMOS  | 2.88  | MFT  | SD card  | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW  | 1920 x 1080  | 200 - 1600 (800 native)  | 13 stops (BMD Film, +6, -7)[33][34] | Rolling  | None  | None  | 23.98, 24, 25, 29.97, 30
Blackmagic | Pocket Cinema Camera 4K[32] | 18.96 x 10 mm CMOS  | 1.9  | Active MFT  | CFast card, SD card, USB-C drives  | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] | 4096 x 2160 (BRAW)
3840 x 2160 (ProRes)  | 100-25,600

(400 & 3200 dual native ISO)[37]

| 13.1 stops (BMD Film ISO 400, +5.5, -7.6)
12.2 stops (BMD Film ISO 3200, +5.1, -7.2)[33] | Rolling  | None  | None  | 23.98 - 60
Blackmagic | Pocket Cinema Camera 6K | 23.1 x 12.99 mm CMOS  |  | Canon EF  | CFast card, SD card, USB-C drives  | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] | 6144 x 3456 (BRAW)
4096 x 2160 (ProRes)  | 100-25,600

(400 & 3200 dual native ISO)[37]

| 13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.2 stops (BMD Film ISO 3200, +5.6, -6.5)[33] | Rolling  | None  | None  | 23.98 - 60
Blackmagic | Pocket Cinema Camera 6K (L-Mount) | 36 x 24 mm CMOS  | 1  | Leica L-Mount  | CFexpress card, USB-C drives  | 12-bit Blackmagic RAW, 8-bit 4:2:0 H.264 | 6048 x 4032

(BRAW)

1920 x 1080 (H.264)

| 100-25,600

(400 & 3200 dual native ISO)

| 13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)  | Rolling  | 4.8K 6:5 sensor windowing  | Optical low pass | 23.98 - 120
Blackmagic | Pocket Cinema Camera 6K Pro | 23.1 x 12.99 mm CMOS  |  | Canon EF  | CFast card, SD card, USB-C drives  | 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] | 6144 x 3456 (BRAW)
4096 x 2160 (ProRes)  | 100-25,600

(400 & 3200 dual native ISO)[37]

| 13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[33] | Rolling  | 3.7K 6:5 sensor windowing  | ND 0.3, 0.6, 0.9  | 23.98 - 120
Blackmagic | Production Camera 4K[32] | 21.12 x 11.88 mm CMOS  | 1.7  | Canon EF, MFT, Arri PL  | 2.5" SSD  | 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW  | 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)  | 200 - 800 (400 native)[38] | 12 stops (BMD Film, per manufacturer)[33]
8.2 stops (usable)[29] | Global  | None  | None  | 23.98, 24, 25, 29.97, 30
Blackmagic | Ursa 4K[39]
| 21.12 x 11.88 mm CMOS  | 1.7  | Canon EF, Arri PL, B4 (interchangeable)  | CFast 2.0 card  | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW  | 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)  | 200 - 1600 (400 native)[40] | 12 stops (BMD Film)[33] | Global[41] | None  | None  | 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic | Ursa 4.6K  | 25.34 x 14.25 mm& CMOS  | 1.42  | Canon EF, Arri PL, B4 (interchangeable)  | CFast 2.0 card  | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW  | 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)  | 200 - 1600 (800 native)  | 15 stops  | Rolling  | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze  | None  | 23.98 - 120
Blackmagic | Ursa Mini 4K[33] | 21.12 x 11.88 mm  | 1.7  | Canon EF, Arri PL  | CFast 2.0 card  | 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW  | 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)  | 200 - 1600 (400 native)[40] | 12 stops (BMD Film)

8.5 stops (usable)[42]

| Global[41] | None  | None  | 23.98 - 60
Blackmagic | Ursa Mini 4.6K  | 25.34 x 14.25 mm  | 1.42  | Canon EF, Arri PL  | CFast 2.0 card  | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW  | 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)  | 200 - 1600 (800 native)  | 15 stops

~12 stops (usable)[42]

| Rolling  | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze  | None  | 23.98 - 60
Blackmagic | Ursa Mini Pro[33] | 25.34 x 14.25 mm  | 1.42  | Canon EF, Arri PL (interchangeable)  | CFast 2.0 card, SD card  | 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW  | 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)  | 200 - 1600 (800 native)  | 15 stops  | Rolling  | 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze  | IR ND 0.6, 1.2, 1.8  | 23.98 - 60
Blackmagic  | Ursa Mini Pro G2[43] | 25.34 x 14.25 mm  | 1.42  | Canon EF, Arri PL, B4, F-Mount (interchangeable)  | CFast 2.0 card, SD card  | 12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW[36] | 4608 x 2592 (BRAW)

3840x2160 (Prores)

| 200 - 3200 (800 native)[44] | 15 stops  | Rolling  | 3K 1.2:1 sensor windowing and 2x, 1.3x desqueeze  | IR ND 0.6, 1.2, 1.8  | 23.98 - 120
Blackmagic  | Ursa Mini Pro 12K[45] | 27.03 x 14.25 mm  | 1.42  | Canon EF, Arri PL, F-Mount (interchangeable)  | CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder  | 12-bit Blackmagic RAW[36] | 12,288 x 6480  | 200 - 3200 (800 native)[44] | 14 stops  | Rolling  | 1.2:1 sensor windowing and 2x, 1.3x desqueeze  | IR ND 0.6, 1.2, 1.8, optical low pass (OLPF model)[46] | 23.98 - 160
Canon  | C70[47] | 26.2 x 13.8 mm  | 1.46  | Canon RF (RF to EF adapter included)  | SD card  | 10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light  | 4096 x 2160  | 100 - 102,400 (800 native)  | 12.8 stops[48] | Rolling  | None  | Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded)  | 23.98-120
Canon  | C100
| 24.6 x 13.8 mm  | 1.46  | Canon EF  | SD card, HDMI recorder  | 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders)  | 1920 x 1080  | 320 to 80,000 (850 native)  | 12 stops (Canon Log, -6.7, +5.3)[49] | Rolling  | None  | Optical low pass, IR, ND 0.6, 1.2, 1.8  | 1-30 (1-60)
Canon  | C100 Mark II
| 24.6 x 13.8 mm  | 1.46  | Canon EF  | SD card, HDMI recorder  | 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders)  | 1920 x 1080  | 320 to 102,400 (850 native)  | 12 stops (Canon Log, -6.7, +5.3)[49] | Rolling  | None  | Optical low pass, IR, ND 0.6, 1.2, 1.8  | 1-60
Canon  | C200 | 24.6 x 13.8 mm  | 1.46  | Canon EF, Arri PL (interchangeable with mount kit)  | CFast 2.0 card, SD card  | 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card, uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders)  | 4096 x 2160 (Cinema RAW Light)
3840 x 2160 (MPEG4)  | 100 to 102,400 (800 native)  | 13 stops  | Rolling  | None  | Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded)  | 23.98-60 (4K) 23.98-120 (1080p)
Canon  | C300[50]
| 24.6 x 13.8 mm  | 1.46  | Canon EF, Arri PL  | CF card, HDMI/HD-SDI recorder  | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders)  | 1920 x 1080  | 320 to 80,000 (850 native)  | 12 stops (Canon Log, -6.7, +5.3)[51] | Rolling  | None  | Optical low pass, IR, ND 0.6, 1.2, 1.8  | 1-30 (1-60)
Canon  | C300 Mark II[50]
| 24.6 x 13.8 mm  | 1.46  | Canon EF, Arri PL (interchangeable by Canon)  | CFast 2.0 card, HDMI/HD-SDI recorder  | 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders)  | 4096 x 2160  | 320 to 102,400 (800 native)  | 12.3 stops (Canon Log 2)[52] | Rolling  | None  | Optical low pass, IR, ND 0.6 - 3  | 1-30 (4K)
1-120 (2K)
Canon  | C300 Mark III[53] | 26.2 x 13.8 mm  | 1.37  | Canon EF, Arri PL (interchangeable with mount kit)  | CFexpress card, SD card, HDMI/HD-SDI recorder  | 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HDMI/HD-SDI recorders)  | 4096 x 2160  | 100 to 102,400 (800 native)[54] | 12.8 stops (Canon Log)[55] | Rolling  | 2x and 1.33x desqueeze  | Optical low pass, IR, ND 0.6 - 3  | 1-120 (4K)
1-180 (2K)
Canon  | C500[50]
| 26.2 x 13.8 mm  | 1.37  | Canon EF, Arri PL  | CF card, HDMI/HD-SDI recorder  | 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders)  | 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders)  | 320 to 80,000 (850 native)  | 12 stops (Canon Log, -6.7, +5.3)[56] | Rolling  | None  | Optical low pass, IR, ND 0.6, 1.2, 1.8  | 1-30 (1-60)
Canon  | C500 Mark II[50]
| 38.1 x 20.1 mm  | 0.94  | Canon EF, Arri PL (interchangeable)  | CFexpress card, SD card, HDMI/HD-SDI recorder  | 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders)  | 5952 x 3140  | 100 to 102,400 (800 native)  | 13.1 stops (Canon Log)[57] | Rolling  | 2x and 1.33x desqueeze  | Optical low pass, IR, ND 0.6, 1.2, 1.8  | 1-30 (1-60)
Canon  | C700
C700 GS PL  | 26.2 x 13.8 mm  | 1.37  | Canon EF, Arri PL (interchangeable by Canon)  | CFast 2.0 card, SD card, Codex recorder  | 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders)  | 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder)  | 100 to 102,400 (850 native)  | 15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter)  | Rolling
Global (GS PL version)  | 1.3x and 2x desqueeze  | Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6  | 23.98-60 (6K), 23.98-120 (2K)
Canon  | C700 FF  | 38.1 x 20.1 mm  | 0.94  | Canon EF, Arri PL (interchangeable by Canon)  | CFast 2.0 card, SD card, Codex recorder  | 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders)  | 4096 x 2160 (internal recording)
5952 x 3140 (RAW to external recorder)  | 100 to 102,400 (850 native)  | 15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter)  | Rolling
Global (GS PL version)  | 1.3x and 2x desqueeze  | Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6  | 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Canon  | ME20F-SH [59][60] | Full frame 35 mm  |  | Canon EF  |  |  | 1920 x 1080  | 800 to 4,560,000  | 12 stops  |  |  | IR, ND 1/8, 1/64  | 23.98-59.94
Dalsa  | Origin II[50]
| 34 x 17.2 mm  | 1.06  | Arri PL  |  |  | 1920 x 1080  |  |  |  |  |  | 30
Digital Bolex | D16  | 12.85 x 9.64 mm CCD  | 2.8  | C-mount, EF, MFT, PL  | CF card, internal flash storage (non-removable)  | 12-bit 4:4:4 CinemaDNG RAW  | 2048 x 1152  | 100 - 800 (200 native)[61] | 12 stops[62] | Global  | None  | Optical low pass | 23.98-90
Digital Bolex | D16 Monochrome  | 12.85 x 9.64 mm CCD  | 2.8  | C-mount, EF, MFT, PL  | CF card, internal flash storage (non-removable)  | CinemaDNG RAW  | 2048 x 1152  |  | 13 stops[63] | Global  | None  | Omits bayer filters | 23.98-90
Hitachi | SK-UHD8000[64] | Super 35 |  | Arri PL  |  |  | 7680 X 4320 8K |  |  |  |  |  |
Ikegami | SHK-810[65] | Super 35 |  | Arri PL  |  |  | 7680 X 4320 8K |  |  |  |  |  |
JVC  | GY-LS300 | Super 35 | 1.5  | Micro Four Thirds | SD card (dual slot: mirror, relay, proxy, sequential)  | H.264 8 bit 4:2:0 / 4:2:2 up to 150 Mbit/s  | 4096 x 2160 4K

3840 x 2160 4K

| 400 - 25600

(400 native)

| 11.8 stops

(-6.3, + 5.5)[66]

| Rolling  | None  | ND 0.6, 1.2, 1.8  | 23.976-120
Panasonic  | AG-AF100

AG-AF101 AG-AF102 AG-AF105[67]

| 17.8 x 10 mm  | 2.02  | Micro Four Thirds | SD card(dual slot, only sequential)  | AVCHD 4:2:0 8 bit 24 Mbit/s

RAW 4:2:2 8 bit (external)

| 1920 x 1080  | 200 - 3200

(400 native)

| 10.2 stops

(-5.9, +4.3) at ISO 800[68]

| Rolling  | None  | ND 0.6, 1.2, 1.8  | 12-60
Panasonic  | AJ-HPX3700[69]
| 2/3" CCD x 3  | 4.09  | 2/3 inch bayonet mount[70] |  | H.264, AVC-Intra 100  | 1920 x 1080  |  |  |  |  |  | 24, 1-60
Panasonic  | AJ-HPX2000[71] | 2/3" CCD x 3  | 4.09  | 2/3 inch bayonet mount  |  | DVCPRO HD 137 Mbit/s  | 1920 x 1080  |  |  |  |  |  | 60 (interlaced)
Panasonic  | AJ-HPX3100GJ[72] | 2/3" CCD x 3  | 4.09  | 2/3 inch bayonet mount  |  | AVC-Intra 100, DVCPRO HD 68 Mbit/s  | 1920 x 1080  |  |  |  |  |  | 30 (60)
Panasonic  | AK-SHB800GJ [73][74] | Full frame 35mm CMOS  |  | EF lens mount  |  |  | 8K |  |  |  |  |  |
Panasonic  | AU-EVA1  | Full frame 35mm MOS  | 1.5  | EF lens mount  | SDHC, SDXC  | MOV: 4:2:2 10 bit/4:2:0 8 bit

AVCHD: 4:2:0 8 bit

| 4096 x 2160  | NATIVE: 800, 2500

800 Base: 200 to 2000

2500 Base: 1000 to 25600

| 14 stops  | Rolling  |  | ND Filter: CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven

IR Cut Filter: USER assignable IR shooting (filter ON/OFF)

| 23.98p - 240p
Panasonic  | Varicam 35[75] | 26.688 mm × 14.184 mm  | 1.35  | 35 mm, PL  | expressP2 card, P2 card, microP2 card  | V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444  | 4096 x 2160  | 800 - 12,800 (800 & 5000 dual native ISO)  | 14+ stops  | Rolling  | 1.33:1 and 2.0:1 desqueeze  | UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR  | 23.98p - 120p
Panasonic  | Varicam LT  | 26.688 mm × 14.184 mm  | 1.35  | EF, PL  | expressP2 card, P2 card, microP2 card  | V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444  | 4096 x 2160  | 800 - 12,800 (800 & 5000 dual native ISO)  | 14+ stops  | Rolling  | 1.33:1 and 2.0:1 desqueeze  | UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR  | 23.98p - 59.94
Panavision | Millennium DXL[76] | 40.96 x 21.60mm  | 0.88  | Panavision PV mount  | Mini RedMag SSD  | 16-bit Redcode RAW, ProRes, DNxHD  | 8192 x 4320  | 800 native  | 14.8 stops[77] |  | 2x and 1.33x desqueeze  |  | 23.98 - 60 (8K)
Panavision  | Millennium DXL 2[76] | 40.96 x 21.60mm  | 0.88  | Panavision PV mount  | Mini RedMag SSD  | 16-bit Redcode RAW, ProRes, DNxHD  | 8192 x 4320  | 1600 native  | 14.9 stops[78] |  | 2x and 1.33x desqueeze  |  | 23.98 - 60 (8K)
Panavision  | Genesis[79] | 24.89 x 16.86mm  | 1.45  | Panavision PV mount  | HD-SDI recorder, SSR-1 recorder, HDCAM recorder  | 10-bit 4:4:4 signal (HD-SDI recorders)  | 1920 x 1080  | 400 - 1600 (400 native)  | 8 stops[80] | Global  | None[81] |  | 30 (1-60)
Panavision  | HD900F[82] | 2/3" CCD  | 4.09  | Panavision PV mount  |  | HDCAM  | 1920 x 1080  |  |  |  |  |  | 30 (24)
Red  | Epic Dragon[50]
| 30.7 x 15.8 mm  | 1.25  | PL, EF, F-mount (interchangeable)  | RedMag SSD (optional Mini RedMag SSD module upgrade)[83] | 16-bit .r3d | 6144 x 3160  | 80 – 12800 (250 native)[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red  | Epic Dragon Monochrome[90] | 30.7 x 15.8 mm  | 1.25  | PL, EF, F-mount (interchangeable)  | RedMag SSD (optional Mini RedMag SSD module upgrade)  | .r3d | 6144 x 3160  |  |  | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red  | Epic Mysterium-X[50]
| 27.7 x 14.6 mm  | 1.38  | PL, EF, F-mount (interchangeable)  | RedMag SSD (optional Mini RedMag SSD module upgrade)  | 16-bit .r3d | 5120 x 2700  | 80 – 12800 (800 native)  | 12.5 stops (-7, +5.5)[86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-120 (5K)
1-180 (3K)
1-225 (2K)
Red  | Epic Mysterium-X Monochrome[91] | 27.7 x 14.6 mm  | 1.38  | PL, EF, F-mount (interchangeable)  | RedMag SSD (optional Mini RedMag SSD module upgrade)  | .r3d | 5120 x 2700  | 80 – 12800 (2000 native)  |  | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-120 (5K)
1-180 (3K)
1-225 (2K)
Red  | Epic-W Gemini[50]
| 30.72 x 18 mm  | 1.25  | PL, EF, F-mount (interchangeable)  | Mini RedMag SSD  | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX  | 5120 x 3000 (r3d)
4096 x 2160 (ProRes, DNxHR)  | 800, 3200 dual native ISO rating with Standard OLPF)[92] | 15.2 stops[93] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
Red  | Epic-W Helium[50]
| 29.9 x 15.8 mm  | 1.28  | PL, EF, F-mount (interchangeable)  | Mini RedMag SSD  | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX  | 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)  | 1280-2500 (Balanced ISO rating with Standard OLPF)[92] | 15.2 stops[93] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
Red  | Komodo[94] | 27.03 x 14.25 mm  | 1.416  | Canon RF  | CFast 2.0 card  | 12-bit .r3d | 6144 x 3240  |  | 12.5 stops (R3D HQ)

12.2 stops (ProRes 422 HQ)[95]

| Global  | Yes  | No  | 23.98-40 (6K)

23.98-48 (5K)

23.98-60 (4K)

23.98-120 (2K)

Red  | One[96]
| 24.4 x 13.7 mm  | 1.48  | PL, EF, F-mount (interchangeable)  | CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] | 12-bit .r3d | 4096 x 2304  | 100 - 2000 (320 native)  | 11.3 stops[98] | Rolling  | 1.22:1 sensor windowing and 2x desqueeze  |  | 1-30 (120)
Red  | One Mysterium-X[50]
| 24.2 x 12.5 mm  | 1.59  | PL, EF, F-mount (interchangeable)  | CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] | 12-bit .r3d | 4480 x 2304  | 100 - 6400 (800 native)  | 11.9 stops (-7, +5)[68] | Rolling  | 1.22:1 sensor windowing and 2x desqueeze  |  | 1-30 (120)
Red  | Raven[99] | 23.04 x 10.8 mm  | 1.56  | Canon EF  | Mini RedMag SSD  | 16-bit .r3d, 10-bit 422 ProRes  | 4608 × 2160 (r3d)
2048 × 1080 (ProRes)  | 250 native  | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling  | None  | Combination optical low pass/IR | 1-120 (4K)
1-160 (3K)
1-240 (2K)
Red  | Scarlet Mysterium-X  | 27.7 x 14.6 mm  | 1.38  | PL, EF, F-mount (interchangeable)  | RedMag SSD (optional Mini RedMag SSD module upgrade)  | 16-bit .r3d | 5120 x 2700 (Maximum 12 fps)
4096 x 2160  | 80 – 12800 (800 native)  | 11.9 stops (-7, +5)[68] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | None  | Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
Red  | Scarlet Dragon  | 30.7 x 15.8 mm  | 1.17  | PL, EF, F-mount (interchangeable)  | RedMag SSD (optional Mini RedMag SSD module upgrade)  | 16-bit .r3d | 6144 x 3160 (Maximum 12 fps)
5120 x 2700  | 80 – 12800 (250 native)[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
Red  | Scarlet-W Dragon  | 25.6 x 13.5 mm  | 1.41  | PL, EF, F-mount (interchangeable)  | Mini RedMag SSD  | 16-bit .r3d, 10-bit 4:2:2 ProRes HQ  | 5120 × 2700 (r3d)
2048 × 1080 (ProRes)  | 250 native[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red  | V-Raptor  | 40.96 x 21.60 mm  | 0.93  | Canon RF (EF with adapter)  | CFexpress  | 16-bit .r3d, ProRes 4444 XQ  | 8192 × 4320 (r3d)
4096 x 2160 (ProRes)  |  | 14.9 stops[100] | Rolling  | 2x-1.25x desqueeze  | Combination optical low pass/IR | 1-150 (8K)
1-200 (6K)
1-300 (4K)
1-600 (2K)
Red  | Weapon Dragon 6K  | 30.7 x 15.8 mm  | 1.25  | PL, EF, F-mount (interchangeable)  | Mini RedMag SSD  | 16-bit .r3d, 12-bit 4444 ProRes XQ  | 6144 x 3160 (r3d)
2048 x 1152 (ProRes)  | 250 native[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red  | Weapon Dragon 8K  | 40.96mm x 21.6mm  | 0.93  | PL, EF, F-mount (interchangeable)  | Mini RedMag SSD  | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX  | 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)  | 250 native[84] | 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1 - 75 (8K)
Red  | Weapon Helium  | 29.9mm x 15.8mm  | 1.28  | PL, EF, F-mount (interchangeable)  | Mini RedMag SSD  | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX  | 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)  | 1280-2500 (Balanced ISO rating with Standard OLPF)[92] | 15.2 stops[93] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 1 - 60 (8K)
Red  | Weapon Monstro 8K VV  | 40.96 mm x 21.60 mm  | 0.93  | PL, EF, F-mount (interchangeable)  | Mini RedMag SSD  | 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX  | 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)  | 250-12,800, default 800  | 14.9 stops[78] | Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] | 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] | Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)  | 60 fps (8K)

75 fps (8K 2.4:1)

100 fps (6K 2.4:1)

96 fps (5K)

120 fps (5K 2.4:1)

150 fps (4K 2.4:1)

200 fps (3K 2.4:1)

240 fps (2K)

300 fps (2K 2.4:1)

Sony  | F35[101]
| 21.6 x 13.3 mm  | 1.67  | Arri PL  |  |  | 1920 x 1080  | 400 native[102] | 11.3 stops (-5, +6.3)[68] | Global  |  |  | 1-60
Sony  | F65[103]
| 24.7 x 13.1 mm  | 1.46  | Arri PL  | SR Memory Recorder  |  | 8182 x 2160  | 800 native  | 14 stops (-7, +7)[103][104] | Mechanical  | 2x and 1.3x desqueeze[105] | Optical low pass, ND 0.9, 1.2, 1.5, 1.8  | 1-60
Sony  | F55[103]
| 24 x 12.7 mm  | 1.46  | Sony FZ, Arri PL  | SxS card, AXS-R5 Recorder  |  | 4096 x 2160  | 1250 native  | 14 stops[103] | Global  | 1.3x and 2x desqueeze[106] | Optical low pass (interchangeable), ND 0.9, 1.8  | 1-60
Sony  | NEX-FS100[107]
| 21.6 x 13.3 mm  | 1.67  | E-mount  |  | MPEG4 AVCHD 28 Mbit/s  | 1920 x 1080  | 800 native  | 11.5 stops (-6.5, +5)[108] | Rolling  |  | None  | 1, 2, 4, 8, 15, 30, 60
Sony  | NEX-FS700[107]NEX-FS700E

NEX-FS700U NEX-FS700R

| 23.6 x 13.3 mm  | 1.53  | E-mount  | SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder  | MPEG4 AVCHD  | 4096 x 2160 (updated FS700/E or FS700U/R native; available only when using an external recorder)

1920x1080 (all)

| 500 native[109] | 12 stops (-7, +5)[110] | Rolling  |  | ND 0.6, 1.2, 1.8  | 1-240
Sony  | NEX-EA50  | 23.5 x 15.6 mm  | 1.54  | E-mount  | SD card, Memory Stick  | AVCHD 2.0 28 Mbit/s  | 1920 x1080  | 160-5000  |  | Rolling  |  |  | 60, 50, 30, 25, 24
Sony  | NEX-VG10[111] | 23.4 x 15.6 mm  | 1.54  | E-mount  | SD card, Memory Stick  | AVCHD 24 Mbit/s  | 1920 x 1080  |  |  | Rolling  |  |  | 60i, 30
Sony  | NEX-VG20[112] | 23.4 x 15.6 mm  | 1.54  | E-mount  | SD card, Memory Stick  | AVCHD 2.0 24 Mbit/s  | 1920 x 1080  |  |  | Rolling  | None  |  | 60, 50, 30, 25, 24
Sony  | NEX-VG30  | 23.4 x 15.6 mm  | 1.54  | E-mount  | SD card, Memory Stick  | AVCHD 2.0 24 Mbit/s  | 1920 x 1080  |  |  | Rolling  | None  |  | 60, 50, 30, 25, 24
Sony  | NEX-VG900[113] | 35.8 x 23.9 mm  | 1.01  | E-mount  | SD card, Memory Stick  | AVCHD 2.0 28 Mbit/s  | 1920 x 1080  |  |  | Rolling  | None  |  | 60, 50, 30, 25, 24
Sony  | PMW-F3K, PMW-F3L[114]
| 21.6 x 13.3 mm  | 1.67  | FZ- mount, PL-mount  | SxS card  | MPEG2 35 Mbit/s  | 1440 x 1080  | 800 native[115] | 11.2 stops (-7, +4.3)[68] | Rolling  |  | ND 0.9, 1.8  | 1, 2, 4, 8, 15, 30, 60
Sony  | PMW-F5  | 24 x 12.7 mm  | 1.5  | E-mount, PL-mount  |  | MPEG2 35 Mbit/s  | 1920 x 1080 (default)
4096 x 2160 (with 4K license[116] or altering internal preferences)[117] | 2000 native  | 14 stops[103] | Rolling  | 1.3x and 2x desqueeze[106] | Optical low pass (interchangeable), ND 0.9, 1.8  | 1, 2, 4, 8, 15, 30, 60
Sony  | Sony PXW-FS5  | 24 x 12.7 mm  | 1.5  | E-mount  | SD card  | XAVC Long, AVCHD  | 3840 x 2160  | 3200 native  | 14 stops[103] | Rolling  |  | ND 0.6, 1.2, 1.8, 2.1  |
Sony  | Sony PXW-FS7  | 24 x 12.7 mm  | 1.5  | E-mount  | XQD card, HD-SDI and HDMI 2.0 recorder  | XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[118])  | 4096 x 2160  | 2000 native  | 14 stops[103]12.5 stops (usable)[42] | Rolling  |  | ND 0.6, 1.2, 1.8  | 23.98 - 60 (4K), 23.98 - 180 (1080p)
Sony  | VENICE[119] | 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default  | 1  | E-mount, PL mount (add-on)  | SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards)  | 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder)  | 6048 x 4032 (with full frame license)
4096 x 2160 (default)  | 500 and 2500 dual native  | 15 stops (-9, +6)  | Rolling  | 4:3 sensor-windowing and 2x desqueeze with license  | ND 0.3-2.4  | 23.98 - 120 (4K), 23.98 - 60 (6K)
Vision Research, Inc  | Phantom 65[120] | 52.1 x 30.5 mm  | 0.69  | Arri PL (standard), Nikon F / Mamiya 645 (optional)  |  | Cine RAW 2341 Mbit/s  | 4096 x 2440  |  |  |  |  |  | 141, (1080p320)
Vision Research  | Phantom Flex[121] | 52.1 x 30.5 mm  | 0.69  | Arri PL (standard), Nikon F / Mamiya 645 (optional)  |  | Cine RAW 3181 Mbit/s  | 2560 x 1600  |  | 9.9 stops (-5.4, +4.5)[68] |  |  |  | 1455 (1080p2570)

## Still cameras with video mode

Brand  | Camera  | Sensor size | Lens Mount  | Recording media | Maximum video resolution | Native ISO | Dynamic range (native/peak ISO)  | Shutter type  | Frame rate(s−1)  | Codec

|
|
|
|
|
|
|
|
|
|

Canon  | 1D Mark IV[122]
| 27.9 x 18.6 mm  | Canon EF  | CF card, SD card  | 1920 x 1080  |  | 11.2 stops (-7, +4.3)[68] | Rolling  | 23.976, 25, 29.97 (50, 59.94)  | H.264
Canon  | 1D X[122]
| 36 x 24 mm  | Canon EF  | CF card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30 (50, 60)  | MPEG4
Canon  | 1D C
| 36 x 24 mm  | Canon EF  | CF card  | 4096 x 2160  |  | 11.7 stops[123] | Rolling  | 24, 25, 30 (50, 60)  | MPEG4
Canon  | 5D Mark II[122]
| 36 x 24 mm  | Canon EF  | CF card  | 1920 x 1080  | 160[124] | 11.2 stops (-7, +4.2)[68] | Rolling  | 24, 25, 30  | H.264
Canon  | 5D Mark III[125] | 36 x 24 mm  | Canon EF  | CF card, SD card, HDMI recorder  | 1920 x 1080  | 160[124] | 11.2 stops
11.6 stops (sensor Raw)[126] | Rolling  | 24, 25, 30  | H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon  | 6D[127]
| 35.8 x 23.9mm  | Canon EF  | SD card  | 1920 x 1080  | 160[124] |  | Rolling  | 24, 25, 30 (50,60)  | H.264 90 Mbit/s
Canon  | 7D[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | CF card  | 1920 x 1080  | 160[124] | 11 stops (-5.5, +5.4)[68] | Rolling  | 24, 25, 30 (50,60)  | H.264
Canon  | 7D Mark II[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | CF card, SD card  | 1920 x 1080  | 160[124] |  | Rolling  | 24, 25, 30 (50,60)  | H.264
Canon  | 60D[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | SD card  | 1920 x 1080  | 160[124] |  | Rolling  | 24, 25, 30  | H.264
Canon  | 550D[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30  | H.264
Canon  | 600D[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30  | H.264
Canon  | 650D[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30  | H.264
Canon  | 700D[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30  | H.264
Canon  | 750D[122]
| 22.3 x 14.9 mm  | Canon EF/EF-S  | SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30  | H.264
Nikon | D3100[122][128] | 23.1 x 15.4 mm  | Nikon F  | SD card  | 1920 x 1080  |  |  | Rolling  | 24 (24, 25, 30)  | MPEG4
Nikon | D3200[122][129] | 23.2 x 15.4 mm  | Nikon F  | SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30  | MPEG4
Nikon  | D4[130]
| 36.0 x 23.9 mm  | Nikon F  | CF card, XQD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30 (50, 60)  | H.264/MPEG4 24 Mbit/s
Nikon  | D5100[122]
| 23.6 x 15.7 mm  | Nikon F  | SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30  | MPEG4
Nikon  | D7000[122]
| 23.6 x 15.7 mm  | Nikon F  | SD card  | 1920 x 1080  |  | 10.2 stops (-6.7, +3.6)[68] | Rolling  | 24 (24, 25, 30)  | MPEG4
Nikon  | D750[131]
| 35.9 x 24 mm  | Nikon F  | SD card, 8-bit uncompressed 4:2:2 via HDMI  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30, 50, 60  | H.264/MPEG4, ~38 Mbit/s
Nikon  | D800[132]
| 35.9 x 24 mm  | Nikon F  | CF card, SD card  | 1920 x 1080  |  |  | Rolling  | 24, 25, 30 (50, 60)  | H.264/MPEG4 24 Mbit/s
Panasonic  | DMC-G3[122]
| 17.3 x 13 mm  | Micro Four Thirds  | SD card  | 1920 x 1080  |  |  |  | 60 (60, 30)  | AVCHD
Panasonic  | DMC-GF2[122]
| 17.3 x 13 mm  | Micro Four Thirds  | SD card  | 1920 x 1080  |  |  |  | 60 (60, 30)  | AVCHD
Panasonic  | DMC-GF3[122]
| 17.3 x 13 mm  | Micro Four Thirds  | SD card  | 1920 x 1080  |  |  |  | 60 (60, 30)  | AVCHD
Panasonic  | DMC-GH1[122]
| 18.89 x 14.48 mm  | Micro Four Thirds  | SD card  | 1920 x 1080  |  |  |  | 30  | AVCHD
Panasonic  | DMC-GH2[122]
| 18.89 x 14.48 mm  | Micro Four Thirds  | SD card  | 1920 x 1080  |  |  |  | 24, 60 (30)  | AVCHD 22 Mbit/s
Panasonic  | DMC-GH3[122]
| 17.3 x 13 mm  | Micro Four Thirds  | SD card  | 1920 x 1080  |  |  |  | 24, 60 (30)  | H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic  | DMC-GH4[122]
| 17.3 x 13 mm  | Micro Four Thirds  | SD card  | 4096 x 2160  |  | 11 stops[133] |  | 24, 60 (30)  | H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Panasonic  | DC-GH5[122] | 19.2 x 13 mm  | Micro Four Thirds  | SD card  | 4096 x 2256  |  |  |  | 24, 25, 30, 50, 60 (up to 240 at 1920x1080)  | AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling)

Panasonic  | DC-GH5s[134] | 17.3 x 13 mm  | Micro Four Thirds  | SD card  | 4096 x 2160  | 400 and 2500[135](800, 5000 in V-Log)  |  |  | 2-60 (4K) 2-180 (HD)  | AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling) max. 400 Mbps

Panasonic  | DC-S1H | 35.6 x 23.8mm  | L-mount  | SD card  | 5952 x 3968  | 640 and 4000  | 12.7 stops (iso 640)

12.3 stops (iso 4000)

|  | 24, 25, 30, 48, 50, 60, 100, 120, 180  | AVCHD / H.264 / H.265
Pentax | K-01[136]
| 23.4 x 15.6 mm  | Pentax K  | SD-Card  | 1920 x 1080  |  |  |  | 30p, 25p  | M-JPEG 95 Mbit/s
Pentax  | K-3 III[137]
| 23.3 x 15.5 mm  | Pentax K  | SD-Card  | 3840 x 2160  | 100  |  | Rolling  | 30p, 24p (60p, 30p, 24p)  | H264
Pentax  | K-30[138]
| 23.7 x 15.7 mm  | Pentax K  | SD-Card  | 1920 x 1080  |  |  |  | 30p (25p, 24p)  | H264
Pentax  | K-5[139]
| 23.4 x 15.6 mm  | Pentax K  | SD-Card  | 1920 x 1080  |  |  |  | 30p, 25p  | M-JPEG 95 Mbit/s
Samsung | NX20 | 23.5 x 15.7 mm  | Samsung NX  |  | 1920 x 1080  |  |  |  | 30  | H.264
Sony | DSLR-A560[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | MPEG4
Sony  | DSLR-A580[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | MPEG4
Sony  | NEX-5[122]
| 23.4 x 15.6 mm  | E-mount  |  | 1920 x 1080  |  |  | Rolling  | 60 (30)  | AVCHD
Sony  | NEX-5N[122]
| 23.4 x 15.6 mm  | E-mount  |  | 1920 x 1080  |  |  | Rolling  | 60 (30)  | AVCHD
Sony  | NEX-7[122]
| 23.4 x 15.6 mm  | E-mount  |  | 1920 x 1080  |  |  | Rolling  | 60, 29.97 (30) NTSC
50, 25 PAL  | AVCHD/MPEG4
Sony  | SLT-A33[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | MPEG4
Sony  | SLT-A35[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | MPEG4
Sony  | SLT-A37[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | ?
Sony  | SLT-A55[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | MPEG4
Sony  | SLT-A57[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)  | AVCHD/MPEG4
Sony  | SLT-A65[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | MPEG4
Sony  | SLT-A77[122]
| 23.5 x 15.6 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)  | AVCHD
Sony  | SLT-A99[122]
| 35.8 x 23.8 mm  | Sony A-mount  |  | 1920 x 1080  |  |  |  | 60, 29.97 (30)  | AVCHD
Sony  | a7S  | 35.8 x 23.9 mm  | Sony E-mount  | SD card, Sony Memory Stick, 4K HDMI recorder  | 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders)  | 3200[140] | 14.1 stops[123] | Rolling  | 60, 29.97 (30)  | AVCHD
Sony  | a7S II  | 35.8 x 23.9 mm  | Sony E-mount  | SD card, Sony Memory Stick  | 3840 x 2160  | 50-409,600 (3200 native)[141] |  | Rolling  | 23.98 - 30 (4K), 23.98 - 120 (1080p)  | XAVC S, AVCHD, MP4

## See also

* List of 4K video recording devices

## References

1. ↑ Compared to 36x24mm still camera sensor
2. ↑ Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
3. ↑ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
4. ↑ "Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera" (in en-US). http://wideopencamera.com/cameras/arri-makes-a-baby-alexa-alexahd/.
5. ↑ 5.0 5.1 5.2 "ARRI Group: ALEXA XR MODULE FAQ". http://www.arri.com/camera/alexa/learn/alexa_xr_module_faq/.
6. ↑ 6.0 6.1 6.2 Bevir, George (2015-02-18). "Arri adds UHD recording to Amira". https://www.broadcastnow.co.uk/arri-adds-uhd-recording-to-amira/5083389.article.
7. ↑ "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa/subsection/technical_data/.
8. ↑ 8.0 8.1 8.2 8.3 "ALEXA's Anamorphic De-Squeeze Explained | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/alexas-anamorphic-de-squeeze-explained.
9. ↑ 9.0 9.1 9.2 9.3 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/news/view/23/alexa-high-speed.
10. ↑ "Go Anamorphic with the Arri ALEXA Plus 4:3 | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/go-anamorphic-with-the-arri-alexa-plus-43.
11. ↑ 11.0 11.1 11.2 11.3 "ARRI Alexa Classic & Mini LF Lab Test: Rolling Shutter, Dynamic Range and Latitude" (in en-US). 2021-04-21. https://www.cined.com/arri-alexa-classic-mini-lf-lab-test-rolling-shutter-dynamic-range-and-latitude/.
12. ↑ 12.0 12.1 12.2 "ALEXA Mini". https://www.arri.com/en/camera-systems/cameras/alexa-mini.
13. ↑ 13.0 13.1 13.2 "ARRI ALEXA Model comparison". ARRI. http://www.arri.de/camera/digital_cameras/cameras/alexa_model_comparison.html. Retrieved 2011-11-03.
14. ↑ "New ARRI ALEXA Mini: Same Image Quality in a Much Smaller Package". February 23, 2015. https://nofilmschool.com/2015/02/arri-alexa-mini-smaller-package-price-cost-release-date.
15. ↑ 15.0 15.1 "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt.
16. ↑ 16.0 16.1 16.2 16.3 16.4 16.5 16.6 16.7 "ALEXA SXT W". https://www.arri.com/en/camera-systems/cameras/alexa-sxt-w.
17. ↑ 17.0 17.1 17.2 17.3 17.4 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf.
18. ↑ 18.0 18.1 18.2 18.3 "ARRI Alexa Internal Filter Module | Film and Digital Times". 4 April 2013. https://www.fdtimes.com/2013/04/03/arri-alexa-internal-filter-module/.
19. ↑ "Codex working hand in hand with ARRI to deliver better workflow for the ALEXA SXT". March 18, 2015. https://www.newsshooter.com/2015/03/18/codex-working-hand-in-hand-with-arri-to-deliver-better-workflow-for-the-alexa-sxt/.
20. ↑ 20.0 20.1 "ARRI Rental | ALEXA 65". http://www.arri-rental.com/camera/digital-cinematography/arri-alexa-xt-b-w-new/.
21. ↑ "ARRI Rental | ALEXA 65". http://www.arrirentalgroup.com/alexa65/.
22. ↑ "ALEXA 35 - 4.6K Super 35 digital camera | ARRI" (in en-US). https://www.arri.com/en/camera-systems/cameras/alexa-35.
23. ↑ "ARRI ALEXA 35 Announced – In-depth Video Interview about the New Camera" (in en-US). 2022-05-31. https://www.cined.com/arri-alexa-35-announced-17-stops-of-usable-dynamic-range-claimed/.
24. ↑ Machu, Gunther (2022-08-17). "ARRI ALEXA 35 Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!" (in en-US). https://www.cined.com/arri-alexa-35-lab-test-rolling-shutter-dynamic-range-and-latitude-plus-video/.
25. ↑ "ARRI Amira Model comparison". ARRI. http://www.arri.com/camera/amira/camera_details/amira/subsection/technical_data/. Retrieved 2013-06-03.
26. ↑ "AMIRA". https://www.arri.com/en/camera-systems/cameras/amira.
27. ↑ http://www.arri.com/about_arri/press/english/english_single/tx_ttnews[tt_news]=1664&tx_ttnews[backPid]=7581&cHash=b5e1e534809b25789e921c2e46655a47
28. ↑ "You Might Be Surprised by the Dynamic Range of the New $550 Sony A5100". August 23, 2014. https://nofilmschool.com/2014/08/dynamic-range-new-550-sony-a5100.
29. ↑ 29.0 29.1 "Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting" (in en). No Film School. http://nofilmschool.com/2015/03/cinema5d-aja-cion-review.
30. ↑ "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/5/subsection/overview/.
31. ↑ "Arriflex D-21/D-21 HD - Instruction manual". http://www.arricsc.com/pdf/d21_manual.pdf.
32. ↑ 32.0 32.1 32.2 32.3 "Blackmagic Production Camera 4K". Blackmagic. http://www.blackmagicdesign.com/products/blackmagicproductioncamera4k/techspecs. Retrieved 2013-04-13.
33. ↑ 33.0 33.1 33.2 33.3 33.4 33.5 33.6 33.7 33.8 "Blackmagic URSA Mini Pro | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro.
34. ↑ 34.0 34.1 "Cinematography | Blackmagic Cinema Camera: The Perfect Training Ground for Cinematographers | Hurlbut Visuals". https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/.
35. ↑ "Blackmagic Micro Cinema Camera – Tech Specs | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicmicrocinemacamera/techspecs.
36. ↑ 36.0 36.1 36.2 36.3 36.4 "Blackmagic URSA Mini Pro – Tech Specs | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro/techspecs/W-URSA-34.
37. ↑ 37.0 37.1 37.2 "Blackmagic Pocket Cinema Camera 4K - Dual ISO Explained and Lowlight Footage" (in en). 2018-09-11. https://www.cinema5d.com/blackmagic-pocket-cinema-camera-4k-dual-iso-explained-and-lowlight-footage/.
38. ↑ "4K is here! Blackmagic Production Camera Review". March 5, 2014. https://www.eoshd.com/2014/03/4k-is-here-blackmagic-production-camera-review/.
39. ↑ "Blackmagic Ursa". Blackmagic. http://www.blackmagicdesign.com/products/blackmagicursa. Retrieved 2013-04-13.
40. ↑ 40.0 40.1 "Installation and Operation Manual Blackmagic URSA". http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf.
41. ↑ 41.0 41.1 "Blackmagic Design: View Press Release". http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307.
42. ↑ 42.0 42.1 42.2 Wöber, Sebastian (2016-10-19). "Blackmagic URSA Mini 4K vs 4.6K – How Good is the 4.6K?" (in en-US). https://www.cined.com/blackmagic-ursa-mini-4k-vs-4-6k/.
43. ↑ "Blackmagic URSA Mini Pro | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro.
44. ↑ 44.0 44.1 Coalition, ProVideo (2018-11-14). "URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update" (in en-US). https://www.provideocoalition.com/blackmagic-design-ursa-mini-pro-gets-3200-iso-with-firmware-6-0-update/.
45. ↑ "Blackmagic URSA Mini Pro | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro.
46. ↑ Tomkies, Pete (2023-04-19). "Blackmagic Design launches URSA Mini Pro 12K OLPF" (in en-US). https://www.videomaker.com/news/blackmagic-design-launches-ursa-mini-pro-12k-olpf/.
47. ↑ "Canon EOS C70: Cinema Camera | Canon U.S.A., Inc.". https://www.usa.canon.com/shop/p/eos-c70?color=Black&type=New.
48. ↑ Machu, Gunther (2022-05-10). "Canon EOS C70 Lab Test with the RAW update: Rolling Shutter, Dynamic Range and Latitude" (in en-US). https://www.cined.com/canon-eos-c70-lab-test-with-the-raw-update-rolling-shutter-dynamic-range-and-latitude/.
49. ↑ 49.0 49.1 "Canon Expands Their EOS Line with the New EOS C100 Video Production Camera". https://www.bhphotovideo.com/explora/news/canon-expands-their-eos-line-new-eos-c100-video-production-camera.
50. ↑ 50.00 50.01 50.02 50.03 50.04 50.05 50.06 50.07 50.08 50.09 "Canon digital learning center, Cinema EOS". canon.com. http://learn.usa.canon.com/resources/misc/cinemaEOS_faq.shtml. Retrieved 2011-11-04.
51. ↑ "We're updating our site | Canon U.S.A., Inc.". https://www.usa.canon.com/maintenance.html.
52. ↑ "Canon C300 Mark II Lab Test - Dynamic Range 2 Stops Less Than Expected" (in en). 2015-09-24. https://www.cinema5d.com/canon-c300-mark-ii-review-dynamic-range/.
53. ↑ Canon C300 Mark III EF-Mount Specs. Canon.
54. ↑ "Canon EOS C300 Mark III hands-on & footage" (in en-US). 2020-04-21. https://www.newsshooter.com/2020/04/21/canon-c300-mark-iii-hands-on-footage/.
55. ↑ "Canon C300 Mark III Lab Test (Pre-Production): Dynamic Range, Rolling Shutter and Latitude" (in en). 2020-04-21. https://www.cinema5d.com/canon-c300-mark-iii-lab-test-pre-production-dynamic-range-rolling-shutter-and-latitude/.
56. ↑ "Canon Goes 4K Two Ways : EOS-1D C and EOS C500 Cameras Introduced at NAB". https://www.bhphotovideo.com/explora/news/canon-goes-4k-two-ways-eos-1d-c-and-eos-c500-cameras-introduced-nab.
57. ↑ "Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter" (in en). 2020-04-15. https://www.cinema5d.com/canon-c500-markii-lab-test-dynamic-range-latitude-rolling-shutter/.
58. ↑ 58.0 58.1 "Canon U.S.A., Inc. | EOS C700". https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/cinema-eos/eos-c700?tab=technicalspecifications_tab.
59. ↑ "CanonME20F-SH Multi-Purpose Camera". https://www.bhphotovideo.com/c/product/1187825-REG/canon_1002c002_me20f_sh_multi_purpose_camera.html.
60. ↑ "キヤノン：多目的カメラ ME20F-SH｜概要". https://cweb.canon.jp/bctv/lineup/multipurpose/.
61. ↑ "Digital Bolex D16 Review - Part 1". March 31, 2014. https://www.eoshd.com/2014/03/digital-bolex-d16-review-part-1/.
62. ↑ "Bolex goes digital with the D16 Cinema Camera". 25 December 2013. https://newatlas.com/digital-bolex-d16-cinema-camera/30239/.
63. ↑ "Website is under construction". https://digitalbolex.com/.
64. ↑ "SK-UHD8000 Series 8K (SHV) Studio, Field Production Camera | Hitachi Kokusai Electric America, Ltd.". https://www.hitachikokusai.com/BroadcastandProfessionalCameras/SK-UHD8060.html#P8_622.
65. ↑ "SHK-810 8K Super Hi-Vision Camera System |". https://www.ikegami.com/archives/menu1/shk-810.
66. ↑ "3D-LUTs file for J-Log1 of GY-LS300CH Reference Manual". 2015-11-13. http://pro.jvc.com/pro/attributes/4k/manual/151113_Reference_Manual_of_D-LUT.pdf.
67. ↑ "Panasonic Pro AG-AF100 specifications". panasonic. http://pro-av.panasonic.net/en/af100/spec.html. Retrieved 2011-11-03.
68. ↑ 68.00 68.01 68.02 68.03 68.04 68.05 68.06 68.07 68.08 68.09 "The Great Camera Shootout 2011: Episode 1 ~ "The Tipping Point"". May 27, 2011. https://vimeo.com/24334733.
69. ↑ Panasonic AJ-HPX3700 High Definition VariCam Camcorder - Professional Video Camera, P2HD VariCam Cinematography Camcorder - Panasonic Professional Video Cameras
70. ↑ Panasonic Canon 2/3" HD CAC Lens with 2x extender, Panasonic Camcorder Accessories - Panasonic Solutions Company
71. ↑ Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
72. ↑ Panasonic AJ-HPX3100GJ High Definition Camcorder - Professional Video Equipment, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
73. ↑ "Panasonic develops 8K ROI camera capable of providing up to four videos from an 8K image". 10 April 2019. https://www.newscaststudio.com/2019/04/10/panasonic-roi-nab-show-2019/?og=1.
74. ↑ "Panasonic 8K ROI technology revealed at IBC 2018 - Professional Camera Solutions | Panasonic Business". https://business.panasonic.co.uk/professional-camera/news-and-events/panasonic-8k-roi-technology-revealed-at-ibc-2018.
75. ↑ "The New VariCam Cameras from Panasonic". http://us.panasonic.com/varicam.
76. ↑ 76.0 76.1 "dxl.panavision.com". https://dxl.panavision.com/dxl2.
77. ↑ 77.0 77.1 77.2 77.3 77.4 77.5 77.6 Esser, Felix (March 3, 2014). "DxOMark Confirms the Red Epic Dragon Sensor Outperforms the Nikon D800E". https://www.thephoblographer.com/2014/03/03/dxomark-tests-red-epic-dragon-confirms-sensors-image-quality-indeed-epic/.
78. ↑ 78.0 78.1 Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!" (in en-US). https://www.cined.com/red-v-raptor-8k-vv-lab-test-rolling-shutter-dynamic-range-and-latitude-plus-video/.
79. ↑ GENESIS, Panavision
80. ↑ "4:4:4 Genesis Workflow Made ... Easy?". April 26, 2007. https://www.studiodaily.com/2007/04/444-genesis-workflow-made-easy/.
81. ↑ http://www.cinematography.net/Files/Panavision/PV_digital_imaging/GenesisFAQs20070618.pdf
82. ↑ HD900F, Panavision
83. ↑ "Category: Media". https://www.red.com/productcategory/Media.
84. ↑ 84.0 84.1 84.2 84.3 84.4 "In Depth Analysis - DxOMark". https://www.dxomark.com/Reviews/RED-Epic-Dragon-review-First-camera-to-break-the-100-point-DxOMark-sensor-score-barrier/In-Depth-Analysis.
85. ↑ 85.0 85.1 85.2 85.3 85.4 85.5 "RED DRAGON Has Been Unleashed. Here is the First Footage from the 6K Camera". August 4, 2013. https://nofilmschool.com/2013/08/first-footage-red-epic-dragon-mx-6k-2000-iso-sensor-price-cost.
86. ↑ 86.0 86.1 86.2 86.3 86.4 86.5 86.6 Academy, Indie Cinema (June 26, 2014). "Red Dragon vs Red MX: Is The Hype Real? (Part 01: Dynamic Range & Latitude)". https://vimeo.com/99241145.
87. ↑ 87.00 87.01 87.02 87.03 87.04 87.05 87.06 87.07 87.08 87.09 87.10 87.11 87.12 "RED Goes Global Shutter with New Motion Mount for EPIC/SCARLET (Plus New DRAGON Footage)". September 15, 2013. https://nofilmschool.com/2013/09/red-goes-global-shutter-new-motion-mount-epicscarlet-plus-new-dragon-footage.
88. ↑ 88.00 88.01 88.02 88.03 88.04 88.05 88.06 88.07 88.08 88.09 88.10 88.11 "Red epic - Operation guide". http://s3.amazonaws.com/red_3/downloads/manuals/955-0002_v4.0_EPIC_Operation_ Guide_REV-C.pdf.
89. ↑ 89.0 89.1 89.2 89.3 89.4 89.5 89.6 89.7 89.8 "DSMC2 S35 Low Light Optimized OLPF". https://www.red.com/dsmc2-low-light-optimized-olpf.
90. ↑ "EPIC-M DRAGON MONOCHROME w/ Side SSD Module and Ti Nikon Mount | RED Digital Cinema store (US)". http://www.red.com/store/products/epic-dragon-monochrome-side-ssd-module-nikon.
91. ↑ "EPIC-X MONOCHROME [BRAIN ONLY] | RED Digital Cinema store (US)". http://www.red.com/store/products/epic-x-monochrome-brain-only.
92. ↑ 92.0 92.1 92.2 "RED 8K Sensor Test 2017" (in en). http://www.reduser.net/forum/showthread.php?154113-RED-8K-Sensor-Test-2017.
93. ↑ 93.0 93.1 93.2 Cardinal, David (January 10, 2017). "RED Helium 8K DxOMark Sensor Score: 108 — A new all-time-high score!". https://www.dxomark.com/red-helium-8k-dxomark-sensor-score-108-a-new-all-time-high-score2/.
94. ↑ "RED Releases Komodo Price Before Its Final Specs" (in en). 2020-05-20. https://nofilmschool.com/red-releases-price-komodo.
95. ↑ Machu, Gunther (2021-01-18). "RED KOMODO 6K Lab Test – Dynamic Range and Latitude Test – UPDATED" (in en-US). https://www.cined.com/red-komodo-6k-lab-test-dynamic-range-and-latitude-test/.
96. ↑ "RED Digital Cinema". red.com. http://www.red.com/. Retrieved 2011-11-03.
97. ↑ 97.0 97.1 "RED ONE 1.8" SSD MODULE | RED Digital Cinema store (US)". http://www.red.com/store/products/red-one-ssd-side-module-2.
98. ↑ "The Red Digital Camera Company". http://www.digital-intermediate.co.uk/examples/redcamera/redcamera.htm.
99. ↑ RED RAVEN Camera is Official. 25 September 2015.
100. ↑ Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!" (in en-US). https://www.cined.com/red-v-raptor-8k-vv-lab-test-rolling-shutter-dynamic-range-and-latitude-plus-video/.
101. ↑ "Pro Sony pdf product information". sony.co.uk. http://www.sony.co.uk/res/attachment/file/99/1178278942799.pdf. Retrieved 2011-11-03.
102. ↑ "Bones, Lightmeters, Lonsdale, Sony F35 | Film and Digital Times". 3 December 2009. https://www.fdtimes.com/2009/12/03/bones-lightmeters-lonsdale-sony-f35/.
103. ↑ 103.0 103.1 103.2 103.3 103.4 103.5 103.6 "Sony Professional - Products and Solutions to Redefine Your Business". http://pro.sony.com/bbsc/ssr/show-highend/resource.solutions.bbsccms-assets-show-highend-F65.shtml?PID=I:35mm_F65:F65#/camera#/f65t1_18.
104. ↑ "SONY F65 CineAlta 4K | Los Angeles". http://hollywoodcamera.com/portfolio/sony-f65-cinealta-4k/.
105. ↑ "Sony Professional - Products and Solutions to Redefine Your Business". https://pro.sony.com/bbsccms/assets/files/show/highend/pdf/F65_Camera_2013_X1A.pdf.
106. ↑ 106.0 106.1 "PMW-F5 and F55 Firmware V1.2 Now Available. Anamorphic, WiFi, Cam and Reel ID and HDCAM SR. | Alister Chapman's Personal Blog". http://www.alisterchapman.com/2013/07/26/pmw-f5-and-f55-firmware-v1-2-now-available-anamorphic-wifi-cam-and-reel-id-and-hdcam-sr/.
107. ↑ 107.0 107.1 "Pro Sony product page". sony.com. http://pro.sony.com/bbsc/ssr/cat-broadcastcameras/cat-nxcam/product-NEXFS100UK/. Retrieved 2011-11-03.
108. ↑ "Sony NEX-FS100: Dynamic Range Test". November 11, 2013. https://www.youtube.com/watch?v=TkPYfZZcmwc.
109. ↑ "Sony Professional - Products and Solutions to Redefine Your Business". http://pro.sony.com/bbsccms/assets/files/show/highend/pdf/NEX-FS700_Camera_2013_X1A.pdf.
110. ↑ "Testing the FS700: Dynamic Range". May 15, 2012. https://www.youtube.com/watch?v=JSLn_nrNMEU.
111. ↑ "Sony store product page". sony.com. http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&partNumber=NEXVG10#specifications. Retrieved 2011-11-03.
112. ↑ "Sony store product page". sony.com. http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&partNumber=NEXVG20#specifications. Retrieved 2011-11-03.
113. ↑ "Sony NEX-VG900 Full Frame camera topic". http://www.personal-view.com/talks/discussion/4349/sony-nex-vg900-full-frame-camera-topic/p1. Retrieved September 12, 2012.
114. ↑ "Pro Sony product page". sony.co.uk. http://www.sony.co.uk/biz/product/xdcamcamcorders/pmw-f3k/technicalspecs. Retrieved 2011-11-03.
115. ↑ "AbelCine Tests the Sony F3 ISO Rating | CineTechnica". http://blog.abelcine.com/2011/03/11/abelcine-tests-the-sony-f3-iso-rating/.
116. ↑ "Sony Releases More Details About The F5 4K Internal Recording Option". December 20, 2014. https://www.newsshooter.com/2014/12/20/sony-releases-more-details-about-the-f5-4k-internal-recording-option/.
117. ↑ "A New Hack Proves the Sony F5 Is Fully Capable of Internal 4K, but Sony Disabled It". August 27, 2014. https://nofilmschool.com/2014/08/sony-f5-camera-4k-xavc-software-hack-f55.
118. ↑ "Sony FS7 Getting ProRes & DCI 4K Support in Free March 2015 Update". February 26, 2015. https://nofilmschool.com/2015/02/sony-fs7-firmware-2-0-prores-dci-4k-audio.
119. ↑ Sony VENICE Shipments Begin. No Film School. 5 February 2018.
120. ↑ Phantom 65 Camera , Vision Research
121. ↑ The Phantom Flex Camera Digital High-Speed Camera , Vision Research
122. ↑ 122.00 122.01 122.02 122.03 122.04 122.05 122.06 122.07 122.08 122.09 122.10 122.11 122.12 122.13 122.14 122.15 122.16 122.17 122.18 122.19 122.20 122.21 122.22 122.23 122.24 122.25 122.26 122.27 122.28 122.29 122.30 122.31 122.32 122.33 122.34 122.35 "Digital Cameras: Digital Photography Reviews". dpreview. http://www.dpreview.com/. Retrieved 2011-11-03.
123. ↑ 123.0 123.1 "Dynamic Range - Sony A7S vs. Arri, Canon, Panasonic & more". July 18, 2014. https://www.cinema5d.com/dynamic-range-sony-a7s-vs-arri-amira-canon-c300-5d-mark-iii-1dc-panasonic-gh4/.
124. ↑ 124.0 124.1 124.2 124.3 124.4 124.5 "Subscribe". May 28, 2014. https://nofilmschool.com/subscribe.
125. ↑ "Canon EOS 5D mark III — Specifications". http://www.usa.canon.com/cusa/consumer/products/cameras/slr_cameras/eos_5d_mark_iii. Retrieved 3 March 2012.
126. ↑ "Magic Lantern squeezes 1/2 stop of dynamic range from Canon 5D Mk. III". https://www.imaging-resource.com/news/2014/01/22/magic-lantern-squeezes-1-2-stop-of-dynamic-range-from-canon-5d-mk.-iii.
127. ↑ "Canon EOS 6D — Specifications". http://www.bhphotovideo.com/c/product/892349-REG/Canon_8035b002_EOS_6D_Digital_Camera.html. Retrieved 1 June 2014.
128. ↑ Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
129. ↑ "Nikon D3200: Tech Specs". Nikon Inc.. http://www.nikonusa.com/Nikon-Products/Product/Digital-SLR-Cameras/25492/D3200.html#tab-ProductDetail-ProductTabs-TechSpecs. Retrieved 2012-08-02.
130. ↑ "Digital SLR camera Nikon D4s". Nikon Corporation. http://www.nikon.com/news/2012/0106_flagship_01.htm. Retrieved 2012-01-26.
131. ↑ "Nikon D750 specifications". dpreview.com. http://www.dpreview.com/reviews/nikon-d750/2. Retrieved 2015-03-08.
132. ↑ "Digital SLR camera Nikon D4s". Nikon. http://www.nikonusa.com/Nikon-Products/Product/Digital-SLR-Cameras/25480/D800.html#tab-ProductDetail-ProductTabs-TechSpecs. Retrieved 2012-02-27.
133. ↑ "Panasonic GH4 Specs Clarified, Including 10-bit 4K from Its On-Board HDMI Port". March 21, 2014. https://nofilmschool.com/2014/03/panasonic-gh4-10-bit-4k-on-board-hdmi-dynamic-range.
134. ↑ "Panasonic GH5S Review - Specifications". https://www.imaging-resource.com/PRODS/panasonic-gh5s/panasonic-gh5sDAT.HTM.
135. ↑ "Panasonic LUMIX GH5S Revisited – Review and Sample BRAW Footage". 30 November 2021. https://www.cined.com/panasonic-lumix-gh5s-revisited-review-and-sample-braw-footage/.
136. ↑ "PENTAX - K-01 Black". PENTAX RICOH IMAGING AMERICAS CORPORATION. 2012-02-02. http://www.pentaximaging.com/hybrid/K-01_Black#!product-specs. Retrieved 2012-04-18.
137. ↑ "Ricoh's Pentax K-3 III 26MP DSLR is finally here". dpreview. 2021-04-30. https://www.dpreview.com/news/1459841189/ricoh-s-pentax-k-3-iii-26mp-dslr-is-finally-here. Retrieved 2021-04-05.
138. ↑ "Pentax K-30 16MP weather-sealed mid-level DSLR previewed". dpreview. 2012-05-21. http://www.dpreview.com/news/2012/05/21/Pentax-launchaes-K-30-weather-sealed-mid-level-DSLR. Retrieved 2012-06-05.
139. ↑ "Pentax K-5 In-Depth Review". dpreview. 2010-12-01. http://www.dpreview.com/reviews/pentaxk5/. Retrieved 2012-06-05.
140. ↑ "Does the $2,500 Sony a7S Have Dynamic Range Similar to an ARRI ALEXA?". July 21, 2014. https://nofilmschool.com/2014/07/sony-a7s-dynamic-range-arri-alexa-amira.
141. ↑ "Sony a7S II Camera Announced with Internal 4K & 5-Axis Image Stabilization". September 11, 2015. https://nofilmschool.com/2015/09/sony-a7s-ii-mirrorless-internal-4k-1080p-120fps.

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