Private | |
Industry | Music |
Founded | 2001 | in Boston, (U.S.A.)
Founder | Charles Ansbacher |
Headquarters | 545 Concord Ave Suite 318, Boston, Massachusetts , United States |
Key people | Christopher Wilkins (Music director) |
Website | www |
Boston Landmarks Orchestra is a professional orchestra located in Boston, Massachusetts, that performs free concerts during the summer. Since 2007, the orchestra established an annual concert series at the Department of Conservation and Recreation's Hatch Memorial Shell on the Esplanade. It was founded in 2001 by conductor and community advocate Charles Ansbacher.[1] Its current music director is Christopher Wilkins, who is also the music director for the Akron Symphony Orchestra.
Historically, Boston Landmarks Orchestra performed at many "landmarks" around the city, including the Boston Common, in the Charlestown Navy Yard, and atop the bullpens in Fenway Park.
Founded in January 2001, the first Boston Landmarks Orchestra concert took place on July 13, 2001 at Harvard University's Sanders Theatre. An early mission of the orchestra's was to highlight the city of Boston's rich history of public spaces. In a 2002 interview given to the Lowell Sun, founder and then-conductor Charles Ansbacher described the Boston Landmarks Orchestra as "a new orchestra that gets its name because, in general, we try to perform at landmark locations... That is our main mission: to bring historical music to historical places."[2] After noticing that there was "little symphonic classical available in Boston in the summer," Ansbacher decided to take matters into his own hands. He was inspired by the Mostly Mozart Festival, put on by Lincoln Center every summer, but decided that this new festival in Boston "needed to be outdoors, and free, but classical in nature." To Ansbacher, "classical in nature" meant to be familiar and accessible, "falling somewhere between the lightness of the Boston Pops and the seriousness of the Boston Symphony Orchestra."[3] In the first six years of the orchestra's existence, they performed 90 free concerts, which were attended by over 100,000 people.[4]
Beginning in 2007, the Boston Landmarks Orchestra began a nine-week concert series at the Hatch Memorial Shell, located on the famous Charles River Esplanade. The first of these concerts, and the first time the orchestra ever performed on the Hatch Shell stage, took place on Wednesday, July 11, 2007.[5] Since then, the orchestra performs on Wednesday nights at the Hatch Shell throughout the summer, with smaller community concerts continuing to take place across the greater Boston area.
After the passing of Charles Ansbacher in 2010, Christopher Wilkins was named as the new music director of Boston Landmarks Orchestra in 2011.
Known for their collaborations with many community artists and organizations, Boston Landmarks Orchestra also founded its own One City Choir, consisting of volunteer Boston-area singers.[6] In addition to performing with members of the local community, Boston Landmarks Orchestra's Education and Outreach program offers free and interactive musical activities to youth in the greater Boston area through community concerts, musical playgrounds, and collaborative projects. In 2019, the orchestra held these events in communities including Everett, Massachusetts,[7] Jamaica Plain, Massachusetts,[8] and on historic Christopher Columbus Waterfront Park in Boston.[9]
The organization's Breaking Down Barriers Initiative works to be more inclusive and accessible for members of the community who are blind, deaf, hard of hearing, and those limited in mobility. Boston Landmarks Orchestra has earned the UP Designation from the Massachusetts Cultural Council for their work in accessibility.[10]
Declared the "first symphonic concert" at Fenway Park, Landmarks performed a selection of "light classics and Americana" pieces on a temporary stage built on top of the bullpens. 15,000 tickets were put on sale for the concert and sold out within four days.[11] Due to Fenway Park's status as one of the most iconic landmarks in Boston, Charles Ansbacher brought the idea of Landmarks performing there to then-Boston Red Sox President Larry Lucchino. Lucchino liked the idea and the concert was set.[12] Speaking about the Landmarks concert, Lucchino said that the Red Sox were "proud to host the Boston Landmarks Orchestra for a free public concert at Fenway Park... with its historic traditions, [Fenway Park] is a most fitting venue for the orchestra."[13]
Commemorating the fiftieth anniversary of the March on Washington for Jobs and Freedom and Martin Luther King Jr.'s "I Have a Dream" speech, the orchestra's program included pieces representative of themes in King's speech, such as "freedom of expression, fairness of economic opportunity, individual responsibility, and collective action."[14] For this concert, Landmarks wanted to use an ASL translation of the "I Have a Dream Speech." Upon discovering that none existed, the orchestra commissioned the very first one to be made, with the full blessing of the King Estate. Created by then-Boston University student Richard Bailey, the translation was performed at the Hatch Shell during the August 28 concert.[15]
In 2019, the orchestra and One City Choir performed a concert titled "Deep River," referencing the famous spiritual by the same name. The program contained only music written by Black Americans, such spirituals and works by George Walker and Robert Nathaniel Dett. The centerpiece of this concert was selections from the musical Show Boat. Written by Jerome Kern, Show Boat is a musical as famous as it is controversial, long-criticized for promoting harmful Black stereotypes.[16] The orchestra held a panel open to the greater Boston community on July 23, 2019 titled "Who Should Sing Ol' Man River?" at WBUR's CitySpace in Boston. The panel's conversation covered topics pertinent to Show Boat's controversies and the orchestra's "Deep River" program as a whole. Such topics included "questions of language, dialect, history of black music, and cultural appropriation" as well as "where we go from here."[17] Panelists included musicologist Dr. Todd Decker, author of two books about Show Boat and its place in American culture, Alvy Powell, a baritone who has sung "Ol' Man River" for the last six sitting presidents, and Rev. Emmett G. Price, III, a scholar of music of the African Diaspora and the Black Christian Experience.[18]
Make Way for Ducklings by Daniel Pinkham, text by Robert McCloskey
The Midnight Ride of Paul Revere by Julian Wachner, text by Henry Wadsworth Longfellow
The Story of Frederick Law Olmsted by Thomas Oboe Lee, text by Nancy Stevenson
Caribeña (Caribbean) by Miguel del Aguila|Miguel del Águila
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