Shibuichi

Short description: Historically Japanese copper alloy

Kashira made of dark-finished shibuichi, with gold highlights

Shibuichi (四分一) is a historically Japan copper alloy, a member of the irogane class, which is patinated into a range of subtle greys and muted shades of blue, green, and brown, through the use of niiro processes, involving the rokushō compound.

## Contents

* 1 Naming
* 2 Composition
* 3 History
* 4 See also
* 5 References
* 6 External links

## Naming

Shibuichi means "one-fourth" in Japanese, and indicates the standard formulation of one part silver to three parts copper, though this may vary considerably according to the desired effect. Several major variants of the alloy have specific names, as detailed below. In addition, the metal in general, and especially the paler shades, may be named rogin.

## Composition

Aside from the basic 25% silver to 75% copper mix, combinations as divergent as 5% silver to 95% copper are also marketed as "shibuichi".[1] A wide range of colours can be achieved using the whole range of alloy compositions, even above 50% silver, e.g. 90% copper and 10% silver for a dark grey and down to 70% copper and 30% silver for lighter greys.[2]

Variation of Shibuichi[3] name (JA) | Ag : Cu, +Au[4] | Note mentioned colors are after patination

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Shibuichi | 25 : 75 | Dark grey, has a trace of gold
Shiro-Shibuichi
(Kin-IchibuSashi) | 60 : 40, +1 | Shiro = "white" in Japanese
lighter grey, harder, lower melting temperature
Ue-Shibuichi
(Kin-IchibuSashi) | 40 : 60, +1 | Ue = "upper" in Japanese
Grey, harder
Nami-Shibuichi Uchi-Sanbu
(Kin-IchibuSashi) | 30 : 70, +1 | Nami = "regular" in Japanese
lighter than basic Shibuichi
Nami-Shibuichi Soto-Sanbu
(Kin-IchibuSashi) | 23 : 77, +1 | Darker than basic Shibuichi
Reverse of a kozuka (showing the artist's signature) made out of intermediate gray-coloured shibuichi

Kuro-Shibuichi (Kin-IchibuSashi)

Kuro is black in Japanese and kuro-shibuichi is different from other variants in the table, being a mixture of shibuichi (~40%) and shakudō (~60%) with around 1% of gold (proportions could be, for example, 9.9% silver, 87.3% copper, and 2.8% gold). Kuro-shibuichi will develop a black patina which is different from the black patina of shakudo.

It is a common misconception that both copper and silver oxides form, but in fact a detailed study has shown that only copper oxides are formed on the copper rich regions of the material's microstructure, while the silver rich regions are left largely untouched.[citation needed]

## History

The first official mention of the material is from the early 18th century, in documents from the State Mint, though it is believed to have existed before that. For most of its history, shibuichi was mostly used to ornament various fittings for Japanese swords until the Meiji reforms, when most swordmakers began to make purely decorative objects instead. The material is often used in mokume-gane combinations. Similar alloys have been used elsewhere but the use of shibuichi to achieve different colored patinas appears to have remained nearly unknown outside Japan, until recent interest from artisans in the West.

## See also

* Chemistry:Kuromido - Historically Japanese copper-arsenic alloy
* Chemistry:Mokume-gane - Japanese mixed-metal laminate
* Chemistry:Corinthian bronze - Highly valuable metal alloy in classical antiquity
* Chemistry:Hepatizon - Alloy also known as Black Corinthian Bronze (Black bronze)
* Chemistry:Electrum
* Chemistry:Tumbaga - Non-specific alloy of gold and copper used in pre-Columbian Mesoamerica
* Chemistry:Panchaloha - Term for traditional five-metal alloys used for Hindu artifacts

## References

1. ↑ Art Jewelry Magazine, March, 2010.
2. ↑ Bradbury, F.W. (2012). I Made That: Japanese Metalwork - Shibuichi. http://www.fwbradbury.co.uk/japanesemetalwork/making-shakudo-and-shibochi/. Retrieved 2012-05-06.
3. ↑ GeoCities "Shibuichi" (JA) Retrieved 2012-9-1
4. ↑ Portion of Gold is added to Cu-Ag mixture

## External links

* Reactive Metal Studio Inc. -- Shakudo & Shibuichi Data Sheet

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Jewellery

Forms|

* Anklet
* Barrette
* Belt buckle
* Belly chain
* Bindi
* Bolo tie
* Bracelet
* Brooch
* Chatelaine
* Collar pin
* Crown
* Cufflink
* Earring
* Ferronnière
* Lapel pin
* Necklace
* Pectoral
* Pendant
* Ring
* Tiara
* Tie chain
* Tie clip
* Tie pin
* Toe ring
* Watch
* pocket
* strap

Making|

| People|

* Bench jeweler
* Clockmaker
* Goldsmith
* Silversmith
* Jewelry designer
* Lapidary
* Watchmaker

|

Processes|

* Carving
* Casting
* centrifugal
* lost-wax
* vacuum
* Enameling
* Engraving
* Filigree
* Kazaziye
* Metal clay
* Plating
* Polishing
* Repoussé and chasing
* Soldering
* Stonesetting
* Wire sculpture
* Wire wrapped jewelry

Tools|

* Draw plate
* File
* Hammer
* Mandrel
* Pliers

Materials|

| Precious metals|

* Gold
* Palladium
* Platinum
* Rhodium
* Silver

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Precious metal alloys|

* Britannia silver
* Colored gold
* Crown gold
* Electrum
* Shakudō
* Shibuichi
* Sterling silver
* Argentium sterling silver
* Tumbaga

Base metals|

* Brass
* Bronze
* Copper
* Nickel silver (alpac(c)a)
* Mokume-gane
* Pewter
* Pinchbeck
* Stainless steel
* Titanium
* Tungsten

Mineral gemstones|

* Aventurine
* Agate
* Amazonite
* Amethyst
* Beryl
* Carnelian
* Chrysoberyl
* Chrysocolla
* Diamond
* Diopside
* Emerald
* Fluorite
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* Kyanite
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* Moonstone
* Obsidian
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* Opal
* Peridot
* Prasiolite
* Quartz
* Ruby
* Sapphire
* Sodalite
* Spinel
* Sunstone
* Tanzanite
* Tiger's eye
* Topaz
* Tourmaline
* Turquoise
* Variscite
* Zircon

Organic gemstones|

* Abalone
* Amber
* Ammolite
* Copal
* Coral
* Precious coral
* Black coral
* Ivory
* Jet
* Nacre
* Operculum
* Pearl
* Tortoiseshell

Other natural objects|

* Bezoar
* Bog-wood
* Ebonite (vulcanite)
* Gutta-percha
* Hair
* Shell jewelry
* Spondylus shell
* Toadstone

Terms|

* Carat (mass)
* Carat (purity)
* Finding
* Millesimal fineness
* Art jewelry

Related topics
Body piercing
Fashion
Gemology
Phaleristics
Metalworking
Wearable art

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