Digital movie camera

Short description: Specialized video camera used to shoot movies

4K digital cinema camera in 2018, Canon EOS C700 MultiDyne

A digital movie camera for digital cinematography is a video camera that captures footage digitally rather than the historically used movie camera, which shoots on film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for some low-budget independent productions.

Since the 2010s, digital movie cameras have become the dominant type of camera in the motion picture industry.[1]

## Contents

* 1 Types
* 1.1 Professional cameras
* 1.2 Prosumer and consumer cameras
* 2 Resolution
* 2.1 Standard definition
* 2.2 High definition
* 3 List of digital movie cameras
* 4 See also
* 5 References

## Types

### Professional cameras

There are a number of video cameras on the market designed specifically for high-end digital cinematography use. These cameras typically offer relatively large sensors, selectable frame rates, recording options with low compression ratios or in some cases with no compression, and the ability to use high-quality optics. Some of the cameras are expensive and some are only available to rent.

Blackmagic Production Camera 4K

The digital movie camera Arriflex D-21 by Arri.

Some of the most used professional digital movie cameras include:

* Arri Alexa
* Blackmagic URSA
* Blackmagic Pocket Cinema Cameras
* Canon Cinema EOS
* Panavision Genesis
* Panasonic VariCam
* Red Epic
* Red Scarlet
* Red One
* Sony CineAlta

### Prosumer and consumer cameras

Independent movie-makers have also pressed low-cost consumer and hybrid prosumer cameras into service for digital cinematography. Though image quality is typically much lower than what can be produced with professional digital cinematography cameras, the technology has steadily improved, most significantly in the last several years with the arrival of high-definition cameras in this market. These inexpensive cameras are limited by their relatively high compression ratios, their small sensors, and the quality of their optics. Many also have integrated lenses which cannot be changed.

## Resolution

### Standard definition

MiniDV was the predominant standard definition consumer video acquisition format in the early 2000s. Steven Soderbergh used the popular Canon XL2 MiniDV camera while shooting Full Frontal. The Danny Boyle directed British horror film, 28 Days Later was also shot on MiniDV using the Canon XL1S, albeit with traditional Panavision 35mm film lenses. One of the first MiniDV cameras used on a feature film was the Sony VX-1000, which was used to shoot Spike Lee's Bamboozled.

In 2002, Panasonic released the AG-DVX100, which was the first affordable camcorder to support progressive scan at 24 frames per second, duplicating the motion characteristics of film and allowing for easier transfers to film. This feature made the camera extremely popular with low-budget movie-makers.

### High definition

Sony, JVC, Canon and other vendors have brought high-definition video acquisition to the consumer and prosumer markets with the HDV format. HDV cameras are sold with a wide range of capabilities. Many support progressive shooting modes, and some have sensors with full 1920x1080 resolution (though the HDV format itself can only record 1440x1080 in non-square pixels, and DVCPRO HD only records at 1280x1080 or 960x720). In addition, some Canon and JVC HDV camcorders have the ability to use high-quality interchangeable lenses, rather than the fixed lenses that are included with most prosumer cameras.

The Canon EOS 5D Mark II is a "full-frame" format HDSLR camera capable of recording 1080p video in at 24, 25 or 30 frames per second, with a file size limit of 4 GB. Movie makers are pressing this camera into service as a low-cost way to shoot motion footage. The Canon EOS 7D is an APS-C HDSLR was used to shoot the independent horror film Marianne[2] and Sound of My Voice.[3] Both cameras have been used together to shoot point-of-view (POV) action scenes in The Avengers due to the cameras being relatively cheap and small and therefore easily used to shoot different angles in tight locations.[4][5]

## List of digital movie cameras

Main page: Engineering:List of large sensor interchangeable-lens video cameras

## See also

* Digital cinematography
* Digital cinema
* List of films shot in digital

## References

1. ↑ Siede, Caroline (23 August 2018). "Maybe the war between digital and film isn't a war at all". https://news.avclub.com/maybe-the-war-between-digital-and-film-isn-t-a-war-at-a-1828527569. "In 2017, 92 percent of films were shot on digital."
2. ↑ Filip, Tegsdedt. "DSLR Feature Film List". http://www.dvxuser.com/V6/showthread.php?198927-DSLR-Feature-Film-List.
3. ↑ "Sound of My Voice (2011) - IMDb". https://www.imdb.com/title/tt1748207/technical?ref_=tt_dt_spec.
4. ↑ 'The Avengers' Made Use of Canon dSLRs for POV Action Shots, Steves Digicams
5. ↑ Canon Highlights Use of EOS DSLRs in “Marvel’s The Avengers”, The-Digital-Picture.com

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