Poiesis

Short description: Concept in semiotics

In continental philosophy and semiotics, poiesis (/pɔɪˈiːsɪs/; from Ancient Greek:) is the process of emergence of something that did not previously exist.[1] Forms of poiesis—including autopoiesis, the process of sustenance through the emergence of sustaining parts—are considered in philosophy and semiotics to be the foundation of activity, alongside semiosis which is considered the foundation of the production of meaning.

## Contents

* 1 Etymology
* 2 Overview
* 2.1 Meta-poiesis
* 3 See also
* 4 References
* 5 External links

## Etymology

Poiesis is etymologically derived from the ancient Greek term ποιεῖν, which means "to make". It is related to the word poetry, which shares the same root. The word is also used as a suffix, as in the biological term hematopoiesis (the formation of blood cells).

## Overview

Heidegger referred to poiesis as a "bringing-forth", or physis as emergence. Examples of poiesis are the blooming of the blossom, the coming-out of a butterfly from a cocoon, and the plummeting of a waterfall when the snow begins to melt; the last two analogies underline Heidegger's example of a threshold occasion, a moment of ecstasis when something moves away from its standing as one thing to become another. These examples may also be understood as the unfolding of a thing out of itself, as being discloses or gathers from nothing; thus, nothing is thought also as being. Plato's Symposium[2] and Timaeus[3] have been analyzed by modern scholars in this vein of interpretation.

### Meta-poiesis

In their 2011 book, All Things Shining, Hubert Dreyfus and Sean Dorrance Kelly argue that embracing a "meta-poietic" mindset is the best, if not the only, method to authenticate meaning in the secular era: "Meta-poiesis, as one might call it, steers between the twin dangers of the secular age: it resists nihilism by reappropriating the sacred phenomenon of physis, but cultivates the skill to resist physis in its abhorrent, fanatical form. Living well in our secular, nihilistic age, therefore, requires the higher-order skill of recognizing when to rise up as one with the ecstatic crowd and when to turn heel and walk rapidly away."[4] Furthermore, Dreyfus and Dorrance Kelly urge each person to become a sort of "craftsman" whose responsibility it is to refine their faculty for poiesis in order to achieve existential meaning in their lives and to reconcile their bodies with whatever transcendence there is to be had in life itself: "The task of the craftsman is not to generate the meaning, but rather to cultivate in himself the skill for discerning the meanings that are already there."[5]

## See also

* Allopoiesis, a process whereby a system can create something other than itself
* Esthesic and poietic

## References

1. ↑ Donald Polkinghorne, Practice and the Human Sciences: The Case for a Judgment-Based Practice of Care, SUNY Press, 2004, p. 115.
2. ↑ Robert Cavalier, "The Nature of Eros," http://caae.phil.cmu.edu/Cavalier/80250/Plato/Symposium/Sym2.html
3. ↑ Ludger Honnefelder, "Natur-Verhältnisse" in Nature als Gegenstand der Wissenschaften (Freiburg, 1992, pp. 11-16
4. ↑ Hubert Dreyfus and Sean Dorrance Kelly, "All Things Shining", 2011, Simon & Schuster, p. 212.
5. ↑ Hubert Dreyfus and Sean Dorrance Kelly, "All Things Shining", 2011, Simon & Schuster, p. 209.

## External links

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