Allani

Short description: Hurrian goddess of the underworld

Allani

Queen of the underworld

A relief of Allani ("Allatum") from Yazılıkaya.

Other names| Allatum, Allanitum
Major cult center| possibly Ḫaššum or Zimudar
Abode| a palace in the "Dark Earth" (Hurrian underworld)
Equivalents
Mesopotamian equivalent| Ereshkigal
Hittite/Luwian equivalent| Sun goddess of the Earth

Allani, also known under the Akkadian name Allatu (or Allatum),[1] was the Hurrian goddess of the underworld. She was also associated with the determination of fate. She was closely linked with Ishara, and they could be invoked or receive offerings together. She also developed connection with other underworld deities from neighboring cultures, such as Mesopotamian Ereshkigal (who eventually came to be equated with her), Anatolian Sun goddess of the Earth and Lelwani, and possibly Ugaritic Arsay. It is presumed she was chiefly worshiped in western areas inhabited by the Hurrians, though the location of her main cult center is uncertain. She is attested in texts from sites such as Tigunani, Tuttul and Ugarit. She was also incorporated into the Mesopotamian pantheon, and was venerated in Ur, Nippur and Sippar. Hittite sources mentioning her are known too.

## Contents

* 1 Name
* 2 Character
* 3 Association with other deities
* 3.1 Allani and other Hurrian goddesses
* 3.2 Allani and Ereshkigal
* 3.3 Allani and Anatolian underworld deities
* 3.4 Allani and Arsay
* 4 Worship
* 4.1 Mesopotamian reception
* 4.2 Hittite reception
* 5 Mythology
* 6 Notes
* 7 References
* 7.1 Bibliography

## Name

The theonym Allani has Hurrian origin and consists of the word allai, lady, and the article -ni.[2] It has been noted that simple epithet-like theonyms were common in Hurrian tradition, another well attested example being Šauška, "the great".[3] In texts written in the Ugaritic alphabetic script, Allani's name was rendered as aln.[4] The Akkadian form is Allatum.[5] In 1980 Wilfred G. Lambert proposed that Allatum, who he understood as the same deity as Ereshkigal in origin, was the feminine counterpart, and possibly wife, of a minor Mesopotamian god associated with the underworld, Alla.[6][lower-alpha 1] However, Gernot Wilhelm (de) already stated in 1989 that no convincing Akkadian etymology has been proposed for the name Allatum,[8] and it is now agreed that it was a derivative of Allani.[9][10] Alfonso Archi suggests this form of the name originally developed in Syria, and from there reached Mesopotamia.[1] In Emar, an ancient city in Syria, both forms were used.[11] A further variant, Allantum, is attested in texts from Tigunani.[12] It differs from the usual variant Allatum, but also represents a combination of the base Hurrian name with the Akkadian feminine suffix.[13]

## Character

Allani was regarded as the queen of the underworld in Hurrian religion.[14] According to Hurrian texts, she resided in a palace at the gate of the "Dark Earth" (Hurrian: timri eže), the land of the dead.[15] As an extension of this role she was also one of the deities who took part in the determining of fates of mortals.[16] She could be referred to with the title "the bolt of the earth",[17] negri ešeniwe.[18][lower-alpha 2] This epithet reflected her association with the underworld, with the word "earth" functioning as a euphemism.[16] Another title applied to her was šiduri, "young woman".[15] She was accordingly imagined to have had a youthful appearance.[19] As indicated by texts pertaining to the ḫišuwa (de) festival, she was believed to wear a blue garment, with the color presumably being associated with death.[5]

## Association with other deities

Like two other of the most commonly worshiped Hurrian goddesses, Ishara and Shaushka, Allani was regarded as unmarried.[20] A single text mentions a "daughter of Allatum", which according to Volkert Haas constitutes the only reference to this goddess having children.[21] Piotr Taracha (de) identifies the daughter in mention as Ḫepat,[22] but according to Lluis Feliu, it is possible Shalash was considered her mother.[23]

An association between Allani and Hurrian primeval deities is also attested.[24] This group was believed to dwell in the underworld.[25]

### Allani and other Hurrian goddesses

Allani was often invoked alongside Ishara, who also was associated with the underworld in Hurrian religion.[26][16] The connection between these two goddesses is already present in documents from the Ur III period.[27][9] In the ritual of Allaituraḫi, Allani is invoked alongside Ishara to protect a household from demonic forces.[28] Instructions for the ḫišuwa (de) festival mention the clothing of statues representing Allani and Ishara, with the former receiving a blue garment and the latter an identical red one.[29] Veneration of them as a pair was an example of a broader phenomenon frequently attested in Hurrian sources, the worship of pairs of deities with similar purposes as if they constituted an unirty, with other examples including Šauška's attendants Ninatta and Kulitta, the fate goddesses Hutena and Hutellura, Ḫepat and her son Šarruma,[30] and the astral deities Pinikir and DINGIR.GE6, so-called Goddess of the Night.[31] In some cases Allani and Ishara could receive a single offering jointly.[32]

Another Hurrian goddess connected to the underworld who sometimes appears in the proximity of Allani was Shuwala, though she was more commonly associated with Nabarbi.[33] Edward Lipiński argues that Shuwala was the same deity as Allani,[34] but they appear together as two distinct deities in texts from Ur[35] and Hattusa.[36]

Presumably due to her own role as a deity associated with fate, Allani was associated with Hutena and Hutellura.[37]

### Allani and Ereshkigal

Allani's character was in part influenced by the Mesopotamian goddess Ereshkigal,[16] who similarly was associated with the underworld.[38] The sumerogram dEREŠ.KI.GAL could be used to represent Allani's name in Hittite sources.[39] However, it is not clear if the two goddesses were already considered analogous in the Ur III period.[27] Jeremiah Peterson notes that they occur apart from each other in a non-standard Old Babylonian god list from Nippur.[40] According to Doris Prechel (de), the oldest evidence for a connection between them is the Old Babylonian forerunner to the god list An = Anum, in which they appear in sequence.[27] Another text belonging to this genre from the same period identifies Allatum both with Ereshkigal and with the term Irkalla, in this context prefaced by the so-called "divine determinative" and thus treated as a theonym rather than as a place name.[41] This word is best attested as a name of the underworld in literary texts, and might represent an Akkadian rendering of Sumerian urugal (variant: erigal),[42] "great city", similarly designating the land of the dead.[43] A direct equation between Allatum and Ereshkigal is also attested in the An = Anum (tablet V, line 213).[40] According to Nathan Wasserman, the name Allatum also designates Ereshkigal in an incantation dedicated to the medicine goddess Gula.[44] It credits the latter with helping a child patient whose skull sutures were loosened by Allatum and had to be sealed again.[45] The short narrative included in this text also mentions Sin, but it is not clear how the three deities involved were connected with each other.[44] In the so-called Underworld Vision of an Assyrian Prince, the invocation of Allatum by the protagonist, prince Kummâ, is presumed to be a case of the name being used as a synonym of Ereshkigal as well.[46] In a later section of the narrative Ereshkigal appears under her primary name.[47]

### Allani and Anatolian underworld deities

In Kizzuwatna Allani came to be identified with a local underworld deity, the so-called "Sun goddess of the Earth".[16] The connection between them is first documented in the middle of the second millennium BCE.[48] Gernot Wilhelm (de) suggests the Anatolian goddess might have been a chthonic aspect of the Hattian sun goddess in origin.[15] Piotr Taracha (de) instead classifies her as a Luwian deity and notes that despite her connection to the underworld her character might have been comparable to that of the Ugaritic goddess Shapash prior to being reshaped by the development of an association with Allani under Hurrian cultural influence.[49] Despite the development of this connection, Allani herself did not acquire the characteristics of a solar deity.[15] In Kizzuwatna, where the two goddesses were regarded as identical, they presided over ritual purification and were believed to keep evil and impurity sealed in her kingdom.[16] It has been suggested that the Gulšeš (de), who belonged to the entourage of the Sun goddess of the Earth, were modeled on Hutena and Hutellura, who were associated with Allani.[49]

Under her Mesopotamian name Allatum Allani came to be linked with Lelwani, originally a male god from the Hattian pantheon, who started to be viewed as a goddess due to this equation, as already attested in sources dated to the reign of Hittite king Ḫattušili III.[50] Piotr Taracha argues that Lelwani's name was effectively reassigned to Allatum, who he assumes was venerated as a separate figure from Allani in Anatolia.[16] Alfonso Archi notes that dALLATUM, Lelwani, and dEREŠ.KI.GAL, Allani, may occur in the same texts separately from each other, which indicates that the two were not directly regarded as the same after Lelwani was reinterpreted as a female deity.[39]

### Allani and Arsay

It is possible that in Ugarit Arsay, one of the daughters of the local weather god Baal, was viewed as the equivalent of Allani (Allatum), and like her she might have been a deity linked to the underworld.[51] Volkert Haas suggested that this connection is reflected by the placement of Arsay and Ishara in sequence in one of the Ugaritic offering lists.[52] However, Steve A. Wiggins stresses that it is important to maintain caution when attempting to define the roles of poorly attested Ugaritic deities, such as Baal's daughters, entirely based on the character of their presumed equivalents.[53]

## Worship

According to Gernot Wilhelm (de), based on available sources it can be assumed Allani was worshiped chiefly in the western Hurrian areas.[8] Alfonso Archi describes her as one of the primary Hurrian goddesses next to Ishara and Šauška.[54] She appears in offering lists (kaluti (de)) focused on Ḫepat, in which she is typically placed after Ishara and before the pair Umbu-Nikkal.[55] A similar enumeration of deities with Allani also placed after Ishara is attested in the ritual of Ammiḫatna from Kizzuwatna.[56]

It is uncertain which city was considered Allani's main cult center, as documents from the Ur III period seemingly connect her with Zimudar located in the Diyala area, but in Hittite sources she is instead associated with Ḫaššum, possibly to be identified with Ḫašuanu from the Ebla texts.[9] She is also attested in the text corpus from Tigunani from the reign of Tunip-Teshub (Old Babylonian period, c. 1630 BCE).[57] She occurs in an omen apodosis.[13] Theophoric names invoking her were common chiefly in the Tur Abdin area located in the southeast of modern Turkey.[9] A single example is also known from the text corpus from Tuttul, Arip-Allani, "Allani gave (a child)".[58]

Allani was also among the Hurrian deities worshiped in Ugarit.[4] Hurrian offering lists from this city reflect the customs from the thirteenth century BCE and show occasional incorporation of Ugaritic deities like El and Anat into Hurrian ceremonies.[59] In the text RS 24.261, which contains instructions for a ritual focused on Ashtart and Šauška, written in both Ugaritic and Hurrian,[60] she is mentioned in a list of deities who received offerings during it, after Ishara and before Nikkal.[61] In RS 24.291, a ritual taking place over the course of three days focused on Pidray,[62] she is listed as the recipient of a sacrificial cow on the second day and two rams on the third.[63] Offering lists in which she appears between Ishara and Hutena-Hutellura are known too.[59]

### Mesopotamian reception

Under the Akkadian form of her name, Allani was also worshiped in Mesopotamia.[16] She was one of the foreign deities worshiped in Ur in the Ur III period.[64][lower-alpha 3] She might have been introduced there from the areas in the proximity of the upper section of the river Khabur.[5] Offerings made to her are well documented in the archive of queen Shulgi-simti alongside these to goddesses such as Ishara, Belet Nagar, Belet-šuhnir and Belet-terraban.[66] Administrative documents from Puzrish-Dagan (Drehem) detailing the amount of sacrifices made to various deities mention Allatum alongside both foreign and Mesopotamian deities.[67] The sacrifice of a piglet to her is documented in the text YBC 16473, but unlike other livestock these animals were not distributed by the royal administration from Puzrish-Dagan.[68] At least one temple dedicated to Allatum, most likely located in Ur, is attested.[9] A single text mentions the staff of temples of Allatum, Annunitum and Shuwala.[35] There is also evidence that she received offerings during rites held in honor of deceased kings in this city.[69]

In Nippur, Allatum was venerated alongside a different group of deities than in Ur: Enlil and Ninlil, Alla-gula and Ningagia.[70][lower-alpha 4] During the seventh day of the festival of Inanna which took place annually during the sixth month in the local calendar she also received offerings alongside Idlurugu, a god who represented river ordeal.[72] She continued to be worshiped in this city in the Old Babylonian period.[73]

A single reference to a temple of Allatum has been identified in the corpus of texts from Old Babylonian Sippar.[74] It occurs in a lawsuit dated to the reign of Sabium, and the goddess is otherwise not attested in any sources from this city, which indicates her cult had a small scope and might have not been maintained in later periods.[75]

The Old Babylonian Bird Omen Compendium, a divination manual explaining how to interpret the signs on the carcass of a sacrificial bird, identifies one possible location of an ominous red spot as a portent of Allatum.[76] It has been noted that the section in which she appears seems to focus on deities chiefly worshiped in western areas, such as Adad and Ishara, and their respective circles.[77]

### Hittite reception

Allani, Ishara and Nabarbi on the Yazılıkaya reliefs.

The Hittite king Ḫattušili I listed Allani (under the name Allatum) as one of the deities whose statues he brought to Hatti as war booty, alongside the storm god of Aleppo (de), Lelluri, and the mountain gods Adalur and Amaruk.[78] She came to be worshiped by the Hittites as one of the deities belonging to the state pantheon in the Middle Hittite period.[5]

During the ḫišuwa (de) festival, which was introduced from Kizzuwatna by queen Puduḫepa and was meant to guarantee good fortune for the royal couple Allani appears alongside "Teshub Manuzi," Lelluri, Ishara, two hypostases of Nupatik (pibitḫi \- "of Pibid(a)" and zalmatḫi \- "of Zalman(a)/Zalmat") and Maliya.[79] Texts describing it mention a temple dedicated to her, in which she was venerated alongside Hutena-Hutellura, Kurra,[lower-alpha 5] Zimazalla and a further deity whose name is not preserved.[81] It is designated as a location where the king was supposed to make an offering (keldi) to her.[82]

In Yazılıkaya, a sanctuary located close to Hattusa and tied to the Hurrian-influenced religious practice of the royal family,[83] Allani (Allatum) is depicted in a procession of goddesses reflecting the order of the kaluti (de) of Ḫepat, with the two following figures being Ishara and Nabarbi.[84]

Texts from Emar which reflect Hittite traditions also mention Allani.[85]

## Mythology

Allani is one of the three deities playing main roles in the Song of Release, the other two being Teshub and Ishara..[86] The former at one point descends to the underworld and partakes in a banquet held by Allani alongside his enemies, the "former gods" whose defeat is described in the cycle of Kumarbi, but much of the rest of the narrative is missing and both its conclusion and purpose are uncertain.[87] Volkert Haas suggests that the underworld banquet should be understood as an episode comparable to the Mesopotamian myth of Inanna's descent to the netherworld, with Teshub temporarily imprisoned in the land of the dead.[88] This interpretation has been critically evaluated by Ewa von Dassow, who points out that Haas did not depend on the text itself, as no reference to the weather god being imprisoned in it, and in his publications instead offered indirect evidence from unrelated compositions such as the aforementioned Mesopotamian myth or Ovid's Metamorphoses.[89] She instead suggests that the meeting is focused on discussing the destruction of Ebla, around which much of the plot of the composition revolves, as it would inevitably lead to an influx of new inhabitants into Allani's realm.[86] Gernot Wilhelm (de) proposes that Teshub's descent to the underworld was meant to ease his anger with the treatment of his human followers by the elders of Ebla, described in other fragments of the same text,[90] though he also considers it possible that the myth reflected rituals in which a deceased person was supposed to enter the underworld and meet their ancestors in the underworld.[91] Mary R. Bachvarova assumes that the meeting with Allani is related to the fact that the humans Teshub is concerned with in other sections of the myth are meant to care for funerary rites.[92] Walter Burkert and Erich Neu suggested that Allani presided over reconciliation between Teshub and his enemies.[87]

## Notes

1. ↑ Alla was worshiped in Esagi, a settlement whose location remains unknown, and he is also attested as the sukkal (attendant deity) of Ningishzida.[7]
2. ↑ It has been noted the term negri could also designate a border or a riverbank.[18]
3. ↑ Other examples include Belet Dalatim, Belet-Šuḫnir, Belet-Terraban, Ḫabūrītum, Šauška, Dagan,[64] Ishara[65] and Shuwala.[35]
4. ↑ Nigagia, "mistress of the cloister", was a local goddess from this city.[71]
5. ↑ A possible late form of the Eblaite god Kura, who is otherwise not attested after the fall of Ebla.[80]

## References

1. ↑ 1.0 1.1 Archi 2013a, p. 17.
2. ↑ Haas 2015, p. 309.
3. ↑ Archi 2013, pp. 6–7.
4. ↑ 4.0 4.1 Válek 2021, p. 53.
5. ↑ 5.0 5.1 5.2 5.3 Haas 2015, p. 405.
6. ↑ Lambert 1980, pp. 63–64.
7. ↑ Lambert 1980, p. 64.
8. ↑ 8.0 8.1 Wilhelm 1989, p. 55.
9. ↑ 9.0 9.1 9.2 9.3 9.4 Sharlach 2002, p. 99.
10. ↑ Haas 2015, p. 131.
11. ↑ Beckman 2002, p. 40.
12. ↑ De Zorzi 2017, p. 127.
13. ↑ 13.0 13.1 Pongratz-Leisten 2015, p. 73.
14. ↑ Archi 2013a, p. 4.
15. ↑ 15.0 15.1 15.2 15.3 Wilhelm 2014, p. 346.
16. ↑ 16.0 16.1 16.2 16.3 16.4 16.5 16.6 16.7 Taracha 2009, p. 124.
17. ↑ Archi 2013a, p. 16.
18. ↑ 18.0 18.1 Haas 2015, p. 130.
19. ↑ Haas 2015, p. 300.
20. ↑ Archi 2020, p. 20.
21. ↑ Haas 2015, p. 563.
22. ↑ Taracha 2009, p. 121.
23. ↑ Feliu 2003, p. 302.
24. ↑ Haas 2015, p. 113.
25. ↑ Taracha 2009, p. 125.
26. ↑ Murat 2009, p. 170.
27. ↑ 27.0 27.1 27.2 Prechel 1996, p. 188.
28. ↑ Haas 2015, p. 399.
29. ↑ Haas 2015, p. 849.
30. ↑ Taracha 2009, p. 128.
31. ↑ Miller 2008, p. 68.
32. ↑ Haas 2015, p. 400.
33. ↑ Schwemer 2001, pp. 409–410.
34. ↑ Lipiński 2016, p. 140.
35. ↑ 35.0 35.1 35.2 Schwemer 2001, p. 409.
36. ↑ Trémouille 2013, p. 374.
37. ↑ Taracha 2009, pp. 124–125.
38. ↑ Asher-Greve & Westenholz 2013, p. 127.
39. ↑ 39.0 39.1 Archi 2013a, pp. 16–17.
40. ↑ 40.0 40.1 Peterson 2009, p. 95.
41. ↑ Horowitz 1998, p. 289.
42. ↑ Horowitz 1998, p. 288.
43. ↑ Horowitz 1998, p. 351.
44. ↑ 44.0 44.1 Wasserman 2008, p. 83.
45. ↑ Wasserman 2008, p. 82.
46. ↑ Loktionov 2016, p. 40.
47. ↑ Loktionov 2016, p. 41.
48. ↑ Haas 2015, p. 133.
49. ↑ 49.0 49.1 Taracha 2009, p. 109.
50. ↑ Wilhelm 2014, p. 345.
51. ↑ Wiggins 2003, pp. 96–97.
52. ↑ Haas 2015, pp. 557–558.
53. ↑ Wiggins 2003, p. 84.
54. ↑ Archi 2013, p. 10.
55. ↑ Taracha 2009, p. 119.
56. ↑ Haas 2015, p. 376.
57. ↑ De Zorzi 2017, pp. 126–127.
58. ↑ Richter 2010, p. 510.
59. ↑ 59.0 59.1 Schwemer 2001, p. 547.
60. ↑ Pardee 2002, p. 93.
61. ↑ Pardee 2002, p. 95.
62. ↑ Pardee 2002, p. 96.
63. ↑ Pardee 2002, p. 98.
64. ↑ 64.0 64.1 Sharlach 2002, p. 94.
65. ↑ Asher-Greve & Westenholz 2013, p. 71.
66. ↑ Sharlach 2017, p. 209.
67. ↑ Katz 2007, p. 176.
68. ↑ Sharlach 2017, p. 199.
69. ↑ Katz 2007, p. 182.
70. ↑ Sharlach 2017, p. 264.
71. ↑ Asher-Greve & Westenholz 2013, p. 73.
72. ↑ Schneider 2022, p. 748.
73. ↑ Sharlach 2002, p. 100.
74. ↑ Harris 1975, p. 152.
75. ↑ Myers 2002, p. 142.
76. ↑ Anor & Cohen 2021, p. 57.
77. ↑ Anor & Cohen 2021, p. 59.
78. ↑ Sazonov 2019, p. 68.
79. ↑ Taracha 2009, p. 138.
80. ↑ Archi 2019, p. 44.
81. ↑ Haas 2015, pp. 849–850.
82. ↑ Haas 2015, p. 857.
83. ↑ Taracha 2009, p. 93.
84. ↑ Taracha 2009, p. 95.
85. ↑ Prechel 1996, p. 73.
86. ↑ 86.0 86.1 von Dassow 2013, p. 128.
87. ↑ 87.0 87.1 Wilhelm 2013, p. 188.
88. ↑ Haas 2015, p. 260.
89. ↑ von Dassow 2013, p. 156.
90. ↑ Wilhelm 2013, p. 191.
91. ↑ Wilhelm 2013, pp. 188–189.
92. ↑ Bachvarova 2013, p. 304.

### Bibliography

* Anor, Netanel; Cohen, Yoram (2021). "Bird in the Sky – Babylonian Bird Omen Collections, Astral Observations and the manzāzu". Revue d'assyriologie et d'archéologie orientale (CAIRN) 115 (1): 51–80. doi:10.3917/assy.115.0051. ISSN 0373-6032. https://www.cairn.info/revue-d-assyriologie-2021-1-page-51.htm.
* Archi, Alfonso (2013). "The West Hurrian Pantheon and Its Background". in Collins, B. J.; Michalowski, P.. Beyond Hatti: a tribute to Gary Beckman. Atlanta: Lockwood Press. ISBN 978-1-937040-11-6. OCLC 882106763. https://www.academia.edu/7003610.
* Archi, Alfonso (2013a). "The Anatolian Fate-Goddesses and their Different Traditions". Diversity and Standardization. De Gruyter. pp. 1–26. doi:10.1524/9783050057576.1. ISBN 978-3-05-005756-9. https://www.academia.edu/7003669.
* Archi, Alfonso (2019). "Šamagan and the Mules of Ebla. Syrian Gods in Sumerian Disguise". Between Syria and the Highlands: studies in honor of Giorgio Buccellati & Marilyn Kelly-Buccellati. Rome: Arbor Sapientiae editore. ISBN 978-88-31341-01-1. OCLC 1137837171. http://urkesh.org/pages/911-SANEM3.htm.
* Archi, Alfonso (2020). "Išḫara and Aštar at Ebla: Some Definitions". The Third Millennium. BRILL. pp. 1–34. doi:10.1163/9789004418080_002. ISBN 9789004418080.
* Asher-Greve, Julia M.; Westenholz, Joan G. (2013). Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources. ISBN 978-3-7278-1738-0. https://www.zora.uzh.ch/id/eprint/135436/1/Asher-Greve_Westenholz_2013_Goddesses_in_Context.pdf.
* Bachvarova, Mary R. (2013). "The Hurro-Hittite Song of Release (Destruction of the City of Ebla)". Gods, heroes, and monsters: a sourcebook of Greek, Roman, and Near Eastern myths. New York: Oxford University Press. ISBN 978-0-19-064481-9. OCLC 967417697. https://www.academia.edu/4668136.
* Beckman, Gary (2002). "The Pantheon of Emar". Silva Anatolica: Anatolian studies presented to Maciej Popko on the occasion of his 65th birthday. Warsaw: Agade. ISBN 83-87111-12-0. OCLC 51004996. https://deepblue.lib.umich.edu/handle/2027.42/77414.
* De Zorzi, Nicla (2017). "Teratomancy at Tigunānum: Structure, Hermeneutics, and Weltanschauung of a Northern Mesopotamian Omen Corpus". Journal of Cuneiform Studies (University of Chicago Press) 69 (1): 125–150. doi:10.5615/jcunestud.69.2017.0125. ISSN 0022-0256. https://www.academia.edu/31326630.
* Feliu, Lluís (2003). The God Dagan in Bronze Age Syria. Boston: BRILL. ISBN 90-04-49631-9. OCLC 1288215998. https://books.google.com/books?id=5BlREAAAQBAJ&pg=PA115.
* Haas, Volkert (2015) (in de). Geschichte der hethitischen Religion. Handbook of Oriental Studies. Section 1: The Near and Middle East. Brill. ISBN 978-90-04-29394-6. https://books.google.com/books?id=EOh5DwAAQBAJ. Retrieved 2022-02-26.
* Harris, Rivkah (1975). Ancient Sippar: a Demographic Study of an Old-Babylonian City, 1894-1595 B.C.. Uitgaven van het Nederlands Historisch-Archaeologisch Instituut te Istanbul. Nederlands Historisch-Archaeologisch Instituut. https://www.nino-leiden.nl/download/3235. Retrieved 2023-05-20.
* Horowitz, Wayne (1998). Mesopotamian Cosmic Geography. Eisenbrauns. ISBN 978-0-931464-99-7. https://books.google.com/books?id=P8fl8BXpR0MC. Retrieved 2023-05-20.
* Katz, Dina (2007). "Sumerian Funerary Rituals in Context". Performing death: social analyses of funerary traditions in the ancient Near East and Mediterranean. Chicago: The Oriental Institute of the University of Chicago. ISBN 978-1-885923-50-9. OCLC 156832396. https://www.academia.edu/235211.
* Lambert, Wilfred G. (1980). "The Theology of Death". Death in Mesopotamia. Copenhagen: Akademisk Forlag. ISBN 87-500-1946-5. OCLC 7124686.
* Lipiński, Edward (2016). "Hurrians and Their Gods in Canaan" (in pl). Rocznik Orientalistyczny/Yearbook of Oriental Studies 69 (1). https://journals.pan.pl/dlibra/publication/95590/edition/82350/content. Retrieved 2022-02-16.
* Loktionov, Alexandre Alexandrovich (2016). "An "Egyptianising" Underworld Judging an Assyrian Prince? New Perspectives on VAT 10057". Journal of Ancient Near Eastern History (Walter de Gruyter GmbH) 3 (1): 39–55. doi:10.1515/janeh-2016-0012. ISSN 2328-9554. https://www.repository.cam.ac.uk/handle/1810/266321.
* Miller, Jared L. (2008). "Setting Up the Goddess of the Night Separately". Anatolian interfaces: Hittites, Greeks, and their neighbours: proceedings of an International Conference on Cross-cultural Interaction, September 17-19, 2004, Emory University, Atlanta, GA. Oxford: Oxbow Books. ISBN 978-1-84217-270-4. OCLC 880878828. https://www.academia.edu/358304.
* Murat, Leyla (2009). "Goddess Išhara". Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Tarih Bölümü Tarih Araştırmaları Dergisi 45. https://www.academia.edu/31405555.
* Myers, Jennie (2002). The Sippar pantheon: a diachronic study (PhD).
* Pardee, Dennis (2002). Ritual and cult at Ugarit. Atlanta: Society of Biblical Literature. ISBN 978-90-04-12657-2. OCLC 558437302.
* Peterson, Jeremiah (2009). God lists from Old Babylonian Nippur in the University Museum, Philadelphia. Münster: Ugarit Verlag. ISBN 978-3-86835-019-7. OCLC 460044951. https://www.academia.edu/27631505.
* Pongratz-Leisten, Beate (2015). Religion and Ideology in Assyria. Studies in Ancient Near Eastern Records (SANER). De Gruyter. ISBN 978-1-61451-426-8. https://books.google.com/books?id=LJqnCgAAQBAJ. Retrieved 2023-05-20.
* Prechel, Doris (1996) (in de). Die Göttin Išḫara: ein Beitrag zur altorientalischen Religionsgeschichte. Münster: Ugarit-Verlag. ISBN 3-927120-36-7. OCLC 34994294.
* Richter, Thomas (2010). "Ein Hurriter wird geboren... und benannt". in Becker, Jörg; Hempelmann, Ralph; Rehm, Ellen (in de). Kulturlandschaft Syrien: Zentrum und Peripherie. Festschrift für Jan-Waalke Meyer. Münster: Ugarit-Verlag. ISBN 978-3-86835-034-0. OCLC 587015618. https://www.academia.edu/42732078.
* Sazonov, Vladimir (2019). "Some Notes on the Evolution of the Hittite Royal Annals". Literary change in Mesopotamia and beyond and Routes and travellers between East and West. Proceedings of the 2nd and 3rd Melammu Workshop. Münster: Zaphon. ISBN 978-3-96327-066-6. OCLC 1257072825. https://www.researchgate.net/publication/335741481.
* Schwemer, Daniel (2001) (in de). Die Wettergottgestalten Mesopotamiens und Nordsyriens im Zeitalter der Keilschriftkulturen: Materialien und Studien nach den schriftlichen Quellen. Wiesbaden: Harrassowitz. ISBN 978-3-447-04456-1. OCLC 48145544. https://www.academia.edu/16999070.
* Schneider, Bernhard (2022). "Nippur: City of Enlil and Ninurta". Naming and Mapping the Gods in the Ancient Mediterranean. De Gruyter. pp. 745–762. doi:10.1515/9783110798432-039. ISBN 978-3-11-079843-2.
* Sharlach, Tonia (2002). "Foreign Influences on the Religion of the Ur III Court". General studies and excavations at Nuzi 10/3. Bethesda, Md: CDL Press. ISBN 1-883053-68-4. OCLC 48399212. https://www.academia.edu/36052473.
* Sharlach, Tonia (2017). An Ox of One's Own: Royal Wives and Religion at the Court of the Third Dynasty of Ur. Studies in Ancient Near Eastern Records. De Gruyter. doi:10.1515/9781501505263. ISBN 978-1-5015-0526-3.
* Taracha, Piotr (2009). Religions of Second Millennium Anatolia. Harrassowitz. ISBN 978-3447058858.
* Trémouille, Marie-Claude (2013) (in fr)
* Válek, František (2021). "Foreigners and Religion at Ugarit". Studia Orientalia Electronica 9 (2): 47–66. doi:10.23993/store.88230. ISSN 2323-5209. https://www.academia.edu/66842385.
* von Dassow, Eva (2013). "Piecing Together the Song of Release". Journal of Cuneiform Studies (The American Schools of Oriental Research) 65: 127–162. doi:10.5615/jcunestud.65.2013.0127. ISSN 2325-6737. https://www.academia.edu/7479455.
* Wasserman, Nathan (2008). "On Leeches, Dogs, and Gods in Old Babylonian Medical Incantations". Revue d'Assyriologie et d'archéologie orientale (Presses Universitaires de France) 102: 71–88. doi:10.3917/assy.102.0071. ISSN 0373-6032. http://www.jstor.org/stable/23281369. Retrieved 2023-02-20.
* Wiggins, Steve A. (2003). "Pidray, Tallay and Arsay in the Baal Cycle". Journal of Northwest Semitic Languages 29 (2). https://www.academia.edu/1307039.
* Wilhelm, Gernot (1989). The Hurrians. Warminster, England: Aris & Phillips. ISBN 978-0-85668-442-5. OCLC 21036268.
* Wilhelm, Gernot (2013). "The Dispute on Manumission at Ebla: why does the Stormgod Descend to the Netherworld?". Revue d'Assyriologie et d'archéologie orientale (Presses Universitaires de France) 107: 187–191. doi:10.3917/assy.107.0187. ISSN 0373-6032. http://www.jstor.org/stable/42771771. Retrieved 2022-02-26.
* Wilhelm, Gernot (2014) (in de)

0.00

(0 votes)

Original source: https://en.wikipedia.org/wiki/Allani. Read more

|

Retrieved from "https://handwiki.org/wiki/index.php?title=Religion:Allani&oldid=2535167"
*[c.]: circa