Received Pronunciation

Short description: Standard accent for British English

"The Queen's English" redirects here. For the LGBTQ dictionary, see The Queens' English.

| This page contains IPA phonetic symbols. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Unicode characters. For an introductory guide on IPA symbols, see Help:IPA.

|

Received Pronunciation

Queen's English / King's English
Native to| England
Region| South East England, Greater London, East of England

Language family

Indo-European

* Germanic
* West Germanic
* Ingvaeonic
* Anglo-Frisian
* Anglic
* English
* British English
* Received Pronunciation

Early forms

Old English

* Middle English
* Early Modern English

Writing system

| English alphabet
Language codes
ISO 639-3| –

Received Pronunciation (RP) is the accent of British English regarded as the standard one, carrying the highest social prestige, since as late as the beginning of the 20th century.[1][2] It is also commonly referred to as the Queen's English or King's English. The study of RP is concerned only with matters of pronunciation, while other features of standard British English, such as vocabulary, grammar, and style, are not considered.

Language scholars have long disagreed on RP's exact definition, how geographically neutral it is, how many speakers there are, the nature and classification of its sub-varieties, how appropriate a choice it is as a standard, how the accent has changed over time, and even its name.[3] Furthermore, RP has changed to such a degree over the last century that many of its early 20th-century traditions of transcription and analysis have become outdated or are no longer considered evidence-based by linguists.[4] Standard Southern British English (SSBE) is a label some linguists use for the variety that gradually evolved from RP in the late 20th century and replaced it as the commonplace standard variety of Southern England,[5] while others now simply use SSBE and RP as synonyms.[6] Still, the older traditions of RP analysis continue to be commonly taught and used, for instance in language education and comparative linguistics, and RP remains a popular umbrella term in British society.

## Contents

* 1 History
* 1.1 Alternative names
* 1.2 Sub-varieties
* 2 Prevalence and perceptions
* 3 Use
* 3.1 Media
* 3.2 Dictionaries
* 3.3 Language teaching
* 4 Phonology
* 4.1 Consonants
* 4.2 Vowels
* 4.2.1 "Long" and "short" vowels
* 4.2.2 Diphthongs and triphthongs
* 4.2.3 BATH vowel
* 4.2.4 French words
* 4.2.5 Alternative notations
* 5 Historical variation
* 5.1 Vowels
* 5.2 Consonants
* 5.3 Word-specific changes
* 6 Comparison with other varieties of English
* 7 Spoken specimen
* 8 Notable speakers
* 9 See also
* 10 Notes
* 11 References
* 12 Bibliography
* 13 External links

## History

In the first edition of the British phonetician Daniel Jones's English Pronouncing Dictionary (1917), he named the accent "Public School Pronunciation"; for the second edition in 1926 he wrote: "In what follows I call it Received Pronunciation, for want of a better term".[7] However, the term had been used much earlier by P. S. Du Ponceau in 1818[8] and the Oxford English Dictionary cites quotations back to about 1710.[9] A similar term, received standard, was coined by Henry C. K. Wyld in 1927.[10] The early phonetician Alexander John Ellis used both terms interchangeably, but with a much broader definition than Jones's, saying, "There is no such thing as a uniform educated pron. of English, and rp. and rs is a variable quantity differing from individual to individual, although all its varieties are 'received', understood and mainly unnoticed".[11]

Although a form of Standard English had been established in the City of London by the end of the 15th century, it did not begin to resemble RP until the late 19th century.[12][13] RP has most in common with the dialects of what has been termed the South East Midlands, in particular the Golden Triangle of universities, namely London, Oxford and Cambridge, and the public schools that fed them, such as Eton, Harrow and Rugby.[14] In 1922, the BBC selected RP as its broadcasting standard, citing its being widely understood globally as a reason.[14]

According to Fowler's Modern English Usage (1965), "the correct term is 'the Received Pronunciation'. The word 'received' conveys its original meaning of 'accepted' or 'approved', as in 'received wisdom'."[15]

### Alternative names

Some linguists have used the term "RP" while expressing reservations about its suitability.[16][17][18] The Cambridge-published English Pronouncing Dictionary (aimed at those learning English as a foreign language) uses the phrase "BBC Pronunciation", on the basis that the name "Received Pronunciation" is "archaic" and that BBC News presenters no longer suggest high social class and privilege to their listeners.[19] Other writers have also used the name "BBC Pronunciation".[20][21] The term 'The Queen's English' has also been used by some writers.[14]

The phonetician Jack Windsor Lewis frequently criticised the name "Received Pronunciation" in his blog: he has called it "invidious",[22] a "ridiculously archaic, parochial and question-begging term"[23] and noted that American scholars find the term "quite curious".[24] He used the term "General British" (to parallel "General American") in his 1970s publication of A Concise Pronouncing Dictionary of American and British English[25] and in subsequent publications.[26] The name "General British" is adopted in the latest revision of Gimson's Pronunciation of English.[27] Beverley Collins and Inger Mees use the term "Non-Regional Pronunciation" for what is often otherwise called RP, and reserve the term "Received Pronunciation" for the "upper-class speech of the twentieth century".[28] Received Pronunciation has sometimes been called "Oxford English", as it used to be the accent of most members of the University of Oxford.[14] The Handbook of the International Phonetic Association uses the name "Standard Southern British". Page 4 reads:

> Standard Southern British (where 'Standard' should not be taken as implying a value judgment of 'correctness') is the modern equivalent of what has been called 'Received Pronunciation' ('RP'). It is an accent of the south east of England which operates as a prestige norm there and (to varying degrees) in other parts of the British Isles and beyond.[29]

### Sub-varieties

Faced with the difficulty of defining a single standard of RP, some researchers have tried to distinguish between sub-varieties:

* (Gimson 1962) proposed Conservative, General, and Advanced; "Conservative RP" referred to a traditional accent associated with older speakers with certain social backgrounds; General RP was considered neutral regarding age, occupation or lifestyle of the speaker; and Advanced RP referred to speech of a younger generation of speakers.[30][31] Later editions (e.g., Gimson 2008) use the terms General, Refined and Regional RP. In the latest revision of Gimson's book, the terms preferred are General British (GB), Conspicuous GB and Regional GB.[27]
* (Wells 1982) refers to "mainstream RP" and "U-RP"; he suggests that Gimson's categories of Conservative and Advanced RP referred to the U-RP of the old and young respectively. However, Wells stated, "It is difficult to separate stereotype from reality" with U-RP.[32] Writing on his blog in February 2013, Wells wrote, "If only a very small percentage of English people speak RP, as Trudgill et al. claim, then the percentage speaking U-RP is vanishingly small" and "If I were redoing it today, I think I'd drop all mention of 'U-RP'".[33]
* Upton distinguishes between RP (which he equates with Wells's "mainstream RP"), Traditional RP (after Ramsaran 1990), and an even older version which he identifies with Cruttenden's "Refined RP".[34]
* An article on the website of the British Library refers to Conservative, Mainstream and Contemporary RP.[35]

## Prevalence and perceptions

Traditionally, Received Pronunciation has been associated with high social class. It was the "everyday speech in the families of Southern English persons whose men-folk [had] been educated at the great public boarding-schools"[36] and which conveyed no information about that speaker's region of origin before attending the school. An 1891 teacher's handbook stated, "It is the business of educated people to speak so that no-one may be able to tell in what county their childhood was passed".[37] Nevertheless, in the 19th century some British prime ministers, such as William Ewart Gladstone, still spoke with some regional features.[38]

Opinions differ over the proportion of Britons who speak RP. Trudgill estimated 3% in 1974,[39] but that rough estimate has been questioned by J. Windsor Lewis.[40] Upton notes higher estimates of 5% (Romaine, 2000) and 10% (Wells, 1982) but refers to these as "guesstimates" not based on robust research.[41]

The claim that RP is non-regional is disputed, since it is most commonly found in London and the southeast of England. It is defined in the Concise Oxford English Dictionary as "the standard accent of English as spoken in the South of England",[42] and alternative names such as "Standard Southern British" have been used.[43] Despite RP's historic high social prestige in Britain,[44] being seen as the accent of those with power, money, and influence, it may be perceived negatively by some as being associated with undeserved, or accidental, privilege[45][46] and as a symbol of the southeast's political power in Britain.[46] Based on a 1997 survey, Jane Stuart-Smith wrote, "RP has little status in Glasgow, and is regarded with hostility in some quarters".[47] A 2007 survey found that residents of Scotland and Northern Ireland tend to dislike RP.[48] It is shunned by some with left-wing political views, who may be proud of having accents more typical of the working classes.[49]

Since the Second World War, and increasingly since the 1960s, a wider acceptance of regional English varieties has taken hold in education and public life.[50][51] Nonetheless, surveys from 1969 to 2022 consistently show that RP is perceived as the most prestigious accent of English in the United Kingdom. In 2022, 25% of British adults reported being mocked for their regional accent at work, and 46% in social situations.[2]

## Use

### Media

In the early days of British broadcasting, speakers of English origin almost universally used RP. The first director-general of the BBC, Lord Reith, encouraged the use of a 'BBC accent' because it was a "style or quality of English which would not be laughed at in any part of the country". He distinguished the BBC accent from the 'Oxford accent', to which he was "vehemently opposed".[52] In 1926 the BBC established an Advisory Committee on Spoken English with distinguished experts, including Daniel Jones, to advise on the correct pronunciation and other aspects of broadcast language. The Committee proved unsuccessful and was dissolved on the outbreak of the Second World War.[53] While the BBC did advise its speakers on pronunciation, there was never a formalised official BBC pronunciation standard.[54] A notable departure from the use of RP came with the Yorkshire-born newsreader Wilfred Pickles during the Second World War; his accent allowing listeners to more clearly distinguish BBC broadcasts from German propaganda, though Pickles had modified his accent to be closer to RP.[55][56] Since the Second World War RP has played a much smaller role in broadcast speech. RP remains the accent most often heard in the speech of announcers and newsreaders on BBC Radio 3 and Radio 4, and in some TV channels, but non-RP accents are now more widely encountered.[57]

### Dictionaries

Most English dictionaries published in Britain (including the Oxford English Dictionary) now give phonetically transcribed RP pronunciations for all words. Pronunciation dictionaries represent a special class of dictionary giving a wide range of possible pronunciations: British pronunciation dictionaries are all based on RP, though not necessarily using that name. Daniel Jones transcribed RP pronunciations of words and names in the English Pronouncing Dictionary. Cambridge University Press continues to publish this title, as of 1997 edited by Peter Roach. Two other pronunciation dictionaries are in common use: the Longman Pronunciation Dictionary,[58] compiled by John C. Wells (using the name "Received Pronunciation"), and Clive Upton's Oxford Dictionary of Pronunciation for Current English,[59] (now republished as The Routledge Dictionary of Pronunciation for Current English).[60]

### Language teaching

Pronunciation forms an essential component of language learning and teaching; a model accent is necessary for learners to aim at, and to act as a basis for description in textbooks and classroom materials. RP has been the traditional choice for teachers and learners of British English.[61] However, the choice of pronunciation model is difficult, and the adoption of RP is in many ways problematic.[62][63]

## Phonology

### Consonants

Consonant phonemes[64] | Labial  | Dental  | Alveolar  | Post-
alveolar  | Palatal  | Velar  | Glottal

|
|
|
|
|
|
|

Nasal |  | m |  |  | n |  |  |  | ŋ |
Stop | p | b |  | t | d |  |  | k | ɡ |
Affricate |  |  |  | tʃ | dʒ |  |  |
Fricative | f | v | θ | ð | s | z | ʃ | ʒ |  |  | h |
Approximant |  |  |  | l |  | r |  | j |  | w |

Nasals and liquids (/m/, /n/, /ŋ/, /r/, /l/) may be syllabic in unstressed syllables.[65] The consonant /r/ in RP is generally a postalveolar approximant,[65] which would normally be expressed with the sign [ɹ] in the International Phonetic Alphabet, but the sign /r/ is nonetheless traditionally used for RP in most of the literature on the topic.

Voiceless plosives (/p/, /t/, /k/, /tʃ/) are aspirated at the beginning of a syllable, unless a completely unstressed vowel follows. (For example, the /p/ is aspirated in "impasse", with primary stress on "-passe", but not "compass", where "-pass" has no stress.) Aspiration does not occur when /s/ precedes in the same syllable, as in "spot" or "stop". When a sonorant /l/, /r/, /w/, or /j/ follows, this aspiration is indicated by partial devoicing of the sonorant.[66] /r/ is a fricative when devoiced.[65]

Syllable final /p/, /t/, /tʃ/, and /k/ may be either preceded by a glottal stop (glottal reinforcement) or, in the case of /t/, fully replaced by a glottal stop, especially before a syllabic nasal (bitten [ˈbɪʔn̩]).[66][67] The glottal stop may be realised as creaky voice; thus, an alternative phonetic transcription of attempt [əˈtʰemʔt] could be [əˈtʰemm̰t].[65]

As in other varieties of English, voiced plosives (/b/, /d/, /ɡ/, /dʒ/) are partly or even fully devoiced at utterance boundaries or adjacent to voiceless consonants. The voicing distinction between voiced and voiceless sounds is reinforced by a number of other differences, with the result that the two of consonants can clearly be distinguished even in the presence of devoicing of voiced sounds:

* Aspiration of voiceless consonants syllable-initially
* Glottal reinforcement of /p, t, k, tʃ/ syllable-finally
* Shortening of vowels before voiceless consonants

As a result, some authors prefer to use the terms fortis and lenis[68] in place of voiceless and voiced. However, the latter are traditional and in more frequent usage.

The voiced dental fricative (/ð/) is more often a weak dental plosive; the sequence /nð/ in phrases like even then is often realised as [n̪n̪] (a long dental nasal).[69][70][71] /l/ has velarised allophone ([ɫ]) in the syllable rhyme.[72] /h/ becomes voiced ([ɦ]) between voiced sounds.[73][74]

### Vowels

Monophthongs of a fairly conservative variety of RP. From (Roach 2004) Monophthongs of a modern variety of RP. Adapted from (Cruttenden 2014) Ranges of the weak vowels in RP and GA. From (Wells 2008) Allophones of some RP monophthongs, from Collins & Mees (2003:92, 95, 101). The red ones occur before dark /l/,[75] and the blue one occurs before velars.[76] Monophthongs ("Short")  | Front  | Central  | Back

|
|
|

unrounded | rounded
Close  | ɪ | ʊ |  |
Mid  | e | ə | ʌ | ɒ
Open  | æ |  |  |

Examples of short vowels: /ɪ/ in kit, mirror and rabbit, /ʊ/ in foot and cook, /e/ in dress and merry, /ʌ/ in strut and curry, /æ/ in trap and marry, /ɒ/ in lot and orange, /ə/ in ago and sofa.

Monophthongs ("Long")  | Front  | Central  | Back

|
|
|

Close  | iː (listen) | uː |
Mid  | ɛː (listen) | ɜː (listen) | ɔː (listen)
Open  |  |  | ɑː (listen)

Examples of long vowels: /iː/ in fleece, /uː/ in goose, /ɛː/ in bear, /ɜː/ in nurse and furry, /ɔː/ in north, force and thought, /ɑː/ in father and start.

The long mid front vowel /ɛː/ is elsewhere transcribed with the traditional symbols ⟨ɛə, eə⟩. The predominant realisation in contemporary RP is monophthongal.[77]

#### "Long" and "short" vowels

Many conventional descriptions of the RP vowel system group the non-diphthongal vowels into the categories "long" and "short". This should not be taken to mean that RP has minimal pairs in which the only difference is vowel length. "Long" and "short" are convenient cover terms for a number of phonetic features. The long-short pairings shown above include also differences in vowel quality.

The vowels called "long" high vowels in RP /iː/ and /uː/ are slightly diphthongized, and are often narrowly transcribed in phonetic literature as diphthongs [ɪi] and [ʊu].[78][lower-alpha 1] The starting point of the diphthongal /uː/ can be either close to [ʊ] or a more centralised and even unrounded [ɨ̞], and its narrow transcriptions could be either [ʊu] or [ɨ̞ɯ̈].[79]

Vowels may be phonologically long or short (i.e. belong to the long or the short group of vowel phonemes) but their length is influenced by their context: in particular, they are shortened if a voiceless (fortis) consonant follows in the syllable, so that, for example, the vowel in bat [bæʔt] is shorter than the vowel in bad [bæˑd]. The process is known as pre-fortis clipping. Thus phonologically short vowels in one context can be phonetically longer than phonologically long vowels in another context.[65] For example, the vowel called "long" /iː/ in reach /riːtʃ/ (which ends with a voiceless consonant) may be shorter than the vowel called "short" /ɪ/ in the word ridge /rɪdʒ/ (which ends with a voiced consonant). Wiik,[80] cited in (Cruttenden 2014), published durations of English vowels with a mean value of 172 ms for short vowels before voiced consonants but a mean value of 165 ms for long vowels preceding voiceless consonants.[81]

In natural speech, the plosives /t/ and /d/ often have no audible release utterance-finally, and voiced consonants are partly or completely devoiced (as in [b̥æˑd̥]); thus the perceptual distinction between pairs of words such as bad and bat, or seed and seat rests mostly on vowel length (though the presence or absence of glottal reinforcement provides an additional cue).[82]

Unstressed vowels are both shorter and more centralised than stressed ones. In unstressed syllables occurring before vowels and in final position, contrasts between long and short high vowels are neutralised and short [i] and [u] occur (e.g. happy [ˈhæpi], throughout [θɹuˈaʊʔt]).[83] The neutralisation is common throughout many English dialects, though the phonetic realisation of e.g. [i] rather than [ɪ] (a phenomenon called happy-tensing) is not as universal.

According to phonetician Jane Setter, the typical pronunciation of the short variant of /uː/ is a weakly rounded near-close near-back rounded vowel [ʊ̜].[84]

#### Diphthongs and triphthongs

Diphthongs of RP. From (Roach 2004) Closing diphthongs of RP (with the diphthongal realisations of /iː/ and /uː/). Adapted from (Cruttenden 2014) Centring diphthongs of RP. Adapted from (Cruttenden 2014) Diphthong  | Example

|

Closing
/eɪ/ [[:Media:en-uk-a.ogg|]] | /beɪ/ | bay [[:Media:LL-Q1860 (eng)-Pvanp7-bay.wav|]]
/aɪ/ [[:Media:en-uk-I.ogg|]] | /baɪ/ | buy [[:Media:LL-Q1860 (eng)-Pvanp7-buy.wav|]]
/ɔɪ/ [[:Media:en-uk-oi.ogg|]] | /bɔɪ/ | boy [[:Media:LL-Q1860 (eng)-Pvanp7-boy.wav |]]
/əʊ/ [[:Media:En-uk-oh.ogg|]] | /bəʊ/ | beau [[:Media:LL-Q1860 (eng)-Pvanp7-beau.wav|]]
/aʊ/ [[:Media:LL-Q1860 (eng)-Pvanp7-aʊ (diphthong).wav|]] | /baʊ/ | bough [[:Media:LL-Q1860 (eng)-Pvanp7-bough.wav|]]
Centring
/ɪə/ [[:Media:en-uk-ear.ogg|]] | /bɪə/ | beer [[:Media:LL-Q1860 (eng)-Pvanp7-beer.wav|]]
/ʊə/ [[:Media:LL-Q1860 (eng)-Pvanp7-ʊə (diphthong).wav|]] | /bʊə/ | boor [[:Media:LL-Q1860 (eng)-Pvanp7-boor.wav|]]

The centring diphthongs are gradually being eliminated in RP. The vowel /ɔə/ (as in door, boar) had largely merged with /ɔː/ by the Second World War, and the vowel /ʊə/ (as in poor, tour) has more recently merged with /ɔː/ as well among most speakers,[85] although the sound /ʊə/ is still found in conservative speakers, and in less common words such as boor. See CURE–FORCE merger. More recently /ɛə/ has become a pure long vowel /ɛː/, as explained above. /ɪə/ is increasingly pronounced as a monophthong [ɪː], although without merging with any existing vowels.[86]

The diphthong /əʊ/ is pronounced by some RP speakers in a noticeably different way when it occurs before /l/, if that consonant is syllable-final and not followed by a vowel (the context in which /l/ is pronounced as a "dark l"). The realisation of /əʊ/ in this case begins with a more back, rounded and sometimes more open vowel quality; it may be transcribed as [ɔʊ] or [ɒʊ]. It is likely that the backness of the diphthong onset is the result of allophonic variation caused by the raising of the back of the tongue for the /l/. If the speaker has "l-vocalization" the /l/ is realised as a back rounded vowel, which again is likely to cause backing and rounding in a preceding vowel as coarticulation effects. This phenomenon has been discussed in several blogs by John C. Wells.[87][88][89] In the recording included in this article the phrase "fold his cloak" contains examples of the /əʊ/ diphthong in the two different contexts. The onset of the pre-/l/ diphthong in "fold" is slightly more back and rounded than that in "cloak".

RP also possesses the triphthongs /aɪə/ as in tire, /aʊə/ as in tower, /əʊə/ as in lower, /eɪə/ as in layer and /ɔɪə/ as in loyal. There are different possible realisations of these items: in slow, careful speech they may be pronounced as two syllables with three distinct vowel qualities in succession, or as a monosyllabic triphthong. In more casual speech the middle vowel may be considerably reduced, by a process known as smoothing, and in an extreme form of this process the triphthong may even be reduced to a single long vowel.[90] In such a case the difference between /aʊə/, /aɪə/, and /ɑː/ in tower, tire, and tar may be neutralised with all three units realised as [ɑː] or [äː]. This type of smoothing is known as the tower–tire, tower–tar and tire–tar mergers.

Triphthongs[67] As two syllables  | Triphthong  | Loss of mid-element  | Further simplified as  | Example

|
|
|
|

[aɪ.ə] | [aɪə] | [aːə] | [aː] | tire
[ɑʊ.ə] | [ɑʊə] | [ɑːə] | [ɑː] | tower
[əʊ.ə] | [əʊə] | [əːə] | [ɜː] | lower
[eɪ.ə] | [eɪə] | [ɛːə] | [ɛː] | layer
[ɔɪ.ə] | [ɔɪə] | [ɔːə] | [ɔː] | loyal

#### BATH vowel

See also: Trap–bath split

There are differing opinions as to whether /æ/ in the BATH lexical set can be considered RP. The pronunciations with /ɑː/ are invariably accepted as RP.[91] The English Pronouncing Dictionary does not admit /æ/ in BATH words and the Longman Pronunciation Dictionary lists them with a § marker of non-RP status.[92] John Wells, who grew up in the north of England and uses /ɑː/ in "bath" and "glass", considers this the only acceptable phoneme in RP.[93] Others have argued that /æ/ is too categorical in the north of England to be excluded. Clive Upton believes that /æ/ in these words must be considered within RP and has called the opposing view "south-centric".[94] Upton's Oxford Dictionary of Pronunciation for Current English gives both variants for BATH words. A. F. Gupta's survey of mostly middle-class students found that /æ/ was used by almost everyone who was from clearly north of the isogloss for BATH words. She wrote, "There is no justification for the claims by Wells and Mugglestone that this is a sociolinguistic variable in the north, though it is a sociolinguistic variable on the areas on the border [the isogloss between north and south]".[95] In a study of speech in West Yorkshire, K. M. Petyt wrote that "the amount of /ɑː/ usage is too low to correlate meaningfully with the usual factors", having found only two speakers (both having attended boarding schools in the south) who consistently used /ɑː/.[96]

Jack Windsor Lewis has noted that the Oxford Dictionary's position has changed several times on whether to include short /æ/ within its prescribed pronunciation.[97] The BBC Pronouncing Dictionary of British Names uses only /ɑː/, but its author, Graham Pointon, has stated on his blog that he finds both variants to be acceptable in place names.[98]

Some research has concluded that many people in the North of England have a dislike of the /ɑː/ vowel in BATH words. A. F. Gupta wrote, "Many of the northerners were noticeably hostile to /ɡrɑːs/, describing it as 'comical', 'snobbish', 'pompous' or even 'for morons'."[95] K. M. Petyt wrote that several respondents "positively said that they did not prefer the long-vowel form or that they really detested it or even that it was incorrect".[99] Mark Newbrook has assigned this phenomenon the name "conscious rejection", and has cited the BATH vowel as "the main instance of conscious rejection of RP" in his research in West Wirral.[100]

#### French words

John Wells has argued that, as educated British speakers often attempt to pronounce French names in a French way, there is a case for including /ɒ̃/ (as in bon), and /æ̃/ and /ɜ̃ː/ (as in vingt-et-un), as marginal members of the RP vowel system.[101] He also argues against including other French vowels on the grounds that not many British speakers succeed in distinguishing the vowels in bon and banc, or in rue and roue.[101] However, the Cambridge English Pronouncing Dictionary draws a distinction between /ɒ̃/ (there rendered as /ɔ̃ː/) and the unrounded /ɑ̃ː/ of banc for a total of four nasal vowels.[102]

#### Alternative notations

Not all reference sources use the same system of transcription. Clive Upton devised a modified system for the Shorter Oxford English Dictionary (1993) based on contemporary pronunciation. His changes to five symbols from the traditional Gimson system are now used in many other Oxford University Press dictionaries;[103] the differences are shown in the table below.

Upton's reform  Lexical set (example)  | Traditional symbol  | Upton's reform symbol

|
|

DRESS | /e/ | /ɛ/
TRAP | /æ/ | /a/
NURSE | /ɜː/ | /əː/
SQUARE | /eə/ | /ɛː/
PRICE | /aɪ/ | /ʌɪ/

Geoff Lindsey, arguing that the system of transcription once used for RP has become outdated (as his target accent is SSBE) and in consequence has proposed a new system as a replacement.[104][105][106] Lindsey's system is as follows—differences between it and standard transcription are depicted with the traditional transcription in parentheses.

Lindsey's proposed analysis of the British English vowel system[104] Short  | Long

|

Lexical set | Associated character  | r-liaison  | j-diphthongs  | w-diphthongs
Lexical set  | Associated character  | Lexical set  | Associated character  | Lexical set  | Associated character
KIT | /ɪ/ | NEAR | /ɪː/ (ɪə) | FLEECE | /ɪj/ (iː) |
DRESS | /ɛ/ (e) | SQUARE | /ɛː/ (ɛə) | FACE | /ɛj/ (eɪ) |
TRAP | /a/ (æ) | START | /ɑː/ | PRICE | /ɑj/ (aɪ) | MOUTH | /aw/ (ɑʊ)
FOOT | /ɵ/ (ʊ) | CURE | /ɵː/ (ʊə) |  | GOOSE | /ʉw/
LOT | /ɔ/ (ɒ) | NORTH | /oː/ (ɔː) | CHOICE | /oj/ (ɔɪ) | GOAT | /əw/ (əʊ)
COMMA | /ə/ | NURSE | /əː/ (ɜː) |
STRUT | /ʌ/

## Historical variation

Like all accents, RP has changed with time. For example, sound recordings and films from the first half of the 20th century demonstrate that it was usual for speakers of RP to pronounce the /æ/ sound, as in land, with a vowel close to [ɛ], so that land would sound similar to a present-day pronunciation of lend. RP is sometimes known as the Queen's English, but recordings show that even Queen Elizabeth II shifted her pronunciation over the course of her reign, ceasing to use an [ɛ]-like vowel in words like land.[107] The change in RP may be observed in the home of "BBC English". The BBC accent of the 1950s is distinctly different from today's: a news report from the 1950s is recognisable as such, and a mock-1950s BBC voice is used for comic effect in programmes wishing to satirise 1950s social attitudes such as the Harry Enfield Show and its "Mr. Cholmondley-Warner" sketches.[108][109]

A comparison of the formant values of /iː æ ɑː ɔː ʊ uː/ for older (black) and younger (light blue) RP speakers. From (de Jong McDougall)

A few illustrative examples of changes in RP during the 20th century and early 21st are given below. A more comprehensive list (using the name "General British" in place of "RP") is given in Gimson's Pronunciation of English.[110]

### Vowels

* Words such as CLOTH, gone, off, often, cross were formerly pronounced with /ɔː/ instead of /ɒ/, so that often and orphan were homophones (see lot–cloth split). The Queen continued to use the older pronunciations,[111] but it is now rare to hear this on the BBC.
* There used to be a distinction between horse and hoarse with an extra diphthong /ɔə/ appearing in words like hoarse, FORCE, and pour.[112] The symbols used by Wright are slightly different: the sound in fall, law, saw is transcribed as /oː/ and that in more, soar, etc. as /oə/. Daniel Jones gives an account of the /ɔə/ diphthong, but notes "many speakers of Received English (sic), myself among them, do not use the diphthong at all, but replace it always by /ɔː/".[113] This distinction had become obsolete in RP by the late 20th century.[114]
* The vowel in words such as tour, moor, sure used to be /ʊə/, but this has merged with /ɔː/ for most contemporary speakers.[115] The effect of these two mergers (horse-hoarse and moor-more) is to bring about a number of three-way mergers of items which were hitherto distinct, such as poor, paw and pore (/pʊə/, /pɔː/, /pɔə/) all becoming /pɔː/.
* The DRESS vowel and the starting point of the FACE diphthong has become lowered from mid [e̞] to open-mid [ɛ].[116]
* The starting point of the choice diphthong has raised from [ɔɪ] to [oɪ].[117]
* Before the Second World War, the vowel of cup was a back vowel close to cardinal [ʌ]. It then shifted forward to [ɐ], but [ʌ] is increasingly used in modern RP to avoid the clash with the lowered variety of /æ/ in the [a] region (the trap-strut merger).[118][119][120]
* There has been a change in the pronunciation of the unstressed final vowel of happy as a result of a process known as happY-tensing: an older pronunciation of happy would have had the vowel /ɪ/ whereas a more modern pronunciation has a vowel nearer to /iː/.[121] In pronunciation handbooks and dictionaries it is now common to use the symbol /i/ to cover both possibilities.
* In a number of words where contemporary RP has an unstressed syllable with schwa /ə/, older pronunciations had /ɪ/, for instance, the final vowel in the following: kindness, doubtless, witness, witless, toilet, fortunate.[109]
* The /ɛː/ phoneme (as in fair, care, there) was realised as a centring diphthong [ɛə] in the past, whereas most present-day speakers of RP pronounce it as a long monophthong [ɛː].[109]
* The /ɪə/ (as in near, serious) and /ʊə/ (as in cure, rural; when not merged with /ɔː/) phonemes are also becoming monophthongised to [ɪː] and [ʊː~ɵː], though this is not yet as widespread as for /ɛː/.[122][123]
* A change in the symbolisation of the GOAT diphthong reflects a change in the pronunciation of the starting point: older accounts of this diphthong describe it as starting with [ö], moving towards [u].[124] This was often symbolised as /ou/ or /oʊ/. In modern RP the starting point is unrounded and central, and is symbolised /əʊ/.[114]
* The vowels in LOT and THOUGHT-NORTH-FORCE, traditionally transcribed as /ɒ/ and /ɔː/, have shifted upwards, and are now close to [ɔ] and [oː], respectively, in quality.[125][126][127][128]
* The vowels in FOOT and GOOSE, traditionally transcribed as /ʊ/ and /uː/, have undergone fronting and reduction in the amount of lip-rounding[129] (phonetically, these can be transcribed [ʊ̜̈] and [ʉ̜ː], respectively).
* As noted above, the TRAP vowel /æ/ has become more open, near to cardinal [a].[130][102][114]

Keyword  | Dictionary

[131][132][103]

| Received English

(oldest form)

| General RP

(intermediary)

| SSBE

(current norm)

|
|
|
|

Jones (1918)[133] | Gimson (1980)[134] | Lindsey (2012)[135]
commA | ə  | ə
lettER
TRAP (lad)  | æ, a  | æ  | æ~ɛ̞  | a
TRAP (bad)[124] | æː  | æː~ɛ̞ː  | aː
BATH | ɑː  | ɑː  | ɑ̟ː~ɐ̞ː  | ɑ̈ː~ʌ̞ː
PALM
START
LOT | ɒ  | ɒ  | ɒ  | ɔ
CLOTH | ɔ̞ː  | ɒ, ɔ̝ː~o̞ː
THOUGHT | ɔː  | ɔ̝ː~o̞ː  | o̞ː
NORTH
FORCE | ɔə~ɔ̞ː  | ɔ̝ː~o̞ː~ɔə
CURE | ʊə  | ʊə  | ɔː, ʊə  | o̞ː, ɵː~ɤ̈ː
STRUT | ʌ  | ʌ~ä  | ä  | ɐ~ʌ̈~ɑ̈
FOOT | ʊ  | ʊ  | ʊ~o̟  | ɵ~ɤ̈
GOOSE | uː  | uː~ʊu̟  | ʊu~üː  | ʊ̈ʉ~ʉː~ɨ̞ɯ̈
DRESS | e, ɛ  | e̞  | e̞  | ɛ
KIT | ɪ  | ɪ  | ɪ  | ɪ̞
happY | i  | ɪi̯
FLEECE | iː  | iː~ɪi~ii̯  | ɪi~iː
NEAR | ɪə  | ɪə~ɪʌ  | ɪə~ĭə  | ɪ̞ː~ɪə
NURSE | ɜː, əː  | ɜ̝ː  | əː~ɜː  | əː
FACE | eɪ  | eɪ~ɛe  | eɪ~e̞ɪ~ɛ̝ɪ~ɛɪ~ɛ̈ɪ  | ɛɪ
SQUARE | ɛə, eə, ɛː  | ɛə~ɛʌ  | ɛə~e̞ə  | ɛː
GOAT | oʊ, əʊ  | öʊ  | ʌ̈ɯ̈~æ̈ɤ̈  | əʉ
PRICE | aɪ, ʌɪ  | aɪ  | äë~äɪ~æɪ~ɑ̈ɪ  | ɑ̈ɪ~ʌ̞ɪ
MOUTH | aʊ  | äʊ  | ɑ̈ʊ~ɑ̈ö  | aʊ
CHOICE | ɔɪ  | ɔɪ  | ɔ̞ɪ~o̞ɪ  | oɪ

### Consonants

* For speakers of Received Pronunciation in the late 19th century, it was common for the consonant combination ⟨wh⟩ (as in which, whistle, whether) to be realised as a voiceless labio-velar fricative /ʍ/ (also transcribed /hw/), as can still be heard in the 21st century in the speech of many speakers in Ireland, Scotland and parts of the US. Since the beginning of the 20th century, however, the /ʍ/ phoneme has ceased to be a feature of RP, except in an exaggeratedly precise style of speaking (the wine-whine merger).[136]
* There has been considerable growth in glottalisation in RP, most commonly in the form of glottal reinforcement. This has been noted by writers on RP since quite early in the 20th century.[137] Ward notes pronunciations such as [njuːʔtrəl] for neutral and [reʔkləs] for reckless. Glottalization of /tʃ/ is widespread in present-day RP when at the end of a stressed syllable, as in butcher [bʊʔtʃə].[138]
* The realisation of /r/ as a tap or flap [ɾ] has largely disappeared from RP, though it can be heard in films and broadcasts from the first half of the 20th century. The word very was frequently pronounced [veɾɪ]. The same sound, however, is sometimes pronounced as an allophone of /t/ when it occurs intervocalically after a stressed syllable – the "flapped /t/" that is familiar in American English. Phonetically, this sounds more like /d/, and this pronunciation is sometimes known as /t/-voicing.[139]
* Most RP speakers use /tʃ/ instead of /tj/ and /dʒ/ instead of /dj/ in accented syllables.[115]

### Word-specific changes

A number of cases can be identified where changes in the pronunciation of individual words, or small groups of words, have taken place.

* The word Mass (referring to the religious rite) was often pronounced /mɑːs/ in older versions of RP, but the word is now almost always /mæs/.
* The indefinite article an was traditionally used before a sounded /h/ if immediately followed by an unstressed vowel, as in 'an hyaena.'[140] This is now uncommon, especially in speech, and may be confined only to some of the more frequently used words, such as 'horrific' and 'historical.'[141][142][143]

## Comparison with other varieties of English

* Like most other varieties of English outside Northern England, RP has undergone the foot–strut split: pairs like put/putt are pronounced differently.[144]
* RP is a non-rhotic accent, so /r/ does not occur unless followed immediately by a vowel. Pairs such as father/farther, caught/court and formally/formerly are homophones.[145]
* Unlike a number of North American English accents, RP has not undergone the Mary–marry–merry, nearer–mirror, or hurry–furry mergers: all these words are distinct from each other.[146]
* Unlike many North American accents, RP has not undergone the father–bother or cot–caught mergers.
* RP does not have yod-dropping after /n/, /t/, /d/, /z/ and /θ/, but some speakers of RP have yod-dropping after /s/ and /l/. Hence, for example, new, tune, dune, resume and enthusiasm are pronounced /njuː/, /tjuːn/, /djuːn/, /rɪˈzjuːm/ and /ɪnˈθjuːziæzm/ rather than /nuː/, /tuːn/, /duːn/, /rɪˈzuːm/ and /ɪnˈθuːziæzm/. This contrasts with many East Anglian and East Midland varieties of English language in England and with many forms of American English, including General American. In words such as pursuit and allure, both pronunciations (with and without /j/) may be heard in RP, but major dictionaries only list the pronunciation with /j/ for pursuit.[147][148][149] There are, however, several words where a yod has been lost with the passage of time: for example, the word suit originally had a yod in RP but this is now extremely rare.
* The flapped variant of /t/ and /d/ (as in much of the West Country, Ulster, most North American varieties including General American, Australian English, and the Cape Coloured dialect of South Africa) is not used very often.
* RP has undergone the wine–whine merger (so the sequence /hw/ is not present except among those who have acquired this distinction as the result of speech training).[150] The Royal Academy of Dramatic Art, based in London, still teaches these two sounds for international breadth as distinct phonemes. They are also distinct from one another in most of Scotland and Ireland, in the northeast of England, and in the southeastern United States.[150]
* Unlike some other varieties of English language in England, there is no h-dropping in words like head or horse.[151] In hurried phrases such as "as hard as he could" h-dropping commonly applies to the word he.
* Unlike most Southern Hemisphere English and North American English accents, RP has not undergone the weak vowel merger, meaning that pairs such as Lenin/Lennon are distinct.[152]
* In traditional RP [ɾ] is an allophone of /r/ (it is used intervocalically after a stressed syllable, after /θ, ð/ and sometimes even after /b, ɡ/).[153][154][155]

## Spoken specimen

Specimen of Received Pronunciation

File:Recording of speaker of British English (Received Pronunciation).ogg

The audio recording on which the transcriptions are based

|

* * *

Problems playing this file? See media help.

The Journal of the International Phonetic Association regularly publishes "Illustrations of the IPA" which present an outline of the phonetics of a particular language or accent. It is usual to base the description on a recording of the traditional story of the North Wind and the Sun. There is an IPA illustration of British English (Received Pronunciation).

The female speaker is described as having been born in 1953 and educated at Oxford University. To accompany the recording there are three transcriptions: orthographic, phonemic and allophonic.

> Phonemic

> ðə ˈnɔːθ ˈwɪnd ən ðə ˈsʌn wə dɪˈspjuːtɪŋ ˈwɪtʃ wəz ðə ˈstrɒŋɡə, wen ə ˈtrævl̩ə ˌkeɪm əˌlɒŋ ˈræpt ɪn ə ˈwɔːm ˈkləʊk. ðeɪ əˈɡriːd ðət ðə ˈwʌn hu ˈfɜːst səkˈsiːdɪd ɪn ˈmeɪkɪŋ ðə ˈtrævlə ˌteɪk hɪz ˈkləʊk ɒf ʃʊd bi kənˌsɪdəd ˈstrɒŋɡə ðən ði ˈʌðə. ˈðen ðə ˌnɔːθ wɪnd ˈbluː əz ˈhɑːd əz i ˈkʊd, bət ðə ˈmɔː hi ˈbluː ðə ˌmɔː ˈkləʊsli dɪd ðə ˈtrævlə ˈfəʊld hɪz ˌkləʊk əˈraʊnd hɪm, ænd ət ˈlɑːst ðə ˈnɔːθ wɪnd ˌɡeɪv ˈʌp ði əˈtempt. ˈðen ðə ˈsʌn ˌʃɒn aʊt ˈwɔːmli, ænd əˈmiːdiətli ðə ˈtrævlə ˈtʊk ɒf ɪz ˈkləʊk. n̩ ˌsəʊ ðə ˈnɔːθ ˈwɪn wəz əˈblaɪdʒd tʊ kənˈfes ðət ðə ˈsʌn wəz ðə ˈstrɒŋɡr̩ əv ðə ˈtuː.

> Allophonic

> ðə ˈnɔːθ ˈw̥ɪnd ən̪n̪ə ˈsʌn wə dɪˈspj̊u̟ːtɪŋ ˈwɪʔtʃ wəz ðə ˈstɹ̥ɒŋɡə, wen ə ˈtɹ̥ævl̩ə ˌkʰeɪm əˌlɒŋ ˈɹæptʰ ɪn ə ˈwɔːm ˈkl̥əʊkˣ. ðeɪ əˈɡɹ̥iːd̥ ð̥əʔ ðə ˈwʌn ɦu ˈfɜːs səkˈsiːdɪd ɪmˈmeɪxɪŋ ðə ˈtɹ̥ævlə ˌtʰeɪk̟x̟ɪs ˈkl̥əʊk ɒf ʃʊbbi kʰənˌsɪdəd̥ ˈstɹɒŋɡə ð̥ən̪n̪i ˈʌðə. ˈðen̪n̪ə ˌnɔːθ w̥ɪnd ˈbluː əz̥ ˈhɑːd̥ əs i ˈkʊd, bət̬ ð̥ə ˈmɔː hi ˈblu̟ː ðə ˌmɔ ˈkl̥əʊsl̥i d̥ɨd ð̥ə ˈtɹ̥æv̥lə ˈfəʊld̥ hɪz̥ ˌkl̥əʊkʰ əˈɹaʊnd hɪm, ænd ət ˈl̥ɑːst ð̥ə ˈnɔːθ w̥ɪnd ˌɡ̊eɪv̥ ˈʌp ði̥ əˈtʰemʔt. ˈðen̪n̪ə ˈsʌn ˌʃɒn aʊt ˈwɔːmli, ænd əˈmiːdiətl̥i ð̥ə ˈtɹ̥ævlə ˈtʰʊk ɒf ɪz̥ ˈkl̥əʊkˣ. n̩ ˌsəʊ ðə ˈnɔːθ ˈw̥ɪn wəz̥ əˈblaɪdʒ̊ tʰɵ kʰənˈfes ð̥əʔ ð̥ə ˈsʌn wəz̥z̥ə ˈstɹ̥ɒŋɡɹ̩ əv̥ ð̥ə ˈtʰu̟ː.

> Orthographic

> The North Wind and the Sun were disputing which was the stronger, when a traveller came along wrapped in a warm cloak. They agreed that the one who first succeeded in making the traveller take his cloak off should be considered stronger than the other. Then the North Wind blew as hard as he could, but the more he blew the more closely did the traveller fold his cloak around him, and at last the North Wind gave up the attempt. Then the Sun shone out warmly, and immediately the traveller took off his cloak. And so the North Wind was obliged to confess that the Sun was the stronger of the two.[156]

## Notable speakers

File:Sir David Attenborough BBC Radio4 Desert Island Discs 29 Jan 2012 b01b8yy0.flac File:Gyles Brandreth BBC Radio4 Desert Island Discs 14 January 2011 b00x8f2l.flac File:Stephen Fry voice.flac The following people have been described as RP speakers:

* The British royal family[157][158]
* Julie Andrews, actress and singer[159][160]
* Rowan Atkinson, actor, comedian and writer[161][162]
* David Attenborough, broadcaster and naturalist[163][164]
* Richard Attenborough, actor and film director[164]
* Tony Benn, politician and political activist[165]
* Emily Blunt, actress[166]
* Gyles Brandreth, broadcaster, writer and former politician[167][168]
* David Cameron, former Prime Minister of the UK (2010–2016)[169][170]
* Deborah Cavendish, Duchess of Devonshire, aristocrat and writer[171]
* Noël Coward, playwright, composer and actor[172]
* Alain de Botton, writer and public speaker[173][174]
* Judi Dench, actress[175]
* David Dimbleby, journalist and former presenter[176]
* Rupert Everett, actor[177]
* Julian Fellowes, actor, writer, producer, film director and politician[178][179]
* Colin Firth, actor[180]
* Lady Antonia Fraser, author and historian[171]
* Stephen Fry, actor and writer[181]
* Hugh Grant, actor[182][183]
* Tom Hiddleston, actor[170]
* Christopher Hitchens, author and journalist[184] * Jeremy Irons, actor[185]
* Boris Johnson, former Prime Minister of the UK (2019–2022)[177]
* Celia Johnson, actress[186]
* Vanessa Kirby, actress[175]
* Gertrude Lawrence, actress, singer, dancer and musical comedy performer[172]
* Nigella Lawson, food writer and television cook[187][188]
* Christopher Lee, actor[189]
* Jan Leeming, television presenter and newsreader[190]
* Rose Leslie, actress[191][192]
* Joanna Lumley, actress[193]
* Theresa May, former Prime Minister of the UK (2016–2019)[194][195]
* Helen Mirren, actress[196]
* Carey Mulligan, actress[175]
* Laurence Olivier, actor and director[186]
* Jeremy Paxman, broadcaster and TV presenter[171]
* Eddie Redmayne, actor[197]
* Jacob Rees-Mogg, former leader of the House of Commons (2019–2022)[198]
* Brian Sewell, art critic[199][200]
* Rupert Sheldrake, author and parapsychological researcher[201]
* Maggie Smith, actress[202]
* Patrick Stewart, actor[186]
* Edward Stourton, broadcaster and journalist[203]
* Margaret Thatcher, former Prime Minister of the UK (1979–1990)[204]
* Emma Thompson, actress[205][180]
* Phoebe Waller-Bridge, actress, screenwriter and producer[186]
* Emma Watson, actress[206]
* Justin Welby, former Archbishop of Canterbury (2013–2025)[157]
* Rowan Williams, former Archbishop of Canterbury (2002–2012)[157]

## See also

* Accent perception
* English language spelling reform
* Good American Speech
* Linguistic prescription
* Prestige (sociolinguistics)
* The King's English
* U and non-U English

## Notes

1. ↑ (Roach 2009)'s notes on one of the reasons for not treating these two phonemes as diphthongs: "I mention above that iː, uː are often pronounced as slightly diphthongal: although this glide is often noticeable, I have never found it helpful to try to teach foreign learners to pronounce iː, uː in this way."

## References

1. ↑ Wells (2008), p. xix, paragraph 2.1.
2. ↑ 2.0 2.1 "Bias against working-class and regional accents has not gone away, report finds". 3 November 2022. https://www.theguardian.com/inequality/2022/nov/03/bias-against-working-class-and-regional-accents-has-not-gone-away-report-finds.
3. ↑ Cruttenden (2014), pp. 74–81.
4. ↑ Lindsey, Geoff; Wells, John C. (2019). English after RP: standard British pronunciation today. Cham, Switzerland: Palgrave Macmillan. ISBN 978-3-030-04356-8.
5. ↑ "English accents have changed so much that two big ones are brown bread". 31 October 2023. https://metro.co.uk/2023/10/31/english-accents-have-changed-so-much-that-two-big-ones-are-brown-bread-19749653/.
6. ↑ "Brits still associate working-class accents with criminal behaviour – study warns of bias in the criminal justice system | University of Cambridge". 17 January 2025. https://www.cam.ac.uk/research/news/brits-still-associate-working-class-accents-with-criminal-behaviour-study-warns-of-bias-in-the.
7. ↑ Jones (1926), p. ix.
8. ↑ DuPonceau (1818), p. 259.
9. ↑ "Oxford English Dictionary". Oxford University Press. https://www.oed.com/view/Entry/272029.
10. ↑ Wyld (1927), p. 23.
11. ↑ Ellis (1869), p. 3.
12. ↑ Crystal (2003), pp. 54–55.
13. ↑ Crystal (2005), pp. 243–244.
14. ↑ 14.0 14.1 14.2 14.3 Robinson, Jonnie. "Received Pronunciation". https://www.bl.uk/british-accents-and-dialects/articles/received-pronunciation.
15. ↑ "Regional Voices – Received Pronunciation". British Library. http://www.bl.uk/learning/langlit/sounds/find-out-more/received-pronunciation/.
16. ↑ Cruttenden (2008), pp. 77–80.
17. ↑ Jenkins (2000), pp. 13–16.
18. ↑ Wells (1982), p. 117.
19. ↑ Jones (2011), p. vi.
20. ↑ Ladefoged (2004).
21. ↑ Trudgill (1999).
22. ↑ Jack Windsor Lewis. "Review of the Daniel Jones English Pronouncing Dictionary 15th edition 1997". http://www.yek.me.uk/reviewepd.html.
23. ↑ Jack Windsor Lewis. "Ovvissly not one of us – Review of the Longman Pronunciation Dictionary". http://www.yek.me.uk/reviewlpd.html.
24. ↑ Jack Windsor Lewis (19 February 1972). "British non-dialectal accents". http://www.yek.me.uk/brndaccents.html.
25. ↑ Windsor Lewis, Jack (1972). A Concise Pronouncing Dictionary of British and American English. Oxford. ISBN 0-19-431123-6.
26. ↑ Lewis, Jack Windsor. "Review of CPD in ELTJ". http://www.yek.me.uk/cpdrevieweltj.html.
27. ↑ 27.0 27.1 Cruttenden (2014), pp. 80–82.
28. ↑ Collins & Mees (2003), pp. 3–4.
29. ↑ International Phonetic Association (1999), p. 4.
30. ↑ Gimson, A. C. (1962). An introduction to the pronunciation of English. Internet Archive. London E. Arnold. http://archive.org/details/introductiontopr0000gims.
31. ↑ Schmitt (2007), p. 323.
32. ↑ Wells (1982).
33. ↑ "exotic spices", John Wells's phonetic blog, 28 February 2013.
34. ↑ Kortmann, Bernd (2004). Handbook of Varieties of English: Phonology; Morphology, Syntax. Mouton de Gruyter. pp. 217–230. ISBN 978-3110175325. http://www.textbooks.com/Handbook-of-Varieties-of-English-Phonology-Morphology-Syntax/9783110175325/Bernd-Kortmann.php?CSID=AU3SS3ZKD3DATAOMCOKTADSAB&dHTxt=978-3110175325&TYP=SBJ&CSID=AU3SSSCJWAKTCKUDKDQMQKS2B&PART=PRINT&TXT=. Retrieved 29 March 2017.
35. ↑ "Sounds Familiar". British Library. http://www.bl.uk/learning/langlit/sounds/case-studies/received-pronunciation.
36. ↑ Jones (1917), p. viii.
37. ↑ Burrell, A. (1891). Recitation: a Handbook for Teachers in Public Elementary School. London: Griffith, Farran, Okeden and Welsh.
38. ↑ Gladstone's speech was the subject of a book The Best English. A claim for the superiority of Received Standard English , together with notes on Mr. Gladstone's pronunciation, H.C. Kennedy, Clarendon Press, Oxford, 1934.
39. ↑ Trudgill, Peter (8 December 2000). "Sociolinguistics of Modern RP". University College London. http://www.phon.ucl.ac.uk/home/estuary/trudgill.htm.
40. ↑ Windsor Lewis, Jack. "A Notorious Estimate". http://www.yek.me.uk/archive45.html#blog443.
41. ↑ Upton, Clive (21 January 2019). "Chapter 14: British English". The Handbook of English Pronunciation. John Wiley & Son. p. 251. ISBN 978-1119055266.
42. ↑ Pearsall (1999), p. xiv.
43. ↑ International Phonetic Association (1999).
44. ↑ Hudson (1981), p. 337.
45. ↑ Crystal, David (March 2007). "Language and Time". BBC voices. BBC. https://www.bbc.co.uk/voices/yourvoice/feature2_4.shtml.
46. ↑ 46.0 46.1 McArthur (2002), p. 43.
47. ↑ Stuart-Smith, Jane (1999). "Glasgow: accent and voice quality". Urban Voices. Arnold. p. 204. ISBN 0340706082.
48. ↑ "Scottish and Irish accents top list of favourites". The Independent. 13 May 2007. https://www.independent.co.uk/news/uk/this-britain/scottish-and-irish-accents-top-list-of-favourites-448630.html.
49. ↑ McArthur (2002), p. 49.
50. ↑ Fishman (1977), p. 319.
51. ↑ Cruttenden (2014), p. 78.
52. ↑ 1967: John REITH explains the "BBC ACCENT" | Lord Reith Looks Back | BBC Archive, 28 September 2022, https://www.youtube.com/watch?v=QwBQLoa3E_Y, retrieved 7 October 2022
53. ↑ Schwyter, Jürg R. (2016). "Dictating to the Mob: The History of the BBC Advisory Committee on Spoken English". Oxford University Press. doi:10.1093/acprof:oso/9780198736738.001.0001. https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198736738.001.0001/acprof-9780198736738.
54. ↑ Sangster, Catherine, 'The BBC, its Pronunciation Unit and 'BBC English' in Roach, P., Setter, J. and Esling, J. (eds) Daniel Jones' English Pronouncing Dictionary, 4th Edition, Cambridge University Press, pp. xxviii-xxix
55. ↑ Discussed in (Mugglestone 2003)
56. ↑ Zoe Thornton, The Pickles Experiment – a Yorkshire man reading the news, Transactions of the Yorkshire Dialect Society 2012, pp. 4–19.
57. ↑ Roach, Peter; Setter, Jane; Esling, John (2011). Daniel Jones' English Pronouncing Dictionary. Cambridge. p. xii.
58. ↑ Wells (2008).
59. ↑ Upton, Kretzschmar & Konopka (2001).
60. ↑ Upton, Clive; Kretzschmar, William (2017). The Routledge Dictionary of Pronunciation for Current English. Routledge. ISBN 9781138125667.
61. ↑ "Case Studies – Received Pronunciation". British Library. 13 March 2007. http://www.bl.uk/learning/langlit/sounds/case-studies/received-pronunciation/. "As well as being a living accent, RP is also a theoretical linguistic concept. It is the accent on which phonemic transcriptions in dictionaries are based, and it is widely used (in competition with General American) for teaching English as a foreign language."
62. ↑ Brown, Adam (1991). Pronunciation Models. Singapore University Press. ISBN 9971-69-157-4.
63. ↑ Cruttenden (2014), pp. 325–352.
64. ↑ Roach (2004), pp. 240–241.
65. ↑ 65.0 65.1 65.2 65.3 65.4 Roach (2004), p. 241.
66. ↑ 66.0 66.1 Roach (2004), p. 240.
67. ↑ 67.0 67.1 Gimson (1970).
68. ↑ Stahlke, Herbert F. W. (1 January 2003). "Fortis and lenis obstruents in English". WORD 54 (2): 191–216. doi:10.1080/00437956.2003.12068832.
69. ↑ Lodge (2009), pp. 148–149.
70. ↑ Shockey (2003), pp. 43–44.
71. ↑ Roach (2009), p. 112.
72. ↑ Halle & Mohanan (1985), p. 65.
73. ↑ Jones (1967), p. 201.
74. ↑ Cruttenden (2008), p. 204.
75. ↑ Collins & Mees (2003:95, 101)
76. ↑ Collins & Mees (2003:92)
77. ↑ Cruttenden (2014), p. 118.
78. ↑ Roach (2009), p. 20.
79. ↑ Cruttenden (2014), p. 133.
80. ↑ Wiik (1965).
81. ↑ Cruttenden (2014), p. 101.
82. ↑ Cruttenden (2014).
83. ↑ Roach (2004), pp. 241, 243.
84. ↑ "A World of Englishes: Is /ə/  "real"?". 19 June 2013. http://aworldofenglishes.blogspot.com/2013/06/is-real.html./ə/++"real"?&rft.atitle=&rft.date=19+June+2013&rft_id=http://aworldofenglishes.blogspot.com/2013/06/is-real.html&rfr_id=info:sid/en.wikibooks.org:Social:Received_Pronunciation">
85. ↑ Roca & Johnson (1999), p. 200.
86. ↑ Cruttenden (2014), p. 154.
87. ↑ Wells, John. "Blog July 2006". http://www.phon.ucl.ac.uk/home/wells/blog0607.htm.
88. ↑ Wells, John. "Blog July 2009". http://www.phonetic-blog.blogspot.fr/2009_10_01_archive.html.
89. ↑ Wells, John. "Blog Nov 2009". http://www.phonetic-blog.blogspot.fr/2009_11_01_archive.html.
90. ↑ Roach (2009), pp. 18–19.
91. ↑ Wells (1982), pp. 203ff.
92. ↑ Jack Windsor Lewis (1990). "Review of Longman Pronunciation Dictionary". The Times. http://www.yek.me.uk/lpdeltj.html.
93. ↑ Wells, John (16 March 2012). "English places". http://www.phonetic-blog.blogspot.co.uk/2012/03/english-places.html.
94. ↑ Upton (2004), pp. 222–223.
95. ↑ 95.0 95.1 Gupta (2005), p. 25.
96. ↑ Petyt (1985), pp. 166–167.
97. ↑ Point 18 in Jack Windsor Lewis. "The General Central Northern Non-Dialectal Pronunciation of England". http://www.yek.me.uk/centnthpn.html.
98. ↑ Pointon, Graham (20 April 2010). "Olivia O'Leary". http://www.linguism.co.uk/language/olivia-oleary.
99. ↑ Petyt (1985), p. 286.
100. ↑ Newbrook (1999), p. 101.
101. ↑ 101.0 101.1 Wells (2008), p. xxix.
102. ↑ 102.0 102.1 Roach (2011).
103. ↑ 103.0 103.1 "British English Pronunciations" (in en). https://www.oed.com/information/understanding-entries/pronunciation/british-english-pronunciations/.
104. ↑ 104.0 104.1 Lindsey, Geoff (8 March 2012). "The British English vowel system". http://englishspeechservices.com/blog/?p=1795.
105. ↑ Wells, John (12 March 2012). "the Lindsey system". http://phonetic-blog.blogspot.co.uk/2012/03/lindsey-system.html.
106. ↑ https://www.youtube.com/watch?v=gtnlGH055TA&t=1536s
107. ↑ Language Log (5 December 2006). "Happy-tensing and coal in sex". http://itre.cis.upenn.edu/~myl/languagelog/archives/003859.html.
108. ↑ Enfield, Harry (30 July 2007). "Mr Cholmondley-Warner on Life in 1990". https://www.youtube.com/watch?v=gou1cspUfdY.
109. ↑ 109.0 109.1 109.2 Robinson, Jonnie (24 April 2019). "Received Pronunciation". The British Library. Retrieved 16 December 2019.
110. ↑ Cruttenden (2014), pp. 83–85.
111. ↑ The Queen's speech to President Sarkozy, "often" pronounced at 4:40.
112. ↑ Wright (1905), p. 5, §12
113. ↑ Jones (1967), p. 115, para 458.
114. ↑ 114.0 114.1 114.2 Wells, John (27 January 1994). "Whatever happened to Received Pronunciation?". http://www.phon.ucl.ac.uk/home/wells/rphappened.htm.
115. ↑ 115.0 115.1 Gimson A.C., Pronunciation of English, Londyn: Hodder Education, 2008, ISBN 978-0-340-958773
116. ↑ Lindsey, Geoff (3 June 2012). "Funny old vowels". http://englishspeechservices.com/blog/funny-old-vowels/.
117. ↑ Lindsey, Geoff (8 March 2012). "The British English vowel system". https://www.englishspeechservices.com/blog/british-vowels/.
118. ↑ Roca & Johnson (1999), pp. 135, 186.
119. ↑ Cruttenden (2014), p. 122.
120. ↑ Lindsey (2019), p. 22.
121. ↑ Trudgill (1999), p. 62.
122. ↑ Cruttenden (2014), p. 85.
123. ↑ Lindsey (2019), p. 60-62.
124. ↑ 124.0 124.1 Jones, Daniel (1975). An outline of English phonetics (9th ed.). Heffer. p. 235, paras 874-5. ISBN 978-0521210980. https://archive.org/details/dli.ernet.503070/page/235/mode/2up.
125. ↑ Wikström (2013), p. 45\. "It seems to be the case that younger RP or near-RP speakers typically use a closer quality, possibly approaching Cardinal 6 considering that the quality appears to be roughly intermediate between that used by older speakers for the LOT vowel and that used for the THOUGHT vowel, while older speakers use a more open quality, between Cardinal Vowels 13 and 6."
126. ↑ Lindsey, Geoff (15 July 2012). "Morgen – a suitable case for treatment". https://www.englishspeechservices.com/blog/morgen-a-suitable-case-for-treatment/.
127. ↑ Roach (2004), p. 242.
128. ↑ Cruttenden (2014), pp. 126, 133.
129. ↑ Collins & Mees (2013), p. 207.
130. ↑ de Jong et al. (2007), pp. 1814–1815.
131. ↑ "IPA Pronunciation Guide – COBUILD". https://blog.collinsdictionary.com/ipa-pronunciation-guide-cobuild/.
132. ↑ "Help - Phonetics" (in en). 2025-11-18. https://dictionary.cambridge.org/help/phonetics.html.
133. ↑ Jones, Daniel (1918) (in English). An Outline Of English Phonetics. W. Heffer and Sons Ltd.. pp. 64–118. http://archive.org/details/dli.ernet.503070.
134. ↑ Gimson, A. C. (1980). An introduction to the pronunciation of English. Internet Archive. London] : Edward Arnold. ISBN 978-0-7131-6288-2. https://archive.org/details/introductiontopr0000gims_t4o1/page/100/mode/2up.
135. ↑ "The British English vowel system". 8 March 2012. https://www.englishspeechservices.com/blog/british-vowels/.
136. ↑ Wells (1982), pp. 228–229.
137. ↑ Ward, Ida (1939). The Phonetics of English (3rd ed.). pp. 135–136, para 250.
138. ↑ Collins, Beverley; Mees, Inger (2019). Practical English Phonetics and Phonology (4th ed.). Routledge. p. 67. ISBN 978-1-138-59150-9.
139. ↑ Collins, Beverley; Mees, Inger (2019). Practical English Phonetics and Phonology (4th ed.). Routledge. p. 69. ISBN 978-1-138-59150-9.
140. ↑ Walker, John (1824). A critical pronouncing dictionary. p. 25. https://books.google.com/books?id=9OsIAAAAQAAJ&q="An+must+be+used+before+all+words+beginning".
141. ↑ "an". The Chambers Dictionary (9th ed.). Chambers. 2003. ISBN 0-550-10105-5.
142. ↑ Simpson, J. A., & Weiner, E. S. C. (1989). Oxford English Dictionary (Second ed.). New York: Oxford University Press.
143. ↑ Wordsworth, Dot (8 April 2017). "An historic". https://www.spectator.co.uk/article/an-historic.
144. ↑ Wells (1982), pp. 196ff.
145. ↑ Wells (1982), p. 76.
146. ↑ Wells (1982), p. 245.
147. ↑ "Oxford Learner's Dictionaries". Oxford University Press. https://www.oxfordlearnersdictionaries.com/.
148. ↑ "Cambridge Dictionary". Cambridge University Press. https://dictionary.cambridge.org/.
149. ↑ "Longman Dictionary of Contemporary English". Pearson Education. https://www.ldoceonline.com/.
150. ↑ 150.0 150.1 Wells (1982), pp. 228ff.
151. ↑ Wells (1982), pp. 253ff.
152. ↑ Wells (1982), pp. 167ff.
153. ↑ Wise (1957), p. 242.
154. ↑ Cruttenden (2008), p. 221.
155. ↑ Collins, Beverley; Mees, Inger (2019). Practical English Phonetics and Phonology (4th ed.). Routledge. p. 52. ISBN 978-1-138-59150-9. ""A tap was also to be heard intervocalically ... from old-fashioned traditional RP speakers ... It was used for /r/ after a stressed vowel, e.g. carry, very, Paris.""
156. ↑ Roach (2004).
157. ↑ 157.0 157.1 157.2 Wells, John (3 May 2011). "the evidence of the vows". http://phonetic-blog.blogspot.com/2011/05/evidence-of-vows.html.
158. ↑ Wells, John (11 July 2007). "Any young U-RP speakers?". http://www.phon.ucl.ac.uk/home/wells/blog0707a.htm.
159. ↑ "Twentieth-Century Divas: Julie Andrews - Dominic Broomfield-McHugh". 6 June 2024. https://podcast.gresham.ac.uk/1904814/episodes/15203380-twentieth-century-divas-julie-andrews-dominic-broomfield-mchugh.
160. ↑ Wells, John (17 April 2015). "EE, yet again". https://www.smh.com.au/lifestyle/the-sound-of-julie-andrews-20150327-1m9e1c.html.
161. ↑ Gold, Tanya (24 June 2022). "Rowan Atkinson on Man Vs Bee, Mr Bean, Blackadder and Johnny English". British GQ (Condé Nast). https://www.gq-magazine.co.uk/culture/article/rowan-atkinson-interview. Retrieved 5 July 2025.
162. ↑ Moore, Roger (22 July 2003). "A Villainous Mix from Comic Artiste Atkinson". Orlando Sentinel (Tribune Publishing). https://www.orlandosentinel.com/2003/07/22/a-villainous-mix-from-comic-artiste-atkinson/. "Born upper-middle-class, he has a distinctly upper-class accent"
163. ↑ Wells, John (8 November 2010). "David Attenborough". http://phonetic-blog.blogspot.com/2010/11/david-attenborough.html.
164. ↑ 164.0 164.1 Cho, Juhyung (1 January 2022). "Vowel changes in the speech of Sir David Attenborough". SNU Working Papers in English Language and Linguistics 18. https://hdl.handle.net/10371/176946. Retrieved 18 March 2022.
165. ↑ Hatherley, Owen (May–June 2024). "Labourism: In and Against?". New Left Review (147): 151–168. doi:10.64590/qnz. https://newleftreview.org/issues/ii147/articles/owen-hatherley-labourism-in-and-against. Retrieved 5 July 2025. "Benn, an archetypal English gentleman, who spoke in a booming Received Pronunciation accent".
166. ↑ Matassa, Giada. "Emily Blunt's kids are picking up their dad's American accent". https://www.academia.edu/35650152.
167. ↑ "7 Best English Podcasts (Free and Paid)". 23 May 2022. https://trufluency.com/7-best-english-podcasts-free-and-paid/. ""Gyles Brandreth and Susie Dent are the hosts of Something Rhymes with Purple, ... the speech of the hosts tends to show features of the Received Pronunciation (RP) English accent, ...""
168. ↑ Brandreth, Gyles (23 December 2018). "Am I posh? Is David Dimbleby? Are you?". https://www.gylesbrandreth.net/blog/2018/12/23/am-i-posh-is-david-dimbleby-are-you. ""... I have a 'posh' accent. In fact, I sound much less fruity and plummy than I used to do. (So does The Queen, incidentally.) I sound very like my father, and English middle class professional people of his generation (he was born in 1910) sounded like he sounded and I sound now.""
169. ↑ Wells, John (8 April 2010). "EE, yet again". http://phonetic-blog.blogspot.com/2010/04/ee-yet-again.html.
170. ↑ 170.0 170.1 Palmer, Bobby (23 March 2016). "We asked a psychologist why people find posh accents attractive". https://archive.thetab.com/2016/03/23/asked-psychologist-love-posh-accents-80094.
171. ↑ 171.0 171.1 171.2 Woods, Vicki (5 August 2011). "When I didn't know owt about posh speak". The Daily Telegraph. https://www.telegraph.co.uk/culture/tvandradio/8684273/When-I-didnt-know-owt-about-posh-speak.html.
172. ↑ 172.0 172.1 "BBC - Radio4 - Routes of English - Special - Talking Posh". https://www.bbc.co.uk/radio4/routesofenglish/storysofar/posh.shtml.
173. ↑ Chalmers, Robert (25 March 2012). "Alain de Botton: 'My father was physically quite violent... he would destroy the house'". The Independent. https://www.independent.co.uk/news/people/profiles/alain-de-botton-my-father-was-physically-quite-violent-he-would-destroy-the-house-7580958.html.
174. ↑ Humphrey, Chris (1 August 2018). "Alain de Botton Visits Vietnam: 'What I Want to Argue Is That Romanticism Has Been a Disaster for Love.'". Saigoneer. https://saigoneer.com/vietnam-literature/21852-alain-de-botton-visits-vietnam-what-i-want-to-argue-is-that-romanticism-has-been-a-disaster-for-love. Retrieved 5 July 2025.
175. ↑ 175.0 175.1 175.2 Lawson, Lindsey (14 October 2013). "A popular British accent with very few native speakers". The Voice Cafe. http://www.thevoicecafe.net/the-voice-cafe-blog/the-accent-with-few-native-speakers-in-Britain-RP.
176. ↑ "Changes in Received Pronunciation: Diachronic Case Studies". https://czasopisma.uni.lodz.pl/research/article/download/2075/1716/7971.
177. ↑ 177.0 177.1 Wells, John (12 June 2008a). "RP back in fashion?". http://www.phon.ucl.ac.uk/home/wells/blog0806a.htm.
178. ↑ Odone, Cristina (4 April 2004). "'Like beasts in a zoo, the upper classes no longer represent a danger'". The Observer. https://www.theguardian.com/observer/comment/story/0,6903,1185275,00.html.
179. ↑ Gritten, David (7 December 2003). "Breeding and talent? Quite". Los Angeles Times (Turville, England). https://www.latimes.com/archives/la-xpm-2003-dec-07-ca-gritten7-story.html.
180. ↑ 180.0 180.1 "In British politics, posh pronunciation reigns". The Economist. https://www.economist.com/books-and-arts/2019/07/06/in-british-politics-posh-pronunciation-reigns.
181. ↑ "RP: A popular British accent with very few native speakers". 13 October 2014. https://www.thevoicecafe.net/the-voice-cafe-blog/the-accent-with-few-native-speakers-in-Britain-RP. "Examples of speakers of the more "conservative" type of RP are Stephen Fry and Dame Judi Dench."
182. ↑ "BBC - Voices - Your Voice". https://www.bbc.co.uk/voices/yourvoice/accents_comments.shtml.
183. ↑ "From "RP" to "Estuary English": The concept 'received' and the debate about British pronunciation standards". https://www.phon.ucl.ac.uk/home/estuary/parsons_ma.pdf.
184. ↑ "British Accents". dialectblog.com. 25 January 2011. http://dialectblog.com/british-accents/.
185. ↑ "Standard Upper-Class British(RP)". http://currentplayers.weebly.com/uploads/1/3/5/0/13500082/20141222155724020.pdf.
186. ↑ 186.0 186.1 186.2 186.3 Fowler, Christopher (16 October 2020). "Accent!". https://www.christopherfowler.co.uk/blog/2020/10/16/accent.
187. ↑ "Nigella Lawson is going viral for the bizarre way she pronounces "microwave"". 10 December 2020. https://www.thecoast.net.nz/news/nigella-lawson-is-going-viral-for-the-bizarre-way-she-pronounces-microwave/. "She's known for her impeccably posh British accent"
188. ↑ Lawson, Nigella (24 December 2000). "English as it is spoke". The Guardian. https://www.theguardian.com/uk/2000/dec/24/britishidentity.comment. "When I was a child, my accent, for example, was Received Pronunciation; now I am given to understand it is posh. I can live with that."
189. ↑ "Standard Upper-Class British(RP)". http://currentplayers.weebly.com/uploads/1/3/5/0/13500082/20141222155724020.pdf.
190. ↑ Sigsworth, Tim (10 April 2024). "Former BBC newsreader blames 'RP' accent for no longer getting work". The Daily Telegraph. https://www.telegraph.co.uk/news/2024/04/10/former-bbc-newsreader-blames-rp-accent-for-lack-of-work/.
191. ↑ Wise, Louis (6 December 2015). "A queen of her castle". The Sunday Times. https://www.thetimes.com/article/a-queen-of-her-castle-g75xcn97w.
192. ↑ Garratt, Sheryl (3 September 2016). "Rose Leslie on finding love on Game of Thrones and making it in Hollywood". The Daily Telegraph. https://www.telegraph.co.uk/films/2016/09/03/rose-leslie-on-finding-love-on-game-of-thrones-and-making-it-in/. "her shifting accent got fixed into a cut-glass RP English"
193. ↑ Stadlen, Matthew (10 July 2015). "Joanna Lumley: I'm not posh - and I eat like a horse". Daily Telegraph. ISSN 0307-1235. https://www.telegraph.co.uk/news/celebritynews/11731188/joanna-lumley-acting-interview-drama.html.
194. ↑ "English Language Accent and Dialect Resources". https://resource.download.wjec.co.uk/vtc/2017-18/17-18_1-9/pdf/teacher-notes.pdf.
195. ↑ Levon, Erez; Sharma, Devyani; Watt, Dominic J. L.; Cardoso, Amanda; Ye, Yang (2021). "Accent Bias and Perceptions of Professional Competence in England". Journal of English Linguistics 49 (4): 355–388. doi:10.1177/00754242211046316. https://boris.unibe.ch/159633/.
196. ↑ Klaus J. Kohler (2017) "Communicative Functions and Linguistic Forms in Speech Interaction", published by CUP (page 268)
197. ↑ "Barrie Rutter on giving King Lear a Yorkshire accent". BBC News. 27 February 2015. https://www.bbc.co.uk/news/entertainment-arts-30937165.
198. ↑ "Labour MP Angela Rayner: 'I'm proud of my accent'". BBC News. 10 July 2017. https://www.bbc.co.uk/news/uk-40554137. "Tory MP Jacob Rees-Mogg struggled with his "posh RP [received pronunciation] accent" when he was trying to get elected in Fife."
199. ↑ "Voices - Your Voice". https://www.bbc.co.uk/voices/yourvoice/accent2.shtml.
200. ↑ "Brian Sewell". https://i-m-magazine.com/brian-sewell/.
201. ↑ McAleer, Graham (25 October 2018). "Russell Rebrand". Law & Liberty. https://lawliberty.org/russell-rebrand/. Retrieved 29 June 2025. "the extremely clipped Oxbridge English of Sheldrake".
202. ↑ "Harry Pottet and the Different Accents". https://bora.uib.no/bora-xmlui/bitstream/handle/1956/6703/106842369.pdf?sequence=1.
203. ↑ Cooper, Glenda (4 October 2014). "A 'posh' RP voice can break down barriers". The Daily Telegraph. https://www.telegraph.co.uk/culture/tvandradio/bbc/11140150/A-posh-RP-voice-can-break-down-barriers.html.
204. ↑ "Has Beckham started talking posh?". BBC News. 17 April 2013. https://www.bbc.co.uk/news/av/uk-22183566.
205. ↑ "Received Pronunciation AKA Standard British". http://raleighlittletheatre.org/wp-content/uploads/2018/08/Lion-Witch-Wardrobe-dialect-guide.pdf.
206. ↑ Nolan, Dave; Nolan, David (24 November 2011). Emma Watson: The Biography. Kings Road Publishing. ISBN 978-1-84358-871-9. https://books.google.com/books?id=kSGtDwAAQBAJ&dq=emma+watson+received+pronunciation&pg=PT34. ""Emma speaks her lines with crystal-clear received pronunciation...""

## Bibliography

* Collins, Beverley; Mees, Inger M. (2003), The Phonetics of English and Dutch (5th ed.), Leiden: Brill Publishers, ISBN 9004103406
* Collins, Beverley; Mees, Inger (2013), Practical Phonetics and Phonology: A Resource Book for Students (3rd ed.), Routledge, ISBN 978-0-415-50650-2, https://books.google.com/books?id=faVJTQIw9eQC
* Cruttenden, Alan (2008), Gimson's Pronunciation of English (7th ed.), London: Hodder, ISBN 978-0340958773
* Cruttenden, Alan (2014), Gimson's Pronunciation of English (8th ed.), Routledge, ISBN 9781444183092, https://books.google.com/books?id=M2nMAgAAQBAJ
* Crystal, David (2003), The Cambridge Encyclopedia of the English Language (2nd ed.), Cambridge University Press, ISBN 0-521-53033-4
* Crystal, David (2005), The Stories of English, Penguin
* DuPonceau, Peter S. (1818), "English phonology; or, An essay towards an analysis and description of the component sounds of the English language.", Transactions of the American Philosophical Society, 1, pp. 259–264
* Ellis, Alexander J. (1869), On early English pronunciation, New York: Greenwood Press
* Elmes, Simon (2005), Talking for Britain: A journey through the voices of our nation, Penguin, ISBN 0-14-051562-3
* Fishman, Joshua (1977), ""Standard" versus "Dialect" in Bilingual Education: An Old Problem in a New Context", The Modern Language Journal 61 (7): 315–325, doi:10.2307/324550
* Gimson, Alfred C. (1970), An Introduction to the pronunciation of English, London: Edward Arnold
* Gimson, Alfred C. (1980), Pronunciation of English (3rd ed.)
* Gupta, Anthea Fraser (2005), "Baths and becks", English Today 21 (1): 21–27, doi:10.1017/S0266078405001069, ISSN 0266-0784, http://eprints.whiterose.ac.uk/1810/1/guptaaf2.pdf
* Halle, Morris; Mohanan, K. P. (1985), "Segmental Phonology of Modern English", Linguistic Inquiry (The MIT Press) 16 (1): 57–116
* Hudson, Richard (1981), "Some Issues on Which Linguists Can Agree", Journal of Linguistics 17 (2): 333–343, doi:10.1017/S0022226700007052
* International Phonetic Association (1999), Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet, Cambridge University Press, ISBN 978-0521637510
* Jenkins, Jennifer (2000), The Phonology of English as an International Language, Oxford
* Jones, Daniel (1917), English Pronouncing Dictionary (1st ed.), London: Dent
* Jones, Daniel (1926), English Pronouncing Dictionary (2nd ed.)
* Jones, Daniel (1967), An Outline of English Phonetics (9th ed.), Heffer
* Jones, Daniel (2011), Roach, Peter; Setter, Jane; Esling, John, eds., Cambridge English Pronouncing Dictionary (18th ed.), Cambridge University Press
* de Jong, Gea; McDougall, Kirsty; Hudson, Toby; Nolan, Francis (2007), "The speaker discriminating power of sounds undergoing historical change: A formant-based study", the Proceedings of ICPhS Saarbrücken, pp. 1813–1816
* Ladefoged, Peter (2004), Vowels and Consonants, Thomson
* Lindsey, Geoff (2019), English After RP: Standard British Pronunciation Today, Palgrave Macmillan, ISBN 978-3-030-04356-8
* Lodge, Ken (2009), A Critical Introduction to Phonetics, Continuum
* McArthur, Tom (2002), The Oxford Guide to World English, Oxford University Press
* McDavid, Raven I. (1965), "American Social Dialects", College English 26 (4): 254–260, doi:10.2307/373636
* Mugglestone, Lynda (2003), 'Talking Proper': The Rise of Accent as Social Symbol (2nd ed.), Oxford University Press
* Newbrook, Mark (1999), "West Wirral: norms, self-reports and usage", in Foulkes, Paul; Docherty, Gerald J., Urban Voices, pp. 90–106
* Pearce, Michael (2007), The Routledge Dictionary of English Language Studies, Routledge
* Pearsall, Judy, ed. (1999), The Concise Oxford English Dictionary (10th ed.)
* Petyt, K. M. (1985), Dialect and Accent in Industrial West Yorkshire, John Benjamins Publishing
* Ramsaran, Susan (1990), "RP: fact and fiction", Studies in the Pronunciation of English: A commemorative volume in honour of A. C. Gimson, Routledge, pp. 178–190
* Roach, Peter (2004), "British English: Received Pronunciation", Journal of the International Phonetic Association 34 (2): 239–245, doi:10.1017/S0025100304001768, https://www.cambridge.org/core/services/aop-cambridge-core/content/view/D4AFF0A7118E7081ACF7C7586FF87590/S0025100304001768a.pdf/british_english_received_pronunciation.pdf
* Roach, Peter (2009), English Phonetics and Phonology (4th ed.), Cambridge University Press, ISBN 978-0-521-40718-2
* Roach, Peter (2011), Cambridge English Pronouncing Dictionary (18th ed.), Cambridge: Cambridge University Press, ISBN 9780521152532
* Roca, Iggy; Johnson, Wyn (1999), A Course in Phonology, Blackwell Publishing
* Rogaliński, Paweł (2011), British Accents: Cockney, RP, Estuary English, Łódź: Self published, ISBN 978-83-272-3282-3
* Schmitt, Holger (2007), "The case for the epsilon symbol (ɛ) in RP DRESS", Journal of the International Phonetic Association 37 (3): 321–328, doi:10.1017/S0025100307003131ɛ)+in+RP+DRESS&rft.jtitle=Journal+of+the+International+Phonetic+Association&rft.aulast=Schmitt&rft.aufirst=Holger&rft.au=Schmitt, Holger&rft.date=2007&rft.volume=37&rft.issue=3&rft.pages=321–328&rft_id=info:doi/10.1017/S0025100307003131&rfr_id=info:sid/en.wikibooks.org:Social:Received_Pronunciation">
* Shockey, Linda (2003), Sound Patterns of Spoken English, Blackwell
* Trudgill, Peter (1999), The Dialects of England, Blackwell
* Upton, Clive (2004), "Received Pronunciation", A Handbook of Varieties of English, Walter de Gruyter, pp. 217–230
* Upton, Clive; Kretzschmar, William A.; Konopka, Rafal (2001), Oxford Dictionary of Pronunciation for Current English, Oxford: Oxford University Press
* Wells, John C. (1970), "Local accents in England and Wales", Journal of Linguistics 6 (2): 231–252, doi:10.1017/S0022226700002632
* Wells, John C. (1982), Accents of English I: An Introduction, Cambridge, New York: Cambridge University Press, ISBN 0-521-29719-2
* Wells, John C. (2008), Longman Pronunciation Dictionary (3rd ed.), Longman, ISBN 9781405881180
* Wiik, K. (1965), Finnish and English Vowels, B, 94, Annales Universitatis Turkensis
* Wikström, Jussi (2013), "An acoustic study of the RP English LOT and THOUGHT vowels", Journal of the International Phonetic Association 43 (1): 37–47, doi:10.1017/S0025100312000345
* Wise, Claude Merton (1957), Introduction to phonetics, Englewood Cliffs: Prentice-Hall, Inc.
* Wright, Joseph (1905), English Dialect Grammar
* Wyld, Henry C. K. (1927), A short history of English (3rd ed.), London: Murray

## External links

| Wikimedia Commons has media related to Received Pronunciation.

|

* BBC page on Upper RP as spoken by the English upper-classes
* Sounds Familiar? - Listen to examples of received pronunciation on the British Library's 'Sounds Familiar' website
* 'Hover & Hear' R.P., and compare it with other accents from the UK and around the World.
* Whatever happened to Received Pronunciation? – An article by the phonetician J. C. Wells about received pronunciation

Sources of regular comment on RP

* John Wells's phonetic blog
* Linguism – Language in a word, blog by Graham Pointon of the BBC Pronunciation Unit

Audio files

* Blagdon Hall, Northumberland
* Burnham Thorpe, Norfolk
* Harrow
* Hexham, Northumberland
* London
* Newport, Pembrokeshire
* Teddington

* v
* t
* e

Dialects and accents of Modern English by continent

Europe|

| Great
Britain|

| England|

| North|

* Cheshire
* Cumbria
* Barrow
* Lancashire
* Liverpool
* Manchester
* Northumbria
* Pitmatic
* Sunderland
* Tyneside
* Yorkshire

|

South|

* Cockney
* Multicultural London
* Received Pronunciation
* Surrey
* Sussex
* Thames Estuary

* East Anglia
* Norfolk
* Suffolk
* East Midlands
* West Country
* Cornwall
* Dorset
* West Midlands
* Birmingham
* Black Country
* Stoke-on-Trent

Scotland|

* Glasgow
* Highlands

Wales|

* Abercraf
* Cardiff
* Gower
* Port Talbot

Ireland|

* Dublin
* South-West
* Ulster

* Channel Islands
* Continental Europe
* Gibraltar
* Isle of Man

Americas|

| North
America|

| Canada|

* Aboriginal
* Atlantic
* Lunenburg
* Newfoundland
* Central and Western
* Ottawa Valley
* Pacific Northwest
* Quebec

|

United
States|

* Mid-Atlantic
* Baltimore
* Philadelphia
* Midland
* New England
* Boston
* Eastern
* Maine
* Western
* New York City
* Accent
* North
* Inland North
* North-Central
* Upper Peninsula
* South
* Appalachia
* High Tider
* New Orleans
* Older
* Texas
* West
* California
* New Mexico
* Pacific Northwest
* Western Pennsylvania

Ethno-
cultural|

* African-American
* Vernacular
* American Indian
* Cajun
* Chicano
* General American
* Miami Latino
* New York Latino
* Pennsylvania Dutch
* Utah Mormon
* Yeshiva

Caribbean|

* The Bahamas
* Barbados
* Cayman Islands
* Bay Islands
* Jamaica
* Puerto Rico
* Samaná, Dominican Republic
* Trinidad and Tobago

* Bermuda
* Falkland Islands
* South Atlantic

Oceania|

| Australia|

* Aboriginal
* Accent
* Broad, general and cultivated
* South Australia
* Torres Strait
* Western Australia

|

* Fiji
* New Zealand
* Palau
* Solomon Islands

Africa|

* Cameroon
* The Gambia
* Ghana
* Kenya
* Liberia
* Malawi
* Namibia
* Nigeria
* Sierra Leone
* South Africa
* Accent
* Cape Flats
* Uganda

Asia|

* Bangladesh
* Brunei
* Hong Kong
* India
* Regional
* Malaysia
* Myanmar
* Nepal
* Pakistan
* Philippines
* Singapore
* Sri Lanka

* v
* t
* e

Phonologies of the world's languages

* Abkhaz
* Acehnese
* Afrikaans
* ASL
* Arabic
* Modern Standard
* Egyptian
* Hejazi
* Levantine
* Tunisian
* Avestan
* Belarusian
* Bengali
* Bulgarian
* Burmese
* Catalan
* Central Franconian
* Colognian
* Luxembourgish
* Chinese
* Mandarin
* Cantonese
* Old
* Historical
* Cornish
* Czech
* Danish
* Dutch
* English
* Australian
* General American
* New Zealand
* Regional North American
* Received Pronunciation
* South African
* Standard Canadian
* Old
* Middle
* Esperanto
* Estonian
* Faroese
* Finnish
* French
* Parisian
* Quebec
* Galician
* German
* Standard
* Bernese
* Greek
* Standard Modern
* Ancient
* Koine
* Gujarati
* Hawaiian
* Hebrew (Modern)
* Hindustani
* Hungarian
* Icelandic
* Inuit
* Irish
* Italian
* Japanese
* Kiowa
* Konkani
* Korean
* Kurdish
* Kyrgyz
* Latgalian
* Latin
* Latvian
* Lithuanian
* Macedonian
* Maithili
* Malay
* Maldivian
* Māori
* Marathi
* Massachusett
* Navajo
* Nepali
* Norwegian
* Occitan
* Ojibwe
* Old Saxon
* Oromo
* Ottawa
* Pashto
* Persian
* Polish
* Portuguese
* Proto-Indo-European
* Romanian
* Russian
* Scots
* Scottish Gaelic
* Serbo-Croatian
* Slovak
* Slovene
* Somali
* Sotho
* Spanish
* Dialects and varieties
* Swedish
* Tagalog
* Tamil
* Taos
* Turkish
* Ubykh
* Ukrainian
* Upper Sorbian
* Uyghur
* Vietnamese
* Welsh
* West Frisian
* Yiddish
* Zuni

0.00

(0 votes)

Original source: https://en.wikipedia.org/wiki/Received Pronunciation. Read more

|

Retrieved from "https://handwiki.org/wiki/index.php?title=Social:Received_Pronunciation&oldid=4303842"
*[rp]: Received Pronunciation
*[rs]: Received Speech
*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template