Africa (Toto song)

For other uses, see Africa (disambiguation).

1982 single by Toto

A request that this article title be changed to Africa (song) is under discussion. Please do not move this article until the discussion is closed.

|

"Africa"

US 7-inch (180 mm) shaped picture disc edition

Single by Toto
from the album  Toto IV
B-side|

* "Good for You"
* "We Made It"

Released|

* June 25, 1982 (UK)[1]
* October 7, 1982 (US)[2]

Recorded| June 1981
Studio| Sunset Sound (Hollywood)[3]
Genre|

* Pop[4]
* synth-pop[5]
* soft rock[6][7]
* yacht rock[8][9][10]

Length|

* 4:55 (album version)
* 4:21 (single version)
* 4:35 (video version)

Label| Columbia
Composer(s)|

* David Paich
* Jeff Porcaro

Lyricist(s)| David Paich
Producer(s)| Toto
Toto singles chronology
| "Rosanna"
(1982)  | "Africa"
(1982)  | "Make Believe"
(1982)

|
|

Music video
"Africa" on YouTube
Audio sample

* file
* help

"Africa" is a song by American rock band Toto, the tenth and final track on their fourth studio album Toto IV (1982). It was the second single from the album released in Europe in June 1982 and the third in the United States in October 1982 through Columbia Records. The song was written by band members David Paich and Jeff Porcaro, produced by the band, and mixed by engineer Greg Ladanyi.

Critics praised its composition and gentle production; the song continues to receive critical acclaim, and was ranked number 452 on Rolling Stone's 500 greatest songs of all time.[8]

The song was accompanied by a music video, which premiered in 1983, and was directed by Steve Barron, who collaborated previously with the group for "Rosanna". The video features Toto in a library, as they perform and showcase various aspects of African culture. While popular in the 1980s and 1990s, with the song being certified gold by the RIAA in 1991, "Africa" saw a resurgence in popularity via social media during the mid- to late 2010s. The original recording has since been certified Diamond and is one of the best selling songs of all time.[11]

## Background

[edit]

The initial idea and lyrics for the song came from David Paich. Paich was playing around with a new keyboard, the CS-80,[12] and found the brassy sound that became the opening riff. He completed the melody and lyrics for the chorus in about ten minutes, much to Paich's surprise. "I sang the chorus out as you hear it. It was like God channeling it. I thought, 'I'm talented, but I'm not that talented. Something just happened here!'"[13] Paich refined the lyrics for six months before showing the song to the rest of the band.[13]

In 2015, Paich explained that the song is about a man's love of a continent, Africa, rather than just a personal romance.[14] He based the lyrics on a late night documentary with depictions of African plight and suffering. The viewing experience made a lasting impact on Paich: "It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about it if I was there and what I'd do."[15] Jeff Porcaro elaborates further, explaining: "A white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past."[16]

Some additional lyrics relate to a person flying in to meet a lonely missionary, as Paich described in 2018.[17] As a child, Paich attended a Catholic school; several of his teachers had done missionary work in Africa. Their missionary work became the inspiration behind the line: "I bless the rains down in Africa." Paich, who at the time had never set foot in Africa, based the song's landscape descriptions from an article in National Geographic.[17] At the time, Steve Lukather humorously remarked that he would run "naked down Hollywood Boulevard" if the song became a hit, due to his bemusement over the lyrics; Paich argued that it was a "fantasy song" in the vein of previous songs such as "Margaritaville".[18]

During an appearance on the radio station KROQ-FM, Steve Porcaro and Lukather described the song as "dumb" and "an experiment" and some of the lyrics as "goofy" that were just placeholders, particularly the line about the Serengeti.[19] Engineer Al Schmitt stated that "Africa" was the second song written for Toto IV and had been worked on extensively in the studio.[13] Eventually, the band grew tired of the song and considered cutting it from the album entirely.[19] Paich considered saving "Africa" for a solo record but decided against it.[20]

The band did not expect "Africa" to be a hit, after the intended success of lead single "Rosanna" (which had peaked at number 2). However, after Sony found out that the song was gaining traction in New York dance clubs, they decided to release it as another single, further cementing the popularity of Toto IV in the process.[18]

## Composition

[edit]

Musically, the song took some time to assemble. Steve Porcaro, the band's synth player, introduced Paich to the Yamaha CS-80, a polyphonic analog synthesizer, and instructed him to write a song specifically with the keyboard in mind. Paich gravitated towards a brassy flute sound, which he found to be a unique alternative to the piano.[12] Porcaro programmed six tracks of a Yamaha GS 1 digital piano to emulate the sound of a kalimba.[12] Steve Porcaro's brother, Jeff, played his parts live without a click track.[13]

> So when we were doing "Africa" I set up a bass drum, snare drum and a hi-hat, and Lenny Castro set up right in front of me with a conga. We looked at each other and just started playing the basic groove. [...] The backbeat is on 3, so it's a half-time feel, and it's 16th notes on the hi-hat. [...] We played for five minutes on tape, no click, no nothing. We just played. And I was singing the bass line for 'Africa' in my mind, so we had a relative tempo. Lenny and I went into the booth and listened back to the five minutes of that same boring pattern. We picked out the best two bars that we thought were grooving, and we marked those two bars on tape. [...] Maybe it would have taken two minutes to program that in the Linn, and it took about half an hour to do this. But a Linn machine doesn't feel like that![13]

Jeff Porcaro also acknowledged that he was influenced by the sounds created by fellow Los Angeles session musicians Milt Holland and Emil Richards. He also described the significance of the African pavilion drummers at the 1964 New York World's Fair and a National Geographic Special. To recreate those sounds, he and his father Joe Porcaro made percussion loops on bottle caps and marimba respectively.[13]

> I was about 11 when the New York World's Fair took place, and I went to the African pavilion with my family. I saw the real thing ... It was the first time I witnessed somebody playing one beat and not straying from it, like a religious experience, where it gets loud, and everyone goes into a trance.[21]

Lyrically, the song concerns a man torn between staying in Africa, a continent he is enamored with, and travelling to stay with a girl he is seeing.[22] In the chorus, he "[blesses] the rains down in Africa"; several other references to other parts of the continent are made throughout, such as "wild dogs [crying] out in the night" and "Kilimanjaro [rising]... above the Serengeti" (which are, in reality, about 420 kilometres (260 mi) apart).[23] Stereogum writer Tom Breihan interpreted the song's Africa as an "extended metaphor" – a "stand-in [for] a thing that you long for even before you've said goodbye to it", and therefore potentially a partial allusion to Paich's own "rock stardom... that kept him apart from anything resembling a normal life".[24] Rob Sheffield of Rolling Stone interpreted it differently as a song about "modern alienation", with the speaker "lost in time and space": he "doesn't know a thing about Africa, except it has to be better than the nightmare where he's trapped right now".[9]

## Music video

[edit]

The music video used the radio edit and was directed by Steve Barron.[25] It features Mike Porcaro on bass, replacing David Hungate, who had already left the band before the video was made. Lenny Castro is also featured in the video on percussion. On June 4, 2024, the music video broke the one billion view milestone on YouTube.[26]

In the video, a researcher in a library (portrayed by Paich) tries to match a scrap of a picture of a shield to the book from which it was torn out. As he continues his search, a female librarian (portrayed by Jenny Douglas-McRae) working at a nearby desk takes occasional notice of him, while an African man in a generic tribal outfit carrying a shield that matches the picture begins to close in on the library from the surrounding jungle. When the researcher finds a book titled Africa, the man throws a spear at a bookshelf, toppling stacks of books. Africa falls open to the page from which the scrap was torn, but a lantern lands on it and sets it on fire, after which the librarian's eyeglasses are shown falling to the floor. The scenes are intercut with shots of a globe and the band performing atop a stack of giant hardcover books, in which Africa is the topmost.[26]

The video has been criticized for its portrayal of African culture, with Sheffield calling it "mind-blowingly racist".[9] Breihan described it as "almost shockingly racist", but nonetheless found that it "succeeds at its goal of making Toto seem visually compelling and translating the over-the-top drama of "Africa" into something cinematic."[24]

## Reception and legacy

[edit]

The song was popular upon its release, hitting number one on the Billboard Hot 100 in February 1983, and also reaching the top 10 in many other worldwide record charts.

The song has continued to be a popular yacht-rock classic up to the 21st century. Cash Box called it an "image-filled package of pop exotica with its gently tropical synth and marimba."[27] Billboard called it an "evocative number" that should return the group to the top 10 on the Billboard Hot 100 after the weaker single "Make Believe".[28] Classic Rock History critic Brian Kachejian rated it as Toto's 5th greatest song.[29] In 2021, it was listed at No. 452 on Rolling Stone's "Top 500 Best Songs of All Time", being acclaimed as a "yacht-rock touchstone" and receiving praise for its "instantly calming synthesiser riff" and "soaring chorus".[8]

Breihan positively reviewed the song as part of a column reviewing each Billboard Hot 100 #1. Ultimately giving it an 8/10 rating, he noted the song's "perfectly ridiculous act of hubris" in its "hackneyed, overwrought" lyrics comparing the 'Africa' depicted to Paich's supposed yearning for a "normal life", but acclaimed its complete lack of "self-consciousness" and confidence in its premise, lauding its "ultra-ridiculous synth-gloop" and "operatic" chorus.[24] Critic Carl Wilson commented on the song's "perfect marriage of terrible and good", with its acute musicality – he described it as "well-played, well-sung, harmonically enticing, rhythmically enticing" – juxtaposed with a "completely incoherent text about Africa".[18]

The song's inaccurate lyrical depiction of Africa, especially as seen from an otherwise-detached American perspective, has been commented on by various critics. Stereogum writer Vivek Maddala argued that "it's not hard to view [the song] as an expression of a glib neo-colonial mentality" and a "Rudyard Kipling 'White Man's Burden'-type narrative", especially with the lyrics being written in an "awkward, reductive way", but nevertheless noted that Paich wrote it "from a benign (if naïve) standpoint".[4] Michael Hann of the Financial Times claimed that the lyrics are "filled with false nostalgia and riddled with errors", referencing the unrealistic line "as sure as Kilimanjaro rises like Olympus above the Serengeti", and even referred to the marimba and "cod-African solos" which might also be perceived as cultural appropriation. He nonetheless acknowledged that the lyrics still come off as "romantic and yearning", and the latter musical aspects form "part of its period charm".[30] Sheffield argued that the inaccuracy displayed in the lyrics actually does not matter, as they nonetheless effectively portray the speaker's feelings of alienation and placelessness, being "homesick for nowhere" and "deep in his feelings".[9]

### Cultural impact

[edit]

Hann hypothesised that the song's musically "indelible" nature and status as a "song that exists to be sung" has given it a cultural staying power over the decades.[30] Sheffield additionally compared it to another 80s rock hit with strong cultural endurance, Journey's "Don't Stop Believin'", and highlighted its position as a cultural touchstone and an "unofficial anthem".[9] The song has been utilized in many internet memes,[31] has appeared in television shows, such as Late Night With Jimmy Fallon, Stranger Things, Family Guy, Chuck, The Cleveland Show, Top Gear and South Park, and was used by CBS during their 2013 coverage of the funeral of former South African President Nelson Mandela, albeit not without controversy.[18][9][32] It was also included in the 2002 video game Grand Theft Auto: Vice City as part of the fictional Emotion 98.3 radio station.[33]

In 2012, "Africa" was listed by music magazine NME in 32nd place on its list of "50 Most Explosive Choruses."[34] "Africa" saw a resurgence in popularity via social media during the mid- to late 2010s, inspiring numerous Internet memes as well as a fan-requested cover by American rock band Weezer which peaked at number 51 on the Billboard Hot 100.[35][36][37][38][39] In January 2019, a sound installation was set up in an undisclosed location in the Namib Desert to play the song on a constant loop. The installation is powered by solar batteries, allowing the song to be played indefinitely.[40] Two years later, the song reached 1 billion plays on the streaming site Spotify. In 2022, the song was revealed as the third most streamed song of the 1970s, 1980s and 1990s in the UK (behind Oasis's "Wonderwall" and Queen's "Bohemian Rhapsody").[41] In 2024, "Africa" surpassed one billion plays on YouTube, becoming Toto's first song to reach this milestone.[42]

### Band response

[edit]

Members of the band have since expressed their amazement at the song's cultural footprint. Though he admits that he "sometimes hates" it, having played it "since 1982", Lukather has notably been surprised over the evergreen popularity of "Africa", which he claims has "outlived [Toto's] haters and been very good to [him]". He has also positively noted Toto's upturn in popularity with young people, especially as more attend their concerts. The band nowadays deliver an extended rendition of the song every concert, engaging in a call-and-response section with the audience. Paich notes that the band "has a good sense of humour about [themselves]" regarding the many references to the song in media; Lukather remarks his amusement at a portrayal of himself playing "Africa" on South Park. According to Paich, the band has also received complaints concerning the ridiculousness of the song, but prefers to "laugh it off"; he especially maintains his view that one can see Kilimanjaro from the Serengeti. Contrary to the criticism, he remarks that people from Johannesburg and Cape Town have asked him how he was able to "describe" the place "so beautifully", despite not having visited Africa at the time.[17][18][5]

## Personnel

[edit]

Adapted from Toto IV album liner notes.[43]

Toto

* Bobby Kimball – lead vocals (pre-choruses and choruses), backing vocals
* Steve Lukather – backing vocals, guitars
* David Paich – lead vocals (verses), backing vocals, keyboards
* Steve Porcaro – keyboards
* David Hungate – bass guitar
* Jeff Porcaro – drums, percussion

Additional personnel

* Lenny Castro – congas, percussion
* Timothy B. Schmit – backing vocals
* Joe Porcaro – percussion, marimba
* Jim Horn – recorders

## Charts

[edit]

### Weekly charts

[edit]

| Chart (1982–1983)  | Peak
position

|

Australia (Kent Music Report)[44] | 5
Austria (Ö3 Austria Top 40)[45] | 7
Belgium (Ultratop 50 Flanders)[46] | 8
Canada Adult Contemporary Tracks (RPM)  | 8
Canada Top Singles (RPM)  | 1
Europarade  | 17
Finnish Singles Chart  | 18
French Singles Chart  | 27
Germany (GfK)[47] | 14
Ireland (IRMA)[48] | 2
Italian Singles Chart  | 22
Netherlands (Single Top 100)[49] | 4
New Zealand (Recorded Music NZ)[50] | 5
South African Singles Chart  | 18
Spain (AFYVE)  | 18
Switzerland (Schweizer Hitparade)[51] | 6
UK Singles (OCC)[52] | 3
US Billboard Hot 100[53] | 1
U.S. Cashbox[54] | 3
US Adult Contemporary (Billboard)[55] | 5
Chart (2013)  | Peak
position

|

New Zealand RMNZ Singles Chart[56] | 5
Slovenia (SloTop50)[57] | 16
Chart (2022–2025)  | Peak
position

|

Global 200 (Billboard)[58] | 156
Poland (Polish Airplay Top 100)[59] | 60

### Year-end charts

[edit]

| Chart (1982)  | Rank

|

Belgian VRT Top 30  | 85
Dutch Top 40  | 18
German Media Control Chart  | 88
Chart (1983)  | Rank

|

Australia (Kent Music Report)[60] | 25
Canadian RPM Top Singles  | 16
Italian Singles Chart  | 75
UK Singles Chart  | 38
US Billboard Hot 100[61] | 24
US Cash Box Top 100[62] | 29
Chart (2023)  | Rank

|

Netherlands (Single Top 100)[63] | 93
Chart (2024)  | Rank

|

Netherlands (Single Top 100)[64] | 80

## Certifications

[edit]

Region  | Certification | Certified units/sales

|
|

Australia (ARIA)[65] | 14× Platinum  | 980,000‡
Canada (Music Canada)[66] | Gold  | 50,000^
Denmark (IFPI Danmark)[67] | 2× Platinum  | 180,000‡
Germany (BVMI)[68] | 3× Gold  | 750,000‡
Italy (FIMI)[69] | 2× Platinum  | 140,000‡
New Zealand (RMNZ)[70] | 8× Platinum  | 240,000‡
Spain (PROMUSICAE)[71] | 2× Platinum  | 120,000‡
United Kingdom (BPI)[72] | 5× Platinum  | 3,000,000‡
United States (RIAA)[73] | Diamond  | 10,000,000‡

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

## Weezer cover

[edit]

"Africa"

Single by Weezer
from the album  Weezer (Teal Album)
B-side| "Rosanna"
Released| May 29, 2018
Recorded| 2018
Genre|

* Alternative rock[74]
* power pop[75]
* pop rock[76]
* yacht rock[77]

Length| 3:58
Label| Atlantic
Songwriter(s)|

* David Paich
* Jeff Porcaro

Producer(s)| Patrick Wilson[78]
Weezer singles chronology
| "Happy Hour"
(2017)  | "Africa"
(2018)  | "California Snow"
(2018)

|
|

Music video
"Africa" on YouTube

In December 2017, Twitter user "@WeezerAfrica," run by 14-year-old Cleveland, Ohio resident Mary Klym,[79] tweeted, "@RiversCuomo it's about time you bless the rains down in Africa." The band released a cover of "Rosanna," a different Toto song (also from the album Toto IV), in order to troll Klym and those clamoring for a version of "Africa".[80] Weezer released "Africa" on May 29, 2018. It was the band's first Hot 100 hit since 2009.[81] The song reached number 51 on the Hot 100 and peaked at number one on the Billboard Alternative Songs chart in August 2018, becoming the band's first number-one single since 2008.[82]

A limited edition 7-inch vinyl pressing was released by Weezer in July 2018 and sold exclusively through Urban Outfitters. The pressing was limited to 1,500 copies, with "Africa" as the A-side and "Rosanna" as the B-side.[83][84] Weezer included the cover on their surprise release of the all-covers Teal Album in January 2019.[85]

Shortly after the song's release, Weezer appeared on Jimmy Kimmel Live! along with keyboardist Steve Porcaro of Toto to promote the single.[84] Toto responded on August 9, 2018, by releasing a cover of Weezer's 2001 single "Hash Pipe", after debuting it in concert a week prior.[86][87]

Weezer released a music video of their "Africa" cover in September 2018, styled as a parody of the video for their earlier single "Undone – The Sweater Song." Stand-ins for the band members perform the song on a soundstage, with "Weird Al" Yankovic replacing singer/guitarist Rivers Cuomo, with his band members replacing Weezer. Yankovic had previously appeared onstage during the band's tour to perform "Africa" with them.[88]

Despite its warm reception, Toto guitarist Steve Lukather said in January 2025 that he was not a fan of the cover, claiming that Cuomo did it for the money with no real affection for the song. He added that Cuomo hurt his feelings even more when he refused to talk to him.[89]

### Charts

[edit]

Weekly charts

Chart (2018)  | Peak
position

|

Canada Rock (Billboard)[90] | 33
Mexico Ingles Airplay (Billboard)[91] | 42
US Billboard Hot 100[92] | 51
US Adult Contemporary (Billboard)[93] | 19
US Adult Pop Airplay (Billboard)[94] | 3
US Hot Rock & Alternative Songs (Billboard)[95] | 5
US Pop Airplay (Billboard)[96] | 26
US Rock Airplay (Billboard)[97] | 1

Year-end charts

Chart (2018)  | Position

|

US Adult Contemporary Songs (Billboard)[98] | 47
US Adult Top 40 (Billboard)[99] | 23
US Hot Rock Songs (Billboard)[100] | 10
US Rock Airplay (Billboard)[101] | 6

## See also

[edit]

* List of best-selling singles in Australia
* List of highest-certified digital singles in the United States
* List of RPM number-one singles of 1983
* List of Billboard Hot 100 number-one singles of 1983
* "Africa" (Karl Wolf song)

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[edit]

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68. ^ "Gold-/Platin-Datenbank (Toto; 'Africa')" (in German). Bundesverband Musikindustrie. Retrieved January 20, 2023.
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70. ^ "New Zealand single certifications – Toto – Africa". Recorded Music NZ. Retrieved November 20, 2024.
71. ^ "Spanish single certifications – Toto – Africa". El portal de Música. Productores de Música de España. Retrieved June 10, 2024.
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## Further reading

[edit]

* Jeff Porcaro reminisces about how the song's percussion tracks took shape at Mix

## External links

[edit]

* Billboard Chart Listing – Allmusic.com
* Africa official video on YouTube

* v
* t
* e

Toto

* Steve Lukather
* Joseph Williams
* David Paich
* Greg Phillinganes

* Steve Porcaro
* David Hungate
* Bobby Kimball
* Jeff Porcaro
* Mike Porcaro
* Fergie Frederiksen
* Jean-Michel Byron
* Simon Phillips
* Keith Carlock

Studio albums|

* Toto
* Hydra
* Turn Back
* Toto IV
* Isolation
* Fahrenheit
* The Seventh One
* Kingdom of Desire
* Tambu
* Mindfields
* Through the Looking Glass
* Falling in Between
* Toto XIV
* Old Is New

Live albums|

* Absolutely Live
* Livefields
* Live in Amsterdam
* Falling in Between Live

Compilation albums|

* Past to Present 1977–1990
* Best Ballads
* Toto XX
* The Essential Toto
* 40 Trips Around the Sun

Soundtracks|

* Dune

Notable songs|

* "Hold the Line"
* "I'll Supply the Love"
* "Georgy Porgy"
* "99"
* "Live for Today"
* "Rosanna"
* "Make Believe"
* "Africa"
* "I Won't Hold You Back"
* "Waiting for Your Love"
* "Stranger in Town"
* "I'll Be Over You"
* "Stop Loving You"
* "Pamela"
* "I Will Remember"
* "Bottom of Your Soul"
* "Holy War"

Related people|

* Lenny Castro
* Warren Ham
* Nathan East
* Boz Scaggs
* Tony Spinner
* Leland Sklar
* Shannon Forrest

Related articles|

* Discography
* Members

* v
* t
* e

Weezer

* Rivers Cuomo
* Patrick Wilson
* Brian Bell
* Scott Shriner
* Karl Koch

* Matt Sharp
* Jason Cropper
* Mikey Welsh

Studio albums|

* Blue Album
* Pinkerton
* Green Album
* Maladroit
* Make Believe
* Red Album
* Raditude
* Hurley
* Everything Will Be Alright in the End
* White Album
* Pacific Daydream
* Teal Album
* Black Album
* OK Human
* Van Weezer

Compilation albums|

* Death to False Metal

Extended plays|

* The Good Life
* Christmas CD
* The Lion and the Witch
* Christmas with Weezer
* SZNZ
* Spring
* Summer
* Autumn
* Winter

Videos|

* Weezer – Video Capture Device: Treasures from the Vault 1991–2002

Singles|

* "Undone – The Sweater Song"
* "Buddy Holly"
* "Say It Ain't So"
* "El Scorcho"
* "The Good Life"
* "Hash Pipe"
* "Island in the Sun"
* "Photograph"
* "Dope Nose"
* "Keep Fishin'"
* "Beverly Hills"
* "We Are All on Drugs"
* "Perfect Situation"
* "Pork and Beans"
* "Troublemaker"
* "The Greatest Man That Ever Lived (Variations on a Shaker Hymn)"
* "Dreamin'"
* "(If You're Wondering If I Want You to) I Want You to"
* "I'm Your Daddy"
* "Memories"
* "Hang On"
* "Back to the Shack"
* "Cleopatra"
* "Da Vinci"
* "Thank God for Girls"
* "Do You Wanna Get High?"
* "King of the World"
* "Feels Like Summer"
* "Happy Hour"
* "Africa"
* "California Snow"
* "Can't Knock the Hustle"
* "Zombie Bastards"
* "The End of the Game"
* "Hero"
* "All My Favorite Songs"
* "Tell Me What You Want"
* "Enter Sandman"
* "A Little Bit of Love"
* "Records"

Other songs|

* "My Name Is Jonas"
* "Only in Dreams"
* "Pink Triangle"
* "This Is Such a Pity"
* "Lonely Girl"
* "The British Are Coming"
* "Go Away"
* "Mexican Fender"
* "Rosanna"
* "Take On Me"
* "Lost in the Woods"

Tours|

* Summer Tour 2016
* Hella Mega Tour

Related|

| Articles|

* Discography
* Songs

|

Music|

* The Kitchen Tape
* Songs from the Black Hole
* Alone: The Home Recordings of Rivers Cuomo
* Alone II: The Home Recordings of Rivers Cuomo

Bands|

* The Rentals
* Scott & Rivers
* The Special Goodness
* The Relationship
* Homie
* Space Twins

* Category

* v
* t
* e

"Weird Al" Yankovic

* "Weird Al" Yankovic
* Jon "Bermuda" Schwartz
* Steve Jay
* Jim West
* Rubén Valtierra

* Rick Derringer

Studio albums|

* "Weird Al" Yankovic
* "Weird Al" Yankovic in 3-D
* Dare to Be Stupid
* Polka Party!
* Even Worse
* UHF – Original Motion Picture Soundtrack and Other Stuff
* Off the Deep End
* Alapalooza
* Bad Hair Day
* Running with Scissors
* Poodle Hat
* Straight Outta Lynwood
* Alpocalypse
* Mandatory Fun

Soundtrack albums|

* Weird: The Al Yankovic Story

EPs|

* Another One Rides the Bus
* Internet Leaks

Compilations|

* Greatest Hits
* The Best of Yankovic
* The Food Album
* Permanent Record: Al in the Box
* Greatest Hits Vol. II
* The TV Album
* The Essential "Weird Al" Yankovic
* Squeeze Box: The Complete Works of "Weird Al" Yankovic

Songs|

* "My Bologna"
* "Another One Rides the Bus"
* "Ricky"
* "I Love Rocky Road"
* "Eat It"
* "I Lost on Jeopardy"
* "Like a Surgeon"
* "Yoda"
* "Hooked on Polkas"
* "Dare to Be Stupid"
* "I Want a New Duck"
* "Living with a Hernia"
* "Christmas at Ground Zero"
* "Fat"
* "Money for Nothing/Beverly Hillbillies"
* "Chicken Pot Pie"
* "Smells Like Nirvana"
* "You Don't Love Me Anymore"
* "Jurassic Park"
* "Bedrock Anthem"
* "Achy Breaky Song"
* "Headline News"
* "Amish Paradise"
* "Spy Hard"
* "The Night Santa Went Crazy"
* "The Saga Begins"
* "It's All About the Pentiums"
* "Polka Power!"
* "Pretty Fly for a Rabbi"
* "Albuquerque"
* "Bob"
* "Couch Potato"
* "eBay"
* "You're Pitiful"
* "Don't Download This Song"
* "White & Nerdy"
* "Pancreas"
* "Canadian Idiot"
* "Trapped in the Drive-Thru"
* "Whatever You Like"
* "Craigslist"
* "Perform This Way"
* "Tacky"
* "Word Crimes"
* "Foil"
* "Handy"
* "First World Problems"

Videography|

* Al TV
* The Compleat Al
* UHF
* The "Weird Al" Yankovic Video Library
* Alapalooza: The Videos
* Bad Hair Day: The Videos
* The Weird Al Show
* "Weird Al" Yankovic: The Ultimate Video Collection
* "Weird Al" Yankovic Live!: The Alpocalypse Tour

Tours|

* An Evening of Dementia with Dr. Demento in Person Plus "Weird Al" Yankovic
* Mandatory World Tour
* Ridiculously Self-Indulgent, Ill-Advised Vanity Tour
* Strings Attached Tour
* The Unfortunate Return of the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour

Related articles|

* Discography
* Videography
* Polka medleys
* Peter & the Wolf/Carnival of the Animals – Part II
* Weird: The Al Yankovic Story

* Category

Authority control databases |

* MusicBrainz work

|

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