Ajax (play)

Ancient Greek tragedy by Sophocles

For other uses, see Ajax (disambiguation).

Ajax

The Suicide of Ajax. Etruscan red-figured calyx-krater, c. 400–350 BCE. Currently in British Museum (1867,0508.1328)

Written by| Sophocles
Chorus| Sailors from Salamis
Characters| Athena
Odysseus
Ajax
Tecmessa
Messenger
Teucer
Menelaus
Agamemnon
Mute| Attendants
Servants
Soldiers
Eurysaces
Place premiered| Athens
Original language| Ancient Greek
Genre| Tragedy
Trojan War

Achilles tending the wounded Patroclus
(Attic red-figure kylix, c. 500 BC)

Literary sources

* Iliad
* Epic Cycle
* Aeneid, Book 2
* Iphigenia in Aulis
* Philoctetes
* Ajax
* The Trojan Women
* Posthomerica

See also: Trojan War in literature and the arts

Episodes

* Judgement of Paris
* Seduction of Helen
* Trojan Horse
* Sack of Troy
* The Returns
* Wanderings of Odysseus
* Aeneas and the Founding of Rome

Greeks and allies

* Agamemnon
* Achilles
* Helen
* Menelaus
* Nestor
* Odysseus
* Ajax
* Diomedes
* Patroclus
* Thersites
* Achaeans
* Myrmidons

* * *

See also: Achaean Leaders, Catalogue of Ships

Trojans and allies

* Priam
* Hecuba
* Hector
* Paris
* Cassandra
* Andromache
* Aeneas
* Memnon
* Troilus
* Penthesilea and the Amazons
* Sarpedon

* * *

See also: Trojan Battle Order, Trojan Leaders

Participant gods

Caused the war:

* Eris

* * *

On the Greek side:

* Athena
* Hephaestus
* Hera
* Hermes
* Thetis
* Poseidon

* * *

On the Trojan side:

* Aphrodite
* Apollo
* Ares
* Artemis
* Leto
* Scamander
* Zeus

Historicity

* Ahhiyawa
* Alaksandu
* Archaeology of Troy
* Attarsiya
* Hisarlık
* Homeric Question
* Late Bronze Age Troy
* Manapa-Tarhunta letter
* Milawata letter
* Tawagalawa letter
* Trojan language
* Wilusa

* * *

See also: Historicity of the Iliad

Related topics

* Bronze Age Collapse
* Euhemerism
* Homeric Question
* Mycenae
* Mycenaean warfare

* v
* t
* e

Sophocles' Ajax, or Aias (/ˈeɪdʒæks/ or /ˈaɪ.əs/; Ancient Greek: Αἴας [a͜í.aːs], gen. Αἴαντος), is a Greek tragedy written in the 5th century BCE. Ajax may be the earliest of Sophocles' seven tragedies to have survived, though it is probable that he had been composing plays for a quarter of a century already when it was first staged. It appears to belong to the same period as his Antigone, which was probably performed in 442 or 441 BCE, when he was 55 years old.[1] The play depicts the fate of the warrior Ajax the Great, the second greatest hero at Troy (after Achilles), after the events of the Iliad but before the end of the Trojan War.

## Plot

[edit]

The play opens with a dialogue between Athena and Odysseus: After the great warrior Achilles had been killed in battle, there was a question as to who should receive his armor. As the man who now could be considered the greatest Greek warrior, Ajax felt he should be given Achilles' armor, but the two kings, Agamemnon and Menelaus, awarded it instead to Odysseus. Ajax became furious and decided to kill the three of them. However, Athena stepped in and deluded Ajax into instead killing the spoil of the Greek army, which includes cattle as well as the herdsman. Athena gave false visions to Ajax, making him see the animals as humans.

Athena summons Ajax, who comes on stage and expresses his belief that he has slaughtered Agamemnon and Menelaus. He departs in order to hunt Odysseus. His concubine, Tecmessa, and the chorus discuss and describe Ajax's madness and terrible actions. They are interrupted by Ajax crying out from off-stage, as Ajax suddenly comes to his senses and realizes what he has done. Overwhelmed by shame, he decides to commit suicide. Tecmessa pleads for him not to leave her and their child, Eurysaces, unprotected. Ajax then gives his son his shield, and leaves the house saying that he is going out to purify himself and to bury the sword given to him by Hector. Teucer, Ajax's half-brother, arrives. Teucer has learned from the prophet, Calchas, that Ajax should not be allowed to leave his tent until the end of the day or he will die. Tecmessa and soldiers then try to find Ajax, but they are too late. Ajax has indeed buried his sword – by impaling himself upon it. Before his suicide, Ajax calls for vengeance against the sons of Atreus (Menelaus and Agamemnon) and the whole Greek army. Tecmessa is the first one to discover Ajax's body. Teucer then arrives and orders that Ajax's son be brought to him so that he will be safe from foes. Menelaus appears and orders the body not to be moved.

The last part of the play is taken up with an angry dispute regarding what to do with Ajax's body. The two kings, Agamemnon and Menelaus, want to leave the body unburied for scavengers to ravage, while Teucer wants to bury it. Odysseus arrives and persuades Agamemnon and Menelaus to allow Ajax a proper funeral. Odysseus points out that even one's enemies deserve respect in death. The play ends with Teucer making arrangements for the burial.

## Ajax or Aias

[edit]

The original title of the play in the ancient Greek is Αἴας. Ajax is the romanized version, and Aias is the English transliteration from the original Greek.[2] Proper nouns in Ancient Greek have conventionally been romanized before entering the English language, but it has been common for translations since the end of the 20th century to use direct English transliterations of the original Greek.[3]

The text of the play suggests the original pronunciation of Ajax's name. In lines 430–432, Ajax (or Aias) himself says that it has an onomatopoeic resemblance to a wailing cry of lament: "aiai!"[4] Translators have treated this passage in different ways:

> Aiai! My name is a lament!
>  Who would have thought it would fit
>  so well with my misfortunes!
>  Now truly I can cry out – aiai! –
>  two and three times in my agony.[5]

> Aiee, Ajax! My name says what I feel;
>  who'd have believed that pain and I'd be one;
>  Aiee, Ajax! I say it twice,
>  and then again, aiee, for what is happening.[6]

## Critical reception and analysis

[edit]

Ajax preparing for suicide in a depiction by the black-figure vase painter Exekias, ca. 540 BCE.

Ajax, as he appears in this play, in the Iliad, and other myths, is a heroic figure, a "rugged giant", with strength, courage and the ability to think quickly well beyond the normal standards of mankind. He was considered a legendary character to the people of ancient Athens. Numerous Homeric myths describe him coming to the rescue of his fellow man in dire moments.[7]

Hugh Lloyd-Jones points out that many authorities consider Ajax an early play, but he suggests that if the text excludes material that he has bracketed, then it would seem to be a "mature masterpiece, probably not much earlier than Oedipus Tyrannus".[8][9] Lloyd-Jones considers various lines that have been taken by critics interpreting the play, and finds that some consider that the Greek gods are being portrayed by Sophocles as just, and that when Ajax suffers it is a learning experience for the character and the audience. Other interpretations of the play, according to Lloyd-Jones, instead consider that Ajax is being portrayed heroically in defiance of the unjust and capricious gods. Lloyd-Jones notes that Ajax's murderous intention in this play is not softened by the playwright, and the difficult aspects of his character are fully depicted, but in spite of that Sophocles shows profound sympathy for the greatness of Ajax, and appreciation for the bravery in Ajax's realization that suicide is the only choice – if he is to maintain his conception of honor and his sense of self.[10]

In another interpretation, Robert Bagg and James Scully point out that the play is composed in two distinct parts; the first part is steeped in the old world, a world of kings and heroes, and the second part resembles more the democratic world of Sophocles' Greece, and is marked by an imperfect debate of contending ideas. Bagg and Scully consider that the play, with its two parts, may be seen as an important epoch-spanning work that raises complex questions, including: How does 5th-century Greece advance from the old world into the new? Especially considering that Greece, in its stories and thoughts, clings to and reveres the old world? And while clinging to the past, Greece considers that its new, democratic order is important and vital. As Bagg and Scully contend, Ajax, with his brute force, has been a great warrior-hero of the old world, but the Trojan war itself has changed and become a quagmire; what's needed now is a warrior who is intelligent – someone like Odysseus. Ultimately, according to Bagg and Scully's interpretation, Ajax must still be respected, and the end of the play demonstrates respect and human decency with the promise of a proper burial.[11]

John Moore interprets the play as primarily a character study of Ajax, who, when he first appears, covered in the blood of the animals that he in his madness has killed, presents an image of total degradation; the true action of the play, according to Moore, is how this image is transformed from degradation, as Ajax recovers his heroic power and humanity. The play, according to Moore, personifies in Ajax an affirmation of what is heroic in life.[12] Translators Frederic Raphael and Kenneth McLeish called the work a "masterpiece", arguing that "Sophocles turned the almost comic myth of a bad loser into a tragedy of disappointment, folly, and divine partiality."[13]

Bernard Knox considers Ajax's speech on "time" to be "so majestic, remote and mysterious, and at the same time so passionate, dramatic and complex" that if this were the only writing we had of Sophocles, he would still be considered "one of the world's greatest poets."[14] The speech begins:

> Long rolling waves of time
>  bring all things to light
>  and plunge them down again
>  in utter darkness.[15]

In a study of the phenomenon of suicide bombers, one author, Arata Takeda, says that though in the end it does not quite work out that way, Ajax's death resembles that kind of strategy, when Ajax calls on the Erinyes, the "avenging deities of the underworld", to destroy his foes.[16]

## Performance history

[edit]

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)

This section focuses too much on specific examples. Please help improve it by adding sources that evaluate within broader context. Relevant discussion may be found on the talk page. (May 2017) (Learn how and when to remove this message)

|

The examples and perspective in this section may not represent a worldwide view of the subject. You may improve this section, discuss the issue on the talk page, or create a new section, as appropriate. (January 2024) (Learn how and when to remove this message)

|

(Learn how and when to remove this message)

The American director Peter Sellars staged an adaption of the play, also called Ajax, written by Robert Auletta at the Kennedy Center in Washington, D.C. and at the La Jolla Playhouse in San Diego in 1986.[17] The setting was relocated to the United States in the near future, having recently won a war in Latin America, which had, however, gone very badly.[17] Howie Seago played Ajax, Ralph Marrero played Menelaus, Aleta Mitchell played Athene, and Ben Halley Jr. was the leader of the chorus.[17] The set design was by George Tsypin and the costumes by Dunya Ramicova.[17][18]

Ajax was produced at the American Repertory Theater in Cambridge in 2011, in modern dress, with a setting that appeared to be a war zone somewhere in the Middle East. It was translated by Charles Connaghan, and directed by Sarah Benson.[19]

In May 2016, Jeff S. Dailey directed the play for a limited Off Broadway run at the John Cullum Theatre in midtown Manhattan.[20][non-primary source needed] It set the play Sophocles' original location of Troy and featured Matthew Hansen in the title role.

### Adaptations

[edit]

Timberlake Wertenbaker's play Our Ajax, which was first performed in November 2013 at the Southwark Playhouse, London, was inspired by Sophocles' tragedy. It has a contemporary military setting, with references to modern warfare including the conflicts in Iraq and Afghanistan. Wertenbaker made use of interviews with current and former servicemen and women in developing the play.

## English translations

[edit]

The Belvedere Torso, a marble sculpture carved in the 1st century BCE depicting Ajax.

* Thomas Francklin, 1759.[21]
* Theodore Alois Buckley, 1849.[22]
* Edward Hayes Plumptre, 1878.[23] (full text available at Wikisource)
* Lewis Campbell, 1883 (full text, with audio, available at Wikisource)
* Francis Storr, 1913.[24]
* Richard Claverhouse Jebb, [1896] 1917.[25] (full text available at Wikisource)
* R. C. Trevelyan, 1919.[26] (full text available at Wikisource)
* E. F. Watling, 1953.[27]
* John Moore, 1957.[28]
* Robert Auletta, 1986.[29]
* Robert Cannon, 1990.
* Hugh Lloyd-Jones, 1994.[30]
* Frederick Raphael and Kenneth McLeish, 1998.[31]
* Michael Evans, 1999.[32]
* Herbert Golder and Richard Pevear, 1999.[33]
* David Raeburn, 2008.[34]
* John Tipton, 2008.[35]
* George Theodoridis, 2009 – prose: full text.
* Ian C. Johnston, 2009 – verse: full text.
* James Scully, 2011.[36]
* Charles Connaghan, 2011.[37][38]
* Oliver Taplin, 2015.[39]
* Lewis Campbell, 2015. (reprint of the 1883 edition)[40]
* Maura Giles Watson, 2017 (performance translation) full text downloadable

## Notes

[edit]

1. ^ Finglass (2011a, 1–10), Harsh (1944, 91), and Moore (1969); Golder tentatively dates the play to 445–440 BCE (2010, 19); Woodruff states that "Women of Trachis and Ajax are generally considered fairly early" (2007, xiv); Watling argued that the "general shape and style place Ajax among the earlier works, and its position, in the oldest collections, at the head of the list, indicates a strong tradition of its having been the earliest of the extant plays" (1953, 7); Jebb argued that Ajax is later than Antigone (1896a, li–liv).
2. ^ The translations by Michael Evans (1999) and James Scully (2011) use Aias, as do the translations by Golder and Pevear, by Lewis Campbell, and by Oliver Taplin.
3. ^ Golder & Pevear, (1999, vi)
4. ^ Esposito (2010, 190–192) and Jenkins (2015, 90).
5. ^ Herbert Golder's translation in Burian and Shapiro (2010).
6. ^ Frederick Raphael and Kenneth McLeish's translation in Slavitt and Bovie (1998).
7. ^ Bagg and Scully (2011) p. 3.
8. ^ Sophocles (1997). Sophocles I. Lloyd-Jones, H. (ed. and trans.). Cambridge, MA; London: Loeb Classical Library, Harvard University Press. p. 9\. ISBN 978-0674995574.
9. ^ Vickers, Michael (2014). Sophocles and Alcibiades: Athenian Politics in Ancient Greek Literature. Routledge. p. 4\. ISBN 978-1317492924.
10. ^ Lloyd-Jones (1994). p. 1
11. ^ Scully (2011) p. 8
12. ^ Moore (1957) p. 3.
13. ^ Raphael, Frederic; McLeish, Kenneth (1998). "Translators' Preface". Sophocles, 1: Ajax, Women of Trachis, Electra, Philoctetes. By Sophocles. University of Pennsylvania Press. p. 4\. ISBN 0812216539.
14. ^ Knox (1979, 125).
15. ^ James Scully's translation, in Bagg and Scully (2011, 52).
16. ^ Takeda, Arata (2010). "Suicide bombers in Western literature: Demythologizing a mythic discourse" (PDF). Contemporary Justice Review. 13 (4): 463–464\. CiteSeerX 10.1.1.981.5792. doi:10.1080/10282580.2010.517985. S2CID 54018791.
17. ^ a b c d Sullivan (1986).
18. ^ "Robert Auletta | A.R.T."
19. ^ Lambert (2011)
20. ^ Prideaux, Terry. "AJAX". AJAX. Retrieved Sep 28, 2020.
21. ^ Francklin (1759, v.1, i–ii & 1–90).
22. ^ Buckley (1849, 239–285).
23. ^ Plumptre (1878, 287–339).
24. ^ Page, T. E. and Rouse, W. H. D. (1913, v.2, 1-119)
25. ^ Jebb's 1917 prose translation was previously published in 1896 adjunct to a Greek text of Sophocles' plays with commentary. The English translations of the plays were first published as a separate English-only volume in 1917.
26. ^ Trevelyan (1919).
27. ^ Watling (1953, 16–67).
28. ^ Reprinted in Griffiths and Most (2013).
29. ^ This text was used in Peter Sellars's 1986 production; see Sullivan (1986).
30. ^ Lloyd-Jones (1994, 27–164).
31. ^ Slavitt and Bovie (1998, 1–70).
32. ^ Evans (1999, 2–42).
33. ^ Burian and Shapiro (2010, 26–80).
34. ^ Raeburn (2008).
35. ^ Tipton (2008).
36. ^ Bagg and Scully (2011, 13–98).
37. ^ Brill's Companion to the Reception of Sophocles. Brill. 2017-04-03. ISBN 9789004300941.
38. ^ "After Plateau, This Could Be Boston's Golden Age Of Theater". wbur. Archived from the original on 2018-02-12. Retrieved 2018-02-11.
39. ^ Taplin. (2015, 75)
40. ^ Campbell (2015)

## References

[edit]

* Bagg, Robert and James Scully, eds. 2011. The Complete Plays of Sophocles: A New Translation. By Sophocles. New York: Harper. ISBN 978-0062020345.
* Buckley, Theodore Alois. 1849. The Tragedies of Sophocles, in English prose. London: Henry G. Bohn.
* Burian Peter, and Alan Shapiro, eds. 2010. The Complete Sophocles: Volume II: Electra and Other Plays. Vol 2. Electra and Other Plays. By Sophocles. Greek Tragedy in New Translations ser. Oxford: Oxford University Press. ISBN 978-0195373301.
* Campbell, Lewis. translator. 2015 Aias by Sophocles. Simon and Schuster.
* Easterling, Pat. 2008. Introduction. In Raeburn (2008, xii–xxxiv).
* Esposito, Stephen. 2010. "An Essay on Sophocle's Ajax." In Odysseus at Troy: Ajax, Hecuba and Trojan Women. Ed. Stephen Esposito. New York: Hackett. ISBN 978-1585103966. 189–210.
* Evans, Michael, ed. 1999. Four Dramas of Maturity: Aias, Antigone, Young Women of Trachis, Oidipous the King. By Sophocles. The Everyman Library ser. London: Dent. ISBN 978-0460877435.
* Finglass, P. J. 2011a. Introduction. In Finglass (2011b, 1–70).
* \
, trans. and ed. 2011b. Ajax. By Sophocles. Cambridge Classical Texts and Commentaries ser. Vol. 48. Cambridge: Cambridge University Press. ISBN 978-1107003071.
* Francklin, Thomas. [1758] 1759. The Tragedies of Sophocles, from the Greek. Vol. 1. London.
* Golder, Herbert & Pevear, Richard, translators. 1999. Sophocles. Aias (Ajax) Oxford Univ. Press. ISBN 978-0195128192.
* Golder, Herbert. 2010. Introduction. In Burian and Shapiro (2010, 1–22).
* Grant, Michael. 1980. "Sophocles." Greek and Latin Authors 800 BC–AD 1000. New York: HW Wilson. ISBN 978-0824206406. 397–402.
* Griffiths, Mark and Glen W. Most, eds. 2013. Sophocles II: Ajax, The Women of Trachis, Electra, Philoctetes, The Trackers. By Sophocles. The Complete Greek Tragedies ser. 3rd rev. ed. Original edition ed. David Grene and Richmond Lattimore, 1969. Chicago: University of Chicago Press. ISBN 978-0226311555.
* Harsh, Philip Whaley. 1944. A Handbook of Classical Drama. Stanford, CA: Stanford University Press. ISBN 978-0804703802.
* Jebb, Richard Claverhouse. 1896a. Introduction. In Jebb (1896b, ix–liv).
* \
, trans. and ed. 1896b. Sophocles: The Plays and Fragments. Part VII. The Ajax. By Sophocles. Cambridge: Cambridge University Press. 1907 reprint available at the Internet Archive.
* Jenkins, Thomas E. 2015. Antiquity Now: The Classical World in the Contemporary American Imagination. Cambridge: Cambridge University Press. ISBN 978-0521196260.
* Knox, Bernard. 1979. "The Ajax of Sophocles." Word and Action: Essays on the Ancient Greek Theater. Baltimore: Johns Hopkins University Press. ISBN 978-0801834097. 125–160.
* Lambert, Bryce. "The Trojan Hurt Locker: The A.R.T.'s Ajax". Boston Lowbrow. February 24, 2011 [1]
* Lloyd-Jones, Hugh. 1994a. Introduction. In Lloyd-Jones (1994b, 1–24).
* \
, ed. & trans. 1994b. Sophocles: Ajax, Electra, Oedipus Tyrannus. By Sophocles. Loeb Classical Library ser. vol. 20. Harvard University Press. ISBN 978-0674995574.
* Meineck, Peter and Paul Woodruff, trans. and ed. 2007. Four Tragedies: Ajax, Women of Trachis, Electra, Philoctetes. By Sophocles. Hackett Classics ser. Indianapolis, IN: Hackett. ISBN 978-0872207639.
* Moore, John. 1969. "Introduction to Ajax". In Griffiths and Most (2013).
* Page, T. E. and Rouse, W. H. D., eds. 1913. Sophocles: with an English translation by F. Storr, B.A.. Vol 2. Ajax Electra Trachiniae Philoctetes. By Sophocles. The Loeb Classical Library. London: William Heinemann; New York: The Macmillan Co. 1-119
* Plumptre, Edward H. 1878. The Tragedies of Sophocles, a new translation. London: Daldy, Isbister & Co.
* Raeburn, David, trans. and ed. 2008. Electra and Other Plays. By Sophocles. Penguin Classics ser. London: Penguin. ISBN 978-0140449785.
* Scully, James. 2011. Introduction. In Bagg and Scully (2011, 3–12).
* Slavitt, David R. and Palmer Bovie, eds. 1998. Sophocles, 1: Ajax, Women of Trachis, Electra, Philoctetes. By Sophocles. Penn Greek Drama ser. Philadelphia: University of Pennsylvania Press. ISBN 978-0812216530.
* Sullivan, Dan. 1986. "Stage Review: Sellars' Ajax – More Than Games." Los Angeles Times Sept 2, 1986. Stage Review: Sellars' 'Ajax' – More Than Games
* Taplin, Oliver. translator. 2015. Sophocles: Four Tragedies: Oedipus the King, Aias, Philoctetes, Oedipus at Colonus by Sophocles. Oxford University Press. ISBN 978-0199286232
* Tipton, John, trans. 2008. Ajax. By Sophocles. Chicago: Flood Editions. ISBN 978-0978746759.
* Trevelyan, R.C., trans. 1919. The Ajax of Sophocles. By Sophocles. London: George Allen & Unwin.
* Watling, E. F., trans. 1953. Electra and Other Plays. By Sophocles. Penguin Classics ser. London: Penguin. ISBN 0140440283.
* Woodruff, Paul. 2007. Introduction. In Meineck and Woodruff (vii–xlii).

## Further reading

[edit]

* Bradshaw, David (1991). "The Ajax Myth and the Polis: Old Values and New". In Pozzi, Dora; Wickersham, John (eds.). Myth and the Polis. Ithaca: Cornell University Press. ISBN 978-0801424731.
* Healy, Patrick (11 November 2009). "The Anguish of War for Today's Soldiers, Explored by Sophocles". The New York Times.

## External links

[edit]

Library resources about
Sophocles's Ajax

* * *

* Online books
* Resources in your library
* Resources in other libraries

* The full text of Ajax at Wikisource (multiple English translations)
* Greek Wikisource has original text related to this article: Αἴας
* Ajax at Standard Ebooks
* The Ajax, by Sophocles, Greek text edited by Richard Claverhouse Jebb (1869) at the Internet Archive
* The Loeb Classical Library Sophocles II at the Internet Archive
* Ajax public domain audiobook at LibriVox, Campbell translation.

* v
* t
* e

Plays by Sophocles

Extant plays|

* Ajax
* Antigone
* Women of Trachis
* Oedipus Rex
* Electra
* Philoctetes
* Oedipus at Colonus

Fragmentary plays|

* Amphiaraus
* Amycos Satyrykos
* Epigoni
* Ichneutae
* Odysseus Acanthoplex
* Tereus
* Triptolemos

Authority control databases

International|

* VIAF
* 2
* 3
* 4
* 5

National|

* Germany
* United States
* France
* BnF data
* Australia
* Croatia
* Poland
* Vatican
* Israel
* Catalonia

Other|

* IdRef

*[c.]: circa
*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template