Allegory of Industry

Painting by Francisco de Goya

This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources.
Find sources: "Allegory of Industry" – news · newspapers · books · scholar · JSTOR (May 2024)

|

Allegory of Industry

Spanish: Alegoría de la Industria
Artist| Francisco de Goya
Year| c. 1805
Medium| Tempera on canvas
Dimensions| 227 cm diameter (89 in)
Location| Museo del Prado, Madrid

Allegory of Industry is a tondo painted by Francisco de Goya (c. 1805) which was one of the four paintings from a series of allegories about scientific and economic progress (including the Allegory of Agriculture, Allegory of Commerce, and Allegory of Science, the latter of which has been lost), which decorated a waiting room of the residence of Manuel Godoy, Prime Minister of Spain during the reign of Charles IV. Since 1932, the picture has been in the Museo del Prado. The image shows two young women as they thread their respective spinning wheels in a semi-darkened room, illuminated by a large window which opens from the left (from the point of view of the observer). At the back, in the dark, one can discern uncertain faces of old women (who have been linked to the Fates). The uncertainty of these women doesn’t reveal whether or not they are factor workers or representations of the tapestry or canvas.

## Analysis

[edit]

This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (May 2024) (Learn how and when to remove this message)

|

The themes of the allegory show Goya’s desire to appear as an enlightened and reformist leader and the ultimate guarantor of economic and scientific progress of Spain, in relation to the activities of the Sociedad Económica de los Amigos del País, which thrived at the time. However, this painting is an indicator of the stale concept that the Spain of that time could develop its industry, but the image itself is far from representing the Industrial Revolution which was occurring in the more developed regions of Europe. The image departs from the model of the Ancien Régime (see Las Hilanderas by Velázquez), but it is far from representative of the industrial era, as there is no increase in the number of spinners to reflect the mass production of industry and the work itself is being done on simple machines, instead of the more advanced devices used in the more developed countries. Furthermore, the clothes the women are wearing are not typical of the industrial working class. The low necklines, white blouses and melancholy and distracted attitudes more accurately belong to upper class women than those who would work in a factory. The robustness of their bodies also isn’t the best way to imagine the regular conditions of nutrition of the industrial working class. It is a traditional and very flat representation in its symbolism and in its own way it shows the conceptual gap between what the wealthy thought of the industrial revolution should be and what it was actually like.

## See also

[edit]

* List of works by Francisco Goya

## References

[edit]

* BOZAL, Valeriano, Francisco Goya, vida y obra, Madrid, Tf, 2005, 2 vols. (Aficiones, 5-6), vol. 2, p. 12-14. ISBN 978-84-96209-39-8.

## External links

[edit]

* Media related to Allegory of Industry (Goya) at Wikimedia Commons

* v
* t
* e

Francisco Goya

List of works

Paintings|

* Consecration of Aloysius Gonzaga as Patron Saint of Youth (c. 1763)
* The Holy Family with Saints Joachim and Anne (c. 1769)
* The Victorious Hannibal Seeing Italy from the Alps for the First Time (1770–1771)
* The Rape of Europa (1772)
* Christ Crucified (1780)
* The Greasy Pole (1786–87)
* The Drunk Mason (1786–1787)
* Paintings for the alameda of the Dukes of Osuna (1786–1787)
* Saint Bernard of Clairvaux Curing a Cripple (1787)
* Yard with Lunatics (1793–1794)
* Prison Interior (1793–1794)
* Assault of Thieves (1793–1794)
* The Duchess of Alba and la Beata (1795)
* Witches' Flight (1797–1798)
* The Bewitched Man (1797–1798)
* Witches' Sabbath (1798)
* La maja desnuda (c. 1797–1800)
* La maja vestida (1800–1805)
* Allegory of Industry (c. 1805)
* Majas on a Balcony (c. 1808–1812)
* The Water Bearer (1808–1812)
* The Knifegrinder (1808–1812)
* Still Life of a Lamb's Head and Flanks (1808–1812)
* The Colossus (after 1808)
* Allegory of the City of Madrid (1810)
* Truth, Time and History (1812–1814)
* The Madhouse (1812–1819)
* The Inquisition Tribunal (1812–1819)
* The Second of May 1808 (1814)
* The Third of May 1808 (1814)
* The Junta of the Philippines (1815)
* A Village Bullfight (1815–1819)
* The Burial of the Sardine (c. 1816)
* A Procession of Flagellants (c. 1816)
* The Forge (c. 1817)
* Bullfight (1824)

| Murals|

* Adoration of the Name of God (1772)
* Life of the Virgin (1774)

|

Portraits|

* The Family of the Infante Don Luis (1783–84)
* The Duke and Duchess of Osuna and their Children (1787–88)
* Manuel Osorio Manrique de Zúñiga (The Red Boy) (c. 1788)
* Self-Portrait at an Easel (c. 1790–1795)
* La Tirana (1792)
* La Tirana (1794)
* The Marquise de la Solana (1795)
* The White Duchess (1795)
* Charles IV (c. 1795)
* The Black Duchess (1797)
* Bernardo de Iriarte (1797)
* Ferdinand Guillemardet (1798–1799)
* Charles IV in his Hunting Clothes (1799)
* Maria Luisa of Parma (1799–1800)
* The Countess of Chinchon (1800)
* Charles IV of Spain and His Family (1800–18)
* Manuel Godoy (1801)
* Doña Isabel de Porcel (1804–1805)
* The Marchioness of Santa Cruz (1805)
* Doña Antonia Zárate (1805)
* Doña Antonia Zárate (1810–1811)
* The Duke of Wellington (1812)
* Josefa Bayeu (1814–1816)
* Ferdinand VII (1815)
* Self-Portrait at 69 years (1815)
* Juan Antonio Cuervo (1819)
* Self-Portrait with Dr Arrieta (1820)
* Don Ramón Satué (1823)
* The Milkmaid of Bordeaux (1825–1827)

Tapestry
cartoons
(list)|

* The Boar Hunt (1775)
* The Parasol (c. 1777)
* Boys Playing Soldiers (1778–79)
* Children in a Chariot (1779)
* The Swing (1779)
* La novillada (1780)
* The Grape Harvest (1786)
* The Threshing Floor (1786)
* Summer (1786–87)
* The Drunk Mason (1786–1787)
* Blind Man's Bluff (1789)
* The Wedding (1791–92)

Black Paintings
(c. 1819–1823)|

* Saturn Devouring His Son
* Judith and Holofernes
* Witches' Sabbath (The Great He-Goat)
* A Pilgrimage to San Isidro
* La Leocadia
* Two Old Men
* Men Reading
* Man Mocked by Two Women
* Fight with Cudgels
* Pilgrimage to the Fountain of San Isidro
* Atropos
* Asmodea
* Two Old Ones Eating Soup
* The Dog

Print series|

| Los Caprichos (1797–98)|

* And So Was His Grandfather
* The Sleep of Reason Produces Monsters

|

The Prisoners (1810–1815)|

The Disasters of War (1810–1820)|

* This is worse (c. 1812–13)

La Tauromaquia (1815–16)|

* Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón (1815-1816)

Los Disparates (1815–1823)|

* A way of flying (c. 1815–16)

The Bulls of Bordeaux (1824–25)|

Museums|

* Casa natal de Goya (Fuendetodos)
* Museo del Grabado de Goya (Fuendetodos)
* Museo Goya (Zaragoza)
* Goya Museum (Castres)

Depictions|

* The Naked Maja (1958 film)
* Goya, a Story of Solitude (1971 film)
* Goya or the Hard Way to Enlightenment (1971 film)
* Goya: A Life in Song (1989 album)
* Goya in Bordeaux (1999 film)
* Volavérunt (1999 film)
* Goya's Ghosts (2006 film)
* The Ministry of Time – Episode 25: Time of the Enlightened (2017)

Related|

* Josefa Bayeu (wife)
* Quinta del Sordo
* Leocadia Zorrilla
* Rosario Weiss Zorrilla
* Goya Awards
* Goyescas (1915 opera)
* Goyescas (1942 film)

* v
* t
* e

Museo del Prado

Buildings

* Villanueva building
* Casón del Buen Retiro
* Hall of Realms
* Cloister of Saint Jerome

Paintings

| Spanish|

* Esquivel: José de Espronceda
* Gisbert: Execution of Torrijos and his Companions on the Beach at Málaga
* Goya: Allegory of Industry – Asmodea – Atropos – Blind Man's Bluff – Boys Playing Soldiers – Charles IV of Spain and His Family – Los caprichos – Christ Crucified – The Clothed Maja – The Colossus – The Countess of Chinchon – Los disparates – The Dog – The Drunk Mason – The Duchess of Alba and la Beata – Fight with Cudgels – Josefa Bayeu – Judith and Holofernes – La Leocadia – Man Mocked by Two Women – La novillada – Portrait of the Marchioness of Santa Cruz – Men Reading – The Milkmaid of Bordeaux – The Naked Maja – The Parasol – A Pilgrimage to San Isidro – Pilgrimage to the Fountain of San Isidro – Saturn Devouring His Son – The Second of May 1808 – Self-Portrait at 69 years – Summer – The Third of May 1808 – Two Old Men – Two Old Ones Eating Soup – The Victorious Hannibal Seeing Italy from the Alps for the First Time – Witches' Flight – Witches' Sabbath (The Great He-Goat)
* El Greco: The Nobleman with his Hand on his Chest – Adoration of the Shepherds – Doña María de Aragón Altarpiece – Annunciation – Christ Carrying the Cross – The Fable – The Flight into Egypt – Holy Face of Jesus – Holy Trinity – Julián Romero and Saint Julian – Portrait of a Doctor – Portrait of a Gentleman – Portrait of a Young Nobleman – Portrait of an Elderly Man – Portrait of an Unknown Gentleman – Portrait of Jerónimo de Cevallos – Portrait of Rodrigo Vázquez de Arce – Saint Andrew and Saint Francis – Saint Anthony of Padua – Saint Bernardino of Siena [1] – Saint James the Great – Saint John the Evangelist – Saint Paul – Saint Sebastian – Saint Thomas the Apostle – Holy Trinity – The Saviour – Virgin Mary
* Luna: The Death of Cleopatra
* Maíno: Adoration of the Magi – Portrait of a Gentleman – The Recovery of Bahía de Todos los Santos
* Murillo: Adoration of the Shepherds (1650) – Aranjuez Immaculate Conception – The Christ Child and the Infant John the Baptist with a Shell – Christ on the Cross (1675, 1677) – The Conversion of Saint Paul – The Good Shepherd – The Holy Family with a Little Bird – The Immaculate Conception of El Escorial – The Immaculate Conception of Los Venerables – The Martyrdom of Saint Andrew – Our Lady of the Rosary – The Patrician's Dream – Rebecca and Eleazar
* Pradilla: Doña Joanna the Mad
* Ribera: Jacob's Dream – Democritus – Isaac and Jacob – Ixion – Tityos – The Martyrdom of Saint Philip – The Blind Sculptor
* Sánchez Gallque: The Mulattos of Esmeraldas [2]
* Velázquez: Las Meninas – The Triumph of Bacchus – Las Hilanderas – The Surrender of Breda – Mars Resting – Equestrian Portrait of Philip IV – Equestrian Portrait of Elisabeth of France – Equestrian Portrait of Prince Balthasar Charles – Equestrian Portrait of Philip III – Equestrian Portrait of Margarita of Austria – Equestrian Portrait of the Count-Duke of Olivares – Adoration of the Magi – Apollo in the Forge of Vulcan – Christ Crucified – Coronation of the Virgin – View of the Garden of the Villa Medici – Prince Balthasar Charles as a Hunter – Portrait of the Infante Don Carlos – Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis – The Jester Barbarroja – The Jester Calabacillas – The Jester Don Diego de Acedo – The Jester Don John of Austria – Portrait of Francisco Lezcano – Infanta Margarita Teresa in a Pink Dress – Portrait of Maria Anna – Portrait of Juan Martínez Montañés – The Nun Jerónima de la Fuente – Portrait of Pablo de Valladolid – Portrait of Philip IV in Armour – Portrait of Mariana of Austria – Portrait of Sebastián de Morra
* Zurbarán: Agnus Dei – The Death of Hercules – The Defence of Cádiz Against the English – Hercules and the Hydra – Hercules Separates Mounts Calpe and Abylla – Hercules Fighting the Nemean Lion – Saint Elizabeth of Portugal – Saint Luke Painting the Crucifixion – Saint Peter Nolasco's Vision of Saint Peter the Apostle – Still Life with Pots – The Vision of Saint Peter Nolasco

|

Dutch,
Flemish,
German|

* Anonymous: The Fountain of Life
* Baldung: The Ages and Death
* Bosch: The Garden of Earthly Delights – Adoration of the Magi – Cutting the Stone – The Haywain Triptych – Head of a Halberdier – The Seven Deadly Sins and the Four Last Things – The Temptation of St Anthony
* Bouts: Triptych with Scenes from the Life of the Virgin
* Bruegel the Elder: The Triumph of Death – The Wine of Saint Martin's Day – Excursion in the Countryside of Infanta Isabel Clara Eugenia – Life in the Countryside – The Infanta Isabel Clara Eugenia in the Mariemont Park (with de Momper) – Landscape (with de Momper) – The Five Senses (with Rubens)
* Campin: Marriage of the Virgin – Werl Triptych
* de Crayer: Caritas Romana (1625)
* David: Rest on the Flight into Egypt
* Dürer: Adam and Eve – Self-Portrait
* van Dyck: Self-portrait with Sir Endymion Porter – The Betrayal of Christ – The Brazen Serpent – Diana and a Nymph Surprised by a Satyr – Saint Rosalia – The Crowning with Thorns
* van Hemessen: The Surgeon
* Francken the Younger: The Sciences and the Arts
* Jordaens: Apollo as Victor over Pan – Meleager and Atalanta – The Painter's Family
* Memling: Adoration of the Magi
* Mengs: Portrait of José Nicolás de Azara
* de Momper: Landscape with Sea and Mountains – A Farm – Flemish Market and Washing Place – Landscape with Skaters – The Infanta Isabel Clara Eugenia in the Mariemont Park (with Brueghel the Elder) – Landscape (with Brueghel the Elder)
* Patinir: Landscape with Charon Crossing the Styx
* Rembrandt: Judith at the Banquet of Holofernes
* Rubens: The Judgement of Paris (1638) – The Three Graces – Adoration of the Magi – The Dance of the Villagers – Diana and Callisto – Equestrian Portrait of the Duke of Lerma – The Fall of Man – The Garden of Love – The Birth of the Milky Way – The Rape of Europa – The Rape of Ganymede – Saint George and the Dragon – Saturn – The Triumph of the Church – Deucalion and Pyrrha – The Five Senses (with Brueghel the Elder)
* Stom: The Incredulity of Saint Thomas
* Strobel: Feast of Herod with the Beheading of St John the Baptist
* Teniers the Younger: Archduke Leopold Wilhelm in his Painting Gallery in Brussels (1651)
* Verhaecht: Alpine Landscape
* van der Weyden: The Descent from the Cross – Durán Madonna

Italian|

* Fra Angelico: Annunciation
* Anguissola: Portrait of Elisabeth of Valois – Portrait of Infanta Isabella Clara Eugenia [3] – Portrait of Giovanni Battista Caselli
* Barocci: Nativity
* Bellini: Madonna and Child with Saint Mary Magdalene and Saint Ursula
* Botticelli: The Story of Nastagio Degli Onesti, part one
* Caravaggio: David and Goliath
* Carracci: Assumption of the Virgin – Mural Paintings from the Herrera Chapel – Venus, Adonis and Cupid
* Correggio: Noli me tangere – Madonna and Child with the Infant John the Baptist
* A. Gentileschi: The Birth of Saint John the Baptist
* O. Gentileschi: The Finding of Moses (1633)
* Leonardo: Mona Lisa (by his studio)
* Lotto: Portrait of Marsilio Cassotti and His Bride Faustina
* Mantegna: Death of the Virgin
* Parmigianino: Holy Family with Angels – Portrait of Camilla Gonzaga and Her Three Sons – Portrait of Pier Maria Rossi di San Secondo – Saint Barbara
* Raphael: Portrait of a Cardinal – Christ Falling on the Way to Calvary – Madonna of the Rose – Visitation – La Perla (with Romano)
* Romano: Holy Family under an Oak Tree
* Andrea del Sarto: Sacrifice of Isaac
* Tintoretto: Christ Washing the Disciples' Feet – Joseph and Potiphar's Wife – Judith and Holofernes (by his studio) – The Washing of the Feet
* Tiepolo: The Immaculate Conception
* Titian: The Bacchanal of the Andrians – Equestrian Portrait of Charles V – The Fall of Man – Alfonso d'Avalos Addressing his Troops – Danaë Receiving the Golden Rain (1565) – The Entombment – La Gloria – Virgin and Child Between Saints Anthony of Padua and Roch – Mater Dolorosa with Clasped Hands – Philip II in Armour – Portrait of Charles V with a Dog – Portrait of Federico II Gonzaga – Portrait of Isabella of Portugal – Sisyphus – Tityus – Religion saved by Spain – Salome \- Self-Portrait (1567) – Saint Margaret and the Dragon – Venus and Adonis (1554) – Venus and Musician (1550, 1555) – The Virgin and Child with Saint George and Saint Dorothy – The Worship of Venus
* Veronese: Venus and Adonis – Christ Among the Doctors – The Finding of Moses

French|

* Anonymous: Agony in the Garden
* Baudry: The Pearl and the Wave
* van Loo: The Family of Philip V (1743)
* Lorrain: Landscape with St Paula of Rome Embarking at Ostia – The Ford – Landscape with St María de Cervelló – Landscape with the Burial of St Serapia – Landscape with the Finding of Moses – Landscape with the Temptation of St Anthony – Landscape with Tobias and Raphael
* Poussin: Parnassus – Landscape with Three Figures – Saint Cecilia
* Ranc: The Family of Philip V (1723) – Portrait of Ferdinand VI as a Boy
* Watteau: Marriage Contract and Country Dancing
* Vouet: Time Defeated by Love, Beauty and Hope

Other|

* British paintings

Sculptures

| Rome|

* The Apotheosis of Claudius
* Castor and Pollux

|

* [1] On display at El Greco Museum in Toledo
* [2] On display at Museo de América in Madrid
* [3] On display at the Spanish Embassy in Paris

* Category

*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template
*[c.]: circa