Camargo (ballet)

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Camargo (or La Camargo) is a grand ballet in three acts and nine scenes, with choreography by Marius Petipa and music by Ludwig Minkus. The libretto by Jules-Henri Vernoy de Saint-Georges and Marius Petipa is based on an incident in the life of the 18th-century dancer Marie Camargo, in which she and her sister Madeleine were abducted by the Comte de Melun in May 1728 and taken to his mansion.[1]

The ballet was first presented by the Imperial Ballet on December 7/19 (Julian/Gregorian calendar dates), 1872 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. The Principal Dancers were Adèle Grantzow (as Marie Camargo), Alexandra Virginia (as Madeleine Camargo), Lev Ivanov (as Vestris, the Maître de Ballet) and Timofei Stukolkin (as the Comte de Melun).

## Revivals

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Camargo was revived by Petipa's second ballet master Lev Ivanov for the Imperial Ballet, especially for the farewell benefit performance in honour of the Imperial Ballet's Prima Balerina Assoluta Pierina Legnani, who left for her native Italy shortly thereafter. It was first presented at the Imperial Mariinsky Theatre on January 17–30, 1901, in St. Petersburg, Russia, with Legnani (as Marie Camargo), Olga Preobrajenskaya (as Madeleine Camargo), Pavel Gerdt (as Vestris, the Maître de Ballet) and Georgii Kiaksht (as the Comte de Melun).

## References

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1. ^ Meisner, Nadine (2019). Marius Petipa: The Emperor's Ballet Master. Oxford, UK: Oxford University Press. p. 142\. ISBN 9780190659318.

## See also

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* List of historical ballet characters

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The ballets and revivals of Marius Petipa in Russia

1847–59|

* Paquita (*1847, *1881)
* Le Diable amoureux (as "Satanella") (*1848)
* Leda, the Swiss Milkmaid (1849)
* Giselle (*1850, *1884, *1899, *1903)
* The Star of Granada (1855)
* The Rose, the Violet, and the Butterfly (1857)
* Le Corsaire (*1858, *1863, *1868, *1885, *1899)
* A Marriage During the Regency (1858)
* The Parisian Market (1859, *1861)

1860–79|

* The Blue Dahlia (1860, *1875)
* Terpsichore (1861)
* The Pharaoh's Daughter (1862, *1885, *1898)
* The Beauty of Lebanon (1863)
* The Traveling Dancer (1864)
* Florida (1866)
* Titania (1866)
* Faust (*1867)
* The Benevolent Cupid  (1868)
* The Slave (1868)
* Le Roi Candaule (1868, *1891, *1903)
* Don Quixote (1869, *1871)
* Trilby (1870)
* Catarina (*1870)
* The Two Stars (1871)
* Camargo (1872)
* Le Papillon (*1874)
* Ondine (as "The Naiad and the Fisherman") (*1874, *1892)
* The Bandits (1875)
* The Adventures of Peleus (1876, *1897)
* La Bayadère (1877, *1900)
* Roxana (1878)
* Ariadne (1878)
* The Daughter of the Snows (1879)
* Frizak the Barber (1879)
* Mlada (1879, *1896)

1880–99|

* La Fille du Danube (*1880)
* Zoraiya (1881)
* La Vivandière (as "Markitenka") (*1881)
* Pâquerette (*1882)
* The Night and the Day (1883)
* Pygmalion (1883)
* Coppélia (*1884)
* Giselle (*1884, 1899, 1903)
* Le Diable à Quatre (as "The Willful Wife") (*1885)
* La Fille Mal Gardée (*1885)
* The Magic Pills (1886)
* The King's Command (1886, *1887, *1900)
* La Esmeralda (*1886, *1899)
* The Sacrifices to Cupid (1886)
* * Fiametta (1887)
* The Vestal (1888)
* The Talisman (1889, *1895)
* The Enchanted Forest (*1889)
* The Caprices of a Butterfly (1889, *1895)
* The Sleeping Beauty (1890)
* Nénuphar (1890)
* Kalkabrino (1891)
* A Fairy Tale (1891)
* La Sylphide (*1892)
* The Nutcracker (1892)
* Cinderella (1893)
* The Awakening of Flora (1894)
* Swan Lake (*1895)
* The Little Humpbacked Horse (as "The Tsar Maiden") (*1895)
* The Cavalry Halt (1896)
* The Pearl (1896)
* Bluebeard (1896)
* Raymonda (1898)

1900–03|

* Les Ruses d'Amour or The Trial of Damis (1900)
* The Seasons (1900)
* Harlequinade (1900)
* The Heart of the Marquis (1902)
* The Magic Mirror (1903)
* The Romance of the Rosebud and the Butterfly (never presented)

an asterisk * indicates a revival.

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