Celtic fusion

Music genre

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Celtic fusion

Stylistic origins|

* Celtic music
* various other genres

Cultural origins| 1970s, United Kingdom, Ireland and United States
Subgenres

* Celtic hip hop
* Celtic metal
* Celtic punk
* Celtic rock
* Celtic reggae
* Celtic new-age

Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.

The oldest musical tradition which fits under the label of Celtic fusion originated in the rural American south in the early colonial period and incorporated Scottish, Scots-Irish, Irish, and African American influences. Variously referred to as roots music, American folk music, or old-time music, this tradition has exerted a strong influence on all forms of American music, including country, blues, and rock and roll. The connections between traditional Scottish and Irish music and Rock music are deep and go back to the origins of American music. As Elvis Costello put it:

> "I started with rock n' roll and... then you start to take it apart like a child with a toy and you see there's blues and there's country... Then you go back from country into American music... and you end up in Scotland and Ireland eventually."[1]

Another manifestation of this syncretic tendency emerged in New York City in the 1890s, as bands performing traditional Irish music for the large Irish immigrant community there began incorporating big band influences, adding brass and reed instruments and performing quicksteps, foxtrots, and other popular contemporary dance tunes.

More recently, there has been a flowering of several distinct genres of Celtic fusion. These can be roughly broken down as follows.

## Celtic electronica

[edit]

The genre of Celtic electronica blends traditional Celtic influences with modern electronic music. Artists such as Martyn Bennett, Lorne Cousin, Mouth Music, Mark Saul, Saint Sister and Valtos (band) whose backgrounds are in traditional Celtic music tend to favor traditional instruments, melodies, and rhythms, but augment them with drum machines and electronic sounds. Others, like Dagda, Brigid Boden and Niteworks approach the fusion from a background in electronic music that eschews traditional instruments and incorporates traditional melodies played on synths into a New Age-influenced trance sound. Peatbog Faeries have experimented with Celtic electronica, mainly on Faerie Stories.

## Celtic hip hop

[edit]

Celtic Hip-hop artists House of Pain, seen here in 2011

The first Celtic-identified hip hop group to gain mainstream notoriety was House of Pain, a Los Angeles based hip hop group which incorporated rhymes about the Irish-American experience into their music. With a few exceptions, however, their actual instrumentation did not incorporate traditional "Celtic" instruments, though they did use time signatures typical of Jigs on several songs - a major deviation in a hip hop market where virtually everything is done in 4/4 time.

Marxman, an Irish-Jamaican hip hop group, whose explicitly nationalist and Marxist politics gained them notoriety and infamy in the United Kingdom in the 1980s, incorporated traditional instruments into several songs on their first album, but largely abandoned them on their second album for a more electronica\- and blues-oriented sound that would later form the basis for the emergence of trip hop.

Sinéad O'Connor contributed vocals to several of Marxman's songs and even tried her hand at rapping on her 1994 album Universal Mother with a track about the Great Irish Famine (1845-1849).

Starting in 1998 Manau, a French hip hop group of Breton origin, created the first truly consistent fusion of Celtic music and hip hop in two critically acclaimed albums incorporating a wide range of traditional instruments and melodies and combining them with hip hop beats. In one of their songs they used part of an arrangement of a traditional tune (Tri Martolod) by Alan Stivell, and were subsequently sued by him for copyright infringement.

1998 also marked the release of Seanchai and The Unity Squad's second album, Rebel Hip Hop.[2] The sound was equal parts folk-punk, rock, and old-school hip hop and marked the first time Celtic hip hop had been performed exclusively with live instruments instead of samples. The album was selected as the Hotpress "Album of the Year" and received positive reviews but failed to break into the mainstream. The band has released 4 more albums since and are still active, playing primarily at Rocky Sullivan's in NYC which is owned by Chris Byrne, the band leader.

## Celtic-influenced world music

[edit]

Many Celtic fusion artists integrate musical traditions from all over the world into their sound. The clearest example of this is Afro Celt Sound System, the members of which bring to the band strong backgrounds in either African or Irish musical tradition. The Irish fusion group Skelpin incorporates Spanish flamenco, Middle Eastern, and American soul elements and instruments into its music. Delhi 2 Dublin [1], a band based in Canada, is known for fusing Irish and Indian music. Salsa Celtica is an 11-member "world fusion" project based in Edinburgh, Scotland that mixes salsa with Scottish bagpiping and world influences.[3] Other artists such as Loreena McKennitt, Red Cardell, the American Rogues, and Catya Maré take inspiration from numerous diverse traditions around the world, although their focus may be on Celtic music.

## Celtic jazz

[edit]

Modern acts such as Clannad, Nightnoise, Melanie O'Reilly, and Raggle Taggle or Roland Becker (in the eighties) combine Celtic music with jazz. The jazz can range from the big band swing style to the smooth jazz style.

O'Reilly's musical partner has a side project called Temro[4][5] that improvises over Irish traditional music in sophisticated harmonic and rhythmic environments.

Ensemble Ériu is an Irish band which blends the minimalism and improvisatory spirit of jazz around Irish traditional melodies.[6]

Norman&Corrie, comprising Scottish drummer Corrie Dick and multi-instrumentalist Norman Willmore of Peatbog Faeries perform Shetlandic fiddle music reimagined as contemporary electronic-fringed jazz. The band released their debut album Twa Double Doubles in 2024. [7]

## Celtic metal

[edit]

This section is an excerpt from Celtic metal.[edit]

Celtic metal is a subgenre of folk metal that emerged in Ireland during the early 1990s. It fuses the intensity of heavy metal with traditional Celtic music, incorporating instruments such as the tin whistle, bodhrán, and uilleann pipes. The genre is characterised by its blending of metal's aggressive elements with the melodic and rhythmic structures of Celtic folk, often drawing on themes from Irish mythology and history.

The genesis of Celtic metal is closely linked to the Irish band Cruachan, formed in 1992 by Keith Fay. Inspired by the English band Skyclad and the Irish rock group Horslips, Cruachan sought to merge black metal with Irish folk music. Their debut album, Tuatha na Gael (1995), is considered a seminal work in the genre. Around the same time, other Irish bands like Primordial and Waylander also began exploring similar musical territories, each bringing their unique interpretations to the fusion of metal and Celtic music. These bands laid the foundation for what would become a vibrant subgenre within the metal community.

Over the years, Celtic metal has expanded beyond Ireland, with bands from various countries incorporating Celtic elements into their music. Swiss band Eluveitie, for example, combines melodic death metal with Celtic melodies and instruments, even using lyrics in the ancient Gaulish language. Other notable bands include Spain's Mägo de Oz, Germany's Suidakra, and Canada's Leah, each bringing their cultural perspectives to the genre.

## Celtic New Age

[edit]

Celtic New Age artists such as Enya, Clannad, Afro Celt Sound System, Catya Maré, Iona, and Gary Stadler incorporate traditional melodies and lyrics with synths and pads to create a mellow relaxed fusion that has proven highly marketable. Enya, for example, is one of the best-selling musicians in the world.

## Celtic pop

[edit]

Celtic pop artists such as The Corrs, Nolwenn Leroy, and Gwennyn incorporate pop music elements into traditional tunes.

## Celtic punk

[edit]

This section is an excerpt from Celtic punk.[edit]

Celtic punk is punk rock mixed with traditional Celtic music. Celtic punk bands often play traditional Celtic folk songs, contemporary/political folk songs, and original compositions.[8] Common themes in Celtic punk music include politics, Celtic culture (particularly Gaelic culture) and identity, heritage, religion, drinking and working class pride.

The genre was popularised in the 1980s by the Pogues. It is considered part of the broader folk punk genre, although that term is often used in North America for acoustic forms of punk rock rather than a mixture of traditional folk music and punk rock. The genre was reinforced in the 2000s by bands such as Dropkick Murphys and Flogging Molly.

The typical Celtic punk band includes rock instrumentation as well as traditional instruments such as bagpipes, fiddle, tin whistle, accordion, mandolin, and banjo. Like Celtic rock, Celtic punk is a form of Celtic fusion.[9]

While popular around the world, Celtic punk is often criticized for certain non-Irish bands appropriating and misrepresenting Irish culture (perpetuating 'Plastic Paddy' stereotypes) with an excessive focus on drinking and fighting.[10][11] Other folk-punk bands that incorporate traditional folk material, such as The Dreadnoughts and Cordelia's Dad, have expressed disdain at being called 'Celtic punk' despite Celtic material making up a very small portion of their overall material (either due the common occurrence of non-Celtic folk songs being called 'Celtic,' or due to the misunderstanding that all traditional folk music mixed with punk rock is Celtic punk).[11][12]

Other Celtic punk artists are The Real McKenzies, Neck, Smiting Shillelagh, Flatfoot 56, The Tossers, The Vandon Arms, The Molly Maguires, Mutiny, and Black 47 (who also incorporate hip hop influences). The genre is most popular in Ireland, Scotland, England, the United States, and Canada.

Punks singing in Celtic languages began to emerge in the late 1970s in Wales, where groups such as Ail Symudiad (Second Movement) and Y Trwynau Coch (The Red Noses) began performing in fast-paced idioms reminiscent of the Jam; a rather harder sound was adopted by Yr Anhrefn (Chaos) in the 1980s.[citation needed] The 2000s saw in Scotland the emergence of several Gaelic-language punk bands, such as Mill a h-Uile Rud and the genre is also represented in Brittany with the band called Les Ramoneurs de Menhirs.

## Celtic reggae

[edit]

The fusion of Celtic music and reggae is a hybrid started by the band Edward II and The Red Hot Polkas, an example of Celtic dub, The Trojans, an example of Celtic ska, and followed on by PaddyRasta, an example of Celtic folk reggae, and recently The Celtic Reggae Revolution who have done it to good effect. Other collaborations include The Chieftains and Ziggy Marley, Sharon Shannon and Bréag.

## Celtic rock

[edit]

This section is an excerpt from Celtic rock.[edit]

Celtic rock is a genre of folk rock, as well as a form of Celtic fusion which incorporates Celtic music, instrumentation and themes into a rock music context. It has been prolific since the early 1970s and can be seen as a key foundation of the development of successful mainstream Celtic bands and popular musical performers, as well as creating important derivatives through further fusions. It has played a major role in the maintenance and definition of regional and national identities and in fostering a pan-Celtic culture. It has also helped to communicate those cultures to external audiences.[13]

Modern Celtic rock acts include The Waterboys, Jethro Tull/ Ian Anderson, Rathkeltair, Alan Stivell, Gaelic Storm, Sinéad O'Connor, The Cranberries, The Proclaimers, Red Cardell, Peatbog Faeries, Lenahan, Lordryk, Croft No. 5, Enter the Haggis, Callanach, The Dreaming, Shooglenifty, Spirit of the West, the American Rogues, Homeland, Ashley MacIsaac, Mudmen, Wolfstone, The Paperboys, and Great Big Sea.

## Others

[edit]

Other established hybrids include bands like, again, Celtic Reggae Revolution, PaddyRasta, Pubside Down, and (again) Sinéad O'Connor.

As might be expected from musicians playing a style of music defined by its fusion of disparate elements, many bands combine multiple styles. Shooglenifty, for instance, incorporates reggae, rock, and jazz into their musical style; Croft no Five did the same with rock and funk. Bands like Na’Bodach are stylistically disparate between works on the same album, where a rock influenced song may be followed by funk or bluegrass thereafter. Rare Air, an '80s Canadian band, had two bagpipes, with rock guitar and Caribbean-influenced drums.

## Books

[edit]

"Irish Folk, Trad and Blues: A Secret History" by Colin Harper (2005) covers Horslips, The Pogues, Planxty and others. Cunliffe, Barry, ‘The Celts: A Very Short Introduction’ (Oxford, 2003). Maier, Bernhard, ‘The Celts: A history from earliest times to the present’, K. Windle trans, (Edinburgh University Press, Edinburgh, 2003).

## See also

[edit]

* List of Celtic fusion artists

## References

[edit]

1. ^ irish quotes
2. ^ "Official Site: Seanchai & the Unity Squad". Archived from the original on 2009-04-01. Retrieved 2009-03-24.
3. ^ "Salsa Celtica". Salsa Celtica. Retrieved 2019-10-17.
4. ^ Kurka Boshkin: The Tamlin / The Tempest, 16 December 2013, retrieved 2015-10-12
5. ^ "West Clare". YouTube. 16 December 2013.
6. ^ "Ensemble Ériu". 10 October 2013.
7. ^ "Twa Double Doubles, album by Norman&Corrie". Bandcamp.
8. ^ P. Buckley, The Rough Guide to Rock (London: Rough Guides, 2003), p. 798.
9. ^ B. Sweers, Electric Folk: Changing Face of English Traditional Music (Oxford University Press, 2005), pp. 197-8.
10. ^ Power, Ed (2010-03-17). "Celebrating St Patrick's Day? Don't do it with the Pogues ..." The Guardian. ISSN 0261-3077. Retrieved 2024-09-10.
11. ^ a b Dreadnoughts, The (2022-10-23). "On 'Celtic Punk'". Roll And Go: Dreadnoughts Blog. Retrieved 2024-09-10.
12. ^ "Cordelia's Dad Interviewed by Auger/Anvil". cordeliasdad.com. Retrieved 2024-09-10.
13. ^ J. S. Sawyers, Celtic Music: A Complete Guide (Da Capo Press, 2001), pp. 1-12.

### Sources

[edit]

* Megaw, J. V. S. and M. R., ‘Ancient Celts and modern ethnicity’, Antiquity 70 (1996), 175-81.
* Dietler, Michael, ‘Celticism, Celtitude, and Celticity: the consumption of the past in the age of globalization’, in Celtes et Gaulois, l'Archeologie face à l'histoire . vol. 1, ed. S. Rieckhoff, Bibracte, 2006, 237-48.

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Celtic music

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