Concertino for Horn and Orchestra (Weber)

Composition by Carl Maria von Weber

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The Concertino for Horn and Orchestra in E minor, J188 (Op. 45), was composed in 1806 for the Karlsruhe player Dautrevaux, and revised for the Munich virtuoso Rauch in 1815 (completed on 31 August) by Carl Maria von Weber (Warrack 1976, p. 167). It is an extremely taxing work, whether played on the natural horn for which it was written, or on the modern valve horn. The soloist is accompanied by a small orchestra. It requires, among other feats, that the player produce what is in effect a four-note chord using the interplay between humming and the sound from the instrument, a technique known as multiphonics.

The autograph manuscript of the work is preserved in the Berlin State Library.

The work is widely recorded and performed, appearing in the repertoire of well-known horn players including Hermann Baumann, Barry Tuckwell and David Pyatt.

It was originally written for the natural horn, and the authentic performance movement still sees it played on this instrument; for example, by Anthony Halstead with the Hanover Band, or by Hector McDonald with the Wiener Akadamie.

## Instrumentation

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The Concertino is scored for a small orchestra of 1 flute, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.

## Structure

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The form is loosely constructed and can be described as (slow) introduction, (andante) theme, variations, recitative, polonaise (Warrack 1976, p. 168).

## References

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* Warrack, John. 1976. Carl Maria von Weber. Cambridge and New York: Cambridge University Press.

## Further reading

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* Blandford, W. F. H. 1926. "Some Observations on 'Horn Chords: An Acoustical Problem'". The Musical Times 67, no. 996 (1 February): 128–31.
* Kirby, Percival R. 1925. "Horn Chords: An Acoustical Problem". The Musical Times 66, no. 991 (1 September): 811–13.
* Pethő, Csilla. 2000. "'Style Hongrois': Hungarian Elements in the Works of Haydn, Beethoven, Weber and Schubert". Studia Musicologica Academiae Scientiarum Hungaricae 41, fasc. 1–3:199–284.

## External links

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* Concertino per il Corno principale con tutto l'orchestra. Weber's autograph manuscript in the Berlin State Library
* Concertino in E minor, Op.45: Scores at the International Music Score Library Project

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Carl Maria von Weber

* List of operas
* List of compositions

Operas|

* Peter Schmoll und seine Nachbarn (1802)
* Silvana (1810)
* Abu Hassan (1811)
* Der Freischütz (1821)
* Euryanthe (1823)
* Oberon (1826)
* Die drei Pintos (completed by Mahler, 1888)

Orchestral works|

* Symphony No. 1 (1806–1807)

Concertante|

* Bassoon Concerto (1811)
* Clarinet Concerto No. 1 (1811)
* Clarinet Concerto No. 2 (1811)
* Concertino for Clarinet (1811)
* Concertino for Horn and Orchestra (1815)
* Konzertstück (1821)

Chamber music|

* Clarinet Quintet  (1811)
* Grand Duo Concertant (1816)
* Trio in G minor (1818–1819)

Piano music|

* Piano Sonata No. 2 (1816)
* Invitation to the Dance (1819)

Family|

* Genovefa Weber (mother)
* Max Maria von Weber (son)
* Cäcilia Weber (aunt-in-law)
* Josepha Weber
* Aloysia Weber
* Constanze Mozart
* Sophie Weber (cousins)
* Joseph Lange
* Wolfgang Amadeus Mozart
* Georg Nikolaus von Nissen (cousins-in-law)

Related|

* Friedrich Wilhelm Jähns (compiler of Jähns catalogue)
* Romantische Oper
* Hochschule für Musik Carl Maria von Weber
* Carl Maria von Weber Museum
* Carl-Maria-von-Weber-Gesamtausgabe
* Symphonic Metamorphosis of Themes by Carl Maria von Weber

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International|

* VIAF

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* France
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* MusicBrainz work

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