Cubo-Futurism

Russian art movement

For other uses, see Futurism (disambiguation).

Natalia Goncharova, Cyclist (1913), oil on canvas, 78×105 cm, State Russian Museum

Cubo-Futurism (Russian: кубофутуризм, romanized: kubofuturizm) was an art movement, developed within Russian Futurism, that arose in the early 20th-century Russian Empire, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism.[1] Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. In 1913, the term "Cubo-Futurism" first came to describe works from members of the poetry group "Hylaeans", as they moved away from poetic Symbolism towards Futurism and zaum, the experimental "visual and sound poetry of Kruchenykh and Khlebninkov".[2] Later in the same year the concept and style of "Cubo-Futurism" became synonymous with the works of artists within Ukrainian and Russian post-revolutionary avant-garde circles as they interrogated non-representational art through the fragmentation and displacement of traditional forms, lines, viewpoints, colours, and textures within their pieces.[3] The impact of Cubo-Futurism was then felt within performance art societies, with Cubo-Futurist painters and poets collaborating on theatre, cinema, and ballet pieces that aimed to break theatre conventions through the use of nonsensical zaum poetry, emphasis on improvisation, and the encouragement of audience participation (an example being the 1913 Futurist satirical tragedy Vladimir Mayakovsky).[4][5]

The coexistence of these differing strands of artistic practice within Cubo-Futurism reflects an ideological preoccupation with collective renewal and deconstruction (a notion born of their post-revolutionary context) with each poet or painter free to create their own aesthetic consciousness based on the concept of revolution and collective action through reinterpretation of artistic and social traditions.[6]

## Background

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### Importance of Post-Revolutionary context

[edit]

In the context of late Tsarist Russia, society was deeply divided by social class. Russian industrialisation, development, economic growth, and urbanisation fell far behind other Western nations, with the country experiencing high levels of illiteracy, poor health care, and struggling with the limitations of little mass communication outside larger cities.[7] Looking outward at the realities of those from neighbouring countries, artists who would later become members of the Cubo-Futurist movement noticed the impacts of the burgeoning Machine Age on everyday life, recognising the beauty, dynamism, and energy of the utilitarian machine aesthetic leading to a renewed interest in technological modernisation within art, poetry, and life.[8] Ukrainian modernist painter Aleksandr Shevchenko (1883–1948) echoed this sentiment when, in 1913, he stated, "the world has been transformed into a single, monstrous, fantastic, perpetually-moving machine, into a single huge non-animal automatic organism… [this] cannot help but be reflected in our thinking and in our spiritual life: in Art".[9] The "cult of the machine" became an increasingly utopic concept within Cubo-Futurist circles, with artists perceiving the idyllic phenomenon of machine production as the foremost "proletariat creation" due to its ability to help construct an equitable, collective life for all people regardless of class.[10][11] This ideological conception of utopic perfection through machinery significantly impacted the stylistic elements of the Cubo-Futurist movement, influencing artists to experiment with pure abstraction, geometric shapes, harsh lines and planes, and the deconstruction of organic forms into powerful structures infused with machine symbolism.[12]

### Impact of Russian art collectors

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Sergey Schukin by Dm. Melnikov (1915)

At the top of early 20th century Russia’s deep social, political, and class divisions were a small group of elite aristocrats and businessmen. With considerable access to international art markets and dealers, they assembled significant number European masterpieces of the early 20th century for their own personal collections. Collectors and patrons, Sergei Shchukin (1854–1936) and Ivan Morozov (1871–1921), paid special attention to Impressionist, Post-Impressionist, Fauvist, Cubist, and Futurist art from all over Europe amassing a large selection of momentous works, and consequently introducing local Russian artists to art movements, techniques, and styles popular around the continent.[13] Shchukin’s collection included a considerable number of Picassos, Matisses, Cezannes, Monets, and Gauguins, thus allowing artists in St. Petersburg and Moscow access to Cubist and Futurist artworks that would later influence the development of the Cubo-Futurist movement.[13]

### 'Hylea' and the impact of Marinetti's 'Futurist Manifesto'

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Filippo Tommaso Marinetti, author of the Manifesto of Futurism

While Cubo-Futurism was first named and identified in 1913, the movement can be traced back to a congregation of Russian artists who called themselves Soyuz Molodyozhi ('Union of Youth') in 1910.[14] The group was brought together by the Ukrainian painter and poet David Burliuk (1882–1967) under the name budetlyane (a Russian interpretation of the western term "futurists"), inspired by Italian Filippo Tommaso Marinetti's (1876–1944) 1909 Futurist Manifesto.[15] Marinetti's work espoused the need for creatives (e.g. artists and writers) to abandon the past by moving towards the utilisation of the aesthetic language of machinery, industrialisation, urban living, and utilitarian design.[16] For Marinetti and those that followed him, the futurist movement stood for freedom, collectivity, perfection, and social rejuvenation.[17] Influenced by the Futurist Manifesto, the aesthetics of dislocation and fragmentation became the vocabulary of the Cubo-Futurists in their attempt to interrogate the tireless and repetitive dynamism of technology, and highlight their fantasies of a utopic mechanical modernity. The Cubo-Futurists combined the modernist, cosmopolitan spirit of Marinetti's futurism with the aesthetic characteristics of analytical cubism (e.g. abstracted forms, flatness, fragmentation, geometric shapes, muted and dark colours, combination of various viewpoints) in order to create their own didactic art form designed to display the revolutionary focus of the artistic community.[18]

## History

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### Origin of the term

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The term 'Cubo-Futurism' first appeared in a lecture in 1913, originally to refer to the poets who belonged to David and Vladimir Burliuk's literary group, 'Hylaea', also spelt 'Guilée'[19] and 'Gylea'.[20] This term was coined by Korney Chukovsky (1882–1969), a Russian art critic, in reference to the work of Vladimir Mayakovsky, Aleksey Kruchonykh, Velimir Khlebnikov, Benedict Livshits, and Vasily Kamensky, members of the Hylaea group.[21] It was only after aforementioned poets began to display shocking public behaviour (for example wearing absurd clothes), when the writers and the movement in general began to be called simply 'Russian Futurism'.[20] As a result, 'Cubo-Futurism' then began to refer to the artists who were influenced by Cubism and Futurism,[4] though both terms still remain interchangeable.

### Development of the movement

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The earliest appearances of the Cubo-Futurist art style can be found in the works of Natalia Goncharova, who, as early as 1909, applied Cubist and Futurist means of expression in her paintings.[22]

Thanks to modern technology (transport and telegraphy, for example) and the artists' experience of other countries, the creatives in Russia knew much about the avant-garde events in Europe.[23] Cubo-Futurism as an art style would begin to take its full form in the years 1912 to 1913,[23] though the style of poetry ended when Russian Futurism itself also faded.

One of the first major painters to become a Cubo-Futurist would be Kazimir Malevich, who entered his Cubo-Futurist phase in 1912–13; he termed the works he exhibited at the 1912 'Donkey's Tail' and 1913 'Target' exhibitions as being 'Cubo-Futurist'.[24] For Malevich, Cubo-Futurism would be especially important, because it symbolised the connection between the stillness of conventional Cubism, and the dynamism inherent in Futurism.[23] Rather than simply following the example of painting industrial scenes, set by the Futurists in Italy, or of painting in fairly flat colours, set by the Cubists in France, he placed heavy rural Russian themes on his work; this therefore led to his paintings of traditional village life in a bright, juxtaposing avant-garde style.[25] An example of his Cubo-Futurist work is The Knifegrinder, painted circa 1912–1913.

Natalia Goncharova officially entered her Futurist stage in around 1912 to 1913; soon, Cubo-Futurist influences became apparent in her work.[26] This was not, for her, a dramatic change in her previous style of painting. In 1913, an exhibition of her latest work was held at a Russian art gallery, which received a massive variety of responses. Mikhail Larionov followed suit in the latest avant-garde trend, by publishing two manifestos on his and Goncharova's new art movement, Rayonism, which was inspired by Cubo-Futurism.[26]

Other Cubo-Futurist artists emerged, for example Aleksandra Ekster, who was involved in Ukrainian and Russian Futurist stage design,[27] and Lyubov Popova, who had learned of Cubism during her 1912 stay in Paris, and painted in the Cubo-Futurist style in the years 1913 to 1914.[28] The movement in Russia was notable for having a large percentage of female painters, in contrast to the movement in Italy.[23]

Composition with Cards (1915) by Olga Rozanova

The Cubo-Futurists – both poets and artists – were also notable for their curious activities, both public and artistic: Mayakovsky wore a bright yellow jacket, Ilia Zdanevich ("Iliazd") and Burliuk painted on their faces, and some of the painters attached objects upon their canvases, in such manners that predated the Dada avant-garde movement based in Zurich, Berlin, and Paris, which would begin a few years later.[29]

In 1913, the opera Victory over the Sun – prologue by Khlebnikov, libretti by Kruchenykh, and music by Mikhail Matyushin – was completed. The costume and set designer was Malevich; the opera has since become notable for starring the first appearance of his influential painting Black Square, as part of a design for a stage curtain.[30] The next year, a Russian Futurist book was published: Tango with Cows, written by aviator-poet Vasily Kamensky and illustrated by the Burliuk brothers.

By 1914, the Russian Futurists (many of them Cubo-Futurist) developed a hostility to the Italians. When Marinetti went on a lecture tour of Russia in that year, he was met with general unfriendliness, contrary to the positive reception he had on his previous tour of 1910: Larionov had, for example, a serious argument with a pro-Marinetti cultural figure, the former wishing to greet him with rotten eggs and the latter with flowers,[19] whereas the female Cubo-Futurist painters may have been put off by Marinetti's misogyny.[23] The relations worsened to such an extent that Hylea began to fake the publication dates of their books, as though to state that they were earlier and more Futurist than their colleagues in Italy.[19]

The Russian Futurists were also disgusted with the Ego-Futurists, a rival Russian literary association who had been formed in 1911 by the poet Igor Severyanin. This time, the negative feelings went both ways: Severyanin disapproved of the attitudes of the Cubo-Futurists, whilst they dismissed the Ego-Futurists as being immature, tasteless impostors.

### End of Cubo-Futurism

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By the year 1915, Cubism and Futurism both began to become exhausted for the painters;[1] nevertheless, in 1915, the first all-Russian Futurist exhibition, called 'Tramway V', opened on March 3; organised by Ivan Puni, Vladimir Tatlin's works became the main focus, and the exhibition led to a succés de scandale. In 1916, another notable Cubo-Futurist book was published: Universal War, by Aleksei Kruchenykh, perhaps in collaboration with his wife Olga Rozanova.

Cubo-Futurism can be said to have ended with the 0,10 Exhibition of 1915–1916, also organised by Puni, and fuelled by the rivalry between Malevich and Tatlin; afterwards, most of the participants of Cubo-Futurism began to direct their energies to other styles of writing or painting, for example Malevich's new art movement Suprematism, which officially began at the 0,10 Exhibition, or with Constructivism.[1]

According to the Italian Futurist painter Gino Severini, who had met and heard first-hand accounts from the Russian Futurist painters Larionov, Puni and Kseniya Boguslavskaya, the movement finished in 1916,[19] though, according to the Encyclopædia Britannica, the style continued to be in use until roughly 1919.[4]

## Art

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Kazimir Malevich, The Knife Grinder (Principle of Glittering) (1912–13), oil on canvas, 79.534 cm × 79.534 cm, Yale University Art Gallery

For Cubo-Futurist artists, this movement represented a shift in stylistic values from a perception of painting as a reflection of their current reality into a portrayal of idealism through depictions of a perfect future defined by equality and an organised collective consciousness.[31]

One such example would be Kazimir Malevich's 1912–13 The Knife Grinder (The Glittering Edge). The flickering of reflective metallic colours creates a dynamic representation of motion and energy, depicting the "mechanical vibration and dynamic rhythm" of modernisation through industrialisation and mechanical harmony.[32] The knife grinder himself is central to the composition, camouflaged within the dense abstracted geometric shapes that surround and encompass him, invoking the idea that the man has fused into the mechanical perfection of a giant organised system.[32] To Malevich and other artists of the Cubo-Futurist movement, works like this acted as a social metaphor highlighting the process of transformation, revolution, social rebuilding, and proletariat collectivism they wished to see in their society's future.[6] Complex abstracted geometric shapes and representations of perfected mechanical society's highlights the revolutionary nature of their work as, "only futurist art is constructed on collective principles… Only futurist art is, at the present time, 'the art of the proletariat'", as painter and sculptor Nathan Altman (1889–1970) once stated.[33]

Cubo-Futurist artists are unique in their independence and autonomy from other members of the group.[2] Non-representational artists experimenting with Cubo-Futurism – such as Kandinsky, Larionov, Malevich, and Tatlin – adopted the distinctive ideals and theoretical background of the movement but followed their own aesthetic path, thus depicting the freedom these artists were given to express their own perceptions of a modernised world.[2]

Picture of Natalia Goncharova, one of the members of the Cubo-Futurist movement.

### Artists

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The following artists have been associated with Cubo-Futurism:[34]

* Alexander Archipenko
* Wladimir Baranoff-Rossine
* Alexander Bogomazov
* David Burliuk
* Wladimir Burliuk
* Aleksandra Ekster
* Natalia Goncharova
* Ivan Kliun
* Mikhail Larionov
* Lyubov Popova
* Olga Rozanov
* Sonia Terk
* Vasyl Yermylov
* Alberto Magnelli
* Vadym Meller
* Aristarkh Lentulov
* Oleksandr Bogomazov

### Sculpture

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Sculpture was a smaller subsect of the Cubo-Futurist movement. Influenced by the work of Italian futurist sculptor and painter Umberto Boccioni, and Pablo Picasso's cubist sculptures, Russian artists began experimenting with the combination of the two styles.[35] Artists who experimented with Cubist and Futurist (or a combination of both) styles within their sculptures all expressed a dislike of traditional, classical artistic traditions, thus highlighting the characteristically Cubo-Futurist interest in transformation, innovation, and rejuvenation.[36]

Cubo-Futurist sculptors included Joseph Chaikov, Boris Korolev and Vera Mukhina, all of whom taught at the Soviet state art school in Moscow, Vkhutemas.

## Literature

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Vladimir Mayakovsky and his muse, Lilya Brik.

### Poetry

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Poets that experimented with Cubo-Futurist ideals pressed the importance of deconstructing the rules and meaning of poetry, systematically attacking the previously popular Russian classical and symbolist poets due to their propensity to examine metaphysical, esoteric ideas that did not resonate with the common populace.[37] Cubo-Futurist artists had a passion for the democratisation of poetry through the use of chaotic, common language (and concepts) that allowed for freedom of expression and interpretation by the average person.[37] Like artists of the same movement, these poets were interested in creating "totally new words and a new way of combining them", transforming and recreating poetry into a literary form that depicted their ideas of a modernised future.[38] Poets of the Cubo-Futurist movement saw writing as a "laboratory or workshop" to renew language and literature, dissecting words and generating neologisms in order to shift contemporary understandings of poetry in order to display their interest in revolution and modernity.[38] This practice is known as "transrational poetry" (or zaum). The purity and dynamism artists of this movement found in mechanisation and technology, literary Cubo-Futurists found in transrational poetry, with this poetic experimentation later developing to involve the deconstruction of language to onomatopoeic forms.[38] One such example of this is Velimir Khlebnikov's sound-paintings in his play Zangezi.[39] Poets of this movement also utilised unorthodox methods during their public poetry recitals, such as painted faces, public clowning, and extravagant clothing in order to gather attention to their work, and highlight their futuristic experimentation.[21]

### Theatre

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Some of the attendees of the Pervyi vserossiiskii sjezd Baiachei Budushchego (poetov futuristov) (First All-Russian Congress of Bards of the Future [The Futurist Poets]) – Mikhail Matyushin, Kazimir Malevich, and Aleksei Kruchenikh.

Introduction of Cubo-Futurist theories and ideologies into the realm of theatre production came with widespread scandal among those within the turn-of-the-century Russian society.[40] Similar to those that engaged with Cubo-Futurism within the art world, individuals within the theatre community utilised the movement's characteristic ideology of cultural renewal, transformation, and revolution within their works, expanding futurism from the literary and artistic realm and into theatre. In July 1913, a collection of poets and artists within the Cubo-Futurist movement came together for a meeting entitled Pervyi vserossiiskii sezd Baiachei Budushchego (poetov futuristov) (First-All Russian Congress of Bards of the Future [The Futurist Poets]), establishing that the group would create a "new 'Futurian' theatre" that would be run by their own collective and "transform Russian theatre" into a modern art form.[41] The Cubo-Futurists employed a more aggressive style within their performances, making use of arte-azione's (art-in-action) playfulness, provocative or unintelligible language, improvisation, and unpredictability.[42] As stated by Roman Jakobson (1896–1982): "The evenings of the Futurists brought… the public… The public's reaction was various: many came for the scandal, but a broad segment of the student public awaited the new art, wanted the new world".[43]

## Effects of Cubo-Futurism

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Example of Malevich's suprematist works. Kazimir Malevich, Dynamic Suprematism (1916), oil on canvas, 80.2 x 80.3 cm, Tate Gallery

Cubo-Futurism was incredibly significant in the development of art styles like Rayonism, Suprematism, and Constructivism, with the movement acting as a transitionary phase between objective, figurative works and radical non-objective, non-representational abstract art.[44] Cubo-Futurism gave artists the freedom to engage with the limitations of representation and subjectivity, and experiment with use geometric shapes and fragmented forms in order to convey a movement and dynamism that reflected their attempts to reconstruct understandings of their world and their art.

Cubo-Futurism acted as the jumping point for artists Mikhail Larionov (1881–1964) and Natalia Goncharova to develop Rayism (also called Rayonism), one of the first non-objective Russian artistic styles.

It was either Rayism[45] or, once more, Cubism and Futurism[19] (or a mixture of all three) which then later influenced Kazimir Malevich to create Suprematism, an art mode that is now considered one of the most significant modern art movements of the 20th century.

## Gallery

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* Woodcutter (1912) by Kazimir Malevich

* Costume design (c. 1910-1913) by Kazimir Malevich for Victory over the Sun

* Backdrop design (c. 1910-1913) by Kazimir Malevich for Victory over the Sun

* Vladimir Burliuk (from Trebnik Troikh, 1913) by David Burliuk

* Cavalier (1913) by Alexandra Exter

* City (1913) by Alexandra Exter

* Blue on Tin (1913) by Olga Rozanova

* The Pianist (1914) by Lyubov Popova

* Angels and Aeroplanes (from Mystical Images of War, 1914) by Natalia Goncharova

* The poem Constantinople from Tango with Cows (illustrated by David and Vladimir Burliuk) by Vasily Kamensky, 1914

* Fyodor Christiania (1915) by Vladimir Baranov-Rossine

* Dancer in Motion (1915) by Mikhail Larionov

* Travelling Woman (1915) by Lyubov Popova

* Construction with Flowers (1916) by Natalia Goncharova

* Relief (c. 1915-1916) by Ivan Puni

## See also

[edit]

* Futurism
* Cubism
* Russian Futurism
* Rayonism
* Vorticism
* Natalia Goncharova
* Mikhail Larionov
* Modern art (disambiguation) – list of articles associated with the title 'Modern art'
* Art period

## References

[edit]

* West, Shearer (1996). The Bullfinch Guide to Art. UK: Bloomsbury Publishing. ISBN 0-8212-2137-X.

1. ^ a b c Parton, Anthony (2016-05-09). "Cubo-Futurism". Routledge Encyclopedia of Modernism. Archived from the original on 2020-05-31. Retrieved 2020-03-18.
2. ^ a b c Gourianova, Nina (2012). "The Aesthetics of Anarchy". The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde. California: University of California Press. p. 17.
3. ^ Douglas, Charlotte (1975). "The New Russian Art and Italian Futurism". Art Journal. 34 (3): 229–239\. doi:10.1080/00043249.1975.10793686.
4. ^ a b c Sarabianov, Andrei (2019-12-06). "Cubo-Futurism: Art Movement". Encyclopedia Britannica. Archived from the original on 2019-12-23. Retrieved 2020-03-18.
5. ^ "Russian Futurism Movement Overview and Analysis". The Art Story. 2017. Archived from the original on 2020-04-19. Retrieved 2020-03-18.
6. ^ a b Hughes, Robert (1980). "Faces of Power". The Shock of the New: Art and the Century of Change. London: British Broadcasting Company. p. 85.
7. ^ Tian-Shanskaia, Olga (1993). "Introduction". Village Life in Late Tsarist Russia. Indiana: Indiana University Press. p. xi.
8. ^ Kinchin, Juliet (2018). "The Machinery of the Modern World". MOMA at NGV: 130 Years of Contemporary Art. Melbourne: The Council of Trustees of the National Gallery of Victoria. p. 44.
9. ^ Vaingurt, Julia (2013). Wonderlands of the Avant-Garde: Technology and the Arts in Russia of the 1920s. Illinois: Northwestern University Press. p. 241.
10. ^ Hughes, Robert (1980). The Shock of the New: Art and the Century of Change. London: British Broadcasting Company. p. 85.
11. ^ Gassner, Hubertus (1992). "The Constructivists: Modernism on the Way to Modernisation". The Great Utopia: The Russian and Soviet Avant-Garde 1915–1932. New York: Guggenheim Museum Publications. p. 298.
12. ^ Sharp, Jane Ashton (1986). "A Westernising Avant-Garde". in Russian Modernism between East and West: Natalia Goncharova and the Moscow Avant-Garde. Cambridge: University of Cambridge Press. p. 61.
13. ^ a b Hughes, Robert (1980). "Faces of Power". The Shock of the New: Art and the Century of Change. London: British Broadcasting Company. p. 81.
14. ^ Brown, Edward (1973). Mayakovsky: A Poet in the Revolution. New Jersey: Princeton University Press. p. 41.
15. ^ Brown, Edward (1973). Mayakovsky: A Poet in the Revolution. New Jersey: Princeton University Press. p. 42.
16. ^ "Words in Freedom: Futurism at 100". MoMA. Archived from the original on 2020-11-27. Retrieved 2020-05-18.
17. ^ Blum, Cinzia (1996). The Other Modernism: F.T. Marinetti's Futurist Fiction of Power. New Jersey: University of California Press. p. 7.
18. ^ Buelens, Geert; Hendrix, Harald; Jansen, Monica, eds. (2012). The History of Futurism: The Precursors, Protagonists, and Legacies. New York: Lextingon Books.
19. ^ a b c d e Severini, Gino. The Life of a Painter. Princeton University Press. pp. 294–7.
20. ^ a b Parton, Anthony (2003). "Cubo-Futurism". Oxford Art Online. doi:10.1093/gao/9781884446054.article.T020562. ISBN 978-1-884446-05-4. Archived from the original on 2022-12-02. Retrieved 19 May 2020. `{{cite book}}`: `|website=` ignored (help)
21. ^ a b "Art of the 20th Century: A Revolution in the Arts - Great Avant-Garde Movements". A World History of Art. Archived from the original on 2011-12-16. Retrieved 2020-05-20.
22. ^ Dietfried, Maly; Dietfried, Gerhardus. Cubism and Futurism. Phaidon. p. 74.
23. ^ a b c d e "Futurism (2009 exhibition) room guide, room 6, Russia: Cubo-Futurism". Tate. 12 June – 20 September 2009. Archived from the original on 8 March 2021. Retrieved 19 May 2020.
24. ^ "Cubo-Futurism". Oxford Reference. Archived from the original on 2 April 2018. Retrieved 19 May 2020.
25. ^ "Malevich (Exhibition) Room Guide: Room 3: Cubo-Futurism". Tate. Archived from the original on 7 June 2020. Retrieved 19 May 2020.
26. ^ a b "Natalia Goncharova Exhibition: Guide". Tate. Retrieved 19 May 2020.
27. ^ FitzLyon, Kyril (July 26, 1983). "Female Pioneers". Times Literary Supplement: 807.
28. ^ "Lyubov Popova". MoMA (Museum of Modern Art, New York). Archived from the original on 2019-11-06. Retrieved 2020-05-20.
29. ^ Bowlt, John Edward (May 16, 1975). "The Feast of Unreason". Times Literary Supplement: 540.
30. ^ "Five Ways to Look at Malevich's "Black Square"". Tate. Archived from the original on 26 May 2020. Retrieved 28 May 2020.
31. ^ Stapanian, Juliette (1986). "Conclusion: From the Broken Frame toward the Opened Form". Mayakovsky's Cubo-Futurist Vision. Texas: Rice University Press. p. 186.
32. ^ a b McKiernan, Mike (2014). "Kazimir Malevich, The Knife Grinder (The Glittering Edge) 1912–13". Art and Occupation: Occupational Medicine. 64 (5): 317–318\. doi:10.1093/occmed/kqu065. PMID 25005543.
33. ^ Erjavec, Aleš (2015). Aesthetic Revolution and Twentieth-Century Avant-Garde Movements. North Carolina: Duke University Press. p. 102.
34. ^ Parton, Anthony (2009). "Cubo-Futurism". Museum of Modern Art. Oxford University Press. Retrieved 7 June 2011.
35. ^ "Technical Manifesto of Futurist Sculpture". World Digital Library. 2017. Archived from the original on 2021-03-28. Retrieved 2020-05-20.
36. ^ White, John (2019). "Futurism". Britannica. Archived from the original on 2023-06-28. Retrieved 2020-05-20.
37. ^ a b Terras, Victor (1985). Handbook of Russian Literarture. New Haven, Ct.: Yale University Press. p. 163\. ISBN 0300048688.
38. ^ a b c Bray, Joe; Gibbons, Alison; McHale, Brian, eds. (2012). The Routledge Companion to Experimental Literature. Oxfordshire: Routledge. p. 28.
39. ^ Harte, Tim (2009). Fast Forward: The Aesthetic and Ideology of Speed in Russian Avant-Garde Culture, 1910–1930. Wisconsin: The University Of Wisconsin Press. p. 69.
40. ^ Berghaus, Gunter (2019). Handbook of International Futurism. Berlin: De Gruyter Mouton. p. 774.
41. ^ Railing, Patricia (2009). Victory Over the Sun. East Sussex: Artist Bookworks. pp. 14–15.
42. ^ Berghaus, Gunter (2019). Handbook of International Futurism. Berlin: De Gruyter Mouton. p. 775.
43. ^ Jakobson, Roman (1997). My Futurist Years. New York: Marsilio Publishers. p. 4.
44. ^ Barooshian, Vahan (1975). Russian Cubo-Futurism, 1910–1930. Berlin: De Gruyter Mouton. p. 146.
45. ^ Kinchin, Juliet (2018). "A New Unity". MOMA at NGV: 130 Years of Contemporary Art. Melbourne: The Council of Trustees of the National Gallery of Victoria. p. 73.

## External links

[edit]

* https://www.moma.org/learn/moma_learning/glossary/\- Museum of Modern Art online dictionary of visual art terms.
* https://www.metmuseum.org/learn/educators/curriculum-resources – Metropolitan Museum of Art curriculum resources page
* https://www.moma.org/learn/moma_learning/ – free online resources engaging for modern and contemporary art
* https://www.moma.org/collection/terms/?=MOOC – glossary of significant art terms
* https://www.moma.org/research-and-learning/ – MOMA research and learning online page
* https://www.tate.org.uk/research/publications/tate-papers – Tate Modern London online journal of research papers and scholarly articles
* https://www.oxfordartonline.com/ – Oxford's collection of peer reviewed articles, important dictionary terms, and images

* v
* t
* e

Futurism

Italian Futurists|

* Giacomo Balla (list of works)
* "Barbara"
* Umberto Boccioni
* Anton Bragaglia
* Benedetta Cappa
* Carlo Carrà
* Franco Casavola
* Nikolay Diulgheroff
* Luigi De Giudici
* F. T. Marinetti
* Marisa Mori
* Bruno Munari
* Aldo Palazzeschi
* Ugo Piatti
* Francesco Balilla Pratella
* Antonio Russolo
* Luigi Russolo
* Antonio Sant'Elia
* Gino Severini
* Ardengo Soffici

Ego-Futurists|

* Graal Arelsky
* Vasilisk Gnedov
* Boris Gusman
* Georgy Ivanov
* Igor Severyanin
* Dmitri Kryuchkov
* Konstantin Olimpov
* Rurik Ivnev
* Pavel Shirokov

Russian Futurists and
Cubo-Futurists|

* Alexander Archipenko
* Nikolai Aseev
* Vladimir Baranoff-Rossine
* Lilya Brik
* Osip Brik
* Alexander Bogomazov
* Kseniya Boguslavskaya
* David Burliuk
* Vladimir Burliuk
* Joseph Chaikov
* Aleksandra Ekster
* Nina Genke-Meller
* Natalia Goncharova
* Elena Guro
* Vasily Kamensky
* Velimir Khlebnikov
* Ivan Kliun
* Aleksei Kruchyonykh
* Nikolai Kulbin
* Mikhail Larionov
* Aristarkh Lentulov
* El Lissitzky
* Benedikt Livshits
* Kazimir Malevich
* Mikhail Matyushin
* Vladimir Mayakovsky
* Boris Pasternak
* Victor Palmov
* Lyubov Popova
* Ivan Puni
* Olga Rozanova
* Vadim Shershenevich
* Nadezhda Udaltsova
* Ilia Zdanevich (Iliazd)

Aeropittura|

* Giacomo Balla
* "Barbara"
* Benedetta Cappa
* Giuseppe Caselli
* Tullio Crali
* Fortunato Depero
* Gerardo Dottori
* Fillìa
* Sante Monachesi
* Marisa Mori
* Enrico Prampolini

Other Futurists|

* Alice Bailly
* Mina Loy
* Almada Negreiros
* C. R. W. Nevinson
* Emilio Pettoruti
* Valentine de Saint-Point
* Jules Schmalzigaug
* Mykhaylo Semenko
* Amadeo de Souza-Cardoso
* Frances Simpson Stevens
* Mary Swanzy
* Růžena Zátková

Techniques, sub-genres
and inventions|

* Anti-neutral suit
* Intonarumori
* Italian futurism in cinema
* Futurist architecture
* Futurist cooking
* Futurist literature
* Futurist music
* Noise music
* Zaum

Selected output|

* Abstract Speed + Sound
* Antigrazioso
* The Art of Noises
* BÏF§ZF+18
* The City Rises
* Cyclist
* Development of a Bottle in Space
* Drama in the Futurists' Cabaret No. 13
* Dyr bul shchyl
* Dynamism of a Car
* Dynamism of a Cyclist
* Dynamism of a Dog on a Leash
* Dynamism of a Human Body: Boxer
* Dynamism of a Soccer Player
* Dynamism of a Speeding Horse + Houses
* Futurist Painting: Technical Manifesto
* The Knifegrinder
* Girl Running on a Balcony
* The Hand of the Violinist
* Lacerba
* Man of Smoke
* Manifesto of Futurism
* Manifesto of Futurist Musicians
* Mercury Passing Before the Sun
* The Poem of the End
* Poesia
* The Street Enters the House
* The Street Light
* Thaïs
* Tango with Cows
* Unique Forms of Continuity in Space
* Universal War
* Victory over the Sun
* Vladimir Mayakovsky
* Zangezi
* Zang Tumb Tumb

Associated people|

* Luisa, Marchesa Casati
* Gabriele D'Annunzio
* Sergei Diaghilev
* Benito Mussolini
* Wyndham Lewis
* Léonide Massine
* Igor Stravinsky

Groups influenced|

* Agitprop
* Agit-train
* Constructivism
* Dadaism
* Donkey's Tail
* Grosvenor School
* Jack of Diamonds
* Neo-Primitivism
* Oberiu
* Panfuturism
* Precisionism
* Rayonism
* Soyuz Molodyozhi
* Suprematism
* Supremus
* Vorticism

See also|

* 0,10 Exhibition
* 5×5=25
* Cubism
* Divisionism
* Estorick Collection of Modern Italian Art
* Le Chahut
* Pointillism
* Primitivism
* Robert René Meyer-Sée
* Russian avant-garde
* Russian Ballet
* Sackville Gallery
* Ukrainian avant-garde
* Verbovka Village Folk Centre
* Zveno (art)

* v
* t
* e

Cubism

Leaders|

* Pablo Picasso
* Georges Braque
* Jean Metzinger
* Albert Gleizes
* Robert Delaunay
* Juan Gris
* Fernand Léger
* Marcel Duchamp
* Henri Le Fauconnier

Section d'Or|

* Alexander Archipenko
* María Blanchard
* Constantin Brâncuși
* Joseph Csaky
* Robert Delaunay
* Sonia Delaunay
* Marcel Duchamp
* Pierre Dumont
* Raymond Duchamp-Villon
* Alexandra Exter
* Henri Le Fauconnier
* Roger de La Fresnaye
* Albert Gleizes
* Natalia Goncharova
* Henri Hayden
* Auguste Herbin
* František Kupka
* Jean Lambert-Rucki
* Marie Laurencin
* Henri Laurens
* Fernand Léger
* Jacques Lipchitz
* André Lhote
* Jean Marchand
* Louis Marcoussis
* Jean Metzinger
* Francis Picabia
* Georges Ribemont-Dessaignes
* Jeanne Rij-Rousseau
* Diego Rivera
* Gino Severini
* Léopold Survage
* Tobeen
* Henry Valensi
* Georges Valmier
* Jacques Villon

Others|

* Giacomo Balla
* Alice Bailly
* Patrick Henry Bruce
* Carlo Carrà
* Paul Klee
* Lyonel Feininger
* El Lissitzky
* Stanton Macdonald-Wright
* August Macke
* Kazimir Malevich
* Franz Marc
* Lyubov Popova
* Diego Rivera
* Morgan Russell
* Alexander Rodchenko
* Nadezhda Udaltsova
* Marie Vassilieff
* Marie Vorobieff

Paintings|

* Les Demoiselles d'Avignon (Picasso)
* Portrait of Ambroise Vollard (Picasso)
* Portrait of Daniel-Henry Kahnweiler (Picasso)
* The Accordionist (Picasso)
* Le pigeon aux petits pois (Picasso)
* La Coiffeuse (Picasso)
* Le goûter (Metzinger)
* La Femme au Cheval (Metzinger)
* Dancer in a café (Metzinger)
* L'Oiseau bleu (Metzinger)
* La Femme aux Phlox (Gleizes)
* Portrait of Jacques Nayral (Gleizes)
* Man on a Balcony (Gleizes)
* Les Baigneuses (Gleizes)
* Les Joueurs de football (Gleizes)
* Nude Descending a Staircase, No. 2 (Duchamp)
* The Cathedral (Katedrála) (Kupka)
* The City (Léger)
* Still Life with Candlestick (Léger)
* Still Life with Checked Tablecloth (Gris)
* Three Musicians (Picasso)

Sculptures|

* Groupe de femmes (Csaky)
* Danseuse (Csaky)
* Head (Csaky)

Influences|

* Paul Cézanne
* Paul Gauguin
* Gustave Courbet
* Georges Seurat
* Paul Signac
* Maurice Princet
* Esprit Jouffret
* Neo-impressionism
* Pointillism
* Divisionism
* Symbolism (arts)
* Fauvism
* Proto-Cubism
* Chronophotography

Influenced|

* Section d'Or
* Cubo-Futurism
* Cubist sculpture
* Czech Cubism
* Rondocubism
* Die Brücke
* Orphism (art)
* Abstract art
* Synchromism
* Tubism
* Futurism
* Crystal Cubism
* Purism
* Suprematism
* Dada
* Constructivism
* De Stijl
* Art Deco
* Russian Futurism
* Ego-Futurism
* Vorticism

Related|

* Du "Cubisme" (1912 book)
* The Cubist Painters, Aesthetic Meditations (1913 book)
* La Maison Cubiste

Related|

* Louis Vauxcelles (critic)
* Guillaume Apollinaire (poet, critic)
* André Salmon (critic)
* Max Jacob (poet)
* Maurice Raynal (poet, critic)
* Daniel-Henry Kahnweiler (art dealer)
* Léonce Rosenberg (art dealer)
* Paul Rosenberg (art dealer)
* Daniel Robbins (art historian)
* Gertrude Stein (art collector)
* Berthe Weill (art dealer)
* Wilhelm Uhde (art collector)
* John Quinn (collector)
* Leonard Lauder (art collector)
* Douglas Cooper (art historian)
* Arthur Jerome Eddy (art collector)
* Pierre Reverdy (poet)
* Blaise Cendrars (poet)
* Armory Show
* Fourth dimension in art

* v
* t
* e

Russian art and literary movements

* Abramtsevo Colony
* Acmeist poetry
* Russian avant-garde
* Second Russian avant-garde
* Conceptualism
* Constructivism
* The Five
* Russian Futurism
* Cubo-Futurism
* Ego-Futurism
* Zaum
* Imaginism
* Lieutenant prose
* Metarealism
* Mir iskusstva
* Natural school
* New peasant poets
* Oberiu
* Peredvizhniki
* Rayonism
* Russian postmodernism
* Russian symbolism
* Socialist realism
* Soviet nonconformism
* Stroganov school
* Suprematism
* Village prose

* v
* t
* e

Modern and Contemporary Art Galleries in Russia

* ARKA Gallery
* Erarta
* Galeyev Gallery
* Garage Museum of Contemporary Art
* Institute of Russian Realist Art
* Lumiere Brothers Center
* Shazina Gallery

* v
* t
* e

Geometric abstraction

* Concrete art
* Constructivism
* De Stijl
* Minimalism
* Op art
* Suprematism

* v
* t
* e

Schools of poetry

* Acmeism
* Akhmatova's Orphans
* Angry Penguins
* Auden Group
* The Beats
* Black Arts Movement
* Black Mountain poets
* British Poetry Revival
* Cairo poets
* Castalian Band
* Cavalier poets
* Chhayavaad
* Churchyard poets
* Conceptismo
* Confessionalists
* Créolité
* Cubo-Futurism
* Culteranismo
* Cyclic Poets
* Dada
* Deep image
* Della Cruscans
* Dolce Stil Novo
* Dymock poets
* Ecopoetry
* Ego-Futurism
* The poets of Elan
* Flarf
* Fugitives
* Garip
* Gay Saber
* Generation of '27
* Generation of the '30s
* Generation of '98
* Georgian poets
* Goliard
* The Group
* Harlem Renaissance
* Harvard Aesthetes
* Hungry generation
* Imaginism
* Imagism
* Informationist poetry
* İkinci Yeni
* Jindyworobaks
* Lake Poets
* Language poets
* Marinism
* Martian poetry
* Metaphysical poets
* Misty Poets
* Modernist poetry
* The Movement
* Négritude
* Neotericism
* New American Poetry
* New Apocalyptics
* New Formalism
* New York School
* Oberiu
* Objectivists
* Others
* Parnassian poets
* La Pléiade
* Précieuses
* Rhymers' Club
* San Francisco Renaissance
* Scottish Renaissance
* Sicilian School
* Sons of Ben
* Southern Agrarians
* Spasmodic poets
* Sung poetry
* Surrealism
* Symbolism
* Uranian poetry
* Zutiste

Poetry portal

* v
* t
* e

Avant-garde movements

Visual art|

* Abstract expressionism
* Art Nouveau
* Art & Language
* Conceptual art
* Constructivism
* Proto-Cubism
* Cubism
* Functionalism
* Bauhaus
* Grosvenor School
* Devětsil
* Divisionism
* Fauvism
* Impressionism
* Neo-Impressionism
* Post-Impressionism
* Color Field
* Incoherents
* Lyrical Abstraction
* Mail art
* Minimalism
* Mir iskusstva
* Multidimensional art
* Neoplasticism
* De Stijl
* Neue Slowenische Kunst
* Nonconformism
* Nouveau réalisme
* Orphism
* Performance art
* Pop art
* Process art
* Purism
* Rayonism
* Suprematism
* Temporary art
* Vorticism

Literature
and poetry|

* Acmeism
* Angry Penguins
* Asemic writing
* Conceptual poetry
* Cyberpunk
* Ego-Futurism
* Experimental literature
* Flarf poetry
* Hungry generation
* Imaginism
* Imagism
* Language poets
* Neoavanguardia
* Neoteric
* Nouveau roman
* Oberiu
* Oulipo
* Slam poetry
* Ultraísmo
* Visual poetry
* Zaum

Music|

| By style|

* Funk
* Jazz
* Free funk
* Yass
* Pop
* Rock
* Prog
* Punk
* Metal

|

Others|

* Aleatoric music
* Ars nova
* Ars subtilior
* Atonal music
* Electroacoustic music
* Electronic music
* Industrial music
* Experimental pop
* Free jazz
* Free improvisation
* Futurism
* Microtonal music
* Minimal music
* Drone music
* Music theatre
* Musique concrète
* New Complexity
* No wave
* Noise music
* Post-rock
* Rock in Opposition
* Second Viennese School
* Serialism
* Spectral music
* Stochastic music
* Textural music
* Totalism
* Twelve-tone technique

Cinema
and theatre|

* Cinéma pur
* Dogme 95
* Drop Art
* Epic theatre
* Experimental film
* Experimental theatre
* Modernist film
* Poetic realism
* Postdramatic theatre
* Remodernist film
* Structural film
* Theatre of the Absurd
* Theatre of Cruelty

General|

* Constructivism
* Dada
* Expressionism
* Fluxus
* Futurism
* Russian Futurism
* Cubo-Futurism
* Lettrism
* Modernism
* Minimalism
* Postminimalism
* Neo-minimalism
* Neo-Dada
* Neoism
* Postmodernism
* Postmodernist film
* Late modernism
* Primitivism
* Situationist International
* Social realism
* Socialist realism
* Surrealism
* Symbolism
* Russian symbolism

* v
* t
* e

Modernism

Movements|

* Acmeism
* Art Deco
* Art Nouveau
* Ashcan School
* Constructivism
* Cubism
* Dada
* Expressionism
* Der Blaue Reiter
* Die Brücke
* Music
* Fauvism
* Functionalism
* Bauhaus
* Futurism
* Imagism
* Lettrism
* Neoplasticism
* De Stijl
* Orphism
* Surrealism
* Symbolism
* Synchromism
* Tonalism

Literary arts|

| Literature|

* Apollinaire
* Barnes
* Beckett
* Bely
* Breton
* Broch
* Bulgakov
* Chekhov
* Conrad
* Döblin
* Forster
* Faulkner
* Flaubert
* Ford
* Gide
* Hamsun
* Hašek
* Hemingway
* Hesse
* Joyce
* Kafka
* Koestler
* Lawrence
* Mann
* Mansfield
* Marinetti
* Musil
* Dos Passos
* Platonov
* Porter
* Proust
* Stein
* Svevo
* Unamuno
* Woolf

|

Poetry|

* Akhmatova
* Aldington
* Auden
* Cendrars
* Crane
* H.D.
* Desnos
* Eliot
* Éluard
* Elytis
* George
* Jacob
* Lorca
* Lowell (Amy)
* Lowell (Robert)
* Mallarmé
* Moore
* Owen
* Pessoa
* Pound
* Rilke
* Seferis
* Stevens
* Thomas
* Tzara
* Valéry
* Williams
* Yeats

Works|

* In Search of Lost Time (1913–1927)
* The Metamorphosis (1915)
* Ulysses (1922)
* The Waste Land (1922)
* The Magic Mountain (1924)
* Mrs Dalloway (1925)
* The Sun Also Rises (1926)
* The Master and Margarita (1928–1940)
* The Sound and the Fury (1929)

Visual arts|

| Painting|

* Albers
* Arp
* Balthus
* Bellows
* Boccioni
* Bonnard
* Brâncuși
* Braque
* Calder
* Cassatt
* Cézanne
* Chagall
* Chirico
* Claudel
* Dalí
* Degas
* Delaunay
* Delaunay
* Demuth
* Dix
* Doesburg
* Duchamp
* Dufy
* Ensor
* Ernst
* Gauguin
* Giacometti
* Goncharova
* Gris
* Grosz
* Höch
* Hopper
* Kahlo
* Kandinsky
* Kirchner
* Klee
* Kokoschka
* Kooning
* Lawrence
* Léger
* Magritte
* Malevich
* Manet
* Marc
* Matisse
* Metzinger
* Miró
* Modigliani
* Mondrian
* Monet
* Moore
* Munch
* Nolde
* O'Keeffe
* Picabia
* Picasso
* Pissarro
* Ray
* Redon
* Renoir
* Rodin
* Rousseau
* Schiele
* Seurat
* Signac
* Sisley
* Soutine
* Steichen
* Stieglitz
* Toulouse-Lautrec
* Van Gogh
* Vuillard
* Wood

|

Film|

* Akerman
* Aldrich
* Antonioni
* Avery
* Bergman
* Bresson
* Buñuel
* Carné
* Cassavetes
* Chaplin
* Clair
* Cocteau
* Dassin
* Deren
* Dovzhenko
* Dreyer
* Edwards
* Eisenstein
* Epstein
* Fassbinder
* Fellini
* Flaherty
* Ford
* Fuller
* Gance
* Godard
* Hitchcock
* Hubley
* Jones
* Keaton
* Kubrick
* Kuleshov
* Kurosawa
* Lang
* Losey
* Lupino
* Lye
* Marker
* Minnelli
* Murnau
* Ozu
* Pabst
* Pudovkin
* Ray (Nicholas)
* Ray (Satyajit)
* Resnais
* Renoir
* Richardson
* Rossellini
* Sirk
* Sjöström
* Sternberg
* Tarkovsky
* Tati
* Trnka
* Truffaut
* Varda
* Vertov
* Vigo
* Welles
* Wiene
* Wood

Architecture|

* Breuer
* Bunshaft
* Gaudí
* Gropius
* Guimard
* Horta
* Hundertwasser
* Johnson
* Kahn
* Le Corbusier
* Loos
* Melnikov
* Mendelsohn
* Mies
* Nervi
* Neutra
* Niemeyer
* Rietveld
* Saarinen
* Steiner
* Sullivan
* Tatlin
* Wright

Works|

* A Sunday Afternoon on the Island of La Grande Jatte (1886)
* Mont Sainte-Victoir (1887)
* The Starry Night (1889)
* Les Demoiselles d'Avignon (1907)
* The Dance (1909–1910)
* Nude Descending a Staircase, No. 2 (1912)
* Black Square (1915)
* The Cabinet of Dr. Caligari (1920)
* Ballet Mécanique (1923)
* Battleship Potemkin (1925)
* Metropolis (1927)
* Un Chien Andalou (1929)
* Villa Savoye (1931)
* Fallingwater (1936)
* Citizen Kane (1941)
* Meshes of the Afternoon (1943)

Performing
arts|

| Music|

* Antheil
* Bartók
* Berg
* Berio
* Boulanger
* Boulez
* Copland
* Debussy
* Dutilleux
* Falla
* Feldman
* Górecki
* Hindemith
* Honegger
* Ives
* Janáček
* Ligeti
* Lutosławski
* Milhaud
* Nono
* Partch
* Russolo
* Satie
* Schaeffer
* Schoenberg
* Scriabin
* Stockhausen
* Strauss
* Stravinsky
* Szymanowski
* Varèse
* Villa-Lobos
* Webern
* Weill

|

Theatre|

* Anderson
* Anouilh
* Artaud
* Beckett
* Brecht
* Chekhov
* Ibsen
* Jarry
* Kaiser
* Maeterlinck
* Mayakovsky
* O'Casey
* O'Neill
* Osborne
* Pirandello
* Piscator
* Strindberg
* Toller
* Wedekind
* Wilder
* Witkiewicz

Dance|

* Balanchine
* Cunningham
* Diaghilev
* Duncan
* Fokine
* Fuller
* Graham
* Holm
* Laban
* Massine
* Nijinsky
* Shawn
* Sokolow
* St. Denis
* Tamiris
* Wiesenthal
* Wigman

Works|

* Don Juan (1888)
* Ubu Roi (1896)
* Verklärte Nacht (1899)
* Pelléas et Mélisande (1902)
* Salome (1905)
* The Firebird (1910)
* Afternoon of a Faun (1912)
* The Rite of Spring (1913)
* Fountain (1917)
* Six Characters in Search of an Author (1921)
* The Threepenny Opera (1928)
* Waiting for Godot (1953)

Related|

* American modernism
* Armory Show
* Avant-garde
* Ballets Russes
* Bloomsbury Group
* Buddhist modernism
* Classical Hollywood cinema
* Degenerate art
* Ecomodernism
* Experimental film
* Film noir
* Fin de siècle
* Fourth dimension in art
* Fourth dimension in literature
* Grosvenor School of Modern Art
* Hanshinkan Modernism
* High modernism
* Hippie modernism
* Impressionism
* Music
* Literature
* Post-
* Incoherents
* International Style
* Late modernism
* Late modernity
* List of art movements
* List of avant-garde artists
* List of modernist poets
* Maximalism
* Metamodernism
* Modernity
* Neo-primitivism
* Neo-romanticism
* New Hollywood
* New Objectivity
* Poetic realism
* Pop Art
* Pulp noir
* Reactionary modernism
* Remodernism
* Second Viennese School
* Structural film
* Underground film
* Vulgar modernism

← Romanticism

Postmodernism →

Category

* v
* t
* e

Visual arts and the art world

Artwork|

* Appropriation
* Collage
* Conceptual art
* Cultural artifact
* Drawing
* Fine art
* Fine-art photograph
* Found object
* Installation art
* Kinetic art
* Mixed media
* bricolage
* Mural
* fresco
* graffiti
* New media art
* history
* digital
* virtual
* Painting
* Performance art
* Plastic arts
* Portrait
* Printmaking
* Public art
* street art
* Sculpture
* carving
* relief
* statue
* tallest
* Site-specific art
* Social sculpture
* Soft sculpture
* Stained glass
* Artwork title

Roles|

* Artist
* Collector
* Conservator-restorer
* paintings
* frescos
* Critic
* Curator
* Dealer
* Model
* Patron
* Visual arts education
* Europe

Places
and events|

* Art auction
* Art colony
* Art commune
* Art exhibition
* alternative exhibition space
* Art gallery
* Contemporary art gallery
* Art museum
* Single-artist museum
* Art school
* Europe
* Arts centre
* Arts festival
* Artist collective
* Artist cooperative
* Artist-in-residence program
* Artist-run initiative
* Artist-run space
* Biennale
* Commission
* Sculpture garden
* Sculpture trail
* Virtual museum

History of art|

* Timeline of art
* Art history (academic study)
* Art manifesto
* Art movements
* Criticism
* feminist
* History of painting
* outline
* Periods in Western art history
* Timeline of 20th century printmaking in America

Related|

* Art market
* The arts
* Catalogue raisonné
* Classificatory disputes
* Museum collection management
* deaccessioning
* Conservation-restoration
* paintings
* Cultural policy
* Depiction
* Destination painting
* Eclecticism in art
* Economics of art
* art finance
* art valuation
* Elements of art
* Forgery
* Index of painting-related articles
* Outline of the visual arts
* painting
* sculpture
* Provenance
* Sociology of art
* Style
* Unfinished work

Lists|

* Art magazines
* Art media
* Art techniques
* Art movements
* Art museums
* largest
* most visited
* sculpture parks
* single artist
* Art reference books
* Colossal sculptures in situ
* Contemporary artists
* Contemporary art galleries
* Modern artists
* National galleries
* Painters
* by name
* by nationality
* Photographers
* Sculptors
* female
* Stolen paintings
* Most expensive paintings, sculptures, works by living artists

* Painting portal
* Visual arts portal
* Arts portal

* v
* t
* e

Premodern, Modern and Contemporary art movements

List of art movements/periods

Premodern
(Western)|

| Ancient|

* Thracian
* Dacian
* Nuragic
* Aegean
* Cycladic
* Minoan
* Minyan ware
* Mycenaean
* Greek
* Sub-Mycenaean
* Protogeometric
* Geometric
* Orientalizing
* Archaic
* Black-figure
* Red-figure
* Severe style
* Classical
* Kerch style
* Hellenistic
* "Baroque"
* Indo-Greek
* Greco-Buddhist
* Neo-Attic
* Etruscan
* Scythian
* Iberian
* Gaulish
* Roman
* Republican
* Gallo-Roman
* Julio-Claudian
* Pompeian Styles
* Trajanic
* Severan

|

Medieval|

* Late antique
* Early Christian
* Coptic
* Ethiopian
* Migration Period
* Anglo-Saxon
* Hunnic
* Insular
* Lombard
* Visigothic
* Donor portrait
* Pictish
* Mozarabic
* Repoblación
* Viking
* Byzantine
* Iconoclast
* Macedonian
* Palaeologan
* Italo-Byzantine
* Frankish
* Merovingian
* Carolingian
* Pre-Romanesque
* Ottonian
* Romanesque
* Mosan
* Spanish
* Norman
* Norman-Sicilian
* Opus Anglicanum
* Gothic
* Gothic art in Milan
* International Gothic
* International Gothic art in Italy
* Lucchese school
* Crusades
* Moscow school
* Novgorod school
* Vladimir-Suzdal school
* Duecento
* Sienese school
* Mudéjar
* Medieval cartography
* Italian school
* Majorcan school
* Mappa mundi

Renaissance|

* Italian Renaissance
* Trecento
* Proto-Renaissance
* Florentine school
* Pittura infamante
* Quattrocento
* Ferrarese school
* Forlivese school
* Venetian school
* Cinquecento
* High Renaissance
* Bolognese school
* Mannerism
* Counter-Maniera
* Northern Renaissance
* Early Netherlandish
* World landscape
* Ghent–Bruges school
* Northern Mannerism
* German Renaissance
* Cologne school
* Danube school
* Dutch and Flemish Renaissance
* Antwerp Mannerism
* Romanism
* Still life
* English Renaissance
* Tudor court
* Cretan school
* Turquerie
* Fontainebleau school
* Art of the late 16th century in Milan

17th century|

* Baroque
* Baroque in Milan
* Flemish Baroque
* Caravaggisti
* in Utrecht
* Tenebrism
* Louis XIII style
* Lutheran Baroque
* Stroganov school
* Animal painting
* Guild of Romanists
* Dutch Golden Age
* Delft school
* Capriccio
* Heptanese school
* Classicism
* Louis XIV style
* Poussinists and Rubenists

18th century|

* Rococo
* Rocaille
* Louis XV style
* Frederician
* Chinoiserie
* Fête galante
* Neoclassicism
* Goût grec
* Louis XVI style
* Adam style
* Directoire style
* Neoclassical architecture in Milan
* Picturesque

Colonial art|

* Art of the African diaspora
* African-American
* Caribbean
* Haitian
* Colonial Asian art
* Arts in the Philippines
* Letras y figuras
* Tipos del País
* Colonial Asian Baroque
* Company style
* Latin American art
* Casta painting
* Indochristian art
* Chilote school
* Cuzco school
* Quito school
* Latin American Baroque

Art borrowing
Western elements|

* Islamic
* Moorish
* Manichaean
* Mughal
* Qajar
* Qing handicrafts
* Western influence in Japan
* Akita ranga
* Uki-e

Transition
to modern
(c. 1770 – 1862)|

* Romanticism
* Fairy painting
* Danish Golden Age
* Troubadour style
* Nazarene movement
* Purismo
* Shoreham Ancients
* Düsseldorf school
* Pre-Raphaelites
* Hudson River School
* American luminism
* Orientalism
* Norwich school
* Empire style
* Historicism
* Revivalism
* Biedermeier
* Realism
* Barbizon school
* Costumbrismo
* Verismo
* Macchiaioli
* Academic art
* Munich school
* in Greece
* Neo-Grec
* Etching revival

Modern
(1863–1944)|

| 1863–1899|

* Neo-romanticism
* National romanticism
* Yōga
* Nihonga
* Japonisme
* Anglo-Japanese style
* Beuron school
* Hague school
* Peredvizhniki
* Impressionism
* American
* Hoosier Group
* Boston school
* Amsterdam
* Canadian
* Heidelberg school
* Aestheticism
* Arts and Crafts
* Art pottery
* Tonalism
* Decadent movement
* Symbolism
* Romanian
* Russian
* Volcano school
* Incoherents
* Post-Impressionism
* Neo-Impressionism
* Luminism
* Divisionism
* Pointillism
* Pont-Aven School
* Cloisonnism
* Synthetism
* Les Nabis
* American Barbizon school
* California tonalism
* Costumbrismo

|

1900–1914|

* Art Nouveau
* Art Nouveau in Milan
* Primitivism
* California Impressionism
* Secessionism
* School of Paris
* Munich Secession
* Vienna Secession
* Berlin Secession
* Sonderbund
* Pennsylvania Impressionism
* Mir iskusstva
* Ten American Painters
* Fauvism
* Expressionism
* Die Brücke
* Der Blaue Reiter
* Noucentisme
* Deutscher Werkbund
* American Realism
* Ashcan school
* Cubism
* Proto-Cubism
* Orphism
* A Nyolcak
* Neue Künstlervereinigung München
* Futurism
* Cubo-Futurism
* Art Deco
* Metaphysical
* Rayonism
* Productivism
* Synchromism
* Vorticism

1915–1944|

* Sosaku-hanga
* Suprematism
* School of Paris
* Crystal Cubism
* Constructivism
* Latin American
* Universal Constructivism
* Dada
* Shin-hanga
* Neoplasticism
* De Stijl
* Purism
* Return to order
* Novecento Italiano
* Figurative Constructivism
* Stupid
* Cologne Progressives
* Arbeitsrat für Kunst
* November Group
* Australian tonalism
* Dresden Secession
* Social realism
* Functionalism
* Bauhaus
* Kinetic art
* Anthropophagy
* Mingei
* Group of Seven
* New Objectivity
* Grosvenor school
* Neues Sehen
* Surrealism
* Iranian
* Latin American
* Mexican muralism
* Neo-Fauvism
* Precisionism
* Aeropittura
* Asso
* Scuola Romana
* Cercle et Carré
* The Group
* Harlem Renaissance
* Kapists
* Regionalism
* California Scene Painting
* Heroic realism
* Socialist realism
* Nazi art
* Streamline Moderne
* Concrete art
* Abstraction-Création
* Tiki
* The Ten
* Dimensionism
* Boston Expressionism
* Leningrad school

Contemporary
and Postmodern
(1945–present)|

| 1945–1959|

* International Typographic Style
* Abstract expressionism
* Washington Color School
* Visionary art
* Vienna School of Fantastic Realism
* Spatialism
* Color field
* Lyrical abstraction
* Tachisme
* Arte Informale
* COBRA
* Nuagisme
* Generación de la Ruptura
* Jikken Kōbō
* Metcalf Chateau
* Mono-ha
* Nanyang Style
* Action painting
* American Figurative Expressionism
* in New York
* New media art
* New York school
* Hard-edge painting
* Bay Area Figurative Movement
* Les Plasticiens
* Gutai Art Association
* Gendai Bijutsu Kondankai
* Pop art
* Situationist International
* Soviet Nonconformist
* Ukrainian underground
* Lettrism
* Letterist International
* Ultra-Lettrist
* Florida Highwaymen
* Cybernetic art
* Antipodeans

|

1960–1969|

* Otra Figuración
* Afrofuturism
* Nueva Presencia
* ZERO
* Happening
* Neo-Dada
* Neo-Dada Organizers
* Op art
* Nouveau réalisme
* Nouvelle tendance
* Capitalist realism
* Art & Language
* Arte Povera
* Black Arts Movement
* The Caribbean Artists Movement
* Chicano art movement
* Conceptual art
* Land art
* Systems art
* Video art
* Minimalism
* Fluxus
* Generative art
* Post-painterly abstraction
* Intermedia
* Psychedelic art
* Nut Art
* Photorealism
* Environmental art
* Performance art
* Process art
* Institutional critique
* Light and Space
* Street art
* Feminist art movement
* in the US
* Saqqakhaneh movement
* The Stars Art Group
* Tropicália
* Yoru no Kai
* Artificial intelligence visual art

1970–1999|

* Post-conceptual art
* Installation art
* Artscene
* Postminimalism
* Endurance art
* Sots Art
* Moscow Conceptualists
* Pattern and Decoration
* Pliontanism
* Punk art
* Neo-expressionism
* Transavantgarde
* Saint Soleil school
* Guerrilla art
* Lowbrow art
* Telematic art
* Appropriation art
* Neo-conceptual art
* New European Painting
* Tunisian collaborative painting
* Memphis Group
* Cyberdelic
* Neue Slowenische Kunst
* Scratch video
* Transgressive
* Retrofuturism
* Young British Artists
* Superfiction
* Taring Padi
* Superflat
* New Leipzig school
* Artist-run initiative
* Artivism
* The Designers Republic
* Grunge design
* Verdadism
* Chinese Apartment Art

2000–
present|

* Amazonian pop art
* Altermodern
* Art for art
* Art game
* Art intervention
* Brandalism
* Classical Realism
* Contemporary African art
* Africanfuturism
* Contemporary Indigenous Australian art
* Crypto art
* Cyborg art
* Excessivism
* Fictive art
* Flat design
* Corporate Memphis
* Hypermodernism
* Hyperrealism
* Idea art
* Internet art
* Post-Internet
* iPhone art
* Kitsch movement
* Lightpainting
* Massurrealism
* Modern European ink painting
* Neo-futurism
* Neomodern
* Neosymbolism
* Passionism
* Post-YBAs
* Relational art
* Skeuomorphism
* Software art
* Sound art
* Stuckism
* Superflat
* SoFlo Superflat
* Superstroke
* Toyism
* Unilalianism
* Vaporwave
* Walking Artists Network

Related topics|

* History of art
* Abstract art
* Asemic writing
* Anti-art
* Avant-garde
* Ballets Russes
* Christian art
* Art in the Protestant Reformation and Counter-Reformation
* Catholic art
* Icon
* Lutheran art
* Digital art
* Fantastic art
* Folk art
* Hierarchy of genres
* Genre painting
* History painting
* Illuminated manuscript
* Illustration
* Interactive art
* Jewish art
* Kitsch
* Landscape painting
* Modernism
* Modern sculpture
* Late modernism
* Naïve art
* Outsider art
* Portrait
* Prehistoric European art
* Queer art
* Realism
* Shock art
* Trompe-l'œil
* Western painting

* Category

* v
* t
* e

Arts criticism

Topics|

* Architecture criticism
* Dance criticism
* Film criticism
* Literary criticism
* Music journalism
* Rockism and poptimism
* Television criticism
* Theatre criticism
* Video game journalism
* Visual art criticism (Feminist)

See also|

* Arts journalism

Authority control databases

National|

* United States
* Israel

Other|

* Yale LUX

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