Entertainment!

1979 studio album by Gang of Four

Entertainment!

Studio album by

Gang of Four

Released| 25 September 1979
Recorded| 1979
Studio| The Workhouse, Old Kent Road, London
Genre|

* Post-punk
* dance-punk
* art punk
* funk-punk

Length| 39:53
Label|

* EMI
* Warner Bros.

Producer|

* Andy Gill
* Jon King
* Rob Warr

Gang of Four chronology
|  | Entertainment!
(1979)  | Yellow EP
(1980)

|
|

Entertainment! is the debut album by English post-punk band Gang of Four. It was released in September 1979 through EMI Records internationally and Warner Bros. Records in North America. Stylistically, it draws heavily on punk rock but also incorporates the influence of funk, reggae and dub. Its lyrics and artwork reflected the band's left-wing political concerns. Entertainment! became a seminal album in the post-punk movement.

In 2020, Entertainment! was ranked at number 273 on Rolling Stone magazine's list of the 500 greatest albums of all time.

## Music

[edit]

Entertainment! has been recognised as a seminal post-punk album,[1][2] and an example of dance-punk,[3] art punk[4] and funk-punk.[5] The album was co-produced by Jon King and Andy Gill along with Rob Warr, the band's manager at the time. King's lyrics were heavily influenced by Situationism, the work of philosophers Michel Foucault and Jacques Lacan,[6] feminism, and Marx's theory of alienation; a unifying notion is that "the personal is political". Topics include commodification ("Natural's Not in It", "Return the Gift"), proletarian life ("At Home He's a Tourist"), great man theory ("Not Great Men"), the treatment of Special Category Status prisoners at Long Kesh during The Troubles ("Ether"), and the cognitive and moral dissonance of watching media images of terrorism and guerrilla warfare in distant conflicts ("5.45"). A number of songs apply these themes to subvert love song tropes, challenging traditional concepts of love ("Love Like Anthrax", "Contract") and sex ("Damaged Goods", "I Found That Essence Rare"). In his 2014 monograph on the album, Kevin J. H. Dettmar likens the album to James Joyce's Ulysses, saying: "both are concerned with the importance of narrative, of storytelling, as a mode of experiencing the world... that the stories we tell ourselves about "the way things are"—a body of stories that in another context we might call ideology—profoundly shape our experiences of the world.[7]

## Artwork

[edit]

The album's cover artwork, designed by King, shows the influence of the Situationist International, a left-wing organization which became famous for inspiring the events of May 68 in France. It depicts an "Indian" shaking hands with a "cowboy" in three heavily processed versions of the same image, based on a still from one of the Winnetou films starring Lex Barker and Pierre Brice, which had once been popular in East Germany as narratives critical of capitalism. Their faces are reduced to blobs of red and white: that is, to their stereotypical skin colours. A text that winds around the images reads: "The Indian smiles, he thinks that the cowboy is his friend. The cowboy smiles, he is glad the Indian is fooled. Now he can exploit him." In this way, it approaches themes of exploitation, but may also criticize simplistic popular depictions of ethnic, social or political conflicts as "cowboys and Indians".[citation needed]

The album's back cover depicts a family whose father says, "I spend most of our money on myself so that I can stay fat", while the mother and children declare, "We're grateful for his leftovers". On the album's inner sleeve, designed by Gill, small photographs depicting scenes shown on television are interlaced with text illustrating what the band suggests are the misleading subtexts of media presentation: "The facts are presented neutrally so that the public can make up its own mind"; "Men act heroically to defend their country"; "People are given what they want".

## Release

[edit]

"At Home He's a Tourist" reached number 58 in the UK Singles Chart, the highest position of any Gang of Four song.[8] The band were originally asked to perform the song on Top of the Pops. However, when the show's producers heard the line "And the rubbers you hide in your top left pocket" they asked the group to change the word "rubbers" to "rubbish" for fear of causing offence; the band refused, and the appearance was cancelled.[9][10]

In 2005, the band performed the album live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back concert series. In 2009, King wrote a track-by-track commentary on the album for Clash.[6] Hugo Burnham's memories of making the album were published in 2014, on the 35th anniversary of its release.[11]

## Reception

[edit]

Professional ratingsReview scores

Source| Rating
AllMusic| [12]
Blender| [13]
Christgau's Record Guide| A[14]
Encyclopedia of Popular Music| [15]
Entertainment Weekly| A+[16]
Pitchfork| 9.5/10[17]
Q| [18]
Record Mirror| [19]
Rolling Stone| [20]
The Rolling Stone Album Guide| [21]
Spin Alternative Record Guide| 10/10[22]

Entertainment! was ranked the fifth best album of 1979 by NME.[23] Reviewing the album in Rolling Stone in 1980, David Fricke regarded Entertainment! as "the best debut album by a British band – punk or otherwise – since the original English release of The Clash in 1977".[24] Creem's RJ Smith, looking back on Entertainment! in 1984, found it to be "the most difficult Gang album, because it's so damn hard to find the front door to the thing. The ugly emotions Entertainment! dredges up are almost freakish, and all the more unsettling for the way they poke unexpectedly through the record's detached, architectonic front."[25]

In 2003, Rolling Stone ranked the album at number 490 on its list of the 500 greatest albums of all time, raising the album's rank to number 483 in their 2012 update of the list, saying that its "stiff, jerky aggression... invented a new style that influenced bands from the Minutemen to LCD Soundsystem".[26][27] In 2004, Pitchfork listed Entertainment! as the eighth best album of the 1970s.[28]

In 2016, Paste Magazine named the album as the sixth-best post-punk album of all time. Staff writer Robert Ham said: "At the time of its release, there weren’t many other groups who could pay lip service to Fela Kuti and Siouxsie & The Banshees in the same breath, let alone find a way to stitch those two disparate aesthetics together in any meaningful way. And while this Leeds-based quartet never quite lived up to the foundation-cracking urgency of Entertainment!, their debut album has long since provided a crash course in the post-punk aesthetic where dub and funk find equal footing with minimalism and fury-driven rock topped with lyrics that denounced consumer culture, the salacious press, and the nature of pop music."[29]

In their 2020 reboot of the list, Rolling Stone ranked the album number 273. In March 2005, Q placed the track "At Home He's a Tourist" at number 52 on its list of the "100 Greatest Guitar Tracks". As of 2009, Entertainment! has sold more than 100,000 copies in the UK.[30] The album was also included in the book 1001 Albums You Must Hear Before You Die.[31]

The album has also attracted praise from rock musicians. Kurt Cobain of Nirvana listed it as one of his 50 favourite albums of all time.[32] Flea of the Red Hot Chili Peppers stated that the first time he heard the record, "It completely changed the way [he] looked at rock music and sent [him] on [his] trip as a bass player."[33] Michael Stipe of R.E.M. has stated, "Gang of Four could really swing. I stole a lot from them."[34]

## Use in other media

[edit]

"Natural's Not in It" plays over the title sequence of the 2006 film Marie Antoinette. In 2010, Microsoft used it in advertisements for the Kinect.

"Love Like Anthrax" was used in the 2004 remake of The Manchurian Candidate and in the 1986 film Dogs in Space, which featured Michael Hutchence in the lead role; Hutchence cited Gang of Four as a major influence on his band INXS. In 2016, Frank Ocean would sample the song on "Futura Free" from the album Blonde.[35]

In 2014, Kevin J. H. Dettmar wrote a monograph on the album for Bloomsbury's 33⅓ series.[36]

## Track listing

[edit]

All tracks are written by Gang of Four (Dave Allen, Hugo Burnham, Andy Gill and Jon King).

Side oneNo.| Title| Length

|
|

1.| "Ether"| 3:52
2.| "Natural's Not in It"| 3:09
3.| "Not Great Men"| 3:08
4.| "Damaged Goods"| 3:29
5.| "Return the Gift"| 3:08
6.| "Guns Before Butter"| 3:49

Side twoNo.| Title| Length

|
|

1.| "I Found That Essence Rare"| 3:09
2.| "Glass"| 2:32
3.| "Contract"| 2:42
4.| "At Home He's a Tourist"| 3:33
5.| "5.45"| 3:48
6.| "Love Like Anthrax"| 4:23
Total length:| 39:53

1995 bonus tracks

EMI Records CD issue (mastered by Andy Gill and Jon King) includes the following tracks from the Yellow EP:

1. "Outside the Trains Don't Run on Time" – 3:27
2. "He'd Send in the Army" – 3:40
3. "It's Her Factory" – 3:08

Infinite Zero Archive/American Recordings CD issue includes the remaining track from the Yellow EP:

1. "Armalite Rifle" – 2:48

2005 bonus tracks

In addition to the Yellow EP, the Rhino release adds four previously unissued tracks:

1. "Guns Before Butter" (alternate version) – 4:25
2. "Contract" (alternate version) – 2:48
3. "Blood Free" (live at The Electric Ballroom, London) – 3:17
4. "Sweet Jane" (live at the American Indian Center) (Lou Reed) – 3:20

## Personnel

[edit]

Gang of Four

* Jon King – lead vocals (1–3, 7–9), co-lead vocals (1, 4–6, 10, 12), backing vocals (11), melodica (1, 3, 11), art design
* Andy Gill – electric guitar, lead vocals (11), co-lead vocals (1, 4–6, 10, 12), backing vocals (2,3, 7–9), art design
* Dave Allen – bass guitar, backing vocals (3, 5, 7, 12)
* Hugo Burnham – drums

Technical personnel

* Edwin Cross – tape operator
* Davy Phee – tape operator
* Rik Walton – engineer

## Charts

[edit]

Album
Chart (1979–80)  | Peak
position

|

New Zealand Albums (RMNZ)[37] | 35
UK Albums (OCC)[38] | 45

Singles
Year  | Single  | Chart  | Peak

|
|
|

1979  | "At Home He's a Tourist"  | UK Singles Chart[8] | 58
1980  | "Damaged Goods"/"I Found That Essence Rare"  | US Billboard Dance Club Songs[39] | 39

## References

[edit]

1. ^ Fitzgerald, Colin (10 April 2020). "The 50 Best Post-Punk Albums Ever: Part 5, Joy Division to Gang of Four". PopMatters. Retrieved 7 June 2020.
2. ^ Ham, Robert; et al. (13 July 2016). "The 50 Best Post-Punk Albums". Paste. Retrieved 7 June 2020.
3. ^ Warwick, Kevin (22 June 2016). "All that sass: The albums that define the '00s dance-punk era". The A.V. Club. Retrieved 7 June 2020.
4. ^ "Book Reviews". SLUG Magazine. 31 August 2014. Retrieved 7 June 2020.
5. ^ Barker, Emily (25 October 2013). "The 500 Greatest Albums Of All Time: 200-101". NME. Retrieved 17 October 2024.
6. ^ a b Murray, Robin (10 September 2009). "Gang of Four Track By Track". Clash. Retrieved 11 July 2013.
7. ^ "Gang of Four's Entertainment!". Bloomsbury Publishing. Retrieved 28 October 2020.
8. ^ a b "Gang of Four". Official Charts Company. Retrieved 5 September 2019.
9. ^ Pothier, Mark (3 March 2004). "His Gang days are behind him". The Boston Globe. Retrieved 29 April 2010.
10. ^ Simpson, Dave (7 January 2005). "Jerky, punky, funky". The Guardian. Retrieved 29 April 2010.
11. ^ Cantrell, Dave; Gleason, Paul (2014). "Entertainment! Turns 35: Gang of Four Drummer Hugo Burnham Remembers". Caught in the Carousel. Archived from the original on 14 July 2014. Retrieved 28 October 2020.
12. ^ Kellman, Andy. "Entertainment! – Gang of Four". AllMusic. Retrieved 3 August 2012.
13. ^ Power, Tony. "Gang of Four: Entertainment!". Blender. Archived from the original on 23 November 2005. Retrieved 6 July 2016.
14. ^ Christgau 1990.
15. ^ Larkin 2011.
16. ^ Flaherty, Michael (3 February 1995). "The latest in reissues". Entertainment Weekly. Archived from the original on 6 November 2016. Retrieved 6 July 2016.
17. ^ Harvell, Jess (11 May 2005). "Gang of Four: Entertainment!". Pitchfork. Retrieved 3 August 2012.
18. ^ "The 100 Best Punk Albums of All Time – Gang of Four: Entertainment!". Q (special ed.). May 2002. p. 138.
19. ^ "Albums" (PDF). Record Mirror: 18. 6 October 1978. Retrieved 4 March 2021.
20. ^ Walters, Barry (19 May 2005). "Entertainment!". Rolling Stone. Retrieved 3 August 2012.
21. ^ Considine 2004, p. 321.
22. ^ Kreilkamp 1995, p. 163.
23. ^ "1979 Best Albums And Tracks Of The Year". NME. 10 October 2016. Retrieved 15 November 2016.
24. ^ Fricke, David (7 August 1980). "Gang of Four: Entertainment". Rolling Stone. Archived from the original on 24 February 2009. Retrieved 3 August 2012.
25. ^ Smith, RJ (March 1984). "Gang of Four = Hard Men in Good Cars". Creem. Retrieved 5 September 2019 - via Rock's Backpages.
26. ^ "Rolling Stone – the 500 Greatest Albums of All Time (2003)".
27. ^ "500 Greatest Albums of All Time". Rolling Stone. 31 May 2012. Retrieved 2 September 2019.
28. ^ "The 100 Best Albums of the 1970s". Pitchfork. 23 June 2004. p. 10\. Archived from the original on 15 April 2013. Retrieved 14 January 2013.
29. ^ "The 50 Best Post-Punk Albums". Paste Magazine. Retrieved 16 June 2025.
30. ^ Gill, Andy (18 September 2009). "Andy Gill meets Andy Gill". The Independent. Retrieved 29 April 2010.
31. ^ Shade, Chris (2006). "Gang of Four: Entertainment!". In Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die. Universe Publishing. p. 440. ISBN 978-0-7893-1371-3.
32. ^ Cross, Charles R.; Gaar, Gillian G.; Gendron, Bob; Martens, Todd; Yarm, Mark (2013). Nirvana: The Complete Illustrated History. Voyageur Press. p. 37\. ISBN 978-0-7603-4521-4.
33. ^ Entertainment! (liner notes). Gang of Four (reissue ed.). Infinite Zero Archive/American Recordings. 1995. 9 43047-2.`{{cite AV media notes}}`: CS1 maint: others in cite AV media (notes) (link)
34. ^ Gang of Four - Entertainment 1995 EMI Records CD issue
35. ^ Maine, Samantha (6 September 2016). "Gang of Four respond to Frank Ocean sampling 'Love Like Anthrax'". NME. Retrieved 17 December 2023.
36. ^ "The 33 1/3 Author Q&A: Kevin Dettmar". 33⅓ Sound. 11 July 2013. Archived from the original on 14 July 2014. Retrieved 3 July 2014.
37. ^ "Charts.nz – Gang of Four – Entertainment!". Hung Medien. Retrieved 28 October 2020.
38. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved 28 October 2020.
39. ^ "Gang of Four Chart History: Dance Club Songs". Billboard. 2019. Retrieved 6 September 2019.

Sources

* Christgau, Robert (1990). "Gang of Four: Entertainment!". Christgau's Record Guide: The '80s. Pantheon Books. ISBN 0-679-73015-X. Retrieved 6 July 2016.
* Considine, J. D. (2004). "Gang of Four". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. ISBN 0-7432-0169-8.
* Kreilkamp, Ivan (1995). "Gang of Four". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. ISBN 0-679-75574-8.
* Larkin, Colin (2011). "Gang of Four". The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN 978-0-85712-595-8.

* v
* t
* e

Gang of Four

* Jon King
* Hugo Burnham
* Sara Lee
* David Pajo

* Andy Gill
* Dave Allen
* Busta Jones
* Mark Heaney
* Jonny Finnegan
* Thomas McNeice
* John Sterry
* Tobias Humble

Studio albums|

* Entertainment!
* Solid Gold
* Songs of the Free
* Hard
* Mall
* Shrinkwrapped
* Content
* What Happens Next
* Happy Now

Compilation albums|

* A Brief History of the Twentieth Century
* The Peel Sessions

Extended plays|

* Yellow
* Another Day/Another Dollar

Singles|

* "Damaged Goods"

Authority control databases |

* MusicBrainz release group

|

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