Experimental rock

Music genre

Experimental rock

Other names| Avant-rock[1]
Stylistic origins|

* Rock[2]
* avant-garde[3]
* experimental

Cultural origins| 1960s, United States and United Kingdom
Derivative forms|

* Art rock[4]
* neo-psychedelia[5]

Subgenres

* Krautrock[6]
* Mathcore[7]
* neo-prog[7]
* noise rock[7]
* no wave[8]
* post-rock[7][9][10]

Other topics

* Avant-punk
* avant-garde metal
* avant-prog
* electronics in rock music
* experimental pop
* industrial music
* math rock
* post-punk
* progressive rock
* psychedelic rock
* shoegaze

Experimental rock, also called avant-rock, is a subgenre of rock music[2] that pushes the boundaries of common composition and performance technique[11] and/or which experiments with the basic elements of the genre.[12] Acts in the genre aim to liberate and innovate, with the genre's distinguishing characteristics variously consisting of improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.[3]

From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, avant-garde and contemporary classical pieces. Later in the 1970s, significant musical crossbreeding took place in tandem with the developments of punk and new wave, DIY experimentation, and electronic music. Funk, jazz-rock, and fusion rhythms also became integrated into experimental rock music as new African-American musical influences became prominent.

1980s experimental rock groups had few direct precedents for their sound, often pursuing a psychedelic aesthetic that differed from the seriousness of earlier post-punk. During the 1990s, post-rock became the dominant form of experimental rock.

## History

[edit]

### 1960s–1970s

[edit]

See also: Progressive rock and Art rock

> In the late 1960s and early 1970s, as Lou Reed put it, there were those were trying to become much better musicians, or much better players of their instruments at any rate, and those who were trying to forget what little they already knew. The presumption in the latter case was that technical skill was getting in the way of, or replacing, significance.

—Bill Martin writing in his book Avant Rock (2002)[13]

Although experimentation had always existed in rock music,[nb 1] it was not until the late 1960s that new openings were created from the aesthetic intersecting with the social.[15][jargon] In 1966, the boundaries between pop music and the avant-garde began to blur as rock albums were conceived and executed as distinct, extended statements.[16] Self-taught rock musicians in the middle and late 1960s drew from the work of composers such as John Cage, Karlheinz Stockhausen, and Luciano Berio. Academic Bill Martin writes: "in the case of imitative painters, what came out was almost always merely derivative, whereas in the case of rock music, the result could be quite original, because assimilation, synthesis, and imitation are integral parts of the language of rock."[17]

The Beatles working in the studio with their producer George Martin, c. 1965

Martin says that the advancing technology of multitrack recording and mixing boards were more influential to experimental rock than electronic instruments such as the synthesizer, allowing the Beatles and the Beach Boys to become the first crop of non-classically trained musicians to create extended and complex compositions.[18] Drawing from the influence of George Martin, the Beatles' producer, and the Beach Boys' Brian Wilson, music producers after the mid-1960s began to view the recording studio as an instrument used to aid the process of composition.[19][nb 2] When the Beach Boys' Pet Sounds (1966) was released to a four-month chart stay in the British top 10, many British groups responded to the album by making more experimental use of recording studio techniques.[21][nb 3]

Frank Zappa with Captain Beefheart, seated left, during a 1975 concert

In the late 1960s, groups such as the Mothers of Invention, the Velvet Underground, the Fugs, the Monks, Red Krayola, Soft Machine, Pink Floyd and the Beatles began incorporating elements of avant-garde music, sound collage, and poetry in their work.[24] Historian David Simonelli writes that, further to the Beatles' "Tomorrow Never Knows" (Revolver, 1966), the band's February 1967 double A-side single, pairing "Strawberry Fields Forever" with "Penny Lane", "establish[ed] the Beatles as the most avant-garde [rock] composers of the postwar era".[25] Aside from the Beatles, author Doyle Greene identifies Frank Zappa, the Velvet Underground, Plastic Ono Band, Captain Beefheart & His Magic Band, Pink Floyd, Soft Machine and Nico as "pioneers of avant-rock".[26][nb 4] In addition, The Quietus' Ben Graham described duos the Silver Apples and Suicide as antecedents of avant-rock.[28] Pitchfork cited Red Krayola as being "likely the most experimental band of the 1960s".[29]

In the opinion of Stuart Rosenberg, the first "noteworthy" experimental rock group was the Mothers of Invention, led by composer Frank Zappa.[2] Greene recognises the group's debut album, Freak Out!, as marking the "emergence of the 'avant-rock' studio album" at a time when Warhol's presentation of the Velvet Underground's shows was redefining the parameters of a rock concert.[30] According to author Kelly Fisher Lowe, Zappa "set the tone" for experimental rock with the way he incorporated "countertextural aspects ... calling attention to the very recordedness of the album".[31] This was reflected in other contemporary experimental rock LPs, such as the Beach Boys' Pet Sounds and Smile, the Who's The Who Sell Out (1967) and Tommy (1969), and the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967).[31] The Velvet Underground were a "groundbreaking group in experimental rock", according to Rosenberg, "even further out of step with popular culture than the early recordings of the Mothers of Invention".[32] The band were playing experimental rock in 1965 before other significant countercultural rock scenes had developed,[33] pioneering avant-rock through their integration of minimalist rock and avant-garde ideas.[34][nb 5]

The Beatles' album Sgt. Pepper's inspired a new consideration for experimental rock as commercially viable music.[36] Once the group released their December 1967 film Magical Mystery Tour, author Barry Faulk writes, "pop music and experimental rock were [briefly] synonymous, and the Beatles stood at the apex of a progressive movement in musical capitalism".[37] The musical passage recorded by the Doors in 1968, "Not to Touch the Earth", is what critic Mick Wall described as "nearly four minutes of avant-rock."[38] As progressive rock developed, experimental rock acquired notoriety alongside art rock.[2][nb 6] By 1970, most of the musicians which had been at the forefront of experimental rock had incapacitated themselves.[40][clarification needed][verification needed] From then on, the ideas and work of British artist and former Roxy Music member Brian Eno—which suggested that ideas from the art world, including those of experimental music and the avant-garde, should be deployed in the context of experimental rock—were a key innovation throughout the decade.[41]

#### Krautrock

[edit]

Main article: Krautrock

In the late 1960s and early 1970s, Germany's "krautrock" scene (also referred to as kosmische or elektronische musik) saw bands develop a form of experimental rock[6][42] that drew on rock sources, such as the Velvet Underground and Frank Zappa, as well as wider avant-garde influences.[24] Groups such as Can, Faust, Neu!, Amon Düül II, Ash Ra Tempel, Kraftwerk, Tangerine Dream, and Popol Vuh merged elements of psychedelic rock with electronic music, funk rhythms, jazz improvisation, and avant-garde and contemporary classical compositions,[43][42] as well as new electronic instrumentation.[24] The ideas of minimalism and composers such as Stockhausen would be particularly influential.[24] The movement was partly born out of the student movements of 1968, as German youth sought a unique countercultural identity[42][24] and wanted to develop a form of German music that was distinct from the mainstream music of the period.[6]

### Late 1970s–present

[edit]

See also: Post-punk, No wave, Shoegaze, Post-progressive, and Post-rock

The late 1970s post-punk movement was devised as a break with rock tradition, exploring new possibilities by embracing electronics, noise, jazz and the classical avant-garde, and the production methods of dub and disco.[44] During this era, funk, jazz-rock, and fusion rhythms became integrated into experimental rock music.[45] Some groups who were categorized as "post-punk" considered themselves part of an experimental rock trajectory, with This Heat as one of the prominent players.[46] The late 1970s no wave scene consisted of New York experimental rock bands that aimed to break with new wave,[8] and who, according to Village Voice writer Steve Anderson, pursued an abrasive reductionism which "undermined the power and mystique of a rock vanguard by depriving it of a tradition to react against."[47] Anderson claims that the no wave scene represented "New York's last stylistically cohesive avant-rock movement."[47]

Sonic Youth perform in Sweden in 2005.

The early 1980s would see avant-rock develop significantly following the punk and new wave, DIY experimentation, electronic music, and musical cross-breeding of the previous decade, according to Pitchfork.[48] Dominique Leone of Pitchfork claims that the first wave of 1980s experimental rock groups, including acts such as Material, the Work, This Heat, Ornette Coleman's Prime Time, James Blood Ulmer, Last Exit, and Massacre, had few direct precedents for their sound.[48] Steve Redhead noted the resuscitation of New York's avant-rock scene, including artists such as Sonic Youth and John Zorn, in the 1980s.[49] According to journalist David Stubbs, "no other major rock group [...] has done as much to try to bridge the gap between rock and the avant garde" as Sonic Youth, who drew on improvisation and noise as well as the Velvet Underground.[50]

In the 1980s, avant-rock pursued a "frazzled, psychedelia-tinged, 'blissed out'" aesthetic that differed from the self-consciousness and vigilance of earlier post-punk;[51] for instance, the UK shoegaze scene was seen by some as a continuation of an experimental rock tradition.[52] Pitchfork described contemporary acts My Bloody Valentine, Spacemen 3, and the Jesus and Mary Chain as "avant-rock icons."[53] According to Paul Hegarty and Martin Halliwell, some 1980s and early 1990s avant-rock acts such as the British musicians David Sylvian and Talk Talk returned to the ideas of progressive rock, which they call "post-progressive".[54] During the 1990s, a loose movement known as post-rock became the dominant form of experimental rock.[9] In a reaction against traditional rock music formula, post-rock artists combined standard rock instrumentation with electronics and influences from various styles such as ambient music, IDM, krautrock, minimalism, and jazz.[9] In 2015, The Quietus' Bryan Brussee contemporarily noted uncertainty with the term "experimental rock", and that "it seem[ed] like every rock band [...] ha[d] some kind of post-, kraut-, psych-, or noise- prefixed to their genre."[55]

## Footnotes

[edit]

1. ^ Young John Watson's 1954 single "Space Guitar" has been cited as an early example of experimental rock due to its extreme usage of dissonance and noise.[14]
2. ^ In the popular music of the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, arrangements, unnatural reverb, and other sound effects. Some of the best known examples are Phil Spector's Wall of Sound production formula and Joe Meek's use of homemade electronics for acts like the Tornados.[20]
3. ^ The Beach Boys followed Pet Sounds several months later with the single "Good Vibrations" (1966), credited as a milestone in the development of rock music[22] and, with the Beatles' Revolver, a prime proponent in revolutionizing rock music from live concert performances to studio productions which could only exist on record.[23]
4. ^ Author Barry Miles commented on Pink Floyd, "They were the first people I'd ever heard who were combining some kind of intellectual experimentation with rock 'n' roll". Photographer John Hopkins remembers: "The band did not play music, they were playing sounds. Waves and walls of sound, quite unlike anything anybody in rock 'n' roll had played before. It was like people in serious, nonpopular music".[27]
5. ^ According to Clash Music, the group's debut March 1967 album The Velvet Underground & Nico was the first art rock record.[35]
6. ^ Martin believes: "almost everything that is interesting and creative in rock music that comes after about 1970 is influenced one way or another by progressive rock".[39] Specific influences on rock musicians were: improvement in musicianship, broad eclecticism, utopianism, romanticism, and a commitment to experimentation.[39]

## References

[edit]

1. ^ "EXPERIMENTAL ROCK (AVANT-ROCK)". The Independent. Archived from the original on June 21, 2020. Retrieved February 16, 2016.
2. ^ a b c d Rosenberg 2009, p. 179.
3. ^ a b "Experimental Rock". AllMusic. Retrieved February 16, 2016.
4. ^ "Pop/Rock » Art-Rock/Experimental » Prog-Rock". AllMusic.
5. ^ Morse 2009, p. 144.
6. ^ a b c Savage, Jon (30 March 2010). "Elektronische musik: a guide to krautrock". The Guardian. Retrieved 14 June 2016.
7. ^ a b c d Osborn, Brad (October 2011). "Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres*". Music Theory Online. 17 (3). doi:10.30535/mto.17.3.4. hdl:1808/12360.
8. ^ a b Lawrence 2009, p. 344.
9. ^ a b c "Post-Rock". AllMusic.
10. ^ "Post-rock". Encyclopædia Britannica. n.d.
11. ^ Bogdanov 2001, p. 10.
12. ^ Martin 1998, p. 93.
13. ^ Martin 2015, p. 4.
14. ^ Greene 2016, p. 191.
15. ^ Martin 2015, p. 3.
16. ^ Greene 2016, p. 22.
17. ^ Martin 2015, p. 5.
18. ^ Martin 2015, p. 75.
19. ^ Edmondson 2013, p. 890.
20. ^ Blake 2009, p. 45.
21. ^ Gillett 1984, p. 329.
22. ^ Stuessy & Lipscomb 2009, p. 71.
23. ^ Ashby 2004, p. 282.
24. ^ a b c d e Unterberger 1998, p. 174.
25. ^ Simonelli 2013, p. 106.
26. ^ Greene 2016, p. 182.
27. ^ Schaffner 1992, p. 10.
28. ^ Graham, Ben (20 July 2010). "Repetition, Repetition, Repetition: Moon Duo Interview". The Quietus. Retrieved 17 September 2016.
29. ^ Alex Linhardt (2004-02-09). "The Red Krayola: The Parable of Arable Land / God Bless The Red Krayola and All Who Sail with It Album Review". Pitchfork. Retrieved 2022-08-08.
30. ^ Greene 2016, p. 23.
31. ^ a b Lowe 2007, pp. 38, 219.
32. ^ Rosenberg 2009, p. 180.
33. ^ John, Mike (July 4, 1970). "Review of the Velvet Underground at Max's Kansas City". The New York Times. ISBN 9780786736898. Retrieved 19 September 2016.
34. ^ Greene 2016, p. 143.
35. ^ "Classic Albums: The Velvet Underground - The Velvet Underground & Nico". Clash Music. December 11, 2009. Archived from the original on April 2, 2015. Retrieved March 28, 2015.
36. ^ Smith 2006, p. 35.
37. ^ Faulk 2016, p. 73.
38. ^ Wall 2014, p. 201.
39. ^ a b Martin 2015, p. 69.
40. ^ Faulk 2016, p. 63.
41. ^ Albiez, Sean (2016). Brian Eno: Oblique Music. Bloomsbury Publishing. p. 168\. ISBN 9781441117458. Retrieved 19 September 2016.
42. ^ a b c Sanford, John (April 2013). Encyclopedia of Contemporary German Culture. Routledge Press. p. 353\. ISBN 9781136816031.
43. ^ Reynolds, Simon (July 1996). "Krautrock". Melody Maker.
44. ^ Reynolds 2005, p. [page needed].
45. ^ Smith 2006, p. 2.
46. ^ Stubbs 2009, p. 86.
47. ^ a b Foege, Alec (October 1994). Confusion Is Next: The Sonic Youth Story. Macmillan. pp. 68–9\. ISBN 9780312113698.
48. ^ a b Leone, Dominique. "Massacre: Killing Time - Album Review". Pitchfork Media. Retrieved 17 September 2016.
49. ^ Redhead, Steve (1990). The End of the Century Party: Youth and Pop Towards 2000. Manchester University Press. p. 66\. ISBN 9780719028274.
50. ^ Stubbs 2009, p. 91.
51. ^ Stubbs 2009, p. 92.
52. ^ Rodgers, Jude (2007). "Diamond Gazers: Shoegaze". The Guardian. Retrieved 18 September 2016.
53. ^ Berman, Stuart. "The Horrors - Primary Colours". Pitchfork Media. Retrieved 17 September 2016.
54. ^ Hegarty & Halliwell 2011, p. 225.
55. ^ Brussee, Bryan (July 8, 2015). "LIVE REPORT: GZA". The Quietus.

## Bibliography

[edit]

* Ashby, Arved Mark, ed. (2004). The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. Boydell & Brewer. ISBN 978-1-58046-143-6.
* Blake, Andrew (2009). "Recording practices and the role of the producer". In Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel (eds.). The Cambridge Companion to Recorded Music. Cambridge University Press. ISBN 978-1-139-82796-6.
* Bogdanov, Vladimir, ed. (2001). All Music Guide to Electronica. Backbeat Books. ISBN 0-87930-628-9.
* Edmondson, Jacqueline, ed. (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO. ISBN 978-0-313-39348-8.
* Faulk, Barry J. (2016). British Rock Modernism, 1967-1977: The Story of Music Hall in Rock. Routledge. ISBN 978-1-317-17152-2.
* Gillett, Charlie (1984). The Sound of the City: The Rise of Rock and Roll. Perseus Books Group. ISBN 978-0-306-80683-4.
* Greene, Doyle (2016). Rock, Counterculture and the Avant-Garde, 1966-1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. McFarland. ISBN 978-1-4766-2403-7.
* Lowe, Kelly Fisher (2007). The Words and Music of Frank Zappa. U of Nebraska Press. ISBN 978-0-8032-6005-4.
* Hegarty, Paul; Halliwell, Martin (2011), Beyond and Before: Progressive Rock Since the 1960s, New York: The Continuum International Publishing Group, ISBN 978-0-8264-2332-0
* Lawrence, Tim (2009). Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. Duke University Press. p. 344. ISBN 978-0-8223-9085-5.
* Martin, Bill (1998). Listening to the Future: The Time of Progressive Rock, 1968–1978. Open Court. ISBN 0-8126-9368-X.
* Martin, Bill (2015). Avant Rock: Experimental Music from the Beatles to Bjork. Open Court Publishing Company. ISBN 978-0-8126-9939-5.
* Morse, Erik (2009). Spacemen 3 And The Birth Of Spiritualized. Omnibus Press. ISBN 978-0-85712-104-2.
* Wall, Mick (October 30, 2014). Love Becomes a Funeral Pyre. UK: Hachette. ISBN 978-1409151258.
* Reynolds, Simon (2005). Rip It Up and Start Again: Postpunk 1978–1984. London: Faber and Faber. ISBN 978-0-571-21570-6.
* Rosenberg, Stuart (2009). Rock and Roll and the American Landscape: The Birth of an Industry and the Expansion of the Popular Culture, 1955-1969. iUniverse. ISBN 978-1-4401-6458-3.
* Schaffner, Nicholas (1992). Saucerful of Secrets: The Pink Floyd Odyssey. Dell. p. 223. ISBN 978-0-385-30684-3.
* Simonelli, David (2013). Working Class Heroes: Rock Music and British Society in the 1960s and 1970s. Lanham, MD: Lexington Books. ISBN 978-0-7391-7051-9.
* Smith, Chris (2006). The Greenwood Encyclopedia of Rock History: From arenas to the underground, 1974-1980. Greenwood Press. ISBN 978-0-313-33611-9.
* Stubbs, David (2009). Fear of Music: Why People Get Rothko But Don't Get Stockhausen. John Hunt Publishing. ISBN 978-1-84694-179-5.
* Stuessy, Joe; Lipscomb, Scott David (2009). Rock and Roll: Its History and Stylistic Development. Prentice Hall Higher Education. ISBN 978-0-13-601068-5.
* Unterberger, Richie (1998). Unknown Legends of Rock 'n' Roll. Hal Leonard Corporation. ISBN 978-1-61774-469-3.

## Further reading

[edit]

* Gendron, Bernard (2002). Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. University of Chicago Press. ISBN 978-0-226-28735-5.
* Holm-Hudson, Kevin, ed. (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4.

* v
* t
* e

Rock music

Components|

* Backbeat
* Distortion
* Rock band
* Electric guitar
* Electric bass
* Rhythm section
* Drum kit

Genres by
decade of origin
(sub-subgenres
not included)|

| 1950s|

* Instrumental rock
* Latin rock
* Pop rock
* Rock and roll
* British
* Rockabilly
* Surf music

|

1960s|

* Anatolian rock
* Art rock
* Baroque rock
* Beat music
* Blues rock
* Boogie rock
* Chamber pop
* Christian rock
* Comedy rock
* Country rock
* Electronic rock
* Experimental rock
* Flamenco rock
* Folk rock
* Garage rock
* Hard rock
* Heavy metal
* Jam
* Jazz rock
* Krautrock
* Noise rock
* Occult rock
* Progressive rock
* Psychedelic rock
* Raga rock
* Roots rock
* Samba rock
* Soft rock
* Southern rock
* Space rock
* Swamp rock

1970s|

* Arena rock
* Cello rock
* Cock rock
* Dance-rock
* Funk rock
* Glam rock
* Heartland rock
* Industrial rock
* New wave
* Post-progressive
* Post-punk
* Power pop
* Pub rock (Australia)
* Pub rock (United Kingdom)
* Punk rock
* Shock rock
* Soft rock
* Visual kei
* Yacht rock

1980s|

* Alternative rock
* Deathrock
* Dream pop
* Gothic rock
* Grebo
* Grunge
* Indie rock
* Jangle pop
* Rap rock
* Rock kapak
* Shoegaze
* Slacker rock
* Trop rock

1990s|

* Britpop
* Emo
* Math rock
* Post-grunge
* Post-rock
* Stoner rock
* Sufi rock
* Viking rock

Regional scenes|

| North America|

* American
* Palm Desert Scene
* Canadian
* Costa Rican
* Cuban
* Dominican
* Haitian
* Mexican
* Chicano rock
* Puerto Rican

|

South America|

* Argentine
* Brazilian
* Brazilian thrash metal
* Samba rock
* Tropicália
* Chilean
* Colombian
* Ecuadorian
* Peruvian
* Uruguayan
* Venezuelan

Europe|

* Albanian
* Belarusian
* Belgian
* Bosnian
* British
* British rock and roll
* Britpop
* Post-Britpop
* Croatian
* Danish
* Dutch
* Indorock
* Nederbeat
* Ultra
* Estonian
* Finnish
* French
* German
* Greek
* Hungarian
* Icelandic
* Irish
* Italian
* Latvian
* Lithuanian
* Macedonian
* Norwegian
* Polish
* Portuguese
* Romanian
* Russian
* Serbian
* Slovenian
* Spanish
* Swedish
* Swiss
* Ukrainian
* Yugoslavian
* Art rock
* Hard rock and heavy metal
* Extreme metal
* Neo-rockabilly
* New wave
* Post-punk
* Punk

Asia|

* Armenian
* Azerbaijani
* Bangladeshi
* Cambodian (1959–1975)
* Chinese
* Filipino
* Bisrock
* Indian
* Bengali
* Raga
* Indonesian
* Iranian
* Israeli
* Japanese
* Visual kei
* Korean
* Malaysian
* Rock kapak
* Nepalese
* Pakistani
* Sufi
* Russian
* Taiwanese
* Thai
* Turkish

Africa|

* Angolan
* Sahara desert region
* Zambian

Oceania|

* Australian
* New Zealand

Radio formats|

* Active rock
* Adult album alternative
* Album-oriented rock
* Classic rock
* Mainstream rock
* Modern rock
* Progressive rock (radio format)

* History
* Culture

* British Invasion
* List of years in rock music
* Origins of rock and roll
* Country music
* Jazz
* Rhythm and blues
* Electronics in rock music
* Social effects
* Rock Against Communism
* Rock Against Racism
* Rock Against Sexism
* Rock music and the fall of communism
* Rockism and poptimism
* Women in rock

Related|

* Beatlesque
* List of rock genres
* Motorik
* Outlaw country
* Progressive music
* Rock and Roll Hall of Fame
* Rock concert
* Rock festival
* Rock musical
* Rock opera
* Wagnerian rock
* Wall of Sound

* Category
* Portal

* v
* t
* e

Experimental music

Related contemporary
classical music genres

* Aleatoric
* indeterminacy
* Avant-garde
* Drone
* Electroacoustic
* Acousmatic music
* Tape music
* Minimal
* Musique concrete
* Noise
* Danger

Experimental popular
music genres

| By style|

* Avant-garde jazz
* Avant-garde metal
* Post-metal
* Avant-pop
* Avant-prog
* Avant-punk
* Biomusic
* Deconstructed club
* Experimental pop
* Experimental rock
* krautrock
* math rock
* neo-prog
* no wave
* noise rock
* post-punk
* post-rock
* Intelligent dance music
* Neofolk
* Wave

|

Related|

* Art pop
* Art punk
* Art rock
* Avant-funk
* Ambient
* Drone metal
* Free improvisation
* Free jazz
* Glitch
* Hyperpop
* Industrial
* Progressive jazz
* Punk jazz
* Witch house

Extended techniques|

* 3rd bridge
* Circuit bending
* Frippertronics
* Plunderphonics
* Prepared guitar
* Prepared piano
* Scordatura
* Turntablism

Related concepts|

* Cymatics
* Dada
* Data sonification
* Experimental musical instrument
* Experimental luthier
* Fluxus
* Progressive music
* Sound art
* Sound collage
* Sound installation
* Sound sculpture
* Soundscape
* Electroacoustic improvisation

Events and lists|

* List of experimental music festivals
* List of electronic music festivals
* List of experimental musicians

* v
* t
* e

Avant-garde movements

Visual art|

* Abstract expressionism
* Art Nouveau
* Art & Language
* Conceptual art
* Constructivism
* Proto-Cubism
* Cubism
* Functionalism
* Bauhaus
* Grosvenor School
* Devětsil
* Divisionism
* Fauvism
* Impressionism
* Neo-Impressionism
* Post-Impressionism
* Color Field
* Incoherents
* Lyrical Abstraction
* Mail art
* Minimalism
* Mir iskusstva
* Multidimensional art
* Neoplasticism
* De Stijl
* Neue Slowenische Kunst
* Nonconformism
* Nouveau réalisme
* Orphism
* Performance art
* Pop art
* Process art
* Purism
* Rayonism
* Suprematism
* Temporary art
* Vorticism

Literature
and poetry|

* Acmeism
* Angry Penguins
* Asemic writing
* Conceptual poetry
* Cyberpunk
* Ego-Futurism
* Experimental literature
* Flarf poetry
* Hungry generation
* Imaginism
* Imagism
* Language poets
* Neoavanguardia
* Neoteric
* Nouveau roman
* Oberiu
* Oulipo
* Slam poetry
* Ultraísmo
* Visual poetry
* Zaum

Music|

| By style|

* Funk
* Jazz
* Free funk
* Yass
* Pop
* Rock
* Prog
* Punk
* Metal

|

Others|

* Aleatoric music
* Ars nova
* Ars subtilior
* Atonal music
* Electroacoustic music
* Electronic music
* Industrial music
* Experimental pop
* Free jazz
* Free improvisation
* Futurism
* Microtonal music
* Minimal music
* Drone music
* Music theatre
* Musique concrète
* New Complexity
* No wave
* Noise music
* Post-rock
* Rock in Opposition
* Second Viennese School
* Serialism
* Spectral music
* Stochastic music
* Textural music
* Totalism
* Twelve-tone technique

Cinema
and theatre|

* Cinéma pur
* Dogme 95
* Drop Art
* Epic theatre
* Experimental film
* Experimental theatre
* Modernist film
* Poetic realism
* Postdramatic theatre
* Remodernist film
* Structural film
* Theatre of the Absurd
* Theatre of Cruelty

General|

* Constructivism
* Dada
* Expressionism
* Fluxus
* Futurism
* Russian Futurism
* Cubo-Futurism
* Lettrism
* Modernism
* Minimalism
* Postminimalism
* Neo-minimalism
* Neo-Dada
* Neoism
* Postmodernism
* Postmodernist film
* Late modernism
* Primitivism
* Situationist International
* Social realism
* Socialist realism
* Surrealism
* Symbolism
* Russian symbolism

*[c.]: circa
*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template