Family Business (1989 film)

1989 film by Sidney Lumet

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Family Business

Theatrical release poster

Directed by| Sidney Lumet
Written by| Vincent Patrick
Produced by| Lawrence Gordon
Starring|

* Sean Connery
* Dustin Hoffman
* Matthew Broderick
* Rosanna DeSoto

Cinematography| Andrzej Bartkowiak
Edited by| Andrew Mondshein
Music by| Cy Coleman

Production
companies

Gordon Company
Regency International Pictures

Distributed by| Tri-Star Pictures

Release date

* December 15, 1989 (1989-12-15)

Running time

| 110 minutes[1]
Country| United States
Language| English
Box office| $12,195,695

Family Business is a 1989 American neo noir crime film directed by Sidney Lumet, with a screenplay by Vincent Patrick, based on his novel. It stars Sean Connery, Dustin Hoffman, and Matthew Broderick.

## Plot[edit]

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Jessie McMullen is a Scottish-American widower who emigrated with his Sicilian wife to New York in 1946. A lovable rogue, incorrigible womaniser, and tough guy, Jessie is proud of his criminal past and lifestyle. He raised his son Vito to follow in his footsteps, but Vito went straight at 21 when his son Adam was born. Vito now runs a thriving wholesale Twelfth Avenue meat-packing warehouse and has left his criminal life behind.

Ashamed of his family's past, Vito married his middle-class Jewish sweetheart and has tried to set a good example for their son, which in his mind, means keeping Adam away from his criminally minded yet charming grandfather. Little does Vito understand that this strategy has backfired; the mystery surrounding Jessie, coupled with his strict educational upbringing, causes Adam to idolize his grandfather. Adam even puts up bail, borrowing it from Vito, one night after Jessie is charged with assault from a bar tavern fight.

Adam is in college with a scientific scholarship and has a bright future. However, six months before graduating, he drops out, complaining to Jessie that he was already "being put on a pension plan and that they had my whole future mapped out." So when he unveils a scheme for a grand burglary, it impresses his grandfather, but Vito is surprised and bitterly disappointed. He warns his son not to pursue this and even slaps his face in a bar to drive home the point. This pushes Adam even closer to his grandfather, who can't wait to take a shot at a million-dollar payday.

Jesse chastises Adam's older girlfriend over lunch after hearing she's making money sitting on seven prime NYC apartments owned by terminally cancer patients via a contact in a cancer hospital, he lectures her that it's immoral to steal from someone legally while taking no risk, calling her a parasite.

Jessie is eager to reenlist his reformed son Vito in the planned heist, calling the scheme "the sweetest deal of my life." The more he hears, the more tempted Vito is to give up the safe but dull life he has carved out for himself and return to the wild days of his youth robbing with Jessie. So the three generations of McMullens embark on one final great criminal adventure, "The Caper" with Vito begrudgingly saying yes on the premise that he is there to watch out for Adam along the way.

The plan is to steal valuable scientific research from a lab. It backfires horribly when, having seemingly pulled off the heist successfully, Adam forgets to take a logbook that is a vital prerequisite to being paid the million dollars. Adam dashes back into the building to retrieve it, but in his haste, he sets off an alarm on his way out. Vito and Jessie can only watch helplessly from afar as Adam is captured by the police. At the last minute, Adam manages to throw the logbook over a fence which is retrieved by Jessie and Vito in the getaway car.

Vito is heartbroken and dreads his wife Elaine finding out what has happened. He and Jessie hire an expensive shyster lawyer for Adam's defense but are told the only way for Adam to avoid a 15-year sentence is to give up his two mystery accomplices and "the goods" taken in the heist. Vito's wife angrily instructs him to give himself up along with Jessie, whatever it takes, to get her darling son Adam a reduced sentence. Vito locates the vials stolen from the lab that Jessie's lover Margie has been safekeeping, Margie instructing him to "get that kid out of jail."

Discovering that the scientific research they stole had been faked by the company to buy six more months of research time, Jessie tracks down Adam's former professor Jimmy Chu (who had double-crossed Adam by selling him on the robbery idea) and makes Chu pay him. A crestfallen Vito, meanwhile, gives in to his wife's suggestion that he give himself and Jessie up. He turns over the stolen goods, whereupon Jessie is taken into custody.

In court, a judge finds all three McMullens to be at fault, but after generously placing both Vito and Adam on probation, he throws the book at Jessie, giving him a 15-year sentence, tantamount at his age to a sentence of life imprisonment or a death sentence.

Adam visits Jessie devotedly in jail while banning Vito from his life. Vito's explanations that he did what he did for Adam's own good fall on deaf ears. Adam calls him a "piece of garbage" and lambasts him for having "ratted out your own father."

Jessie dies in prison, but not before telling Adam that he spent all the money Jimmy Chu paid him to keep quiet, and he didn't share any with him, because he might be going to prison and thought he had a little vigorish coming to him. Upon hearing Jesse is dying, Vito frantically attempts to see Jesse one last time but he is minutes late to say a last goodbye as Jesse died earlier that day. As the body is being carted away, Vito makes an attempt to sprint despairingly down a long corridor to try to intercept the body on its way to the morgue. He falls short by mere seconds as the electronic doors close and Vito breaks down in tears sobbing at his lost opportunity to say goodbye

Vito and Adam eventually make their peace months later. Vito agrees with Adam that the most fun they have had as a family was the caper. Together, they give Jessie a grand sendoff, scattering his ashes from the roof of Vito's childhood Hells Kitchen home as Danny Boy plays.

## Cast[edit]

* Sean Connery as Jessie
* Dustin Hoffman as Vito
* Matthew Broderick as Adam
* Rosanna DeSoto as Elaine (credited as Rosana DeSoto)
* Janet Carroll as Margie
* Victoria Jackson as Christine
* Bill McCutcheon as Doheny
* Deborah Rush as Michele Dempsey
* Rex Everhart as Ray Garvey
* James S. Tolkan as Judge
* Luis Guzmán as Torres
* B.D. Wong as Jimmy Chiu

## Reception[edit]

The movie was critically panned, with The New York Times stating that although "the three stars are good actors[,] they have nothing much to work with. Their biggest challenge is to make the audience believe they are blood relatives, a question that would be quickly dismissed if the script were more compelling. The screenplay also seems to have thrown Mr. Lumet off stride. Among other things, he is usually an efficient director. Family Business, however, is so full of waste space that it has not one but two Irish wakes, where stolen clothing is sold to the mourners who get drunk and sing Danny Boy, which is at least once too often."[2]

The Los Angeles Times stated that it was "a frail little caper movie that's overawed by its cast. With Sean Connery, Dustin Hoffman, and Matthew Broderick playing three generations of a family, you've got a lot of talent at your disposal. Forget for the moment the fact that, in this movie about the persistence of family genes, none of the actors remotely resembles each other. Forget, too, that Dustin Hoffman is seven years younger than Connery, who plays his father here. Years of agent-inspired casting have inured audiences to weirder confabs than this. But there should be a pay-off to the oddness, some compelling dramatic reason for these three to get together. Like a good script, maybe. Instead, the movie lays out a slew of half-baked ideas and never turns on the burner."[3]

Roger Ebert of the Chicago Sun-Times quipped in an otherwise positive 3-star review, "What does Sidney Lumet's 'Family Business' want to be? A caper movie, or a family drama? I ask because the movie seems to pursue both goals with equal success until about the three-quarter mark and then leaves leftover details of the caper hanging disconcertingly in midair."[4]

On the review aggregator website Rotten Tomatoes, 35% of 17 critics' reviews are positive.[5] Metacritic, which uses a weighted average, assigned the film a score of 54 out of 100, based on 17 critics, indicating "mixed or average" reviews.[6] Audiences surveyed by CinemaScore gave the film a grade "B−" on scale of A+ to F.[7][8]

### Box office[edit]

The movie debuted at number 6.[9] The film found greater success with video rentals.[10]

## References[edit]

1. ^ "Family Business".
2. ^ Canby, Vincent (1989-12-15). "Movie Review - Family Business - Review/Film; 'Family Business,' a 3-Generation Caper - NYTimes.com". The New York Times. Retrieved 2012-07-04.
3. ^ Rainer, Peter (2007-07-04). "MOVIE REVIEW : 'Family Business': It's a Crime". Los Angeles Times. Archived from the original on 2012-04-17. Retrieved 2012-07-04.
4. ^ Roger Ebert (1989-12-15). "Family Business". Chicago Sun-Times. RogerEbert.com. Retrieved 2022-02-02.
5. ^ "Family Business". Rotten Tomatoes. Fandango Media.
6. ^ "Family Business". Metacritic.
7. ^ "Hollywood's Star Vehicles Sputter at the Christmas Box Office : Movies: 'Blaze,' 'We're No Angels' and 'Family Business' opened with high holiday hopes. Despite their six bankable male leads, the films have fallen flat". Los Angeles Times. 20 December 1989. "In addition to mixed reviews from critics, those three movies were given Cinemascore audience grades in the B- range"
8. ^ "FAMILY BUSINESS (1989) B-". CinemaScore. Archived from the original on 2018-12-20.
9. ^ Cerone, Daniel (1989-12-19). "Weekend Box Office". Los Angeles Times. Retrieved 2012-06-13.
10. ^ Hunt, Dennis (1990-08-02). "VIDEO RENTALS : 'Internal Affairs' Has Appeal". Los Angeles Times. Retrieved 2012-06-13.

## External links[edit]

Wikiquote has quotations related to Family Business.

* Family Business at IMDb
* Family Business at Box Office Mojo

* v
* t
* e

Films directed by Sidney Lumet

* Filmography
* Awards and nominations

Feature films|

* 12 Angry Men (1957)
* Stage Struck (1958)
* That Kind of Woman (1959)
* The Fugitive Kind (1960)
* A View from the Bridge (1962)
* Long Day's Journey into Night (1962)
* The Pawnbroker (1964)
* Fail Safe (1964)
* The Hill (1965)
* The Group (1966)
* The Deadly Affair (1966)
* Bye Bye Braverman (1968)
* The Sea Gull (1968)
* The Appointment (1969)
* King: A Filmed Record... Montgomery to Memphis (1970)
* Last of the Mobile Hot Shots (1970)
* The Anderson Tapes (1971)
* Child's Play (1972)
* The Offence (1973)
* Serpico (1973)
* Lovin' Molly (1974)
* Murder on the Orient Express (1974)
* Dog Day Afternoon (1975)
* Network (1976)
* Equus (1977)
* The Wiz (1978)
* Just Tell Me What You Want (1980)
* Prince of the City (1981)
* Deathtrap (1982)
* The Verdict (1982)
* Daniel (1983)
* Garbo Talks (1984)
* Power (1986)
* The Morning After (1986)
* Running on Empty (1988)
* Family Business (1989)
* Q & A (1990)
* A Stranger Among Us (1992)
* Guilty as Sin (1993)
* Night Falls on Manhattan (1996)
* Critical Care (1997)
* Gloria (1999)
* Find Me Guilty (2006)
* Before the Devil Knows You're Dead (2007)

Television|

* Beyond This Place (1957)
* Hans Brinker and the Silver Skates (1958)
* All the King's Men (1958)
* The Dybbuk (1960)
* The Iceman Cometh (1960)
* Sacco-Vanzetti Story (1960)
* 100 Centre Street (2001–02)
* Strip Search (2004)

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