Fury (1936 film)

1936 film by Fritz Lang

Fury

Theatrical release poster

Directed by| Fritz Lang
Written by| Bartlett Cormack
Fritz Lang
Norman Krasna
Produced by| Joseph L. Mankiewicz
Starring| Sylvia Sidney
Spencer Tracy
Walter Abel
Bruce Cabot
Edward Ellis
Walter Brennan
Cinematography| Joseph Ruttenberg
Edited by| Frank Sullivan
Music by| Franz Waxman
Distributed by| Metro-Goldwyn-Mayer

Release date

* June 5, 1936 (1936-06-05)

[1]

Running time

| 92 minutes
Country| United States
Language| English
Budget| $604,000[2]
Box office| $1.3 million (rentals)[3]

Fury  is a 1936 American crime film directed by Fritz Lang that tells the story of an innocent man (Spencer Tracy) who narrowly escapes being burned to death by a lynch mob and the revenge he then seeks. The film was released by Metro-Goldwyn-Mayer and stars Sylvia Sidney and Tracy, with a supporting cast featuring Walter Abel, Bruce Cabot, Edward Ellis and Walter Brennan. Loosely based on the events surrounding the Brooke Hart murder in San Jose, California,[4] the film was adapted by Bartlett Cormack and Lang from the story Mob Rule by Norman Krasna. Fury was Lang's first American film.

## Plot

[edit]

Spencer Tracy as Joe Wilson

En route to meet his fiancée Katherine Grant, gas-station owner Joe Wilson is arrested on flimsy circumstantial evidence for the kidnapping of a child. Gossip soon travels around the small town, growing more distorted through each retelling, until a mob gathers at the jail. When the resolute sheriff refuses to give up his prisoner, the enraged townspeople burn down the building, throwing dynamite into the flames as they flee the scene. Unknown to anyone else there, the blast frees Joe but kills his little dog Rainbow, who had run in to comfort him in the cell.

The district attorney brings the main perpetrators to trial for murder, but nobody is willing to identify the guilty, and several provide false alibis. The case seems hopeless, but then the prosecutor produces hard evidence: newsreel footage of 22 people caught in the act.

Katherine discovers that Joe escaped the fire and that his brothers are helping him take revenge by concealing his survival and framing the defendants for his murder. She goes to see Joe and pleads with him to stop the charade, but he is determined to make his would-be killers pay. His conscience begins to weigh on him and, just as the verdicts are being read, he walks into the courtroom and sets things straight.

## Cast

[edit]

* Sylvia Sidney as Katherine Grant
* Spencer Tracy as Joe Wilson
* Walter Abel as Adams, the District Attorney
* Bruce Cabot as Kirby Dawson
* Edward Ellis as Sheriff
* Walter Brennan as "Bugs" Meyers
* Frank Albertson as Charlie
* George Walcott as Tom
* Arthur Stone as Durkin
* Morgan Wallace as Fred Garrett
* George Chandler as Milton Jackson
* Roger Gray as Stranger
* Edwin Maxwell as Will Vickery
* Howard Hickman as Governor
* Jonathan Hale as Defense Attorney
* Leila Bennett as Edna Hooper
* Esther Dale as Mrs. Whipple
* Helen Flint as Franchette
* Gwen Lee as Mrs. Fred Garrett (uncredited)
* Frederick Burton as Judge Daniel Hopkins (uncredited)

The part of Wilson's dog Rainbow was played by Terry, the same Cairn Terrier who played Toto in The Wizard of Oz.[4]

## Development

[edit]

Norman Krasna was inspired to write the story after reading about a lynching in The Nation. He pitched the idea to Samuel Marx and Joseph L. Mankiewicz at Metro-Goldwyn-Mayer, who were attracted to it. Krasna claimed that he did not write a script; he verbally pitched it to Mankiewicz, who then dictated it.[5] Multiple changes were made from Krasna's story to the final script.[6]

Fury was Lang's first American film, and is considered by critics to have been compromised by the studio, which forced Lang to tack on a reconciliation between Tracy's character and his girlfriend at the end. The film was a departure for MGM, known for its lavish musicals and glitzy dramas; the expensive production features expansive and stylized sets to create its gritty world, and its style is in keeping with the social-issue films often associated with Warner Bros., such as I Am a Fugitive from a Chain Gang.[7]

Lang originally wanted to make a film about a black victim of a lynching, but the idea was rejected by MGM.[citation needed] The kiss scene at the end, a typical Hollywood "happy ending," was appended because the production manager insisted. Lang, who credited himself with changing the protagonist from a lawyer to a mechanic, also said that he wanted to reveal that the protagonist had committed the murder.[8]

## Reception

[edit]

The film received an Academy Award nomination for Best Writing, Original Story. Frank Nugent, in a review for The New York Times, praised it as "[a] mature, sober and penetrating investigation of a national blight."[9] Writing for The Spectator in 1936, Graham Greene strongly praised the film, describing it as "the only film I know to which I have wanted to attach the epithet of 'great'." Expressing his view that the film completely conveyed the "sense of spiritual integrity ... by sound and image better than by any other medium," Greene drew particular attention to the contributions of Sylvia Sidney: "[S]he has never more deeply conveyed the pain and inarticulacy of tenderness ... no other director has got so completely the measure of his medium, is so consistently awake to the counterpoint of sound and image."[10]

In 1995, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant."[11] It was released on Blu-ray disc in the North American region by Warner Bros. in their Archive Collection in 2021.

The film earned domestic rentals of $685,000 and $617,000 overseas.[3] According to MGM records, the final profit was $248,000.[2][12]

## Notes

[edit]

1. ^ Herald May 30, 1936
2. ^ a b The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
3. ^ a b James Curtis, Spencer Tracy: A Biography, Alfred Knopf, 2011 p292.
4. ^ a b Stecher, Raquel. "Fury" (PDF). Library of Congress. Retrieved April 27, 2018.
5. ^ McGilligan, Patrick, "Norman Krasna: The Woolworth's Touch", Backstory: Interviews with Screenwriters of Hollywood's Golden Age, University of California Press,1986 pp. 218–219
6. ^ Skolsky, Sidney. "Hollywood". The Washington Post (1923–1954) Washington, D.C. June 8, 1936: 14.
7. ^ Bogdanovich, Peter (2005). Audio commentary for Fury, Warner Bros. Home Video.
8. ^ Essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pp. 246–247
9. ^ Nugent, Frank S. (June 6, 1936). "'Fury,' a Dramatic Indictment of Lynch Law, Opens at the Capitol -- Other New Pictures". The New York Times. Retrieved November 30, 2016.
10. ^ Greene, Graham (July 3, 1936). "Fury/The Story of Louis Pasteur". The Spectator. (reprinted in: Taylor, John Russell, ed. (1980). The Pleasure Dome. Oxford University Press. pp. 84–85. ISBN 0192812866.)
11. ^ "Complete National Film Registry Listing". Library of Congress. Retrieved April 29, 2020.
12. ^ Eyman, Scott (2005). Lion of Hollywood: The Life and Legend of Louis B. Mayer, Robson, p. 219

## External links

[edit]

Wikiquote has quotations related to Fury (1936 film).

Wikimedia Commons has media related to Fury (film).

* Essay by Raquel Stecher at National Film Registry
* Fury at IMDb
* Fury at the TCM Movie Database
* Fury at AllMovie
* Fury at the AFI Catalog of Feature Films

* v
* t
* e

Films directed by Fritz Lang

* Filmography
* Bibliography

Silent films|

* Halbblut (1919)
* Der Herr der Liebe (1919)
* The Spiders, Part 1 (1919)
* Harakiri (1919)
* The Spiders, Part 2 (1920)
* The Wandering Image (1920)
* Four Around a Woman (1921)
* Destiny (1921)
* Dr. Mabuse the Gambler (1922)
* Die Nibelungen: Siegfried (1924)
* Die Nibelungen: Kriemhilds Rache (1924)
* Metropolis (1927)
* Spione (1928)
* Woman in the Moon (1929)

Sound films|

* M (1931)
* The Testament of Dr. Mabuse (1933)
* Liliom (1934)
* Fury (1936)
* You Only Live Once (1937)
* You and Me (1938)
* The Return of Frank James (1940)
* Western Union (1941)
* Man Hunt (1941)
* Hangmen Also Die! (1943)
* Ministry of Fear (1944)
* The Woman in the Window (1944)
* Scarlet Street (1945)
* Cloak and Dagger (1946)
* Secret Beyond the Door (1947)
* House by the River (1950)
* American Guerrilla in the Philippines (1950)
* Rancho Notorious (1952)
* Clash by Night (1952)
* The Blue Gardenia (1953)
* The Big Heat (1953)
* Human Desire (1954)
* Moonfleet (1955)
* While the City Sleeps (1956)
* Beyond a Reasonable Doubt (1956)
* The Tiger of Eschnapur (1959)
* The Indian Tomb (1959)
* The Thousand Eyes of Dr. Mabuse (1960)

* v
* t
* e

Works by Norman Krasna

Plays|

* Louder, Please (1932)
* Small Miracle (1934)
* The Man with Blond Hair (1941)
* Dear Ruth (1945)
* John Loves Mary (1947)
* Time for Elizabeth (1949)
* Kind Sir (1953)
* Who Was That Lady I Saw You With? (1958)
* Sunday in New York (1962)
* Watch the Birdie! (1964)
* Love in E-Flat (1967)
* Bunny (1970)
* We Interrupt This Program... (1975)
* Lady Harry (1978)
* Off Broadway (1982)

Films|

* Hollywood Speaks (1932)
* That's My Boy (1932)
* So This Is Africa (1933)
* Parole Girl (1933)
* Love, Honor, and Oh Baby! (1933)
* Bombshell (1933)
* Meet the Baron (1933)
* The Richest Girl in the World (1934)
* Romance in Manhattan (1935)
* Hands Across the Table (1935)
* Four Hours to Kill! (1935)
* Wife vs. Secretary (1936)
* Fury (1936)
* The King and the Chorus Girl (1937)
* As Good as Married (1937)
* Big City (1937) (also producer)
* The First Hundred Years (1938) (also producer)
* You and Me (1938)
* Bachelor Mother (1939)
* It's a Date (1940)
* The Flame of New Orleans (1941)
* Mr. & Mrs. Smith (1941)
* The Devil and Miss Jones (1941)
* It Started with Eve (1941)
* Princess O'Rourke (1943) (also director)
* Bride by Mistake (1944) (original story)
* Practically Yours (1944)
* The Big Hangover (1950) (also director)
* Two Tickets to Broadway (1951)
* Behave Yourself! (1951) (producer only)
* The Blue Veil (1951) (producer only)
* Clash by Night (1952) (producer only)
* The Lusty Men (1952) (producer only)
* White Christmas (1954)
* Bundle of Joy (1956)
* The Ambassador's Daughter (1956) (also director)
* Indiscreet (1958)
* Let's Make Love (1960)
* Who Was That Lady? (1960)
* My Geisha (1962)
* Sunday in New York (1963)
* I'd Rather Be Rich (1964)

Authority control databases

International|

* VIAF

National|

* United States
* France
* BnF data

Other|

* IdRef

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