Gerald Vizenor

American writer

Gerald Vizenor

Gerald Vizenor in Geneva, 2000

Born| Gerald Robert Vizenor
1934 (age 89-90)
Minneapolis, Minnesota, U.S.
Occupation|

* Writer
* literary critic
* professor
* ethnographer

Nationality| White Earth Band of Ojibwe
Genre| Anishinaabe traditional, haiku
Literary movement| Postmodernism, Native American Renaissance
Notable works| Interior Landscapes, Manifest Manners, Darkness in Saint Louis Bearheart
Website
www.hanksville.org/storytellers/vizenor/

Gerald Robert Vizenor (born 1934) is an American writer and scholar, and an enrolled member of the Minnesota Chippewa Tribe, White Earth Reservation. Vizenor also taught for many years at the University of California, Berkeley, where he was Director of Native American Studies. With more than 30 books published, Vizenor is Professor Emeritus at the University of California, Berkeley, and Professor of American Studies at the University of New Mexico.

## Early life

[edit]

Gerald Vizenor was born to a mother who was Swedish-American[1] and a father who was Anishinaabe. When he was less than two years old, his father was murdered in a homicide that was never solved.[2] He was raised by his mother and paternal Anishinaabe grandmother, along with a succession of paternal uncles, in Minneapolis and on the White Earth Reservation. His mother's partner acted as his informal stepfather and primary caregiver. Following that man's death in 1950, Vizenor lied about his age and at 15 entered the Minnesota National Guard.

Honorably discharged before his unit went to Korea, Vizenor joined the army two years later. He served with occupation forces in Japan, with that nation was still struggling to recover from the vast destruction of the nuclear attacks that ended World War II. During this period, he began to learn about the Japanese poetic form of haiku. Later he wrote Hiroshima Bugi (2004), what he called his "kabuki novel."[3]

Returning to the United States in 1953, Vizenor took advantage of G.I. Bill funding to complete his undergraduate degree at New York University. He followed this with postgraduate study at Harvard University and the University of Minnesota, where he also undertook graduate teaching. After returning to Minnesota, he married and had a son.

## Activism

[edit]

After teaching at the university, between 1964 and 1968, Vizenor worked as a community advocate. During this time he served as director of the American Indian Employment and Guidance Center in Minneapolis, Minnesota, which brought him into close contact with numerous Native Americans from reservations. Many found it difficult to live in the city, and struggled against white racism and cheap alcohol.

This period is the subject of his short-story collection Wordarrows: Whites and Indians in the New Fur Trade, some of which was inspired by his experiences. His work with homeless and poor Natives may have been the reason Vizenor looked askance at the emerging American Indian Movement (AIM), seeing radical leaders such as Dennis Banks and Clyde Bellecourt as being more concerned with personal publicity than the "real" problems faced by American Indians.[citation needed]

Vizenor began working as a staff reporter on the Minneapolis Tribune, quickly rising to become an editorial contributor. He investigated the case of Thomas James White Hawk, convicted of a 1967 Vermillion, South Dakota murder and sentenced to death.[4] Vizenor's writings on the case explored the nature of justice in a society dealing with colonized peoples. His work was credited with enabling White Hawk to have his death sentence commuted.[5][6]: 261

During this period Vizenor coined the phrase "cultural schizophrenia" to describe the state of mind of many Natives, who he considered torn between Native and White cultures.[7][8] His investigative journalism into American Indian activists revealed drug dealing, personal failings, and failures of leadership among some of the movement's leaders. As a consequence of his articles, he was personally threatened.

## Academic career

[edit]

Beginning teaching full-time at Lake Forest College, Illinois, Vizenor was appointed to set up and run the Native American Studies program at Bemidji State University. Later he became professor of American Indian Studies at the University of Minnesota in Minneapolis (1978–1985).[9] He later satirized the academic world in some of his fiction. For example, in "The Chair of Tears", in Earthdivers.[6] During this time he also served as a visiting professor at Tianjin University, China.

Vizenor worked and taught for four years at the University of California, Santa Cruz, where he was also Provost of Kresge College. He had an endowed chair for one year at the University of Oklahoma. Vizenor next was appointed as a professor at the University of California, Berkeley. He is professor of American Studies at the University of New Mexico.

Vizenor was influenced by the French post-modernist intellectuals, particularly Jacques Derrida and Jean Baudrillard.

## Fiction

[edit]

Vizenor has published collections of haiku, poems, plays, short stories, translations of traditional tribal tales, screenplays, and many novels. He has been named as a member of the literary movement which Kenneth Lincoln dubbed the Native American Renaissance, a flourishing of literature and art beginning in the mid-20th century.[10]

## Non-fiction

[edit]

Vizenor has written several studies of Native American affairs, including Manifest Manners and Fugitive Poses. He has edited several collections of academic work related to Native American writing. He is the founder-editor of the American Indian Literature and Critical Studies series at the University of Oklahoma Press, which has provided an important venue for critical work on and by Native writers.

In his own studies, Vizenor has worked to deconstruct the semiotics of Indianness. His title, Fugitive Poses is derived from Vizenor's assertion that the term Indian is a social-science construction that replaces native peoples, who become absent or "fugitive".[11] Similarly, the term, "manifest manners," refers to the continued legacy of Manifest Destiny. He wrote that native peoples were still bound by "narratives of dominance" that replace them with "Indians".[12][13] In place of a unified "Indian" signifier, he suggests that Native peoples be referred to by specific tribal identities, to be properly placed in their particular tribal context, just as most Americans would distinguish among the French, Poles, Germans and English.

In order to cover more general Native studies, Vizenor suggests using the term, "postindian," to convey that the disparate, heterogeneous tribal cultures were "unified" and could be addressed en masse only by Euro-American attitudes and actions towards them. He has also promoted the neologism of "survivance", a cross between the words "survival" and "resistance." He uses it to replace "survival" in terms of tribal peoples. He coined it to imply a process rather than an end, as the ways of tribal peoples continue to change (as do the ways of others). He also notes that the survival of tribal peoples as distinct from majority cultures, is based in resistance.[1]

He continues to criticize both Native American nationalism and Euro-American colonial attitudes.

## Honors

[edit]

Both his fiction and academic studies have contributed to his being honored as a major Anishinaabe and American intellectual and writer.

* 1983, Film-in-the-Cities Award, Sundance Festival
* 1984, Best American Indian Film, San Francisco Film Festival[14]
* 1986, New York Fiction Collective Award[14]
* 1988, American Book Award for
* 1988, New York Fiction Collective Prize
* 1989, Artists Fellowship in Literature, California Arts Council, 1989
* 1990, PEN Oakland/Josephine Miles Literary Award[14]
* 1996, PEN Excellence Award
* 2001, Lifetime Achievement Award, Native Writers' Circle of the Americas
* 2005, Distinguished Achievement Award, Western Literature Association
* 2005, Distinguished Minnesotan, Bemidji State University
* 2011, MELUS Lifetime Achievement Award, 2011.[15]
* 2011, American Book Award for Shrouds of White Earth (2011).[16]
* 2020, Lifetime Achievement Award, Paul Bartlett Re Peace Prize[17]
* 2021, Honorary Curator, American Haiku Archives[18]

## Selected works

[edit]

### Fiction

[edit]

* Blue Ravens. Wesleyan University Press. 2014. ISBN 978-0-8195-7416-9.
* Shrouds of White Earth (SUNY P)
* Father Meme (University of New Mexico Press)
* Hiroshima Bugi: Atomu 57 (Nebraska UP)
* Chancers (Oklahoma UP)
* Hotline Healers: An Almost Browne Novel (Wesleyan UP)
* Bearheart: The Heirship Chronicles (Minnesota UP) (revised version of Darkness in Saint Louis Bearheart)[14]
* The Heirs of Columbus (Wesleyan UP)
* Griever: An American Monkey King in China (Minnesota UP)
* The Trickster of Liberty: Tribal Heirs to a Wild Baronage (Emergent Literatures)
* Earthdivers: Tribal Narratives on Mixed Descent. University of Minnesota Press. 1981. ISBN 978-0-8166-1048-8. JSTOR 10.5749/j.ctttsxm5.
* From the section "Earthdivers in Higher Education" (pp. 3–67): "Chair of Tears". Earthdivers: Tribal Narratives on Mixed Descent. University of Minnesota Press. 1981. pp. 3–30. ISBN 978-0-8166-1048-8. JSTOR 10.5749/j.ctttsxm5.5.
* Landfill Meditation: Crossblood Stories (Wesleyan UP)
* Dead Voices: Natural Agonies in the New World (University of Oklahoma Press)
* Chair of Tears. Bison. 2012. ISBN 978-0-8032-3840-4.; Chair of Tears. Lincoln (US): University of Nebraska Press. 2012. ISBN 978-0-8032-3840-4.

### Non-fiction

[edit]

* Thomas James Whitehawk: Investigative Narrative in the Trial, Capital Punishment, and Commutation of the Death Sentence of Thomas James Whitehawk (Four Winds Press, 1968)
* Touchwood : A Collection of Ojibway Prose (Many Minnesotas Project, No 3) (New Rivers Press)
* The People Named the Chippewa: Narrative Histories (Minnesota UP)
* The Everlasting Sky; New Voices from the People Named the Chippewa (MacMillan)
* Manifest Manners: Postindian Warriors of Survivance (Wesleyan UP) (later renamed Manifest Manners: Narratives on Postindian Survivance)[19]
* Crossbloods; Bone Courts, Bingo, and Other Reports (Minnesota UP)
* Wordarrows: Indians and Whites in the New Fur Trade (Minnesota UP)
* Shadow Distance: A Gerald Vizenor Reader (Wesleyan UP)
* Fugitive Poses: Native American Indian Scenes of Absence and Presence (Nebraska UP, 1998)
* Native Liberty: Natural Reason and Cultural Survivance (Nebraska UP, 2009)

### Poetry

[edit]

* Poems Born in the Wind (1960)
* The Old Park Sleepers (1961)
* Two Wings the Butterfly (privately printed, 1962)
* South of the Painted Stones (1963)
* Summer in the Spring: Anishinaabe Lyric Poems and Stories (Oklahoma UP)
* Slight Abrasions: A Dialogue in Haiku, with Jerome Downes (Nodin Press, 1966)
* Water Striders (Moving Parts Press)
* Seventeen Chirps (Nodin Press)
* Raising the Moon Vines (Nodin Press)
* Matsushima : Pine Island (Nodin Press, 1984)
* Cranes Arise: Haiku Scenes (Nodin Press, 1999)[20]
* Empty Swings (Haiku in English Series) (Nodin Press)
* Bear Island: The War at Sugar Point (Minnesota UP, 2006)
* Almost Ashore (Salt Publishing, 2006)

* Published in translation as:
* Quasi en Terra (in Catalan). Translated by Carme Manuel Cuenca. Valencia: Denes. 2009. ISBN 9788496545922.

### Plays and screenplays

[edit]

* Harold of Orange (1984)
* Ishi and the wood ducks - a four-act play on the story of Ishi, a Yahi man whose ethnographic information and retellings of his people's folk takes were audio-recorded in 1915.[21] The play has been published in: Gerald Vizenor, ed. (1995). Native American literature: A brief introduction and anthology. New York: HarperCollins College Publishers. pp. 299–336. ISBN 9780673469786.

### Edited anthology

[edit]

* Native American Literature: A Brief Introduction and Anthology (1997)

### Edited collections of essays

[edit]

* Narrative Chance: Postmodern Discourse on Native American Indian Literatures (Oklahoma UP)
* Survivance: Narratives of Native Presence (Nebraska UP, 2008)

### Autobiography

[edit]

* Interior Landscapes: Autobiographical Myths and Metaphors. Minnesota (U.S.): University of Minnesota Press. 1990. pp. 28–32. ISBN 978-0-8166-1848-4.
* With Lee, A. Robert (1999). Postindian conversations. Lincoln, Nebraska (U.S.): University of Nebraska Press. ISBN 978-0-8032-9628-2.

## See also

[edit]

* Poetry portal

* List of thinkers influenced by deconstruction

## References

[edit]

* This article incorporates text from Nativewiki under the GFDL license.

1. ^ a b Helstern, Linda Lizut (2008). "Shifting the Ground: Theories of Survivance in From Sand Creek and Hiroshima Bugi". In Gerald Vizenor (ed.). Survivance: Narratives of Native Presence. Minneapolis: Minnesota UP. p. 167.
2. ^ Vizenor, Gerald Robert (1990). Interior Landscapes: Autobiographical Myths and Metaphors. Minnesota (U.S.): University of Minnesota Press. pp. 28–32. ISBN 978-0-8166-1848-4.
3. ^ Rigal-Cellard, Bernadette (2007). "Behind History Another History: Hiroshima Bugi". In Simone Pellerin (ed.). Gerald Vizenor. Horizons anglophones (in English and French). Montpellier: Presses universitaires de la Méditerranée. pp. 165–179. doi:10.4000/books.pulm.12753. ISBN 978-2-84269-830-0.
4. ^

* Vizenor, Gerald (June 1968). "Why Must Thomas White Hawk Die?". Twin Citian. Vol. 10, no. 11.
* Vizenor, Gerald (1976). "Thomas James White Hawk: Murder on Good Friday" and "Commutation of Death". Tribal Scenes and Ceremonies. Minneapolis: Nodin Press.

5. ^ Stevenson, Winona (1993). "Suppressive Narrator and Multiple Narratees in Gerald Vizenor's 'Thomas White Hawk'". Studies in American Indian Literatures. 5 (3): 36–42. ISSN 0730-3238. JSTOR 20736750.
6. ^ a b Blaeser, Kimberly M. (2005). "Gerald Vizenor: Postindian liberation". In Joy Porter; Kenneth M. Roemer (eds.). Cambridge Companion To Native American Literature 2005. New York: Cambridge University Press. pp. 257–270. p. 263: "... the 1981 Earthdivers: Tribal Narratives on Mixed Descent, a collection of twenty-one narratives which includes a section entitled 'Earthdivers in Higher Education'. The opening story of the book, 'The Chair of Tears', offers a pointed satire of academic politics and an equally damning send up of the posturing and politics involved in Indian blood-quantum debates."
7. ^ Rodríguez, Juana María (1993). "Gerald Vizenor's Shadow Plays: Narrative Meditations and Multiplicities of Power". SAIL: Studies in American Indian Literatures. 5 (3): 23–30. ISSN 0730-3238. JSTOR 20736748.
8. ^ Ruoff, A. Lavonne Brown (1985). "Gerald Vizenor: Compassionate Trickster". Studies in American Indian Literatures. 9 (2): 52–63. ISSN 0730-3238. JSTOR 20739222.
9. ^ University of Minnesota Department of American Indian Studies Homepage
10. ^ Kenneth Lincoln, Native American Renaissance (Berkeley: University of California Press, 1983).
11. ^ Greenham, David (December 1999). "Gerald Vizenor, Fugitive Poses: Native American Scenes of Absence and Presence". Journal of American Studies. 33 (3): 519–586. doi:10.1017/S0021875899576238. [Review].
12. ^ Vizenor, Gerald Robert; Lee, A. Robert (1999). Postindian conversations. Lincoln, Nebraska (U.S.): University of Nebraska Press. pp. 82–84. ISBN 978-0-8032-9628-2.
13. ^ Blaeser, Kimberly M. (1996). Gerald Vizenor: Writing in the Oral Tradition. University of Oklahoma Press. pp. 55–57. ISBN 978-0-8061-2874-0.
14. ^ a b c d "Gerald Vizenor", Encyclopedia of American Indian Literature, ed. by Jennifer McClinton-Temple and Alan R. Velie, Facts on File, 2007, pp. 376–378
15. ^ "Awards: Previous winners of the MELUS Award for Distinguished Contribution to Ethnic Studies — 1974–2012". MELUS The Society for the Study of the Multi-Ethnic Literature of the United States. Archived from the original on December 15, 2023.
16. ^ American Book Award announcement Archived September 11, 2011, at the Wayback Machine
17. ^ "2020 Lifetime Achievement Awardees". Paul Ré Peace Prize. Paul Bartlett Ré.
18. ^ "Honorary Curator 2021–2022: Gerald Vizenor". American Haiku Archives.
19. ^ see this cover at Google Books, accessed February 19, 2011.
20. ^ Vizenor, Gerald (1999). Cranes Arise: Haiku Scenes. Minneapolis MN: Nodin Press.
21. ^

* Däwes, Birgit (September 17, 2020). "Contemporary Native North American Drama". In Melanie Benson Taylor (ed.). The Cambridge History of Native American Literature. pp. 413–428. doi:10.1017/9781108699419.023. ISBN 978-1-108-69941-9.
* Pascal, Richard (1997). "Naturalizing 'Ishi': Narrative Appropriations of America's 'Last Wild Indian'". Australasian Journal of American Studies. 16 (2): 29–44. ISSN 1838-9554. JSTOR 41416330.

## Further reading

[edit]

* Ortiz, Simon J. (2022) [First published 1981]. From Sand Creek: Rising in this heart which is our America (Reissued ed.). Tucson: University of Arizona Press. ISBN 9780816519934. Volume of poems examined in tandem with Vizenor's Hiroshima Bugi by Helstern (2008) "Shifting the Ground: Theories of Survivance in From Sand Creek and Hiroshima Bugi". Its poetry explores Native American representation, and absence, in US history, with the Sand Creek massacre as a starting point as noted here:
* "Reissued: From Sand Creek notes". University of Arizona Press. July 12, 2017.

### Monographs and essay collections on Vizenor's work

[edit]

* Madsen, Deborah L., ed. (2012). The poetry and poetics of Gerald Vizenor. Albuquerque, New Mexico (U.S.): University of New Mexico Press. ISBN 9780826352491.
* Madsen, Deborah L.; Lee, A. Robert (2010). Gerald Vizenor: Texts and contexts. Albuquerque: University of New Mexico Press. ISBN 9780826349156.
* Madsen, Deborah L. (2009). Understanding Gerald Vizenor. University of South Carolina Press. ISBN 978-1-57003-856-3.
* Pellerin, Simone, ed. (2007). Gerald Vizenor: Profils Americains 20. Presses Universitaires de la Méditerranée (In English)
* Lee, A. Robert (2000). Loosening the seams: Interpretations of Gerald Vizenor. Bowling Green, Ohio (U.S.): Bowling Green State University Popular Press. ISBN 978-0879728021.
* Blaeser, Kimberly M. (1996). Gerald Vizenor: Writing in the Oral Tradition. University of Oklahoma Press. ISBN 978-0-8061-2874-0.
* Velie, Alan R. (1982). Four American Indian literary masters: N. Scott Momaday, James Welch, Leslie Marmon Silko, and Gerald Vizenor (1st ed.). Norman, Oklahoma (U.S.): University of Oklahoma Press. ISBN 978-0806116495.

### Essays on Vizenor's work

[edit]

* Contemporary Authors: Biography – Vizenor, Gerald Robert (1934–), Thomson Gale.
* Other Words: American Indian Literature, Law, and Culture, (American Indian Literature and Critical Studies Series), Jace Weaver, Univ. Oklahoma Press.
* "Subverting the Dominant Paradigm: Gerald Vizenor's Trickster Discourse", Kerstin Schmidt, Studies in American Indian Literatures, 7, 65, 1995 Spring.
* That the People Might Live: Native American Literatures and Native American Community, Jace Weaver, Oxford University Press.
* "Text as trickster: postmodern language games in Gerald Vizenor's Bearheart." (Maskers and Tricksters), An article from: MELUS, by Elizabeth Blair
* "Gerald Vizenor and his Heirs of Columbus: a postmodern quest for more discourse". An article from: The American Indian Quarterly by Barry E Laga
* "Monkey kings and mojo: postmodern ethnic humor in Kingston, Reed, and Vizenor", An article from: MELUS, by John Lowe
* "Vizenorian Jurisprudence: Legal Interventions, Narrative Shadows and Other Interpretive Possibilities", (Critical Essay) by Juana María Rodríguez in Loosening the Seams: Interpretations of Gerald Vizenor, edited by A. Robert Lee, 2000.
* "Real Stories: Memory, Violence, and Enjoyment in Vizenor's Bearheart" by Jon Hauss in Literature & Psychology, Fall 1995.
* "Postmodern bears in the texts of Gerald Vizenor". (Critical Essay), An article from: MELUS, by Nora Baker Barry
* "'Bad Breath': Gerald Vizenor's Lacanian fable". (Critical Essay), An article from: Studies in Short Fiction by Linda Lizut Helstern
* Native American Writers of the United States, (Dictionary of Literary Biography, vol. 175), Kenneth M. Roemer (ed.), Gale Research.
* Woodland word warrior: An introduction to the works of Gerald Vizenor, A. Lavonne Brown Ruoff.

* Partial Recall: With Essays on Photographs of Native North Americans, Lucy Lippard (ed.)
* Native American Autobiography: An Anthology (Wisconsin Studies in American Autobiography), Arnold Krupat (ed.), University of Wisconsin Press.
* Growing Up in Minnesota: Ten Writers Remember Their Childhoods, Chester G. Anderson, University of Minnesota Press.
* Inheriting the Land: Contemporary Voices from the Midwest, Mark Vinz; Thom Tammaro (eds.), University of Minnesota Press.
* "Gerald Vizenor, a special edition", Louis Owens (ed.), Studies in American Indian Literatures, Volume 9, Number 1, Spring 1997, including:
* "'Interior Dancers': Transformations of Vizenor's Poetic Visions", Kimberly M. Blaeser
* "The Ceded Landscape of Gerald Vizenor's Fiction", Chris LaLonde
* "Blue Smoke and Mirrors: Griever's Buddhist Heart", Linda Lizut Helstern
* "Liberation and Identity: Bearing the Heart of The Heirship Chronicles", Andrew McClure
* "Liminal Landscapes: Motion, Perspective and Place in Gerald Vizenor's Fiction", Bradley John Monsma
* Pulitano, Elvira (1997). "Waiting for Ishi: Gerald Vizenor's Ishi and the Wood Ducks and Samuel Beckett's Waiting for Godot". Studies in American Indian Literatures. 9 (1): 73–92. ISSN 0730-3238. JSTOR 20739386.</ref>
* "Doubling in Gerald Vizenor's Bearheart: The Pilgrimage Strategy or Bunyan Revisited", Bernadette Rigel-Cellard
* "Legal and Tribal Identity in Gerald Vizenor's The Heirs of Columbus", Stephen D. Osborne
* Other Destinies: Understanding the American Indian Novel, (American Indian Literature and Critical Studies, Vol 3), Louis Owens, University of Oklahoma Press.
* Mediation in Contemporary Native American Fiction (American Indian Literature and Critical Studies, Vol 15), James Ruppert, University of Oklahoma Press.
* Native American Perspectives on Literature and History, (American Indian Literature and Critical Studies Series, Vol 19) by Alan R. Velie (ed.), University of Oklahoma Press.
* (Articles by Juana Maria Rodriguez, Alan R. Velie, Robert Alan Warrior and Kimberley Blaeser address Vizenor's writings.)
* The Turn to the Native, by Arnold Krupat, University of Nebraska Press.
* Cultural Difference and the Literary Text: Pluralism and the Limits of Authenticity in North American Literatures, Edited by Winfried Siemerling and Katrin Schwenk
* Lindquist, Mark A.; Zanger, Martin, eds. (1994). Buried roots and indestructible seeds: The survival of American Indian life in story, history, and spirit. Madison, WN (U.S.): University of Wisconsin Press. ISBN 978-0-299-14444-9.
* Sacred Trusts: Essays on Stewardship and Responsibility, Michael Katakis, Russell Chatham (Illustrator), Mercury House.
* Native American Testimony: A Chronicle of Indian-White Relations from Prophecy to Present, 1492–1992, Peter Nabokov, Penguin USA
* Out There: Marginalization and Contemporary Cultures, Russell Ferguson, Martha Gever, Mit Press.
* "Listening to Native Americans: Making Peace with the Past for the Future", John Barry Ryan, in Listening: Journal of Religion and Culture, Vol. 31, No.1 Winter 1996 pp. 24–36.
* "Transformation in Progress" by Annalee Newitz and Jillian Sandell, in Bad Subjects, an online journal.
* Spring Wind Rising: The American Indian Novel and the Problem of History, Stripes, James D. [dissertation].
* Jobin, Danne (July 1, 2019). "Gerald Vizenor's Transnational Aesthetics in Blue Ravens". Transmotion. 5 (1): 33–55. doi:10.22024/UniKent/03/tm.572. ISSN 2059-0911.

### Journals

[edit]

* Transmotion: Journal of Vizenor Studies and Indigenous Studies, ed. David J. Carlson, James Mackay, David Stirrup and Laura Adams Weaver. See: "Transmotion journal index". University of Kent journal publishing press. for journal issue listing.

### Anthologies

[edit]

* I Tell You Now: Autobiographical Essays by Native American Writers, Brian Swann, Arnold Krupat, Brompton Books Corp.
* Visit Teepee Town: Native Writings After the Detours, Diane Glancy; Mark Nowak (eds.), Coffeehouse Press.
* Stories Migrating Home: Anishnaabe Prose, Kimberly Blaeser (ed.), Loonfeather Press: Wisconsin
* Talking Leaves: Contemporary Native American Short Stories, Craig Lesley; Katheryn Stavrakis (eds.) Dell Books
* Earth Song, Sky Spirit: Short Stories of the Contemporary Native American Experience, Clifford E. Trafzer (ed.)
* Earth Power Coming: Short Fiction in Native American Literature, Simon J. Ortiz (ed.), Navajo Community College Press
* Songs from This Earth on Turtle's Back: An Anthology of Poetry by American Indian Writers, Joseph Bruchac (ed.), Greenfield Review Press
* Smoke Rising: The Native North American Literary Companion, Janet Witalec, Visible Ink Press.
* Words in the Blood: Contemporary Indian Writers of North and South America, Jamake Highwater (ed.), New American Library.
* Blue Dawn, Red Earth: New Native American Storytellers, Clifford E. Trafzer (ed.), Anchor Books
* The Lightning Within: An Anthology of Contemporary American Indian Fiction, Edited and with an introduction by Alan R. Velie, University of Nebraska Press.
* American Indian Literature: An Anthology, Alan R. Velie, University of Oklahoma Press.
* Harper's Anthology of 20th century Native American Poetry, Duane Niatum (ed.) HarperCollins
* Twenty Six Minnesota Writers, Monico D. Degrazia (ed.), Nodin Press.
* After Yesterday's Crash: The Avant-Pop Anthology, Larry McCaffery (ed.), Penguin USA
* The New Native American Novel: Works in Progress, Mary Bartlett (ed.), University of New Mexico Press.
* The Writer's Notebook, Howard Junker, HarperCollins.
* Listening to Ourselves: More Stories from 'the Sound of Writing', Alan Cheuse; Caroline Marshall (eds.), Anchor Books.
* Avant-Pop: Fiction for a Daydream Nation, Larry McCaffery (ed.), Fc2/Black Ice Books
* Before Columbus Foundation Fiction Anthology: Selections from the American Book Awards 1980–1990. Ishmael Reed; Kathryn Trueblood; Shawn Wong (eds.), W W Norton & Co.
* Without Discovery: A Native Response to Columbus (Turning Point Series), Ray Gonzalez (ed.), Broken Moon Press.
* A Gathering of Flowers: Stories About Being Young in America, Joyce Carol Thomas (ed.), Harpercollins Juvenile Books.
* American Short Fiction, Spring 1991. Laura Furman, University of Texas Press.
* An Illuminated History of the Future. Curtis White (ed.), Fc2/Black Ice Books.
* Fiction International, San Diego State University Press.
* An Other Tongue: Nation and Ethnicity in the Linguistic Borderlands, Alfred Arteaga (ed.), Duke University Press.
* Contemporary Archaeology in Theory, (Social Archaeology), Robert Preucel; Ian Hodder (eds.), Blackwell Pub.
* Encyclopedia of North American Indians, by Frederick E. Hoxie (ed.), Houghton Mifflin Co.
* A Companion to American Thought (Blackwell Reference), Richard Wightman Fox; James T. Kloppenberg (eds.), Blackwell Pub.
* Culture and the Imagination, Proceedings of the Third Stuttgart Seminar on Cultural Studies, Verlag Für Wissenschaft und Forschung: Stuttgart, Germany, 1995
* From Different Shores: Perspectives on Race and Ethnicity in America, Ronald Takaki (ed.), Oxford University Press.

### Interviews

[edit]

* "Constitutional Narratives: A Conversation with Gerald Vizenor," Gerald Vizenor and James Mackay. In Centering Anishinaabeg Studies: Understanding the World through Stories, ed. Jill Doerfler, Niiganwewidam James Sinclair and Heidi Kiiwetinepinesiik Stark, (East Lansing: Michigan State University Press, 2013)
* Postindian Conversations, Gerald Robert Vizenor, A. Robert Lee, University of Nebraska Press.
* Excavating Voices: Listening to Photographs of Native Americans, Michael Katakis (ed.), University of Pennsylvania Museum Press.
* Mythic Rage and Laughter: An Interview with Gerald Vizenor, Dallas Miller, 1995, Studies in American Indian Literatures, 7, 77, 1995
* Survival This Way: Interviews With American Indian Poets, Joseph Bruchac III (ed.), (Sun Tracks Books, No 15) University of Arizona Press.
* Winged Words: American Indian Writers Speak, Laura Coltelli, University of Nebraska Press.
* Contemporary Authors. Autobiography Series (Vol 22. ISSN 0748-0636), Gale Research
* American Contradictions: Interviews With Nine American Writers, Wolfgang Binder; Helmbrecht Breinig (eds.). Wesleyan University Press.
* First published in German as Facing America, Multikulturelle Literatur def heutigen USA in Texten und Interviews, Rotpunktverlag, Leipzig, Germany, 1994.

### Textbooks

[edit]

* The McGraw-Hill Introduction to Literature, Gilbert H. Muller, McGraw Hill Text.
* Ways in: Approaches to Reading and Writing About Literature, Gilbert H. Muller, John A. Williams, McGraw Hill Text.
* The Harper American Literature, Volume 1; 2nd Edition, Donald McQuade, Robert Atwan, Martha Banta, Justin Kaplan, Harpercollins College Div.

## External links

[edit]

* Official website
* Gerald Robert Vizenor Papers. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
* Vizenor biography at Minnesota Historical Society site
* Salt Publishing website for Almost Ashore, includes video footage, excerpts and biography
* Gerald Vizenor, Native American Authors Project
* Interview with "The Berkleyan"
* Talk at University of Minnesota 2006
* "Genocide Tribunals: Native Human Rights and Survivance" \- University of Minnesota, October 10, 2006
* Stone Babies from Weber Studies
* Gerald Vizenor in Dialogue with A. Robert Lee, Weber Studies

* v
* t
* e

American Book Awards winners (1980–1999)

1980|

* Douglas Woolf
* Edward Dorn
* Jayne Cortez
* Leslie Marmon Silko
* Mei-mei Berssenbrugge
* Milton Murayama
* Quincy Troupe
* Rudolfo Anaya

1981|

* Alta
* Alan Chong Lau
* Bienvenido N. Santos
* Helen Adam
* Lionel Mitchell
* Miguel Algarín
* Nicholasa Mohr
* Peter Blue Cloud
* Robert Kelly
* Rose Drachler
* Susan Howe
* Toni Cade Bambara

1982|

* Al Young
* Duane Niatum
* E. L. Mayo
* Frank Chin
* Hilton Obenzinger
* Him Mark Lai / Genny Lim / Judy Yung
* Jerome Rothenberg
* Joyce Carol Thomas
* Leroy Quintana
* Lorna Dee Cervantes
* Ronald Phillip Tanaka
* Russell Banks
* Tato Laviera

1983|

* Barbara Christian
* Cecilia Liang
* Evangelina Vigil-Piñón
* Harriet Rohmer
* James D. Houston
* Jessica Tarahata Hagedorn
* John A. Williams
* Joy Kogawa
* Judy Grahn
* Nash Candelaria
* Peter Guralnick
* Seán Ó Tuama

1984|

* Cecil Brown
* Gary Snyder
* Howard Schwartz/ Mark Podwal
* Imamu Amiri Baraka
* Jesús Colón
* Joseph Bruchac
* Maurice Kenny
* Mei-mei Berssenbrugge
* Miné Okubo
* Paule Marshall
* Ruthanne Lum McCunn / You-shan Tang / Ellen Lai-shan Yeung
* Thomas McGrath
* Venkatesh Kulkarni
* William J. Kennedy

1985|

* Angela Jackson
* Arnold Genthe / John Kuo Wei Tchen
* Colleen J. McElroy
* Gary Soto
* Peter Irons
* Keiho Soga / Taisanboku Mori / Sojin Takei / Muin Ozaki
* Louise Erdrich
* Maureen Owen
* May Sarton
* Robert Edward Duncan
* Ron Jones
* Sandra Cisneros
* Sonia Sanchez
* Julia Vinograd
* William Oandasan

1986|

* Anna Lee Walters
* Cherríe Moraga / Gloria E. Anzaldúa
* Helen Barolini
* Jeff Hannusch
* Linda Hogan
* Miguel Algarín
* Natasha Borovsky
* Raymond Federman
* Susan Howe
* Terence Winch
* Toshio Mori

1987|

* Ai
* Ana Castillo
* Cyn Zarco
* Daniel McGuire
* Dorothy Bryant
* Etheridge Knight
* Gary Giddins
* Harvey Pekar
* James Welch
* John Wieners
* Juan Felipe Herrera
* Lucia Chiavola Birnbaum
* Michael Mayo
* Septima Poinsette Clark / Cynthia Stokes Brown
* Terry McMillan

1988|

* Allison Blakely
* Charles Olson
* Daisy Bates
* David Halberstam
* Edward Sanders
* Gerald Vizenor
* Jimmy Santiago Baca
* Kesho Y. Scott / Cherry Muhanji / Egyirba High
* Marlon K. Hom
* Benjamin Hoff
* Ronald Sukenick
* Salvatore La Puma
* Toni Morrison
* Wing Tek Lum / Tek Lum Lum

1989|

* Alma Luz Villanueva
* Askia M. Touré
* Audre Lorde
* Carolyn Lau
* Emory Elliott
* Eduardo Galeano
* Frank Chin
* Henry Louis Gates
* Isabel Allende
* J. California Cooper
* Jennifer Stone
* Josephine Gattuso Hendin
* Leslie Scalapino
* Shuntaro Tanikawa
* Charles Fanning
* William Minoru Hohri

1990|

* Adrienne Kennedy
* Barbara Grizzuti Harrison
* Daniela Gioseffi
* Elizabeth Woody
* Hualing Nieh
* Itabari Njeri
* James M. Freeman
* John C. Walter / J. Raymond Jones
* John Norton
* José Emilio González
* Sergei Kan
* Lloyd A. Thompson
* Martin Bernal
* Michelle T. Clinton / Sesshu Foster
* Miles Davis
* Paula Gunn Allen
* Shirley Geok-lin Lim / Mayumi Tsutakawa / Margarita Donnelly

1991|

* Alejandro Murguía
* bell hooks
* Bruce Wright
* Charley Trujillo
* D. H. Melhem
* Deborah Keenan
* Jessica Hagedorn
* John Edgar Wideman
* Joy Harjo
* Karen Tei Yamashita
* Lucia Berlin
* Mary Crow Dog
* Meridel Le Sueur
* Mill Hunk Herald Collective
* Nora Marks Dauenhauer / Richard Dauenhauer
* R. Baxter Miller
* Thomas Centolella

1992|

* A'Lelia Perry Bundles
* Art Spiegelman
* Benjamin Alire Sáenz
* Donna J. Haraway
* Fritjof Capra
* José Antonio Burciaga
* Keith Gilyard
* Lucy Thompson
* Norma Field
* Peter Bacho
* Peter Kalifornsky
* Raymond Andrews
* Sandra Scofield
* Sheila Hamanaka
* Stephen R. Fox
* Verlyn Klinkenborg
* William B. Branch / Amiri Baraka / August Wilson

1993|

* Asake Bomani / Belvie Rooks
* Christopher Mogil / Peter Woodrow
* Cornel West
* Denise Giardina
* Diane Glancy
* Eugene B. Redmond
* Francisco X. Alarcón
* Gerald Graff
* Jack Beatty
* Leroy V. Quintana
* Katherine Peter
* Nelson George
* Ninotchka Rosca

1994|

* Giose Rimanelli
* Eric Drooker
* Graciela Limón
* Gregory J. Reed
* Janet Campbell Hale
* Jill Nelson
* Lawson Fusao Inada
* Nicole Blackman
* Paul Gilroy
* Ronald Takaki
* Rose L. Glickman
* Tino Villanueva
* Virginia L. Kroll

1995|

* Abraham Rodriguez
* Herb Boyd / Robert L. Allen
* Denise Chavez
* John Egerton
* John Ross
* Thomas Avena
* Linda Raymond
* Li-Young Lee
* Marianna De Marco Torgovnick
* Marnie Mueller
* Peter Quinn
* Sandra Martz
* Gordon Henry Jr.
* Tricia Rose

1996|

* Agate Nesaule
* Arthur Sze
* Chang-Rae Lee
* Chitra Banerjee Divakaruni
* E.J. Miller Laino
* Glenn C. Loury
* James W. Loewen
* Joe Sacco / Edward Said
* Kimiko Hahn
* Maria Espinosa
* Robert Viscusi
* Sherman Alexie
* Ron Sakolsky / Fred Weihan Ho
* Stephanie Cowell
* William H. Gass

1997|

* Alurista
* Derrick Bell
* Dorothy Barresi
* Guillermo Gómez-Peña
* Louis Owens
* Martín Espada
* Montserrat Fontes
* Noel Ignatiev
* Shirley Geok-lin Lim
* Sunaina Maira
* Thulani Davis
* Tom De Haven
* William M. Banks
* Brenda Knight

1998|

* Allison Adelle Hedge Coke
* Angela Y. Davis
* Brenda Marie Osbey
* Don DeLillo
* Jim Barnes
* John A. Williams
* Nancy Rawles
* Nora Okja Keller
* Sandra Benitez
* Scott DeVeaux
* Thomas Lynch

1999|

* Alice McDermott
* Anna Linzer
* Brian Ward
* Chiori Santiago
* E. Donald Two-Rivers
* Edwidge Danticat
* Judith Roche / Meg McHutchison
* Gioia Timpanelli
* Gloria Naylor
* James D. Houston
* Jerry Lipka / Gerald V. Mohatt / Ciulistet Group
* Trey Ellis
* Josip Novakovich
* Lauro Flores
* Luís Alberto Urrea
* Nelson George
* Speer Morgan
* Gary Gach
* Chiori Santiago / Judith Lowry

Authority control databases

International|

* ISNI
* 2
* VIAF
* FAST
* WorldCat

National|

* Germany
* United States
* France
* BnF data
* Japan
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* Czech Republic
* Netherlands
* Poland
* Israel
* Belgium

Academics|

* CiNii

Artists|

* RKD Artists

People|

* Deutsche Biographie

Other|

* IdRef

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