Gothic rock

Genre of rock music

"Gothic music" redirects here. For other uses, see Gothic.

Gothic rock

Other names|

* Goth rock
* goth

Stylistic origins|

* Post-punk
* glam rock
* punk rock

Cultural origins| Late 1970s, England
Derivative forms|

* Dark wave
* ethereal wave
* cold wave

Subgenres
Death rock
Fusion genres

* Gothabilly
* gothic country
* gothic metal

Local scenes
Leeds, England[1]
Other topics

* Goth subculture
* Gothic fashion

Gothic rock (also known as goth rock or simply goth) is a subgenre of rock music which originally grew out of post-punk in the United Kingdom during the late 1970s. Drawing influences from gothic literature, nihilism, dark romanticism, poetry and tragedy.

The earliest post-punk bands to shift their music towards darker and more gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure, whose sound differed from the wider post-punk scene, placing an emphasis on minor chords, reverb, dark arrangements, and melancholic melodies. Gothic rock later gave rise to genres like deathrock, alongside a broader goth subculture that included clubs, fashion and publications.

## Characteristics

[edit]

According to music journalist Simon Reynolds, standard musical fixtures of gothic rock include "scything guitar patterns, high-pitched basslines that often usurped the melodic role [and] beats that were either hypnotically dirgelike or tom-tom heavy and 'tribal'".[2] Reynolds described the vocal style as consisting of "deep, droning alloys of Jim Morrison and Leonard Cohen".[2] Several acts used drum machines downplaying the rhythm's backbeat.[3]

Gothic rock typically deals with dark themes addressed through lyrics and the music's atmosphere. The poetic sensibilities of the genre led gothic rock lyrics to exhibit literary romanticism, morbidity, existentialism, religious symbolism, or supernatural mysticism.[4] Gothic rock is an offshoot of post-punk and, according to AllMusic, "took the cold synthesizers and processed guitars of post-punk and used them to construct foreboding, sorrowful, often epic soundscapes."[5] Early gothic rock had introspective or personal lyrics, but according to AllMusic, "its poetic sensibilities soon led to a taste for literary romanticism, morbidity, religious symbolism, and/or supernatural mysticism."[5]

## History

[edit]

### Forerunners (1950s-1970s)

[edit]

The Doors performing live in 1968. They have been cited as a major influence in the gothic rock genre.

Screamin' Jay Hawkins early style of shock rock which blended occult imagery and theatricality with rock and roll, as exemplified in his 1956 track "I Put a Spell on You", has been retroactively recognized as a forerunner to goth.[6][7]

The earliest known use of the term "gothic rock" was by critic John Stickney who used the label to describe the music of the Doors in October 1967, in a review published in The Williams Record.[8] Stickney wrote that the band met the journalists "in the gloomy vaulted wine cellar of the Delmonico hotel, the perfect room to honor the gothic rock of the Doors".[8] The author noted that contrary to the "pleasant, amusing hippies", there was "violence" in their music and a dark atmosphere on stage during their concerts.[8] Stickney ultimately titled his article, "Four Doors to the Future: Gothic Rock Is Their Thing".[8]

David Bowie influenced the post-punk bands that helped spawn the gothic rock genre

Musicians who initially shaped the aesthetics and musical conventions of gothic rock include Marc Bolan,[9] Lou Reed,[10] the Velvet Underground, the Doors, David Bowie, Brian Eno, and Iggy Pop.[11] Journalist Kurt Loder would write retrospectively that the song "All Tomorrow's Parties" by the Velvet Underground is a "mesmerizing gothic-rock masterpiece" while Rolling Stone claimed their song "Venus in Furs" made the band "goth pioneers".[12][13] However, music journalist Simon Reynolds considers Alice Cooper as "the true ungodly godfather of goth" due to his "theatrics and black humor", that was inspired by the sound and visual aesthetic of Arthur Brown.[14][15][16][9] Nico's 1968 album The Marble Index is sometimes described as "the first truly gothic album".[17] With its stark sound, somber lyrics, and Nico's deliberate change in her look, the album became a crucial music and visual prototype for the gothic rock movement.[18][19] Gothic rock creates a dark atmosphere by drawing influence from the drones used by protopunk group the Velvet Underground, and many gothic singers are influenced by the "deep and dramatic" vocal timbre of David Bowie, albeit singing at even lower pitches.[3] Although gothic rock is an offshoot of post-punk,[5] glam rock is another forerunner genre of gothic rock.[7] Pitchfork wrote: "Although it abandoned the psychedelic color palette and exchanged alien worship for a vampire cult, goth kept glam's theatricality intact, as well as its openness to experimentation", adding that early glam and art rock musician Brian Eno "may have contributed more to goth’s sonic DNA" than David Bowie, regarding the 1974 track "Third Uncle" as a "proto-goth" song.[7]

In April 1977, critic Dave Marsh of The Morning Record described Philip Glass's album North Star as "the best neo-Gothic rock since John Cale and Terry Riley's Church of Anthrax, or more appropriately, the first couple of Doors albums".[20] Reynolds retrospectively described Kate Bush's 1978 song "Wuthering Heights" as "Gothic romance distilled into four-and-a-half minutes of gaseous rhapsody".[21]

In the late 1970s, the word "gothic" was used to describe the atmosphere of post-punk bands like Siouxsie and the Banshees, Magazine and Joy Division.[22] In a live review about a Siouxsie and the Banshees' concert in July 1978, critic Nick Kent wrote that concerning their performance, "parallels and comparisons can now be drawn with gothic rock architects like the Doors and, certainly, early Velvet Underground".[23] In March 1979, Kent used the gothic adjective in his review of Magazine's second album, Secondhand Daylight. Kent noted that there was "a new austere sense of authority" to their music, with a "dank neo-Gothic sound".[24] The second Siouxsie and the Banshees album, also released in 1979, was a precursor in several aspects. For journalist Alexis Petridis of The Guardian, "A lot of musical signifiers... – scything, effects-laden guitar, pounding tribal drums – are audible, on... Join Hands".[25] In September, Joy Division's manager Tony Wilson described their music as "gothic" on the television show Something Else,[26] and their producer Martin Hannett described their style as "dancing music with gothic overtones".[27] In 1980, Melody Maker wrote that "Joy Division are masters of this gothic gloom".[28] When their final album Closer came out a couple of months after the suicide of their singer Ian Curtis, Sounds noted in its review that there were "dark strokes of gothic rock".[29]

### Origins

[edit]

Gothic rock band Bauhaus performing live in August 2006

Not long after, the "gothic" label "became a critical term of abuse" for a band like Bauhaus, who had arrived on the music scene in 1979.[27] At the time, NME considered that "Siouxsie and the Banshees, Adam and the Ants and even... Joy Division" opened up "a potentially massive market" for newcomers like Bauhaus and Killing Joke: journalist Andy Gill then separated these two groups of bands, pointing out that there was a difference "between art and artifice".[30]

However, Bauhaus's debut single, "Bela Lugosi's Dead", released in late 1979, was retrospectively considered to be the beginning of the gothic rock genre.[31] According to Peter Murphy, the song was written to be tongue-in-cheek, but since the group performed it with "naive seriousness", that is how the audience understood it.[32] Bauhaus released their debut album In the Flat Field in 1980, and the album is often considered the first gothic rock album.[33][34]

Robert Smith of the Cure in 1989, who was on the front cover of NME Originals: Goth in 2004.[35]

In the early 1980s, post-punk bands such as Siouxsie and the Banshees and the Cure included more gothic characteristics in their music.[36] According to Reynolds, with their fourth album, 1981's Juju, the Banshees included several gothic qualities, lyrically and sonically,[37] whereas according to The Guardian, Juju was art rock on certain album tracks and pop on the singles.[38] Their bassist, Steven Severin, attributed the aesthetic used by the Banshees around that time to the influence of the Cramps.[36] The Cure's "oppressively dispirited" trio of albums, Seventeen Seconds (1980), Faith (1981) and Pornography (1982), cemented that group's stature in the genre.[39] The line "It doesn't matter if we all die" began the Pornography album, which is considered as "the Cure's gothic piece de resistance".[40] They would later become the most commercially successful of these groups.[41] The Cure's style was "withdrawn",[39] contrasting with their contemporaries like Nick Cave's the Birthday Party, who drew on blues and violent turmoil.[42] With the Birthday Party's Junkyard album, Nick Cave combined "sacred and profane" things, using Old Testament imagery with stories about sin, curses and damnation.[43] Their 1981 single "Release the Bats" was particularly influential in the scene.[43]

Killing Joke were originally inspired by Public Image Ltd., borrowing from funk, disco, dub and, later, heavy metal.[44] Calling their style "tension music", Killing Joke distorted these elements to provocative effect, as well as producing a morbid, politically charged visual style.[44] Reynolds identified the Birthday Party and Killing Joke as essential proto-goth groups.[45] Despite their legacy as progenitors of gothic rock, those groups disliked the label.[46] Adam Ant's early work was also a major impetus for the gothic rock scene, and much of the fanbase came from his milieu.[47] Other early contributors to the scene included UK Decay and Ireland's Virgin Prunes.

Gothic rock would not be adopted as "positive identity, a tribal rallying cry" until a shift in the scene in 1982.[27] In London, the Batcave club opened 21 July 1982[48] to provide a venue for the goth scene: the band Specimen gave many concerts there.[49][50] That same year, Ian Astbury of the band Southern Death Cult used the term "gothic goblins" to describe Sex Gang Children's fans.[51] Southern Death Cult became icons of the scene, drawing aesthetic inspiration from Native American culture and appearing on the cover of NME in October.[52]

### Expansion of the scene

[edit]

"After Thought" (2000), an ethereal wave track by This Burning Effigy. Drum machines and delay-drenched guitar textures are typical of this style. The Sisters of Mercy performing at the M'era Luna Festival in 2005.

In February 1983, the emerging scene was described as "positive punk" on the front cover of NME:[11] in his article, journalist Richard North described Bauhaus, Theatre of Hate and UK Decay as "the immediate forerunners of today's flood", and declared, "So here it is: the new positive punk, with no empty promises of revolution, either in the rock'n'roll sense or the wider political sphere. Here is only a chance of self-awareness, of personal revolution, of colourful perception and galvanization of the imagination that startles the slumbering mind and body from their sloth".[11] That year, myriad goth groups emerged, including Flesh for Lulu, Play Dead, Rubella Ballet, Gene Loves Jezebel, Blood and Roses, and Ausgang.[53] The 4AD label released music in a more ethereal style,[54] by groups such as Cocteau Twins,[55] Dead Can Dance, and Xmal Deutschland.[53] The Icelandic group Kukl also appeared in this period, which included Björk and other musicians who later participated in the Sugarcubes.[53]

Reynolds has spoken of a shift from early goth to gothic rock proper, advanced by the Sisters of Mercy.[56] As journalist Jennifer Park put it, "The original blueprint for gothic rock had mutated significantly. Doom and gloom was no longer confined to its characteristic atmospherics, but as the Sisters demonstrated, it could really rock".[57] The Sisters of Mercy, who cited influences such as Leonard Cohen, Gary Glitter, Motörhead, the Stooges, the Velvet Underground, the Birthday Party, Suicide, and the Fall, created a new, harder form of gothic rock.[58] In addition, they incorporated a drum machine.[58] Reynolds identified their 1983 single "Temple of Love" as the quintessential goth anthem of the year, along with Southern Death Cult's "Fatman".[59] The group created their own record label, Merciful Release, which also signed the March Violets, who performed in a similar style.[60] According to Reynolds, the March Violets "imitated Joy Division sonically".[61] Another band, the Danse Society was particularly inspired by the Cure's Pornography period.[60]

### Subsequent developments

[edit]

Rozz Williams of Christian Death

American gothic rock began with 45 Grave and Christian Death. This harder, more punk rock-influenced style of gothic rock became known as deathrock.[62] Christian Death combined "self-consciously controversial tactics" with Los Angeles punk and heavy metal influences. Their singer Rozz Williams committed suicide by hanging in 1998 at age 34.[63] 45 Grave was more inspired by heavy metal than Christian Death and featured female singer Dinah Cancer. Some punk and garage rock bands like The Cramps, The Gun Club, Lydia Lunch, The Nuns, The Misfits and T.S.O.L. have been credited to be influential on both the sound and the aesthetics of the Goth subculture in America, being subsequently credited to be pioneers in the "Goth Punk" sub-genre.[64] Notable 1980s American Goth bands include Super Heroines, Human Drama, The Wake and Kommunity FK.[65]

"Moonchild", a late 1980s gothic song by Fields of the Nephilim with a more guttural baritone vocal style

Later stages of Gothic Rock came with a shift in sound and commercial success. Southern Death Cult reformed as the Cult, a more conventional hard rock group.[59] Bauhaus members reformed as the psychedelia-influenced Love and Rockets achieving both critical and commercial success during the late 1980s and '90s.[66] In their wake, the Mission, which included two former members of the Sisters of Mercy (Wayne Hussey and Craig Adams), achieved commercial success in the mid-1980s to early 1990s,[67] as did Fields of the Nephilim and All About Eve.[68] European groups inspired by gothic rock also proliferated, including Clan of Xymox.[69] Other bands associated with gothic rock include All Living Fear, And Also the Trees, Balaam and the Angel, Claytown Troupe, Dream Disciples, Feeding Fingers, Inkubus Sukkubus, Libitina, Miranda Sex Garden, Nosferatu, Rosetta Stone, and Suspiria.[70] The 1990s saw a resurgence of the goth subculture, fueled largely by crossover from the industrial, electronic and metal scenes; and goth culture and aesthetic again worked itself into the mainstream consciousness, inspiring thriving goth music scenes in most cities and notoriety throughout popular culture. Beginning in the early 1990s, gothic metal fused "the bleak, icy atmospherics of goth rock with the loud guitars and aggression of heavy metal."[71] In the 2000s, critics regularly noticed the influence of goth on bands of that time period.[72][73] English band The Horrors mixed 1960s garage rock with 1980s goth.[72] When referencing female singer Zola Jesus, writers questioned if she announced the second coming of the genre[74] as her music was described with this term.[75]

## Visual elements

[edit]

In terms of fashion, gothic bands incorporated influences from 19th-century Gothic literature along with horror films and, to a lesser extent, the BDSM culture.[76] Gothic fashions within the subculture range from deathrock, punk, androgynous, Victorian, to Renaissance and medieval-style attire, or combinations of the above, most often with black clothing, makeup and hair.[77] Crimped hair was popular among gothic fans in the 1980s.[78][79]

## Impact

[edit]

In the 1990s, several acts such as PJ Harvey,[80] Marilyn Manson,[81] Manic Street Preachers,[82] and Nine Inch Nails[83] included gothic characteristics in their music. According to Rolling Stone, PJ Harvey's music in 1993 "careens from blues to goth to grunge, often in the space of a single song" whereas American artists such as Marilyn Manson combined "atmosphere from goth and disco"[84] with "industrial sound".[85] In 1997, Spin qualified Portishead's second album as "gothic", "deadly" and "trippy". Critic Barry Walters observed that the group got "darker, deeper and more disturbing" in comparison to their debut album Dummy.[86] In the late 2010s, the Twilight Sad included gothic elements in their music.[87]

## See also

[edit]

* List of gothic rock bands
* List of gothic festivals
* Goth subculture
* Gothic fashion

## References

[edit]

1. ^ Spracklen, Karl; Spracklen, Beverley. The Evolution of Goth Culture: The Origins and Deeds of the New Goths. p. 46.
2. ^ a b Reynolds 2005, p. 423.
3. ^ a b Charlton 2003, p. 353.
4. ^ Reynolds 2005, pp. 430–431.
5. ^ a b c "Goth Rock". AllMusic. Retrieved 22 May 2021.
6. ^ "Screamin' Jay Hawkins' everlasting impact on alternative music - Berkeley B-Side". 24 October 2022. Retrieved 7 July 2025.
7. ^ a b c "The Story of Goth in 33 Songs". Pitchfork. 25 October 2017. Retrieved 22 May 2021.
8. ^ a b c d Stickney, John (24 October 1967). "Four Doors to the Future: Gothic Rock Is Their Thing". The Williams Record. Archived from the original on 4 May 2013. Retrieved 11 March 2013.
9. ^ a b Reynolds, Simon (26 March 2008). A Life Less Lived: The Gothic Box. `{{cite book}}`: `|work=` ignored (help)
10. ^ Hann, Michael (27 October 2013). "Lou Reed: Five rock themes we owe to his work". The Guardian. ISSN 0261-3077. Retrieved 6 July 2025.
11. ^ a b c North, Richard (19 February 1983). "Punk Warriors". NME.
12. ^ Loder, Kurt (December 1984). V.U. (album liner notes). Verve Records.
13. ^ Harriman, Andi (31 October 2022). "The 50 Best Goth Songs of All Time". Rolling Stone. Retrieved 6 July 2025.
14. ^ "Alice Cooper: 'Rock music was looking for a villain'". The Guardian. 29 December 2017. Archived from the original on 29 December 2017. Retrieved 29 December 2017.
15. ^ Miles, Barry (2009). The British Invasion: Arthur Brown. Sterling Publishing Company, Inc. p. 274\. ISBN 9781402769764. Archived from the original on 25 April 2019. Retrieved 29 December 2017.
16. ^ "Arthur Brown on Shock Rock, Hendrix, Close Calls With Fire" Archived December 29, 2017, at the Wayback Machine. Rolling Stone. Retrieved December 29, 2017
17. ^ Thompson, Dave; Greene, Jo-Ann (November 1994). "Undead Undead Undead". Alternative Press. Alternative Press Magazine, Inc..
18. ^ Unterberger, Richie (1 June 2009). White Light/White Heat: The Velvet Underground day-by-day. Jawbone Press. p. 201\. ISBN 978-1906002220.
19. ^ Unterberger, Richie. "The Marble Index – Nico". AllMusic. Retrieved 11 March 2013.
20. ^ Marsh, Dave (16 April 1977). Record Reviews - Philip Glass North Star. p. 46. `{{cite book}}`: `|work=` ignored (help)
21. ^ Reynolds, Simon (21 August 2014). "Kate Bush, the queen of art-pop who defied her critics". The Guardian. Retrieved 10 March 2016.
22. ^ Rambali, Paul (July 1983). "A Rare Glimpse into a Private World". The Face. "Curtis' death wrapped an already mysterious group in legend. From the press eulogies, you would think Curtis had gone to join Chatterton, Rimbaud and Morrison in the hallowed hall of premature harvests. To a group with several strong gothic characteristics was added a further piece of romance. The rock press had lost its great white hope, but they had lost a friend. It must have made bitter reading."
23. ^ Kent, Nick (29 July 1978). "Banshees make the Breakthrough [live review - London the Roundhouse 23 July 1978]". NME.
24. ^ Kent, Nick (31 March 1979). "Magazine's Mad Minstrels Gains Momentum (Album review)". NME. p. 31.
25. ^ Petridis, Alexis (26 April 2012). "Goth for life". The Guardian. Retrieved 2 September 2017.
26. ^ "Something Else [featuring Joy Division]". BBC television [archive added on youtube]. 15 September 1979. Archived from the original on 11 December 2021. "Because it is unsettling, it is like sinister and gothic, it won't be played. [interview of Joy Division's manager Tony Wilson next to Joy Division's drummer Stephen Morris from 3:31]"
27. ^ a b c Reynolds 2005, p. 420.
28. ^ Bohn, Chris (16 February 1980). "Joy Division: University of London Union – Live Review". Melody Maker.
29. ^ McCullough, Dave (26 July 1980). "Closer to the Edge". Sounds. "Young men in dark silhouettes, some darker than others, looking inwards, looking out, discovering the same horror and describing it with the same dark strokes of gothic rock."
30. ^ Gill, Andy (8 November 1980). "Gothic As a Brick". NME: 32.
31. ^ Reynolds 2005, p. 432.
32. ^ Thompson, Dave (1 November 2000). Alternative Rock. Miller Freeman Books. ISBN 0-87930-607-6.
33. ^ Raggett, Ned. "In the Flat Field – Bauhaus". AllMusic. Retrieved 20 May 2021.
34. ^ Abebe, Nitsuh (24 January 2007). "Various Artists: A Life Less Lived: The Gothic Box". Pitchfork. Retrieved 10 March 2013.
35. ^ "NME Originals: Goth". NME. 2004. Archived from the original on 26 January 2008. Retrieved 30 September 2013.
36. ^ a b Reynolds 2005, pp. 428–429.
37. ^ Reynolds 2005, p. 428.
38. ^ "Artists Beginning with S". guardian.co.uk. 21 November 2007.
39. ^ a b Reynolds 2005, p. 429.
40. ^ Doran, John (27 October 2008). "The Quietus | Features | It Started with a Mix | The Cure: Selecting the Best for One Side of a C90". The Quietus. Retrieved 11 March 2013.
41. ^ "RIAA – Gold & Platinum Searchable Database – March 10, 2013". riaa.com. Retrieved 10 March 2013.
42. ^ Reynolds 2005, pp. 429–431.
43. ^ a b Reynolds 2005, p. 431.
44. ^ a b Reynolds 2005, pp. 433–435.
45. ^ Reynolds 2005, p. 433.
46. ^ Hannaham 1999, p. 114.
47. ^ Reynolds 2005, p. 421.
48. ^ Reynolds 2005, p. 552.
49. ^ Johnson, David (February 1983). "69 Dean Street: The Making of Club Culture". The Face. No. 34\. p. 26. Retrieved 7 April 2018 - via Shapersofthe80s.
50. ^ Steele & Park 2008, p. 151.
51. ^ Steele & Park 2008, p. 150.
52. ^ Reynolds 2005, p. 422.
53. ^ a b c Reynolds 2005, pp. 423, 431 and 436.
54. ^ Mercer, Mick. Music to die for. London: Cherry Red Books, 2009, ISBN 190144726X, p. 5
55. ^ Mercer, Mick. Music to die for. London: Cherry Red Books, 2009, ISBN 190144726X, p. 105
56. ^ Reynolds 2005, p. 437.
57. ^ Steele & Park 2008, p. 144.
58. ^ a b Steele & Park 2008, p. 145.
59. ^ a b Reynolds 2005, p. 438.
60. ^ a b Steele & Park 2008, p. 147.
61. ^ Reynolds 2005, p. 435.
62. ^ Kilpatrick 2004, p. 89.
63. ^ Huey, Steve. "Christian Death | Biography & History". AllMusic. Retrieved 20 May 2021.
64. ^ Stegall, Tim (17 March 2021). "10 bands who led the very grisly idea of goth-punk across history". Alternative Press Magazine. Retrieved 25 January 2023.
65. ^ Greene 2013, p. 32.
66. ^ "Love and Rockets: How three British goths broke America". 12 April 2018.
67. ^ True, Chris. "God's Own Medicine – The Mission UK". AllMusic. Retrieved 11 March 2013.
68. ^ Larkin, Colin, ed. (1998). The encyclopedia of popular music (3 ed.). London: Macmillan. p. 123\. ISBN 033374134X.
69. ^ Sutton, Michael. "Clan of Xymox – Music Biography". AllMusic. Retrieved 11 March 2013.
70. ^ Mercer 1996, pp. 78–95.
71. ^ "Goth metal". AllMusic. Retrieved 30 April 2016.
72. ^ a b Hodgkinson, Will (8 July 2011). "The Horrors: Skying". thetimes.co.uk. "sixties garage meets eighties goth".
73. ^ "NME Album Reviews – Album Review: Zola Jesus Stridulum II". nme.com. 23 August 2010. Retrieved 11 March 2013.
74. ^ Richards, Sam (21 August 2010). "Will Zola Jesus Herald the Second Coming of Goth?". guardian.co.uk. Retrieved 11 March 2013.
75. ^ Orton, Karen (3 October 2011). "20 Q&As: Zola Jesus". dazeddigital.com. Retrieved 11 March 2013.
76. ^ Wilson, Cintra (17 September 2008). "You Just Can't Kill It". nytimes.com. Retrieved 10 March 2013.
77. ^ Steele & Park 2008.
78. ^ Some Wear Leather, Some Wear Lace: A Worldwide Compendium of Postpunk and Goth in the 1980s by Andi Harriman (page 66)
79. ^ Consumer Tribes by Bernard Cova, Robert Kozinets, Avi Shankar (page 228)
80. ^ "500 Greatest Albums of All Time: PJ Harvey, Rid of Me". rollingstone.com. 31 May 2009. Retrieved 11 March 2013.
81. ^ Lewis, Luke (5 March 2009). "Release the Bats – It's the 20 Greatest Goth Tracks". nme.com. Archived from the original on 19 October 2012. Retrieved 11 March 2013.
82. ^ Price, Simon (1999). "7. The Holy Bible". Everything (A Book About Manic Street Preachers). Virgin Books. p. 143\. "In mood as much as message, The Holy Bible was an intensely sombre record, overcast by the same stormy skies which darkened Van Gogh's last works. It was gothic and, quite often, literally goth: more than one song could easily have been early Cure, Sisters of Mercy or Bauhaus."
83. ^ Sheffield, Rob (14 October 1999). "Nine Inch Nails The Fragile". Rolling Stone. Retrieved 18 February 2014. "Nine Inch Nails auteur dropped the Downward Spiral, crunching punk and goth and Depeche Mode"
84. ^ "100 Best Albums of the Nineties: Marilyn Manson, Antichrist Superstar". rollingstone.com. Retrieved 11 March 2013.
85. ^ "Marilyn Manson Bio". rollingstone.com. Archived from the original on 23 January 2012. Retrieved 11 March 2013.
86. ^ Walters, Barry, "Portishead [album review]", Spin, no. November 1997, p. 142
87. ^ "Music review: The Twilight Sad, Usher Hall, Edinburgh". scotsman.com. 2 December 2019. Retrieved 13 September 2020.

## Bibliography

[edit]

### Books

[edit]

* Robb, John (2023). The Art of Darkness : The History Of Goth. Louder Than War Books. ISBN 978-1-914424-86-1
* Unsworth, Cathi (2023). Season of the Witch: The Book of Goth. Nine Eight Books. ISBN 978-1788706247
* Thompson, Dave (2002). The Dark Reign of Gothic Rock. Helter Skelter. ISBN 9781900924481.
* Charlton, Katherine (2003). Rock Music Styles (Fourth ed.). McGraw-Hill. ISBN 0-07-249555-3.
* Goodlad, L. M. E.; Bibby, M. (2007). Goth: Undead Subculture. Duke University Press. ISBN 978-0-8223-3921-2.
* Hannaham, James (1999). "Bela Lugosi's Dead and I Don't Feel So Good Either". Stars Don't Stand Still in the Sky: Music and Myth. NYU Press. pp. 78–87. ISBN 0-8147-4727-2.
* Kilpatrick, Nancy (2004). The Goth Bible: A Compendium for the Darkly Inclined. New York: St. Martin's Griffin. ISBN 0-312-30696-2.
* Melton, J. G. (1994). The Vampire Book: The Encyclopedia of the Undead. Visible Ink Press. ISBN 0-8223-3921-8.
* Mercer, Mick (1993). Gothic Rock. Los Angeles: Cleopatra Records. ISBN 0-9636193-1-4.
* Mercer, Mick (1988). Gothic Rock Black Book. London: Omnibus Press. ISBN 0-7119-1546-6.
* Mercer, Mick (1996). The Hex Files: The Goth Bible. Woodstock: Overlook Press. ISBN 0-87951-783-2.
* Reynolds, Simon (2005). "Chapter 22: 'Dark Things: Goth and the Return of Rock'". Rip It Up and Start Again: Postpunk 1978–1984. London: Faber and Faber. ISBN 0-571-21569-6.
* Sinclair, Mick (2013). Adjusting The Stars: Music journalism from post-punk London. Kindle edition, B00FG9JGVE.
* van Elferen, Isabella (2009). Nostalgia Or Perversion? Gothic Rewriting from the Eighteenth Century Until the Present Day. Ebook. ISBN 978-1282191198.
* Steele, Valerie; Park, Jennifer (21 October 2008). Gothic: Dark Glamour. Yale University Press. ISBN 978-0300136944.
* Greene, James Jr. (2013). This Music Leaves Stains: The Complete Story of the Misfits. Scarecrow Press. ISBN 9780810884380.
* Partridge, Christopher (2015). Mortality and Music: Popular Music and Awareness of Death. Bloomsbury Publishing. ISBN 9781472526809.
* van Elferen, Isabella (2012). Gothic Music: The Sounds of the Uncanny. University of Wales Press. ISBN 9780708325186.

### Journals

[edit]

* Collins, Andrew (30 November 1991). "Bluffer's Guide to Goth". NME.

## External links

[edit]

* Media related to Gothic rock at Wikimedia Commons

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* Pub rock (United Kingdom)
* Punk rock
* Shock rock
* Soft rock
* Visual kei
* Yacht rock

1980s|

* Alternative rock
* Deathrock
* Dream pop
* Gothic rock
* Grebo
* Grunge
* Indie rock
* Jangle pop
* Rap rock
* Rock kapak
* Shoegaze
* Slacker rock
* Trop rock

1990s|

* Britpop
* Emo
* Math rock
* Post-grunge
* Post-rock
* Stoner rock
* Sufi rock
* Viking rock

Regional scenes|

| North America|

* American
* Palm Desert Scene
* Canadian
* Costa Rican
* Cuban
* Dominican
* Haitian
* Mexican
* Chicano rock
* Puerto Rican

|

South America|

* Argentine
* Brazilian
* Brazilian thrash metal
* Samba rock
* Tropicália
* Chilean
* Colombian
* Ecuadorian
* Peruvian
* Uruguayan
* Venezuelan

Europe|

* Albanian
* Belarusian
* Belgian
* Bosnian
* British
* British rock and roll
* Britpop
* Post-Britpop
* Croatian
* Danish
* Dutch
* Indorock
* Nederbeat
* Ultra
* Estonian
* Finnish
* French
* German
* Greek
* Hungarian
* Icelandic
* Irish
* Italian
* Latvian
* Lithuanian
* Macedonian
* Norwegian
* Polish
* Portuguese
* Romanian
* Russian
* Serbian
* Slovenian
* Spanish
* Swedish
* Swiss
* Ukrainian
* Yugoslavian
* Art rock
* Hard rock and heavy metal
* Extreme metal
* Neo-rockabilly
* New wave
* Post-punk
* Punk

Asia|

* Armenian
* Azerbaijani
* Bangladeshi
* Cambodian (1959–1975)
* Chinese
* Filipino
* Bisrock
* Indian
* Bengali
* Raga
* Indonesian
* Iranian
* Israeli
* Japanese
* Visual kei
* Korean
* Malaysian
* Rock kapak
* Nepalese
* Pakistani
* Sufi
* Russian
* Taiwanese
* Thai
* Turkish

Africa|

* Angolan
* Sahara desert region
* Zambian

Oceania|

* Australian
* New Zealand

Radio formats|

* Active rock
* Adult album alternative
* Album-oriented rock
* Classic rock
* Mainstream rock
* Modern rock
* Progressive rock (radio format)

* History
* Culture

* British Invasion
* List of years in rock music
* Origins of rock and roll
* Country music
* Jazz
* Rhythm and blues
* Electronics in rock music
* Social effects
* Rock Against Communism
* Rock Against Racism
* Rock Against Sexism
* Rock music and the fall of communism
* Rockism and poptimism
* Women in rock

Related|

* Beatlesque
* List of rock genres
* Motorik
* Outlaw country
* Progressive music
* Rock and Roll Hall of Fame
* Rock concert
* Rock festival
* Rock musical
* Rock opera
* Wagnerian rock
* Wall of Sound

* Category
* Portal

* v
* t
* e

Alternative rock

Precursors|

* Jangle
* Punk rock
* Avant-punk
* Hardcore punk
* Post-hardcore
* Riot grrrl
* New wave
* Noise rock
* Proto-punk
* Post-punk
* Gothic rock

Styles and
fusion genres|

* Alternative country
* Gothic country
* Alternative dance
* Britpop
* Post-Britpop
* Chamber pop
* Christian alternative rock
* College rock
* Dark cabaret
* Dolewave
* Emo
* Geek rock
* Wizard rock
* Grebo
* Grunge
* Post-grunge
* Indie rock
* Indie folk
* Jangle pop
* Dunedin Sound
* Paisley Underground
* Math rock
* New rave
* Slowcore
* Industrial rock
* Industrial metal
* Latin alternative
* Madchester
* Baggy
* Mangue bit
* Neo-psychedelia
* Dream pop
* Shoegaze
* Blackgaze
* Nu gaze
* New wave of new wave
* Noise pop
* Pagan rock
* Post-punk revival
* Post-rock
* Post-metal
* Slacker rock

| Alternative metal|

* Funk metal
* Neue Deutsche Härte
* Nu metal
* Rap metal

|

Related topics|

* Alternative Airplay
* Anorak
* Artists
* C86
* Campus radio
* Independent music
* Indie pop
* Independent record label
* Lo-fi music
* Lollapalooza
* Outsider music

* Category

* v
* t
* e

New wave and post-punk

Associated
genres or scenes|

* Avant-funk
* Alternative dance
* Grebo
* Art punk
* Coldwave
* Dance-rock
* Dance-punk
* New rave
* Deathrock
* Dark wave
* Ethereal wave
* Neoclassical
* Electroclash
* Electropunk
* Garage rock revival
* Gothic rock
* Indie pop
* Jangle pop
* Madchester
* Baggy
* Minimal wave
* Minneapolis sound
* Mod revival
* Neo-psychedelia
* Dream pop
* Shoegaze
* Neue Deutsche Welle
* New pop
* New Romantic
* New wave of new wave
* No wave
* Post-hardcore
* Post-punk revival
* Romo
* Sophisti-pop
* Synth-pop
* Electroclash
* Electropop
* Electropunk
* Freestyle
* 2 Tone
* Ultra
* Windmill scene

Lists|

* New wave artists
* Post-punk bands
* Synth-pop artists

Other topics|

* C86
* CBGB
* Chillwave
* Electro
* New Wave Theatre
* Neue Deutsche Welle
* Neue Deutsche Härte
* La Movida Madrileña
* Little band scene
* Punk rock
* Industrial
* Rip It Up and Start Again
* Second British Invasion
* Sounds
* Synthwave
* Vaporwave
* Yugoslavian new wave

* v
* t
* e

Punk rock

Precursors|

* Garage rock
* Proto-punk

Subgenres and
fusion genres|

* 2 tone
* Afro-punk
* Anarcho-punk
* Crust punk
* Crack rock steady
* Crustcore
* D-beat
* Art punk
* Avant-punk
* Biker metal
* Christian punk
* Christian hardcore
* Cowpunk
* Dance-punk
* Dark cabaret
* Egg punk
* Emo
* Emo pop
* Emo rap
* Emo revival
* Folk punk
* Anti-folk
* Celtic punk
* Gypsy punk
* Garage punk
* Glam punk
* Hardcore punk
* Beatdown hardcore
* Bent edge
* Crossover thrash
* Digital hardcore
* Krishnacore
* Melodic hardcore
* Metalcore
* Deathcore
* Electronicore
* Crunkcore
* Nintendocore
* Mathcore
* Melodic metalcore
* Progressive metalcore
* Post-hardcore
* Emo revival
* Queercore
* Riot grrrl
* Shaman punk
* Taqwacore
* Thrashcore
* Horror punk
* Latino punk
* Nazi punk
* New wave
* Oi!
* Street punk
* Pop-punk
* Skate punk
* Post-punk
* Post-punk revival
* Ultra
* Progressive punk
* Psychobilly
* Punk blues
* Punk funk
* Punk jazz
* Punk metal
* Punk pathetique
* Punk rap
* Emo rap
* Reggae punk
* Ska punk
* Third wave ska
* Street punk
* Surf punk
* Synth-punk
* Visual kei

Related genres|

* Alternative rock
* Gothic rock
* Grebo
* Grunge
* Industrial
* Noise rock
* Speed metal
* Thrash metal

By country|

* Australia
* Brazil
* Canada
* Estonia
* List of bands
* France
* Germany
* Greece
* Netherlands
* Spain
* Basque Radical Rock
* Sweden
* Könsrock
* Trallpunk
* United Kingdom
* Celtic punk
* Scottish Gaelic punk
* United States (California)
* Yugoslavia

People and groups|

* First wave punk musicians
* Second wave punk musicians
* List of punk bands
* #–K
* L–Z
* Punk filmmakers
* Women in punk rock

Related articles|

* List of punk compilation albums
* List of punk rock festivals
* Animal rights and punk subculture
* Conservative Punk
* Death of Brian Deneke
* DIY ethic
* Moshing
* Poseur
* Punk subculture
* Punk fashion
* Punk ideologies
* Punk visual art
* Punk literature
* Punk zine
* Puntala-rock
* Straight edge
* Punk films (List of punk films)
* Timeline of punk rock
* Scene

* v
* t
* e

Gothic

Ancient|

* Crimean Gothic
* Gothic alphabet
* Gothic Christianity
* Gothic language
* Goths

Late medieval|

* Architecture
* Belarusian
* Brabantine
* Brick
* Czech
* English
* Flamboyant
* French
* Isabelline
* Italian
* Manueline
* Polish
* Portuguese
* Rayonnant
* Sondergotik
* Spanish
* Venetian
* Art
* Script
* Sculpture
* Boxwood miniature

Romanticism|

* American Gothic
* Dark Romanticism
* Gothicism
* Gothic fiction
* Gothic Revival architecture
* Carpenter / Rural Gothic
* Collegiate Gothic
* Dissenting Gothic
* High Victorian Gothic
* Neo-Manueline
* Scottish baronial
* Troubadour
* By specific country
* Canada
* Poland
* Urban Gothic

Modern literature
and art|

* New Gothic Art
* Raygun Gothic
* Southern Gothic
* Southern Ontario Gothic
* Space Gothic
* Suburban Gothic
* Tasmanian Gothic

Modern subculture,
music and film|

* Gothic subculture
* Cybergoth
* Health Goth
* Gothic fashion
* Gothic film
* Gothic romance film
* Gothic rock
* Gothic metal
* Gothabilly
* Gothic belly dance
* Dark wave
* Gothic punk
* Gothic Western
* Horror punk
* Post-punk

Related|

* Black metal
* Cosmicism
* Danse Macabre
* Dark culture
* Dark fantasy
* Deathrock
* Dracula
* Fantastique
* Frankenstein
* German Expressionism
* Giallo
* Gloom
* Gothic Satanism
* Grotesque
* Grotesquerie
* Horror fiction
* Horror and Terror
* Horror-of-demonic
* Horror-of-personality
* Industrial music
* List of gothic festivals
* List of gothic fiction works
* Lolita fashion
* Lovecraftian horror
* Magic realism
* Mal du siècle
* Medievalism
* Memento Mori
* Monster literature
* Mystery fiction
* Neo-Victorian
* New Romantic
* Occult
* Occult detective
* Occultism
* Ossuary
* Paranormal romance
* Romanesque Revival
* Romanticism
* Steampunk
* Ubi sunt
* Universal monsters
* Vampire fiction
* Victorian fashion
* Weird fiction
* Weird menace

* v
* t
* e

Goth subculture

Associated music|

* Gothic rock
* Gothabilly
* Gothic country
* Coldwave
* Deathrock
* Dark wave
* Ethereal wave

Notable bands|

* The Cure
* Christian Death
* Bauhaus
* Siouxsie and the Banshees
* Joy Division
* The Sisters of Mercy
* The Damned
* Alien Sex Fiend
* Dead Can Dance
* Cocteau Twins
* Fields of the Nephilim
* List of gothic rock artists

Notable figures|

* Robert Smith
* Peter Murphy
* Siouxsie Sioux
* Ian Curtis
* Andrew Eldritch
* Nick Cave
* Cassandra Peterson/Elvira
* Eva O
* Dinah Cancer
* Monica Richards
* Lisa Hammer
* Rozz Williams
* Gitane DeMone
* Patricia Morrison
* Carl McCoy
* Elizabeth Fraser
* Doc Hammer
* Lisa Gerrard
* Brendan Perry
* Bethany Black
* Wednesday Mourning

Regional scenes|

* Camden Town
* Chicago
* Cleveland
* Singapore Dark Alternative Movement
* Toronto

Notable club nights|

* F Club (1977–1982)
* Le Phonographique (1979–2005)
* Batcave (1982–1985)
* Slimelight (1987–)
* Death Guild (1993–)
* Xmortis (2004–)

Notable events|

* Wave-Gotik-Treffen
* M'era Luna Festival
* Drop Dead Festival
* Lumous Gothic Festival
* Whitby Goth Weekend
* Convergence (goth festival)
* Bats Day in the Fun Park
* World Goth Day
* List of gothic festivals

Art and fashion|

* Art
* Fashion
* Cybergoth
* Health Goth
* Lip Service
* Gothic Beauty
* Rose Mortem
* Edward Gorey
* Big hair
* Deathhawk
* Backcombing
* Winklepickers

Film and literature|

* Film
* Literature
* Tim Burton
* Edgar Allan Poe
* The Addams Family
* Triana Orpheus
* The Crow
* The Goodbye Family
* The Munsters
* The Sandman
* The Craft
* Gypsy 83

See also|

* Post-punk
* Black
* Shades of black
* Suicide in music subcultures
* Poseur
* Dark culture
* Mall goth

Authority control databases: National |

* Czech Republic
* 2
* Israel

|

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