Haroun and the Sea of Stories (opera)

Opera by Charles Wuorinen

Haroun and the Sea of Stories

Opera by Charles Wuorinen

The composer in the 1980s

Librettist| James Fenton
Language| English
Based on| Haroun and the Sea of Stories
by Salman Rushdie
Premiere|

October 31, 2004 (2004-10-31)

New York City Opera

Website| www.charleswuorinen.com/operas/haroun-and-the-sea-of-stories/

Haroun and the Sea of Stories is an opera in two acts by American composer Charles Wuorinen, based on the children's novel of the same name by Salman Rushdie, with a libretto by James Fenton. It was premiered at the New York City Opera in 2004.[1]

## History

[edit]

Salman Rushdie wrote Haroun and the Sea of Stories as a short novel for his son Zafar, then aged eleven. It was Rushdie's first book after he had to hide because of a fatwa call for his death. It was published in 1990.[2][3] Charles Wuorinen was attracted by both the plot, and the circumstances of the story's writing, admiring the absence of self-pity.[4][5] He found James Fenton to write him a libretto.[4] Fenton had translated Verdi librettos for the English National Opera, but Haroun was his first libretto.[5] He created a number opera, reducing the characters and adding to its political meaning.[4] Wuorinen composed the opera in two acts,[3] including musical quotes and "musical puns", to emphasize Rushdie's wordplay.[4]

Excerpts from the opera were performed at the New York Cooper Union on May 2, 2000, by the New York City Opera.[3] The world premiere was planned for 2001, but was postponed after the September 11 attacks.[5] The complete opera was premiered on October 31, 2004, at the New York City Opera,[1] directed by Mark Lamos, and conducted by George Manahan, with stage design by Riccardo Hernandez. Heather Buck appeared in the title role, and Peter Strummer as Rashid.[2]

The opera was published by Edition Peters.[6] The libretto appeared as part of a collection of Fenton's librettos, The Love Bomb and Other Musical Pieces by Faber and Faber in 2003.[7][4] The Boston Modern Orchestra Project produced a concert version of the opera, but with costumes and projections, in 2019.[8]

## Roles

[edit]

Role  | Voice type | Premiere cast, October 31, 2004[3][9][10]
Conductor: George Manahan

|
|

Haroun  | soprano | Heather Buck
Rashid  | baritone | Peter Strummer
Soraya, mother to Haroun  | mezzo-soprano | Heather Johnson
Mr. Sengupta, a measlyweasly clerk, and later Khattam-Shud, the prince of silence  | tenor | James Schaffner
Oneeta, wife to Mr. Sengupta, and then Princess, and later Princess Batcheat  | contralto | Edith Dowd, Kathryn Friest
Butt, the Bus-driver, and later the mechanical Hoopoe  | bass | Ethan Herschenfeld
Snooty Buttoo, politician  | tenor  | Joel Sorensen
Iff, the water genie  | tenor  | Ryan MacPherson
Bagha and Goopy, plentimaw fish  | high tenors  | Andrew Drost Goopy, Robert Mack
Mali, a gardener  | deep bass  | Wilber Pauley
Prince Bolo, beloved of Batcheat  | tenor  | Christopher Jackson
General Kitab  | baritone  | Michael Zegarski
The King (can de doubled with Mali)  | bass  |

## Plot

[edit]

The main characters are Haroun, a boy, and his father, the storyteller Rashid, who lost his ability to tell stories after his wife left him, and the villains Khattam-shud and Snooty Buttoo who want to terminate storytelling because they want to rule the world, and are powerless against stories. In a fantastic journey, Haroun helps his father to regain his potential.[3][8]

## Reception

[edit]

Charles Michener of The Observer noted that reading the libretto was enjoyable, but found the music too "earthbound", although with adequate clean and forceful lines for the singers. He noted the composer's "command of organized noise".[7] Peter G. Davis wrote in New York magazine:

> But the score for Haroun will dazzle any receptive ear with its incredibly broad palate of finely tuned sounds and its irrepressible vitality—a singularly apt musical response to a sophisticated children’s novel that has very adult things to say about a free imagination trapped in a world of oppressive thought control.[2]

## References

[edit]

1. ^ a b "Pulitzer Prize-winning composer Charles Wuorinen dies at 81". Toronto City News. Associated Press. March 12, 2020. Retrieved March 13, 2020.
2. ^ a b c Davis, Peter G. (November 4, 2004). "Charles Wuorinen's Haroun and the Sea of Stories is a modernist twelve-tone opera that's easy to love". New York Magazine. Retrieved May 5, 2011.
3. ^ a b c d e Ross Griffel, Margaret (2012). Operas in English: A Dictionary. Scarecrow Press. p. 215\. ISBN 978-0-81-088325-3.
4. ^ a b c d e Keller, Johanna (October 31, 2004). "The Fatwa That Begat an Opera". The New York Times. Retrieved March 18, 2020.
5. ^ a b c Kors, Stacey (October 29, 2004). "A long time coming". Financial Times. Retrieved March 24, 2020.
6. ^ "Haroun and the Sea of Stories". Edition Peters. Retrieved March 24, 2020.
7. ^ a b Michener, Charles (November 15, 2004). "The Ayatollah of Silence Foiled: Rushdie's Fable Now an Opera". The Observer. Retrieved March 24, 2020.
8. ^ a b Fernandez, Arturo (January 20, 2019). "Haroun and the Sea of Stories / A Surreal, Timely Threat". schmopera.com. Retrieved March 24, 2020.
9. ^ "Haroun and the Sea of Stories". operaamerica.org. Retrieved March 18, 2020.
10. ^ Wuorinen, Charles. "Haroun and the Sea of Stories" (PDF). www.charleswuorinen.com. Retrieved 1 July 2020.

## External links

[edit]

* Official website

* v
* t
* e

Charles Wuorinen

Opera|

* Haroun and the Sea of Stories (2004)
* Brokeback Mountain (2012)

Ballet|

* Five: Concerto for Amplified Cello and Orchestra (1987)
* Delight of the Muses (1991)
* River of Light (1996)

Orchestral|

* Microsymphony (1992)

Electronic|

* Time's Encomium (1970)

Vocal/Choral Orchestral|

* The Celestial Sphere (1980)

List of compositions by Charles Wuorinen Category:Compositions by Charles Wuorinen
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