Harry Potter (film series)

Fantasy film series

Harry Potter

Harry Potter logo as used in the films

Directed by|

* Chris Columbus (1–2)
* Alfonso Cuarón (3)
* Mike Newell (4)
* David Yates (5–8)

Screenplay by| Steve Kloves (1–4, 6–8)
Michael Goldenberg (5)
Based on| Harry Potter
by J. K. Rowling
Produced by|

* David Heyman
* Chris Columbus (3)
* Mark Radcliffe (3)
* David Barron (5–8)
* J. K. Rowling (7–8)

Starring|

* Daniel Radcliffe
* Rupert Grint
* Emma Watson
* (See below)

Cinematography|

* John Seale (1)
* Roger Pratt (2, 4)
* Michael Seresin (3)
* Sławomir Idziak (5)
* Bruno Delbonnel (6)
* Eduardo Serra (7–8)

Edited by|

* Richard Francis-Bruce (1)
* Peter Honess (2)
* Steven Weisberg (3)
* Mick Audsley (4)
* Mark Day (5–8)

Music by|

* John Williams (1–3)
* Patrick Doyle (4)
* Nicholas Hooper (5–6)
* Alexandre Desplat (7–8)

Production
companies

* Warner Bros. Pictures
* Heyday Films
* 1492 Pictures (1–3)

Distributed by| Warner Bros. Pictures

Release date

| 2001–2011

Running time

| 1,179 minutes[1]
Countries| United Kingdom
United States
Language| English
Budget| Total (8 films)
$1.2 billion
Box office| Total (8 films)
$7.7 billion

Harry Potter is a film series based on the Harry Potter series of novels by J. K. Rowling. The series was produced and distributed by Warner Bros. Pictures and consists of eight fantasy films, beginning with Harry Potter and the Philosopher's Stone (2001) and culminating with Harry Potter and the Deathly Hallows – Part 2 (2011).[2][3] A spin-off prequel series started with Fantastic Beasts and Where to Find Them (2016), marking the beginning of the Wizarding World shared media franchise.[4]

A British and American co-production, the series was mainly produced by David Heyman, and stars Daniel Radcliffe, Rupert Grint, and Emma Watson as the three leading characters: Harry Potter, Ron Weasley, and Hermione Granger. Four directors worked on the series: Chris Columbus, Alfonso Cuarón, Mike Newell, and David Yates.[5] Michael Goldenberg wrote the screenplay for Harry Potter and the Order of the Phoenix (2007), while the remaining films' screenplays were written by Steve Kloves. Production took place over ten years, with the main story arc following Harry's quest to overcome his arch-enemy Lord Voldemort.[6]

Harry Potter and the Deathly Hallows, the seventh and final novel in the series, was adapted into two feature-length parts.[7] Part 1 was released in November 2010, and Part 2 was released in July 2011.[8][9]

Deathly Hallows – Part 2 is among the 50 highest-grossing films of all time—at 20th-highest, grossing over $1 billion. It is the fourth-highest-grossing film series, with $7.7 billion in worldwide receipts.

## Origins

[edit]

In late 1997, film producer David Heyman's London offices received a copy of the first book in what would become Rowling's series of seven Harry Potter novels. The book, Harry Potter and the Philosopher's Stone, was relegated to a low-priority bookshelf, where it was discovered by a secretary who read it and gave it to Heyman with a positive review. Consequently, Heyman, who had originally disliked "the rubbish title", read the book himself. Highly impressed by Rowling's work, he began the process that led to one of the most successful cinematic franchises of all time.[10]

Heyman's enthusiasm led to Rowling's 1999 sale of the film rights for the first four Harry Potter books to Warner Bros. for a reported £1 million (US$2,000,000).[11] A demand Rowling made was that the principal cast be kept strictly British and Irish wherever possible, such as Richard Harris as Dumbledore, allowing nonetheless for casting of French and Eastern European actors in Harry Potter and the Goblet of Fire where characters from the book are specified as such.[12] Rowling was hesitant to sell the rights because she "didn't want to give them control over the rest of the story" by selling the rights to the characters, which would have enabled Warner Bros. to make non-author-written sequels.[13]

Although Steven Spielberg initially negotiated to direct the first film, he declined the offer.[14] Spielberg contended that, in his opinion, there was every expectation of profit in making the film. He claims that making money would have been like "shooting ducks in a barrel. It's just a slam dunk. It's just like withdrawing a billion dollars and putting it into your personal bank accounts. There's no challenge."[15] In the "Rubbish Bin" section of her website, Rowling maintains that she had no role in choosing directors for the films, writing "Anyone who thinks I could (or would) have 'veto-ed' him [Spielberg] needs their Quick-Quotes Quill serviced."[16]

After Spielberg left, conversations began with other directors, including Chris Columbus, Jonathan Demme, Terry Gilliam, Mike Newell, Alan Parker, Wolfgang Petersen, Rob Reiner, Tim Robbins, Brad Silberling, and Peter Weir.[17] Petersen and Reiner both pulled out of the running in March 2000.[18] It was then narrowed down to Columbus, Gilliam, Parker, and Silberling.[19] Rowling's first choice was Gilliam.[20] However, on 28 March 2000, Columbus was appointed as director of the film, with Warner Bros. citing his work on other family films such as Home Alone and Mrs. Doubtfire as influences for their decision.[21]

> Harry Potter is the kind of timeless literary achievement that comes around once in a lifetime. Since the books have generated such a passionate following across the world, it was important to us to find a director that has an affinity for both children and magic. I can't think of anyone more ideally suited for this job than Chris [Columbus].

— Lorenzo di Bonaventura, Warner Bros.[21]

Steve Kloves was selected to write the screenplay for the first film. He described adapting the book as "tough" since it did not "lend itself to adaptation as well as the next two books". Kloves was sent a "raft" of synopses of books proposed as film adaptations, with Harry Potter being the only one that jumped out at him. He went out and bought the book, becoming an instant fan. When speaking to Warner Bros. he stated that the film had to be British and true to the characters.[22] David Heyman was confirmed to produce the film.[21] Rowling received a large amount of creative control for the film, an arrangement that Columbus did not mind.[23]

Warner Bros. had initially planned to release the first film over the 4 July 2001 weekend, making for such a short production window that several of the originally proposed directors had withdrawn themselves from contention. Eventually, due to time constraints, the date was put back to 16 November 2001.[24]

### Casting the roles of Harry, Ron, and Hermione

[edit]

Daniel Radcliffe, Emma Watson, and Rupert Grint at the world premiere of Harry Potter and the Deathly Hallows – Part 2 in Trafalgar Square, London on 7 July 2011

In 2000, after a seven-month search, lead actor Daniel Radcliffe was discovered by producer David Heyman and writer Steve Kloves seated just behind them in a theatre. In Heyman's own words, "There sitting behind me was this boy with these big blue eyes. It was Dan Radcliffe. I remember my first impressions: He was curious and funny and so energetic. There was real generosity too, and sweetness. But at the same time he was really voracious and with hunger for knowledge of whatever kind."[10]

Radcliffe had already established himself as an actor in the 1999 BBC television production of David Copperfield in which he played the title role's childhood years. Heyman persuaded Radcliffe's parents to allow him to audition for the part of Harry Potter, which involved Radcliffe being filmed.[10][n 1] Rowling was enthusiastic after viewing Radcliffe's filmed test, saying she didn't think there was a better choice for the part of Harry Potter.[10][26]

Also in 2000, the then-unknown British actors Emma Watson and Rupert Grint were selected from thousands of auditioning children to play the roles of Hermione Granger and Ron Weasley, respectively. Their only previous acting experience was in school plays. Grint was eleven years old and Watson ten at the time they were cast.[27]

Los Angeles Times writer Geoff Boucher, who conducted the above-mentioned interview with Heyman, added that the casting of the three major roles "is especially impressive in hindsight. The trio's selection was arguably one of the best show-business decisions over the past decade ... they have shown admirable grace and steadiness in the face of teen superstardom."[10][26]

## Production

[edit]

Filming for the series began at Leavesden Studios, Hertfordshire, England, in September 2000 and ended in December 2010, with post-production on the final film lasting until summer 2011.[6] Leavesden Studios was the main base for filming Harry Potter, and it opened to the public as a studio tour in 2012 (renamed as Warner Bros. Studios, Leavesden).[28]

Warner Bros. Studios, Leavesden, where much of the film series was shot. Harry Potter was also filmed in other areas, including Pinewood Studios.

David Heyman produced all the films in the series with his production company Heyday Films, while David Barron joined the series as an executive producer on Chamber of Secrets and Goblet of Fire. Barron was later appointed producer on the last four films. Chris Columbus was an executive producer on the first two films alongside Mark Radcliffe and Michael Barnathan, but he became a producer on the third film alongside Heyman and Radcliffe. Other executive producers include Tanya Seghatchian and Lionel Wigram. J. K. Rowling, author of the series, was asked to become a producer on Goblet of Fire but declined. She subsequently accepted the role on the two-part Deathly Hallows.[29]

Heyday Films and Columbus' company 1492 Pictures collaborated with Duncan Henderson Productions in 2001, Miracle Productions in 2002, and P of A Productions in 2004. Even though Prisoner of Azkaban was the final film produced by 1492 Pictures, Heyday Films continued with the franchise and collaborated with Patalex IV Productions in 2005. The sixth film in the series, Half-Blood Prince, was the most expensive film to produce as of 2009[update].

Warner Bros. adapted the seventh and final novel in the series, Deathly Hallows, into two cinematic parts. The two parts were filmed back-to-back from early 2009 to summer 2010, with the completion of reshoots taking place on 21 December 2010; this marked the end of filming Harry Potter. Heyman stated that Deathly Hallows was "shot as one film" but released in two feature-length parts.[30]

Tim Burke, the visual effects supervisor of the series, said of the production on Harry Potter, "It was this huge family; I think there were over 700 people working at Leavesden, an industry in itself." David Heyman said, "When the first film opened, no way did I think we'd make eight films. That didn't seem feasible until after we'd done the fourth." Nisha Parti, the production consultant on the first film, said that Heyman "made the first film very much the way he felt the studio Warner Bros. wanted to make it". After the film's success, Heyman was given "more freedom".[31]

One of the aims of the filmmakers from the beginning of production was to develop the maturity of the films. Chris Columbus stated, "We realised that these movies would get progressively darker. Again, we didn't know how dark but we realised that as the kids get older, the movies get a little edgier and darker."[32] This transpired with the succeeding three directors who would work on the series in the following years, with the films beginning to deal with issues such as death, betrayal, prejudice, and political corruption as the series developed narratively and thematically.[5][33]

### Directors

[edit]

After Chris Columbus had finished working on Philosopher's Stone, he was hired to direct Chamber of Secrets. The production started within a week after the release of the first film. Columbus was set to direct all entries in the series,[34] but he did not want to return for Prisoner of Azkaban, claiming he was "burned out".[35] He moved to the position of producer, while Alfonso Cuarón was approached for the role of director. He was initially nervous about directing the instalment since he had not read any of the books or seen the films. After reading the series, he changed his mind and signed on to direct since he had immediately connected to the story.[36]

David Yates directed four of the films in the series, including the two-part finale Deathly Hallows.

Because Cuarón decided not to direct the fourth instalment, Goblet of Fire, a new director had to be selected.[37] Mike Newell was chosen to direct the film, but he declined to do so for the next film, Order of the Phoenix, which was given to David Yates, who also directed Half-Blood Prince and both parts of Deathly Hallows, becoming the only director to helm more than one film since Columbus.

Columbus said his vision for the first two films was of a "golden storybook, an old-fashioned look", while Cuarón changed the visual tone of the series, desaturated the colour palette, and expanded the landscape around Hogwarts.[32][37] Newell decided to direct the fourth film as a "paranoid thriller", while Yates wanted to "bring a sense of jeopardy and character to the world".[38][39] Cuarón, Newell, and Yates have said that their challenge was striking a balance between making the films according to their individual vision, while working within a cinematic world already established by Columbus.[37][38][39]

Heyman commented on the "generosity of the directors" by revealing that "Chris spent time with Alfonso, Alfonso spent time with Mike and Mike spent time with David, showing him an early cut of the film, talking through what it means to be a director and how they went about [making the films]."[40] He also said, "I suppose Chris Columbus was the most conservative choice from the studio's point of view. But he expressed real passion."[31] Producer Tanya Seghatchian said they were "more adventurous" in choosing a director for the third film and went straight to Cuarón.[31] Newell became the first British director of the series when he was chosen for the fourth film; Newell was considered to direct the first film before he dropped out.[31] Yates directed the final films after Heyman thought him capable of handling the edgy, emotional, and political material of the later novels.[41]

All the directors have been supportive of each other. Columbus praised the character development in the films, while Cuarón admired the "quiet poetry" of Yates' films.[32][37] Mike Newell noted that each director had a different heroism, and Yates views the first four films "respectfully and enjoy[s] them".[38][39] Radcliffe said Yates "took the charm of the films that Chris made and the visual flair of everything that Alfonso did and the thoroughly British, bombastic nature of the film directed by Mike Newell" and added "his own sense" of realism.[42]

### Scripts

[edit]

A studio model of Hogwarts. It is the main setting in the series; the castle features in every novel and screen adaptation.

Steve Kloves wrote the screenplays for all but the fifth film, which was penned by Michael Goldenberg. Kloves had direct assistance from J.K. Rowling, though she allowed him what he described as "tremendous elbow room". Rowling asked Kloves to remain faithful to the spirit of the books; thus, the plot and tone of each film and its corresponding book are virtually the same, albeit with some changes and omissions for purposes of cinematic style, time, and budget constraints. Goldenberg also received input from Rowling during his adaptation of the fifth novel; Goldenberg was originally considered to adapt the first novel before the studio chose Kloves.[43]

In a 2010 interview, Heyman briefly explained the book-to-film transition. He commented on Rowling's involvement in the series, stating that she understood that "books and films are different" and was "the best support" a producer could have. Rowling had overall approval on the scripts, which were viewed and discussed by the director and the producers. Heyman also said that Kloves was the "key voice" in the process of adapting the novels and that certain aspects from the books needed to have been excluded from the scripts due to the filmmakers' decision to keep the main focus on Harry's journey as a character, which would ultimately give the films a defined structure. Heyman mentioned that some fans "don't necessarily understand the adaptation process" and that the filmmakers would have loved to "have everything" from the books in the films but noted that it was not possible since they had "neither time nor cinematic structure" to do so. He finished by saying that adapting a novel to the screen is "a really considered process".[44]

Because the films were being made as the novels were being published, the filmmakers had no idea of the story's outcome until the release of the final novel in 2007. Kloves spoke of his relationship with Rowling when adapting the novels by saying, "The thing is about Jo, which is remarkable for someone who had no experience with the filmmaking process, was her intuition. We had a conversation the very first day I met her where she said, 'I know the movies can't be the books ... because I know what's coming and it's impossible to fully dramatise on screen what I'm going to write. But I just ask you to be true to the characters; that's all I care about.'"[45] Kloves also said, "I don't know what compelled me to say this [to Rowling], but I said, 'I've just got to warn you my favourite character is not Harry. My favourite character is Hermione.' And I think for some weird reason, from that moment on, she sort of trusted me."[45]

### Cast and crew

[edit]

See also: List of Harry Potter cast members

Aside from the three lead actors, other notable cast members include Robbie Coltrane as Rubeus Hagrid, Tom Felton as Draco Malfoy, Alan Rickman as Severus Snape, and Dame Maggie Smith as Minerva McGonagall. Richard Harris, who played the role of Professor Albus Dumbledore, died on 25 October 2002, causing the role to be re-cast to Michael Gambon for Prisoner of Azkaban. Heyman and Cuarón chose Gambon to portray Dumbledore, which he did for all succeeding films. Notable recurring cast members include Helena Bonham Carter as Bellatrix Lestrange, Warwick Davis as Filius Flitwick, Ralph Fiennes as Lord Voldemort, Brendan Gleeson as Alastor Moody, Richard Griffiths as Vernon Dursley, Jason Isaacs as Lucius Malfoy, Harry Melling as Dudley Dursley, Gary Oldman as Sirius Black, Fiona Shaw as Petunia Dursley, Timothy Spall as Peter Pettigrew, David Thewlis as Remus Lupin, Emma Thompson as Sybill Trelawney, Mark Williams as Arthur Weasley, and Julie Walters as Molly Weasley.

The series has seen many returning crew members from various departments, including Tim Burke, visual effects supervisor; Peter Doyle, digital film colourist; Nick Dudman, make-up and creature effects designer; David Holmes, stunt double; Amanda Knight, make-up artist; Stephenie McMillan, set designer; Greg Powell, stunt coordinator; Jany Temime, costume designer; and Fiona Weir, casting director.

### Set design

[edit]

The Hall of Christ Church in Oxford, England, the inspiration for the studio film set of The Great Hall of Hogwarts.[46][47]

The production designer for all eight films is Stuart Craig. Assisted by Stephenie McMillan, Craig has created iconic sets pieces including the Ministry of Magic, the Chamber of Secrets, Malfoy Manor, and the layout for the CGI Horcrux Cave. Because the novels were being published as the films were being made, Craig was required to rebuild some sets for future films and alter the design of Hogwarts.[48]

He said, "In the early days, every time you saw the exterior of Hogwarts, it was a physical miniature", which was made by craftsmen and occupied a large sound stage.[49][50] "We ended up with a profile of how Hogwarts looked, a skyline that actually I didn't design, and it wasn't always satisfactory, and as all the novels got written and movies got made there were new requirements [for buildings]. The [Astronomy Tower] definitely wasn't there originally, and so we were able to add that substantial piece. And in the last film, we needed an arena for the battle for Hogwarts – the big courtyard outside doubled in size, and if you look at the first movie it wasn't there at all. There were quite some liberties taken with the continuity of Hogwarts."[51] In the last film, Craig used a digital model instead of a miniature to "embrace the latest technology".[50]

On the method of creating the sets, Craig said he often started by sketching ideas onto a blank sheet of paper.[52] Stephenie McMillan also said that "each film always had plenty of new challenges", citing the changes in visual style between directors and cinematographers as an example, along with the developing story in the novels. Due to J.K. Rowling's descriptions of various settings in the novels, Craig noted his "responsibility was to place it together".[53]

The studio film set of The Great Hall of Hogwarts was one of the first sets ever created for the series.[54]

Craig commented on his experience working in the studio environment: "I'm the production designer, but on a big movie like Harry Potter I may be responsible for 30 to 35 people; from the supervising art director, and a team of art directors and assistants, to draughtsmen and junior draughtsmen, and then on to model makers, sculptors and scenic artists." He said, "Ten years ago, all the Harry Potter drawings were done in pencil. I would take my roughs and plans and sections and give them to a professional architectural illustrator, who would create concept art using pencil and colour wash on watercolour paper." He said the process changed slightly throughout the years due to, what he called, the "digital revolution" of making films.[50]

When filming of the series was completed, some of Craig's sets had to be rebuilt or transported for them to be displayed at the Warner Bros. studio tour.[49]

### Cinematography

[edit]

Six directors of photography worked on the series: John Seale on the first film, Roger Pratt on the second and fourth, Michael Seresin on the third, Sławomir Idziak on the fifth, Bruno Delbonnel on the sixth, and Eduardo Serra on the seventh and eighth. Delbonnel was considered to return for both parts of Deathly Hallows, but he declined, stating that he was "scared of repeating" himself.[55] Delbonnel's cinematography in Half-Blood Prince gained the series its only Academy Award nomination for Best Cinematography. As the series progressed, each cinematographer faced the challenge of shooting and lighting older sets (which had been around since the first few films) in unique and different ways.[56] Chris Columbus said the series' vivid colouring decreased as each film was made.[32][57]

Michael Seresin commented on the change of visual style from the first two films to Prisoner of Azkaban: "The lighting is moodier, with more shadowing and cross-lighting." Seresin and Alfonso Cuarón moved away from the strongly coloured and brightly lit cinematography of the first two films, with dimmer lighting and a more muted colour palette being utilised for the succeeding five films.[58] After comparing a range of digital cameras with 35 mm film, Bruno Delbonnel decided to shoot the sixth movie, Half-Blood Prince, on film rather than the increasingly popular digital format. This decision was kept for the two-part Deathly Hallows with Eduardo Serra, who said that he preferred to work with film because it was "more technically accurate and dependable".[59]

Because the majority of Deathly Hallows takes place in various settings away from Hogwarts, David Yates wanted to "shake things up" by using different photographic techniques such as using hand-held cameras and very wide camera lenses.[60] Eduardo Serra said, "Sometimes we are combining elements shot by the main unit, a second unit, and the visual effects unit. You have to know what is being captured – colours, contrast, et cetera – with mathematical precision." He noted that with Stuart Craig's "amazing sets and the story", the filmmakers could not "stray too far from the look of the previous Harry Potter films".[59][61]

### Editing

[edit]

Along with continuous changes in cinematographers, there have been five film editors to work in post-production on the series: Richard Francis-Bruce edited the first instalment, Peter Honess the second, Steven Weisberg the third, Mick Audsley the fourth, and Mark Day films five through eight.

### Music

[edit]

See also: Music of the Harry Potter films

John Williams scored the first three films and received Academy Award nominations for the first and third films.

The Harry Potter series has had four composers. John Williams scored the first three films: Philosopher's Stone, Chamber of Secrets, and Prisoner of Azkaban. Due to a busy 2002 schedule, Williams brought in William Ross to adapt and conduct the score for Chamber of Secrets. Williams also composed "Hedwig's Theme", the series' leitmotif which appears in all eight films.[62]

After Williams left the series to pursue other projects, Patrick Doyle scored the fourth entry, Goblet of Fire, which was directed by Mike Newell, with whom Doyle had worked previously. In 2006, Nicholas Hooper started work on the score to Order of the Phoenix, reuniting with director David Yates. Hooper also composed the soundtrack to Half-Blood Prince but decided not to return for the final two films.

In January 2010, Alexandre Desplat was confirmed to compose the score for Deathly Hallows – Part 1.[63] The film's orchestration started in the summer with Conrad Pope, the orchestrator on the first three Harry Potter films, collaborating with Desplat. Pope commented that the music "reminds one of the old days".[64] Desplat returned to score Deathly Hallows – Part 2 in 2011.[65]

Yates stated that he wanted Williams to return to the series for the final instalment, but their schedules did not align due to the urgent demand for a rough cut of the film.[66] The final recording sessions for Harry Potter took place on 27 May 2011 at Abbey Road Studios with the London Symphony Orchestra, Desplat and orchestrator Conrad Pope.[67]

Doyle, Hooper and Desplat introduced their own personal themes to their respective soundtracks, while keeping a few of Williams' themes.

### Visual effects

[edit]

There have been many visual effects companies that work on the Harry Potter series. Some of these include Rising Sun Pictures, Sony Pictures Imageworks, Double Negative, Cinesite, Framestore, and Industrial Light & Magic. The latter three have worked on all the films in the series, while Double Negative and Rising Sun Pictures began their commitments with Prisoner of Azkaban and Goblet of Fire, respectively. Framestore contributed by developing many memorable creatures and sequences to the series.[68] Cinesite was involved in producing both miniature and digital effects for the films.[69] Producer David Barron said that "Harry Potter created the UK effects industry as we know it. On the first film, all the complicated visual effects were done on the [US] west coast. But on the second, we took a leap of faith and gave much of what would normally be given to Californian vendors to UK ones. They came up trumps." Tim Burke, the visual effects supervisor, said many studios "are bringing their work to UK effects companies. Every facility is fully booked, and that wasn't the case before Harry Potter. That's really significant."[31]

### Final filming

[edit]

See also: Production of Harry Potter and the Deathly Hallows

On 12 June 2010, filming of the Deathly Hallows – Part 1 and Part 2 was completed with actor Warwick Davis stating on his Twitter account, "The end of an Era – today is officially the last day of principal photography on 'Harry Potter' – ever. I feel honoured to be here as the director shouts cut for the very last time. Farewell Harry & Hogwarts, it's been magic!"[70] However, reshoots of the epilogue scene were confirmed to begin in the winter of 2010. The reshoots were completed on 21 December 2010, marking the official closure of filming for the Harry Potter franchise.[71] Exactly four years earlier on that day, Rowling's official website revealed the title of the final novel in the book series – Harry Potter and the Deathly Hallows.[72]

## Films

[edit]

Year  | Film  | Director  | Screenwriter  | Producer(s)[n 2] | Composer  | Novel by J. K. Rowling

|
|
|
|
|
|

2001  | Harry Potter and the
Philosopher's Stone | Chris Columbus | Steve Kloves | David Heyman | John Williams | Harry Potter and the
Philosopher's Stone (1997)
2002  | Harry Potter and the
Chamber of Secrets | Harry Potter and the
Chamber of Secrets (1998)
2004  | Harry Potter and the
Prisoner of Azkaban | Alfonso Cuarón | David Heyman, Chris Columbus and Mark Radcliffe  | Harry Potter and the
Prisoner of Azkaban (1999)
2005  | Harry Potter and the
Goblet of Fire | Mike Newell | David Heyman  | Patrick Doyle | Harry Potter and the
Goblet of Fire (2000)
2007  | Harry Potter and the
Order of the Phoenix | David Yates | Michael Goldenberg | David Heyman and David Barron | Nicholas Hooper | Harry Potter and the
Order of the Phoenix (2003)
2009  | Harry Potter and the
Half-Blood Prince | Steve Kloves  | Harry Potter and the
Half-Blood Prince (2005)
2010  | Harry Potter and the
Deathly Hallows – Part 1 | David Heyman, David Barron and J. K. Rowling | Alexandre Desplat | Harry Potter and the
Deathly Hallows (2007)
2011  | Harry Potter and the
Deathly Hallows – Part 2
The Gryffindor Common Room was introduced in the first film.

### Harry Potter and the Philosopher's Stone (2001)

[edit]

Main article: Harry Potter and the Philosopher's Stone (film)

Harry Potter is an orphaned boy brought up by his unkind Muggle (non-magical) aunt and uncle. At the age of eleven, half-giant Rubeus Hagrid informs him that he is actually a wizard and that his parents were murdered by an evil wizard named Lord Voldemort. Voldemort also attempted to kill one-year-old Harry on the same night, but his killing curse mysteriously rebounded and reduced him to a weak and helpless form. Harry became extremely famous in the Wizarding World as a result. Harry begins his first year at Hogwarts School of Witchcraft and Wizardry and learns about magic. During the year, Harry and his friends Ron Weasley and Hermione Granger become entangled in the mystery of the Philosopher's Stone which is being kept within the school.

### Harry Potter and the Chamber of Secrets (2002)

[edit]

Main article: Harry Potter and the Chamber of Secrets (film)

Harry, Ron, and Hermione return to Hogwarts for their second year, which proves to be more challenging than the last. The Chamber of Secrets has been opened, leaving students and ghosts petrified by an unleashed monster. Harry must face up to claims that he is the heir of Salazar Slytherin (founder of the Chamber), learn that he can speak Parseltongue, and also discover the properties of a mysterious diary, only to find himself trapped within the Chamber itself.

The Glenfinnan Viaduct in Scotland (which the Hogwarts Express passes en route to Hogwarts), features in four films in the series, including the Dementor scene in Prisoner of Azkaban

### Harry Potter and the Prisoner of Azkaban (2004)

[edit]

Main article: Harry Potter and the Prisoner of Azkaban (film)

Harry's third year sees the boy wizard, along with his friends, attending Hogwarts School once again. Professor R. J. Lupin joins the staff as Defence Against the Dark Arts teacher, while convicted murderer Sirius Black escapes from Azkaban. The Ministry of Magic entrusts the Dementors to guard Hogwarts from Black. Harry learns more about his past and his connection with the escaped prisoner.

### Harry Potter and the Goblet of Fire (2005)

[edit]

Main article: Harry Potter and the Goblet of Fire (film)

During Harry's fourth year, Hogwarts plays host to the Triwizard Tournament. Three European schools participate in the tournament, with three 'champions' representing each school in the deadly tasks. The Goblet of Fire chooses Fleur Delacour, Viktor Krum, and Cedric Diggory to compete against each other. However, Harry's name is also produced from the Goblet thus making him a fourth champion, which leads to a terrifying encounter with a reborn Lord Voldemort.

### Harry Potter and the Order of the Phoenix (2007)

[edit]

Main article: Harry Potter and the Order of the Phoenix (film)

Harry's fifth year begins with him being attacked by Dementors in Little Whinging. Later, he finds out that the Ministry of Magic is in denial of Lord Voldemort's return. Harry is also beset by disturbing and realistic nightmares, while Professor Umbridge, a representative of Minister for Magic Cornelius Fudge, is the new Defence Against the Dark Arts teacher. Harry becomes aware that Voldemort is after a prophecy which reveals: "neither can live while the other survives". The rebellion involving the students of Hogwarts, secret organisation Order of the Phoenix, the Ministry of Magic, and the Death Eaters begins.

### Harry Potter and the Half-Blood Prince (2009)

[edit]

Main article: Harry Potter and the Half-Blood Prince (film)

In Harry's sixth year at Hogwarts, Lord Voldemort and his Death Eaters are increasing their terror upon the Wizarding and Muggle worlds. Headmaster Albus Dumbledore persuades his old friend Horace Slughorn to return to Hogwarts as a professor as there is a vacancy to fill. There is a more important reason, however, for Slughorn's return. While in a Potions lesson, Harry takes possession of a strangely annotated school textbook, inscribed as belonging to the 'Half-Blood Prince'. Draco Malfoy struggles to carry out a mission presented to him by Voldemort. Meanwhile, Dumbledore and Harry secretly work together to discover how to destroy the Dark Lord once and for all.

### Harry Potter and the Deathly Hallows – Part 1 (2010)

[edit]

Main article: Harry Potter and the Deathly Hallows – Part 1

The Potters' Cottage from the final film

After unexpected events at the end of the previous year, Harry, Ron, and Hermione are entrusted with a quest to find and destroy Lord Voldemort's secret to immortality – the Horcruxes. It is supposed to be their final year at Hogwarts, but the collapse of the Ministry of Magic and Voldemort's rise to power prevents them from attending. The trio undergo an arduous journey with many obstacles in their path including Death Eaters, Snatchers, the mysterious Deathly Hallows, and Harry's connection with the Dark Lord's mind becoming stronger.

### Harry Potter and the Deathly Hallows – Part 2 (2011)

[edit]

Main article: Harry Potter and the Deathly Hallows – Part 2

After destroying a Horcrux and discovering the significance of the three Deathly Hallows, Harry, Ron and Hermione continue to seek out the other Horcruxes in an attempt to destroy Voldemort, who has now obtained the powerful Elder Wand. The Dark Lord discovers Harry's hunt for his Horcruxes and launches an attack on Hogwarts, where the trio return for one last stand against the dark forces that threaten both the Wizarding and Muggle worlds.

## Release

[edit]

The rights to the first four novels in the series were sold to Warner Bros. for £1,000,000 by J.K. Rowling. After the release of the fourth book in July 2000, the first film, Harry Potter and the Philosopher's Stone, was released on 16 November 2001. In its opening weekend, the film grossed $90 million in the United States alone, which set a record opening worldwide. The succeeding three motion picture adaptations followed suit in financial success, while garnering positive reviews from fans and critics. The fifth film, Harry Potter and the Order of the Phoenix, was released by Warner Bros. on 11 July 2007 in English-speaking countries, except for the UK and Ireland, which released the movie on 12 July.[73] The sixth, Harry Potter and the Half-Blood Prince, was released on 15 July 2009 to critical acclaim and finished its theatrical run ranked as the number two grossing film of 2009 on the worldwide charts.

The final novel, Harry Potter and the Deathly Hallows, was split into two cinematic parts: Part 1 was released on 19 November 2010, and Part 2, the conclusion of the series, was released on 15 July 2011.[74] Part 1 was originally scheduled to be released in 3D and 2D,[75] but due to a delay in the 3D conversion process, Warner Bros. released the film only in 2D and IMAX cinemas. However, Part 2 was released in 2D and 3D cinemas as originally planned.[76]

The television broadcast rights for the series in the US are currently held by NBCUniversal, which typically airs the films on USA Network and Syfy.[77] The film series has accrued nearly 1.3 billion viewings since its television debut—the highest-watched franchise in television broadcast history.[78] All eight films became available to stream on HBO Max on 27 May 2020, the launch date of the service.[79]

In celebration of the 20th anniversary of the release of Philosopher's Stone, in November 2021, it was announced that the entire film series would be relaunched in cinemas in Brazil, as well as a special edition of Philosopher's Stone on HBO Max.[80] Much of the original cast and crew reunited for an HBO Max retrospective special titled Harry Potter 20th Anniversary: Return to Hogwarts, which was released on 1 January 2022.[81]

## Reception

[edit]

A studio model of Hogwarts Castle as it appears in the films.

The Harry Potter films have been top-rank box office hits, with all eight releases on the list of highest-grossing films worldwide. Philosopher's Stone was the highest-grossing Harry Potter film up until the release of the final instalment of the series, Deathly Hallows Part 2, while Prisoner of Azkaban grossed the least.[82] As well as being a financial success, the film series has also been a success among film critics.[83][84] Opinions of the films are generally divided among fans, with one group preferring the more faithful approach of the first two films, and another group preferring the more stylised character-driven approach of the later films.[85] Rowling has been consistently supportive of all the films and evaluated Deathly Hallows as her "favourite one" in the series.[86][87][88]

### Critical response

[edit]

All the films have been a success financially and critically, making the franchise one of the major Hollywood "tent-poles" akin to James Bond, Star Wars, Indiana Jones and Pirates of the Caribbean. The series is noted by audiences for growing visually darker and more mature as each film was released.[32][89] However, the films have generally divided fans of the books, with some preferring the more faithful approach of the first two films and others preferring the more stylised character-driven approach of the later films.

Some have also felt the series has a "disjointed" feel due to the changes in directors, as well as Michael Gambon's portrayal of Albus Dumbledore differing from that of Richard Harris. Author J. K. Rowling has been consistently supportive of the films,[90][91][92] and evaluated the two parts of Deathly Hallows as her favourite of the series. She wrote on her website of the changes in the book-to-film transition, "It is simply impossible to incorporate every one of my storylines into a film that has to be kept under four hours long. Obviously films have restrictions – novels do not have constraints of time and budget; I can create dazzling effects relying on nothing but the interaction of my own and my readers' imaginations."[93]

Each film is linked to the "Critical response" section of its article.

Film  | Rotten Tomatoes | Metacritic | CinemaScore[94]

|
|
|

Philosopher's Stone | 81% (7.06/10 average rating) (200 reviews)[95] | 65 (37 reviews)[96] | A
Chamber of Secrets | 82% (7.21/10 average rating) (237 reviews)[97] | 63 (35 reviews)[98] | A+
Prisoner of Azkaban | 90% (7.85/10 average rating) (258 reviews)[99] | 82 (40 reviews)[100] | A
Goblet of Fire | 88% (7.45/10 average rating) (255 reviews)[101] | 81 (38 reviews)[102]
Order of the Phoenix | 78% (6.9/10 average rating) (256 reviews)[103] | 71 (37 reviews)[104] | A−
Half-Blood Prince | 84% (7.12/10 average rating) (279 reviews)[105] | 78 (36 reviews)[106]
Deathly Hallows – Part 1 | 77% (7.09/10 average rating) (288 reviews)[107] | 65 (42 reviews)[108] | A
Deathly Hallows – Part 2 | 96% (8.34/10 average rating) (332 reviews)[109] | 85 (41 reviews)[110]

### Accolades

[edit]

At the 64th British Academy Film Awards in February 2011, J. K. Rowling, David Heyman, David Barron, David Yates, Alfonso Cuarón, Mike Newell, Rupert Grint and Emma Watson collected the Michael Balcon Award for Outstanding British Contribution to Cinema for the series.[111][112]

In addition, the American Film Institute recognised the entire series with a Special Award at the American Film Institute Awards in 2011. Special awards "are given to outstanding achievements in the moving image that do not fit into AFI's criteria for the other honorees".[113] In its press release, the Institute referred to the films as "a landmark series; eight films that earned the trust of a generation who wished for the beloved books of J.K. Rowling to come to life on the silver screen. The collective wizardry of an epic ensemble gave us the gift of growing older with Harry, Ron and Hermione as the magic of Hogwarts sprung from the films and into the hearts and minds of Muggles around the world."[113]

Harry Potter was also recognised by the BAFTA Los Angeles Britannia Awards, with David Yates winning the Britannia Award for Artistic Excellence in Directing for his four Harry Potter films.[114][115]

#### Academy Awards

[edit]

Motion Picture  | Nominated category  | Nominee(s)  | Ceremony

|
|
|

Harry Potter and the Philosopher's Stone | Best Art Direction | Stuart Craig and Stephenie McMillan | 74th Academy Awards
Best Costume Design | Judianna Makovsky
Best Original Score | John Williams
Harry Potter and the Prisoner of Azkaban | Best Original Score  | John Williams  | 77th Academy Awards
Best Visual Effects | Roger Guyett, Tim Burke, John Richardson and Bill George
Harry Potter and the Goblet of Fire | Best Art Direction  | Stuart Craig and Stephenie McMillan  | 78th Academy Awards
Harry Potter and the Half-Blood Prince | Best Cinematography | Bruno Delbonnel | 82nd Academy Awards
Harry Potter and the Deathly Hallows – Part 1 | Best Art Direction  | Stuart Craig and Stephenie McMillan  | 83rd Academy Awards
Best Visual Effects  | Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Harry Potter and the Deathly Hallows – Part 2 | Best Art Direction  | Stuart Craig and Stephenie McMillan  | 84th Academy Awards
Best Makeup | Nick Dudman, Amanda Knight and Lisa Tomblin
Best Visual Effects  | Tim Burke, David Vickery, Greg Butler and John Richardson

Six of the eight films were nominated for a total of 12 Academy Awards.

Some critics, fans, and general audiences have expressed disappointment over the Harry Potter series not winning any Oscars for its achievements. However, others have pointed out that certain films in the series had uneven reviews, in contrast to the three films of The Lord of the Rings, for example, which were all critically acclaimed. This has been partly attributed to the Harry Potter series going through several directors each with their own directorial style in contrast to the Lord of the Rings trilogy, which was filmed in one massive undertaking by the same director, writer, and producer.[116][117] An observer noted that "cinematically, the Potter franchise-starter was marked by its commercial caution: its imagination was safely limited, its storytelling by-the-book in all senses, its budget spent to yield more value than magic" in contrast with how "Fellowship of the Ring, by comparison, was a reckless, wondrous extravagance".[118]

Although not successful at the Oscars, the Harry Potter series has gained success in many other award ceremonies, including the annual Saturn Awards and Art Directors Guild Awards. The series has also gained a total of 24 nominations at the British Academy Film Awards presented at the annual BAFTAs, winning several, and 5 nominations at the Grammy Awards.

Radcliffe, Grint, and Watson were honored outside Grauman's Chinese Theatre at the Hand, Foot, and Wand Ceremony, Hollywood Walk of Fame, July 2007.

Philosopher's Stone achieved seven BAFTA Award nominations, including Best British Film and Best Supporting Actor for Robbie Coltrane.[119] The film was also nominated for eight Saturn Awards and won for its costumes design.[120] It was also nominated at the Art Directors Guild Awards for its production design[121] and received the Broadcast Film Critics Award for Best Live Action Family Film along with gaining two other nominations.[122]

Chamber of Secrets won the award for Best Live Action Family Film in the Phoenix Film Critics Society. It was nominated for seven Saturn Awards, including Best Director and Best Fantasy Film. The film was nominated for four BAFTA Awards and a Grammy Award for John Williams's score. Prisoner of Azkaban won an Audience Award, as well as Best Feature Film, at the BAFTA Awards. The film also won a BMI Film Music award along with being nominated at the Grammy Awards, Visual Effect Society Awards, and the Amanda Awards. Goblet of Fire won a BAFTA award for Best Production Design as well as being nominated at the Saturn Awards, Critic's Choice Awards, and the Visual Effects Society Awards.

Order of the Phoenix picked up three awards at the inaugural ITV National Movie Awards.[123] At the Empire Awards, David Yates won Best Director.[124] Composer Nicholas Hooper received a nomination for a World Soundtrack Discovery Award.[125] The film was nominated at the BAFTA Awards, but did not win for Best Production Design or Best Special Visual Effects.[126] Half-Blood Prince was nominated for BAFTA Awards in Production Design and Visual Effects,[127] and it was in the longlists for several other categories, including Best Supporting Actor for Alan Rickman.[128] Amongst other nominations and wins, the film also achieved Best Family Movie at the National Movie Awards as well as Best Live Action Family Film at the Phoenix Film Critics Society Awards, along with being nominated for Best Motion Picture at the Satellite Awards.

Deathly Hallows – Part 1 gained two nominations at the BAFTA Awards for Best Make-Up and Hair and Best Visual Effects, along with receiving nominations for the same categories at the Broadcast Film Critics Association Awards. Eduardo Serra's cinematography and Stuart Craig's production design were also nominated in various award ceremonies, and David Yates attained his second win at the Empire Awards, this time for Best Fantasy Film. He also obtained another Best Director nomination at the annual Saturn Awards, which also saw the film gain a Best Fantasy Film nomination.[129][130] Deathly Hallows – Part 2 was released to critical acclaim, gaining a mix of audience awards. Part 2 of Deathly Hallows was also recognised at the Saturn Awards as well as the BAFTA Awards, where the film achieved a win for Best Special Visual Effects.[131]

### Box office performance

[edit]

As of 2022[update], the Harry Potter film series is the fourth highest-grossing film franchise of all time, with the eight films released grossing over $7.7 billion worldwide. Without adjusting for inflation, this is higher than the first 22 James Bond films and the six films in the Star Wars original and prequel trilogies.[132] Chris Columbus's Philosopher's Stone became the highest-grossing Harry Potter film worldwide upon completing its theatrical run in 2002, but it was eventually topped by David Yates's Deathly Hallows – Part 2, while Alfonso Cuarón's Prisoner of Azkaban grossed the least.[133][134][135][136]

Six films in the Harry Potter franchise — Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows, Parts 1 & 2 — have to date grossed around $216 million in IMAX theaters worldwide.[137]

Each film title is linked to the "Box office" section of its article.

Motion picture  | Release date  | Box office gross  | Budget  | Ref(s)

|
|
|
|

United Kingdom  | USA & Canada
(approx. ticket sales) | Other countries  | Worldwide
Philosopher's Stone | 16 November 2001 (2001-11-16) | £66,096,060  | $318,886,962
(55,976,200)  | $703,403,056  | $1,022,290,019  | $125 million  | [138][139][140][141][142]
Chamber of Secrets | 14 November 2002 (2002-11-14) | £54,780,731  | $262,450,136
(44,978,900)  | $617,152,229  | $879,602,366  | $100 million  | [140][141][143][144]
Prisoner of Azkaban | 31 May 2004 (2004-05-31) | £45,615,949  | $249,975,996
(40,183,700)  | $547,385,621  | $797,361,618  | $130 million  | [140][141][145]
Goblet of Fire | 18 November 2005 (2005-11-18) | £48,328,854  | $290,417,905
(45,188,100)  | $606,260,335  | $896,678,241  | $150 million  | [140][141][146][147]
Order of the Phoenix | 11 July 2007 (2007-07-11) | £49,136,969  | $292,353,413
(42,442,500)  | $649,818,982  | $942,172,396  | $150 million  | [140][141][148][149][150]
Half-Blood Prince | 15 July 2009 (2009-07-15) | £50,713,404  | $302,305,431
(40,261,200)  | $632,148,664  | $934,454,096  | $250 million  | [140][141][151][152]
Deathly Hallows – Part 1 | 19 November 2010 (2010-11-19) | £52,364,075  | $296,347,721
(37,503,700)  | $680,695,761  | $977,043,483  | Less than $250 million (official)  | [153]

[140][141][154][155][156]

Deathly Hallows – Part 2 | 15 July 2011 (2011-07-15) | £73,094,187  | $381,409,310
(48,046,800)  | $960,912,354  | $1,342,321,665  | [141][156][157]
Total  | £440,269,736  | $2,393,347,532 | $5,383,254,496 | $7,776,602,036 | $1.155 billion  | [158]

### All-time rankings

[edit]

Motion picture  | Rank  | Ref(s)

|
|

All-time
(worldwide) | All-time
(United States) | All-time
(United Kingdom) | Yearly
(United States) | Yearly
(worldwide) | Opening day
(all-time) | Opening weekend
(all-time)
Philosopher's Stone | #47  | #76  | #9  | #1  | #1  | #66  | #55  | [138]
Chamber of Secrets | #68  | #114  | #17  | #4  | #2  | #81  | #60  | [140][143][144]
Prisoner of Azkaban | #105  | #131  | #33  | #6  | #47  | #49  | [140]
Goblet of Fire | #63  | #101  | #28  | #3  | #1  | #41  | #40  | [140][146][147]
Order of the Phoenix | #57  | #96  | #25  | #5  | #2  | #34  | #77  | [140][148][149]
Half-Blood Prince | #59  | #88  | #24  | #3  | #24  | #75  | [140][151][152]
Deathly Hallows – Part 1 | #48  | #91  | #18  | #5  | #3  | #22  | #25  | [140][154][155]
Deathly Hallows – Part 2 | #13  | #42  | #7  | #1  | #1  | #3  | #12  | [157][159]

## Legacy

[edit]

> Harry Potter was in the vanguard of a new approach to big-budget film-making. Most modern blockbuster franchises have two things in common: they are based on known properties such as books and comics, and they are steered by respected but little-known directors.

—The Economist[160]

The Harry Potter films and their success have been retrospectively considered to have had a significant impact on the film industry. They are credited with helping redefine the Hollywood blockbuster in the 21st century by initiating a shift toward established media franchises forming the basis of successful films. In the wake of the final film's release, Claudia Puig of USA Today wrote that the films "inspired every major studio to try to capture [its] alchemic formula, spawning a range of copycats and wannabes" and "also have shown Hollywood how to make a glossy blockbuster with an eye toward keeping costs down".[161] A 2009 article from The Economist argued that the films were "in the vanguard" of adaptations of established properties being the modern film franchise model, citing The Lord of the Rings, Spider-Man and The Dark Knight Trilogy as examples of successful film series that followed Harry Potter's suit.[160] Furthermore, the practice of splitting the finale of a film series into two back-to-back films began with the success of Deathly Hallows, and it would soon be replicated by The Twilight Saga: Breaking Dawn – Parts 1 and 2, and The Hunger Games: Mockingjay – Parts 1 and 2.[162]

The films are also credited with signalling the popularity of films based on children's and young adult literature in the 2000s and 2010s, correlating with the book series' own literary influence. Costance Grady and Aja Romano, commenting on the whole Harry Potter franchise's legacy for Vox in light of its 20th anniversary, wrote that youth-targeted literature has since become "a go-to well of ideas for Hollywood", pointing to the successes of The Twilight Saga and The Hunger Games.[163]

The series has spawned a vast volume of fan fiction, with nearly 600,000 inspired stories catalogued,[164] and an Italian fan film, Voldemort: Origins of the Heir, which received over twelve million views in ten days on YouTube.[165]

The success of the film series, combined with that of the Lord of the Rings film trilogy, inspired Nickelodeon's production of the animated TV series Avatar: The Last Airbender, with the network seeking to emulate the two successful properties with an action-adventure series with magic elements.[166]

## See also

[edit]

* Fantastic Beasts

## Notes

[edit]

1. ^ This screen test footage was released via the first set of Ultimate Editions in 2009.[25]
2. ^ Not including executive producers

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130. ^ "Empire Awards 2011 Best Fantasy Film". Empire Awards. 28 March 2011. Retrieved 29 March 2011. "You must excuse the absence of David Yates; he'd love to be here but he's putting the finishing touches on our epic finale, which is why I'm here."
131. ^ "Saturn Awards 2012 nominees". The Academy of Science Fiction Fantasy & Horror Films. Archived from the original on 13 June 2011.
132. ^ "Harry Potter becomes highest-grossing film franchise". The Guardian. UK. 11 November 2007. Archived from the original on 2 November 2007. Retrieved 17 November 2007.
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## External links

[edit]

Wikimedia Commons has media related to Harry Potter films.

* Official website
* Growing Up with Harry Potter – photo essay by Time

* v
* t
* e

Harry Potter by J. K. Rowling

* Wizarding World

Books|

| Main novels|

* The Philosopher's Stone
* The Chamber of Secrets
* The Prisoner of Azkaban
* The Goblet of Fire
* The Order of the Phoenix
* The Half-Blood Prince
* The Deathly Hallows

|

Spin-offs|

* Fantastic Beasts and Where to Find Them
* Quidditch Through the Ages
* The Tales of Beedle the Bard

Short stories|

* Prequel
* Hogwarts: An Incomplete and Unreliable Guide
* Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists
* Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies

Feature films|

| Harry Potter
(cast · music)|

* The Philosopher's Stone
* soundtrack, "Hedwig's Theme"
* The Chamber of Secrets
* soundtrack
* The Prisoner of Azkaban
* soundtrack
* The Goblet of Fire
* soundtrack
* The Order of the Phoenix
* soundtrack
* The Half-Blood Prince
* soundtrack
* The Deathly Hallows – Part 1
* production
* soundtrack
* The Deathly Hallows – Part 2
* production
* soundtrack
* accolades

|

Fantastic Beasts
(cast · characters)|

* Fantastic Beasts and Where to Find Them
* soundtrack
* The Crimes of Grindelwald
* soundtrack
* The Secrets of Dumbledore

Characters|

* Harry Potter
* Ron Weasley
* Hermione Granger
* Lord Voldemort
* Albus Dumbledore
* Severus Snape
* Rubeus Hagrid
* Minerva McGonagall
* Draco Malfoy
* Neville Longbottom
* Fred and George Weasley
* Ginny Weasley
* Sirius Black
* Remus Lupin
* Bellatrix Lestrange
* Dolores Umbridge
* Luna Lovegood
* Blaise Zabini
* List of all characters

| Groups|

* Hogwarts staff
* Order of the Phoenix
* Death Eaters
* Ministry of Magic

|

Fictional universe|

* Magic
* Creatures
* Objects
* Places
* Beauxbatons
* Diagon Alley
* Hogwarts
* Muggle
* Quidditch

Other works|

* Wizarding World Digital
* The Cursed Child
* Hogwarts Tournament of Houses
* 20th Anniversary: Return to Hogwarts
* Television series

Inspired media|

| Video games|

* Lego Creator: Harry Potter
* The Philosopher's Stone (2001)
* PlayStation
* PC
* Game Boy Advance
* Game Boy Color
* The Chamber of Secrets
* Creator: Harry Potter and the Chamber of Secrets
* Quidditch World Cup
* The Philosopher's Stone (2003)
* The Prisoner of Azkaban
* The Goblet of Fire
* The Order of the Phoenix
* The Half-Blood Prince
* Lego Harry Potter: Years 1–4
* The Deathly Hallows – Part 1
* The Deathly Hallows – Part 2
* Lego Harry Potter: Years 5–7
* Harry Potter for Kinect
* Book of Spells
* Book of Potions
* Lego Dimensions
* Fantastic Beasts: Cases From the Wizarding World
* Hogwarts Mystery
* Wizards Unite
* Magic Awakened
* Hogwarts Legacy
* Quidditch Champions

|

Attractions|

* The Wizarding World of Harry Potter
* Orlando
* Japan
* Hollywood
* Dragon Challenge
* Flight of the Hippogriff
* Hagrid's Magical Creatures Motorbike Adventure
* The Escape from Gringotts
* The Forbidden Journey
* Hogwarts Express
* Movie Magic Experience

Exhibitions|

* The Exhibition
* A History of Magic
* Warner Bros. Studio Tour London – The Making of Harry Potter

Other|

* Lego Harry Potter
* Trading Card Game

Fandom|

* A Celebration of Harry Potter
* Drarry
* Fandom Forward
* The Leaky Cauldron
* Mischief Management
* MuggleNet
* Scorbus
* Wizard rock
* Wolfstar
* Wrockstock

| Fan fictions|

* All the Young Dudes
* Harry Potter and the Methods of Rationality
* Harry Potter in Calcutta
* Hogwarts School of Prayer and Miracles
* My Immortal

|

Fan films|

* Hermione Granger and the Quarter Life Crisis
* Severus Snape and the Marauders
* Voldemort: Origins of the Heir

Parodies|

| A Very Potter Musical|

* A Very Potter Musical
* album
* A Very Potter Sequel
* EP
* A Very Potter Senior Year

|

Other|

* Epic Movie
* Muddle Earth Too
* Skulduggery Pleasant: Resurrection
* Potter Puppet Pals
* Puffs
* Wizard People, Dear Reader
* Treehouse of Horror XII

Related|

* Influences and analogues
* Legal disputes
* List of organisms named after the Harry Potter series
* Politics
* Portkey Games
* Religious debates
* Translation
* Harry, A History
* Harry Potter and the Sacred Text
* The Harry Potter Lexicon
* The Magical Worlds of Harry Potter
* Pollomuhku ja Posityyhtynen
* Potterless
* Heyday Films

* Category
* Outline

* v
* t
* e

J. K. Rowling

Political views • Awards and nominations

Wizarding World
books|

| Harry Potter|

* The Philosopher's Stone (1997)
* The Chamber of Secrets (1998)
* The Prisoner of Azkaban (1999)
* The Goblet of Fire (2000)
* The Order of the Phoenix (2003)
* The Half-Blood Prince (2005)
* The Deathly Hallows (2007)

|

Other|

* Quidditch Through the Ages (2001)
* Fantastic Beasts and Where to Find Them (2001)
* Harry Potter prequel (2008)
* The Tales of Beedle the Bard (2008)
* Hogwarts: An Incomplete and Unreliable Guide (2016)
* Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists (2016)
* Short Stories from Hogwarts of Heroism, Hardship and Dangerous Hobbies (2016)

Cormoran Strike
books|

* The Cuckoo's Calling (2013)
* The Silkworm (2014)
* Career of Evil (2015)
* Lethal White (2018)
* Troubled Blood (2020)
* The Ink Black Heart (2022)
* The Running Grave (2023)

Films and
TV series|

| Films produced|

* Harry Potter and the Deathly Hallows – Part 1 (2010)
* Harry Potter and the Deathly Hallows – Part 2 (2011)

|

Films produced
and written|

* Fantastic Beasts and Where to Find Them (2016)
* Fantastic Beasts: The Crimes of Grindelwald (2018)
* Fantastic Beasts: The Secrets of Dumbledore (2022)

TV series adaptations|

* The Casual Vacancy (2015)
* Strike (2017–present)

Other works|

* The Casual Vacancy (2012)
* Harry Potter and the Cursed Child (2016)
* The Ickabog (2020)
* The Christmas Pig (2021)

* v
* t
* e

Cinema of the United Kingdom

Films by year|

* Pre-1920
* 1920
* 1921
* 1922
* 1923
* 1924
* 1925
* 1926
* 1927
* 1928
* 1929
* 1930
* 1931
* 1932
* 1933
* 1934
* 1935
* 1936
* 1937
* 1938
* 1939
* 1940
* 1941
* 1942
* 1943
* 1944
* 1945
* 1946
* 1947
* 1948
* 1949
* 1950
* 1951
* 1952
* 1953
* 1954
* 1955
* 1956
* 1957
* 1958
* 1959
* 1960
* 1961
* 1962
* 1963
* 1964
* 1965
* 1966
* 1967
* 1968
* 1969
* 1970
* 1971
* 1972
* 1973
* 1974
* 1975
* 1976
* 1977
* 1978
* 1979
* 1980
* 1981
* 1982
* 1983
* 1984
* 1985
* 1986
* 1987
* 1988
* 1989
* 1990
* 1991
* 1992
* 1993
* 1994
* 1995
* 1996
* 1997
* 1998
* 1999
* 2000
* 2001
* 2002
* 2003
* 2004
* 2005
* 2006
* 2007
* 2008
* 2009
* 2010
* 2011
* 2012
* 2013
* 2014
* 2015
* 2016
* 2017
* 2018
* 2019
* 2020
* 2021
* 2022
* 2023
* 2024
* 2025

Production companies
and studios|

| Active|

* Aardman Animations
* Arborfield Studios
* BBC Film
* Big Talk Studios
* British Lion Films
* DNA Films
* DNEG
* Ealing Studios
* Elstree Studios
* Eon Productions
* Film4 Productions
* Framestore
* Goldcrest Films
* Hammer Film Productions
* HandMade Films
* Heyday Films
* The Imaginarium
* London Films
* Longcross Studios
* Mister Smith Entertainment
* Number 9 Films
* Passion Pictures
* Pinewood Group
* Pinewood Studios
* Shepperton Studios
* Recorded Picture Company
* Scott Free Productions
* Shinfield Studios
* Syncopy Inc.
* S4C
* Thin Man Films
* Vertigo Films
* Warner Bros. Studios Leavesden
* Warp Films
* Wimbledon Studios
* Working Title Films

|

Former|

* Amicus Productions
* Associated British Picture Corporation
* Astra Films
* British and Dominions
* British Instructional Films
* British National Films Company
* Butcher's Film Service
* Clapham Studios
* Clarendon Film Company
* Craven Park Studios
* Bryanston Films
* The Danzigers
* Denham Film Studios
* Eagle-Lion Films
* Eros Films
* Esher Studios
* G. B. Samuelson Productions
* Gainsborough Pictures
* Gate Studios
* General Film Distributors
* Halas and Batchelor
* Hemdale Film Corporation
* Hepworth Pictures
* Holmfirth Studios
* Ideal Film Company
* Jellyfish Pictures
* Kensington Studios
* London Film Company
* Mancunian Films
* MGM-British Studios
* Merton Park Studios
* The Rank Organisation
* Rock Studios
* Southall Studios
* Stoll Pictures
* Surbiton Studios
* Tempean Films
* Tigon British Film Productions
* Warwick Films
* Woodfall Film Productions
* Woolf & Freedman Film Service

Genres and
movements|

* British New Wave
* Horror films of Britain
* Documentary Film Movement
* Ealing comedies
* Free Cinema
* Kitchen sink realism
* Gainsborough melodramas

Organisations|

* British Academy of Film and Television Arts
* British Board of Film Classification
* British Film Institute
* BFI National Archive
* BFI Southbank
* British Society of Cinematographers
* Children's Film Foundation
* Cinema Exhibitors' Association
* Moving Image Archive
* National Film and Television School
* National Science and Media Museum
* Northern Ireland Screen
* UK Film Council

People|

* Actors
* Directors

Other|

* Box office
* British Academy Film Awards
* British Independent Film Awards
* Carry On
* Censorship
* Cinematograph Films Act 1927
* Eady Levy
* Harry Potter
* History of British film certificates
* UK Video Charts
* James Bond
* BFI London Film Festival
* Look at Life
* London in film
* National Theatre Live
* Telecinema

* Category

* v
* t
* e

Warner Bros. Discovery franchises and series

Warner Bros. Entertainment|

| Warner Bros. Pictures|

* Ace Ventura
* American Girl
* Beetlejuice
* Blade Runner
* Cats & Dogs
* Charlie and the Chocolate Factory
* A Cinderella Story
* A Christmas Story
* Clash of the Titans
* Deep Blue Sea
* Dirty Harry
* Dracula
* Frankenstein
* Free Willy
* The Fugitive
* Gremlins
* The Hangover
* Lethal Weapon
* The Lost Boys
* National Lampoon's Vacation
* The NeverEnding Story
* The Exorcist
* The Matrix
* Fifty Shades
* Monsterverse
* Godzilla
* King Kong
* Ocean's
* Police Academy
* Pure Country
* The Right Stuff
* Sesame Street
* The Shining
* The Sisterhood of the Traveling Pants
* Wizarding World
* Harry Potter
* Fantastic Beasts

|

Warner Bros. Animation,
and Warner Bros. Pictures Animation|

* DC Animated Universe
* DC Universe Animated Original Movies
* DC Animated Movie Universe
* Hanna-Barbera
* Jonny Quest
* Wacky Races
* Scooby-Doo
* Scooby-Doo! films
* The Flintstones
* Yogi Bear & Friends
* The Lego Movie
* Looney Tunes/Merrie Melodies
* ThunderCats
* Tom and Jerry

New Line Cinema|

* Austin Powers
* Blade
* The Conjuring Universe
* Critters
* Dungeons & Dragons
* Evil Dead
* Final Destination
* Teenage Mutant Ninja Turtles
* Friday
* Friday the 13th
* The Mask
* Horizon: An American Saga
* Middle-earth
* The Hobbit
* The Lord of the Rings
* Mortal Kombat
* Dumb and Dumber
* Harold & Kumar
* House Party
* A Nightmare on Elm Street
* Rush Hour
* Poison Ivy

Warner Bros. Discovery Global Linear Networks|

| Entertainment Group
(Warner Bros. Television)|

* Arrowverse
* Babylon 5
* The Bachelor
* Pretty Little Liars
* The Secret Circle
* Treasure Island
* V
* The Vampire Diaries Universe
* Westworld

|

The Cartoon Network, Inc.|

* Adventure Time
* Ben 10
* The Powerpuff Girls
* Rick and Morty
* The Vindicators

Warner Bros. Discovery
Global Experiences|

| Warner Bros.
Games|

* DC
* Rampage
* Rush
* Area 51
* Scribblenauts
* NetherRealm Studios
* Injustice
* Mortal Kombat
* Portkey Games
* Harry Potter
* Rocksteady Studios
* Batman: Arkham
* Monolith Productions
* F.E.A.R.
* Middle-Earth
* TT Games
* Lego

|

DC Comics|

* Batman
* Batman films
* DC Extended Universe
* Aquaman
* Flash
* DC Universe
* Green Lantern
* Joker
* Justice League
* Superman
* Superman films
* Wonder Woman

* Category

* v
* t
* e

BAFTA Outstanding British Contribution to Cinema Award

1979–2000|

* Les Bowie, Colin Chilvers, Denys Coop, Roy Field, Derek Meddings, Zoran Perisic, & Wally Veevers (1979)
* The Children’s Film Foundation (1980)
* Kevin Brownlow (1981)
* David Puttnam (1982)
* Arthur Wooster (1983)
* Colin Young (1984)
* Alan Parker & Alan Marshall (1985)
* Sydney Samuelson (1986)
* The Film Production Executives (1987)
* Monty Python (1988)
* Charles Crichton (1989)
* Lewis Gilbert (1990)
* Jeremy Thomas (1991)
* Derek Jarman (1992)
* Kenneth Branagh (1993)
* Ken Loach (1994)
* Ridley Scott & Tony Scott (1995)
* Mike Leigh (1996)
* Film4 Productions (1997)
* Michael Roberts (1998)
* Michael Kuhn (1999)
* Joyce Herlihy (2000)

2001–present|

* Mary Selway (2001)
* Vic Armstrong (2002)
* Michael Stevenson & David Tomblin (2003)
* Working Title Films (2004)
* Angela Allen (2005)
* Robert Finch & Billy Merrell (2006)
* Nick Daubney (2007)
* Barry Wilkinson (2008)
* Pinewood Studios & Shepperton Studios (2009)
* Joe Dunton (2010)
* The Harry Potter film series (2011)
* John Hurt (2012)
* Tessa Ross (2013)
* Peter Greenaway (2014)
* BBC Films (2015)
* Angels Costumes (2016)
* Curzon (2017)
* National Film and Television School (2018)
* Stephen Woolley & Elizabeth Karlsen (2019)
* Andy Serkis (2020)
* ~~Noel Clarke~~ (2021)
* June Givanni (2024)
* MediCinema (2025)

Authority control databases

International|

* VIAF

National|

* Germany
* United States
* Israel

Other|

* MusicBrainz series
* Yale LUX

Portals:

* Film
* United Kingdom

*[Ref(s)]: References
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*[e]: Edit this template