James (novel)

2024 book by Percival Everett

James

Author| Percival Everett
Language| English
Genre| Novel
Publisher| Doubleday[1]

Publication date

| 2024
Publication place| United States
Pages| 320
Awards| National Book Award for Fiction
Kirkus Prize
Pulitzer Prize for Fiction
ISBN| 978-0385550369

James is a novel by author Percival Everett published by Doubleday in 2024. The novel is a re-imagining of Adventures of Huckleberry Finn by Mark Twain but told from the perspective of Huckleberry's friend on his travels, Jim, who is an escaped slave. The novel won the 2024 Kirkus Prize, the National Book Award for Fiction, and the 2025 Pulitzer Prize for Fiction.[2]

## Story

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James is loosely based on Mark Twain's Adventures of Huckleberry Finn, with various scenes recontextualized or ending with different outcomes. The novels diverge by following Jim rather than Huck when the two are separated. Many characters are also reinterpreted.

In Hannibal, Missouri, Jim, a slave owned by the elderly Miss Watson, survives day-to-day by following social conventions known to every slave he encounters, including his wife Sadie and daughter Lizzie. While speaking standard English to each other (and privately indulging in irony and gallows humor inspired by the perils of slave life), they scrupulously code-switch to an unsophisticated patois in front of any white person, and play to type by behaving as ignorant and superstitious, to avoid the danger of drawing attention. They also allow white people to take credit for all initiatives and ideas, since proactive gestures, however innocent, risk corporal punishment.

Huckleberry "Huck" Finn, adopted child of the Widow Douglas and Miss Watson, freely confides in Jim, while questioning Jim about the ways of the world, such as why slavery exists. Jim takes care to buoy Huck's spirits while staying in character.

Learning that Miss Watson will sell him off, Jim flees, planning to return for his family. He hides out on nearby Jackson Island, meeting Huck, who has faked his own death to escape his abusive father. Jim and Huck flee and survive together in the wilderness. During a flood, Jim finds Huck's father dead inside a washed-away house, and keeps Huck from recognizing the body.

Jim survives a rattlesnake bite, but has a fever dream inspired by his secret autodidactic readings in Judge Thatcher's library. He debates a hallucinated Voltaire, criticizing the philosopher's belief in polygenism, and protesting that slaves may not advocate for their own civil rights, relying on privileged men like Voltaire to do so. Talking in his sleep, Jim accidentally breaks character and confuses Huck.

The two boat down the Mississippi River, finding loot from a shipwreck; Jim voraciously reads a cache of books, but soon needs to organize his own thoughts on paper. Their raft is destroyed, and Jim washes up alone in Illinois, meeting a group of cautiously friendly slaves, who advise that he cannot buy his family's freedom without a white man's help. One of the slaves steals a pencil stub for Jim, and is first lashed and then hanged, obliging Jim to solemnly record his own story in writing.

Jim is reunited with Huck, then separated again. Jim ends up bought by Daniel Decatur Emmett to join his blackface singing troupe, the Virginia Minstrels. Jim is caught off-guard to be treated with courtesy and respect by the avowedly anti-slavery troupe, but realizes that Emmett will nevertheless keep him as bonded labor—and that he faces certain death if their audience outs him as black.

Jim escapes the troupe with Emmett's notebook, writing his story alongside the derogatory minstrel songs within. His escape inspires Norman, a former slave passing as white in the troupe, to follow suit. Because Norman also wishes to buy his wife's freedom, Jim has Norman pose as his master, so that they can swindle slave buyers for money. Norman successfully sells Jim to a sawmill; Jim brings along a slave girl, Sammy, in his escape to save her from rape at the miller's hands. She is shot and killed by their pursuers.

Jim and Norman stow away on a steamboat, which is destroyed by a boiler explosion. Finding Huck among the overboard passengers, Jim chooses to save him over Norman. Asked by Huck to explain why, Jim confesses that he is Huck's birth father, and drops his character. Though disappointed that Jim could not trust him all this time, Huck insists on returning to Hannibal together, even as Jim exhorts him to make free choices. However, Sadie and Lizzie have been sold, and they fail to discover where to.

Meanwhile, the American Civil War has broken out, but Jim understands that this will not truly free him. John Locke appears in a dream, explaining slavery as a war that can only be ended by the victor. In another dream, Jim meets Cunégonde from Voltaire's Candide; she explains that he will remain owned, if not as a slave, then as human capital.

No longer fearing retribution, Jim kills a rapist slave overseer in vengeance, then forces Sadie and Lizzie's location from Judge Thatcher at gunpoint. Finding them at a slave-breeding plantation, he launches a guerilla attack and incites a mass breakout. Journeying north to Iowa, he identifies himself as James.

## Characters

[edit]

Jim (James) – The novel's eponymous protagonist and first-person narrator, Jim is an approximately 27-year-old enslaved man owned by Miss Watson. The narrative's inciting incident occurs when Jim learns of Miss Watson's plan to sell him, and he determines to emancipate himself and, eventually, his family. Unlike in Adventures of Huckleberry Finn, where he is depicted as simple, credulous, and superstitious, Everett’s Jim is skeptical, deeply calculating, and secretly more literate and erudite than most of the white people around him. Indeed, Everett's Jim is an ironic inversion of Twain's, insofar as the near totality of Jim's personality in Twain's novel is revealed, in Everett's novel, to be a self-preservationist act put on to avert white suspicion. Jim carefully performs the role expected of him by white society while finding his own covert ways to resist. It is only near the end of the novel that Jim directly reveals himself to be Huck's biological father, but small hints appear in earlier chapters.

Huckleberry Finn (Huck) – A young, rebellious white-passing boy who escapes from the abusive Pap. While part of a racist society, Huck is more open-minded than other white characters. Both Twain's and Everett's novels suggest that Huck's relative (though not complete) lack of bigotry is at least partly due to how he has lived much of his life as something of an outsider to society as a whole, and so he has not been as thoroughly indoctrinated by Southern white ideals. He develops a strong bond with Jim, which grows deeper and more complicated when he learns that Jim is his biological father. Huck's journey is as much about moral awakening as it is about survival, and the discovery of his Black heritage forces him to reckon with the arbitrary and hollow nature of white racial prejudice.

The King and the Duke – A pair of white con men who invite themselves along for part of the journey. Their real names are never divulged but, in an effort to enthrall Jim and Huck, they pose as the lost Dauphin of France and the lost Duke of Bridgewater. The two charlatans are largely defined by their callous opportunism, and they ultimately betray Jim by trying to sell him. These two characters also feature in Twain's novel, but Everett draws a more detailed and sinister portrait through Jim's perspective.

Daniel Decatur Emmett – A real historical figure and founder of one of the first minstrel troupes in the U.S. In the novel, he purchases Jim to perform in his troupe, but Jim escapes and purloins Emmett's notebook to continue recording his own story, symbolizing Jim's journey towards self-expression and reclaimed identity. Before losing the notebook, Emmett used it to compose songs for the minstrel shows; some of his material appears in the opening of the novel, which begins with "The Notebook of Daniel Decatur Emmett", featuring lyrics from various songs.

Norman – As a light-skinned man with Black heritage who appears to be white, Norman's character illustrates a conflicted experience of "passing", which carries certain advantages for Norman but which he describes as "exhausting".[3] Norman is part of the traveling minstrel show run by Emmett, who briefly purchases (or, as Emmett tries to frame it, "hires") Jim. After Norman helps Jim escape from his exploitative captor, he becomes one of Jim's closest allies, but he ultimately dies in a riverboat accident.

Sammy – An enslaved teenage girl who briefly escapes the lumber mill with Jim and Norman. When Jim first meets the taciturn Sammy, he mistakes her for a young man; upon learning otherwise, he identifies her with his own daughter and feels compelled to take her along when he escapes the mill with Norman. Tragically, Sammy is murdered by their white pursuers.

Judge Thatcher – The local judge who, in Adventures of Huckleberry Finn, helps protect Huck's money by keeping it away from the greedy and abusive Pap. While Twain's novel depicts Judge Thatcher as a kind and fair man who contrasts with the corruption and cruelty found in other parts of society, Everett's reinvention of the character presents more ambiguity as it explores the judge's complicity in the inhumane system of slavery. One of the judge's most salient narrative roles is indirect, in the form of his extensive library that has allowed Jim to secretly educate himself over the years. Judge Thatcher is among the novel's most educated characters, and he is shocked and intimidated to eventually discover Jim's learnedness.

Sadie and Lizzie – Jim’s wife and daughter. Though they seldom appear directly in the narrative, they are ever-present as the driving force behind Jim's actions as he endeavors to reunite with his family.

## Reception

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### Reviews

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Writing for The New York Times, Dwight Garner praised the novel as more successful than many re-imaginings of famous classics, stating, "What sets 'James' above Everett's previous novels, as casually and caustically funny as many are, is that here the humanity is turned up — way up. This is Everett's most thrilling novel, but also his most soulful."[4] Writing for The Guardian, Anthony Cummins stated: "James offers page-turning excitement but also off-kilter philosophical picaresque."[5] In the Chicago Review of Books, Garrett Biggs wrote that the "book can be read and enjoyed and written about without the slightest nod to its predecessor" [6] while Evan Grillon of the Los Angeles Review of Books was more lukewarm in their praise, writing that "it’s more interesting, unfortunately, to consider the architecture and philosophy of James, or to compare Huckleberry Finn to James, than it is to actually read James." [7] In a starred review, Kirkus Reviews said of the book, "One of the noblest characters in American literature gets a novel worthy of him."[8]

James appeared on 33 lists of the best books of the year.[9]

### Awards

[edit]

Awards for James Year  | Award  | Result  | Ref.

|
|
|

2024  | Booker Prize | Finalist  | [10]
Foyles Book of the Year | Shortlisted  | [11]
Kirkus Prize for Fiction | Won  | [12]
National Book Award for Fiction | Won  | [13]
Orwell Prize | Shortlisted  | [14]
2025  | Aspen Words Literary Prize | Finalist  | [15]
Audie Award for Literary Fiction or Classics | Won  | [16]
Audie Award for Fiction Narrator | Finalist  | [17]
PEN/Faulkner Award for Fiction | Finalist  | [18]
Pulitzer Prize for Fiction | Won  | [19]

## Film adaptation

[edit]

Feature film rights in the novel were acquired in 2024 by Universal Pictures, with Amblin Entertainment for production and Steven Spielberg as executive producer. Taika Waititi was in early talks as director.[20]

## References

[edit]

1. ^ "James by Percival Everett". PenguinRandomhouse.com.
2. ^ Robertson, Katie (May 5, 2025). "The New York Times Wins 4 Pulitzer Prizes". The New York Times. ISSN 0362-4331. Retrieved May 5, 2025.
3. ^ Everett, Percival. James: A Novel. 1st ed., New York, NY, Doubleday, p. 189.
4. ^ Garner, Dwight (March 11, 2024). "'Huck Finn' Is a Masterpiece. This Retelling Just Might Be, Too". The New York Times.
5. ^ Cummins, Anthony (April 8, 2024). "James by Percival Everett review – a gripping reimagining of Huckleberry Finn". The Guardian.
6. ^ Biggs, Garrett (March 29, 2024). "The Matrix of Performance in Percival Everett's 'James'". Chicago Review of Books.
7. ^ Grillon, Evan (June 17, 2024). "Tell and Tell Again: On Percival Everett's 'James'". Los Angeles Review of Books.
8. ^ "James". Kirkus Reviews. December 16, 2023. Retrieved April 8, 2025.
9. ^ Temple, Emily (December 17, 2024). "The Ultimate Best Books of 2024 List". Literary Hub. Retrieved December 18, 2024.
10. ^ "James Written by Percival Everett". Booker Prize. Retrieved March 14, 2025.
11. ^ "Foyles Book of the Year Shortlist [2024]". Foyles. Retrieved October 26, 2024.
12. ^ Schaub, Michael (October 16, 2024). "Winners of the 2024 Kirkus Prize Revealed". Kirkus Reviews. Retrieved November 23, 2024.
13. ^ Alter, Alexandra (November 20, 2024). "Percival Everett, Author of 'James,' Wins National Book Award for Fiction". The New York Times. Retrieved November 21, 2024.
14. ^ Schaub, Michale (May 28, 2024). "Finalists for the 2024 Orwell Prizes Are Revealed". Kirkus Reviews. Archived from the original on May 29, 2024. Retrieved May 30, 2024.
15. ^ Schaub, Michael (March 13, 2025). "Aspen Words Literary Prize 2025 Finalists Revealed". Kirkus Reviews. Retrieved March 15, 2025.
16. ^ Schaub, Michael (March 5, 2025). "Streisand Audiobook Wins Top Prize at Audie Awards". Kirkus Reviews. Retrieved March 9, 2025.
17. ^ "2025 Audies WINNERS". Audio Publishers Association. Retrieved March 10, 2025.
18. ^ Schaub, Michael (March 4, 2025). "Shortlist for the PEN/Faulkner Award Is Revealed". Kirkus Reviews. Retrieved March 10, 2025.
19. ^ Robertson, Katie (May 5, 2025). "The New York Times Wins 4 Pulitzer Prizes". The New York Times. ISSN 0362-4331. Retrieved May 5, 2025.
20. ^ Lang, Brent; Saperstein, Pat (June 20, 2024). "Steven Spielberg's Amblin to Produce Adaptation of Percival Everett's Bestseller 'James' for Universal, Taika Waititi in Early Talks to Direct (EXCLUSIVE)".

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National Book Award for Fiction

1950–1975|

* The Man with the Golden Arm by Nelson Algren (1950)
* Collected Stories of William Faulkner by William Faulkner (1951)
* From Here to Eternity by James Jones (1952)
* Invisible Man by Ralph Ellison (1953)
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1976–2000|

* J R by William Gaddis (1976)
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* All the Pretty Horses by Cormac McCarthy (1992)
* The Shipping News by E. Annie Proulx (1993)
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* Ship Fever and Other Stories by Andrea Barrett (1996)
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* Waiting by Ha Jin (1999)
* In America by Susan Sontag (2000)

2001–present|

* The Corrections by Jonathan Franzen (2001)
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* The Great Fire by Shirley Hazzard (2003)
* The News from Paraguay by Lily Tuck (2004)
* Europe Central by William T. Vollmann (2005)
* The Echo Maker by Richard Powers (2006)
* Tree of Smoke by Denis Johnson (2007)
* Shadow Country by Peter Matthiessen (2008)
* Let the Great World Spin by Colum McCann (2009)
* Lord of Misrule by Jaimy Gordon (2010)
* Salvage the Bones by Jesmyn Ward (2011)
* The Round House by Louise Erdrich (2012)
* The Good Lord Bird by James McBride (2013)
* Redeployment by Phil Klay (2014)
* Fortune Smiles by Adam Johnson (2015)
* The Underground Railroad by Colson Whitehead (2016)
* Sing, Unburied, Sing by Jesmyn Ward (2017)
* The Friend by Sigrid Nunez (2018)
* Trust Exercise by Susan Choi (2019)
* Interior Chinatown by Charles Yu (2020)
* Hell of a Book by Jason Mott (2021)
* The Rabbit Hutch by Tess Gunty (2022)
* Blackouts by Justin Torres (2023)
* James by Percival Everett (2024)

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Pulitzer Prize for Fiction

Previously the Pulitzer Prize for the Novel from 1917–1947

1918–1925|

* His Family by Ernest Poole (1918)
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* The Age of Innocence by Edith Wharton (1921)
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1926–1950|

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* Journey in the Dark by Martin Flavin (1944)
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* All the King's Men by Robert Penn Warren (1947)
* Tales of the South Pacific by James A. Michener (1948)
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1951–1975|

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* Angle of Repose by Wallace Stegner (1972)
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1976–2000|

* Humboldt's Gift by Saul Bellow (1976)
* No award given (1977)
* Elbow Room by James Alan McPherson (1978)
* The Stories of John Cheever by John Cheever (1979)
* The Executioner's Song by Norman Mailer (1980)
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* American Pastoral by Philip Roth (1998)
* The Hours by Michael Cunningham (1999)
* Interpreter of Maladies by Jhumpa Lahiri (2000)

2001–present|

* The Amazing Adventures of Kavalier & Clay by Michael Chabon (2001)
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* Gilead by Marilynne Robinson (2005)
* March by Geraldine Brooks (2006)
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* The Brief Wondrous Life of Oscar Wao by Junot Díaz (2008)
* Olive Kitteridge by Elizabeth Strout (2009)
* Tinkers by Paul Harding (2010)
* A Visit from the Goon Squad by Jennifer Egan (2011)
* No award given (2012)
* The Orphan Master's Son by Adam Johnson (2013)
* The Goldfinch by Donna Tartt (2014)
* All the Light We Cannot See by Anthony Doerr (2015)
* The Sympathizer by Viet Thanh Nguyen (2016)
* The Underground Railroad by Colson Whitehead (2017)
* Less by Andrew Sean Greer (2018)
* The Overstory by Richard Powers (2019)
* The Nickel Boys by Colson Whitehead (2020)
* The Night Watchman by Louise Erdrich (2021)
* The Netanyahus by Joshua Cohen (2022)
* Demon Copperhead by Barbara Kingsolver / Trust by Hernan Diaz (2023)
* Night Watch by Jayne Anne Phillips (2024)
* James by Percival Everett (2025)

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