Kigango

Vigango

Kigango (plural: vigango) is a carved wooden memorial statue erected by the Mijikenda peoples of the southeastern Kenya coast. The vigango, which can be stylized, abstracted human-form effigies and are placed vertically rising out of the earth, honor a dead member of the secret Gohu society, or the "Society of the Blessed".[1][2]

They were traditionally allowed to stand until they naturally decomposed, or they were abandoned and replaced at subsequent village locations by a second generation figure known as a kibao (plural: vibao), thereby transferring away whatever spiritual power was thought to remain from the original kigango.[3][4] This was a natural result of the Mijikenda's centuries old practice of slash and burn agriculture and, subsequently, the periodic changing of village locations.

The hard-wood kigango is approximately life-size and may have been painted.[5] Vigango have been celebrated and collected by artists and collectors around the world, including Andy Warhol.[6] Numerous vigango are now in U.S. museums, although some were discovered to have been stolen and were returned to Kenya. However, vigango were openly and legally for sale from reputable art galleries and curio shops in Kenya from the early 1970s until at least the mid-1990s.[7] Anthropologist Monica Udvardy of the University of Kentucky has been particularly active in writing about theft of vigango and their repatriation from US and European museums.[8]

In July 2023, the Illinois State Museum returned 37 wooden memorial statues, known as vigango, to the National Museums of Kenya for repatriation to Mijikenda communities. These statues are considered sacred cultural objects and are believed to carry the spirits of male elders who have passed away.[9]

## References

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1. ^ Reyman, Jonathan E., 2008, "The Long Journey Home of Kalume Mwakiru'sVigango", The Living Museum 69 (4): 3-7.
2. ^ Wolfe, III, Ernie (1986). Vigango: Commemorative Sculpture of the Mijikenda of Kenya. Williamstown, Massachusetts: Williams College Museum of Art. p. 54\. ISBN 9780913697023.
3. ^ Reyman, Jonathan E., 2008, "The Long Journey Home of Kalume Mwakiru'sVigango", The Living Museum 69 (4): 7.
4. ^ Wolfe, III, Ernie (1979). An Introduction to the Arts of Kenya. Washington, D.C.: Museum of African Art: Smithsonian Institution. p. 25\. ISBN 0-9603660-0-8.`{{cite book}}`: CS1 maint: publisher location (link)
5. ^ Parkin, David (16 March 2006). The Sacred Void: Spatial Images of Work and Ritual Among the Giriama of Kenya. Cambridge University Press. pp. 209–. ISBN 978-0-521-02498-3.
6. ^ Spindler, Amy M. (2002-01-06). "STYLE & ENTERTAINING; The Importance Of Being Ernie". The New York Times. ISSN 0362-4331. Retrieved 2021-04-21.
7. ^ "Cultural Survival". Archived from the original on 2006-05-28. Retrieved 2008-06-06.
8. ^ The Transatlantic Trade in African Ancestors: Mijikenda Memorial Statues (Vigango) and the Ethics of Collecting and Curating Non‐Western Cultural Property
9. ^ https://www.illinois.gov/news/press-release.26684.html Illinois State Museum returns sacred objects to Kenya

## External links

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* Looted memorial statues returned to Kenyan family by MONICA UDVARDY AND LINDA GILES

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