King and Country

"King & Country" redirects here. For other meanings, see For king and country.

1964 British film

King and Country

Theatrical release poster

Directed by| Joseph Losey
Written by| Evan Jones (screenplay)
based on the play Hamp (1964) by John Wilson and the novel Return to the Wood (1955) by James Lansdale Hodson
Produced by| Joseph Losey
Norman Priggen
Starring| Dirk Bogarde
Tom Courtenay
Leo McKern
Barry Foster
Cinematography| Denys Coop
Edited by| Reginald Mills
Music by| Larry Adler

Production
companies

BHE Films (UK)
Landau/Unger (US)

Distributed by| Warner-Pathé (UK)
Allied Artists (US)

Release date

* September 1964 (1964-09) (Venice Film Festival)

Running time

| 88 min.
Country| United Kingdom
Language| English
Budget| £85,785[1][2][3]
Box office| £117,358[4]

King and Country is a 1964 British war film directed by Joseph Losey, shot in black and white, and starring Dirk Bogarde and Tom Courtenay.[5] The film was adapted for the screen by British screenwriter Evan Jones based on the play Hamp by John Wilson[6] and a 1955 novel by James Lansdale Hodson.[7][8]

## Plot

[edit]

During the First World War in 1917, in the British trenches at Passchendaele, an army private, Arthur Hamp (Tom Courtenay) is accused of desertion. He is to be defended at his trial by Captain Hargreaves (Dirk Bogarde). Hamp had been a volunteer at the outbreak of the war and was the sole survivor of his company, but then decided to "go for a walk"; he had contemplated walking to his home in London but after more than 24 hours on the road, he is picked up by the Military Police and sent back to his unit to face court-martial for desertion.

Hargreaves is initially impatient with the simple-minded Hamp, but comes to identify with his plight. Following testimony from an unsympathetic doctor (Leo McKern) (whose solution to all ailments is to prescribe laxatives), Hargreaves is unable to persuade the court to consider the possibility that Hamp may have been suffering from shell shock. He is found guilty, but the court's recommendation for mercy is overruled by higher command, who wish to make an example of Hamp to bolster morale in his division. He is shot by firing squad, but as he is not killed outright Hargreaves has to finish him off with a revolver. His family are informed that he has been killed in action.[9][10]

## Cast

[edit]

* Dirk Bogarde as Captain Charles Hargreaves
* Tom Courtenay as Private Arthur Hamp
* Leo McKern as Captain O'Sullivan
* Barry Foster as Lieutenant Jack Webb
* Peter Copley as Colonel
* James Villiers as Captain Midgley
* Jeremy Spenser as Private Sparrow
* Barry Justice as Lieutenant Prescott
* Vivian Matalon as Padre
* Keith Buckley as Corporal of the Guard
* Derek Partridge as Captain Court Martial
* Brian Tipping as Lieutenant Court Martial

## Production

[edit]

The novel had been filmed for Australian TV in 1962 as The Case of Private Hamp.

## Reception

[edit]

The film was re-released by American International Pictures (AIP) in 1966 and developed a cult following. However in 1973 Losey said that records had the film recording a loss.[2]

The New York Times called it "an impressive achievement," noting "As usual, Mr. Losey has drawn the best from his actors," and concluding that "Some of its scenes are so strong they shock. Those who can take it will find it a shattering experience."[11]

## Theme

[edit]

King and Country is based on an actual incident during World War I written by James Lansdale Hodson, a defense attorney in the court-martial of army deserter Private Arthur Hemp.[12] The film is set during a global conflict in which 750,000 British soldiers alone perished. Tens-of-thousands of allegations against military personnel for misbehavior were issued, 3,000 of which ended in sentences of death; of these, over 300 were carried out.[13]

A personal drama in which no combat appears, King and Country is an examination of how injustice is rationalized by a class-conscious officer corps and acted upon in the interests of military discipline and morale.[14][15]

The thematic climax of the film occurs when the officer who defended the soldier administers the  coup de grâce when the demoralized members of the firing squad fail to kill the deserter. Joseph Losey, in an interview with Michel Ciment remarked:

> The picture is the personal relationship between that officer and that poor private deserter…So when that pistol, that coup-de-grace, has to be fired at the end, in a sense that officer is ending his own life as well as the boy’s.[16]

Film historians James Palmer and Michael Riley note that King and Country “indicts in the most forceful terms the false values that betrayed both men…”[17][18]

## Awards

[edit]

Tom Courtenay received the award for the Best Actor for his role as Hamp at the 1964 Venice Film Festival, where the film was also nominated for the Golden Lion.[19] The film was nominated for four 1965 BAFTA awards, including Best Film.[20]

## Footnotes

[edit]

1. ^ Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 360
2. ^ a b Losey on 'broken promises' Barker, Dennis. The Guardian 1 Aug 1973: 6.
3. ^ Caute, David (1994). Joseph Losey. Oxford University Press. p. 144\. ISBN 978-0-19-506410-0.
4. ^ Caute p 146
5. ^ "King & Country (1964)". BFI. Archived from the original on 1 April 2016.
6. ^ "Hamp | Samuel French". www.samuelfrench.co.uk.
7. ^ Gifford, Denis (1 April 2016). British Film Catalogue: Two Volume Set - The Fiction Film/The Non-Fiction Film. Routledge. ISBN 9781317740636 - via Google Books.
8. ^ Palmer and Riley, 1993 p. 161: Filmography
Hirsch, 1980 p. 238: Filmography
9. ^ Palmer and Riley, 1993 p. 18: Plot summary
10. ^ Hirsch, 1980 p. 176
11. ^ Archer, Eugene (24 September 1964). "Attack on War Seen at Philharmonic Hall:Tom Courtenay Excels in Role of Private". The New York Times - via NYTimes.com.
12. ^ Palmer and Riley, 1993 p. 16-17
13. ^ Palmer and Riley, 1993 p. 17
14. ^ Palmer and Riley, 1993 p. 18: “Without any combat scenes…” And “morale.”
15. ^ Hirsch, 1980 p. 176: “...a powerful drama of personal conflict…”
16. ^ Palmer and Riley, 1993 p. 16
17. ^ Palmer and Riley, 1993 p. 41
18. ^ Callahan, 2003: “King and Country (1964) is a small, conventional war story diminished by comparison to Stanley Kubrick’s more developed Paths of Glory (1957).”
19. ^ "King and Country **** (1964, Dirk Bogarde, Tom Courtenay, Leo McKern, Barry Foster) – Classic Movie Review 2532". 28 May 2015.
20. ^ "Film in 1965 | BAFTA Awards". awards.bafta.org.

## Sources

[edit]

* Callahan, Dan. 2003. Losey, Joseph. Senses of Cinema, March 2003. Great Directors Issue 25.https://www.sensesofcinema.com/2003/greatdirectors/losey/#:~:text=The dominant themes of Losey's,love story in his films. Accessed 12 October, 2024.
* Hirsch, Foster. 1980. Joseph Losey. Twayne Publishers, Boston, Massachusetts. ISBN 0-8057-9257-0
* Palmer, James and  Riley, Michael. 1993. The Films of Josef Losey. Cambridge University Press, Cambridge, England. ISBN 0-521-38386-2

## External links

[edit]

* King & Country at IMDb
* King and Country at Rotten Tomatoes

## See also

[edit]

* British Army during World War I

* v
* t
* e

Films directed by Joseph Losey

* The Boy with Green Hair (1948)
* The Lawless (1950)
* M (1951)
* The Prowler (1951)
* The Big Night (1951)
* Stranger on the Prowl (1952)
* The Sleeping Tiger (1954)
* A Man on the Beach (1955)
* The Intimate Stranger (1956)
* Time Without Pity (1957)
* The Gypsy and the Gentleman (1958)
* Blind Date (1959)
* The Criminal (1960)
* Eva (1962)
* The Damned (1962)
* The Servant (1963)
* King and Country (1964)
* Modesty Blaise (1966)
* Accident (1967)
* Boom! (1968)
* Secret Ceremony (1968)
* Figures in a Landscape (1970)
* The Go-Between (1971)
* The Assassination of Trotsky (1972)
* A Doll's House (1973)
* Galileo (1975)
* The Romantic Englishwoman (1975)
* Monsieur Klein (1976)
* Roads to the South (1978)
* Don Giovanni (1979)
* The Trout (1982)
* Steaming (1985)

*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template