List of compositions by Franz Liszt

Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach.

Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard.

## Legend

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The table below gives the following information for works by Franz Liszt (where applicable):

1. S. — numbering as given in Humphrey Searle, The Music of Liszt, 1966 (with additions by Sharon Winklhofer and Leslie Howard). A number sign (#) signifies that a number is no longer in use.
2. LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in Grove Music Online (2010)
3. Title — normally following the New Liszt Edition and Library of Congress, as well as other authoritative sources
4. Forces — the instrumentation used (see Abbreviations for Instruments)
5. Key — the principal key of the work
6. Date — the year(s) of composition or arrangement, where known
7. Genre — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Piano
8. Notes — Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here

## Catalogue of works

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S.  | LW  | Title  | Forces  | Key  | Date  | Genre  | Notes

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1–350  |  |

### Original works

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1  |  |

#### Opera

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1  | O1  | Don Sanche (Le château de l'amour)  | vv ch orch  |  | 1824–25  | Stage  | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished
2–66  |  |

#### Sacred choral works

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2  | I4  | Die Legende von der Heiligen Elisabeth  | sop alt 3bar 2bass ch org orch  |  | 1857–62  | Choral, sacred  | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a
3  | I7  | Christus | sop alt ten bar bass ch org orch  |  | 1866–72  | Choral, sacred  | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664
4/1  | I8a  | Cantico di San Francesco  | bar pf org/harm (+ mch)  | F major  | 1862  | Choral, sacred  | 1st version of S.4/2; Alleluja arr. for org (+ tbn) as S.677
4/2  | I8b  | Cantico del sol di Francesco d'Assisi  | bar mch org orch  | F major  | 1879–82  | Choral, sacred  | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665
5/1  | I1a  | Sainte Cécile (Die heilige Cäcilia)  | mez orch (?)  |  | 1845  | Choral, sacred  | 1st version of S.5/2; lost
5/2  | I1b  | Sainte Cécile (Die heilige Cäcilia)
(Legende)  | mez orch (+ ch)  |  | 1874  | Choral, sacred  | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)  as S.5/2a
5/2a  | I1b  | Sainte Cécile (Die heilige Cäcilia)
(Legende)  | mez hp/pf/harm (+ ch)  |  | 1874  | Choral, sacred  | arr. of S.5/2
6  | L15  | Die Glocken des Strassburger Münsters | 2vv ch org orch  |  | 1874–75  | Choral, sacred  | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]
7  | I10  | Cantantibus organis (Antiphona in festo Santa Caeciliae)  | alt ch orch  | G major–G minor  | 1879  | Choral, sacred  |
7bis  | I10  | Cantantibus organis (Antiphona in festo Santa Caeciliae)  | alt ch hp harm/org pf  | G major–G minor  | 1879  | Choral, sacred  |
8/1  | J5a  | Missa quattuor vocum ad aequales  | mch org  |  | 1846–47  | Choral, sacred  | 1st version of S.8/2
8/2  | J5b  | Missa quattuor vocum ad aequales (Szekszárd Mass)  | mch org  |  | 1869  | Choral, sacred  | 2nd version of S.8/1; themes used in S.264
9  | I2  | Missa Solennis (Graner Mass)  | sop alt ten bass ch orch  |  | 1857–58  | Choral, sacred  | extract ('Poco adagio') arr. for pf as S.747 [?]
10  | J18  | Missa Choral, sacredis  | ch org  |  | 1859–65  | Choral, sacred  |
11  | I9  | Ungarische Krönungsmesse (Hungarian Coronation Mass)  | 4vv ch orch  |  | 1866–69  | Choral, sacred  | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362
12  | J22  | Requiem (Messe des morts)  | 4vv mch org (+ br perc)  |  | 1867–71  | Choral, sacred  | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45
13/1  | I3a  | Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)  | 4vv ch orch  |  | 1855–56  | Choral, sacred  | 1st version of S.13/2
13/2  | I3b  | Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)  | ten ch orch  |  | 1859–63  | Choral, sacred  | 2nd version of S.13/1; arr. for ten ch org as S.132/2a
13/2a  | I3b  | Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)  | ten ch org  |  | 1866  | Choral, sacred  | arr. of S.13/2
14/1  | I5a  | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)  | mch orch (+ org)  |  | 1860  | Choral, sacred  | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a
14/1a  | I5a  | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)  | mch ww br  |  | 1860  | Choral, sacred  | arr. of S.14/1; 1st version of S.14/2a
14/2  | I5b  | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)  | mch org  |  | 1870  | Choral, sacred  | 2nd version of S.14/1; arr. for mch ww br as S.14/2a
14/2a  | I5b  | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)  | mch ww br  |  | 1870  | Choral, sacred  | arr. of S.14/2; 2nd version of S.14/1a
15/1a  | J10a  | Psalm 23 (Mein Gott, der ist mein Hirt)  | sop/ten mch hp/pf org/harm  |  | 1859–61?  | Choral, sacred  | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15/3
15/1b  | K1  | Psalm 23 (Mein Gott, der ist mein Hirt)  | sop/ten hp/pf org/harm  |  | 1859–62  | Choral, sacred  | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15/3
15/2a  | J10b  | Psalm 23 (Mein Gott, der ist mein Hirt)  | sop/ten mch hp/pf  |  | 1859–62  | Choral, sacred  | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15/3
15/2b  | I1b  | Psalm 23 (Mein Gott, der ist mein Hirt)  | sop/ten hp/pf  |  | 1859–62  | Choral, sacred  | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15/3
15/3  | S53  | Psalm 23 (Mein Gott, der ist mein Hirt)  | ch orch  |  | 1862  | Choral, sacred  | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost; renumbered from S.15bis
15a/1  | J6  | Psalm 116 (Laudate Dominum)  | mch pf  |  | 1869–74  | Choral, sacred  | arr. of S.11/6
15a/2  | J6  | Psalm 116 (Laudate Dominum)  | ch pf  |  | 1869–74  | Choral, sacred  | arr. of S.11/6
16/1  | K6  | Psalm 129 (De profundis)  | bar mch org  |  | 1880–81  | Choral, sacred  | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4
16/2  | J45  | Psalm 129 (De profundis)  | alt pf/org  |  | 1883  | Choral, sacred  | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4
17/1  | K2  | Psalm 137 (An den Wassern zu Babylon)  | alt vn hp/pf org/harm  |  | 1859  | Choral, sacred  | 1st version of S.17/2, S.17/3
17/2  | J11  | Psalm 137 (An den Wassern zu Babylon)  | sop fch hp/pf org/harm vn  |  | 1859–62  | Choral, sacred  | 2nd version of S.17/1, S.17/3
17/3  | S54  | Psalm 137 (An den Wassern zu Babylon)  | ch orch  |  | 1862  | Choral, sacred  | 3rd version of S.17/2, S.17/3; lost
18  | J4  | Choruses with French texts (5):  | ch  |  | 1846?  | Choral, sacred  |
18/1  | J4/5  |

Qui m'a donné la naissance
| ch  |  | 1846?  | Choral, sacred  | incomplete
18/2  | J4/1  |

L'Eternel est son nom
| ch  |  | 1846?  | Choral, sacred  |
18/3  | J4/2  |

Chantons, chantons l'auteur de la lumière
| ch  |  | 1846?  | Choral, sacred  |
18/4  | J4/3  |

(Allegretto, moderato con grazia)
| ch  | A major  | 1846?  | Choral, sacred  | possibly same as S.762
18/5  | J4/4  |

Combien j'ai douce souvenance
| ch  |  | 1846?  | Choral, sacred  | based on an Auverge folksong
19/1  | J2/1  | Hymne de l'enfant á son réveil (O père qu'adore mon père)  | fch pf/harm (+ hp)  |  | 1840–44?  | Choral, sacred  | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost
19/2  | J2/2  | Hymne de l'enfant á son réveil (O père qu'adore mon père)  | ch pf/harm  |  | 1860–62?  | Choral, sacred  | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian
19/3  | J2/3  | Hymne de l'enfant á son réveil (O père qu'adore mon père)  | ch pf/harm  |  | 1865  | Choral, sacred  | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian
19/4  | J2/4  | Hymne de l'enfant à son réveil (O père qu'adore mon père)  | fch pf/harm (+ hp)  |  | 1874  | Choral, sacred  | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian
20/1  | J1/1  | Ave Maria I  | ch (+ org)  | B♭ major  | 1842  | Choral, sacred  | 1st version of S.20/2; arr. for org as S.667b/1
20/2  | J1/2  | Ave Maria I  | ch org  | A major  | 1852  | Choral, sacred  | 2nd version of S.20/1; arr. for org as S.667b/2
21/1  | J3/1  | Pater noster I  | mch  |  | 1846  | Choral, sacred  | based on S.172a/6; 1st version of S.21/2
21/2  | J3/2  | Pater noster I  | mch  |  | 1852  | Choral, sacred  | 2nd version of S.21/1; published as "Pater noster II" and listed as such in some older listings (see also S.29)
22  | J52  | Pater noster IV  | ch org  | C major  | 1850?  | Choral, sacred  |
23  | J8  | Domine salvum fac regem (Psalm 20)  | ten mch org  |  | 1853  | Choral, sacred  |
24  | J7  | Te Deum I  | mch org  |  | 1853?  | Choral, sacred  | published as "Te Deum II" and listed as such in some older listings (see also S.27)
25  | J9  | Die Seligkeiten (Les béatitudes)  | bar ch (+ org)  |  | 1859  | Choral, sacred  | rev. as S.3/6
26  | M33  | Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld)  | mch (+ org)  |  | 1858  | Choral, sacred  |
27  | J12  | Te Deum II  | mch org (+ br perc)  |  | 1867  | Choral, sacred  | published as "Te Deum I" and listed as such in some older listings (see also S.24)
28  | J13  | An den heiligen Franziskus von Paula (Gebet)  | 2ten 2bass mch org/harm (+3 tbn timp)  |  | 1860–74?  | Choral, sacred  | based on S.175/2
29  | J14  | Pater noster II (Das Vater unser)  | ch org  | A♭ major  | 1860  | Choral, sacred  | rev. as S.3/7; published as "Pater noster I" and listed as such in some older listings (see also S.21/2)
30  | J20  | Responsorien und Antiphonen (Répons et Antiennes)  | ch (+ org)  |  | 1860  | Choral, sacred  |
31/1  | J15a/1  | Christus ist geboren I (Weihnachtslied I)  | ch org  |  | 1863  | Choral, sacred  | 1st version of S.31/2
31/2  | J15a/2  | Christus ist geboren I (Weihnachtslied I)  | mch org  |  | 1863  | Choral, sacred  | 2nd version of S.31/1
32/1  | J15b/1  | Christus ist geboren II (Weihnachtslied II)  | ch org/harm  |  | 1863  | Choral, sacred  | 1st version of S.32/2, S.32/3; arr. for pf as S.502
32/2  | J15b/2  | Christus ist geboren II (Weihnachtslied II)  | mch (+ org)  |  | 1863  | Choral, sacred  | 2nd version of S.32/1, S.32/3
32/3  | J15c  | Christus ist geboren II (Weihnachtslied II)  | fch  |  | 1863  | Choral, sacred  | 3rd version of S.32/1, S.32/2
33  | J16  | Slavimo slavno, Slaveni! | mch org  |  | 1863–66  | Choral, sacred  | arr. for pf as S.503, for org as S.668
34/1  | J19/1  | Ave maris stella  | ch org  | G major  | 1865–66  | Choral, sacred  | 1st version of S.34/2
34/2  | J19/2  | Ave maris stella  | mch org  | B♭ major  | 1868  | Choral, sacred  | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b
35/1  | J17a  | Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)  | mch  |  | 1865  | Choral, sacred  | 1st version of S.35/2
35/2  | J17b  | Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)  | fch/cch pf  |  | 1865  | Choral, sacred  | 2nd version of S.35/1
36  | J21  | Dall' alma Roma  | 2vv (+ org)  |  | 1867–68  | Choral, sacred  | based on S.261
37  | J23  | Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François)  | mch org  |  | 1868  | Choral, sacred  |
38  | J24  | Ave Maria II  | ch org  | D major  | 1869  | Choral, sacred  | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2
39/1  | J25a  | Inno a Maria Vergine  | ch hp org  |  | 1869  | Choral, sacred  | 1st version of S.39/2
39/2  | J25b  | Inno a Maria Vergine  | ch hp pf4h org/ham  |  | 1869  | Choral, sacred  | 2nd version of S.39/1
40  | J28  | O salutaris hostia I  | fch org  |  | 1869  | Choral, sacred  |
41/1  | J26/1  | Pater noster III  | ch pf/org  | F major  | 1869  | Choral, sacred  | 1st version of S.41/2
41/2  | J26/2  | Pater noster III  | mch pf/org/harm  | B♭ major  | 1869  | Choral, sacred  | 2nd version of S.41/1
42/1  | J27/1  | Tantum ergo  | fch org  |  | 1869  | Choral, sacred  | 1st version of S.42/2
42/2  | J27/2  | Tantum ergo  | mch org  |  | 1869  | Choral, sacred  | 2nd version of S.42/3
43  | J29  | O salutaris hostia II  | ch (+ org)  | E major  | 1870  | Choral, sacred  |
44  | J31  | Ave verum corpus  | ch (+ org)  |  | 1871  | Choral, sacred  |
45  | J30  | Libera me  | mch org  |  | 1871  | Choral, sacred  | arr. of S.12/6
46/1  | J32/1  | Anima Christi sanctifica me  | mch org  |  | 1874  | Choral, sacred  | 1st version of S.46/1
46/2  | J32/2  | Anima Christi sanctifica me  | mch org  |  | 1874  | Choral, sacred  | 2nd version of S.46/2
47  | J41  | Sankt Christoph (Legend)  | fch pf harm (+ hp)  |  | 1881  | Choral, sacred  | unpublished
48  | I6  | Der Herr bewahret die Seelen seiner Heiligen  | ch br timp org  |  | 1860–75?  | Choral, sacred  |
49  | J42  | O heilige Nacht (Weihnachtslied)  | ten fch org/harm  |  | 1881  | Choral, sacred  | based on S.186/2
49a  | —  | Adeste fidelis  | fch  |  | ?  | Choral, sacred  | incomplete
50  | A286b  | Alte deutsche geistliche Weisen  | ch kbd  |  | 1878–79  | Choral, sacred  | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a
50/1  | A286b/8  |

Es segne uns Gott
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/3a, for ch org as S.669a/1
50/2  | A286b/4  |

Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51
50/3  | A286b/3  |

Nun ruhen alle Wälder
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/5, for v org as S.669a/3
50/4  | A286b/5  |

O Haupt voll Blut und Wunden
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/6, for v org as S.669a/4
50/5  | A286b/6  |

O Lamm Gottes!
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/7, for v pf/org as S.669a/5
50/6  | A286b/1  |

Was Gott tut, das ist wohlgetan
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/10, for v org as S.669a/6
50/7  | A286b/7  |

Wer nur den lieben Gott läßt walten
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/11, for v org as S.669a/7
50/8  | A286b/9  |

Vexilla Regis
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/9
50/9  | A286b/10  |

Crux ave benedicta
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/1
50/10  | A286b/2  |

O Traurigkeit
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/8
50/11  | A286b/12  |

Nun danket alle Gott!
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/4
50/12  | A286b/11  |

Jesu Christe  (Die fünf Wunden)
| ch kbd  |  | 1878–79  | Choral, sacred  | arr. for pf as S.504b/2
51  | J34  | Meine Seel' erhebt den Herrn! (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)  | ch org  |  | 1878  | Choral, sacred  | arr. of S.50/2
52  | J35  | Septem sacramenta  | mez bar ch org/harm  |  | 1878–84  | Choral, sacred  |
53  | J33  | Via crucis (Les 14 stations de la croix)  | vv ch pf/org/harm  |  | 1876–79  | Choral, sacred  | arr. for org as S.669b, for pf4h as S.583, for pf as S.504
54  | J36  | O Roma nobilis  | ch org  |  | 1878–79  | Choral, sacred  | based on a chorus by Giuseppe Baini; Liszt's authorship of Choral, sacred parts doubtful; see also arrs. for org as S.669c, for pf as S.506b
55  | J38  | Ossa arida  | ch org4h  |  | 1879  | Choral, sacred  |
56  | J37  | Rosario  | ch org/harm (+ bar)  |  | 1879  | Choral, sacred  |
56/1  | J37/1  |

Mysteria gaudiosa
| ch org/harm  |  | 1879  | Choral, sacred  | arr. for org/harm as S.670/1
56/2  | J37/2  |

Mysteria dolorosa
| ch org/harm  |  | 1879  | Choral, sacred  | arr. for org/harm as S.670/2
56/3  | J37/3  |

Mysteria gloriosa
| ch org/harm  |  | 1879  | Choral, sacred  | arr. for org/harm as S.670/3
56/4  | J37/4  |

Pater noster
| bar/mch org/harm  |  | 1879  | Choral, sacred  | composed at the same time as Rosario S.56 nos.1–3, and published as no.4 of Rosario (as '"Pater noster" zum Rosario'), but not certain it was intended by Liszt to be included with it; not included in org/harm solo version of Rosario (S.670)
57  | J46  | In domum Domini ibimus  | ch br perc org  |  | 1884  | Choral, sacred  | arr. for pf as S.505, for org as S.671
58  | J40  | O sacrum convivium  | alt fch org/harm  |  | 1880–85  | Choral, sacred  | arr. for org/harm as S.674a
59  | J39  | Pro Papa  | ch org  |  | 1880  | Choral, sacred  |
59/1  | J39/1  |

Tu es Petrus
| mch org  |  | 1880  | Choral, sacred  |
59/2  | J39/2  |

Dominus conservet eum
| ch org  |  | 1880  | Choral, sacred  |
60  | J44  | Ave Maria III (Sposalizio)  | alt fch org/harm  |  | 1883  | Choral, sacred  | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g
61  | J43  | Nun danket alle Gott  | ch/mch 2tpt 3tbn timp org  |  | 1883  | Choral, sacred  | arr. for org as S.674c
62  | J47  | Mariengarten  | ch org (+ alt ten)  |  | 1884?  | Choral, sacred  |
63  | J48  | Qui seminant in lacrimis (Psalm 125)  | ch org  |  | 1883  | Choral, sacred  |
64  | J49  | Pax vobiscum!  | mch (+ org)  |  | 1885  | Choral, sacred  |
65  | J50  | Qui Mariam absolvisti  | bar ch org/harm  |  | 1885  | Choral, sacred  |
66  | J51  | Salve Regina | ch  |  | 1885  | Choral, sacred  |
67–94  |  |

#### Secular choral works

[edit]

67  | L1  | Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge)
(Beethoven Cantata No.1)  | 6vv orch  |  | 1845  | Choral, secular  | arr. for pf4h as S.584; extracts arr. for pf in S.507
68  | L12  | Zur Säcularfeier Beethovens
(Beethoven Cantata No.2)  | 4vv ch orch  |  | 1869–70  | Choral, secular  |
69i  | L8/1  | Chöre zu Herders Entfesseltem Prometheus  | sop alt 2ten 2bass ch orch  |  | 1850  | Choral, secular  | 1st version of S.69ii, S.69iii; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99
69ii  | L8/2  | Chöre zu Herders Entfesseltem Prometheus  | sop alt 2ten 2bass 2ch orch  |  | 1855–59  | Choral, secular  | 2nd version of S.69i, S.69iii; No.4 arr. for pf as S.508, for pf4h as S.585
69iii  | L8/3  | Chöre zu Herders Entfesseltem Prometheus  | sop alt 2ten 2bass 2ch orch  |  | 1877?  | Choral, secular  | 3rd version of S.69i, S.69ii
70i  | L9/1  | An die Künstler  | 4vv mch ww br  |  | 1853  | Choral, secular  | instrumentation by Joachim Raff; 1st version of S.70ii, S.70iii, S70iv
70ii  | L9/2  | An die Künstler  | 4vv mch orch  |  | 1853–54  | Choral, secular  | 2nd version of S.70i, S.70iii, S70iv
70iii  | L9/3  | An die Künstler  | 4vv mch org orch  |  | 1858  | Choral, secular  | 3rd version of S.70i, S.70ii, S70iv; themes used in S.114
70iv  | L9/3  | An die Künstler  | 4vv mch org orch  |  | 1859  | Choral, secular  | 4th version of S.70i, S.70ii, S.70iii; themes used in S.114
71  | L11  | Gaudeamus igitur (Humoreske)  |  |  | 1869–70  |  | arr. for pf as S.509; for pf4h as S.586
71bis  | –  | Gaudeamus igitur (Humoreske)  |  |  | 1869–70  | Choral, secular  | vocal score of S.71; arr. for pf as S.509; for pf4h as S.586
72  |  | Vierstimmige Männergesänge (4):  | mch pf  |  | 1841–42  | Choral, secular  |
72/1  | M2/1  |

Rheinweinlied (Wo solch ein Feuer)
| mch pf  |  | 1841  | Choral, secular  |
72/1a  | M2/2  |

Rheinweinlied (Wo solch ein Feuer)
|  |  | 1884  | Choral, secular  | instrumented by Károly Huber, revised by Liszt
72/2  | M3  |

Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)
| mch  |  | 1841–42  | Choral, secular  |
72/3  | M4  |

Reiterlied I (Die bange Nacht ist nun herum)
| mch  | B♭ major  | 1841–42  | Choral, secular  | for alternative setting see S.72/4
72/4  | M5  |

Reiterlied II (Die bange Nacht ist nun herum)
| mch  | C major  | 1841–42  | Choral, secular  | for alternative setting see S.72/3
73  | M19  | Es war einmal ein König (Flohlied)  | bar/bass mch pf  |  | 1844–45  | Choral, secular  |
74/1  | M1  | Das deutsche Vaterland I (Was ist das deutsche Vaterland?)  | 4vv mch pf  | D major  | 1841  | Choral, secular  | 1st version of S.74/2
74/2  | M27  | Das deutsche Vaterland II (Was ist das deutsche Vaterland?)  | mch  | C major  | 1848  | Choral, secular  | 2nd version of S.74/1
75/1  | M12/1  | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied)  | mch  |  | 1842  | Choral, secular  | No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3
75/2  | M12/2  | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied)  | mch  |  | 1849  | Choral, secular  | 2nd version of S.75/1, S.75/3
75/3  | M12/3  | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied)  | mch 2hn  |  | 1856  | Choral, secular  | 3rd version of S.75/1, S.75/2
76  | M11  | Das düstre Meer umrauscht mich  | mch pf  |  | 1842  | Choral, secular  | No.2 of Vierstimmige Männergesänge
76a  | M15  | Heil! Unsrer Glocke heil  | mch pf  |  | 1843  | Choral, secular  |
77  | M26  | Die lustige Legion  | mch (+ pf)  |  | 1846?  | Choral, secular  |
78  | M17  | Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!)  | mch pf  |  | 1843–44  | Choral, secular  | No.1 of Sechs Männerchöre
79/1  | M14/2  | Titan (Auf des Athos blauen Felsenspitzen)  | bar mch pf  |  | 1842–47  | Choral, secular  | 2nd version of S.700j; arr. for bar mch orch as S.79/2
79/2  | L4  | Titan (Auf des Athos blauen Felsenspitzen)  | bar mch orch  |  | 1848  | Choral, secular  | arr. of S.79/1
80  | L2  | Les quatre élémens | mch pf/pf4h  |  | 1844–45  | Choral, secular  |
80/1  | L2/1  |

La terre
| mch pf  |  | 1844–45  | Choral, secular  |
80/2  | L2/2  |

Les aquilons
| mch pf4h  |  | 1844  | Choral, secular  |
80/3  | L2/3  |

Les flots
| mch pf  |  | 1845  | Choral, secular  |
80/4  | L2/4  |

Les astres
| mch pf  |  | 1845?  | Choral, secular  | arr. for mch orch by Liszt and August Conradi as S.80b/4
80bis  | M20  | Les quatre élémens | mch, piano  | vocal score of S.80  | 1844–48  | Choral, secular  | vocal score of S.80/1
80bis/1  | L2/1  |

La terre
| mch orch  |  | 1844–48  | Choral, secular  | vocal score of S.80
80bis/2  | M20/2  |

Les aquilons
| mch orch  |  | 1844–48  | Choral, secular  | vocal score of S.80
80bis/3  | M20/3  |

Les flots
| mch orch  |  | 1845–48  | Choral, secular  | vocal score of S.80
80bis/4  | M20/4  |

Les astres
| mch orch  |  | 1845–48  | Choral, secular  | vocal score of S.80
81/1  | M21  | Le forgeron (Le fer est dur, frappons, frappons)  | 2vv mch pf  |  | 1845  | Choral, secular  | arr. for 2vv mch orch by Liszt and August Conradi as S.81/2
81/2  | L3  | Le forgeron (Le fer est dur, frappons, frappons)  | 2vv mch orch  |  | 1845–48  | Choral, secular  | arr. of S.81/1 by Liszt and August Conradi
81a  | M25  | A patakhoz (A patakcsa)  | mch  |  | 1846  | Choral, secular  |
82  | M16  | Arbeiterchor (Herbei, herbei, den Spath' und Schaufel ziert)  | bar mch pf  |  | 1843–48?  | Choral, secular  | arr. for pf as S.510; arr. for pf4h as S.587
83a  | L5  | Ungaria-Kantate (Aus Osten aus der Sonne Tor)  | vv mch pf  |  | 1842–48?  | Choral, secular  | arr. for vv mch orch by Liszt and August Conradi as S.83b
83b  | L5  | Ungaria-Kantate (Aus Osten aus der Sonne Tor)  | vv mch orch  |  | 1848  | Choral, secular  | arr. of S.83a by Liszt and August Conradi
84/1  | M28/1  | Licht, mehr Licht  | mch 3tbn tba  |  | 1849  | Choral, secular  | 1st version of S.84/2
84/2  | M28/2  | Licht, mehr Licht  | mch 2tpt 3tbn  |  | 1856  | Choral, secular  | 2nd version of S.84/1
85/1  | M29/1  | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden)  | mch pf  |  | 1849  | Choral, secular  | 1st version of S.85/2, S.85/3
85/2  | M29/2  | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden)  | fch hp pf/harm  |  | 1849  | Choral, secular  | 2nd version of S.85/1, S.85/3
85/3  | L7  | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden)  | ch hp/pf  |  | 1849  | Choral, secular  | 3rd version of S.85/1, S.85/2
86a  | M30  | Festchor zur Enthüllung des Herder-Denkmals in Weimar  | mch pf  |  | 1850  | Choral, secular  | arr. for mch br as S.86b
86b  | M30  | Festchor zur Enthüllung des Herder-Denkmals in Weimar  | mch br  |  | 1850  | Choral, secular  | arr. of S.86a
87/1a  | L10a  | Weimars Volkslied (Von der Wartburg)  | mch ww br perc  | E major  | 1857  | Choral, secular  | arr. of S.313; 1st version of S.87/1c; arr. for mch pf as S.87/1b
87/1b  | M32a  | Weimars Volkslied (Von der Wartburg)  | mch pf  | E major  | 1857, rev. 1875?  | Choral, secular  | arr. of S.87/1a
87/1c  | L10a  | Weimars Volkslied (Von der Wartburg)  | mch ww br perc  | E major  | 1875?  | Choral, secular  | 2nd version of S.87/1a; renumbered from S.87/1bis
87/2  | M32b  | Weimars Volkslied (Von der Wartburg)  | mch (+ pf)  | F major  | 1857?  | Choral, secular  | arr. of S.313
87/3a  | M32c/1  | Weimars Volkslied (Von der Wartburg)  | mch  | E major  | 1860?  | Choral, secular  | arr. of S.313; 1st version of S.87/3b
87/3b  | M32c/2  | Weimars Volkslied (Von der Wartburg)  | mch  | E major  | 1875?  | Choral, secular  | 2nd version of S.87/3a; not published
87/4  | M32d  | Weimars Volkslied (Von der Wartburg)  | mch org  | E major  | 1875  | Choral, secular  | arr. of S.313
87/5  | M32e  | Weimars Volkslied (Von der Wartburg)  | mch (+ pf)  | E major  | 1875  | Choral, secular  | arr. of S.313 [by Bernhard Sulze?]
87/6  | M32f  | Weimars Volkslied (Von der Wartburg)  | uch  | E major  | 1875?  | Choral, secular  | arr. of S.313
87/7  | M32g  | Weimars Volkslied (Von der Wartburg)  | cch  | F major  | 1875?  | Choral, secular  | arr. of S.313
87/8a  | L10b/1  | Weimars Volkslied (Von der Wartburg)  | uch br  | C major  | 1857?  | Choral, secular  | arr. of S.313; arr. for uch pf as S.87/8b
87/8b  | L10b/2  | Weimars Volkslied (Von der Wartburg)  | uch pf  | C major  | 1857?  | Choral, secular  | arr. of S.87/8a
88  | M34b  | Mit klingendem Spiel I (Morgenlied)  | fch  |  | 1859  | Choral, secular  | alternative text to S.89
89  | M34a  | Mit klingendem Spiel II (Morgenlied)  | cch  |  | 1859  | Choral, secular  | alternative text to S.88
90/1a  | M31/1  | Vereins-Lied (Frisch auf, zu neuem Leben)  | mch  |  | 1855  | Choral, secular  | 1st version of S.90/1b, S.90/1c
90/1b  | M31/2  | Vereins-Lied (Frisch auf, zu neuem Leben)  | mch  |  | 1857  | Choral, secular  | 2nd version of S.90/1a, S.90/1c
90/1c  | M31/3  | Vereins-Lied (Frisch auf, zu neuem Leben)  | mch  |  | 1860  | Choral, secular  | No.1 of Für Männergesang; 3rd version of S.90/1a, S.90/1b
90/2a  | M7/1  | Ständchen (Hüttelein, still und klein)  | ten mch  | A major  | 1841–43?  | Choral, secular  | 1st version of S.90/2b, S.90/2c
90/2b  | M7/2  | Ständchen (Hüttelein, still und klein)  | ten mch  | A major  | 1845–49?  | Choral, secular  | No.6 of Sechs Männerchöre; 2nd version of S.90/2a, S.90/2c
90/2c  | M7/3  | Ständchen (Hüttelein, still und klein)  | ten mch  | G major  | 1857–60  | Choral, secular  | No.2 of Für Männergesang; 3rd version of S.90/2a, S.90/2b
90/3a  | M10/1  | Wir sind nicht Mumien  | mch pf  |  | 1842  | Choral, secular  | No.1 of Vierstimmige Männergesänge; 1st version of S.90/3b
90/3b  | M10/2  | Wir sind nicht Mumien  | mch pf  |  | 1860–61  | Choral, secular  | No.3 of Für Männergesang; 2nd version of S.90/3a
90/4a  | M22/1  | Vor der Schlacht (Es rufet Gott uns mahnend)  | mch pf  |  | 1845  | Choral, secular  | 1st version of S.90/4b; arr. for pf as S.511/1
90/4b  | M22/2  | Vor der Schlacht (Es rufet Gott uns mahnend)  | mch  |  | 1860  | Choral, secular  | No.4 of Für Männergesang; 2nd version of S.90/4a
90/5a  | M23/1  | Nicht gezagt  | mch pf  | A♭ major  | 1845  | Choral, secular  | 1st version of S.90/5b; arr. for pf as S.511/2
90/5b  | M23/2  | Nicht gezagt  | mch  | G major  | 1860  | Choral, secular  | No.5 of Für Männergesang; 2nd version of S.90/5a
90/6a  | M24/1  | Es rufet Got  | mch pf  |  | 1845  | Choral, secular  | 1st version of S.90/6b; arr. for pf as S.511/3
90/6b  | M24/2  | Es rufet Got  | mch  |  | 1860  | Choral, secular  | No.6 of Für Männergesang; 2nd version of S.90/6a
90/7a  | M18/1  | Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)  | mch (+tpt timp)  |  | 1844  | Choral, secular  | No.5 of Sechs Männerchöre; 1st version of S.90/7b
90/7b  | M18/2  | Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)  | mch (+tpt timp)  |  | 1860–61  | Choral, secular  | No.7 of Für Männergesang; 2nd version of S.90/7a
90/8a  | M9/1  | Die alten Sagen kunden  | mch pf  | B♭ major  | 1841–45?  | Choral, secular  | No.2 of Sechs Männerchöre; 1st version of S.90/8b
90/8b  | M9/2  | Die alten Sagen kunden  | 4vv mch  | A minor  | 1860–61  | Choral, secular  | No.8 of Für Männergesang; 2nd version of S.90/8a
90/9a  | M8/1  | Saatengrün  | mch pf/(hp?)  |  | 1843?  | Choral, secular  | No.3 of Sechs Männerchöre; 1st version of S.90/9b
90/9b  | M8/2  | Saatengrün  | mch  | A major  | 1860–61  | Choral, secular  | No.9 of Für Männergesang; 2nd version of S.90/9a
90/10a  | M6/1  | Der Gang um Mitternacht (Ich schreite mit dem Geist)  | mch  |  | 1841–43?  | Choral, secular  | No.4 of Sechs Männerchöre; 1st version of S.90/10b
90/10b  | M6/2  | Der Gang um Mitternacht (Ich schreite mit dem Geist)  | ten mch  |  | 1860  | Choral, secular  | No.10 of Für Männergesang; 2nd version of S.90/10a
90/11a  | M35/1  | Festlied zu Schillers Jubelfeier 10 November 1859  | bar mch  |  | 1859  | Choral, secular  | 1st version of S.90/11b
90/11b  | M35/2  | Festlied zu Schillers Jubelfeier 10 November 1859  | bar mch  |  | 1860  | Choral, secular  | No.11 of Für Männergesang; 2nd version of S.90/11a
90/12a  | M13/1  | Gottes ist der Orient  | mch  | B major  | 1842  | Choral, secular  | No.4 of Vierstimmige Männergesänge; 1st version of S.90/12b
90/12b  | M13/2  | Gottes ist der Orient  | mch  | A major  | 1860–61  | Choral, secular  | No.12 of Für Männergesang; 2nd version of S.90/12a
91/1  | M36/1  | Das Lied der Begeisterung (A lelkesedés dala)  | mch  |  | 1871  | Choral, secular  | 1st version of S.91/2; German and Hungarian text
91/2  | M36/2  | Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut)  | mch org  |  | 1874  | Choral, secular  | 2nd version of S.91/1; German text only
92  | —  | Carl August weilt mit uns (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)  | fch br timp  |  | 1875  | Choral, secular  | fanfare arr. for pf as S.542b
93/1  | L17a  | Magyar király-dal (Ungarisches Königslied)  | mch  |  | 1883  | Choral, secular  | arr. of S.340
93/2  | L17b  | Magyar király-dal (Ungarisches Königslied)  | ch  |  | 1883  | Choral, secular  | arr. of S.340
93/3  | L17c  | Magyar király-dal (Ungarisches Königslied)  | mch pf  |  | 1883  | Choral, secular  | arr. of S.340
93/4  | L17d  | Magyar király-dal (Ungarisches Königslied)  | ch pf  |  | 1883  | Choral, secular  | arr. of S.340
93/5  | L17e  | Magyar király-dal (Ungarisches Königslied)  | mch orch  |  | 1883  | Choral, secular  | arr. of S.340
93/6  | L17f  | Magyar király-dal (Ungarisches Königslied)  | ch orch  |  | 1883  | Choral, secular  | arr. of S.340
93/7  | L17g  | Magyar király-dal (Ungarisches Königslied)  | cch  |  | 1883  | Choral, secular  | arr. of S.340
94  | M38  | Gruss (Glück auf)  | mch  |  | 1885  | Choral, secular  |
95–119  |  |

#### Orchestral works

[edit]

95–107  |  |

##### Symphonic poems

[edit]

95  | G1  | Ce qu'on entend sur la montagne
(Symphonic Poem No.1)  | orch  |  | 1848–49, rev. 1850, 1854  | Orchestral, symphonic poem  | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a
96  | G2  | Tasso: Lamento e Trionfo
(Symphonic Poem No.2)  | orch  |  | 1849, rev. 1850–51, 1854  | Orchestral, symphonic poem  | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3
97  | G3  | Les préludes
(Symphonic Poem No.3)  | orch  |  | 1850–55  | Orchestral, symphonic poem  | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a
98  | G9  | Orpheus
(Symphonic Poem No.4)  | orch  |  | 1853–54  | Orchestral, symphonic poem  | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d
99  | G6  | Prometheus
(Symphonic Poem No.5)  | orch  |  | 1855  | Orchestral, symphonic poem  | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639
100  | G7  | Mazeppa
(Symphonic Poem No.6)  | orch  |  | 1851–54  | Orchestral, symphonic poem  | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640
101  | G10  | Festklänge
(Symphonic Poem No.7)  | orch  |  | 1853, rev. 1861  | Orchestral, symphonic poem  | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641
102  | G4  | Héroïde funèbre
(Symphonic Poem No.8)  | orch  |  | 1854–56  | Orchestral, symphonic poem  | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642
103  | G13  | Hungaria
(Symphonic Poem No.9)  | orch  |  | 1854  | Orchestral, symphonic poem  | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643
104  | G22  | Hamlet
(Symphonic Poem No.10)  | orch  |  | 1858  | Orchestral, symphonic poem  | arr. for pf4h as S.597, for 2pf as S.644
105  | G17  | Hunnenschlacht
(Symphonic Poem No.11)  | orch  |  | 1855–57  | Orchestral, symphonic poem  | arr. for pf4h as S.596b, for 2pf as S.645
106  | G15  | Die Ideale
(Symphonic Poem No.12)  | orch  |  | 1856–57  | Orchestral, symphonic poem  | themes used in S.520; arr. for pf4h as S.596c, for 2pf as S.646
107  | G38  | Von der Wiege bis zum Grabe (From the Cradle to the Grave)
(Symphonic Poem No.13)  | orch  |  | 1882  | Orchestral, arr.  | arr. of S.512; see also S.133
108–119  |  |

##### Other orchestral works

[edit]

108  | G12  | Faust Symphony (Eine Faust-Symphonie)  | orch (+ ten mch)  |  | 1854, 1857–61, 1880  | Orchestral  | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513
109  | G14  | Dante Symphony (Eine Symphonie zu Dantes Divina Commedia)  | orch fch  |  | 1855–56  | Orchestral  | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f
109a  | –  | Grand Overture  | orch  |  | 1842  | Orchestra  | Overture of Don Sanche, S. 1 when performed separately
110  | G16  | Episoden aus Lenau's Faust (2):  | orch  |  | 1856–61  | Orchestral  |
110/1  | G16/1  |

Der nächtliche Zug
| orch  |  | 1856–61  | Orchestral  | arr. for pf as S.513a; for pf4h as S.599/1
110/2  | G16/2  |

Der Tanz in der Dorfschenke (Mephisto Waltz)
| orch  |  | 1856–61  | Orchestral  | 1st version of S.110/2a; arr. for pf as S.514
111  | G37  | Mephisto Waltz No.2 (Zweiter Mephisto-Walzer)  | orch  |  | 1880–81  | Orchestral  | arr. of S.515
112  | G25  | Odes funèbres (3):  | orch  |  | 1860–66  | Orchestral  |
112/1  | G25/1  |

Les morts
| orch (+ mch)  |  | 1860  | Orchestral  | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2
112/2  | G25/2  |

La notte
| orch  |  | 1860–64  | Orchestral  | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a
112/3  | G25/3  |

Le triomphe funèbre du Tasse
| orch  |  | 1866  | Orchestral  | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)
113/1  | G28/1  | Boże, coś Polskę | orch  |  | 1863  | Orchestral  | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1
113/2  | G28/2  | Salve Polonia (Interludium aus dem Oratorium St. Stanislaus)  | orch  |  | 1884  | Orchestral  | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2
113a  | G27  | Légendes (2):  | orch  |  | 1863  | Orchestral  | arr. of S.175
113a/1  | G27/1  |

St François d'Assise: la prédication aux oiseaux
| orch  |  | 1863  | Orchestral  | arr. of S.175/1
113a/2  | G27/2  |

St François de Paule: marchant sur les flots
| orch  |  | 1863  | Orchestral  | arr. of S.175/2
114  | G20  | Künstlerfestzug zur Schillerfeier 1859  | orch  |  | 1857–59  | Orchestral  | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605
115  | G5  | Festmarsch zur Goethe-Jubiläumsfeier  | orch  |  | 1857  | Orchestral  | based on S.227; arr. for pf as S.521; arr. for pf4h as S.606
116  | G23  | Festmarsch nach Motiven von E.H.z.S.-C.-G.  | orch  |  | 1858–59  | Orchestral  | based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607
117  | G29  | Rákóczi-Marsch  | orch  |  | 1863–67  | Orchestral  | arr. of S.244/15; arr. for pf as S.244a; arr. for pf4h as S.608; arr. for 2pf as S.652a
118  | G33  | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867  | orch  |  | 1870  | Orchestral  | arr. for pf as S.523; arr. for pf4h as S.609
119  | G35  | Ungarischer Sturmmarsch (Hungarian Battle March)  | orch  |  | 1875  | Orchestral  | based on S.232; arr. for pf as S.524, for pf4h as S.610
120–126a  |  |

#### Pianoforte and orchestra

[edit]

120  | H2  | Grande fantaisie symphonique (über Themen aus Hector Berlioz' Lélio)  | pf orch  |  | 1834  | Orchestral, piano  | based on themes from Lélio, ou le retour à la vie, H.55 by Hector Berlioz
121  | H1  | Malédiction  | pf str  | E minor  | 1833  | Orchestral, piano  |
121a  | H3  | De Profundis (Psaume instrumentale)  | pf orch  |  | 1834–35  | Orchestral, piano  | formerly S.691; unfinished
122  | H9  | Fantasie über Motive aus Beethovens Ruinen von Athen  | pf orch  |  | 1852  | Orchestral, piano  | based on S.388b, using themes from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388
123  | H12  | Fantasie über ungarische Volksmelodien | pf orch  |  | 1846–52  | Orchestral, piano  | based on S.244/14
124  | H4  | Piano Concerto No.1 | pf orch  | E♭ major  | 1835–56  | Orchestral, piano  | arr. for 2pf as S.650
125  | H6  | Piano Concerto No.2 | pf orch  | A major  | 1849–61  | Orchestral, piano  | based on S.524a; arr. for 2pf as S.651
125a  | Q6  | Piano Concerto [No.3]  | pf orch  | E♭ major  | 1835–39  | Orchestral, piano  | unfinished; performing version realized by Jay Rosenblatt
126i  | H8  | Totentanz | pf orch  |  | 1847–53  | Orchestral, piano  | 1st version of S.126ii; published in altered form by Busoni; original score unpublished (in private collection)
126ii  | H8  | Totentanz | pf orch  |  | 1859–64?  | Orchestral, piano  | 2nd version of S.126i; arr. for pf as S.525, for 2pf as S.652
126a#  | W14  | Concerto in the Hungarian Style | pf orch  |  |  | Orchestral, piano  | not by Liszt (see Ungarische Zigeunerweisen [S. 714] by Sophie Menter)
126b–135  |  |

#### Chamber music, etc.

[edit]

126b  | D1  | Waltzes (2):  | vn pf  |  | 1823–25?  | Chamber  |
126b/1  | D1/1  |

Waltz
| vn pf  | A major  | 1823–25?  | Chamber  |
126b/2  | D1/2  |

Waltz aus dem Ballet "Die Amazonen"
| vn pf  | A major  | 1823–25?  | Chamber  | based on a theme from the ballet Die Amazonen by Robert von Gallenberg; arr. for pf as S.208a
126c  | D2  | Trio  | vn vc pf  |  | 1835  | Chamber  | formerly S. 717; ms. in private hands; unobtainable
127  | D3  | Duo (Sonata) ["sur des thèmes polonais"]  | vn pf  | C♯ minor  | 1835  | Chamber  | based on No.2 of the Mazurkas, Op.6 by Frédéric Chopin
128  | D4  | Grand Duo Concertant (sur la romance de M. Lafont, "Le marin")  | vn pf  |  | 1849?  | Chamber  |
129  | D12  | Epithalam (zu Eduard Reményis Vermählungsfeier)  | vn pf  |  | 1872  | Chamber  | arr. for pf as S.526; arr. for pf4h as S.611 [?]
130a  | D13a  | Elegy No.1  | hp vc pf harm  |  | 1874  | Chamber  | arr. of S.196; see also S.130b, S.130c, S.612
130b  | D13b  | Elegy No.1  | vc pf  |  | 1874  | Chamber  | arr. of S.196; see also S.130a, S.130c, S.612
130c  | D13c  | Elegy No.1  | vn pf (+ harm)  |  | 1874  | Chamber  | arr. of S.196; see also S.130a, S.130b, S.612
131  | D14  | Elegy No.2  | vc pf  |  | 1877–78  | Chamber  | arr. of S.197; see also S.131a
131a  | D14  | Elegy No.2  | vn pf  |  | 1877–78  | Chamber  | arr. of S.197; see also S.131; renumbered from S.131bis
132a  | D16a  | Romance oubliée  | va pf  |  | 1880  | Chamber  | arr. of S.527; see also S.132b, S.132c
132b  | D16b  | Romance oubliée  | vn pf  |  | 1880  | Chamber  | arr. of S.527; see also S.132a, S.132c
132c  | D16c  | Romance oubliée  | vc pf  |  | 1880  | Chamber  | arr. of S.527; see also S.132a, S.132b
133#  | S61  | Die Wiege (The Cradle)  |  |  |  |  | deleted; see S. 107
134  | D19/2  | La lugubre gondola (Die Trauer-Gondel)  | vc pf  |  | 1882–83  | Chamber  | arr. of S.200/1
134a  | D19/1  | La lugubre gondola (Die Trauer-Gondel)  | vn pf  |  | 1885  | Chamber  | arr. of S.200/2; renumbered from S.134bis
135  | D20  | Am Grabe Richard Wagners  | 2vn va vc (+ hp)  |  | 1883  | Chamber  | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267
136–254  |  |

#### Solo Piano

[edit]

136–146  |  |

##### Studies

[edit]

136  | A8  | Étude en douze exercices:  | pf  |  | 1826  | Piano, etude  | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137
136/1  | A8/1  |

(Allegro con fuoco)
| pf  | C major  | 1826  | Piano, etude  | rev. as S.137/1
136/2  | A8/2  |

(Allegro non molto)
| pf  | A minor  | 1826  | Piano, etude  | rev. as S.137/2
136/3  | A8/3  |

(Allegro sempre legato)
| pf  | F major  | 1826  | Piano, etude  | rev. as S.137/3
136/4  | A8/4  |

(Allegretto)
| pf  | D minor  | 1826  | Piano, etude  | rev. as S.137/4
136/5  | A8/5  |

(Moderato)
| pf  | B♭ major  | 1826  | Piano, etude  | rev. as S.137/5
136/6  | A8/6  |

(Molto agitato)
| pf  | G minor  | 1826  | Piano, etude  | rev. as S.137/6
136/7  | A8/7  |

(Allegretto con molto espressione)
| pf  | E♭ major  | 1826  | Piano, etude  | rev. as S.137/11
136/8  | A8/8  |

(Allegro con spirito)
| pf  | C minor  | 1826  | Piano, etude  | rev. as S.137/8
136/9  | A8/9  |

(Allegro grazioso)
| pf  | A♭ major  | 1826  | Piano, etude  | rev. as S.137/9
136/10  | A8/10  |

(Moderato)
| pf  | F minor  | 1826  | Piano, etude  | rev. as S.137/10
136/11  | A8/11  |

(Allegro grazioso)
| pf  | D♭ major  | 1826  | Piano, etude  |
136/12  | A8/12  |

(Allegro non troppo)
| pf  | B♭ minor  | 1826  | Piano, etude  | rev. as S.137/12
137  | A39  | Grandes études:  | pf  |  | 1837  | Piano, etude  | based on S.136; rev. as S.139
137/1  | A39/1  |

(Presto)
| pf  | C major  | 1837  | Piano, etude  | based on S.136/1; rev. as S.139/1
137/2  | A39/2  |

(Molto vivace)
| pf  | A minor  | 1837  | Piano, etude  | based on S.136/2; rev. as S.139/2
137/3  | A39/3  |

(Poco adagio)
| pf  | F major  | 1837  | Piano, etude  | based on S.136/3; rev. as S.139/3
137/4  | A39/4  |

(Allegro patetico)
| pf  | D minor  | 1837  | Piano, etude  | based on S.136/4; rev. as S.138, S.139/4
137/5  | A39/5  |

(Egualmente)
| pf  | B♭ major  | 1837  | Piano, etude  | based on S.136/5; rev. as S.139/5
137/6  | A39/6  |

(Largo patetico)
| pf  | G minor  | 1837  | Piano, etude  | based on S.136/6; rev. as S.139/6
137/7  | A39/7  |

(Allegro deciso)
| pf  | E♭ major  | 1837  | Piano, etude  | rev. as S.139/7
137/8  | A39/8  |

(Presto strepitoso)
| pf  | C minor  | 1837  | Piano, etude  | based on S.136/8; rev. as S.139/8
137/9  | A39/9  |

(Andantino)
| pf  | A♭ major  | 1837  | Piano, etude  | based on S.136/9; rev. as S.139/9
137/10  | A39/10  |

(Presto molto agitato)
| pf  | F minor  | 1837  | Piano, etude  | based on S.136/10; rev. as S.139/10
137/11  | A39/11  |

(Lento assai)
| pf  | D♭ major  | 1837  | Piano, etude  | based on S.136/7; rev. as S.139/11
137/12  | A39/12  |

(Andantino)
| pf  | B♭ minor  | 1837  | Piano, etude  | based on S.136/12; rev. as S.139/12
138  | A172/4  | Mazeppa | pf  | D minor  | 1840  | Piano, etude  | based on S.137/4; rev. as S.139/4
139  | A172  | Études d'exécution transcendante (12 Transcendental Etudes):  | pf  |  | 1851  | Piano, etude  | based on S.137
139/1  | A172/1  |

Preludio
| pf  | C major  | 1851  | Piano, etude  | based on S.137/1
139/2  | A172/2  |

[Fusées] (Molto vivace)
| pf  | A minor  | 1851  | Piano, etude  | based on S.137/2
139/3  | A172/3  |

Paysage
| pf  | F major  | 1851  | Piano, etude  | based on S.137/3
139/4  | A172/4  |

Mazeppa
| pf  | D minor  | 1851  | Piano, etude  | based on S.137/4, S.138
139/5  | A172/5  |

Feux-follets (Irrlichter)
| pf  | B♭ major  | 1851  | Piano, etude  | based on S.137/5
139/6  | A172/6  |

Vision
| pf  | G minor  | 1851  | Piano, etude  | based on S.137/6
139/7  | A172/7  |

Eroica
| pf  | E♭ major  | 1851  | Piano, etude  | based on S.137/7
139/8  | A172/8  |

Wilde Jagd
| pf  | C minor  | 1851  | Piano, etude  | based on S.137/8
139/9  | A172/9  |

Ricordanza
| pf  | A♭ major  | 1851  | Piano, etude  | based on S.137/9
139/10  | A172/10  |

[Appassionata] (Allegro agitato molto)
| pf  | F minor  | 1851  | Piano, etude  | based on S.137/10
139/11  | A172/11  |

Harmonies du soir
| pf  | D♭ major  | 1851  | Piano, etude  | based on S.137/11; later version of introduction, see S.166o
139/12  | A172/12  |

Chasse-neige
| pf  | B♭ minor  | 1851  | Piano, etude  | based on S.137/12
140  | A52  | Études d'exécution transcendante d'après Paganini:  | pf  |  | 1838  | Piano, etude  | based on themes from 24 Caprices for Solo Violin, Op.1 and Violin Concerto No.2, Op.7 by Niccolò Paganini; 1st version of S.141
140/1  | A52/1  |

Tremolo
| pf  | G minor  | 1838  | Piano, etude  | 1st version of S.141/1; with ossia passage by Schumann
140/2  | A52/2  |

Octave
| pf  | E♭ major  | 1838  | Piano, etude  | 1st version of S.141/2
140/3  | A52/3  |

Campanella
| pf  | A♭ minor  | 1838  | Piano, etude  | 1st version of S.141/3
140/4a  | A52/4a  |

Arpeggio
| pf  | E major  | 1838  | Piano, etude  | 1st version S.141/4
140/4b  | A52/4b  |

Arpeggio
| pf  | E major  | 1838  | Piano, etude  | 1st version S.141/4
140/5  | A52/5  |

La chasse
| pf  | E major  | 1838  | Piano, etude  | 1st version of S.141/5
140/6  | A52/6  |

Tema con Variazioni
| pf  | A minor  | 1838  | Piano, etude  | 1st version of S.141/6
141  | A173  | Grandes études de Paganini:  | pf  |  | 1851  | Piano, etude  | based on themes from 24 Caprices for Solo Violin, Op.1 and Violin Concerto No.2, Op.7 by Niccolò Paganini; 2nd version of S.140
141/1  | A173/1  |

Preludio (Andante). Etude (Non troppo lento)
| pf  | G minor  | 1851  | Piano, etude  | 2nd version of S.140/1
141/2  | A173/2  |

(Andante)
| pf  | E♭ major  | 1851  | Piano, etude  | 2nd version of S.140/2
141/3  | A173/3  |

La campanella (Allegretto)
| pf  | G♯ minor  | 1851  | Piano, etude  | 2nd version of S.140/3
141/4  | A173/4  |

(Vivo)
| pf  | E major  | 1851  | Piano, etude  | 3rd version of S.140/4a, S.140/4b
141/5  | A173/5  |

(Allegretto)
| pf  | E major  | 1851  | Piano, etude  | 2nd version of S.140/5
141/6  | A173/6  |

(Quasi presto)
| pf  | A minor  | 1851  | Piano, etude  | 2nd version of S.140/6
141/6a  | —  | Album Leaf ("Introduction to the Grande Étude de Paganini No 6")  | pf  |  | 1884  | Piano, etude  | renumbered from S.141/6bis
142  | A63a  | Morceau de salon (Étude de perfectionnement)  | pf  | E minor  | 1840  | Piano, etude  | 1st version of S.143
143  | A63b  | Ab irato (Étude de perfectionnement)  | pf  | E minor  | 1852  | Piano, etude  | 2nd version of S.142
144  | A118  | 3 Études de concert (3):  | pf  |  | 1845–49  | Piano, etude  |
144/1  | A118/1  |

Il lamento
| pf  | A♭ major  | 1845–49  | Piano, etude  |
144/2  | A118/2  |

La leggierezza
| pf  | F minor  | 1845–49  | Piano, etude  |
144/3  | A118/3  |

Un sospiro
| pf  | D♭ major  | 1845–49  | Piano, etude  |
144/3a  | A118/3  |

Two additional cadenzas to Un Sospiro
| pf  | D♭ major  | 1848?  | Piano, etude  | renumbered from S.144/3bis
145  | A218  | Konzertetüden (Concert-Studies) (2):  | pf  |  | 1862  | Piano, etude  |
145/1  | A218/1  |

Waldesrauschen (Forest Murmurs)
| pf  | D♭ major  | 1862  | Piano, etude  |
145/2  | A218/2  |

Gnomenreigen (Gnomes' Round Dance)
| pf  | F♯ minor–F♯ major  | 1862  | Piano, etude  |
146  | A242  | Technische Studien (Technical Studies)  | pf  |  | 1868–73  | Piano, etude  | 68 studies in 3 books
147–208  |  |

##### Various original works

[edit]

147  | A1  | Variation on a Waltz by Diabelli (Variation über einen Walzer von Diabelli)  | pf  | C minor  | 1822  | Piano, original  | contribution to the album Vaterländischer Künstlerverein
147a#  | —  | Variationen über Romanze aus Joseph von Méhul | pf  |  |  | Piano(not original)  | spurious (by Franz Xaver Wolfgang Mozart); see S.697
148  | A3  | Variations (8)  | pf  | A♭ major  | 1824  | Piano, original  | published as Op.1
149  | A4  | Variations brillantes sur un thème de Rossini (7)  | pf  |  | 1824  | Piano, original  | published as Op.2; based on 'Ah, come nascondere la fiamma' from Ermione by Gioachino Rossini
150  | A5  | Impromptu brillant sur des thèmes de Rossini et Spontini  | pf  |  | 1824  | Piano, original  | published as Op.3; using themes from Armida and La donna del lago by Gioachino Rossini, and Fernand Cortez and Olimpie by Gaspare Spontini
151  | A6  | Allegro di bravura  | pf  | E♭ minor  | 1824–25  | Piano, original  | published as Op.4/1
151a  | —  | Adagio non troppo  | pf  |  | 1824?  | Piano, original  |
152  | A7  | Rondo di bravura  | pf  | E minor  | 1824–25  | Piano, original  | published as Op.4/2
152a  | —  | Klavierstück  | pf  | A♭ major  | 1824–27?  | Piano, original  |
153  | A9  | Scherzo (Allegro molto quasi presto)  | pf  | G minor  | 1827  | Piano, original  |
153a  | Q3  | Grand solo caractèristique d'apropos une chansonette de Panseron  | pf  |  | 1830–32  | Piano, original  | formerly S.754a; unpublished (in private collection)
154  | A18  | Harmonies poétiques et religieuses | pf  |  | 1833–34  | Piano, original  | 1st version of S.172a/8, S.173/4
155  | A19  | Apparitions  | pf  |  | 1834  | Piano, original  |
155/1  | A19/1  |

(Senza lentezza quasi Allegretto)
| pf  | F♯ major  | 1834  | Piano, original  |
155/2  | A19/2  |

(Vivamanete)
| pf  | A minor  | 1834  | Piano, original  |
155/3  | A19/3  |

Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato)
| pf  |  | 1834  | Piano, original  | based on No.33 of 36 Originaltänze, D.365 by Franz Schubert
155a  | A27a  | Airs Suisses (3)  | pf  |  | 1835–36  | Piano, original  | published as Op.10; 1st version of S.156/17–19, S.156a
155a/1  | A27a/1  |

Improvisata sur le Ranz des vaches (Départ pour les Alpes)
| pf  |  | 1835–36  | Piano, original  | 1st version of S.156/17, S.156a/1
155a/2  | A27a/2  |

Nocturne sur le Chant Montagnard
| pf  |  | 1835–36  | Piano, original  | 1st version of S.156/18, S.156a/2
155a/3  | A27a/3  |

Rondeau sur le Ranz des chèvres
| pf  |  | 1835–36  | Piano, original  | 1st version of S.156/19, S.156a/3
156  | A40a  | Album d'un voyageur
I. Impressions et Poésies | pf  |  | 1837–38  | Piano, original  |
156/1  | A40a/1  |

Lyon
| pf  | C major  | 1837–38  | Piano, original  |
156/2  | A40a/2a  |

Le lac de Wallenstadt
| pf  | A♭ major  | 1837–38  | Piano, original  | 1st version of S.160/2
156/3  | A40a/2b  |

Au bord d'une source
| pf  | A♭ major  | 1837–38  | Piano, original  | 1st version of S.160/4, S.160/4a
156/4  | A40a/3  |

Les cloches de G[enève]
| pf  | B major  | 1837–38  | Piano, original  | 1st version of S.160/9
156/5  | A40a/4  |

Vallée d'Obermann
| pf  | E minor  | 1837–38  | Piano, original  | 1st version of S.160/6
156/6  | A40a/5  |

La chapelle de Guilaume Tell
| pf  | C major  | 1837–38  | Piano, original  | 1st version of S.160/1
156/7  | A40a/6  |

Psaume (de l'église à Genève)
| pf  | F major  | 1837–38  | Piano, original  |
| A40b  | Album d'un voyageur
II. Fleurs mélodiques des Alpes | pf  | C major  | 1837–38  | Piano, original  |
156/8  | A40b/1  |

(Allegro)
| pf  | C major  | 1837–38  | Piano, original  |
156/9  | A40b/2  |

(Lento– Allegro vivace)
| pf  | E minor–G major  | 1837–38  | Piano, original  | 1st version of S.160/8
156/10  | A40b/3  |

(Allegro pastorale)
| pf  | G major  | 1837–38  | Piano, original  | 1st version of S.160/3
156/11  | A40b/4  |

(Andante con sentimento– Allegretto)
| pf  | G major  | 1837–38  | Piano, original  |
156/12  | A40b/5  |

(Andante molto espressivo)
| pf  | G minor  | 1837–38  | Piano, original  |
156/13  | A40b/6  |

(Allegro moderato)
| pf  | E major  | 1837–38  | Piano, original  |
156/14  | A40b/7  |

(Allegretto)
| pf  | A♭ major  | 1837–38  | Piano, original  |
156/15  | A40b/8  |

(Allegretto)
| pf  | D♭ major  | 1837–38  | Piano, original  |
156/16  | A40b/9  |

(Andantino con molto sentimento)
| pf  | G major  | 1837–38  | Piano, original  |
| A40c  | Album d'un voyageur
III. Paraphrases | pf  |  | 1837–38  | Piano, original  | 2nd version of S.155a, S.156a
156/17  | A40c/1  |

Ranz de vaches (Montée aux Alpes: Improvisata)
| pf  | G major  | 1837–38  | Piano, original  | 2nd version of S.155a/1, S.156a/1
156/18  | A40c/2  |

Un soir dans les montagnes (Nocturne pastoral)
| pf  | C major  | 1837–38  | Piano, original  | 2nd version of S.155a/2, S.156a/2
156/19  | A40c/3  |

Ranz de chèvres de F. Huber  (Allegro finale)
| pf  |  | 1837–38  | Piano, original  | 2nd version of S.155a/3, S.156a/3
156a  | A27b  | Morceaux suisses (3):  | pf  |  | 1876–77  | Piano, original  | 3rd version of S.155a, S.156/17–19
156a/1  | A27b/1  |

Ranz de vaches (Mélodie de Ferdinand Huber, avec variations)
| pf  |  | 1876–77  | Piano, original  | 3rd version of S.155a/1, S.156/17
156a/2  | A27b/2  |

Un soir dans la montagne (Mélodie d'Ernest Knop)
| pf  |  | 1876–77  | Piano, original  | 3rd version of S.155a/2, S.156/18
156a/3  | A27b/3  |

Ranz de chèvres (Rondeau)
| pf  |  | 1876–77  | Piano, original  | 3rd version of S.155a/3, S.156/19
157  | A21  | Fantaisie romantique sur deux mélodies suisses  | pf  |  | 1835–36  | Piano, original  | related to S.160/8
157a  | A55/1  | Sposalizio | pf  | E major  | 1838–39  | Piano, original  | 1st version of S.161/1
157b  | A55/2  | Il penseroso  | pf  |  | 1839  | Piano, original  | 1st version of S.161/2
157c  | A55/3  | Canzonetta del Salvator Rosa  | pf  |  | 1838–39  | Piano, original  | 1st version of S.161/3
157d  | A101  | Quasi Mazurka  | pf  |  | 1843  | Piano, original  |
158  | A102  | Sonetti di Petrarca (3):  | pf  |  | 1843–46  | Piano, original  | arrs. of S.270a
158/1  | A102/2  |

Sonetto CIV  ("Pace non trovo")
| pf  | E major  | 1843–46  | Piano, original  | arr. of S.270a/1; 1st version of S.161/5
158/2  | A102/1  |

Sonetto XLVII ("Benedetto sia il giorno")
| pf  | D♭ major  | 1843–46  | Piano, original  | arr. of S.270a/2; 1st version of S.161/4
158/3  | A102/3  |

Sonetto CXXIII  ("I' vidi in terra")
| pf  | A♭ major  | 1843–46  | Piano, original  | arr. of S.270a/3; 1st version of S.161/6
158a  | A55/7  | Paralipomènes à la Divina Commedia (Fantaisie symphonique)  | pf  |  | 1839  | Piano, original  | 1st version of S.158b, S.158c, S.161/7
158b  | A55/7  | Prolégomènes à la Divina Commedia (Fantaisie symphonique)  | pf  |  | 1839  | Piano, original  | 2nd version of S.158a, S.158c, S.161/7
158c  | A55/7  | Après une lecture du Dante (Fantasia quasi Sonata)  | pf  |  | 1839  | Piano, original  | 3rd version of S.158a, S.158b, S.161/7
158d  | —  | Adagio  | pf  | C major  | 1841  | Piano, original  | fragment from S.158c? may also have been formerly S.998?
159  | A53  | Venezia e Napoli | pf  |  | 1840  | Piano, original  | 1st version of S.162
159/1  | A53/1  |

(Lento)
| pf  | C minor  | 1840  | Piano, original  |
159/2  | A53/2  |

(Allegro)
| pf  | C major  | 1840  | Piano, original  |
159/3  | A53/3  |

(Andante placido)
| pf  | F♯ major  | 1840  | Piano, original  | based on the popular song La biondina in gondoletta by Giovanni Battista Peruchini; 1st version of S.162/1
159/4  | A53/4  |

Tarantelles napolitaines
| pf  | G minor  | 1840  | Piano, original  | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3
160  | A159  | Années de pèlerinage I (Première année: Suisse)  | pf  |  | 1848–55  | Piano, original  |
160/1  | A159/1  |

Chapelle de Guilaume Tell
| pf  | C major  | 1848–55  | Piano, original  | 2nd version of S.156/5
160/2  | A159/2  |

Au lac de Wallenstadt
| pf  | A♭ major  | 1848–55  | Piano, original  | 2nd version of S.156/2
160/3  | A159/3  |

Pastorale
| pf  | E major  | 1848–55  | Piano, original  | 2nd version of S.156/10
160/4  | A159/4  |

Au bord d'une source
| pf  | A♭ major  | 1848–55  | Piano, original  | 2nd version of S.156/3, S.160/4a
160/4a  | A159/4  |

Au bord d'une source
| pf  | A♭ major?  | 1863  | Piano, original  | 3rd version of S.156/3, S.160/4; renumbered from S.160/4bis
160/5  | A159/5  |

Orage
| pf  | C minor  | 1848–55  | Piano, original  |
160/6  | A159/6  |

Vallée d'Obermann
| pf  | E minor  | 1848–55  | Piano, original  | 2nd version of S.156/5; arr. for vn vc pf by Eduard Lassen and Liszt as S.378a, S.378b, S.378c
160/7  | A159/7  |

Eglogue
| pf  | A♭ major  | 1848–55  | Piano, original  |
160/8  | A159/8  |

Le mal du pays (Heimweh)
| pf  | E minor  | 1848–54  | Piano, original  |
160/9  | A159/9  |

Les cloches de Genève
| pf  | B major  | 1848–55  | Piano, original  | 2nd version of S.156/4
161  | A55  | Années de pèlerinage II
(Deuxième année: Italie)  | pf  |  | 1846–49  | Piano, original  | for supplement see S.162
161/1  | A55/1  |

Sposalizio
| pf  | E major  | 1849  | Piano, original  | 2nd version of S.157a; rev. for vv org/harm as S.60
161/2  | A55/2  |

Il penseroso
| pf  | C♯ minor  | 1846–49  | Piano, original  | 2nd version of S.157b
161/3  | A55/3  |

Canzonetta del Salvator Rosa
| pf  | A major  | 1846  | Piano, original  | 2nd version of S.157c
161/4  | A55/4  |

Sonetto 47 del Petrarca
| pf  | D♭ major  | 1846  | Piano, original  | 2nd version of S.158/2
161/5  | A55/5  |

Sonetto 104 del Petrarca
| pf  | E major  | 1846  | Piano, original  | 2nd version of S.158/1
161/6  | A55/6  |

Sonetto 123 del Petrarca
| pf  | A♭ major  | 1846  | Piano, original  | 2nd version of S.158/3
161/7  | A55/7  |

Après une lecture du Dante (Fantasia quasi Sonata).
| pf  |  | 1849  | Piano, original  | 4th version of S.158a, S.158b, S.158c
162  | A197  | Années de pèlerinage II, Supplément
(Supplément: Venezia e Napoli)  | pf  |  | 1859  | Piano, original  | 2nd version of S.159
162/1  | A197/1  |

Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta")
| pf  |  | 1859  | Piano, original  | 2nd version of S.159/3; based on La biondina in gondoletta by Giovanni Battista Peruchini
162/2  | A197/2  |

Canzone ('Nessun maggior dolore")
| pf  | E♭ minor  | 1859  | Piano, original  | based on the theme of the Gondolier's song from Act III of Otello by Gioachino Rossini
162/3  | A197/3  |

Tarantella da Guillaume Louis Cottrau
| pf  | G minor  | 1859  | Piano, original  | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau
162a/1  | A283/1  | Den Schutz-Engeln (Angelus! Prière à l'ange gardien)  | pf  |  | 1877  | Piano, original  | 1st version of S.162a/1a, S.162a/2, S.162a/3, S.162a/4, S.163/1
162a/1a  | A283/1  | Aux anges gardiens (Den Schutz-Engeln)  | pf  |  | 1877  | Piano, original  | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1; renumbered from S.162a/1bis
162a/2  | A283/1  | Den Schutz-Engeln (Angelus! Prière à l'ange gardien)  | pf  |  | 1880  | Piano, original  | 3rd version of S.162a/1, S.162a/1a, S.162a/3, S.162a/4, S.163/1
162a/3  | A283/1  | Den Schutz-Engeln (Angelus! Prière à l'ange gardien)  | pf  |  | 1880  | Piano, original  | 4th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/4, S.163/1
162a/4  | A283/1  | Den Schutz-Engeln (Angelus! Prière à l'ange gardien)  | pf  |  | 1880  | Piano, original  | 5th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/3, S.163/1
162b  | A283/3  | Den Cypressen der Villa d'Este  | pf  |  | 1872  | Piano, original  | 1st version of S.163/3
162c  | A283/5  | Sunt lacrymae rerum  | pf  |  | 1877  | Piano, original  | 1st version of S.163/5, S.162d
162e  | A283/6  | En mémoire de Maximilian I  | pf  |  | 1867  | Piano, original  | 1st version of S.163/6
162d  | A283/5  | Sunt lacrymae rerum (in ungarischer Weise)  | pf  |  | 1877  | Piano, original  | 2nd version of S.162c, S.163/5
162f  | A283/7  | Postludium (Sursum Corda)  | pf  |  | 1877  | Piano, original  | 1st version of S.163/7
163  | A283  | Années de pèlerinage III
(Troisième année)  | pf  |  | 1877–82  | Piano, original  |
163/1  | A283/1  |

Angelus! Prière aux anges gardiens
| pf  | E major  | 1882  | Piano, original  | 6th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a
163/2  | A283/2  |

Aux cyprès de la Villa d'Este (Thrénodie I)
| pf  |  | 1877  | Piano, original  |
163/3  | A283/3  |

Aux cyprès de la Villa d'Este (Thrénodie II)
| pf  | E minor  | 1877  | Piano, original  | 2nd version of S.162b
163/4  | A283/4  |

Les jeux d'eaux à la Ville d'Este
| pf  | F♯ major  | 1877  | Piano, original  |
163/5  | A283/5  |

Sunt lacrymae rerum, en mode hongrois
| pf  |  | 1882  | Piano, original  | 3rd version of S.162c, S.162d
163/6  | A283/6  |

Marche funèbre
| pf  |  | 1867  | Piano, original  | 2nd version of S.162e
163/7  | A283/7  |

Sursum corda (Erhebet eure Herzen)
| pf  | E major  | 1877  | Piano, original  | 2nd version of S.162f
163a/1  | —  | Album Leaf (Allegro vivace quasi presto)  | pf  | F♯ minor  | 1828  | Piano, original  |
163a/2  | —  | Andantino ("pour Emile et Charlotte Loudon")  | pf  | E♭ major  | 1828  | Piano, original  |
163b  | —  | Album Leaf ("Ah! vous dirai-je, Maman")  | pf  | A♭ major  | 1833  | Piano, original  |
163c  | —  | Album Leaf ("Pressburg")  | pf  | C minor  | 1839  | Piano, original  |
163d  | —  | Album Leaf ("Leipzig")  | pf  | E major  | 1840  | Piano, original  | exists in two versions
163e  | —  | Album Leaf ("Quasi mazurek in C major")  | pf  | C major  | 1843  | Piano, original  |
164  | A66  | Albumblatt ("Feuille d'album" No.1)  | pf  | E major  | 1840  | Piano, original  | based on S.210
164a  | —  | Album Leaf ("Vienna")  | pf  | E major  | 1840  | Piano, original  |
164b  | —  | Album Leaf ("Leipzig")  | pf  | E♭ major  | 1840  | Piano, original  |
164c  | —  | Album Leaf ("Exeter Preludio")  | pf  |  | 1840  | Piano, original  |
164d  | —  | Album Leaf ("Detmold)  | pf  | E major  | 1841  | Piano, original  |
164e  | —  | Three Album Leaves ("Magyar")  | pf  |  | 1840–41  | Piano, original  |
164e/1  | —  | Album Leaf ("Magyar")  | pf  | B♭ minor  | 1840  | Piano, original  | 1st version of S.164e/2; themes re-used in S.242/11
164e/2  | —  | Album Leaf ("Magyar")  | pf  | B♭ minor  | 1840  | Piano, original  | 2nd version of S.164e/1; themes re-used in S.242/11
164e/3  | —  | Album Leaf ("Magyar")  | pf  | D♭ major  | 1841  | Piano, original  |
164f  | —  | Album Leaf ("Rákóczi-Marsch")  | pf  | A minor  | 1841  | Piano, original  | 2nd version of S.242a (based on)
164g  | —  | Album Leaf ("Berlin Preludio")  | pf  | C major  | 1842  | Piano, original  |
164h  | —  | Album Leaf  | pf  | D major  | 1840–45?  | Piano, original  |
164j  | —  | Album Leaf ("Preludio")  | pf  |  | 1842  | Piano, original  |
164k  | —  | Album Leaf ("Moderato in D♭ major")  | pf  | D♭ major  | 1842  | Piano, original  |
164l  | —  | Album Leaf ("Adagio — religioso in C major")  | pf  | C major  | 1825  | Piano, original  |
165  | A104  | Feuilles d'album | pf  | A♭ major  | 1844  | Piano, original  |
166  | A83  | Albumblatt in Walzerform  | pf  | A major  | 1842  | Piano, original  |
166a  | —  | Album Leaf  | pf  | E major  | 1843  | Piano, original  | cataloguing mistake?; maybe 1st version of 166a (below)
166a  | —  | Album Leaf  | pf  | A major  | 1870  | Piano, original  | cataloguing mistake?; maybe 2nd version of 166a (above)
166b  | —  | Album Leaf ("Portugal")  | pf  | A♭ major  | 1845  | Piano, original  |
166c  | —  | Album Leaf  | pf  | A♭ major  | 1845  | Piano, original  |
166d  | —  | Album Leaf ("Lyon Prélude")  | pf  |  | 1844  | Piano, original  |
166e  | —  | Album Leaf ("Prélude omnitonique")  | pf  |  | 1844  | Piano, original  |
166f  | —  | Album Leaf ("Braunschweig Preludio")  | pf  | F♯ major?  | 1844  | Piano, original  |
166g  | —  | Album Leaf ("Serenade")  | pf  | A minor  | 1840  | Piano, original  |
166h  | —  | Album Leaf ("Andante religioso in G major")  | pf  | G major  | 1846  | Piano, original  | 1st version of S.166j
166j  | —  | Album Leaf ("Andante religiosamente in G major")  | pf  | G major  | 1846  | Piano, original  | 2nd version of S.166h
166k  | —  | Album Leaf ("Friska")  | pf  | A major  | 1845–49?  | Piano, original  |
166l/1  | R3  | Album Leaf  | pf  | A♭ major  | 1840s  | Piano, original  |
166l/2  | —  | Album Leaf  | pf  | G minor  | 1840s?  | Piano, original  |
166m  | A135  | Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein)  | pf  |  | 1847  | Piano, original  |
166m/1  | A135/1  |

Lilie (Andantino)
| pf  | C major  | 1847  | Piano, original  |
166m/2  | A135/2  |

Hryc
| pf  |  | 1847  | Piano, original  |
166m/3  | A135/3  |

Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth)
| pf  | A major  | 1847  | Piano, original  |
166m/4  | A135/4  |

Krakowiak
| pf  | F major  | 1847  | Piano, original  |
166n  | A134  | Album Leaf ("Freudvoll und leidvoll")  | pf  |  | 1847  | Piano, original  | partial arr. of S.280
166o  | —  | Album Leaf ("Langsam in C♯ minor")  | pf  | C♯ minor  | 1876  | Piano, original  | uses themes from S.139/11
166p  | —  | Album Leaf ("Andantino in A♭ major")  | pf  | A♭ major  | 1847  | Piano, original  |
166q  | —  | Album Leaf  | pf  | G major  | 1847  | Piano, original  |
166r  | —  | Two Album Leaves ("Purgatorio")  | pf  |  | 1857?  | Piano, original  |
166r/1  | —  | Album Leaf ("Purgatorio")  | pf  | B minor  | 1857  | Piano, original  |
166r/2  | —  | Album Leaf ("Aus dem Purgatorio des Dante-Sinfonie")  | pf  | B minor  | 1857?  | Piano, original  |
166s  | —  | Album Leaf  | pf  | A major  | 1870  | Piano, original  |
167#  | —  | Feuille d'album No.2 |  |  |  | Piano, original  | see S.534/2a
167a#  | —  | Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice |  |  |  | Piano, original  | see S.571a
167b  | A75  | Miniatur Lieder  | pf  |  | 1840–49  | Piano, original  | unpublished; score inaccessible (in private collection?)
167c  | —  | Album Leaf (Poco adagio)  | pf  |  | 1860?  | Piano, original  | from the Agnus Dei of Beethoven's Missa Solemnis
167d  | —  | Album Leaf  | pf  |  | 1860  | Piano, original  | from S.98
167e  | —  | Album Leaf  | pf  |  | 1861  | Piano, original  | from S.106
167f  | —  | Album Leaf ("Dante Symphony progression")  | pf  | G major  | 1860?  | Piano, original  | based on material from S.109
167g  | —  | Album Leaf ("Vivace ma non troppo in D♭ major")  | pf  | D♭ major  | 1835  | Piano, original  |
167h  | —  | Album Leaf  | pf  |  | 1860–69?  | Piano, original  |
167j  | —  | Album Leaf ("Fugue chromatique – Allegro in G minor")  | pf  | G minor  | 1844  | Piano, original  |
167k  | —  | Album Leaf  | pf  | E♭ major  | 1840  | Piano, original  | based on S.219 and S.219a
167l  | —  | Album Leaf ("Agitato in G major")  | pf  | G major  | 1849  | Piano, original  | based on S.576b, S.577/1, S.577/1a, and S.577/2
167m  | —  | Album Leaf ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke")  | pf  |  | 1859 or later  | Piano, original  | possible intended for S.216, S.216b, S.514, or S.515?
167n  | —  | Album Leaf ("Allegretto in A major")  | pf  | A major  | 1842  | Piano, original  |
167o  | —  | Album Leaf ("Tempo di marcia in E♭ major")  | pf  | E♭ major  | 1845  | Piano, original  | themes re-used in S.227
167p  | —  | Album Leaf ("Larghetto in D♭ major")  | pf  | D♭ major  | 1883  | Piano, original  | on a Henselt Concerto
167q  | —  | Album Leaf ("Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major")  | pf  | D♭ major  | 1883  | Piano, original  |
167r  | —  | Album Leaf ("Andante in E♭ major")  | pf  | E♭ major  | 1850s  | Piano, original  |
167s  | —  | Album Leaf ("Lyon")  | pf  | C major  | 1839  | Piano, original  |
167t  | —  | Album Leaf  | pf  | E major  | 1853  | Piano, original  | based on S.173/10
168/1  | A94  | Élégie sur des motifs du Prince Louis Ferdinand de Prusse  | pf  | A♭ major  | 1842–43  | Piano, original  | 1st version of S.168/2
168/2  | A94  | Élégie sur des motifs du Prince Louis Ferdinand de Prusse  | pf  | A♭ major  | 1851  | Piano, original  | 2nd version of S.168/1
168a  | A145  | Andante amoroso  | pf  |  | 1847?  | Piano, original  | from S.395?
168b  | —  | Pensées (Nocturne)  | pf  | A major  | 1845  | Piano, original  |
169  | A148  | Romance "O pourquoi donc"  | pf  | E minor  | 1848  | Piano, original  | based on S.301a; rev. as S.527
170  | A117  | Ballade No.1 (Le chant du croisé)  | pf  | D♭ major  | 1848–49  | Piano, original  | 2nd version of S.171d/4
170a  | A181  | Ballade No.2 | pf  | B minor  | 1853  | Piano, original  | 1st version of S.171
171  | A181  | Ballade No.2 | pf  | B minor  | 1853  | Piano, original  | 2nd version of S.170a
171a  | A111a/1  | Consolations:  | pf  |  | 1844–48  | Piano, original  | 1st version of S.172
171a/1  | A111a/1  |

(Andante con moto)
| pf  | E major  | 1844–48  | Piano, original  | 1st version of S.172/1
171a/2  | A111a/2  |

(Un poco più mosso)
| pf  | E major  | 1844–48  | Piano, original  | 1st version of S.172/2
171a/3  | A111a/3  |

(Lento, quasi recitativo)
| pf  | E major  | 1844–48  | Piano, original  | 1st version of S.172/3; theme re-used in S.243b
171a/4  | A111a/4  |

(Quasi adagio; cantabile con devozione)
| pf  | D♭ major  | 1844–48  | Piano, original  | 1st version of S.172/4
171a/5  | A111a/5  |

(Andantino)
| pf  | E major  | 1844–48  | Piano, original  | 1st version of S.172/5
171a/6  | A111a/6  |

(Allegretto)
| pf  | E major  | 1844–48  | Piano, original  | 1st version of S.172/6
171b  | —  | Album Leaf (Consolation No.1)  | pf  |  | 1849–50  | Piano, original  | originally intended for S.172
171c  | —  | Prière d'un enfant à son réveil  | pf  |  | 1840  | Piano, original  | 1st version of S.172a/7, S.173/6; theme used in S.19/1
171d  | —  | Préludes et Harmonies poétiques et religieuses (8):  | pf  |  | 1845–47  | Piano, original  |
171d/1  | —  |

[untitled]
| pf  | E♭ major  | 1845–47  | Piano, original  | 1st version of S.172a/11 and S.173/3
171d/2  | —  |

Languer
| pf  | C minor  | 1845–47  | Piano, original  |
171d/3  | —  |

[untitled]
| pf  | E major  | 1845–47  | Piano, original  |
171d/4  | —  |

Dernière illusion
| pf  | D♭ major  | 1845–47  | Piano, original  | incomplete; 1st version of S.170
171d/5  | —  |

[untitled]
| pf  | G♭ major  | 1845–47  | Piano, original  |
171d/6  | —  |

Attente
| pf  | A major  | 1845–47  | Piano, original  | incomplete
171d/7  | —  |

Alternative
| pf  | E major  | 1845–47  | Piano, original  |
171d/8  | —  |

M.K.
| pf  | D♭ major  | 1845–47  | Piano, original  | incomplete
171e  | A61/4  | Litanies de Marie  | pf  | E major  | 1846–47  | Piano, original  | formerly S.695a; 1st version of S.172a/4
172  | A111b  | Consolations (Pensées poétiques) (6):  | pf  |  | 1849–50  | Piano, original  | 2nd version of S.171a
172/1  | A111b/1  |

(Andante con moto)
| pf  | E major  | 1849–50  | Piano, original  | 2nd version of S.171a/1; arr. for vc pf by Liszt and Jules Deswert as S.382a/1
172/2  | A111b/2  |

(Un poco più mosso)
| pf  | E major  | 1849–50  | Piano, original  | 2nd version of S.171a/2
172/3  | A111b/3  |

(Lento placido)
| pf  | D♭ major  | 1849–50  | Piano, original  | 2nd version of S.171a/3; arr. for org/harm as S.672d/1
172/4  | A111b/4  |

(Quasi Adagio)
| pf  | D♭ major  | 1849–50  | Piano, original  | 2nd version of S.171a/4; arr. for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/2; arr. for vc pf/org/harm by Liszt and Deswert as S.382a/2
172/5  | A111b/5  |

(Andantino)
| pf  | E major  | 1849–50  | Piano, original  | 2nd version of S.171a/5; arr. for org/harm by Liszt and Gottschalg as S.672d/3
172/6  | A111b/6  |

(Allegretto sempre cantabile)
| pf  | E major  | 1849–50  | Piano, original  | 2nd version of S.171a/6; arr. for org/harm as S.672d/4
172a  | A61  | Harmonies poétiques et religieuses (12):  | pf  |  | 1840–47  | Piano, original  | 1st version of S.173
172a/1  | A61/1  |

Elevez-vous voix
| pf  | E major  | 1840–47  | Piano, original  | 1st version of S.172c, S.173/1
172a/2  | A61/2  |

Hymne de la nuit
| pf  | E major  | 1840–47  | Piano, original  | 1st version of S.173a/1
172a/3  | A61/3  |

Hymne du matin
| pf  | B major  | 1840–47  | Piano, original  | 1st version of S.173a/2
172a/4  | A61/4  |

Litanies de Marie
| pf  | E major  | 1840–47  | Piano, original  | 2nd version of S.171e
172a/5  | A61/5  |

Miserere
| pf  | E minor  | 1840–47  | Piano, original  | 1st version of S.173/8
172a/6  | A61/6  |

Pater noster (d'après la Psalmodie de l'Eglise)
| pf  | C major  | 1840–47  | Piano, original  | 1st version of S.173/5; adapted for mch as S.21
172a/7  | A61/7  |

Hymne de l'enfant à son réveil
| pf  | A♭ major  | 1840–47  | Piano, original  | 2nd version of S.171c, S.173/6
172a/8  | A61/8  |

Prose des morts (De profundis)
| pf  |  | 1840–47  | Piano, original  | 2nd version of S.154, S.173/4
172a/9  | A61/9  |

La lampe du temple
| pf  | G minor  | 1840–47  | Piano, original  | 1st version of S.173/9
172a/10  | A61/10  |

[Hymn]
| pf  | E♭ major  | 1840–47  | Piano, original  |
172a/11  | A61/11  |

Benediction (Prelude)
| pf  | E♭ major  | 1840–47  | Piano, original  | 2nd version of S.171d/1 and S.173/3
172a/12  | A61/12  |

Ave Maria
| pf  |  | 1840–47  | Piano, original  | 1st version of S.173/2; now lost
172b  | A142  | Stabat Mater  | pf  |  | 1847  | Piano, original  | formerly S.579/3
172c  | A61/1  | Invocation  | pf  | E major  | 1847  | Piano, original  | 2nd version of S.172a/1, S.173/1
173  | A158  | Harmonies poétiques et religieuses (10):  | pf  |  | 1848–53  | Piano, original  | 2nd version of S.172a
173/1  | A158/1  |

Invocation
| pf  | E major  | 1848–51  | Piano, original  | 3rd version of S.172a/1, S.172c
173/2  | A158/2  |

Ave Maria
| pf  | B♭ major  | 1842  | Piano, original  | 2nd version of S.172a/12
173/3  | A158/3  |

Bénédiction de Dieu dans la solitude
| pf  | F♯ major  | 1851  | Piano, original  | 3rd version of S.171d/1 and S.172a/11
173/4  | A158/4  |

Pensée des morts
| pf  |  | 1851  | Piano, original  | 3rd version of S.154, S.172a/8
173/5  | A158/5  |

Pater noster
| pf  | C major  | 1847  | Piano, original  | 2nd version of S.172a/6
173/6  | A158/6  |

Hymne de l'enfant á son réveil
| pf  | A♭ major  | 1847  | Piano, original  | 2nd version of S.171c, S.172a/7
173/7  | A158/7  |

Funérailles
| pf  | F minor  | 1849  | Piano, original  | 2nd version of S.226a
173/8  | A158/8  |

Miserere d'après Palestrina
| pf  | E minor  | 1851  | Piano, original  | 2nd version of S.172a/5
173/9  | A158/9  |

Andante lagrimoso
| pf  | G♯ minor  | 1851  | Piano, original  | 2nd version of S.172a/9
173/10  | A158/10  |

Cantique d'amour
| pf  | E major  | 1847  | Piano, original  |
173a  | —  | 2 Hymnes:  | pf  |  | 1847  | Piano, original  |
173a/1  | A61/2  |

Hymne de la nuit
| pf  | E major  | 1847  | Piano, original  | 2nd version of S.172a/2
173a/2  | A61/3  |

Hymne du matin
| pf  | B major  | 1847  | Piano, original  | 2nd version of S.172a/3
174  | A186  | Berceuse  | pf  | D♭ major  | 1854, 1862  | Piano, original  | 2 versions
175  | A219  | Légendes (2):  | pf  |  | 1863  | Piano, original  |
175/1  | A219/1  |

St François d'Assise: la prédication aux oiseaux
| pf  | A major  | 1862–63  | Piano, original  | version for orch as S.113a/1
175/2  | A219/2  |

St François de Paule: marchant sur les flots
| pf  | E major  | 1862–63  | Piano, original  | simplified version as S.175/2a; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)  as S.28
175/2a  | A219/2  |

St François de Paule, marchant sur les flots
| pf  | E major?  | 1863  | Piano, original  | simplified version of S.175/2; renumbered from S.175/2bis
175a  | A167  | Grand Solo de concert | pf  | E minor?  | 1849  | Piano, original  | unpublished; rev. as S.176
176  | A167  | Grosses Konzertsolo | pf  | E minor  | 1849–50  | Piano, original  | based on S.175a; rev. for 2pf as S.258/1, sketches for pf orch as S.365
176a  | —  | Wilde Jagd – Scherzo  | pf  | D minor/B♭ major  | 1851  | Piano, original  | 1st version of S.177
177  | A174  | Scherzo und Marsch  | pf  | D minor and B♭ major  | 1851  | Piano, original  | 2nd version of S.176a
178  | A179  | Piano Sonata | pf  | B minor  | 1852–53  | Piano, original  |
179  | A198  | Weinen, Klagen, Sorgen, Zagen  | pf  | F minor  | 1859  | Piano, original  | prelude based on a theme from the Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; not related to S.180
180  | A214  | Variationen über das Motiv von Bach  | pf  | F minor  | 1862  | Piano, original  | prelude based on themes from the Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; not related to S.179; arr. for org as S.673
181  | A290  | Sarabande und Chaconne aus dem Singspiel Almira | pf  | G minor  | 1879  | Piano, original  | after extracts from the Singspiel Almira by George Frideric Handel
182  | A215  | Ave Maria (Die Glocken von Rom)  | pf  | E major  | 1862  | Piano, original  | also known as Ave Maria für die große Klavierschule von Lebert und Stark
182a  | —  | Magnificat  | pf  | F major  | 1862  | Piano, original  | unpublished; 1st version of S.183/1
183/1  | A216/1  | Alleluja  | pf  | F major  | 1862  | Piano, original  | 2nd version of S.182a
183/2  | A216/2  | Ave Maria d'Arcadelt  | pf  | F major  | 1862  | Piano, original  | based on Dietsch's adaptation of a madrigal by Arcadelt
184  | A229  | Urbi et Orbi (Bénédiction papale)  | pf  | C♯ minor  | 1864  | Piano, original  |
185  | A226  | Vexilla regis prodeunt (Kreuzes Hymne)  | pf  |  | 1864  | Piano, original  | arr. for orch as S.355
185a  | A267  | Weihnachtsbaum | pf  |  | 1873–74  | Piano, original  | 1st version ("Paris manuscripts") of S.186; arr. for pf4h as S.612a
185a/1  | A267/1  |

Psallite (Altes Weihnachten)
| pf  | F major  | 1873–74  | Piano, original  | 1st version of S.186/1; arr. for pf4h as S.612a/1
185a/2  | A267/2  |

O heilige Nacht!
| pf  | D minor  | 1873–74  | Piano, original  | 1st version of S.186/2; arr. for pf4h as S.612a/2
185a/3  | A267/3  |

Die Hirten an der Krippe ("In dulci jubilo")
| pf  | D♭ major  | 1873–74  | Piano, original  | 1st version of S.186/3; arr. for pf4h as S.612a/3
185a/4  | A267/4  |

Adeste fideles (gleichsam als Marsch der heiligen drei Könige)
| pf  | A major  | 1873–74  | Piano, original  | 1st version of S.186/4; arr. for pf4h as S.612a/4
185a/5  | A267/5  |

Scherzoso
| pf  | F major  | 1873–74  | Piano, original  | 1st version of S.186/5; arr. for pf4h as S.612a/5
185a/6  | A267/6  |

Réveille-Matin (Wecker)
| pf  |  | 1873–74  | Piano, original  | 1st version of S.186/6; arr. for pf4h as S.612a/6
185a/7  | A267/7  |

Schlummerlied
| pf  | F♯ major  | 1873–74  | Piano, original  | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7
185a/8  | A267/8  |

(Alt-provenzalisches Noel)
| pf  | B minor  | 1873–74  | Piano, original  | 1st version of S.186/8; arr. for pf4h as S.612a/8
185a/9  | A267/9  |

(Abendglocken)
| pf  |  | 1873–74  | Piano, original  | 1st version of S.186/9; arr. for pf4h as S.612a/9
185a/10  | A267/10  |

(Ehemals)
| pf  | F minor  | 1873–74  | Piano, original  | 1st version of S.186/10; arr. for pf4h as S.612a/10
185a/11  | A267/11  |

Ungarisch
| pf  | F minor  | 1873–74  | Piano, original  | 1st version of S.186/11; arr. for pf4h as S.612a/11
185a/12  | A267/12  |

Polnisch
| pf  | B♭ minor  | 1873–74  | Piano, original  | 1st version of S.186/12; arr. for pf4h as S.612a/12
186  | A267  | Weihnachtsbaum | pf  |  | 1874–76  | Piano, original  | 2nd version of S.185a; arr. for pf4h as S.613
186/1  | A267/1  |

Altes Weihnachtslied (Psalite)
| pf  | F major  | 1874–76  | Piano, original  | 2nd version of S.185a/1; arr. for pf4h as S.613/1
186/2  | A267/2  |

O heilige Nacht!
| pf  | D minor  | 1874–76  | Piano, original  | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49
186/3  | A267/3  |

Die Hirten an der Krippe ("In dulce jubilo")
| pf  | D♭ major  | 1874–76  | Piano, original  | 2nd version of S.185a/3; arr. for pf4h as S.613/3
186/4  | A267/4  |

Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)
| pf  | A major  | 1874–76  | Piano, original  | 2nd version of S.185a/4; arr. for pf4h as S.613/4
186/5  | A267/5  |

Scherzoso (Man zündet die Kerzen des Baumes an)
| pf  | F major  | 1874–76  | Piano, original  | 2nd version of S.185a/5; arr. for pf4h as S.613/5
186/6  | A267/6  |

Carillon
| pf  |  | 1874–76  | Piano, original  | 2nd version of S.185a/6; arr. for pf4h as S.613/6
186/7  | A267/7  |

Schlummerlied
| pf  | F♯ major  | 1874–76  | Piano, original  | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7
186/7a  | A267/7  |

Schlummerlied
| pf  | F♯ major?  | 1882  | Piano, original  | 3rd version of S.185a/7, S.186/7; version for Lachmund
186/8  | A267/8  |

Altes provenzalisches Weihnachtslied
| pf  | B minor  | 1874–76  | Piano, original  | 2nd version of S.185a/8; arr. for pf4h as S.613/8
186/9  | A267/9  |

Abendglocken
| pf  |  | 1874–76  | Piano, original  | 2nd version of S.185a/9; arr. for pf4h as S.613/9
186/10  | A267/10  |

Ehemals
| pf  | F minor  | 1874–76  | Piano, original  | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10
186/11  | A267/11  |

Ungarisch
| pf  | F minor  | 1874–76  | Piano, original  | 2nd version of S.185a/11; arr. for pf4h as S.613/11
186/12  | A267/12  |

Polnisch
| pf  | B♭ minor  | 1874–76  | Piano, original  | 2nd version of S.185a/12; arr. for pf4h as S.613/12
187  | A278  | Sancta Dorothea  | pf  | E major  | 1877  | Piano, original  |
187a  | E28  | Resignazione  | pf/org  | E major  | 1877  | Piano, original  | 1st version of S.187b
187b  | E28  | Resignazione  | pf/org  | E major  | 1881  | Piano, original  | 2nd version of S.187a
188  | A300  | In festo transfigurationis Domini nostri Jesu Christi  | pf  | C major  | 1880  | Piano, original  |
189  | A234  | Klavierstück No.1  | pf  | A♭ major  | 1866  | Piano, original  |
189a  | A116  | Klavierstück No.2  | pf  | A♭ major  | 1845  | Piano, original  | 1st version of S.189b
189b  | A116  | Klavierstück No.2  | pf  | D♭ major  | 1845 or later  | Piano, original  | 2nd version of S.189a; themes re-used in S.170 and S.171d/4
190  | A241  | La marquise de Blocqueville (Un portrait en musique)  | pf  |  | 1869  | Piano, original  | 1st movement is by Henri Herz, the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements.
191  | A256  | Impromptu  | pf  | F♯ major  | 1872  | Piano, original  |
192  | A233  | Klavierstücke (5)  | pf  |  | 1865–79  | Piano, original  |
192/1  | A233/1  |

Sehr langsam
| pf  | E major  | 1865  | Piano, original  |
192/2  | A233/2  |

Lento assai
| pf  | A♭ major  | 1865  | Piano, original  |
192/3  | A233/3  |

Sehr langsam
| pf  | F♯ major  | 1873  | Piano, original  |
192/4  | A233/4  |

Andantino
| pf  | F♯ major  | 1876  | Piano, original  |
192/5  | A233/5  |

Sospiri! (Andante)
| pf  |  | 1879  | Piano, original  |
193  | —  | Klavierstück  | pf  | F♯ major  | 1854  | Piano, original  |
194  | A249  | Mosonyis Grabgeleit (Mosonyi gyázmenete)  | pf  |  | 1870  | Piano, original  | re-used as S.205/7; arr. for 2pf as S.756(?)
195  | A279  | Dem Andenken Petöfis | pf  |  | 1877  | Piano, original  | based on S.349; arr. for pf4h as S.614; same as S.205/6
195a  | A266  | Schlummerlied im Grabe  | pf  |  | 1874  | Piano, original  | rev. as S.196
196  | A266  | Elegy No.1  | pf  |  | 1874  | Piano, original  | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c
196a  | A277  | Entwurf der Ramann-Elegie  | pf  |  | 1877  | Piano, original  | 1st version of S.197
197  | A277  | Elegy No.2  | pf  |  | 1877  | Piano, original  | 2nd version of S.196a; arr. for vc pf as S.131, and for vn pf as S.131a
197a  | A295  | Toccata  | pf  | C major  | 1879?  | Piano, original  |
197b  | A272  | Kaiser Wilhelm!  | pf  |  | 1876  | Piano, original  |
198  | A303  | Wiegenlied (Chant du berceau)  | pf  |  | 1881  | Piano, original  |
199  | A305  | Trübe Wolken (Nuages gris)  | pf  |  | 1881  | Piano, original  |
199a  | A319  | Die Trauer-Gondel (La lugubre gondola)  | pf  |  | 1882  | Piano, original  | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k
200/1  | A319a  | La lugubre gondola (Die Trauer-Gondel)  | pf  |  | 1882–83  | Piano, original  | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134a
200/2  | A319b  | La lugubre gondola (Die Trauer-Gondel)  | pf  |  | 1885  | Piano, original  | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134
201  | A320  | R.W. – Venezia  | pf  |  | 1883  | Piano, original  |
202  | A321  | Am Grabe Richard Wagners  | pf  |  | 1883  | Piano, original  | arr. of S.135
203  | A322  | Schlaflos! Frage und Antwort  | pf  |  | 1883  | Piano, original  |
204  | A280  | Receuillement  | pf  |  | 1877  | Piano, original  |
205  | A335  | Historische ungarische Bildnisse  | pf  |  | 1885  | Piano, original  | 1st version of S.205a
205/1  | A335/1  |

Stephan Széchenyi
| pf  |  | 1885  | Piano, original  | same as S.205a/1
205/2  | A335/4  |

Joseph Eötvös
| pf  |  | 1885  | Piano, original  | same as S.205a/4
205/3  | A335/5  |

Michael Vörösmarty
| pf  |  | 1885  | Piano, original  | same as S.205a/5
205/4  | A335/3  |

Ladislaus Teleki
| pf  |  | 1885  | Piano, original  | same as S.205a/3
205/5  | A335/2  |

Franz Deák
| pf  |  | 1885  | Piano, original  | same as S.205a/2
205/6  | A335/6  |

Alexander Petofi
| pf  |  | 1885  | Piano, original  | same as S.195, S.205a/6
205/7  | A335/7  |

Michael Mosonyi
| pf  |  | 1885  | Piano, original  | same as S.194; 1st version of S.205a/7
205a  | A335  | Historische ungarische Bildnisse  | pf  |  | 1885  | Piano, original  | 2nd version of S.205
205a/1  | A335/1  |

Széchenyi István
| pf  |  | 1885  | Piano, original  | same as S.205/1
205a/2  | A335/2  |

Deák Ferenc
| pf  |  | 1885  | Piano, original  | same as S.205/5
205a/3  | A335/3  |

Teleki László
| pf  |  | 1885  | Piano, original  | same as S.205/4
205a/4  | A335/4  |

Eötvös József
| pf  |  | 1885  | Piano, original  | same as S.205/2
205a/5  | A335/5  |

Vörösmarty Mihály
| pf  |  | 1885  | Piano, original  | same as S.205/3
205a/6  | A335/6  |

Petofi Sándor
| pf  |  | 1885  | Piano, original  | same as S.195, S.205/6
205a/7  | A335/7  |

Mosonyi Mihály
| pf  |  | 1885  | Piano, original  | 2nd version of S.205a/7
206  | A334  | Trauervorspiel und Trauermarsch  | pf  |  | 1885  | Piano, original  |
206/1  | A334/1  |

Preludio funebre
| pf  |  | 1885  | Piano, original  |
206/2  | A334/2  |

Marcia funebre
| pf  |  | 1885  | Piano, original  | based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi
207  | A336  | En rêve (Nocturne)  | pf  |  | 1885  | Piano, original  |
207a  | A296  | Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé)  | pf  |  | 1880  | Piano, original  | formerly listed as S.256; based on the "Chopsticks" polka by Alexander Borodin from the album Paraphrases
208  | A312  | Unstern (Sinistre)  | pf  |  | 1881  | Piano, original  |
208a–233b  |  |

##### Works in dance form

[edit]

208a  | A2/2  | Waltz  | pf  | A major  | 1823?  | Piano, dance form  | arr. of S.126b/2
209  | A32a  | Grande valse di bravura (Le bal de Berne)  | pf  |  | 1836  | Piano, dance form  | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615
209a  | —  | Waltz  | pf  | E♭ major  | 1840  | Piano, dance form  | uses themes from S.209
210  | A57a  | Valse mélancolique  | pf  | E major  | 1839  | Piano, dance form  | 2nd version of S.210a, S.214/2
210a  | A57a  | Valse mélancolique  | pf  | E major  | 1840?  | Piano, dance form  | 1st version of S.210, S.214/2
210b  | A28  | Waltz  | pf  | A major  | 1835?  | Piano, dance form  |
211  | A95  | Ländler  | pf  | A♭ major  | 1843  | Piano, dance form  |
211a  | A289/1  | Ländler  | pf  | D major  | 1879  | Piano, dance form  | formerly S.734
212i  | A84  | Petite valse favorite (Souvenir de St Pétersbourg)  | pf  |  | 1842  | Piano, dance form  | 1st version of S.212ii
212ii  | A84a  | Petite valse favorite (Souvenir de St Pétersbourg)  | pf  |  | 1843  | Piano, dance form  | 2nd version of S.212i
212a  | A82  | Valse pour Marie (Mariotte)  | pf  |  | 1842  | Piano, dance form  |
213  | A84c  | Valse-Impromptu | pf  |  | 1850–52  | Piano, dance form  | based on S. 212
213a  | A84c  | Valse-Impromptu | pf  |  | 1870s?  | Piano, dance form  | S. 213 with latter additions
213b  | A84c  | Valse-Impromptu | pf  |  | 1870s?  | Piano, dance form  | version facilitée
214  | —  | Caprices-Valses (3):  | pf  |  | 1850–52  | Piano, dance form  |
214/1  | A32b  |

Valse de bravoure
| pf  | B♭ major  | 1850–52  | Piano, dance form  | 2nd version of S.209
214/2  | A57b  |

Valse mélancolique
| pf  | E major  | 1850  | Piano, dance form  | 3rd version of S.210, S.210a
214/3  | A88b  |

Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti
| pf  | A major  | 1850–52  | Piano, dance form  | 2nd version of S.401; using themes from Parisina and Lucia di Lammermoor by Gaetano Donizetti
214a  | A271  | Carrousel de Madame Pelet-Narbonne  | pf  |  | 1879?  | Piano, dance form  |
215  | A311  | Valses oubliées (4):  | pf  |  | 1881–84  | Piano, dance form  |
215/1  | A311/1  |

Valse oubliée No.1
| pf  | F♯ major  | 1881  | Piano, dance form  |
215/2  | A311/2  |

Valse oubliée No.2
| pf  | A♭ major  | 1883  | Piano, dance form  |
215/3  | A311/3  |

Valse oubliée No.3
| pf  |  | 1883  | Piano, dance form  | 1st version of S.215/3a
215/3a  | A311/3  |

Valse oubliée No.3
| pf  |  | 1883?  | Piano, dance form  | 2nd version of S.215/3
215/4  | A311/4  |

Valse oubliée No.4
| pf  |  | 1884  | Piano, dance form  |
215a  | A325  | Mephisto Waltz No.3 | pf  |  | 1883  | Piano, dance form  | 1st version of S.216
216  | A325  | Mephisto Waltz No.3 | pf  |  | 1883  | Piano, dance form  | 2nd version of S.215a; arr. for pf4h as S.615a
216a  | A338  | Bagatelle sans tonalité | pf  |  | 1885  | Piano, dance form  | manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696
216b  | A337  | Mephisto Waltz No.4 | pf  |  | 1885  | Piano, dance form  | 1st (complete) version of S.696
217  | A317  | Mephisto Polka | pf  |  | 1882–83  | Piano, dance form  | exists in two versions
218  | A119  | Galop  | pf  | A minor  | 1846  | Piano, dance form  |
219  | A43  | Grand galop chromatique | pf  | E♭ major  | 1838  | Piano, dance form  | 1st version of S.219a; arr. for pf4h as S.616
219a  | A43  | Grand galop chromatique | pf  | E major  | 1840?  | Piano, dance form  | 2nd (simplified) version of S.219; Probably the piano reduction of Furioso-Galopp, Op. 114 by Johann Strauss the Elder, published as Liszt's arrangement; renumbered from S.219bis
220  | A64  | Galop de bal  | pf  |  | 1840  | Piano, dance form  |
221  | A168  | Mazurka brillante  | pf  |  | 1850  | Piano, dance form  |
221a#  | A221  | Mazurka | pf  | F minor  |  | Piano, dance form  | now believed to be spurious
222#  | —  | Petite valse favorite | pf  |  |  | Piano, dance form  | renumbered as S.212a
223  | A171  | Polonaises (2):  | pf  |  | 1850–51  | Piano, dance form  |
223/1  | A171/1  |

Polonaise mélancolique
| pf  | C minor  | 1850–51  | Piano, dance form  |
223/2  | A171/2  |

Polonaise
| pf  | E major  | 1850–51  | Piano, dance form  |
224  | A313  | Csárdás macabre | pf  |  | 1881–82  | Piano, dance form  | arr. for pf4h as S.617
225  | A333  | Csárdás (2):  | pf  |  | 1884  | Piano, dance form  |
225/1  | A333/1  |

Csárdás
| pf  |  | 1884  | Piano, dance form  |
225/2  | A333/2  |

Csárdás obstinée (Hartnäckiger Csardas)
| pf  |  | 1884  | Piano, dance form  | possibly arr. for pf4h as S.618
226  | A188  | Festvorspiel (Preludio pomposo)  | pf  |  | 1856  | Piano, dance form  | arr. for orch as S.356
226a  | A10  | Marche funèbre  | pf  | G minor  | 1827  | Piano, dance form  | formerly S.745
227  | A164a  | Festmarsch zur Säcularfeier von Goethes Geburtstag  | pf  | E♭ major  | 1849  | Piano, dance form  | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521
227a  | A182  | Festmarsch  | pf  | C major  | 1853  | Piano, dance form  | 1st version of S.228; arr. for orch by Liszt and Joachim Raff as S.357/1
228  | A182  | Huldigungsmarsch  | pf  | C major  | 1857  | Piano, dance form  | 2nd version of S.227a; arr. for orch as S.357/2
229  | A184  | Vom Fels zum Meer! (Deutscher Siegesmarsch)  | pf  | E♭ major  | 1853–56  | Piano, dance form  | arr. for pf4h as S.618a; for orch as S.368
229a  | —  | Ungarischer Marsch  | pf  | B♭ major  | 1859  | Piano, dance form  | unpublished
230  | A326  | Bülow-Marsch  | pf  |  | 1883  | Piano, dance form  | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b
230a  | A274  | Festpolonaise  | pf  |  | 1876  | Piano, dance form  | formerly S.528; arr. for pf4h as S.619a
231  | A65  | Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois)  | pf  | A minor  | 1840  | Piano, dance form  | partly based on S.103
232  | A112/1  | Seconde marche hongroise (Ungarischer Sturmmarsch)  | pf  |  | 1842  | Piano, dance form  | 1st version of S.119
233  | A252  | Ungarischer Geschwindmarsch (Magyar Gyors induló)  | pf  |  | 1870–71  | Piano, dance form  | possibly 1st version of S.460
233a  | A332  | Siegesmarsch (Marche triomphale)  | pf  | E♭ major  | 1884  | Piano, dance form  |
233b  | A105  | Marche hongroise  | pf  | E♭ minor  | 1844  | Piano, dance form  |
233c–254  |  |

##### Works on national themes

[edit]

233c–234  |  |

###### Austrian

[edit]

233c#  | —  | Tyrolean Melody | pf  |  |  | Piano, national theme  | deleted; see S.385a
234  | A67  | Hussitenlied (Aus dem 15. Jahrhundert)  | pf  |  | 1840  | Piano, national theme  | based on the song Těšme se blahou nadějć by Josef Theodor Krov; arr. for pf4h as S.620
235  |  |

###### English

[edit]

235  | A76  | God Save the Queen (Paraphrase de concert)  | pf  |  | 1841–49  | Piano, national theme  | based on the British national anthem; rev. as S.694
236–239  |  |

###### French

[edit]

236/1  | A106  | Faribolo Pasteur (Chanson tirée du poème de Françonetto de Jacques Jasmin)  | pf  |  | 1844  | Piano, national theme  |
236/2  | A107  | Chanson du Béarn (Pastorale)  | pf  |  | 1844  | Piano, national theme  | based on a song by René de Galard de Béarn, Marquis de Brassac
237  | A236  | La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle)  | pf  |  | 1866–72  | Piano, national theme  | after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle
238  | A169  | La cloche sonne  | pf  | C minor  | 1850?  | Piano, national theme  | based on an old French song
239  | A262  | Vive Henri IV  | pf  |  | 1879–80  | Piano, national theme  | based on the French anthem Marche de Henri IV
240  |  |

###### German

[edit]

240  | A96  | Gaudeamus igitur (Chanson des étudiants)  | pf  |  | 1843  | Piano, national theme  | exists in two versions; based on a traditional student song
241–246  |  |

###### Hungarian

[edit]

241  | A11  | Zum Andenken (Ungarische Werbungstänze) (2):  | pf  |  | 1828  | Piano, national theme  | Hungarian recruiting songs
241/1  | A11/1  |

Kinizsi notája
| pf  |  | 1828  | Piano, national theme  | based on a dance by László Fáy
241/2  | A11/2  |

Lassú magyar
| pf  |  | 1828  | Piano, national theme  | based on a dance by János Bihari
241a  | A180  | Ungarischer Romanzero (Hungarian Romances) (18):  | pf  |  | 1853  | Piano, national theme  | based on popular Hungarian themes, by Liszt and Eduard Remenyi
241a/1  | A180/1  |

Ungarischer Romanzero No.1
| pf  | F minor  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/2  | A180/2  |

Ungarischer Romanzero No.2
| pf  | A minor  | 1853  | Piano, national theme  |
241a/3  | A180/3  |

Ungarischer Romanzero No.3
| pf  | A minor  | 1853  | Piano, national theme  |
241a/4  | A180/4  |

Ungarischer Romanzero No.4
| pf  | A minor  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/5  | A180/5  |

Ungarischer Romanzero No.5
| pf  | D minor  | 1853  | Piano, national theme  |
241a/6  | A180/6  |

Ungarischer Romanzero No.6
| pf  | A major  | 1853  | Piano, national theme  |
241a/7  | A180/7  |

Ungarischer Romanzero No.7
| pf  | A major  | 1853  | Piano, national theme  |
241a/8  | A180/8  |

Ungarischer Romanzero No.8
| pf  | D minor  | 1853  | Piano, national theme  |
241a/9  | A180/9  |

Ungarischer Romanzero No.9
| pf  | A major  | 1853  | Piano, national theme  |
241a/10  | A180/10  |

Ungarischer Romanzero No.10
| pf  | G minor  | 1853  | Piano, national theme  |
241a/11  | A180/11  |

Ungarischer Romanzero No.11
| pf  | F major  | 1853  | Piano, national theme  |
241a/12  | A180/12  |

Ungarischer Romanzero No.12
| pf  | C major  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/13  | A180/13  |

Ungarischer Romanzero No.13
| pf  | F♯ minor  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/14  | A180/14  |

Ungarischer Romanzero No.14
| pf  | D major  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/15  | A180/15  |

Ungarischer Romanzero No.15
| pf  | D major  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/16  | A180/16  |

Ungarischer Romanzero No.16
| pf  | C major  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/17  | A180/17  |

Ungarischer Romanzero No.17
| pf  | A major  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241a/18  | A180/18  |

Ungarischer Romanzero No.18
| pf  | A major  | 1853  | Piano, national theme  | composed by Eduard Remenyi
241b  | —  | Magyar Tempo  | pf  |  | 1840  | Piano, national theme  | sketches only
242  | A60a  | Magyar dalok (Ungarische Nationalmelodien)  | pf  |  | 1839–40  | Piano, national theme  | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11)
242/1  | A60a/1  |

(Lento)
| pf  | C minor  | 1839–40  | Piano, national theme  |
242/2  | A60a/2  |

(Andantino)
| pf  | C major  | 1839–40  | Piano, national theme  |
242/3  | A60a/3  |

(Sehr langsam)
| pf  | D♭ major  | 1839–40  | Piano, national theme  |
242/4  | A60a/4  |

(Animato)
| pf  | C♯ major  | 1839–40  | Piano, national theme  | 1st version of S.243/2, S.243/2a; themes re-used in S.244/6
242/5  | A60a/5  |

(Tempo giusto)
| pf  | D♭ major  | 1839–40  | Piano, national theme  | 1st version of S.243/1, S.243/1a; themes re-used in S.244/6
242/6  | A60a/6  |

(Lento)
| pf  | G minor  | 1839–40  | Piano, national theme  | themes re-used in S.242/12, S.244/5
242/7  | A60a/7  |

(Andante cantabile, quasi Adagio)
| pf  | E♭ major  | 1839–40  | Piano, national theme  | 1st version of S.244/4
242/8  | A60a/8  |

(Lento. Tempo marcato)
| pf  | F minor  | 1839–40  | Piano, national theme  |
242/9  | A60a/9  |

(Lento. Quasi Presto)
| pf  | A minor  | 1839–40  | Piano, national theme  |
242/10  | A60a/10  |

(Adagio sostenuto a capriccio. Allegro vivace)
| pf  | D major  | 1839–40  | Piano, national theme  |
242/11  | A60a/11  |

(Andante sostenuto. Allegretto)
| pf  | B♭ major  | 1839–40  | Piano, national theme  | 1st version of S.243/3, S.243/3a; uses themes from S.164e; themes re-used in S.244/3, S.244/6
| A60b  | Magyar rapszódiák  | pf  |  | 1846–47  | Piano, national theme  | originally published as Book V (No. 12), Book VI (No. 13), Book VII (No. 14), Book VIII (No. 15), Book IX (No. 16), Book X (No. 17)
242/12  | A60b/12  |

Mesto ["Héroïde élégiaque"]
| pf  | E minor  | 1846–47  | Piano, national theme  | partly based on S.242/6. themes re-used in S.244/5
242/13  | A60b/13  |

(Tempo di Marcia) ["Rákóczi-Marsch"]
| pf  | A minor  | 1846–47  | Piano, national theme  | 3rd version of S.242a (based on); simplified version as S.242/13a; see also 4th & 5th versions S.244/15 & S.244c
242/13a  | A60b  |

Ungarische National-Melodie ["Rákóczi-Marsch"]
| pf  | A minor  | 1846?  | Piano, national theme  | simplified version of S.242/13; renumbered from S.242/13bis
242/14  | A60b/14  |

(Lento a capriccio)
| pf  | A minor  | 1846–47  | Piano, national theme  | themes re-used in S.244/11
242/15  | A60b/15  |

(Lento. Tempo e stilo zingarese)
| pf  | D minor  | 1846–47  | Piano, national theme  | themes re-used in S.244/7
242/16  | A60b/16  |

(Preludio. Andante deciso)
| pf  | E major  | 1846–47  | Piano, national theme  | themes re-used in S.244/10, S.244/10a
242/17  | A60b/17  |

(Andante sostenuto)
| pf  | A minor  | 1846–47  | Piano, national theme  | themes re-used in S.244/13
242/18  | A60c/18  |

(Adagio)
| pf  | C♯ minor  | 1846–47  | Piano, national theme  | themes re-used in S.244/12
242/19  | A60c/19  |

(Lento patetico)
| pf  | F♯ minor  | 1846–47  | Piano, national theme  | themes re-used in of S.244/8
242/20  | A60c/20  |

(Allegro vivace. Andante) ["Romanian Rhapsody"]
| pf  | G minor  | 1846–47  | Piano, national theme  | themes re-used in S.244/6, S.244/12
242/21  | A60c/21  |

(Lento, tempo di marcia funèbre)
| pf  | E minor  | 1846–47  | Piano, national theme  | themes re-used in S.244/14
242/22  | A60e  |

Pester Karneval
| pf  | E♭ major  | 1846–48  | Piano, national theme  | themes re-used in S.244/9, S.244/14
242/23  | T5  |

Rêves et fantaisies
| pf  | C♯ minor  | 1844–46?  | Piano, national theme  | partly based on S.171a; 1st version of S.244/1; formerly S. 695d
242a  | A59  | Rákóczi-Marsch  | pf  | A minor  | 1839–40  | Piano, national theme  | the first of Liszt's many arrangements of the Hungarian national anthem of the time, the Rákóczi March; simplified version as S.692d; 2nd version as 164f; 3rd version as S.242/13 (& simplified S.242/13a); 4th version as S.244/15 (& simplified S.244/15a); 5th version as S.244c; 4th version arr. for orch as S.117; orch version arr. for pf as S.244a (& simplified S.244b), arr. for pf4h as S.608, and arr. for 2pf as S.652a
243  | A60d  | Ungarische Nationalmelodien (3):  | pf  |  | 1840–43  | Piano, national theme  |
243/1  | A60d/1  |

(Tempo giusto)
| pf  | D major  | 1843  | Piano, national theme  | 2nd version of S.242/5, S.243/1a
243/1a  | A60d/1  |

(Tempo giusto) (Im leichten Stile bearbeitet)
| pf  | D major  | 1846  | Piano, national theme  | 3rd (lighter) version of S.242/5, S.243/1; renumbered from S.243bis/1
243/2  | A60d/2  |

(Animato)
| pf  | C♯ major  | 1843  | Piano, national theme  | 2nd version of S.242/4, S.243/2a
243/2a  | A60d/2  |

(Animato) (Im leichten Stile bearbeitet)
| pf  | C major  | 1846  | Piano, national theme  | 3rd (lighter) version of S.242/4, S.243/2; renumbered from S.243bis/2
243/3  | A60d/3  |

Prélude (Allegretto)
| pf  | B♭ major  | 1843  | Piano, national theme  | 2nd version of S.242/11, S.243/3a
243/3a  | A60d/3  |

Prélude (Allegretto) (Im leichten Stile bearbeitet)
| pf  | B♭ major  | 1846  | Piano, national theme  | 3rd (lighter) version of S.242/11, S.243/3; renumbered from S.243bis/3
243a  | —  | Célèbre mélodie hongroise  | pf  |  | 1866 or later  | Piano, national theme  |
244  | A132  | Hungarian Rhapsodies (Ungarische Rhapsodien)  | pf  |  | 1846–85  | Piano, national theme  |
244/1  | A132/1  |

Hungarian Rhapsody No. 1 (Lento quasi recitativo)
| pf  | C♯ minor  | 1846  | Piano, national theme  | 2nd version of S.243b
244/2  | A132/2  |

Hungarian Rhapsody No. 2 (Lento a capriccio)
| pf  | C♯ minor  | 1847  | Piano, national theme  | arr. for orch by Liszt and Franz Doppler as S.359/4, and for pf4h as S.621/4; see also S.244/2a
244/2a  | A132/2  |

Hungarian Rhapsody No. 2 (Lento a capriccio)
| pf  | C♯ minor  | 1885  | Piano, national theme  | Cadenzas for S.244/2; renumbered from S.244/2bis
244/3  | A132/3  |

Hungarian Rhapsody No. 3 (Andante)
| pf  | B♭ major  | 1847  | Piano, national theme  | uses themes from S.164e/1 and 2; partly based on S.242/11
244/4  | A132/4  |

Hungarian Rhapsody No. 4 (Quasi adagio, altiermamente)
| pf  | E♭ major  | 1847  | Piano, national theme  | uses themes from S.242/7
244/5  | A132/5  |

Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
| pf  | E minor  | 1847  | Piano, national theme  | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and Franz Doppler as S.359/5, and for pf4h as S.621/5
244/6  | A132/6  |

Hungarian Rhapsody No. 6 (Tempo giusto)
| pf  | D♭ major  | 1847  | Piano, national theme  | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/3, and for pf4h as S.621/3
244/7  | A132/7  |

Hungarian Rhapsody No. 7 (Lento)
| pf  | D minor  | 1847  | Piano, national theme  | uses themes from S.242/15
244/8  | A132/8  |

Hungarian Rhapsody No. 8 (Lento a capriccio)
| pf  | F♯ minor  | 1846  | Piano, national theme  | uses themes from S.242/19
244/9  | A132/9  |

Hungarian Rhapsody No. 9 ("Pesther Carneval")
| pf  | E♭ major  | 1847  | Piano, national theme  | uses themes from S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379
244/10  | A132/10  |

Hungarian Rhapsody No. 10 (Preludio)
| pf  | E major  | 1847  | Piano, national theme  | 1st version of S.244/10a; uses themes from S.242/16
244/10a  | A132/10  |

Hungarian Rhapsody No. 10 (Preludio)
| pf  | E major  | 1847  | Piano, national theme  | 2nd (easier) version of S.244/10; uses themes from S.242/16; renumbered from S.244/10bis
244/11  | A132/11  |

Hungarian Rhapsody No. 11 (Lento a capriccio)
| pf  | A minor  | 1847  | Piano, national theme  | uses themes from S.242/14
244/12  | A132/12  |

Hungarian Rhapsody No. 12 (Introduzione. Mesto)
| pf  | C♯ minor  | 1847  | Piano, national theme  | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a
244/13  | A132/13  |

Hungarian Rhapsody No. 13 (Andante sostenuto)
| pf  | A minor  | 1847  | Piano, national theme  | uses themes from S.242/17
244/14  | A132/14  |

Hungarian Rhapsody No. 14 (Lento, quasi marcia funebre)
| pf  | F minor  | 1847  | Piano, national theme  | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/1; themes used in S.123
244/15  | A132/15  |

Hungarian Rhapsody No. 15 (Rákóczi-Marsch)
| pf  | A minor  | 1847  | Piano, national theme  | 4th version of S.242a (based on S.242/13); simplified (easier) version as S.244/15a; arr. for orch as S.117
244/15a  | A132/15  |

Hungarian Rhapsody No. 15 (Rákóczi-Marsch)
| pf  | A minor  | 1847  | Piano, national theme  | simplified (easier) version of S.244/15; renumbered from S.244/15bis
244/16  | A132/16  |

Hungarian Rhapsody No. 16 (Allegro)
| pf  | A minor  | 1882  | Piano, national theme  | exists in two versions; arr. for pf4h as S.622
244/17  | A132/17  |

Hungarian Rhapsody No. 17 (Lento)
| pf  | D minor  | 1883  | Piano, national theme  |
244/18  | A132/18  |

Hungarian Rhapsody No. 18 (Lento)
| pf  | F♯ minor  | 1885  | Piano, national theme  | exists in two versions; arr. for pf4h as S.623 [?]
244/19  | A132/19  |

Hungarian Rhapsody No. 19 (Lento)
| pf  | D minor  | 1885  | Piano, national theme  | based on the Csárdás nobles by Kornél Ábrányi; arr. for pf4h as S.623a [?]
244a  | A224  | Rákóczi-Marsch  | pf  | A minor  | 1863  | Piano, national theme  | arr. of S.117; 6th pf version of S.242a; simplified version as S.244b
244b  | A224  | Rákóczi-Marsch  | pf  | A minor  | 1871  | Piano, national theme  | simplified version of S.244a
244c  | A132/15a  | Marche de Rákóczy (Édition populaire)  | pf  | A minor  | 1851  | Piano, national theme  | 5th version of S.242a (based on S.242/13)
245  | A263  | Ungarische Volkslieder (Magyar népdal) (5)  | pf  |  | 1873  | Piano, national theme  |
245/1  | A263/1  |

Csak titokban
| pf  | D major  | 1873  | Piano, national theme  |
245/2  | A263/2  |

Jaj, beh szennyes
| pf  | G major  | 1873  | Piano, national theme  |
245/3  | A263/3  |

Beh szomoru ez az élet
| pf  | G major  | 1873  | Piano, national theme  |
245/4  | A263/4  |

Beh! Sok falut
| pf  | C♯ minor  | 1873  | Piano, national theme  |
245/5  | A263/5  |

Erdt, erdt, sfrf erdt
| pf  | F minor  | 1873  | Piano, national theme  |
246  | A255  | Puszta-Wehmut (A puszta keserve)  | pf  |  | 1871  | Piano, national theme  | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b
247–248a  |  |

###### Italian

[edit]

247#  | —  | La romanesca | pf  |  |  | Piano, national theme  | deleted; see S.252a
248i  | A85  | Canzone Napolitana (Notturno)  | pf  |  | 1842  | Piano, national theme  | 1st version of S. 248ii
248ii  | A85  | Canzone Napolitana (Notturno)  | pf  |  | 1848?  | Piano, national theme, Italian  | 2nd version of S. 248i
249–249b  |  |

###### Polish

[edit]

249  | A143  | Glanes de Woronince (3):  | pf  |  | 1847  | Piano, national theme  |
249/1  | A143/1  |

Ballade d'Ukraïne (Dumka)
| pf  |  | 1847  | Piano, national theme  |
249/2  | A143/2  |

Mélodies polonaises
| pf  |  | 1847  | Piano, national theme  | based on No.1 of 19 Polish songs, Op.74 by Frédéric Chopin
249/3  | A143/3  |

Complainte (Dumka)
| pf  |  | 1847  | Piano, national theme  |
249a  | —  | Mélodie polonaise  | pf  |  | 1843  | Piano, national theme  |
249b  | —  | Dumka  | pf  |  | 1871  | Piano, national theme  |
249c–251  |  |

###### Russian

[edit]

249c  | A289/2  | Air cosaque  | pf  |  | 1879  | Piano, national theme  | formerly S.735
249d  | A86/1  | Le rossignol (Air russe d'Alexander Alabieff)  | pf  |  | 1842  | Piano, national theme  | based on a romance by Alexander Alyabyev; 1st version of S.250/1
250  | A86  | Mélodies russes (Arabesques) (2):  | pf  |  | 1842  | Piano, national theme  |
250/1  | A86/1  |

Le rossignol (Romance de Alexandr Alexandrovitch Alabieff)
| pf  |  | 1842  | Piano, national theme  | 2nd version of S.249d
250/2  | A86/2  |

Chanson bohémienne (de Piotr Petrovitch Boulakhov)
| pf  |  | 1842  | Piano, national theme  | based on a song by Pyotr Bulakhov
251  | A324  | Abschied (Russisches Volkslied)  | pf  |  | 1885  | Piano, national theme  |
252–254  |  |

###### Spanish

[edit]

252  | A33  | Rondeau fantastique sur un thème espagnol (El contrabandista)  | pf  | B♭ major  | 1836  | Piano, national theme  | based on an aria from Manuel Garcia's opera El poeta calculista
252a  | A14/1  | La romanesca (Mélodie du 16ième siècle)  | pf  |  | 1832–33  | Piano, national theme  | formerly S.247; 1st version of S.252b
252b  | A14/2  | La romanesca (Mélodie du 16ième siècle)  | pf  |  | 1852?  | Piano, national theme  | 2nd version of S.252a

Since 1995, this manuscript has been held by the Austrian National Library. They acquired it from descendants of William Dayas, one of Liszt's last pupils.[1]

253  | A114  | Grosse Konzertfantasie über spanische Weisen  | pf  |  | 1845  | Piano, national theme  | 2nd version of S.738; themes used in S.254
254  | A195  | Rhapsodie espagnole (Folies d'espagne et Jota aragonesa)  | pf  |  | 1858  | Piano, national theme  | based on S.253
255–256a  |  |

#### Piano Duet (four hands)

[edit]

255#  | —  | Festpolonaise | pf4h  |  |  | Piano, 4 hands  | renumbered as S.619a
256#  | —  | Variation über das Thema von Borodin | pf4h  |  |  | Piano, 4 hands  | renumbered as S.207a
256a#  | —  | Nocturne | pf4h  | E minor  |  | Piano, 4 hands  | arr. of S.161/5; spurious (not by Liszt)
257–258  |  |

#### Piano Duo (2 pianos)

[edit]

257  | C1  | Grosses Konzertstück über Themen aus Mendelssohns Lieder ohne Worte  | 2pf  |  | 1834  | Piano, 2 pianos  | based on themes from Songs Without Words, Op.19b by Felix Mendelssohn
258i  | C18  | Concerto pathétique | 2pf  |  | 1855  | Piano, 2 pianos  | based on S.176; 1st version of S.258ii
258ii  | C18  | Concerto pathétique | 2pf  |  | 1866  | Piano, 2 pianos  | 2nd version of S.258i; arr. for pf orch by Edward Reuss with corrections by Liszt as S.365a
259–268a  |  |

#### Organ

[edit]

259  | E1  | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | org  |  | 1850  | Organ  | based on a theme from the opera Le prophète by Giacomo Meyerbeer; 1st version of S.259a; Fugue published 1852 as No.4 of S.414; arr. for pf4h as S.624; arr. for pf as S.747a
260i  | E3/1  | Präludium und Fuge über den Namen BACH | org  |  | 1855–56  | Organ  | 1st version of S.260ii; arr. for pf as S.529i
260ii  | E3/2  | Präludium und Fuge über den Namen BACH | org  |  | 1869–70  | Organ  | 2nd version of S.260i (arr. of S.529ii)
261  | E19a  | Pio IX (Der Papsthymnus)  | org  |  | 1863–65  | Organ  | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8
261a  | E12  | Andante religioso  | org  |  | 1861  | Organ  | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV
262  | E20  | Ora pro nobis  | org  |  | 1864  | Organ  |
263#  | —  | Resignazione | org  |  | 1877–81  | Organ  | see S.187a
264  | E33  | Missa pro organo lectarum celebrationi missarum adjumento inserviens  | org  |  | 1879  | Organ  | based on S.8, S.265, S.504
265  | E32  | Gebet (Preghiera)  | org  |  | 1879  | Organ  | rev. as movt. III of S.264
266  | E39  | Requiem für die Orgel  | org  |  | 1883  | Organ  | based on S.12
267  | E38  | Am Grabe Richard Wagners  | org  |  | 1883  | Organ  | arr. of S.135
268  | —  | Vortragsstücke (2):  | org  |  | 1884  | Organ  |
268/1  | E41  |

Introitus
| org  |  | 1884  | Organ  |
268/2  | E7  |

Trauerode (Die Todten)
| org  |  | 1884?  | Organ  | arr. of S.112/1
268a  | E25  | Preludio  | org  |  | 1885?  | Organ  | version of S.666 without vv
269–340a  |  |

#### Songs

[edit]

269/1  | N1  | Angiolin dal biondo crin (Englein hold im Lockengold)  | v pf  |  | 1839  | Vocal, song  | 1st version of S.269/2, S.269/3; arr. for pf as S.531/6
269/2  | N1  | Angiolin dal biondo crin (Englein hold im Lockengold)  | v pf  |  | 1849?  | Vocal, song  | 2nd version of S.269/1, S.269/3
269/3  | N1  | Angiolin dal biondo crin (Englein hold im Lockengold)  | v pf  |  | 1859?  | Vocal, song  | 3rd version of S.269/1, S.269/2
270a  | N14  | Sonetti di Petrarca (Petrarca-Sonette) (3):  | v pf  |  | 1843–46  | Vocal, song  | 1st version of S.270b (for tenor voice)
270a/1  | N14/1  |

Pace non trovo (Fried' ist versagt mir)
| v pf  |  | 1843–46  | Vocal, song  | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1
270a/2  | N14/2  |

Benedetto sia'l giorno (Sei gesegnet immerdar)
| v pf  |  | 1843–46  | Vocal, song  | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2
270a/3  | N14/3  |

I vidi in terra  (So sah ich denn auf Erden Engelsfrieden und Glanz)
| v pf  |  | 1843–46  | Vocal, song  | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3
270b  | N14  | Sonetti di Petrarca (Petrarca-Sonette) (3):  | v pf  |  | 1864–82  | Vocal, song  | 2nd version of S.270a (for low voice)
270b/1  | N14/2  |

Benedetto sia'l giorno (Sei gesegnet immerdar)
| v pf  |  | 1864–82  | Vocal, song  | 2nd version of S.270a (for low voice)
270b/2  | N14/1  |

Pace non trovo (Fried' ist versagt mir)
| v pf  |  | 1864–82  | Vocal, song  | 2nd version of S.270a (for low voice)
270b/3  | N14/3  |

I vidi in terra  (So sah ich denn auf Erden Engelsfrieden und Glanz)
| v pf  |  | 1864–82  | Vocal, song  | 2nd version of S.270a (for low voice)
271  | N4  | Il m'aimait tant  | v pf  |  | 1840–42  | Vocal, song  | arr. for pf as S.533
272/1  | N3  | Im Rhein, im schönen Strome  | v pf  |  | 1840  | Vocal, song  | 1st version of S.272/2; arr. for pf as S.531/2
272/2  | N3  | Im Rhein, im schönen Strome  | v pf  |  | 1855  | Vocal, song  | 2nd version of S.272/1
273/1  | N5  | Die Loreley  | v pf  |  | 1841  | Vocal, song  | 1st version of S.273/2; arr. for pf as S.531/1
273/2  | N5  | Die Loreley  | v pf  |  | 1854–56  | Vocal, song  | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369
274/1  | N6  | Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle)  | v pf  |  | 1841  | Vocal, song  | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1
274/2  | N6  | Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle)  | v pf  |  | 1858–60  | Vocal, song  | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382
275/1  | N8/1  | Mignons Lied (Kennst du das Land)  | v pf  |  | 1842  | Vocal, song  | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3
275/2  | N8/2  | Mignons Lied (Kennst du das Land)  | v pf  |  | 1854  | Vocal, song  | 2nd version of S.275/1, S.275/3
275/3  | N8/3  | Mignons Lied (Kennst du das Land)  | v pf  |  | 1860  | Vocal, song  | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370
276/1  | N12/1  | Comment disaient-ils (Was tun?)  | v pf  |  | 1842  | Vocal, song  | 1st version of S.276/2; arr. for pf as S.534
276/2  | N12/2  | Comment disaient-ils  | v pf  |  | 1849–59  | Vocal, song  | 2nd version of S.276/1
277/1  | N21/1  | Bist du (Mild wie ein Lufthauch)  | v pf  |  | 1844  | Vocal, song  | 1st version of S.277/2
277/2  | N21/2  | Bist du (Mild wie ein Lufthauch)  | v pf  |  | 1878  | Vocal, song  | 2nd version of S.277/1
278/1  | N9/1  | Es war ein König in Thule  | v pf  |  | 1842  | Vocal, song  | 1st version of S.278/2; arr. for pf as S.531/4
278/2  | N9/2  | Es war ein König in Thule  | v pf  |  | 1856  | Vocal, song  | 2nd version of S.278/1
279/1  | N10/1  | Der du von dem Himmel bist  | v pf  |  | 1842  | Vocal, song  | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5
279/2  | N10/2  | Der du von dem Himmel bist  | v pf  |  | 1849  | Vocal, song  | 2nd version of S.279/1, S.279/3, S.279/4
279/3  | N10/3  | Der du von dem Himmel bist  | v pf  |  | 1860  | Vocal, song  | 3rd version of S.279/1, S.279/2, S.279/4
279/4  | N10/4  | Der du von dem Himmel bist  | v pf  |  | 1870  | Vocal, song  | 4th version of S.279/1, S.279/2, S.279/3
280/1  | N23/1  | Freudvoll und leidvoll I  | v pf  |  | 1844  | Vocal, song  | 1st version of S.280/2; arr. for pf as S.167a; 1st setting, for 2nd setting see S.280a
280/2  | N23/2  | Freudvoll und leidvoll I  | v pf  |  | 1849  | Vocal, song  | 2nd version of S.280/1; 1st setting, for 2nd setting see S.280a
280a  | N23/3  | Freudvoll und leidvoll II  | v pf  |  | 1848?  | Vocal, song  | 2nd setting, for 1st setting see S.280; renumbered from S.280bis
281  | N22a  | Die Vätergruft  | v pf  |  | 1844  | Vocal, song  | arr. for v orch as S.371
282/1  | N11/1  | Oh! quand je dors  | v pf  |  | 1842  | Vocal, song  | 1st version of S.282/2; arr. for pf as S.536
282/2  | N11/2  | Oh! quand je dors  | v pf  |  | 1849  | Vocal, song  | 2nd version of S.282/1
283/1  | N24/1  | Enfant, si j'étais roi  | v pf  |  | 1844  | Vocal, song  | 1st version of S.283/2; arr. for pf as S.537
283/2  | N24/2  | Enfant, si j'étais roi  | v pf  |  | 1849  | Vocal, song  | 2nd version of S.283/1
284/1  | N25/1  | S'il est un charmant gazon  | v pf  |  | 1844  | Vocal, song  | 1st version of S.284/2; arr. for pf as S.538
284/2  | N25/2  | S'il est un charmant gazon  | v pf  |  | 1849–59  | Vocal, song  | 2nd version of S.284/1
285  | N26  | La tombe et la rose  | v pf  |  | 1844  | Vocal, song  | arr. for pf as S.539
286  | N27  | Gastibelza (Bolero)  | v pf  |  | 1844  | Vocal, song  | arr. for pf as S.540
287/1  | N19/1  | Du bist wie eine Blume  | v pf  |  | 1843  | Vocal, song  | 1st version of S.287/2
287/2  | N19/2  | Du bist wie eine Blume  | v pf  |  | 1849  | Vocal, song  | 2nd version of S.287/1
288/1  | N7/1  | Was Liebe sei  | v pf  |  | 1842  | Vocal, song  | 1st setting, for 2nd and 3rd settings see S.288/2, S.288/3
288/2  | N7/2  | Was Liebe sei  | v pf  |  | 1854–55  | Vocal, song  | 2nd setting, for 1st and 3rd setting see S.288/1, S.288/3
288/3  | N7/3  | Was Liebe sei  | v pf  |  | 1878–79  | Vocal, song  | 3rd setting, for 1st and 2nd setting see S.288/1, S.288/2
289/1  | N29/1  | Vergiftet sind meine Lieder  | v pf  |  | 1843  | Vocal, song  | 1st version of S.289/2
289/2  | N29/2  | Vergiftet sind meine Lieder  | v pf  |  | 1859  | Vocal, song  | 2nd version of S.289/1
290/1  | N16/1  | Morgens steh ich auf und frage  | v pf  |  | 1843  | Vocal, song  | 1st version of S.290/2
290/2  | N16/2  | Morgens steh ich auf und frage  | v pf  |  | 1849–59  | Vocal, song  | 2nd version of S.290/1
291/1  | N17/1  | Die tote Nachtigall  | v pf  |  | 1843  | Vocal, song  | 1st version of S.291/2
291/2  | N17/2  | Die tote Nachtigall  | v pf  |  | 1870–79  | Vocal, song  | 2nd version of S.291/1
292a  | N32/1  | Lieder aus Schiller's Wilhelm Tell (3)  | v pf  |  | 1845  | Vocal, song  | 1st version of S.292b
292a/1  | N32/1/1  |

Der Fischerknabe (Es lächelt der See)
| v pf  |  | 1845  | Vocal, song  | 1st version of S.292b/1
292a/2  | N32/1/2  |

Der Hirt (Ihr Matten lebt wohl)
| v pf  |  | 1845  | Vocal, song  | 1st version of S.292b/2
292a/2  | N32/1/3  |

Der Alpenjäger  (Es donnern die Höh'n)
| v pf  |  | 1845  | Vocal, song  | 1st version of S.292b/3
292b  | N32/2  | Lieder aus Schiller's Wilhelm Tell (3)  | v pf  |  | 1855?  | Vocal, song  | 2nd version of S.292a; arr. for v orch as S.372
292b/1  | N32/2/1  |

Der Fischerknabe (Es lächelt der See)
| v pf  |  | 1855?  | Vocal, song  | 2nd version of S.292a/1; arr. for v orch as S.372/1
292b/2  | N32/2/2  |

Der Hirt (Ihr Matten lebt wohl)
| v pf  |  | 1855?  | Vocal, song  | 2nd version of S.292a/2; arr. for v orch as S.372/2
292b/2  | N32/2/3  |

Der Alpenjäger  (Es donnern die Höh'n)
| v pf  |  | 1855?  | Vocal, song  | 2nd version of S.292a/3; arr. for v orch as S.372/3
293/1  | N37/1  | Jeanne d'Arc au bûcher  | v pf  |  | 1845  | Vocal, song  | 1st version of S.293/2; arr. for v orch as S.373/1
293/2  | N37/2  | Jeanne d'Arc au bûcher  | v pf  |  | 1874–75  | Vocal, song  | 2nd version of S.293/1; arr. for v orch as S.373/2
294/1  | N33/1  | Es rauschen die Winde  | v pf  |  | 1845  | Vocal, song  | 1st version of S.294/2
294/2  | N33/2  | Es rauschen die Winde  | v pf  |  | 1849?  | Vocal, song  | 2nd version of S.294/1
295  | N28  | Wo weilt er?  | v pf  |  | 1844  | Vocal, song  |
296  | N31  | Ich möchte hingehn  | v pf  |  | 1844–56?  | Vocal, song  |
297/1  | N34/1  | Wer nie sein Brot mit Tränen aß  | v pf  |  | 1845  | Vocal, song  | 1st version of S.297/2
297/2  | N34/2  | Wer nie sein Brot mit Tränen aß  | v pf  |  | 1849  | Vocal, song  | 2nd version of S.297/1
298/1  | N18/3/1  | O lieb so lang du lieben kannst  | v pf  |  | 1843  | Vocal, song  | 1st version of S.298/2
298/2  | N18/3/2  | O lieb so lang du lieben kannst
(Liebestraum No.3)  | v pf  |  | 1843  | Vocal, song  | 2nd version of S.298/1; arr. for pf as S.541/3
298a  | N38  | Über die Aeolsharfe  | v pf  |  | 1846  | Vocal, song  |
299/1  | N39/1  | Isten veled  | v pf  |  | 1847  | Vocal, song  | 1st version of S.299/2
299/2  | N39/2  | Isten veled  | v pf  |  | 1879  | Vocal, song  | 2nd version of S.299/1
300  | N40  | Le Juif errant  | v pf  |  | 1847  | Vocal, song  | unpublished
301/1  | N42/1  | Kling leise, mein Lied  | v pf  |  | 1848  | Vocal, song  | 1st version of S.301/2
301/2  | N42/2  | Kling leise, mein Lied  | v pf  |  | 1849–60  | Vocal, song  | 2nd version of S.301/1
301a  | N30  | Oh pourquoi donc  | v pf  |  | 1844?  | Vocal, song  | rev. for pf as S.169
301b/1  | N6/2/1  | En ces lieux tout me parle d'elle (Élégie)  | v pf  |  | 1844  | Vocal, song  | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2
301b/2  | N6/2/2  | Elégie (En ces lieux)  | v pf  |  | 1845  | Vocal, song  | 3rd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2a
302  | N45  | Die Macht der Musik  | v pf  |  | 1848  | Vocal, song  |
303  | N43  | Weimars Toten  | v pf  |  | 1848  | Vocal, song  |
304  | N44  | Le vieux vagabond (Der alte Vagabund)  | v pf  |  | 1848  | Vocal, song  |
305/1  | N35/1  | Schwebe, schwebe, blaues Auge  | v pf  |  | 1845  | Vocal, song  | 1st version of S.305/2
305/2  | N35/2  | Schwebe, schwebe, blaues Auge  | v pf  |  | 1849–60  | Vocal, song  | 2nd version of S.305/1
306/1  | N46/1  | Über allen Gipfeln ist Ruh  | v pf  |  | 1848  | Vocal, song  | 1st version of S.306/2
306/2  | N46/2  | Über allen Gipfeln ist Ruh  | v pf  |  | 1859  | Vocal, song  | 2nd version of S.306/1
306a  | N13  | Quand tu chantes bercée  | v pf  |  | 1842  | Vocal, song  |
306b  | N41  | Göttliche Gedanken, selige Gefühle  | v pf  |  | 1848  | Vocal, song  |
307  | N18/1  | Hohe Liebe (In Liebesarmen ruht ihr trunken)
(Liebestraum No. 1)  | v pf  |  | 1850  | Vocal, song  | arr. for pf as S.541/1
308  | N18/2  | Gestorben war ich (Seliger tod)
(Liebestraum No. 2)  | v pf  |  | 1845–46  | Vocal, song  | arr. for pf as S.541/2
309  | N36/1  | Ein Fichtenbaum steht einsam I  | v pf  |  | 1845  | Vocal, song  | 1st setting of S.309a
309a  | N36/2  | Ein Fichtenbaum steht einsam II  | v pf  |  | 1860  | Vocal, song  | 2nd setting of S.309; renumbered from S.309bis
310  | N20  | Nimm einen Strahl der Sonne (Ihr Auge)  | v pf  |  | 1843–49  | Vocal, song  |
311/1  | N48/1  | Anfangs wollt' ich fast verzagen  | v pf  |  | 1849  | Vocal, song  | 1st version of S.311/2
311/2  | N48/2  | Anfangs wollt' ich fast verzagen  | v pf  |  | 1860?  | Vocal, song  | 2nd version of S.311/1
312  | N51  | Wie singt die Lerche schön  | v pf  |  | 1855  | Vocal, song  |
313  | N53  | Weimars Volkslied  | v pf  |  | 1857  | Vocal, song  | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1c.; for orch by Liszt and Franz Doppler as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7
314  | N49  | Es muss ein Wunderbares sein  | v pf  |  | 1852  | Vocal, song  |
315  | N52  | Ich liebe dich  | v pf  |  | 1857  | Vocal, song  | arr. for pf as S.542a
316  | N54  | Muttergottes-Sträusslein zum Mai-Monate  | v pf  |  | 1857  | Vocal, song  | see also S.765
316/1  | N54/1  |

Das Veilchen
| v pf  |  | 1857  | Vocal, song  |
316/2  | N54/2  |

Das Schlüsselblumen
| v pf  |  | 1857  | Vocal, song  |
317  | N55  | Lasst mich ruhen  | v pf  |  | 1858  | Vocal, song  |
318  | N56  | In Liebeslust  | v pf  |  | 1858  | Vocal, song  |
319  | N58  | Ich scheide  | v pf  |  | 1860  | Vocal, song  |
320  | N62/1  | Die drei Zigeuner  | v pf  |  | 1860  | Vocal, song  | arr. for vn pf as S.383, for v orch as S.374
321  | N59  | Die stille Wasserrose  | v pf  |  | 1860  | Vocal, song  |
322  | N60  | Wieder möcht ich dir begegnen  | v pf  |  | 1860  | Vocal, song  |
323  | N61  | Jugendglück  | v pf  |  | 1860  | Vocal, song  |
324  | N50  | Blume und Duft  | v pf  |  | 1854  | Vocal, song  |
324a  | N64  | Не брани меня, мой друг (Do Not Reproach Me)  | v pf  |  | 1866  | Vocal, song  | formerly S. 340a
325  | N65  | Die Fischerstochter  | v pf  |  | 1871  | Vocal, song  |
326  | N67  | La perla (Die Perle)  | v pf  |  | 1872  | Vocal, song  |
327  | N68  | J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben)  | v pf  |  | 1872  | Vocal, song  |
328  | N69  | Ihr Glocken von Marling  | v pf  |  | 1874  | Vocal, song  |
329  | N70  | Und sprich  | v pf  |  | 1875–79  | Vocal, song  |
330  | N71  | Sei still  | v pf  |  | 1877–79?  | Vocal, song  |
331  | N72  | Gebet  | v pf  |  | 1878  | Vocal, song  |
332  | N73  | Einst  | v pf  |  | 1878  | Vocal, song  |
333  | N74  | An Edlitam (Zur silbernen Hochzeit)  | v pf  |  | 1878  | Vocal, song  |
334  | N75  | Der Glückliche (Wie glänzt nun die welt)  | v pf  |  | 1878  | Vocal, song  |
335  | N76  | Go Not, Happy Day (Weil noch, Sonnenstrahl)  | v pf  |  | 1879  | Vocal, song  |
336  | N77  | Verlassen (Mir ist die Welt so freudenleer)  | v pf  |  | 1880  | Vocal, song  |
337  | N78  | Des Tages laute Stimmen schweigen  | v pf  |  | 1880  | Vocal, song  |
338  | N66  | Und wir dachten der Toten  | v pf  |  | 1871?  | Vocal, song  |
339  | M37  | A magyarok Istene (Ungarns Gott)  | v pf (+ mch)  |  | 1881  | Vocal, song  | arr. for pf as S.543, for pflh as S.543a, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a
340  | N81  | Magyar király-dal (Ungarisches Königslied)  | v pf  |  | 1883  | Vocal, song  | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7
340a#  | N64  | Не брани меня, мой друг (Do Not Reproach Me)  | v pf  |  | 1866  | Vocal, song  | deleted; renumbered as S. 324a
341–345a  |  |

#### Other vocal works

[edit]

341  | K8  | Ave Maria IV  | v org/harm  | G major  | 1881  | Vocal  | arr. for pf as S.545; for org as S.674b
342/1  | K9/1  | Le Crucifix  | v pf/harm  |  | 1879  | Vocal  | 1st version of S.342/2, S.342/3
342/2  | K9/2  | Le Crucifix  | v pf/harm  |  | 1879  | Vocal  | 2nd version of S.342/1, S.342/3
342/3  | K9/3  | Le Crucifix  | v pf/harm  |  | 1881–83  | Vocal  | 3rd version of S.342/1, S.342/2
343  | K7  | Sancta Caecilia  | v org/harm  |  | 1880–85  | Vocal  |
344  | N79  | O Meer im Abendstrahl  | 2vv pf/harm  |  | 1881?  | Vocal  |
345  | L14  | Wartburg-Lieder (7):  | 3vv ch orch/pf  |  | 1872–73  | Choral  |
345/0  | L14/0  |

An Frau Minne (Die Erde ist erschlossen)
| ch orch/pf  |  | 1872–73  | Choral  |
345/1  | L14/1  |

Wolfram von Eschenbach (Als wir mit deutschen Klingen)
| v ch orch/pf  |  | 1872–73  | Choral  |
345/2  | L14/2  |

Heinrich von Ofterdingen (Hab' ich geträumt?)
| v orch/pf  |  | 1872–73  | Vocal  |
345/3  | L14/3  |

Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
| v orch/pf  |  | 1872–73  | Vocal  | arr. for v vn pf as S.345/3a
345/3a  | L14/3a  |

Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
| v vn pf  |  | 1872–73  | Vocal  | arr. of S.345/3
345/4  | L14/4  |

Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig)
| 2vv orch/pf  |  | 1872–73  | Vocal  |
345/5  | L14/5  |

Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied)
| v orch/pf  |  | 1872–73  | Vocal  |
345/6  | L14/6  |

Reimar der Alte (Wo liebende Herzen sich innig vermählt)
| v orch/pf  |  | 1872–73  | Vocal  |
345a  | L16  | A magyarok Istene (Ungarns Gott)  | v mch ww br perc  |  | 1882  | Choral  | arr. of S.339
346–350  |  |

#### Recitations

[edit]

346  | P1  | Lenore (Der Bräutigam)  | nar pf  |  | 1857–58  | Vocal, recitation  |
347  | P2  | Vor hundert Jahren  | nar orch  |  | 1859  | Vocal, recitation  | unpublished
348  | P3  | Der traurige Mönch (In Schweden steht ein grauer Turm)  | nar pf  |  | 1860  | Vocal, recitation  |
349  | P5  | Des toten Dichters Liebe (A holt költó szerelme)  | nar pf  |  | 1874  | Vocal, recitation  | rev. for pf as S.195
350  | P6  | Der blinde Sänger (Слепой)  | nar pf  |  | 1875–77  | Vocal, recitation  | arr. for pf as S.546
351–686  |  |

### Arrangements, transcriptions, fantasies, etc.

[edit]

351–364  |  |

#### Orchestral works

[edit]

351  | G32  | Mazurka-Fantaisie [H. von Bülow]  | orch  | B minor  | 1865  | Orchestral, arr.  | arr. of the Mazurka-fantaisie for piano, Op.13 by Hans von Bülow
352  | G36  | Zweite Ouvertüre zum Barbier von Bagdad [P. Cornelius]  | orch  |  | 1877–80  | Orchestral, arr.  | second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt
353  | G34  | Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)  | orch  |  | 1872  | Orchestral, arr.  | arrs. of the Hungarian patriotic songs Szózat by Béni Egressy and Himnusz by Ferenc Erkel; also arr. for pf as S.486, for pf4h as S.628c
353a#  | —  | Angelus! Prière aux anges gardiens | str  |  |  | Orchestral, arr.  | renumbered as S.362a
354#  | —  | Légendes (2)  | orch  |  | 1863  | Orchestral, arr.  | renumbered as S.113a
355  | G30  | Vexilla regis prodeunt (Kreuzeshymne)  | orch  |  | 1864  | Orchestral, arr.  | arr. of S.185
356  | G18  | Festvorspiel  | orch  |  | 1857  | Orchestral, arr.  | arr. of S.226
357/1  | G8/1  | Festmarsch  | ww br perc  |  | 1853  | Orchestral, arr.  | arr. of S.227a by Liszt and Joachim Raff
357/2  | G8/2  | Huldigungsmarsch  | orch  |  | 1857  | Orchestral, arr.  | arr. of S.228
358  | G11  | Vom Fels zum Meer! (Deutscher Siegesmarsch)  | orch  |  | 1853–56?  | Orchestral, arr.  | arr. of S.229
359  | G21  | Hungarian Rhapsodies (6)  | orch  |  | 1857–60  | Orchestral, arr.  | arr. from S.244; arr. for pf4h as S.621
359/1  | G21/1  |

Hungarian Rhapsody No. 1
| orch  | F minor  | 1857–60  | Orchestral, arr.  | arr. by Liszt and Franz Doppler of S.244/14; arr. for pf4h by Liszt as S.621/1
359/2  | G21/2  |

Hungarian Rhapsody No. 2
| orch  | D minor  | 1857–60  | Orchestral, arr.  | arr. by Liszt and Franz Doppler of S.244/12; arr. for pf4h by Liszt as S.621/2
359/3  | G21/3  |

Hungarian Rhapsody No. 3
| orch  | D major  | 1857–60  | Orchestral, arr.  | arr. by Liszt and Franz Doppler of S.244/6; arr. for pf4h by Liszt as S.621/3
359/4  | G21/4  |

Hungarian Rhapsody No. 4
| orch  | D minor  | 1857–60  | Orchestral, arr.  | arr. by Liszt and Franz Doppler of S.244/2; arr. for pf4h by Liszt as S.621/4
359/5  | G21/5  |

Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
| orch  | E minor  | 1857–60  | Orchestral, arr.  | arr. by Liszt and Franz Doppler of S.244/5; arr. for pf4h by Liszt as S.621/5
359/6  | G21/6  |

Hungarian Rhapsody No. 6 (Pesther Carneval)
| orch  | D major  | 1857–60  | Orchestral, arr.  | arr. by Liszt and Franz Doppler of S.244/9; arr. for pf4h by Liszt as S.621/6
359a  | G19  | Weimars Volkslied  | orch  | C major  | 1857  | Orchestral, arr.  | arr. of S.313
360  | G26  | À la Chapelle Sixtine  | orch  |  | 1862  | Orchestral, arr.  | arr. of S.461/1
361  | G31  | Der Papsthymnus  | orch  |  | 1864  | Orchestral, arr.  | arr. of S.261
362  | H14  | Benedictus aus der Ungarischen Krönungsmesse  | vn orch  |  | 1875–77  | Orchestral, arr.  | arr. of S.11/7
362a  | D15  | Angelus! Priere aux anges gardiens | str/(2vn va vc)  |  | 1882  | Orchestral, arr.  | arr. of S.163/1
363  | G24  | Märsche von Franz Schubert (4)  | orch  |  | 1859–70  | Orchestral, arr.  | arr. for pf4h as S.632
363/1  | G24/1  |

(Vivace)
| orch  | B minor  | 1859–70  | Orchestral, arr.  | orchestration of No.3 of 6 Grandes Marches, D.819 by Franz Schubert; arr. for pf4h as S.632/1
363/2  | G24/2  |

Trauermarsch
| orch  | E♭ minor  | 1859–70  | Orchestral, arr.  | orchestration of No.5 of 6 Grandes Marches, D.819 by Franz Schubert; arr. for pf as S.426/1, for pf4h as S.632/2
363/3  | G24/3  |

Reitermarsch
| orch  | C major  | 1859–70  | Orchestral, arr.  | orchestration of No.1 of 2 Marches caractéristiques, D.968b by Franz Schubert; arr. for pf4h as S.633/3
363/4  | G24/4  |

Ungarischer Marsch
| orch  | D minor  | 1859–70  | Orchestral, arr.  | orchestration of Divertissement à la hongroise, D.818 by Franz Schubert; arr. for pf4h as S.632/4
364  | G39  | Danses galiciennes de Zarembski  | orch  |  | 1881–82  | Orchestral, arr.  | orchestration of 3 Danses galiciennes by Juliusz Zarębski
365–367  |  |

#### For pianoforte and orchestra

[edit]

365  | H11/1  | Grand solo de concert  | pf orch  |  | 1849–50  | Orchestral, piano, arr.  | sketches only; based on S.176
365a  | H11/2  | Concerto pathétique | pf orch  | E minor  | 1885–86  | Orchestral, piano, arr.  | arr. of S.258/2 by Edward Reuss with corrections by Liszt
365b  | H5  | Hexaméron (Morceau de concert)  | pf orch  |  | 1837–39  | Orchestral, piano, arr.  | arr. of S.392; completed by Leslie Howard
366  | H13  | Franz Schuberts Grosse Fantasie  | pf orch  | C major  | 1851  | Orchestral, piano, arr.  | arr. of the Fantasie in C major, D.760 by Franz Schubert; arr. for 2pf as S.653
367  | H10  | Polonaise brillante [Weber]  | pf orch  | E major  | 1848  | Orchestral, piano, arr.  | arr. of the Polacca brillante, Op.72 by Carl Maria von Weber; arr. for pf as S.455
368–377  |  |

#### Songs with orchestra

[edit]

368  | N80  | Lieder von Francis Korbay (2):  | v orch  |  | 1883  | Vocal, orchestral, arr.  | arrs. of songs by Francis Korbay
368/1  | N80/1  |

Le matin
| v orch  |  | 1883  | Vocal, orchestral, arr.  | arr. of the song by Francis Korbay
368/2  | N80/2  |

Gebet
| v orch  |  | 1883  | Vocal, orchestral, arr.  | arr. of the song by Francis Korbay; also arr. for v org as S.683a
369  | N5/3  | Die Loreley  | v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of S.273/2
370  | N8/4  | Mignons Lied (Kennst du das Land)  | v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of S.275/3
371  | N22/2  | Die Vätergruft  | v orch  |  | 1886  | Vocal, orchestral, arr.  | arr. of S.281
372  | N32/3  | Lieder aus Schiller's Wilhelm Tell (3)  | v orch  |  | 1855  | Vocal, orchestral, arr.  | arr. of S.292b
372/1  | N32/3/1  |

Der Fischerknabe (Es lächelt der See)
| v orch  |  | 1855  | Vocal, orchestral, arr.  | arr. of S.292b/1
372/2  | N32/3/2  |

Der Hirt (Ihr Matten lebt wohl)
| v orch  |  | 1855  | Vocal, orchestral, arr.  | arr. of S.292b/2
372/3  | N32/3/3  |

Der Alpenjäger  (Es donnern die Höh'n)
| v orch  |  | 1855  | Vocal, orchestral, arr.  | arr. of S.292b/3
373/1  | N37/5/1  | Jeanne d'Arc au bûcher  | v orch  |  | 1858  | Vocal, orchestral, arr.  | arr. of S.293/1; 1st version of S.373/2
373/2  | N37/5/2  | Jeanne d'Arc au bûcher  | v orch  |  | 1875  | Vocal, orchestral, arr.  | arr. of S.293/2; 1st version of S.373/1
374  | N62/2  | Die drei Zigeuner  | v orch  |  | 1871  | Vocal, orchestral, arr.  | arr. of S.320
375  | N63  | Lieder von Schubert (6)  | v orch  |  | 1860  | Vocal, orchestral, arr.  | arrs. of songs by Franz Schubert
375/1  | N63/1  |

Die junge Nonne
| v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of Die junge Nonne, D.828 by Franz Schubert
375/2  | N63/2  |

Gretchen am Spinnrade
| v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of Gretchen am Spinnrade, D.118 by Franz Schubert
375/3  | N63/3  |

Mignons Lied (Kennst du das Land)
| v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of Mignon, D.321 by Franz Schubert
375/4  | N63/4  |

Erlkönig
| v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of Erlkönig, D.328 by Franz Schubert
375/5  | N63/5  |

Der Doppelgänger (Still ist die Nacht)
| v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of No.13 from Schwanengesang, D.957 by Franz Schubert
375/6  | N63/6  |

Abschied
| v orch  |  | 1860  | Vocal, orchestral, arr.  | arr. of No.7 from Schwanengesang, D.957 by Franz Schubert
376  | L13  | Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr)  | mch org/harm orch  |  | 1871  | Vocal, orchestral, arr.  | arr. of Die Allmacht, D.852 by Franz Schubert
377  | N82  | Der Zaubersee (Bűvös tó)  | ten orch  |  | 1884  | Vocal, orchestral, arr.  | arr. of a ballad (now lost) by Géza Zichy
377a–383  |  |

#### Chamber music, etc.

[edit]

377a  | D9  | La notte  | vn pf  |  | 1864–66?  | Chamber, arr.  | arr. of S.112/2; formerly S.722
378  | D15  | Angelus! Priere aux anges gardiens  | 2vn va vc  |  | 1883  | Chamber, arr.  | arr. of S.163/1
378a  | D18/1  | Vallée d'Obermann  | vn vc pf  |  | 1880  | Chamber, arr.  | arr. by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c
378b  | D18/2  | Vallée d'Obermann  | vn vc pf  |  | 1880  | Chamber, arr.  | 2nd version of S.378a, S.378c
378c  | D18/3  | Tristia (Vallée d'Obermann)  | vn vc pf  |  | 1880  | Chamber, arr.  | 3rd version of S.378a, S.378b
379  | D6  | Hungarian Rhapsody No.9  | vn vc pf  | E♭ major  | 1848  | Chamber, arr.  | arr. of S.244/9
379a  | —  | Hungarian Rhapsody No. 12  | vn pf  | C♯ minor  | 1850–59  | Chamber, arr.  | arr. of S.244/12
379b  | D17  | Puszta-Wehmut  | vn pf  |  | 1880  | Chamber, arr.  | arr. of S.246
380  | D7  | O du mein holder Abendstern  | vc pf  |  | 1852  | Chamber, arr.  | arr. of S.444 (with Bernhard Cossmann)
381  | D10  | Aus der Ungarischen Krönungsmesse  | vn pf  |  | 1869  | Chamber, arr.  | arr. from S.11
381/1  | D10/1  |

Benedictus
| vn pf  |  | 1869  | Chamber, arr.  | arr. of S.11/7
381/2  | D10/2  |

Offertorium
| vn pf  |  | 1869  | Chamber, arr.  | arr. of S.11/5
381a  | —  | A magyarok Istene (Ungarns Gott)  | vn pf  |  | 1882  | Chamber, arr.  | arr. of S.339
382  | D21  | Die Zelle im Nonnenwerth (Elegie)  | vn/vc pf  |  | 1883?  | Chamber, arr.  | arr. of S.274/2
382a  | D11  | Consolations (2):  | vc pf/org  |  | 1870  | Chamber, arr.  | arr. of extracts from S.172 by Liszt and Deswert
382a/1  | D11/1  |

(Andante con moto)
| vc pf  |  | 1870  | Chamber, arr.  | arr. of S.172/1 by Liszt and Deswert
382a/2  | D11/2  |

(Quasi Adagio)
| vc pf/org/harm  |  | 1870  | Chamber, arr.  | arr. of S.172/4 by Liszt and Deswert
383  | D8  | Die drei Zigeuner  | vn pf  |  | 1864  | Chamber, arr.  | arr. of S.320
383a–577ter  |  |

#### For pianoforte solo

[edit]

383a–460  |  |

##### Paraphrases, operatic transcriptions, etc.

[edit]

383a  | V12  | Virag Dál (Chant des Fleurs) [Ábrányi]  | pf  |  | 1880  | Piano, arr.  | additions and corrections by Liszt to the pf piece by Kornél Ábrányi
384  | A93  | Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg  | pf  |  | 1868?  | Piano, arr.  | arr. of a pf piece by Mikhail Vielgorsky [attributed in some sources to Alexander Alyabyev]
384a  | —  | Variations on "Tiszantuli szép leany"  | pf  |  | 1846  | Piano, arr.  | variations on the Hungarian folk song "Tiszantuli szép leany"
385i  | A12a/1  | Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber  | pf  | A major  | 1829  | Piano, arr.  | based on a theme from the opera La fiancéeby Auber (also used in S.385a); 1st version of S.385/2, S.385/3
385ii  | A12a/2  | Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber  | pf  | A major  | 1843?  | Piano, arr.  | 2nd version of S.385/1, S.385/3
385iii  | —  | Souvenir de La fiancée (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber)  | pf  | A major  | 1842  | Piano, arr.  | 3rd version of S.385/1, S.385/2
385a  | A12b  | Tyrolean Melody  | pf  | G major  | 1829  | Piano, arr.  | formerly S.233c; based on the same theme as S.385
386i  | A125  | Tarantelle di bravura d'après la tarantelle de La muette de Portici  | pf  |  | 1846  | Piano, arr.  | based on a theme from the opera La muette de Portici by Auber; 1st version of S. 386ii and S. 386iii
386ii  | —  | Tarantelle di bravura d'après la tarantelle de La muette de Portici  | pf  |  | 1846  | Piano, arr.  | based on a theme from the opera La muette de Portici by Auber; 2nd version of S. 386i and S. 386iii
386iii  | —  | Tarantelle di bravura d'après la tarantelle de La muette de Portici  | pf  |  | 1869  | Piano, arr.  | 3rd version of S. 386i and S. 386ii
387  | A144/1  | Stücke aus der Oper La muette de Portici von Auber (3):  | pf  |  | 1847–48  | Piano, arr.  |
387/1  | A144/1  |

Introduction e Cavatine
| pf  |  | 1847–48  | Piano, arr.  | based on themes from the opera La muette de Portici by Auber
387/2  | A144/2  |

Klavierstück über ein fremdes Thema
| pf  |  | 1847–48  | Piano, arr.  | based on an unidentified theme
388  | A124  | Capriccio alla turca sur des motifs de Beethoven  | pf  |  | 1846  | Piano, arr.  | based on themes from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; themes also used in S.388b, S.122
388a  | A124  | Marche des Ruines d'Athenes de Beethoven  | pf  |  | 1846  | Piano, arr.  | extracted from S.388
388b  | A177  | Fantasie über Themen aus Beethovens Ruinen von Athen  | pf  |  | 1839  | Piano, arr.  | based on themes from Die Ruinen von Athen, Op.113 by Beethoven; rev. as S.122; themes also used in S.388
389  | A177  | Fantasie über Motive aus Beethovens Ruinen von Athen  | pf  |  | 1852  | Piano, arr.  | arr. of S.122
389a  | C27  | Cadenza to the first movement of Piano Concerto No.3 by Beethoven  | pf  |  | 1878–79  | Piano, arr.  | extracted from S.657a/1
390/1  | A34/1  | Réminiscences des Puritains de Bellini  | pf  |  | 1836  | Piano, arr.  | based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390/2
390/2  | A34/2  | Réminiscences des Puritains de Bellini  | pf  |  | 1837  | Piano, arr.  | 2nd version of S.390/1; ending used in S.391
391  | A74  | Introduction et Polonaise de l'opéra I puritani  | pf  |  | 1840–41  | Piano, arr.  | based on the conclusion of S.390/2
392  | A41  | Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)  | pf  |  | 1837–38  | Piano, arr.  | collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frédéric Chopin; arr. for pf orch as S.365b, for 2pf as S.654
393/1  | A56/1  | Fantaisie sur des motifs favoris de l'opera Somnambula de Bellini  | pf  |  | 1841  | Piano, arr.  | based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393/2, S.393/3,
393/2  | A56/2  | Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula  | pf  |  | 1852  | Piano, arr.  | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627
393/3  | A56/3  | Grosse Concert-Fantasie aus der Oper Sonnambula  | pf  |  | 1874  | Piano, arr.  | 3rd version of S.393/1, S.393/2
394  | A77  | Réminiscences de Norma  | pf  |  | 1841  | Piano, arr.  | based on themes from the opera Norma by Vincenzo Bellini; arr. for 2pf as S.655
395  | —  | L'idée fixe | pf  |  | 1833  | Piano, arr.  | renumbered as S.470a/1
396  | A178  | Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz)  | pf  |  | 1852–53  | Piano, arr.  | based on themes from the opera Benvenuto Cellini by Hector Berlioz; arr. for pf4h as S.628
397  | A22  | Réminiscences de Lucia di Lammermoor  | pf  |  | 1835–36  | Piano, arr.  | based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arr. for pf4h as S.628a
398  | A23  | Marche et Cavatine de Lucia di Lammermoor  | pf  |  | 1835–36  | Piano, arr.  | based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arr. for pf4h as S.628b
399  | A44  | Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti) (3):  | pf  |  | 1838  | Piano, arr.  | based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/1  | A44/1  |

Barcarola  (Il barcajuolo)
| pf  |  | 1838  | Piano, arr.  | based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/2  | A44/2  |

Notturno (L'alito di Bice)
| pf  |  | 1838  | Piano, arr.  | based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/3  | A44/3  |

Canzone Napoletana (La torre di Biasone)
| pf  |  | 1838  | Piano, arr.  | based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399a  | A71a  | Fantaisie sur des motifs favoris de l'opéra Lucrezia Borgia | pf  |  | 1840  | Piano, arr.  | based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400/2
400  | A71b  | Réminiscences de Lucrezia Borgia (Grande fantaisie sur des motifs de l'opéra de Gaetano Donizetti)  | pf  |  | 1848  | Piano, arr.  | based on themes from the opera Lucrezia Borgia by Gaetano Donizetti
400/1  | A71b/1  |

Trio du seconde Acte
| pf  |  | 1848  | Piano, arr.  | based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti
400/2  | A71b/2  |

Chanson á boire (Orgie). Duo. Finale
| pf  |  | 1848  | Piano, arr.  | based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a
400a  | A136  | Spirto gentil (Kavatine aus der Oper La favorite)  | pf  |  | 1847  | Piano, arr.  | based on a theme from Act IV of La favorite by Gaetano Donizetti
401  | A88a  | Valse a capriccio (sur deux motifs de Lucia et Parisina)  | pf  |  | 1842  | Piano, arr.  | based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti; 1st version of S.214/3
402  | A108  | Marche funèbre de Dom Sébastien de Donizetti  | pf  |  | 1844  | Piano, arr.  | based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti
403  | A137  | Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan  | pf  |  | 1847  | Piano, arr.  | based on the Grande marche militaire by Gaetano Donizetti; 1st version of S.403a
403a  | A137  | Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan  | pf  |  | 1848  | Piano, arr.  | 2nd version of S.403 ("version facilitée"); renumbered from S.403bis
404  | A160  | Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.)  | pf  |  | 1849  | Piano, arr.  | based on themes from the opera Tony, oder die Vergeltung by Ernest II, Duke of Saxe-Coburg and Gotha
405  | A140  | Schwanengesang und Marsch aus Hunyadi László  | pf  |  | 1847  | Piano, arr.  | based on themes from the opera Hunyadi László by Ferenc Erkel
405a  | V4  | Pásztor Lakodalmus (Magyar nóták)  | pf  |  | 1858  | Piano, arr.  | corrections and alterations to Les noces du Pâtre by Leo Festetics
406/1  | —  | Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l'opera Rouslan et Loudmila)  | pf  |  | 1843  | Piano, arr.  | based on Chernomor's March (Act IV, No. 19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406/2
406/2  | —  | Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla  | pf  |  | 1843, 1875  | Piano, arr.  | 2nd version of S.406/2; arr. for pf4h as S.629
407  | A208  | Valse de l'opéra Faust  | pf  |  | 1861  | Piano, arr.  | based on the waltz and duet from Act II of the opera Faust by Charles Gounod
408  | A231  | Les Sabéennes (Berceuse de l'opéra La reine de Saba)  | pf  |  | 1865  | Piano, arr.  | based on the berceuse from the opera La reine de Saba by Charles Gounod
409  | A237  | Les adieux (Rêverie sur un motif de l'opéra Roméo et Juliette)  | pf  |  | 1867  | Piano, arr.  | based on a theme from the opera Roméo et Juliette by Charles Gounod
409a  | A20  | Réminiscences de La juive (Fantaisie brillante sur des motifs de l'opéra de Halévy)  | pf  |  | 1835  | Piano, arr.  | based on themes from the opera La Juive by Fromental Halévy
410  | A166  | Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum  | pf  |  | 1849–50  | Piano, arr.  | based on themes from the incidental music to A Midsummer Night's Dream, Op.61 by Felix Mendelssohn
411  | A47  | Soirées italiennes (Amusements sur des motifs de Mercadante) (6):  | pf  |  | 1838–39  | Piano, arr.  | based on 6 of the 12 Soirées italiennes by Saverio Mercadante
411/1  | A47/1  |

La primavera (Canzonetta)
| pf  |  | 1838–39  | Piano, arr.  | based on No.2 of the Soirées italiennes by Saverio Mercadante
411/2  | A47/2  |

Il galop
| pf  |  | 1838–39  | Piano, arr.  | based on No.10 of the Soirées italiennes by Saverio Mercadante
411/3  | A47/3  |

Il pastore svizzero (Tirolese)
| pf  |  | 1838–39  | Piano, arr.  | based on No.4 of the Soirées italiennes by Saverio Mercadante
411/4  | A47/4  |

La serenata del marinaro
| pf  |  | 1838–39  | Piano, arr.  | based on No.5 of the Soirées italiennes by Saverio Mercadante
411/5  | A47/5  |

Il Brindisi (Rondoletto)
| pf  |  | 1838–39  | Piano, arr.  | based on No.11 of the Soirées italiennes by Saverio Mercadante
411/6  | A47/6  |

La zingarella spagnuola (Bolero)
| pf  |  | 1838–39  | Piano, arr.  | based on No.8 of the Soirées italiennes by Saverio Mercadante
412/1  | A35  | Réminiscences des Huguenots (Grande fantaisie dramatique)  | pf  |  | 1836  | Piano, arr.  | based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412/2, S.412/3
412/2  | A35  | Réminiscences des Huguenots (Grande fantaisie dramatique)  | pf  |  | 1838  | Piano, arr.  | 2nd version of S.412/1, S.412/3
412/3  | A35  | Grande fantaisie dramatique sur des thèmes de l'opéra Les Huguenots  | pf  |  | 1842  | Piano, arr.  | 3rd version of S.412/2, S.412/3
412a  | A120  | Cavatine de Robert le diable  | pf  |  | 1841–46?  | Piano, arr.  | based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer
413  | A78  | Réminiscences de Robert le diable  | pf  |  | 1841  | Piano, arr.  | based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arr. for pf4h as S.630 [?]
414  | A165  | Illustrations du Prophète  | pf  |  | 1849–50  | Piano, arr.  | based on themes from the opera Le prophète by Giacomo Meyerbeer
414/1  | A165/1  |

Prière. Hymne triomphal. Marche du sacre
| pf  |  | 1849–50  | Piano, arr.  | based on themes from the opera Le prophète by Giacomo Meyerbeer
414/2  | A165/2  |

Les patineurs. Scherzo
| pf  |  | 1849–50  | Piano, arr.  | based on themes from the opera Le prophète by Giacomo Meyerbeer
414/3  | A165/3  |

Pastorale. Appel aux armes
| pf  |  | 1849–50  | Piano, arr.  | based on themes from the opera Le prophète by Giacomo Meyerbeer
415  | A230  | Illustrations de l'opéra L'Africaine  | pf  |  | 1865  | Piano, arr.  | based on themes from the opera L'Africaine by Giacomo Meyerbeer
415/1  | A230/1  |

Prière des matelots
| pf  |  | 1865  | Piano, arr.  | based on the sailors' prayer from Act III of the opera L'Africaine by Meyerbeer
415/2  | A230/2  |

Marche indienne
| pf  |  | 1865  | Piano, arr.  | based on the Indian March from Act IV of the opera L'Africaine by Meyerbeer
416  | A79  | Le moine [Meyerbeer]  | pf  |  | 1841  | Piano, arr.  | arr. of the song by Meyerbeer
417  | A232  | Fantaisie sur l'opéra hongroise Szép Ilonka  | pf  |  | 1865–67  | Piano, arr.  | based on themes from the opera Szép Ilonka by Mihály Mosonyi
418  | A80  | Réminiscences de Don Juan (Grande fantaisie)  | pf  |  | 1841  | Piano, arr.  | based on themes from the opera Don Giovanni, K.527 by Wolfgang Amadeus Mozart; arr. for 2pf as S.656
419  | A24  | Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti")  | pf  |  | 1835–36  | Piano, arr.  | based on themes from the opera Niobe by Giovanni Pacini
420  | A15  | Grande fantaisie de bravoure sur La clochette  | pf  |  | 1832–34  | Piano, arr.  | based on the main theme of the last movement of the Violin Concerto No.2, Op.7 by Niccolò Paganini and Paganini's 9th Caprice from his 24 Caprices
421  | A183  | Andante Finale und Marsch aus der Oper König Alfred  | pf  |  | 1853  | Piano, arr.  | based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arr. for pf4h as S.631
421/1  | A183/1  |

Andante
| pf  |  | 1853  | Piano, arr.  | arr. for pf4h as S.631/1
421/2  | A183/2  |

Marsch
| pf  |  | 1853  | Piano, arr.  | arr. for pf4h as S.631/2
421a  | A13  | Introduction et Variations sur une marche du Siège de Corinthe  | pf  |  | 1830  | Piano, arr.  | only the Introduction survives (discovered in 1976 by Nancy B. Reich at Manhattanville College); there is no trace of either the March theme nor the Variations; based on themes from the opera Le siège de Corinthe by Gioachino Rossini; formerly S.750[2][3]
422/1  | A25  | Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales  | pf  |  | 1835–36  | Piano, arr.  | based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioachino Rossini; 1st version of S.422/2
422/2  | A25  | Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales  | pf  |  | 1840  | Piano, arr.  | 2nd version of S.422/1
423  | A26  | Fantaisie sur des motifs de La pastorella dell'Alpi e Li marinari des Soirées musicales  | pf  |  | 1835–36  | Piano, arr.  | based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioachino Rossini
424  | A36  | Soirées musicales de Rossini  | pf  |  | 1837  | Piano, arr.  | based on the song cycle Les soirées musicales by Gioachino Rossini
424/1  | A36/1  |

La promessa  (Canzonetta)
| pf  |  | 1837  | Piano, arr.  | based on No.1 of the Les soirées musicales by Gioachino Rossini
424/2  | A36/2  |

La regata veneziana (Notturno)
| pf  |  | 1837  | Piano, arr.  | based on No.9 of the Les soirées musicales by Gioachino Rossini
424/3  | A36/3  |

L'invito (Bolero)
| pf  |  | 1837  | Piano, arr.  | based on No.5 of the Les soirées musicales by Gioachino Rossini
424/4  | A36/4  |

La gita in gondola (Barcarola)
| pf  |  | 1837  | Piano, arr.  | based on No.7 of the Les soirées musicales by Gioachino Rossini
424/5  | A36/5  |

Il rimprovero (Canzonetta)
| pf  |  | 1837  | Piano, arr.  | based on No.2 of the Les soirées musicales by Gioachino Rossini
424/6  | A36/6  |

La pastorella dell'Alpi (Tirolese)
| pf  |  | 1837  | Piano, arr.  | based on No.6 of the Les soirées musicales by Gioachino Rossini
424/7  | A36/7  |

La partenza (Canzonetta)
| pf  |  | 1837  | Piano, arr.  | based on No.3 of the Les soirées musicales by Gioachino Rossini
424/8  | A36/8  |

La pesca  (Notturno)
| pf  |  | 1837  | Piano, arr.  | based on No.10 of the Les soirées musicales by Gioachino Rossini
424/9  | A36/9  |

La danza (Tarantella Napoletana)
| pf  |  | 1837  | Piano, arr.  | based on No.8 of the Les soirées musicales by Gioachino Rossini
424/10  | A36/10  |

La serenata (Notturno)
| pf  |  | 1837  | Piano, arr.  | based on No.11 of the Les soirées musicales by Gioachino Rossini
424/11  | A36/11  |

L'orgia  (Arietta)
| pf  |  | 1837  | Piano, arr.  | based on No.4 of the Les soirées musicales by Gioachino Rossini
424/12  | A36/12  |

Li marinari  (Duetto)
| pf  |  | 1837  | Piano, arr.  | based on No.12 of the Les soirées musicales by Gioachino Rossini
425  | A48  | Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien)  | pf  |  | 1838–39  | Piano, arr.  | based on Divertissement à la hongroise, D.818 by Franz Schubert;
1st version of S.425a
425/1  | A48/1  |

Andante
| pf  |  | 1838–39  | Piano, arr.  | based on No.1 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/1
425/2a  | A48/2  |

Marche hongroise
| pf  |  | 1838–39  | Piano, arr.  | based on No.2 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (" 1st Diabelli edition")
425/2b  | A48/2  |

Marche hongroise
| pf  |  | 1840  | Piano, arr.  | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("Richault edition")
425/2c  | A48/2  |

Marche hongroise
| pf  |  | 1840  | Piano, arr.  | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 ("Lucca edition")
425/2d  | A48/2  |

Marche hongroise
| pf  |  | 1879  | Piano, arr.  | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 ("Menter transcription")
425/2e  | A48/2  |

Marche hongroise
| pf  |  | 1883  | Piano, arr.  | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (" 3rd edition")
425/3  | A48/3  |

Allegretto
| pf  |  | 1838–39  | Piano, arr.  | based on No.3 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/3
425a  | A48  | Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien)  | pf  |  | 1846  | Piano, arr.  | 2nd (simplified) version of S.425
425a/1  | A48/1  |

Andante
| pf  |  | 1846  | Piano, arr.  | 2nd (simplified) version of S.425a/1
425a/2  | A48/2  |

Marcia
| pf  |  | 1846  | Piano, arr.  | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (" 2nd Diabelli edition")
425a/3  | A48/3  |

Allegretto
| pf  |  | 1846  | Piano, arr.  | 2nd (simplified) version of S.425/3
426  | A123  | Märsche von Franz Schubert (3):  | pf  |  | 1846  | Piano, arr.  |
426/1  | A123/1  |

Trauermarsch (Grande marche funèbre)
| pf  |  | 1846  | Piano, arr.  | based on No.5 of 6 Grandes marches, D.819 by Franz Schubert; arr. for orch as S.363/2, for pf4h as S.632/2
426/2  | A123/2  |

Grande marche
| pf  |  | 1846  | Piano, arr.  | using themes from No.3 of 6 Grandes marches, D.819, and Grande marche funèbre, D.859 by Franz Schubert
426/3  | A123/3  |

Grande marche caractéristique
| pf  |  | 1846  | Piano, arr.  | using themes from Nos.1 and 2 of 2 Marches caractéristiques, D.968b, and Nos.1 and 2 of 6 Grandes marches, D.819 by Franz Schubert
426a  | —  | Marche militaire (Grande paraphrase de concert)  | pf  |  | 1870?  | Piano, arr.  | based on No.1 of 3 Marches militaires, D.733 by Franz Schubert
427  | A131  | Soirées de Vienne (Valses-caprices d'après François Schubert)  | pf  |  | 1846–52  | Piano, arr.  | based on pf pieces by Franz Schubert
427/1  | A131/1  |

(Allegretto malinconico)
| pf  | A♭ major  | 1846–52  | Piano, arr.  | based on themes from 36 Originaltänze, D.365; Wiener Damen-Ländler und Ecossaisen, D.734; and 18 German Dances and Ecossaises, D.783 by Franz Schubert
427/2  | A131/2  |

(Poco Allegro)
| pf  | A♭ major  | 1846–52  | Piano, arr.  | based on themes from 36 Originaltänze, D.365 and 38 Waltzes, Ländler and Ecossaises, D.145 by Franz Schubert
427/3  | A131/3  |

(Allegro vivace)
| pf  | E major  | 1846–52  | Piano, arr.  | based on themes from 18 Deutsche und Ecossaisen, D.783; 36 Originaltänze, D.365 and 38 Waltzes, Ländler and Ecossaises, D.145 by Franz Schubert
427/4  | A131/4  |

(Andantino a capriccio)
| pf  | D♭ major  | 1846–52  | Piano, arr.  | based on themes from 36 Originaltänze, D.365 by Franz Schubert
427/5  | A131/5  |

(Moderato cantabile con affetto)
| pf  | G♭ major  | 1846–52  | Piano, arr.  | based on themes from 36 Originaltänze, D.365 and 12 Valses nobles, D.969 by Franz Schubert
427/6  | A131/6  |

(Allegro con strepito)
| pf  | A minor  | 1846–52  | Piano, arr.  | based on themes from 12 Valses nobles, D.969; and Valses sentimentales, D.779 by Franz Schubert; 1st version of S.427/6a, S.427/6b
427/6ii  | A131/6  |

(Allegro con spirito)
| pf  | A minor  | 1879  | Piano, arr.  | 2nd version of S.427/6, S.427/6iii with variants for Sophie Menter
427/6b  | A131/6  |

(Allegro con spirito)
| pf  | A minor  | 1883?  | Piano, arr.  | 3rd version of S.427/6, S.427/6ii
427/7  | A131/7  |

(Allegro spiritoso)
| pf  | A major  | 1846–52  | Piano, arr.  | based on themes from 18 German Dances and Ecossaises, D.783 by Franz Schubert
427/8  | A131/8  |

(Allegro con brio)
| pf  | D major  | 1846–52  | Piano, arr.  | based on themes from 18 German Dances and Ecossaises, D.783 and 12 Valses nobles, D.969 by Franz Schubert
427/9  | A131/9  |

(Preludio a capriccio)
| pf  | A♭ major  | 1846–52  | Piano, arr.  | based on themes from 36 Originaltänze, D.365 by Franz Schubert
428  | A115  | Feuille morte (Élégie d'après Soriano)  | pf  |  | 1845  | Piano, arr.  | based on an unidentified composition by Mariano Soriano Fuertes
429  | A293  | Polonaise aus der Oper Jewgeny Onegin  | pf  |  | 1879  | Piano, arr.  | based on the Polonaise from the opera Eugene Onegin, Op.24 by Pyotr Ilyich Tchaikovsky
430  | A318  | Valse de concert  | pf  |  | 1882–83  | Piano, arr.  | based on part of the Suite en forme de valse by János Végh
431/1  | A149/1  | Salve Maria de Jérusalem  | pf  |  | 1848  | Piano, arr.  | arr. of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431/2
431/2  | A149/2  | Salve Maria de Jérusalem  | pf  |  | 1882  | Piano, arr.  | 2nd version of S.431/1
431a  | A138  | Paraphrase de concert sur Ernani I  | pf  |  | 1847  | Piano, arr.  | based on different themes from the opera Ernani by Giuseppe Verdi than S.432
432  | A203  | Paraphrase de concert sur Ernani II  | pf  |  | 1859  | Piano, arr.  | based on different themes from the opera Ernani by Giuseppe Verdi than S.431a
433  | A199  | Miserere du Trovatore (Paraphrase de concert)  | pf  |  | 1859  | Piano, arr.  | based on the Miserere from Act IV of the opera Il trovatore by Giuseppe Verdi
434  | A187  | Paraphrase de concert sur Rigoletto  | pf  |  | 1855–59?  | Piano, arr.  | based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi
435  | A240  | Finale de Don Carlos (Coro di festa e Marcia funebre)  | pf  |  | 1867–68  | Piano, arr.  | arr. of the finale ("Ce jour est plein d'allégresse") from the opera Don Carlos by Giuseppe Verdi
436  | A276  | Danza sacra e duetto finale d'Aida | pf  |  | 1876?  | Piano, arr.  | arrs. of extracts from
437/1  | A284  | Agnus Dei della Messa da Requiem di Giuseppe Verdi  | pf  |  | 1877  | Piano, arr.  | based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437/1; arr. for org/harm as S.675c/1
437/2  | A284  | Agnus Dei della Messa da Requiem di Giuseppe Verdi  | pf  |  | 1882  | Piano, arr.  | 2nd version of S.437/2; arr. for org/harm as S.675c/2
438  | A314  | Réminiscences de Boccanegra  | pf  |  | 1882  | Piano, arr.  | based on themes from the rev. version of the opera Simon Boccanegra by Giuseppe Verdi
439  | A200  | Phantasiestück über Motive aus Rienzi  | pf  |  | 1859  | Piano, arr.  | based on the battle-hymn "Santo spitiro cavaliere" (Act III, No. 10) from the opera Rienzi, WWV.49 by Richard Wagner
440  | A204  | Spinnerlied aus dem Fliegenden Holländer  | pf  |  | 1860  | Piano, arr.  | based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
441  | A259  | Ballade aus dem Fliegenden Holländer  | pf  |  | 1872  | Piano, arr.  | based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
442  | A146  | Ouvertüre zu Tannhäuser  | pf  |  | 1848  | Piano, arr.  | based on the Overture to the opera Tannhäuser, WWV.70 by Richard Wagner
443/1  | A210a  | Pilgerchor aus Tannhäuser  | pf  |  | 1861  | Piano, arr.  | based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.443/2; arr. for org/harm as S.676/1
443/2  | A210b  | Pilgerchor aus Tannhäuser  | pf  |  | 1885?  | Piano, arr.  | 2nd version of S.443/1; arr. for org/harm as S.676/2
444  | A163  | O du mein holder Abendstern (Rezitativ und Romanze aus der Oper Tannhäuser)  | pf  |  | 1849  | Piano, arr.  | based on Wolfram's aria from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; arr. for vc pf (with Bernhard Cossmann) as S.380
445  | A176  | Stücke aus Tannhäuser und Lohengrin (2):  | pf  |  | 1852  | Piano, arr.  | arr. for pf4h as S.634b
445/1a  | A176/1  |

Einzug der Gäste auf der Wartburg
| pf  |  | 1852  | Piano, arr.  | based on the March from Act II of the opera Tannhäuser, WWV.70 by Richard Wagner;
1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1
445/1b  | A176/1  |

Einzug der Gäste auf der Wartburg
| pf  |  | 1874  | Piano, arr.  | 2nd version of S.445/1a, S.445/1c
445/1c  | A176/1  |

Einzug der Gäste auf der Wartburg
| pf  |  | 1876  | Piano, arr.  | 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b
445/2  | A176/2  |

Elsas Brautzug zum Münster
| pf  |  | 1852  | Piano, arr.  | based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV.75 by Richard Wagner; arr. for pf4h as S.634b/2
446  | A185  | Aus Lohengrin  | pf  |  | 1854  | Piano, arr.  | based on themes from the opera Lohengrin, WWV 75 by Richard Wagner
446/1  | A185/1  |

Festspiel und Brautlied
| pf  |  | 1854  | Piano, arr.  | based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
446/2  | A185/2  |

Elsas Traum
| pf  |  | 1854  | Piano, arr.  | based on Elsa's Dream from Act I of the opera Lohengrin, WWV.75 by Richard Wagner
446/3  | A185/3  |

Lohengrins Verweis an Elsa
| pf  |  | 1854  | Piano, arr.  | based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
447  | A239  | Isoldens Liebestod (Schlußszene)  | pf  |  | 1867  | Piano, arr.  | arr. of the transfiguration scene from the opera Tristan und Isolde, WWV.90 by Richard Wagner
448  | A254  | Am stillen Herd  | pf  |  | 1871  | Piano, arr.  | based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96 by Richard Wagner
449  | A269  | Walhall aus Der Ring des Nibelungen  | pf  |  | 1875  | Piano, arr.  | based on themes from the final scene of the opera Das Rheingold, WWV.86A by Richard Wagner
450  | A315  | Feierlicher Marsch zum heiligen Gral aus Parsifal  | pf  |  | 1882  | Piano, arr.  | based on the theme of the march from Act I of the opera Parsifal, WWV.111 by Richard Wagner
451  | A68  | Freischütz Fantasie  | pf  |  | 1840  | Piano, arr.  | based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77 by Carl Maria von Weber
452  | A151  | Leyer und Schwerdt (Heroide nach Carl Maria von Weber)  | pf  |  | 1848  | Piano, arr.  | based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber
453  | A152  | Einsam bin ich, nicht allein (Volkslied aus dem Schauspiel Preziosa)  | pf  |  | 1848  | Piano, arr.  | based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78 by Carl Maria von Weber
454  | A150  | Schlummerlied mit Arabesken  | pf  |  | 1848  | Piano, arr.  | based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber
455  | A175  | Polonaise brillante [Weber]  | pf  |  | 1851  | Piano, arr.  | arr. of the Polacca brillante, Op.72 by Carl Maria von Weber; arr. for pf orch as S.367
456  | A281  | Valse d'Adèle (Transcription brillante)  | pf  |  | 1877  | Piano, arr.  | arr. of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy
457#  | —  |  |  |  |  |  | number not allocated
458  | A51  | Reminiscences de La Scala (Fantasie über italienische Opernmelodien)  | pf  |  | 1838–39  | Piano, arr.  | using themes from the opera Il giuramento by Saverio Mercadante and another unidentified source
459#  |  | Three Pieces  |  |  |  |  | deleted; renumbered as S. 387 and S. 387a
460  | A330  | Kavallerie-Geschwindmarsch  | pf  |  | 1870  | Piano, arr.  |
461–577ter  |  |

##### Partitions de piano, transcriptions, etc.

[edit]

461i  | A217  | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)  | pf  |  | 1862  | Piano, transcr.  | based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; 1st version of S.461/2; arr. for orch as S.360
461ii  | A217  | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)  | pf  |  | 1862  | Piano, transcr.  | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658
461a  | —  | Ave verum corpus de Mozart  | pf  |  | 1867  | Piano, transcr.  | arr. of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr. for org/harm as S.674d
462  | A92  | Preludes and Fugues by J. S. Bach (6):  | pf  |  | 1842–50  | Piano, transcr.  |
462/1  | A92/1  |

Präludium und Fuge
| pf  | A minor  | 1842–50  | Piano, transcr.  | arr. of Prelude and Fugue, BWV 543 by Johann Sebastian Bach
462/2  | A92/2  |

Präludium und Fuge
| pf  | C major  | 1842–50  | Piano, transcr.  | arr. of Prelude and Fugue, BWV 545 by Johann Sebastian Bach
462/3  | A92/3  |

Präludium und Fuge
| pf  | C minor  | 1842–50  | Piano, transcr.  | arr. of Prelude and Fugue, BWV 546 by Johann Sebastian Bach
462/4  | A92/4  |

Präludium und Fuge
| pf  | C major  | 1842–50  | Piano, transcr.  | arr. of Prelude and Fugue, BWV 547 by Johann Sebastian Bach
462/5  | A92/5  |

Präludium und Fuge
| pf  | E minor  | 1842–50  | Piano, transcr.  | arr. of Prelude and Fugue, BWV 548 by Johann Sebastian Bach
462/6  | A92/6  |

Präludium und Fuge
| pf  | B minor  | 1842–50  | Piano, transcr.  | arr. of Prelude and Fugue, BWV 544 by Johann Sebastian Bach
463/1  | A244  | Orgel Fantasie und Fuge | pf  | G minor  | 1861?  | Piano, transcr.  | arr. of Fantasia and Fugue, BWV 542, by Johann Sebastian Bach
463/2  | A244  | Orgel Fantasie und Fuge  | pf  | G minor  | 1868  | Piano, transcr.  | 2nd version of S.463/1
463a  | A37b/1  | Symphonie No. 5 de Beethoven | pf  | C minor  | 1837  | Piano, transcr.  | arr. of the Symphony No.5, Op.67 by Ludwig van Beethoven; 1st version of S.464/5
463b  | A37b/2  | Symphonie No. 6 de Beethoven | pf  | F major  | 1837  | Piano, transcr.  | arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 1st version of S.463c, S.464/6
463c  | A37b/2  | Symphonie No. 6 de Beethoven | pf  | F major  | 1837  | Piano, transcr.  | arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 2nd version of S.463b, S.464/6
463d  | A37b/3  | Symphonie No. 7 de Beethoven | pf  | A major  | 1837  | Piano, transcr.  | arr. of the Symphony No.7, Op.92 by Ludwig van Beethoven; 1st version of S.464/7
463e  | A37a  | Marche funèbre de la Symphonie héroïque de Beethoven  | pf  |  | 1837  | Piano, transcr.  | arr. of movt. III from Symphony No.3, Op.55 by Ludwig van Beethoven; rev. in S.464/3
464  | A37  | Symphonies de Beethoven (9):  | pf  |  | 1863–64  | Piano, transcr.  |
464/1  | A37c/1  |

Symphonie No. 1 de Beethoven
| pf  | C major  | 1863–64  | Piano, transcr.  | arr. of the Symphony No. 1, Op.21 by Ludwig van Beethoven
464/2  | A37c/2  |

Symphonie No. 2 de Beethoven
| pf  | D major  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.2, Op.36 by Ludwig van Beethoven;
464/3  | A37c/3  |

Symphonie No. 3 de Beethoven
| pf  | E♭ major  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.3, Op.55 by Ludwig van Beethoven; movt.II based on S.463e
464/4  | A37c/4  |

Symphonie No. 4 de Beethoven
| pf  | B♭ major  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.4, Op.60 by Ludwig van Beethoven;
464/5  | A37c/5  |

Symphonie No. 5 de Beethoven
| pf  | C minor  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.5, Op.67 by Ludwig van Beethoven; 2nd version of S.463a
464/6  | A37c/6  |

Symphonie No. 6 de Beethoven
| pf  | F major  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 3rd version of S.463b, S.463c
464/7  | A37c/7  |

Symphonie No. 7 de Beethoven
| pf  | A major  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.7, Op.92 by Ludwig van Beethoven; 2nd version of S.463c
464/8  | A37c/8  |

Symphonie No. 8 de Beethoven
| pf  | F major  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.8, Op.93 by Ludwig van Beethoven
464/9  | A37c/9  |

Symphonie No. 9 de Beethoven
| pf  | D minor  | 1863–64  | Piano, transcr.  | arr. of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr. for pf as S.657
465  | A69  | Grand septuor de Beethoven | pf  |  | 1840  | Piano, transcr.  | arr. of the Septet, Op.20 by Ludwig van Beethoven; also arr. for pf4h as S.634
466a  | A58  | Adelaide von Beethoven  | pf  |  | 1839  | Piano, transcr.  | arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 1st version of S.466, S.466b
466b  | A58  | Adelaide von Beethoven  | pf  |  | 1841  | Piano, transcr.  | arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 2nd version of S.466, S.466a
466  | A58  | Adelaide von Beethoven | pf  |  | 1847  | Piano, transcr.  | arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 3rd version of S.466a, S.466b
467  | A70  | Beethovens geistliche Lieder von Gellert (6):  | pf  |  | 1840  | Piano, transcr.  | arr. of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven; published as vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert
467/1  | A70/1  |

Gottes Macht und Vorsehung
| pf  |  | 1840  | Piano, transcr.  | arr. of No.5 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/2  | A70/2  |

Bitten
| pf  |  | 1840  | Piano, transcr.  | arr. of No.1 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/3  | A70/3  |

Bußlied
| pf  |  | 1840  | Piano, transcr.  | arr. of No.6 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/4  | A70/4  |

Vom Tode
| pf  |  | 1840  | Piano, transcr.  | arr. of No.3 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/5  | A70/5  |

Die Liebe des Nächsten
| pf  |  | 1840  | Piano, transcr.  | arr. of No.2 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/6  | A70/6  |

Die Ehre Gottes aus der Natur
| pf  |  | 1840  | Piano, transcr.  | arr. of No.4 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
468  | A161  | Beethovens Lieder von Goethe (6)  | pf  |  | 1849  | Piano, transcr.  |
468/1  | A161/1  |

Mignon
| pf  |  | 1849  | Piano, transcr.  | arr. of No.1 of 6 songs, Op.75 by Ludwig van Beethoven
468/2  | A161/2  |

Mit einem gemalten Bande
| pf  |  | 1849  | Piano, transcr.  | arr. of No.3 of 3 Songs, Op.83 by Ludwig van Beethoven
468/3  | A161/3  |

Freudvoll und leidvoll
| pf  |  | 1849  | Piano, transcr.  | arr. of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
468/4  | A161/4  |

Es war einmal ein König
| pf  |  | 1849  | Piano, transcr.  | arr. of No.3 of 6 songs, Op.75 by Ludwig van Beethoven
468/5  | A161/5  |

Wonne der Wehmut
| pf  |  | 1849  | Piano, transcr.  | arr. of No.1 of 3 Songs, Op.83 by Ludwig van Beethoven
468/6  | A161/6  |

Die Trommel gerühret
| pf  |  | 1849  | Piano, transcr.  | arr. of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
469  | A162  | An die ferne Geliebte (Liederkreis von Ludwig van Beethoven):  | pf  |  | 1849  | Piano, transcr.  | arr. of the song cycle An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/1  | A162/1  |

Auf dem Hügel
| pf  |  | 1849  | Piano, transcr.  | arr. of No.1 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/2  | A162/2  |

Wo die Bergen
| pf  |  | 1849  | Piano, transcr.  | arr. of No.2 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/3  | A162/3  |

Leichte Segler
| pf  |  | 1849  | Piano, transcr.  | arr. of No.3 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/4  | A162/4  |

Diese Wolken
| pf  |  | 1849  | Piano, transcr.  | arr. of No.4 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/5  | A162/5  |

Es kehret der Maien
| pf  |  | 1849  | Piano, transcr.  | arr. of No.5 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/6  | A162/6  |

Nimm sie hin denn
| pf  |  | 1849  | Piano, transcr.  | arr. of No.6 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
470  | A16a  | Episode de la vie d'un artiste (Grande symphonie fantastique par Hector Berlioz)  | pf  |  | 1833  | Piano, transcr.  | arr. of the Symphonie fantastique, H.48 by Hector Berlioz; 4th movement rev. as S.470a/2
470a/1  | A16b  | L'idée fixe (Andante amoroso d'après une mélodie de Berlioz)  | pf  |  | 1833  | Piano, transcr.  | formerly S.395; based on the main theme from the Symphonie fantastique, H.48 by Hector Berlioz
470a/2  | A16c  | Marche au supplice de la Symphonie fantastique (Episode de la vie d'un artiste de Hector Berlioz)  | pf  |  | 1865  | Piano, transcr.  | 2nd version of 4th movement from S.470
471  | A31  | Ouverture des Francs-juges de Hector Berlioz | pf  |  | 1833  | Piano, transcr.  | arr. of the concert overture to the opera Les francs-juges, H.23 by Hector Berlioz
472  | D5a  | Harold en Italie (Symphonie de Berlioz)  | pf (+ va)  |  | 1836  | Piano, transcr.  | arr. of the symphony Harold en Italie, H.68 by Hector Berlioz
473i  | A29a  | Marche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz)  | pf  |  | 1836–37  | Piano, transcr.  | 1st version of S.473ii
473ii  | A29b  | Marche des pèlerins (de la symphonie Harold en Italie de Hector Berliioz)  | pf  |  | 1862  | Piano, transcr.  | 2nd version of S.473i
474  | A30  | Ouverture du Roi Lear de Hector Berlioz  | pf  |  | 1836–37  | Piano, transcr.  | arr. of the overture to Roi Lear, H.53 by Hector Berlioz
475  | A205  | Danse des Sylphes de La damnation de Faust de Hector Berlioz  | pf  |  | 1860  | Piano, transcr.  | arr. of the Ballet des Sylphes from part II of La damnation de Faust, H.111 by Hector Berlioz
476  | A38a  | Esmeralda (Opéra en 4 actes de L. Bertin)  | vv ch pf  |  | 1837  | Stage  | vocal score arr. of the opera La Esmeralda by Louise-Angelique Bertin; see also S.477 and S.477a
477  | A38b  | Air chanté par Massol de Esmerelda de L. Bertin  | pf  |  | 1837  | Piano, transcr.  | arr. of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera La Esmeralda by Louise-Angelique Bertin; extracted from S.476; re-used in S.478/2
477a  | A38c  | Morceaux detachés d'Esmeralda de L. Bertin (3):  | pf  |  | 1837  | Piano, transcr.  | arrs. of extracts from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
477a/1  | A38c/1  |

Entracte, Recitatif et Romance
| pf  |  | 1837  | Piano, transcr.  | arr. of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
477a/2  | A38c/2  |

Air
| pf  |  | 1837  | Piano, transcr.  | see S.476
477a/3  | A38c/3  |

Scène et Trio
| pf  |  | 1837  | Piano, transcr.  | arr. of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
478  | A99  | Russischer Galop  | pf  |  | 1843  | Piano, transcr.  | arr. of the song You Will Not Believe by Pyotr Bulakhov
479  | A265  | Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow)  | pf  |  | 1874  | Piano, transcr.  | arr. of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow
480  | A193  | 6 Polish Songs (after Chopin)  | pf  |  | 1857–60  | Piano, transcr.  | arr. of 6 of 19 Polish songs, Op.74 by Frédéric Chopin
480/1  | A193/1  |

Mädchens Wunsch (Zyczenie)
| pf  |  | 1857–60  | Piano, transcr.  | arr. of No.1 of 19 Polish songs, Op.74 by Frédéric Chopin
480/2  | A193/2  |

Frühling (Wiosna)
| pf  |  | 1857–60  | Piano, transcr.  | arr. of No.2 of 19 Polish songs, Op.74 by Frédéric Chopin
480/3  | A193/3  |

Das Ringlein (Pierścień)
| pf  |  | 1857–60  | Piano, transcr.  | arr. of No.14 of 19 Polish songs, Op.74 by Frédéric Chopin
480/4  | A193/4  |

Bacchanal (Hulanka)
| pf  |  | 1857–60  | Piano, transcr.  | arr. of No.4 of 19 Polish songs, Op.74 by Frédéric Chopin
480/5  | A193/5  |

Meine Freuden  (Moja pieszczotka)
| pf  |  | 1857–60  | Piano, transcr.  | arr. of No.12 of 19 Polish songs, Op.74 by Frédéric Chopin; 1st version of S.480/5a
480/5a  | A193/5  |

Mes Joies
| pf  |  | 1860 or later  | Piano, transcr.  | 2nd version of S.480/5; renumbered from S.480/5bis
480/6  | A193/6  |

Die Heimkehr (Narzeczony)
| pf  |  | 1857–60  | Piano, transcr.  | arr. of No.15 of 19 Polish songs, Op.74 by Frédéric Chopin
481  | A147  | Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi)  | pf  |  | 1848  | Piano, transcr.  | arr. of No.2 of 2 Zigeuner-Polkas, Op.5 by August Conradi
482  | A327  | Tarentelle de César Cui  | pf  |  | 1885  | Piano, transcr.  | arr. of the Tarantella, Op.12 by César Cui
483  | A291  | Tarantella de Dargomijski  | pf  |  | 1879  | Piano, transcr.  | arr. of the Tarantella slave by Alexander Dargomyzhsky
484  | A170  | Bunte Reihe (24 Stücke von Ferdinand David)  | pf  |  | 1850  | Piano, transcr.  | arr. of the collection Bunte Reihe by Ferdinand David
484/1  | A170/1  |

Scherzo
| pf  | C major  | 1850  | Piano, transcr.  | arr. of No.1 from Bunte Reihe by Ferdinand David
484/2  | A170/2  |

Erinnerung
| pf  | C minor  | 1850  | Piano, transcr.  | arr. of No.2 from Bunte Reihe by Ferdinand David
484/3  | A170/3  |

Mazurka
| pf  | D♭ major  | 1850  | Piano, transcr.  | arr. of No.3 from Bunte Reihe by Ferdinand David
484/4  | A170/4  |

Tanz
| pf  | C♯ mino  | 1850  | Piano, transcr.  | arr. of No.4 from Bunte Reihe by Ferdinand David
484/5  | A170/5  |

Kinderlied
| pf  | D major  | 1850  | Piano, transcr.  | arr. of No.5 from Bunte Reihe by Ferdinand David
484/6  | A170/6  |

Capriccio
| pf  | D minor  | 1850  | Piano, transcr.  | arr. of No.6 from Bunte Reihe by Ferdinand David
484/7  | A170/7  |

Bolero
| pf  | E♭ major  | 1850  | Piano, transcr.  | arr. of No.7 from Bunte Reihe by Ferdinand David
484/8  | A170/8  |

Elegie
| pf  | E♭ minor  | 1850  | Piano, transcr.  | arr. of No.8 from Bunte Reihe by Ferdinand David
484/9  | A170/9  |

Marsch
| pf  | E major  | 1850  | Piano, transcr.  | arr. of No.9 from Bunte Reihe by Ferdinand David
484/10  | A170/10  |

Toccata
| pf  | E minor  | 1850  | Piano, transcr.  | arr. of No.10 from Bunte Reihe by Ferdinand David
484/11  | A170/11  |

Gondellied
| pf  | F major  | 1850  | Piano, transcr.  | arr. of No.11 from Bunte Reihe by Ferdinand David
484/12  | A170/12  |

Im Sturm
| pf  | F minor  | 1850  | Piano, transcr.  | arr. of No.12 from Bunte Reihe by Ferdinand David
484/13  | A170/13  |

Romanze
| pf  | F♯ major  | 1850  | Piano, transcr.  | arr. of No.13 from Bunte Reihe by Ferdinand David
484/14  | A170/14  |

Allegro agitato
| pf  | F♯ minor  | 1850  | Piano, transcr.  | arr. of No.14 from Bunte Reihe by Ferdinand David
484/15  | A170/15  |

Menuetto
| pf  | G major  | 1850  | Piano, transcr.  | arr. of No.15 from Bunte Reihe by Ferdinand David
484/16  | A170/16  |

Etüde
| pf  | G minor  | 1850  | Piano, transcr.  | arr. of No.16 from Bunte Reihe by Ferdinand David
484/17  | A170/17  |

Intermezzo
| pf  | A♭ major  | 1850  | Piano, transcr.  | arr. of No.17 from Bunte Reihe by Ferdinand David
484/18  | A170/18  |

Serenade
| pf  | G♯ minor  | 1850  | Piano, transcr.  | arr. of No.18 from Bunte Reihe by Ferdinand David
484/19  | A170/19  |

Ungarisch
| pf  | A major  | 1850  | Piano, transcr.  | arr. of No.19 from Bunte Reihe by Ferdinand David; 1st version of S.484/19a
484/19a  | A170/19b  |

Ungarisch
| pf  | A major  | 1850  | Piano, transcr.  | 2nd version of S.484/19; renumbered from S.484/19bis
484/20  | A170/20  |

Tarantella
| pf  | A minor  | 1850  | Piano, transcr.  | arr. of No.20 from Bunte Reihe by Ferdinand David
484/21  | A170/21  |

Impromptu
| pf  | B♭ major  | 1850  | Piano, transcr.  | arr. of No.21 from Bunte Reihe by Ferdinand David
484/22  | A170/22; A/91  |

Im russischer Weise
| pf  | B♭ minor  | 1850  | Piano, transcr.  | Souvenir de Russie
484/23  | A170/23  |

Lied
| pf  | B major  | 1850  | Piano, transcr.  | arr. of No.23 from Bunte Reihe by Ferdinand David
484/24  | A170/24  |

Capriccio
| pf  | B mnor  | 1850  | Piano, transcr.  | arr. of No.24 from Bunte Reihe by Ferdinand David
485  | A130  | Dessauers Lieder (3):  | pf  |  | 1846–47  | Piano, transcr.  |
485/1  | A130/1  |

Lockung
| pf  |  | 1846–47  | Piano, transcr.  | arr. of the song by Josef Dessauer
485/2  | A130/2  |

Zwei Wege
| pf  |  | 1846–47  | Piano, transcr.  | arr. of the song by Josef Dessauer
485/3  | A130/3  |

Spanisches Lied  (Bolero)
| pf  |  | 1846–47  | Piano, transcr.  | arr. of the song by Josef Dessauer
485a  | A251  | Der Schwur am Rütli (von F. Draeseke)  | pf  |  | 1870  | Piano, transcr.  | arr. of the cantata by Felix Draeseke
485b  | A89  | Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)  | pf  |  | 1842  | Piano, transcr.  | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha
486  | A261  | Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz)  | pf  |  | 1872  | Piano, transcr.  | arr. of S.353
487  | A110  | Spanisches Ständchen (Melodie von Graf Leó Festetics)  | pf  |  | 1844  | Piano, transcr.  | arr. of the song by Leo Festetics
488  | A154  | Er ist gekommen in Sturm und Regen (Lied von Robert Franz)  | pf  |  | 1848  | Piano, transcr.  | arr. of No.7 of 12 Gesänge, Op.4 by Robert Franz
489  | A157  | Lieder von Robert Franz (12):
Heft I: Schilflieder | pf  |  | 1848  | Piano, transcr.  |
489/1  | A157/1  |

Auf geheimen Waldespfadeie
| pf  |  | 1848  | Piano, transcr.  | arr. of No.1 of Schilflieder, Op.2, by Robert Franz
489/2  | A157/2  |

Drüben geht die Sonne scheiden
| pf  |  | 1848  | Piano, transcr.  | arr. of No.2 of Schilflieder, Op.2, by Robert Franz
489/3  | A157/3  |

Trübe wird's
| pf  |  | 1848  | Piano, transcr.  | arr. of No.3 of Schilflieder, Op.2, by Robert Franz
489/4  | A157/4  |

Sonnenuntergang
| pf  |  | 1848  | Piano, transcr.  | arr. of No.4 of Schilflieder, Op.2, by Robert Franz
489/5  | A157/5  |

Auf dem Teich
| pf  |  | 1848  | Piano, transcr.  | arr. of No.5 of Schilflieder, Op.2, by Robert Franz
|  | Lieder von Robert Franz (12):
Heft II: Drei Lieder | pf  |  | 1848  | Piano, transcr.  |
489/6  | A157/6  |

Der Schalk
| pf  |  | 1848  | Piano, transcr.  | arr. of No.1 of 6 Gesänge, Op.3, by Robert Franz
489/7  | A157/7  |

Der Bote
| pf  |  | 1848  | Piano, transcr.  | arr. of No.1 of 6 Gesänge, Op.8, by Robert Franz
489/8  | A157/8  |

Meeresstille
| pf  |  | 1848  | Piano, transcr.  | arr. of No.2 of 6 Gesänge, Op.8, by Robert Franz
|  | Lieder von Robert Franz (12):
Heft III: Vier Lieder | pf  |  | 1848  | Piano, transcr.  |
489/9  | A157/9  |

Treibt der Sommer seinen Rosen
| pf  |  | 1848  | Piano, transcr.  | arr. of No.5 of 6 Gesänge, Op.8, by Robert Franz
489/10  | A157/10  |

Gewitternacht
| pf  |  | 1848  | Piano, transcr.  | arr. of No.6 of 6 Gesänge, Op.8, by Robert Franz
489/11  | A157/11  |

Das ist ein Brausen und Heulen
| pf  |  | 1848  | Piano, transcr.  | arr. of No.4 of 6 Gesänge, Op.8, by Robert Franz
489/12  | A157/12  |

Frühling und Liebe
| pf  |  | 1848  | Piano, transcr.  | arr. of No.3 of 6 Gesänge, Op.3, by Robert Franz
490  | A298  | Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt)  | pf  |  | 1880  | Piano, transcr.  | arr. of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt
491  | A235  | Hymne á Sainte Cécile de Charles Gounod  | pf  |  | 1866  | Piano, transcr.  | arr. of Hymne à Sainte Cécile, by Charles Gounod
492  | A245  | Tanzmomente von Johann Herbeck  | pf  |  | 1869  | Piano, transcr.  | arr. of the Tanzmomente, Op.14 by Johann von Herbeck
492/1  | A245/1  |

Tanzmomente No.1
| pf  | G major  | 1869  | Piano, transcr.  | arr. of No.1 of the Tanzmomente, Op.14 by Johann von Herbeck
492/2  | A245/2  |

Tanzmomente No.2
| pf  | A minor  | 1869  | Piano, transcr.  | arr. of No.2 of the Tanzmomente, Op.14 by Johann von Herbeck
492/3  | A245/3  |

Tanzmomente No.3
| pf  | F major  | 1869  | Piano, transcr.  | arr. of No.3 of the Tanzmomente, Op.14 by Johann von Herbeck
492/4  | A245/4  |

Tanzmomente No.4
| pf  | A major  | 1869  | Piano, transcr.  | arr. of No.4 of the Tanzmomente, Op.14 by Johann von Herbeck; 1st version of S.492/4a
492/4a  | A245/4  |

Tanzmomente No.4
| pf  | A major  | 1869  | Piano, transcr.  | 2nd version of S.492/4; renumbered from S.492/4bis
492/5  | A245/5  |

Tanzmomente No.5
| pf  | F major  | 1869  | Piano, transcr.  | arr. of No.5 of the Tanzmomente, Op.14 by Johann von Herbeck
492/6  | A245/6  |

Tanzmomente No.6
| pf  | D major  | 1869  | Piano, transcr.  | arr. of No.6 of the Tanzmomente, Op.14 by Johann von Herbeck
492/7  | A245/7  |

Tanzmomente No.7
| pf  | G major  | 1869  | Piano, transcr.  | arr. of No.7 of the Tanzmomente, Op.14 by Johann von Herbeck
492/8  | A245/8  |

Tanzmomente No.8
| pf  | D major  | 1869  | Piano, transcr.  | arr. of No.8 of the Tanzmomente, Op.14 by Johann von Herbeck
493  | A155  | Großes Septett von Johann Nepomuk Hummel  | pf  | D minor  | 1848  | Piano, transcr.  | arr. of Septet No.1, Op.74 by Johann Nepomuk Hummel; 1st version of S.493/2
494/1  | A211/1  | Löse, Himmel, meine Seele (Lied von Eduard Lassen)  | pf  |  | 1861  | Piano, transcr.  | arr. of No.5 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen; 1st version of S.494/2
494/2  | A211/1  | Löse, Himmel, meine Seele (Lied von Eduard Lassen)  | pf  |  | 1872  | Piano, transcr.  | 2nd version of S.494/1
495  | A211/2  | Ich weil' in tiefer Einsamkeit (Lied von Eduard Lassen)  | pf  |  | 1872  | Piano, transcr.  | arr. of No.4 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen
496  | A285/I  | Aus der Musik zu Hebbels Nibelungen und Goethes Faust  | pf  |  | 1878–79  | Piano, transcr.  |
496/1  | A285/I/1  |

Hagen und Kriemhild
| pf  |  | 1878–79  | Piano, transcr.  | arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/2  | A285/I/2  |

Bechlarn
| pf  |  | 1878–79  | Piano, transcr.  | arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/3  | A285/II/1  |

Osterhymne
| pf  |  | 1878–79  | Piano, transcr.  | arr. from No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen
496/4  | A285/II/2  |

Hoffestliche Marsch und Polonaise
| pf  |  | 1878–79  | Piano, transcr.  | arr. from Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen
497  | A323  | Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen)  | pf  |  | 1883  | Piano, transcr.  | arr. from the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen
498  | A316  | Lieder zu Tannhäuser (Komponiert von Otto Lessmann) (3):  | pf  |  | 1882  | Piano, transcr.  | arr. of 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/1  | A316/1  |

Der Lenz ist gekommen
| pf  |  | 1882  | Piano, transcr.  | arr. of No.1 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/2  | A316/2  |

Trinklied ("Itzt hört ein neues Liedlein an")
| pf  |  | 1882  | Piano, transcr.  | arr. of No.2 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/3  | A316/3  |

Du schaust mich an mit stummen Fragen
| pf  |  | 1882  | Piano, transcr.  | arr. of No.3 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498a  | A192  | Die Legende von der Heiligen Elisabeth:  | pf  |  | 1857–62  | Piano, transcr.  | arrs. of extracts from S.2
498a/1  | A192/1  |

Orchester Einleitung (Orchestral Introduction)
| pf  |  | 1857–62  | Piano, transcr.  | arr. of the introduction to S.2
498a/2  | A192/2  |

Marsch der Kreuzritter (Crusaders' March)
| pf  |  | 1857–62  | Piano, transcr.  | arr. of S.2/3e
498a/3  | A192/3  |

Interludium
| pf  |  | 1857–62  | Piano, transcr.  | arr. of S.2/6a
498b  | A222  | Christus (2 Orchestersätze aus dem Oratorium)  | pf  |  | 1871  | Piano, transcr.  | arrs. of extracts from S.3
498b/1  | A222/1  |

Hirtengesang an der Krippe
| pf  |  | 1871  | Piano, transcr.  | arr. of S.3/4
498b/2  | A222/2  |

Die heiligen drei Könige
| pf  |  | 1871  | Piano, transcr.  | arr. of S.3/5
498c  | A301  | San Francesco (Preludio per il Cantico del sol di San Francesco d'Assisi)  | pf  |  | 1880?  | Piano, transcr.  | arr. of prelude from S.4/2
499  | A307  | Cantico di San Francesco  | pf  |  | 1881–82  | Piano, transcr.  | arr. of S.4/2
500  | —  | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)  | pf  |  | 1874  | Piano, transcr.  | arr. of prelude from S.6
501  | A238  | Aus der Ungarischen Krönungsmesse  | pf  |  | 1867  | Piano, transcr.  | arr. of extracts from S.11
501/1  | A238/1  |

Benedictus
| pf  |  | 1867  | Piano, transcr.  | arr. of S.11/4
501/2  | A238/2  |

Offertorium
| pf  |  | 1867  | Piano, transcr.  | arr. of S.11/5
502  | A227  | Weinachtslied (Christus ist geboren)  | pf  |  | 1864  | Piano, transcr.  | arr. of S.32
503  | A223  | Slavimo slavno, Slaveni! | pf  |  | 1863  | Piano, transcr.  | arr. of S.33
504/1  | A247/1  | Ave Maria II  | pf  | D major  | 1869–70  | Piano, transcr.  | arr. of S.38; 1st version of S.504/2
504/2  | A247/2  | Ave Maria II  | pf  | D♭ major  | 1872  | Piano, transcr.  | arr. of S.38; 2nd version of S.504/1
504a  | A287  | Via Crucis (Les 14 stations de la croix)  | pf  |  | 1878–79  | Piano, transcr.  | arr. of S.53
504b  | A286a  | Alte deutsche geistliche Weisen (12):  | pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50
504b/1  | A286a/1  |

Crux ave benedicta
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/9
504b/2  | A286a/2  |

Jesu Christe  (Die fünf Wunden)
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/12
504b/3  | A286a/3  |

Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/2
504b/3a  | A286a/3a  |

Es segne uns Gott
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/1
504b/4  | A286a/4  |

Nun danket alle Gott!
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/11
504b/5  | A286a/5  |

Nun ruhen alle Wälder
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/3
504b/6  | A286a/6  |

O Haupt voll Blut und Wunden
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/4
504b/7  | A286a/7  |

O Lamm Gottes!
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/5; arr. for pf4h as S.582
504b/8  | A286a/8  |

O Traurigkeit
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/10
504b/9  | A286a/9  |

Vexilla Regis
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/8
504b/10  | A286a/10  |

Was Gott tut, das ist wohlgetan
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/6
504b/11  | A286a/11  |

Wer nur den lieben Gott läßt walten
| pf  |  | 1878–79  | Piano, transcr.  | arr. of S.50/7
505  | A331  | In domum Domini ibimus (Zum Haus des Herrn ziehen wir)  | pf  |  | 1884  | Piano, transcr.  | arr. of S.57
506  | A243  | Ave maris stella  | pf  |  | 1868  | Piano, transcr.  | arr. of 2nd version of S.34
506b  | A294  | O Roma nobilis  | pf  |  | 1879  | Piano, transcr.  | arr. of S.54
507  | A126  | Klavierstück aus der Bonner Beethoven-Kantate  | pf  |  | 1846  | Piano, transcr.  | based on themes from the 1st movement of S.507
507a  | A213  | Schnitterchor aus den entfesselten Prometheus  | pf  |  | 1850  | Piano, transcr.  | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508
508  | A213  | Pastorale (Schnitterchor aus den Entfesselten Prometheus)  | pf  |  | 1861  | Piano, transcr.  | arr. of No.4 from S.69/2; 2nd version of S.507a
509  | A246  | Gaudeamus igitur (Humoreske)  | pf  |  | 1869–70  | Piano, transcr.  | arr. of S.71a
510  | A153  | Marche héroïque  | pf  |  | 1847–48?  | Piano, transcr.  | based on S.82; arr. for pf4h as S.587
510a  | —  | Chansons (3)  | pf  |  | 1852?  | Piano, transcr.  | 1st version of S.511
510a/1  | —  |

La consolation
| pf  |  | 1852?  | Piano, transcr.  | 1st version of S.511/1; arr. of S.90/4a
510a/2  | —  |

Avant la bataille
| pf  |  | 1852?  | Piano, transcr.  | 1st version of S.511/2; arr. of S.90/5a
510a/3  | —  |

L'espérance
| pf  |  | 1852?  | Piano, transcr.  | 1st version of S.511/3; arr. of S.90/6a
511  | A207  | Geharnischte Lieder (3):  | pf  |  | 1860  | Piano, transcr.  | 2nd version of S.510a
511/1  | A207/1  |

Vor der Schlacht
| pf  |  | 1860  | Piano, transcr.  | 2nd version of S.510a/1
511/2  | A207/2  |

Nicht gezagt
| pf  |  | 1860  | Piano, transcr.  | 2nd version of S.510a/2
511/3  | A207/3  |

Es rufet Gott uns mahnend
| pf  |  | 1860  | Piano, transcr.  | 2nd version of S.510a/3
511a  | —  | Les préludes (Poème symphonique No 3)  | pf  |  | 1863  | Piano, transcr.  | arr. of S.97 by Karl Klauser, with revisions by Liszt
511b  | —  | Orpheus (Poème symphonique No.4)  | pf  |  | 1878  | Piano, transcr.  | arr. of S.98 by Friedrich Spiro, with revisions by Liszt
511c  | —  | Mazeppa (Poème symphonique No.6)  | pf  |  | 1870–79?  | Piano, transcr.  | arr. of S.100 by Theophil Forchhammer, with revisions by Liszt
511d  | —  | Festklänge (Poème symphonique No.7)  | pf  |  | 1870–79?  | Piano, transcr.  | arr. of S.101 by Ludwig Stark, with revisions by Liszt
511e  | —  | Hungaria (Poème symphonique No.9)  | pf  |  | 1872  | Piano, transcr.  | arr. of S.103 by Friedrich Spiro, with revisions by Liszt
512  | A310  | Von der Wiege bis zum Grabe (Poème symphonique No.13)  | pf  |  | 1881  | Piano, original  | arr. for pf4h as S.598
513  | A190  | Faust Symphony (Andante soave aus der Faust-Symphonie)  | pf  |  | 1867  | Piano, transcr.  | arr. of movt. II from S.108 by Tausig, with revisions by Liszt
513a  | A189/1  | Der nächtliche Zug (Episode aus Lenaus Faust)  | pf  |  | 1872  | Piano, transcr.  | arr. of S.110/1 by Robert Freund, with revisions by Liszt
514  | A189/1  | Mephisto Waltz No. 1 | pf  |  | 1856–61  | Piano, transcr.  | arr. of S.110/2
515  | A288  | Mephisto Waltz No.2 | pf  |  | 1878–81?  | Piano, transcr.  | arr. for orch as S.111; arr. for pf4h as S.600
516  | A202/1  | Les morts  | pf  |  | 1860?  | Piano, transcr.  | arr. of S.112/1
516a  | A202/2  | La notte  | pf  |  | 1864–66  | Piano, transcr.  | arr. of S.112/2 (formerly S.699)
517  | A202/3  | Le triomphe funèbre du Tasse  | pf  |  | 1866–69  | Piano, transcr.  | arr. of S.112/3
518  | A225  | Salve Polonia (Interludium aus dem Oratorium Stanislaus)  | pf  |  | 1863  | Piano, transcr.  | arr. of S.113/2
519  | A302  | Polonaises de l'oratorio St. Stanislaus  | pf  |  | 1875  | Piano, transcr.  | arr. of extracts from S.688
519/1  | A302/1  |

Polonaise No. 1
| pf  |  | 1875  | Piano, transcr.  | arr. of extract from S.688
519/2  | A302/2  |

Polonaise No. 2
| pf  |  | 1875  | Piano, transcr.  | arr. of extract from S.688
520i  | A201  | Künstlerfestzug zur Schillerfeier 1859  | pf  |  | 1859–60  | Piano, transcr.  | 1st version of S.520a; arr. of S.114; also uses themes from S.106
520ii  | —  | Künstlerfestzug zur Schillerfeier 1859  | pf  |  | 1883  | Piano, transcr.  | 2nd version of S.520
521  | A164b  | Goethe-Festmarsch  | pf  |  | 1859  | Piano, transcr.  | arr. of S.115
522  | A196  | Festmarsch nach Motiven von E.H. z. S.-C.-G  | pf  |  | 1858–59  | Piano, transcr.  | arr. of S.116
523  | A248  | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867  | pf  |  | 1870  | Piano, transcr.  | arr. of S.118
524  | A112/2  | Ungarischer Sturmmarsch (Hungarian Battle March)  | pf  |  | 1875–76  | Piano, transcr.  | arr. of S.119
524a  | H6  | Concerto sans orchestre | pf  | A major  | 1839?  | Piano, transcr.  | unfinished; rev. as S.125
525  | A62  | Totentanz | pf  |  | 1865  | Piano, transcr.  | arr. of S.126ii
526  | A260  | Epithalam (zu Eduard Reményis Vermählungsfeier)  | pf  |  | 1872  | Piano, transcr.  | arr. of S.129
527  | A299  | Romance oubliée  | pf  |  | 1880  | Piano, transcr.  | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]
528#  | —  | Festpolonaise | pf  |  |  | Piano, transcr.  | renumbered as S.230a
529i  | A250/1  | Präludium und Fuge über das Motiv B.A.C.H. | pf  |  | 1855  | Piano, transcr.  | arr. of S.260i; 1st version of S.529ii
529ii  | A250/2  | Fantasie und Fuge über das Thema B–A–C–H | pf  |  | 1870  | Piano, transcr.  | 2nd version of S.529i; arr. for org as S. 260ii
530  | A228  | Hymne du Pape  | pf  |  | 1864  | Piano, transcr.  | arr. of S.261
531  | A97  | Buch der Lieder I (6)  | pf  |  | 1843  | Piano, transcr.  | arrs. of various solo songs
531/1  | A97/1  |

Die Loreley
| pf  |  | 1843  | Piano, transcr.  | arr. of S.273/1
531/2  | A97/2  |

Am Rhein in schönen Strome
| pf  |  | 1843  | Piano, transcr.  | arr. of S.272/1
531/3  | A97/3  |

Kennst du das Land
| pf  |  | 1843  | Piano, transcr.  | arr. of S.275/1
531/4  | A97/4  |

Es war ein König in Thule
| pf  |  | 1843  | Piano, transcr.  | arr. of S.278/1
531/5  | A97/5  |

Der du von dem Himmel bist
| pf  |  | 1843  | Piano, transcr.  | arr. of S.279/1
531/6  | A97/6  |

Angiolin
| pf  |  | 1843  | Piano, transcr.  | arr. of S.269/1
532  | A209  | Die Loreley  | pf  |  | 1861  | Piano, transcr.  | arr. of S.273/2
533  | A98  | Il m'aimait tant!  | pf  |  | 1843  | Piano, transcr.  | arr. of S.271
534/1  | A81a  | Die Zelle im Nonnenwerth  | pf  |  | 1840  | Piano, transcr.  | arr. of S.274/1 (1st version of Die Zelle/Élégie)
534/2  | A81b  | Elégie  | pf  |  | 1841  | Piano, transcr.  | arr. of S.301b/1 (2nd version of Die Zelle/Élégie)
534/2a  | A81c  | Feuille d'album No.2  | pf  |  | 1849  | Piano, transcr.  | arr. of S.301b/2 (3rd version of Die Zelle/Élégie); renumbered from S.534/2bis
534/3  | A81d  | Die Zelle im Nonnenwerth (Elegie)  | pf  |  | 1881  | Piano, transcr.  | arr. of S.274/2 (4th version of Die Zelle/Élégie)
535–540  | A139  | Buch der Lieder II  | pf  |  | 1847  | Piano, transcr.  |
535  | A139/2  |

Comment, disaient-ils
| pf  |  | 1847  | Piano, transcr.  | arr. of S.276/1
536  | A139/1  |

Oh, quand je dors
| pf  |  | 1847  | Piano, transcr.  | arr. of S.282/1
537  | A139/3  |

Enfant, si j'étais roi
| pf  |  | 1847  | Piano, transcr.  | arr. of S.283/1
538  | A139/4  |

S'il est un charmant gazon
| pf  |  | 1847  | Piano, transcr.  | arr. of S.284/1
539  | A139/5  |

La tombe et la rose
| pf  |  | 1847  | Piano, transcr.  | arr. of S.285
540  | A139/6  |

Gastibelza
| pf  |  | 1847  | Piano, transcr.  | arr. of S.286
540a  | —  | O lieb, so lang du lieben kannst! | pf  |  | 1843?  | Piano, transcr.  | arr. of S.298/1; reconstructed by Leslie Howard
541  | A103  | Liebesträume (3):  | pf  |  | 1850  | Piano, transcr.  |
541/1  | A103/1  |

Liebestraum No. 1 (Hohe Liebe)
| pf  | A♭ major  | 1850  | Piano, transcr.  | arr. of S.307
541/2  | A103/2  |

Liebestraum No. 2  (Seliger Tod)
| pf  | E♭ major  | 1850  | Piano, transcr.  | arr. of S.308; an album leaf on themes from this work exist, entitled "Nocturne No.2"
541/3  | A103/3  |

Liebestraum No. 3 (Oh Lieb, so lang du lieben kannst)
| pf  | A♭ major  | 1850  | Piano, transcr.  | arr. of S.298/2
542/1  | A191a  | Weimars Volkslied  | pf  | C major  | 1857  | Piano, transcr.  | arr. of S.313; 1st version of S.542/2
542/2  | A191b  | Weimars Volkslied  | pf  | F major  | 1873  | Piano, transcr.  | 2nd version of S.542/1
542a  | A194  | Ich liebe dich  | pf  |  | 1857–60?  | Piano, transcr.  | arr. of S.315
542b  | A268b  | Fanfare zur Enthüllung des Carl-Augusts Monument  | pf  |  | 1875  | Piano, transcr.  | arr. of Fanfare from S.92
543  | A309/1  | A magyarok Istene (Ungarns Gott)  | pf  |  | 1881  | Piano, transcr.  | arr. of S.339
543a  | A309/2  | A magyarok Istene (Ungarns Gott)  | pflh  |  | 1881  | Piano, transcr.  | arr. of S.339; renumbered from S.543bis
544  | A328  | Magyar király-dal (Ungarisches Königslied)  | pf  |  | 1883  | Piano, transcr.  | arr. of S.340
545  | A308  | Ave Maria IV  | pf  |  | 1881  | Piano, transcr.  | arr. of S.341
546  | A282  | Der blinde Sänger (Слепой)  | pf  |  | 1878  | Piano, transcr.  | arr. of S.350
546a  | —  | O Roma nobilis | pf  |  | 1879  | Piano, transcr.  | renumbered as S.506b
547  | A72  | Mendelssohns Lieder
(Lieders de Mendelssohn)  | pf  |  | 1840  | Piano, transcr.  |
547/1  | A72/1  |

Auf Flügeln des Gesanges (Les ailes du chant)
| pf  |  | 1840  | Piano, transcr.  | arr. of No.2 of 6 songs, Op.34 by Felix Mendelssohn
547/2  | A72/2  |

Sonntagslied (Chant du dimanche)
| pf  |  | 1840  | Piano, transcr.  | arr. of No.5 of 6 songs, Op.34 by Felix Mendelssohn
547/3  | A72/3  |

Reiselied (Chant du voyage)
| pf  |  | 1840  | Piano, transcr.  | arr. of No.6 of 6 songs, Op.34 by Felix Mendelssohn
547/4  | A72/4  |

Neue Liebe (Amour nouveau)
| pf  |  | 1840  | Piano, transcr.  | arr. of No.4 of 6 songs, Op.19a by Felix Mendelssohn
547/5  | A72/5  |

Frühlingslied (Chant du printemps)
| pf  |  | 1840  | Piano, transcr.  | arr. of No.3 of 6 songs, Op.47 by Felix Mendelssohn
547/6  | A72/6  |

Winterlied (Chant d'hiver)
| pf  |  | 1840  | Piano, transcr.  | arr. of No.3 of 6 songs, Op.19 by Felix Mendelssohn
547/7  | A72/7  |

Suleika
| pf  |  | 1840  | Piano, transcr.  | arr. of No.4 of 6 songs, Op.34 by Felix Mendelssohn
548  | A156  | Mendelssohns Wasserfahrt und Jäger-Abschied  | pf  |  | 1848  | Piano, transcr.  |
548/1  | A156/1  |

Wasserfahrt
| pf  |  | 1848  | Piano, transcr.  | arr. of No.4 of 6 Lieder, Op.50 by Felix Mendelssohn
548/2  | A156/2  |

Der Jäger Abschied
| pf  |  | 1848  | Piano, transcr.  | arr. of No.2 of 6 Lieder, Op.50 by Felix Mendelssohn
549  | A206  | Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer)  | pf  |  | 1860  | Piano, transcr.  | arr. of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer
550  | A220  | Transcriptionen aus Mozarts Requiem (2):  | pf  |  | 1865  | Piano, transcr.  | arr. of extracts from the Requiem, K.626 by Wolfgang Amadeus Mozart
550/1  | A220/1  |

Confutatis maledictis
| pf  |  | 1865  | Piano, transcr.  | arr. of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
550/2  | A220/2  |

Lacrymosa
| pf  |  | 1865  | Piano, transcr.  | arr. of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
551  | A270  | Una stella amica (Polka mazurka de F. Pezzini)  | pf  |  | 1874–75?  | Piano, transcr.  | arr. of an unidentified waltz attributed to "F. Pezzini"
551a  | V3  | Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer)  | pf  | D♭ major  | 1854  | Piano, transcr.  | additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff
552  | A54  | Ouverture de l'opéra Guillaume Tell de Gioachino Rossini  | pf  |  | 1838  | Piano, transcr.  | arr. of the overture from the opera Guillaume Tell, Rossini
552a  | —  | Caritas (nach Rossini)  | pf  |  | 1847  | Piano, transcr.  | arr. of No.3 of 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a
552b  | —  | La caritá (d'après Rossini)  | pf  |  | 1847  | Piano, transcr.  | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a
553  | A141  | Transcriptions d'après Rossini (2):  | pf  |  | 1847  | Piano, transcr.  |
553/1  | A141/1  |

Air du Stabat Mater
| pf  |  | 1847  | Piano, transcr.  | arr. of "Cujus animam" from Stabat Mater by Gioachino Rossini; arr. for bn org as S.679; for ten org as S.682
553/2  | A141/2  |

La charité
| pf  |  | 1847  | Piano, transcr.  | arr. of No.3 of 3 Chœurs religieux by Gioachino Rossini; 3rd version of S.552a, S.552b
554/1  | A304  | O! Wenn es doch immer so bliebe! (Lied von Anton Rubinstein)  | pf  |  | 1881  | Piano, transcr.  | arr. of No.9 of 12 Lieder des Mirza-Schaffy, Op.34 by Anton Rubinstein
554/2  | A329  | Der Asra (Lied von Anton Rubinstein)  | pf  |  | 1880  | Piano, transcr.  | arr. of No.6 of 6 Lieder von Heine, Op.32 by Anton Rubinstein
554a  | V5  | Étude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude)  | pf  | C major  | 1880?  | Piano, transcr.  | revisions and additions to Etude on False Notes by Anton Rubinstein
555  | A273  | Danse macabre (Poème symphonique de Camille Saint-Saëns)  | pf  |  | 1876  | Piano, transcr.  | arr. of the symphonic poem Danse macabre, Op.40 by Camille Saint-Saëns
556/1  | A17  | Die Rose (Lied von Franz Schubert)  | pf  |  | 1833  | Piano, transcr.  | arr. of the song Die Rose, D.745 by Franz Schubert; 1st version of S.556/2, S.556/3
556/2  | A17  | Die Rose (Lied von Franz Schubert)  | pf  |  | 1838  | Piano, transcr.  | 2nd version of S.556/1, S.556/3
556/3  | A17  | Die Rose (Lied von Franz Schubert)  | pf  |  | 1837  | Piano, transcr.  | 3rd version of S.556/1, S.556/2
557  | A45  | Lob der Tränen (Lied von Franz Schubert)  | pf  |  | 1838  | Piano, transcr.  | arr. of the song Lob der Tränen, D.711 by Franz Schubert
557a  | A42/4  | Erlkönig (Lied von Franz Schubert)  | pf  |  | 1837  | Piano, transcr.  | arr. of the song Erlkönig, D.328 by Franz Schubert; 1st version of S.558/4, S.558/4a
557b  | A42/5  | Meeresstille (Lied von Franz Schubert)  | pf  |  | 1837  | Piano, transcr.  | arr. of the song Meeres Stille, D.216 by Franz Schubert; 1st version of S.558/5
557c  | A42/7  | Frühlingsglaube (Lied von Franz Schubert)  | pf  |  | 1837  | Piano, transcr.  | arr. of the song Frühlingsglaube, D.686 by Franz Schubert; 1st version of S.558/7, S.558/7a
557d  | A42/12  | Ave Maria (Lied von Franz Schubert)  | pf  |  | 1837  | Piano, transcr.  | arr. of the song Ave maria, D.839 by Franz Schubert; 1st version of S.558/12
558  | A42  | Lieder von Franz Schubert (12):  | pf  |  | 1837–38  | Piano, transcr.  |
558/1  | A42/1  |

Sei mir gegrüßt (Sois toujours mes seuls amours)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Sei mir gegrüsst, D.741 by Franz Schubert
558/2  | A42/2  |

Auf dem Wasser zu singen (Barcarolle)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Auf dem Wasser zu singen, D.774 by Franz Schubert
558/3  | A42/3  |

Du bist die Ruh' (L'attente)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Du bist die Ruh, D.776 by Franz Schubert; 1st version of S.558/3a
558/3a  | A42/3  |

Du bist die Ruh'  (L'attente)
| pf  |  | 1876  | Piano, transcr.  | 2nd version of S.558/3; renumbered from S.558/3bis
558/4  | A42/4  |

Erlkönig (Le roi des Aulnes)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Erlkönig, D.328 by Franz Schubert; 2nd version of S.557a, S.558/4a
558/4a  | A42/4  |

Erlkönig (Le roi des Aulnes)
| pf  |  | 1876  | Piano, transcr.  | 3rd version of S.557a, S.558/4; renumbered from S.558/4bis
558/5  | A42/5  |

Meeresstille (La mer calme)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Meeres Stille, D.216 by Franz Schubert; 2nd version of S.557b
558/6  | A42/6  |

Die junge Nonne  (La jeune religieuse)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Die junge Nonne, D.828 by Franz Schubert
558/7  | A42/7  |

Frühlingsglaube (Espoir dans le printemps)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Frühlingsglaube, D.686 by Franz Schubert; 2nd version of S.557c, S.558/7a
558/7a  | A42/7  |

Frühlingsglaube (Espoir dans le printemps)
| pf  |  | 1876  | Piano, transcr.  | 3rd version of S.557c, S.558/7; renumbered from S.558/7bis
558/8  | A42/8  |

Gretchen am Spinnrade  (Marguerite)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Gretchen am Spinnrade, D.118 by Franz Schubert; 1st version of S.558/8a
558/8a  | A42/8  |

Gretchen am Spinnrade (Marguerite)
| pf  |  | 1876  | Piano, transcr.  | 2nd version of S.558/8; renumbered from S.558/8bis
558/9  | A42/9  |

Ständchen von Shakespeare (La sérénade de Shakspeare)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Ständchen, D.889 by Franz Schubert; 1st version of S.558/9a
558/9a  | A42/9  |

Ständchen von Shakespeare (La sérénade de Shakspeare)
| pf  |  | 1876  | Piano, transcr.  | 2nd version of S.558/9; renumbered from S.558/9bis
558/10  | A42/10  |

Rastlose Liebe
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Rastlose Liebe, D.138 by Franz Schubert
558/11  | A42/11  |

Der Wanderer (Le pèlerin)
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Der Wanderer, D.493 by Franz Schubert; 1st version of S.558/11a
558/11a  | A42/11  |

Der Wanderer (Le pèlerin)
| pf  |  | 1876  | Piano, transcr.  | 2nd version of S.558/11; renumbered from S.558/11bis
558/12  | A42/12  |

Ave Maria
| pf  |  | 1837–38  | Piano, transcr.  | arr. of the song Ave Maria, D.839 by Franz Schubert; 2nd version of S.557d
559  | A46  | Gondelfahrer (Männerquartett von Franz Schubert)  | pf  |  | 1838  | Piano, transcr.  | arr. of the chorus Gondelfahrer, D.809 by Franz Schubert
559a  | A49/7  | La sérénade de Franz Schubert  | pf  |  | 1837  | Piano, transcr.  | arr. of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/7, S.560/7a
560  | A49  | Schwanengesang (Lieder von Franz Schubert)  | pf  |  | 1838–39  | Piano, transcr.  | arr. of the song cycle Schwanengesang, D.957 by Franz Schubert
560/1  | A49/1  |

Die Stadt
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.11 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/2  | A49/2  |

Das Fischermädchen
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.10 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/3  | A49/3  |

Aufenthalt
| pf  |  | 1838  | Piano, transcr.  | arr. of No.5 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/4  | A49/4  |

Am Meer
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.12 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/5  | A49/5  |

Abschied
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.7 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/6  | A49/6  |

In der Ferne
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.6 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/7  | A49/7  |

Ständchen
| pf  |  | 1838  | Piano, transcr.  | arr. of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 2nd version of S.559a, S.560/7a
560/7a  | A49/7  |

Ständchen
| pf  |  | 1880  | Piano, transcr.  | 3rd version of S.559a, S.560/7
560/8  | A49/8  |

Ihr Bild
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.9 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/9  | A49/9  |

Frühlingssehnsucht
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.3 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/10  | A49/10  |

Liebesbotschaft
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.1 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/11  | A49/11  |

Der Atlas
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.8 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/12  | A49/12  |

Der Doppelgänger
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.13 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/13  | A49/13  |

Die Taubenpost
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.14 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/14  | A49/14  |

Kriegers Ahnung
| pf  |  | 1838–39  | Piano, transcr.  | arr. of No.2 of the song cycle Schwanengesang, D.957 by Franz Schubert
561  | A50  | Winterreise (12 Lieder von Franz Schubert)  | pf  |  | 1839  | Piano, transcr.  | arr. of 12 songs from the cycle Winterreise, D.911 by Franz Schubert
561/1  | A50/1  |

Gute Nacht
| pf  |  | 1839  | Piano, transcr.  | arr. of No.1 from the cycle Winterreise, D.911 by Franz Schubert
561/2  | A50/2  |

Die Nebensonnen
| pf  |  | 1839  | Piano, transcr.  | arr. of No.23 from the cycle Winterreise, D.911 by Franz Schubert
561/3  | A50/3  |

Mut!
| pf  |  | 1839  | Piano, transcr.  | arr. of No.22 from the cycle Winterreise, D.911 by Franz Schubert
561/4  | A50/4  |

Die Post
| pf  |  | 1839  | Piano, transcr.  | arr. of No.13 from the cycle Winterreise, D.911 by Franz Schubert
561/5  | A50/5  |

Erstarrung
| pf  |  | 1839  | Piano, transcr.  | arr. of No.4 from the cycle Winterreise, D.911 by Franz Schubert
561/6  | A50/6  |

Wasserflut
| pf  |  | 1839  | Piano, transcr.  | arr. of No.6 from the cycle Winterreise, D.911 by Franz Schubert
561/7  | A50/7  |

Der Lindenbaum
| pf  |  | 1839  | Piano, transcr.  | arr. of No.5 from the cycle Winterreise, D.911 by Franz Schubert
561/8  | A50/8  |

Der Leiermann
| pf  |  | 1839  | Piano, transcr.  | arr. of No.24 from the cycle Winterreise, D.911 by Franz Schubert
561/9  | A50/9  |

Täuschung
| pf  |  | 1839  | Piano, transcr.  | arr. of No.19 from the cycle Winterreise, D.911 by Franz Schubert
561/10  | A50/10  |

Das Wirtshaus
| pf  |  | 1839  | Piano, transcr.  | arr. of No.21 from the cycle Winterreise, D.911 by Franz Schubert
561/11  | A50/11  |

Der stürmische Morgen
| pf  |  | 1839  | Piano, transcr.  | arr. of No.18 from the cycle Winterreise, D.911 by Franz Schubert
561/12  | A50/12  |

Im Dorfe
| pf  |  | 1839  | Piano, transcr.  | arr. of No.17 from the cycle Winterreise, D.911 by Franz Schubert
562  | A73  | Franz Schuberts geistliche Lieder  | pf  |  | 1840  | Piano, transcr.  | vol. 2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert
562/1  | A73/1  |

Litaney
| pf  |  | 1840  | Piano, transcr.  | arr. of the song Am Tage Aller Seelen, D.343 by Franz Schubert
562/2  | A73/2  |

Himmelsfunken
| pf  |  | 1840  | Piano, transcr.  | arr. of the song Himmelsfunken, D.651 by Franz Schubert
562/3  | A73/3  |

Die Gestirne
| pf  |  | 1840  | Piano, transcr.  | arr. of the song Die Gestirne, D.444 by Franz Schubert
562/4  | A73/4  |

Hymne
| pf  |  | 1840  | Piano, transcr.  | arr. of No.4 from the incidental music to Rosamunde, D.797 by Franz Schubert
563  | A109  | Melodien von Franz Schubert (6):  | pf  |  | 1844  | Piano, transcr.  |
563/1  | A109/1  |

Lebe wohl!
| pf  |  | 1844  | Piano, transcr.  |
563/2  | A109/2  |

Mädchens Klage
| pf  |  | 1844  | Piano, transcr.  | arr. of the song Des Mädchens Klage, D.191 by Franz Schubert
563/3  | A109/3  |

Das Sterbeglöcklein
| pf  |  | 1844  | Piano, transcr.  | arr. of the song Das Zügenglöcklein, D.871 by Franz Schubert
563/4  | A109/4  |

Trockne Blumen
| pf  |  | 1844  | Piano, transcr.  | arr. of No.18 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert
563/5  | A109/5  |

Ungeduld
| pf  |  | 1844  | Piano, transcr.  | arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/6, S.565/6a
563/6  | A109/6  |

Die Forelle
| pf  |  | 1844  | Piano, transcr.  | arr. of the song Die Forelle, D.550 by Franz Schubert; 1st version of S.564
564  | A127  | Die Forelle (Lied von Franz Schubert)  | pf  |  | 1846  | Piano, transcr.  | arr. of the song Die Forelle, D.550 by Franz Schubert; 2nd version of S.563/6
565  | A128  | Müllerlieder von Franz Schubert  | pf  |  | 1846  | Piano, transcr.  |
565/1  | A128/1  |

Das Wandern
| pf  |  | 1846  | Piano, transcr.  | arr. of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/1a
565/1a  | A128/1  |

Das Wandern
| pf  |  | 1879  | Piano, transcr.  | arr. of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/1; renumbered from S.565bis/1
565/2  | A128/2  |

Der Müller und der Bach
| pf  |  | 1846  | Piano, transcr.  | arr. of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/2a
565/2a  | A128/2  |

Der Müller und der Bach
| pf  |  | 1879  | Piano, transcr.  | arr. of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/2; renumbered from S.565bis/2
565/3  | A128/3  |

Der Jäger
| pf  |  | 1846  | Piano, transcr.  | arr. of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/3a
565/3a  | A128/3  |

Der Jäger
| pf  |  | 1879  | Piano, transcr.  | arr. of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/3; renumbered from S.565bis/3
565/4  | A128/4  |

Die böse Farbe
| pf  |  | 1846  | Piano, transcr.  | arr. of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/4a
565/4a  | A128/4  |

Die böse Farbe
| pf  |  | 1879  | Piano, transcr.  | arr. of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/4; renumbered from S.565bis/4
565/5  | A128/5  |

Wohin?
| pf  |  | 1846  | Piano, transcr.  | arr. of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/5a
565/5a  | A128/5  |

Wohin?
| pf  |  | 1879  | Piano, transcr.  | arr. of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/5; renumbered from S.565bis/5
565/6  | A128/6  |

Ungeduld
| pf  |  | 1846  | Piano, transcr.  | arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd version of S.563/5, S.565/6a
565/6a  | A128/6  |

Ungeduld
| pf  |  | 1879  | Piano, transcr.  | arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 3rd (simplified) version of S.563/5, S.565/6; renumbered from S.565bis/6
565a  | U14/1  | Grosse Fantasie von Franz Schubert | pf  | C major  | 1868  | Piano, transcr.  | edited with additions to the Fantasie in C major, D.760 by Franz Schubert
565b  | U14/2  | Impromptus von F. Schubert (4)  | pf  |  | 1868  | Piano, transcr.  | edited, with additions to Nos.2 and 3 of Impromptus, D.899 by Franz Schubert
566  | A133  | Liebeslied (Widmung von Robert Schumann)  | pf  |  | 1848  | Piano, transcr.  | arr. of No.1 of Myrthen, Op.25 by Robert Schumann
566a  | A133  | Liebeslied (Widmung von Robert Schumann)  | pf  |  | 1850–59?  | Piano, transcr.  | short draft of S.566
567  | A212  | Lieder von Robert Schumann  | pf  |  | 1861  | Piano, transcr.  |
567/1  | A212/1  |

An den Sonnenschein
| pf  |  | 1861  | Piano, transcr.  | arr. of No.4 of 6 Gedichte, Op.36 by Robert Schumann
567/2  | A212/2  |

Rotes Röslein
| pf  |  | 1861  | Piano, transcr.  | arr. of No.2 of Lieder und Gesänge, Vol.I, Op.27 by Robert Schumann
568  | A257  | Frühlingsnacht (Lied von Robert Schumann)  | pf  |  | 1872  | Piano, transcr.  | arr. of No.12 of Liederkreis by Robert Schumann
569  | A264a  | Lieder von Robert und Clara Schumann (10):  | pf  |  | 1874  | Piano, transcr.  |
569/1  | A264a/1  |

Weihnachtslied
| pf  |  | 1874  | Piano, transcr.  | arr. of No.16 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/2  | A264a/2  |

Die wandelnde Glocke
| pf  |  | 1874  | Piano, transcr.  | arr. of No.17 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/3  | A264a/3  |

Frühlings Ankunft
| pf  |  | 1874  | Piano, transcr.  | arr. of No.19 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/4  | A264a/4  |

Des Sennen Abschied
| pf  |  | 1874  | Piano, transcr.  | arr. of No.22 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/5  | A264a/5  |

Er ist's
| pf  |  | 1874  | Piano, transcr.  | arr. of No.23 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/6  | A264a/6  |

Nur wer die Sehnsucht kennt
| pf  |  | 1874  | Piano, transcr.  | arr. of No.3 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Schumann
569/7  | A264a/7  |

An die Türen will ich schleichen
| pf  |  | 1874  | Piano, transcr.  | arr. of No.5 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Schumann
569/8  | A264b/1  |

Warum willst du and're fragen
| pf  |  | 1874  | Piano, transcr.  | arr. of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann
569/9  | A264b/2  |

Ich hab' in deinem Auge
| pf  |  | 1874  | Piano, transcr.  | arr. of No.5 of 6 Lieder, Op.13, by Clara Schumann
569/10  | A264b/3  |

Geheimes Flüstern hier und dort
| pf  |  | 1874  | Piano, transcr.  | arr. of No.3 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann
570  | A306  | Provenzalisches Minnelied (von Robert Schumann)  | pf  |  | 1881  | Piano, transcr.  | arr. of No.4 of Des Sängers Fluch, Op.139 by Robert Schumann
570a  | V16  | Polka de salon (Einleitung und Coda zu Smetanas Polka)  | pf  | F♯ major  | 1885  | Piano, transcr.  | additions and revisions to No.1 of 3 Polkas de salon, Op.7 by Bedřich Smetana
571  | A275  | Die Rose (Romanze von Louis Spohr)  | pf  |  | 1876  | Piano, transcr.  | arr. of Zemire's romance from the opera Zemire und Azor, by Louis Spohr
571a  | V15  | Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)  | pf  |  | 1880  | Piano, transcr.  | additions and revisions to Valse-Caprice No.3 by Carl Tausig; formerly S.167a
572  | A292  | Marche hongroise de Szabadi (Revive Szegedin!)  | pf  |  | 1879  | Piano, transcr.  | arr. of the Marche héroïque de Szabadi by Jules Massenet.
573  | A258  | Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl )  | pf  |  | 1872  | Piano, transcr.  | based on the Ungarischer Marsch by Imre Széchényi
573a  | A297  | Seconda Mazurka di Tirindelli  | pf  |  | 1880  | Piano, transcr.  | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli
574  | A122  | Ouvertüre zur Webers Oper Oberon | pf  |  | 1846  | Piano, transcr.  | arr. of the overture from the opera Oberon, J.306 by Carl Maria von Weber
575  | A129  | Ouvertüre aus Webers Oper Der Freischütz | pf  |  | 1846  | Piano, transcr.  | arr. of the overture from the opera Der Freischütz, Op.77 by Carl Maria von Weber
576  | A121  | Webers Jubelovertüre  | pf  |  | 1846  | Piano, transcr.  | arr. of the Jubel-Ouvertüre, Op.59 by Carl Maria von Weber
576a  | —  | Konzertstück (von Weber)  | pf  |  | 1868–70  | Piano, transcr.  | arr. of the Konzertstück. Op.79 by Carl Maria von Weber
577/1  | A87  | I Love (Romanze von Wielhorski)  | pf  |  | 1842  | Piano, transcr.  | arr. of the romance I Love by Michał Wielhorski; 2nd version of S.577/2, S.577bis, and S.577ter
577/2  | —  | Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky)  | pf  |  | 1843  | Piano, transcr.  | 4th version of S.577/1, S.577bis, and S.577ter
577bis  | A87  | Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky)  | pf  |  | 1842?  | Piano, transcr.  | 1st version of S.577ter, S.577/1, and S.577/2
577a–634b  |  |
577ter  | A87  | Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky)  | pf  |  | 1843?  | Piano, transcr.  | 3rd version of S.577bis, S.577/1, and S.577/2
577a–634b  |  |

#### Pianoforte duet

[edit]

577a  | T33  | 12 Nocturnes (John Field)  | pf4h  |  | 1877  | Piano, 4 hands, arr.  |
577a/1  | T33/1  |

Nocturne No. 1
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.1 in E♭ major, H.24, by John Field
577a/2  | T33/2  |

Nocturne No.2
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.2 in C minor, H.25, by John Field
577a/3  | T33/3  |

Nocturne No.3
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.3 in A♭ major, H.26, by John Field
577a/4  | T33/4  |

Nocturne No.4
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.4 in A major, H.36, by John Field
577a/5  | T33/5  |

Nocturne No.5
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.5 in B♭ major, H.37, by John Field
577a/6  | T33/6  |

Nocturne No.6
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.6 in F major, H.40, by John Field
577a/7  | T33/7  |

Nocturne No.7
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Pastorale in A major, H.14, by John Field
577a/8  | T33/8  |

Nocturne No.8
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Romance in E♭ major, H.30, by John Field
577a/9  | T33/9  |

Nocturne No.9
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.8 in E minor, H.46, by John Field
577a/10  | T33/10  |

Nocturne No. 10
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.17 in E major, H.65, by John Field
577a/11  | T33/11  |

Nocturne No. 11
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.11 in E♭ major, H.56, by John Field
577a/12  | T33/12  |

Nocturne No. 12
| pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of Nocturne No.18 in E major ("Midi"), H.13, by John Field
578  | B27  | Die Legende von der Heiligen Elisabeth:  | pf4h  |  | 1862–66?  | Piano, 4 hands, arr.  | arr. from S.2
578/1  | B27/1  |

Orchester Einleitung
| pf4h  |  | 1862–66?  | Piano, 4 hands, arr.  | arr. of Introduction from S.2
578/2  | B27/2  |

Marsch der Kreuzritter
| pf4h  |  | 1862–66?  | Piano, 4 hands, arr.  | arr. of No.3e from S.2
578/3  | B27/3  |

Der Sturm
| pf4h  |  | 1862–66?  | Piano, 4 hands, arr.  | arr. of No.4d from S.2
578/4  | B27/4  |

Interludium
| pf4h  |  | 1862–66?  | Piano, 4 hands, arr.  | arr. of No.6a from S.2
579  | B30  | Orchestersätze aus dem Oratorium Christus (2):  | pf4h  |  | 1866–73?  | Piano, 4 hands, arr.  | arr. from S.3
579/1  | B30/1  |

Hirtengespiel an der Krippe
| pf4h  |  | 1866–73?  | Piano, 4 hands, arr.  | arr. of No.4 from S.3
579/2  | B30/2  |

Die heiligen drei Könige
| pf4h  |  | 1866–73?  | Piano, 4 hands, arr.  | arr. of No.5 from S.3
580  | B42  | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)  | pf4h  |  | 1874  | Piano, 4 hands, arr.  | arr. of prelude from S.6
581  | B31  | Aus der Ungarischen Krönungsmesse  | pf4h  |  | 1869  | Piano, 4 hands, arr.  | arr. from S.11
581/1  | B31/1  |

Benedictus
| pf4h  |  | 1869  | Piano, 4 hands, arr.  | arr. of No.5 from S.11
581/2  | B31/2  |

Offertorium
| pf4h  |  | 1869  | Piano, 4 hands, arr.  | arr. of No.7 from S.11
582  | B53  | O Lamm Gottes!  | pf4h  |  | 1878–79  | Piano, 4 hands, arr.  | arr. of S.504b/7
583  | B52  | Via Crucis (Les 14 stations de la croix)  | pf4h  |  | 1878–79  | Piano, 4 hands, arr.  | arr. of S.53
584  | B6  | Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn  | pf4h  |  | 1845  | Piano, 4 hands, arr.  | arr. of S.67
585  | B24  | Pastorale (Schnitterchor aus dem Entfesselten Prometheus)  | pf4h  |  | 1861  | Piano, 4 hands, arr.  | arr. of No.4 from S.69/2
586  | B34  | Gaudeamus igitur (Humoreske)  | pf4h  |  | 1870?  | Piano, 4 hands, arr.  | arr. of S.71a
587  | B7  | Marche héroique  | pf4h  |  | 1848?  | Piano, 4 hands, arr.  | arr. of S.510
588  | B16  | Weimars Volkslied  | pf4h  |  | 1857  | Piano, 4 hands, arr.  | arr. of S.313
589  | B37  | Ce qu'on entend sur la montagne (Symphonic Poem No. 1)  | pf4h  |  | 1874  | Piano, 4 hands, arr.  | arr. of S.95 (3rd version)
590  | B20  | Tasso: Lamento e Trionfo
(Symphonic Poem No. 2)  | pf4h  |  | 1858  | Piano, 4 hands, arr.  | arr. of S.96
591  | B12  | Les préludes
(Symphonic Poem No. 3)  | pf4h  |  | 1853–58  | Piano, 4 hands, arr.  | arr. of S.97
592  | B17  | Orpheus
(Symphonic Poem No. 4)  | pf4h  |  | 1858  | Piano, 4 hands, arr.  | arr. of S.98
593  | B18  | Prometheus
(Symphonic Poem No. 5)  | pf4h  |  | 1858?  | Piano, 4 hands, arr.  | arr. of S.99
594  | B38  | Mazeppa
(Symphonic Poem No. 6)  | pf4h  |  | 1874  | Piano, 4 hands, arr.  | arr. of S.100
595  | B13  | Festklänge
(Symphonic Poem No. 7)  | pf4h  |  | 1854–61  | Piano, 4 hands, arr.  | arr. of S.101
596  | B39  | Hungaria
(Symphonic Poem No. 9)  | pf4h  |  | 1874  | Piano, 4 hands, arr.  | arr. of S.103
596a  | B49  | Héroïde funèbre
(Symphonic Poem No. 8)  | pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of S.102
596b  | B51  | Hunnenschlacht
(Symphonic Poem No. 11)  | pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of S.105
596c  | B44  | Die Ideale
(Symphonic Poem No. 12)  | pf4h  |  | 1874–77  | Piano, 4 hands, arr.  | arr. of S.106 by Liszt and Giovanni Sgambati
597  | B40  | Hamlet
(Symphonic Poem No. 10)  | pf4h  |  | 1874  | Piano, 4 hands, arr.  | arr. of S.104
598  | B55  | Von der Wiege bis zum Grabe (From the Cradle to the Grave)
(Symphonic Poem No. 13)  | pf4h  |  | 1881  | Piano, 4 hands, arr.  | arr. of S.512
599  | B15  | Episoden aus Lenau's Faust (2)  | pf4h  |  | 1856–61?  | Piano, 4 hands, arr.  | arr. of S.110
599/1  | B15/1  |

Der nächtliche Zug
| pf4h  |  | 1856–61  | Piano, 4 hands, arr.  | arr. of S.110/1
599/2  | B15/2  |

Der Tanz in der Dorfschenke (Mephisto Waltz)
| pf4h  |  | 1856–61  | Piano, 4 hands, arr.  | arr. of S.110/2a
600  | B54  | Mephisto Waltz No.2  | pf4h  |  | 1880–81  | Piano, 4 hands, arr.  | arr. of S.515
601–603  | B23  | Odes funèbres (3):  | pf4h  |  | 1860–69  | Piano, 4 hands, arr.  | arr. from S.112
601  | B23/1  |

Les morts
| pf4h  |  | 1860  | Piano, 4 hands, arr.  | arr. of S.112/1
602  | B23/2  |

La notte
| pf4h  |  | 1866  | Piano, 4 hands, arr.  | arr. of S.112/2
603  | B23/3  |

Le triomphe funèbre du Tasse
| pf4h  |  | 1866–69  | Piano, 4 hands, arr.  | arr. of S.112/3
604/1  | B28/1  | Boże, coś Polskę | pf4h  |  | 1863  | Piano, 4 hands, arr.  | arr. of S.113/1
604/2  | B28/2  | Salve Polonia (Interludium aus dem Oratorium St. Stanislaus)  | pf4h  |  | 1884  | Piano, 4 hands, arr.  | arr. of S.113/2
605  | B22  | Künstlerfestzug zur Schillerfeier 1859  | pf4h  |  | 1859  | Piano, 4 hands, arr.  | arr. of S.114
606  | B19  | Festmarsch zur Goethe-Jubiläumfeier  | pf4h  |  | 1858?  | Piano, 4 hands, arr.  | arr. of S.115
607  | B21  | Festmarsch nach Motiven von E.H.z.S.-C.-G.  | pf4h  |  | 1858–59  | Piano, 4 hands, arr.  | arr. of S.116
608  | B33  | Rákóczi-Marsch  | pf4h  |  | 1870  | Piano, 4 hands, arr.  | arr. of S.117
609  | B32  | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867  | pf4h  |  | 1870  | Piano, 4 hands, arr.  | arr. of S.118
610  | B46  | Ungarischer Sturmmarsch (Hungarian Battle March)  | pf4h  |  | 1875  | Piano, 4 hands, arr.  | arr. of S.119
611  | W7  | Epithalam (zu Eduard Reményi's Vermählungsfeier)  | pf4h  |  | 1872  | Piano, 4 hands, arr.  | arr. of S.129; Liszt's authorship doubtful
612  | B36  | Elegy No. 1  | pf4h  |  | 1874  | Piano, 4 hands, arr.  | arr. of S.196
612a  | B43  | Weihnachtsbaum | pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a; 1st version of S.613
612a/1  | B43/1  |

Psallite (Altes Weihnachten)
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/1; 1st version of S.613/1
612a/2  | B43/2  |

O heilige Nacht!
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/2; 1st version of S.613/2
612a/3  | B43/3  |

Die Hirten an der Krippe ("In dulci jubilo")
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/3; 1st version of S.613/3
612a/4  | B43/4  |

Adeste fideles (gleichsam als Marsch der heiligen drei Könige)
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/4; 1st version of S.613/4
612a/5  | B43/5  |

Scherzoso
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/5; 1st version of S.613/5
612a/6  | B43/6  |

Reveille-Matin (Wecker)
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/6; 1st version of S.613/6
612a/7  | B43/7  |

Schlummerlied
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/7; 1st version of S.613/7
612a/8  | B43/8  |

(Alt-provenzalisches Noel)
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/8; 1st version of S.613/8
612a/9  | B43/9  |

(Abendglocken)
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/9; 1st version of S.613/9
612a/10  | B43/10  |

(Ehemals)
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/10; 1st version of S.613/10
612a/11  | B43/11  |

Ungarisch
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/11; 1st version of S.613/11
612a/12  | B43/12  |

Polnisch
| pf4h  |  | 1875?  | Piano, 4 hands, arr.  | arr. of S.185a/12; 1st version of S.613/12
613  | B43  | Weihnachtsbaum | pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186; 2nd version of S.612a
613/1  | B43/1  |

Altes Weihnachten (Psalite)
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/1; 2nd version of S.612a/1
613/2  | B43/2  |

O heilige Nacht!
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/2; 2nd version of S.612a/2
613/3  | B43/3  |

Die Hirten an der Krippe ("In dulci jubilo")
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/3; 2nd version of S.612a/3
613/4  | B43/4  |

Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/4; 2nd version of S.612a/4
613/5  | B43/5  |

Scherzoso  (Man zündet die Kerzen des Baumes an)
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/5; 2nd version of S.612a/5
613/6  | B43/6  |

Carillon
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/6; 2nd version of S.612a/6
613/7  | B43/7  |

Schlummerlied
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/7; 2nd version of S.612a/7
613/8  | B43/8  |

Altes provenzalisches Weihnachtslied
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/8; 2nd version of S.612a/8
613/9  | B43/9  |

Abendglocken
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/9; 2nd version of S.612a/9
613/10  | B43/10  |

Ehemals
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/10; 2nd version of S.612a/10
613/11  | B43/11  |

Ungarisch
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/11; 2nd version of S.612a/11
613/12  | B43/12  |

Polnisch
| pf4h  |  | 1876–81  | Piano, 4 hands, arr.  | arr. of S.186/12; 2nd version of S.612a/12
614  | B50  | Dem Andenken Petöfis  | pf4h  |  | 1877  | Piano, 4 hands, arr.  | arr. of S.349
615  | B1  | Grande valse di bravura (La bal de Berne)  | pf4h  |  | 1836  | Piano, 4 hands, arr.  | arr. of S.209
615a  | —  | Mephisto Waltz No.3 | pf4h  |  | 1883  | Piano, 4 hands, arr.  | arr. of S.216
616  | B2  | Grand galop chromatique | pf4h  |  | 1838  | Piano, 4 hands, arr.  | arr. of S.219
617  | B56  | Csárdás macabre  | pf4h  |  | 1881–82  | Piano, 4 hands, arr.  | arr. of S.224 [by Liszt and János Végh?]
618  | W11  | Csárdás obstiné  | pf4h  |  | 1884?  | Piano, 4 hands, arr.  | arr. of S.225/2 [Liszt's authorship uncertain]
618a  | B14  | Vom Fels zum Meer! (Deutscher Siegesmarsch)  | pf4h  |  | 1853–56?  | Piano, 4 hands, arr.  | arr. of S.229
619  | B59  | Bülow-Marsch  | pf4h  |  | 1883  | Piano, 4 hands, arr.  | arr. of S.230
619a  | B48  | Festpolonaise  | pf4h  |  | 1876  | Piano, 4 hands, arr.  | arr. of S.230a
620  | B3  | Hussitenlied (Aus dem 15. Jahrhundert)  | pf4h  |  | 1840–41  | Piano, 4 hands, arr.  | arr. of S.234
621  | B41  | Hungarian Rhapsodies (6):  | pf4h  |  | 1857–60  | Piano, 4 hands, arr.  | arr. of S.359
621/1  | B41/1  |

Hungarian Rhapsody No. 1
| pf4h  | F minor  | 1860  | Piano, 4 hands, arr.  | arr. of S.359/1 (based on S.244/14)
621/2  | B41/2  |

Hungarian Rhapsody No. 2
| pf4h  | C♯ minor  | 1860  | Piano, 4 hands, arr.  | arr. of S.359/2 (based on S.244/12)
621/3  | B41/3  |

Hungarian Rhapsody No. 3
| pf4h  | D major  | 1860  | Piano, 4 hands, arr.  | arr. of S.359/3 (based on S.244/6)
621/4  | B41/4  |

Hungarian Rhapsody No. 4
| pf4h  | D minor  | 1860  | Piano, 4 hands, arr.  | arr. of S.359/4 (based on S.244/2)
621/5  | B41/5  |

Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
| pf4h  | E minor  | 1860  | Piano, 4 hands, arr.  | arr. of S.359/5 (based on S.244/5)
621/6  | B41/6  |

Hungarian Rhapsody No. 6 (Pesther Carneval)
| pf4h  | E♭ major  | 1860  | Piano, 4 hands, arr.  | arr. of S.359/6 (based on S.244/9)
622  | B57  | Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten | pf4h  |  | 1882  | Piano, 4 hands, arr.  | arr. of S.244/16
623  | W12  | Hungarian Rhapsody No. 18 | pf4h  |  | 1885  | Piano, 4 hands, arr.  | arr. of S.244/18 (Liszt's authorship doubtful)
623a  | W13  | Hungarian Rhapsody No. 19 | pf4h  |  | 1885?  | Piano, 4 hands, arr.  | arr. of S.244/19 (Liszt's authorship doubtful)
624  | B8  | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | pf4h  |  | 1850  | Piano, 4 hands, arr.  | arr. of S.259; see also S.747a
625  | B29  | Der Papsthymnus  | pf4h  |  | 1865  | Piano, 4 hands, arr.  | arr. of S.261
626  | B60  | Magyar király-dal (Ungarisches Königslied)  | pf4h  |  | 1883  | Piano, 4 hands, arr.  | arr. of S.340
627  | B9  | Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula  | pf4h  |  | 1852  | Piano, 4 hands, arr.  | arr. of S.393
628  | B10  | Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz)  | pf4h  |  | 1852–53  | Piano, 4 hands, arr.  | arr. of S.396
628a  |  | Réminiscences de Lucia di Lammermoor  | pf4h  |  | 1836–40  | Piano, 4 hands, arr.  | arr. of S.397; Liszt performed this arrangement with Frank Mori during his 1840–41 tour of the British Isles
628b  | B5  | Marche et Cavatine de Lucia di Lammermoor  | pf4h  |  | 1844?  | Piano, 4 hands, arr.  | arr. of S.398; renumbered from S.628a
628c  | —  | Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)  | pf4h  |  | 1873  | Piano, 4 hands, arr.  | arr. of S.353 (Liszt's authorship doubtful); renumbered from S.628b
629  | B45  | Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla | pf4h  |  | 1875  | Piano, 4 hands, arr.  | arr. of S.406/2
630  | W2  | Réminiscences de Robert le diable (Valse infernale)  | pf4h  |  | 1841–43  | Piano, 4 hands, arr.  | arr. of S.413 (Liszt's authorship doubtful)
631  | B11  | Andante Finale und Marsch aus der Oper König Alfred  | pf4h  |  | 1853?  | Piano, 4 hands, arr.  | arr. of S.421
631/1  | B11/1  |

Andante
| pf4h  |  | 1853?  | Piano, 4 hands, arr.  | arr. of S.421/1
631/2  | B11/2  |

Marsch
| pf4h  |  | 1853?  | Piano, 4 hands, arr.  | arr. of S.421/2
632  | B35  | Franz Schuberts Märsche (4)  | pf4h  |  | 1859–70  | Piano, 4 hands, arr.  | arr. from S.363
632/1  | B35/1  |

(Vivace)
| pf4h  | B minor  | 1859–70  | Piano, 4 hands, arr.  | arr. of S.363/1
632/2  | B35/2  |

Trauermarsch
| pf4h  | E♭ minor  | 1859–70  | Piano, 4 hands, arr.  | arr. of S.363/2
632/3  | B35/3  |

Reitermarsch
| pf4h  | C major  | 1859–70  | Piano, 4 hands, arr.  | arr. of S.363/3
632/4  | B35/4  |

Ungarischer Marsch
| pf4h  | C minor  | 1859–70  | Piano, 4 hands, arr.  | arr. of S.363/4
633  | B26  | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)  | pf4h  |  | 1865  | Piano, 4 hands, arr.  | arr. of S.461/2
634  | B4  | Grand septuor de Beethoven  | pf4h  |  | 1840–42  | Piano, 4 hands, arr.  | arr. of S.465
634a  | B47  | Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse)  | pf4h  |  | 1875–81?  | Piano, 4 hands, arr.  | arr. of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart
634b  | B25  | Stücke aus Tannhäuser und Lohengrin (2):  | pf4h  |  | 1862?  | Piano, 4 hands, arr.  | arr. of S.445
634b/1  | B25/1  |

Einzug der Gäste auf der Wartburg
| pf4h  |  | 1862?  | Piano, 4 hands, arr.  | arr. of S.445/1a
634b/2  | B25/2  |

Elsas Brautzug zum Münster
| pf4h  |  | 1862?  | Piano, 4 hands, arr.  | arr. of S.445/2
635–657b  |  |

#### Two pianofortes

[edit]

635  | C9  | Ce qu'on entend sur la montagne (Symphonic Poem No. 1)  | 2pf  |  | 1854–56  | Piano, 2 pianos, arr.  | arr. of S.95
636  | C10  | Tasso: Lamento e Trionfo
(Symphonic Poem No.2)  | 2pf  |  | 1854–56  | Piano, 2 pianos, arr.  | arr. of S.96
637  | C11  | Les préludes
(Symphonic Poem No.3)  | 2pf  |  | 1855?  | Piano, 2 pianos, arr.  | arr. of S.97
638  | C12  | Orpheus
(Symphonic Poem No.4)  | 2pf  |  | 1855–56  | Piano, 2 pianos, arr.  | arr. of S.98
639  | C14  | Prometheus
(Symphonic Poem No.5)  | 2pf  |  | 1855–56  | Piano, 2 pianos, arr.  | arr. of S.99
640  | C13  | Mazeppa
(Symphonic Poem No.6)  | 2pf  |  | 1855  | Piano, 2 pianos, arr.  | arr. of S.100
641  | C7  | Festklänge
(Symphonic Poem No.7)  | 2pf  |  | 1853  | Piano, 2 pianos, arr.  | arr. of S.101
642  | C15  | Héroïde funèbre
(Symphonic Poem No.8)  | 2pf  |  | 1854–56  | Piano, 2 pianos, arr.  | arr. of S.102
643  | C16  | Hungaria
(Symphonic Poem No.9)  | 2pf  |  | 1855–56  | Piano, 2 pianos, arr.  | arr. of S.103
644  | C22  | Hamlet
(Symphonic Poem No. 10)  | 2pf  |  | 1858–60  | Piano, 2 pianos, arr.  | arr. of S.104
645  | C21  | Hunnenschlacht
(Symphonic Poem No. 11)  | 2pf  |  | 1857–60  | Piano, 2 pianos, arr.  | arr. of S.105
646  | C17  | Die Ideale
(Symphonic Poem No. 12)  | 2pf  |  | 1857–58  | Piano, 2 pianos, arr.  | arr. of S.106
647  | C19  | Faust Symphony (Eine Faust-Symphonie)  | 2pf  |  | 1856  | Piano, 2 pianos, arr.  | arr. of S.108
648  | C20  | Dante Symphony (Eine Symphonie zu Dantes Divina Commedia)  | 2pf  |  | 1856–57  | Piano, 2 pianos, arr.  | arr. of S.109
649  | C6  | Fantasie über Motiven aus Beethovens Ruinen von Athen  | 2pf  |  | 1852  | Piano, 2 pianos, arr.  | arr. of S.122
650  | C8  | Piano Concerto No. 1 | 2pf  | E♭ major  | 1853–56?  | Piano, 2 pianos, arr.  | arr. of S.124
651  | C23  | Piano Concerto No. 2 | 2pf  | A major  | 1859  | Piano, 2 pianos, arr.  | arr. of S.125
652  | C24  | Totentanz | 2pf  |  | 1859–65?  | Piano, 2 pianos, arr.  | arr. of S.126ii
652a  | C25  | Rákóczi-Marsch  | 2pf  |  | 1870  | Piano, 2 pianos, arr.  | arr. of S.117
653  | C5  | Franz Schuberts Grosse Fantasie | 2pf  | C major  | 1851–62?  | Piano, 2 pianos, arr.  | arr. of S.366
654/1  | C2  | Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)  | 2pf  |  | 1840  | Piano, 2 pianos, arr.  | arr. of S.392; 1st version
654/2  | C2  | Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)  | 2pf  |  | 1870?  | Piano, 2 pianos, arr.  | arr. of S.392; 2nd version
655  | C3  | Réminiscences de Norma  | 2pf  |  | 1845–74?  | Piano, 2 pianos, arr.  | arr. of S.394
656  | C26  | Réminiscences de Don Juan (Grande fantaisie)  | 2pf  |  | 1876–77  | Piano, 2 pianos, arr.  | arr. of S.418
657  | C4  | Symphony No. 9 de Beethoven [Beethoven]  | 2pf  | D minor  | 1851  | Piano, 2 pianos, arr.  | arr. of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr. for pf as S.464/9
657a/1  | C27  | Piano Concerto No. 3 [Beethoven]  | 2pf  | C minor  | 1878–79  | Piano, 2 pianos, arr.  | arr. of the Piano Concerto No.3, Op.37 by Ludwig van Beethoven; includes new cadenza for 1st movement, S.389a
657a/2  | C28  | Piano Concerto No. 4 [Beethoven]  | 2pf  | G major  | 1878–79  | Piano, 2 pianos, arr.  | arr. of the Piano Concerto No.4, Op.58 by Ludwig van Beethoven
657a/3  | C29  | Piano Concerto No. 5 [Beethoven]  | 2pf  | E♭ major  | 1878–79  | Piano, 2 pianos, arr.  | arr. of the Piano Concerto No.5, Op.73 by Ludwig van Beethoven
657b  | C30  | Bülow-Marsch  | 2pf8h  |  | 1884  | Piano, 2 pianos, arr.  | arr. of S.230
658–676  |  |

#### Organ

[edit]

658  | E15  | Evocation á la Chapelle Sixtine  | org/harm  |  | 1862–65?  | Organ, arr.  | arr. of S.461
659  | E14  | Ave Maria d'Arcadelt  | org/harm  |  | 1862–63  | Organ, arr.  | arr. of S.183/2
660/1  | E9  | Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis)  | org/harm  |  | 1860–66  | Organ, arr.  | arr. of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
660/2  | E5  | Andante (Aus tiefer Not)  | org/harm  |  | 1856–60?  | Organ, arr.  | arr. of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38 by Johann Sebastian Bach
661  | E13  | Adagio vom Bach  | org/harm  |  | 1861–63  | Organ, arr.  | arr. of the 3rd movement of Violin Sonata No. 4, BWV 1017 by Johann Sebastian Bach
662/1  | E16/1  | Prelude  | org  | E minor  | 1862–63?  | Organ, arr.  | arr. of No.4 of the Preludes, Op.28 by Frédéric Chopin
662/2  | E16/2  | Prelude  | org  | E major  | 1862–63?  | Organ, arr.  | arr. of No.9 of the Preludes, Op.28 by Frédéric Chopin
663  | E21  | Regina coeli laetare  | org/harm  |  | 1865  | Organ, arr.  | arr. of the motet Regina coeli laetare by Orlande de Lassus
663a  | E25  | Einleitung zur Legende von der heiligen Elisabeth  | org/harm  |  | 1872  | Organ, arr.  | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2
664/1  | E19b/1  | Tu es Petrus aus dem Oratorio Christus  | org/harm  |  | 1867  | Organ, arr.  | arr. of No.8 from S.3; 1st version of S.664/2
664/2  | E19b/2  | Tu es Petrus aus dem Oratorio Christus  | org  |  | 1867  | Organ, arr.  | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1
665  | E35  | San Francesco  | org  |  | 1880  | Organ, arr.  | arr. of the prelude from S.4/2
666  | E26  | Preludio (Excelsior!)  | org (+ ch)  |  | 1874–75  | Choral  | arr. of prelude from S.6; see also version for org without ch S.268a
667  | E23  | Offertorium aus der Ungarischen Krönungsmesse  | org/harm  |  | 1868?  | Organ, arr.  | arr. of No.5 from S.11
667a  | —  | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)  | org  |  | 1860  | Organ, arr.  | arr. of S.14/1
667b/1  | —  | Gebet (Ave Maria I)  | org  |  | 1842?  | Organ, arr.  | arr. of S.20/1
667b/2  | E4  | Ave Maria I  | org  |  | 1856–59?  | Organ, arr.  | arr. of S.20/2; incomplete sketch as S.701n
667c  | E24  | Ave Maria II  | harm  | D major  | 1869  | Organ, arr.  | arr. of S.38
668  | E18  | Slavimo slavno, Slaveni! | org  |  | 1863  | Organ, arr.  | arr. of S.33
668a  | E27/2a  | Ave maris stella  | harm  |  | 1871  | Organ, arr.  | arr. of S.34; 1st version of S.669/2
669  | E27  | Kirchenhymnen (2)  | org/harm  |  | 1877  | Organ, arr.  |
669/1  | E27/1  |

Salve Regina
| org/harm  |  | 1877  | Organ, arr.  |
669/2  | E27/2b  |

Ave maris stella
| org/harm  |  | 1877  | Organ, arr.  | arr. of S.34; 2nd version of S.668a
669a  | —  | Deutsche Kirchenlieder (7):  | v ch pf/org  |  | 1878–1879  | Choral  | arr. from S.50
669a/1  | —  |

Es segne uns Gott
| ch org  |  | 1878–79  | Choral  | arr. of S.50/1
669a/2  | —  |

Gott sei gnädig (Der Kirchensegen)
| v/ch org  |  | 1878–79  | Choral  | arr. of S.50/2
669a/3  | —  |

Nun ruhen alle Wälder
| v org  |  | 1878–79  | Vocal  | arr. of S.50/3
669a/4  | —  |

O Haupt voll Blut und Wunden
| v org  |  | 1878–79  | Vocal  | arr. of S.50/4
669a/5  | —  |

O Lamm Gottes!
| v pf/org  |  | 1878–79  | Vocal  | arr. of S.50/5
669a/6  | —  |

Was Gott tut, das ist wohlgetan
| v org  |  | 1878–79  | Vocal  | arr. of S.50/6
669a/7  | —  |

Wer nur den lieben Gott läßt walten
| v org  |  | 1878–79  | Vocal  | arr. of S.50/7
669b  | E31  | Via Crucis (Les 14 stations de la croix)  | org  |  | 1876–79  | Organ, arr.  | arr. of S.53
669c  | —  | O Roma nobilis  | org  |  | 1878–79  | Organ, arr.  | arr. of S.54
670  | E34  | Rosario  | org/harm  |  | 1879  | Organ, arr.  | arr. from S.56
670/1  | E34/1  |

Mysteria gaudiosa
| org/harm  |  | 1879  | Organ, arr.  | arr. of S.56/1
670/2  | E34/2  |

Mysteria dolorosa
| org/harm  |  | 1879  | Organ, arr.  | arr. of S.56/2
670/3  | E34/3  |

Mysteria gloriosa
| org/harm  |  | 1879  | Organ, arr.  | arr. of S.56/3
671  | E40  | In domum Domini ibimus (Zum Haus des Herrn ziehen wir)  | org  |  | 1884  | Organ, arr.  | arr. of S.57
671a  | J44  | Zur Trauung | org  |  | 1883?  | Organ, arr.  | arr. of S.60
672/1  | E6/1  | Weimars Volkslied  | org  |  | 1857–63?  | Organ, arr.  | arr. of S.313; 1st version of S.672/2
672/2  | E6/2  | Weimars Volkslied  | org/harm  |  | 1872–73?  | Organ, arr.  | arr. of S.313; 2nd version of S.672/1
672a  | E11  | Orpheus
(Symphonic Poem No.4)  | org/harm  |  | 1860–72  | Organ, arr.  | arr. of S.98
672b  | E8  | Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia  | org/harm  |  | 1860  | Organ, arr.  | arr. by Liszt [and Gottschalg?] of S.109
672c  | E30  | Angelus! Prière aux anges gardiens | harm  |  | 1877–82  | Organ, arr.  | arr. of S.163/1
672d  | E22  | Consolations (4):  | org/harm  |  | 1866–79  | Organ, arr.  | arr. from S.172
672d/1  | E22/1  |

(Lento placido)
| org/harm  | A major  | 1879?  | Organ, arr.  | arr. of S.172/3
672d/2  | E22/2  |

(Adagio)
| org/harm  | D♭ major  | 1866–67?  | Organ, arr.  | arr. of S.172/4 by Liszt and Gottschalg
672d/3  | E22/3  |

(Andantino)
| org/harm  | E major  | 1872–73?  | Organ, arr.  | arr. of S.172/5 by Liszt and Gottschalg
672d/4  | E22/4  |

(Trôstung)
| org/harm  | E major  | 1879?  | Organ, arr.  | arr. of S.172/6
673  | E17  | Variationen über das Motiv von Bach  | org  |  | 1862–63  | Organ, arr.  | arr. of S.180
674  | E37  | A magyarok Istene (Ungarns Gott)  | org/harm  |  | 1881  | Organ, arr.  | arr. of S.339
674a  | E36  | O sacrum convivium  | org/harm  |  | 1881–85?  | Organ, arr.  | arr. of S.58
674b  | —  | Ave Maria IV  | org/harm  |  | 1881  | Organ, arr.  | arr. of S.341
674c  | —  | Nun danket alle Gott  | org  |  | 1884  | Organ, arr.  | arr. of S.61
674d  | E42  | Ave verum corpus de Mozart | org  |  | 1886  | Organ, arr.  | arr. of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr. for pf as S.461a
675  | E2  | Kirchliche Fest-Ouvertüre  | org/pfped  |  | 1852  | Organ, arr.  | arr. of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai
675a  | V10  | In der Christmette  | vn org  |  | 1873?  | Organ, arr.  | corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter
675b  | V18  | Davidsbündlertänze  | org  |  | 1870?  | Organ, arr.  | arr. by Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6 by Robert Schumann
675c/1  | E29  | Agnus Dei della Messa da Requiem di Giuseppe Verdi  | org/harm  |  | 1877–78  | Organ, arr.  | based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/2; arr. of S.437/1
675c/2  | E29  | Agnus Dei della Messa da Requiem di Giuseppe Verdi  | org/harm  |  | 1883  | Organ, arr.  | 2nd version of S.675c/1; arr. of S.437/2
676/1  | E10a  | Chor der jüngeren Pilger (Der Gnade Heil)  | org/harm  |  | 1860  | Organ, arr.  | based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.676/2; arr. of S.443/1
676/2  | E10b  | Chor der jüngeren Pilger (Der Gnade Heil)  | org/harm  |  | 1862  | Organ, arr.  | 2nd version of S.676/1; arr. of S.443/2
677–679  |  |

#### Organ with other instruments

[edit]

677  | F2  | Hosannah (Alleluja del Cantico del sol)  | org (+ tbn)  |  | 1862–63  | Organ, chamber, arr.  | arr. of 'Alleluja' from S.4/1
678  | F3  | Aus der Ungarischen Krönungsmesse  | vn org/harm  |  | 1871  | Organ, chamber, arr.  | arr. of extracts from S.11
678/1  | F3/1  |

Benedictus
| vn org/harm  |  | 1871  | Organ, chamber, arr.  | arr. of S.11/5
678/2  | F3/2  |

Offertorium
| vn org/harm  |  | 1871  | Organ, chamber, arr.  | arr. of S.11/7
679  | F1  | Cujus animam aus Rossinis Stabat Mater  | tbn org  |  | 1860–70?  | Organ, chamber, arr.  | arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for ten org as S.682; for pf as S.553/1
680–685  |  |

#### Vocal arrangements

[edit]

680  | K3  | Ave maris stella  | v org/harm  | D major  | 1868  | Organ, vocal, arr.  | arr. of S.34/2
681  | K4  | Ave Maria II  | v org/harm  |  | 1869  | Organ, vocal, arr.  | arr. of S.38
682  | K5  | Cujus animam aus Rossinis Stabat Mater  | ten org  |  | 1874?  | Organ, vocal, arr.  | arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for tbn org as S.682; for pf as S.553/1
683  | N57  | Serbisches Lied (Ein Mädchen sitzt am Meeresstrand)  | v pf  |  | 1858?  | Piano, vocal, arr.  |
683a  | K10  | Gebet  | v org  |  | 1883?  | Organ, vocal, arr.  | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2
684  | N2  | Barcarole vénitienne de Pantaleoni  | v pf  |  | 1840  | Piano, vocal, arr.  | arr. of the song by Luigi Pantaleoni
685  | N47  | Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna)  | v pf  |  | 1849–54  | Piano, vocal, arr.  | arr. of the song by Maria Pavlovna, Grand Duchess of Russia
686  |  |

#### Recitations

[edit]

686  | P4  | Helges Treue  | nar pf  |  | 1860  | Vocal, recitation, arr.  | arr. of the ballad Helges Treue, Op.1 by Felix Draeseke
687–768  |  |

### Appendix

[edit]

687–701  |  |

#### Unfinished works

[edit]

687  | Q13  | Sardanapalo | vv ch orch  |   | 1846–55?  | Opera, unfinished  | unfinished sketches for an opera, based on Byron's Sardanapalus; completed by David Trippett
688  | Q17  | Die Legende vom heiligen Stanislaus  | vv ch orch  |   | 1869–85  | Choral, unfinished  | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a
688a  | Q17  | Die Legende vom heiligen Stanislaus  | pf  |  | 1868?  | Piano, unfinished  | arr. from S.688; incomplete sketches
689  | Q14  | Singe wem Gesang gegeben  | mch orch  |  | 1848?  | Choral, unfinished  | orchestrated by Liszt and August Conradi; incomplete
689a  | Q9  | Manfred  | ch orch  |  | 1842–44  | Choral, unfinished  | incomplete
690  | Q1  | Symphonie révolutionnaire  | orch  |  | 1830–53  | Orchestral, unfinished  | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703
690f/2  | Q13  | Drei Ungarische Rhapsodien symphonisch bearbeiter No.2  | pf  |   | ?  | Piano, unfinished  | The Hugo-Songs Sketchbook (N 7 folder in the Goethe und Schiller archive) consists of the Zigeuner-Epos S.695b set, and on No.6's MS, Liszt wrote a couple of passages in red crayon which was later taken for some orchestral arrangements called 3 Ungarische Rhapsodien. (No.3 is now lost so is the last page of No.2). Like Zigeuner-Epos No.6, Liszt reused the themes from S.242/6 and S.242/12 for No.2 and additionally he reused the friska theme (which wasn't in Zigeuner-Epos No.6).
691#  | —  | De Profundis | pf orch  |  | 1834  | Orchestral, unfinished  | renumbered as S.121a
692  | S49  | Violin Concerto  | vn orch  |  | 1860  | Orchestral, unfinished  | lost
692a  | Q18  | Die vier Jahreszeiten  | 2vn va vc  |  | 1880?  | Chamber, unfinished  | incomplete sketches; formerly S.719
692b/1  | S22  | Piano Sonata  | pf  | F minor  | 1880  | Piano, unfinished  | the first page of S.725/1 (now lost), copied by Liszt in 1880
692b/2  | —  | Piano Sonata  | pf  | C minor  | 1836  | Piano, unfinished  | the first 3 bars of S.725/2, copied from memory in a letter from Liszt to his mother
692c  | —  | Allegro maestoso (Etude No. 13)  | pf  | F♯ major  | 1826  | Piano, unfinished  | incomplete sketches
692d  | —  | Rákóczi-Marsch  | pf  |  | 1839–40  | Piano, unfinished  | simplified arr. of S.242a; incomplete sketches
692e  | —  | Winzerchor aus den entfesselten Prometheus  | pf  |  | 1850?  | Piano, unfinished  | arr. of No.5 from S.69; incomplete sketches
692n  | —  | Klavierstück in Es-moll  | pf  |  | 1849  | Piano, unfinished  | arr. of No.3 from S.172/3; incomplete sketches
693  | Q12  | Marches dans le genre hongrois (2):  | pf  |  | 1840?  | Piano, unfinished  | incomplete sketches
693/1  | Q12/1  |

March No. 1
| pf  | D minor  | 1840?  | Piano, unfinished  | incomplete sketches
693/2  | Q12/2  |

March No.2
| pf  | B♭ minor  | 1840?  | Piano, unfinished  | incomplete sketches
693a  | —  | Die Legende von der Heiligen Elisabeth:  | pf  |  | 1862  | Piano, unfinished  | arr. from S.2
693a/1  | —  |

Das Rosenmirakel
| pf  |  | 1862  | Piano, unfinished  | arr. of S.2/2c
693a/2  | —  |

Der Sturm
| pf  |  | 1862  | Piano, unfinished  | arr. of S.2/4d
694  | Q8  | Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais)  | pf orch  |  | 1841  | Orchestral, unfinished  | partly based on S.235, using the themes of the British national anthem and Rule Britannia by Thomas Arne; fragment only survives (completed by Leslie Howard as Fantasy on English Themes); arr. for pf4h as S.755b, and for vn va vc pf as S.718e
695  | A100  | Klavierstück  | pf  | F major  | 1843  | Piano, unfinished  |
695a#  | —  | Litanies de Marie | pf  |  | 1846–47  | Piano, unfinished  | renumbered as S.171e
695b  | —  | Zigeuner-Epos (11):  | pf  |  | 1848?  | Piano, unfinished  | sketches
695b/1  | —  |

(Lento)
| pf  | C minor  | 1848?  | Piano, unfinished  | sketches
695b/2  | —  |

(Andantino)
| pf  | C major  | 1848?  | Piano, unfinished  | sketches
695b/3  | —  |

(Sehr langsam)
| pf  | D♭ major  | 1848?  | Piano, unfinished  | sketches
695b/4  | —  |

(Animato)
| pf  | C♯ major  | 1848?  | Piano, unfinished  | sketches
695b/5  | —  |

(Tempo giusto)
| pf  | D♭ major  | 1848?  | Piano, unfinished  | sketches
695b/6  | —  |

(Lento)
| pf  | G minor  | 1848?  | Piano, unfinished  | sketches
695b/7  | —  |

Tempo di marca
| pf  | A minor  | 1848?  | Piano, unfinished  | sketches
695b/8  | —  |

(Adagio sostenuto a capriccio)
| pf  | D major  | 1848?  | Piano, unfinished  | sketches
695b/9  | —  |

(Andante cantabile quasi adagio)
| pf  | E♭ major  | 1848?  | Piano, unfinished  | sketches
695b/10  | —  |

(Lento)
| pf  | F minor  | 1848?  | Piano, unfinished  | sketches
695b/11  | —  |

(Lento)
| pf  | A minor  | 1848?  | Piano, unfinished  | incomplete sketches
695c  | Q11b  | Romancero espagnol  | pf  |  | 1845  | Piano, unfinished  | formerly S. 738.
695d  | T5  | Rêves et fantaisies  | pf  |  | 1850-1  | Piano, unfinished  | deleted; renumbered as S. 242/23
695e  | Q21  | Petite valse ("Nachspiel zu den drei vergessenen Walzer")  | pf  |  | 1884?  | Piano, unfinished  | incomplete sketches; possibly intended for S.215
695f  | —  | Cadenza  | pf  |  | 1883–85?  | Piano, unfinished  | for S.514
696  | A337  | Mephisto Waltz No.4 | pf  |  | 1885  | Piano, unfinished  | 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b
697  | A90  | Fantasie über Themen aus Mozarts Figaro und Don Giovanni | pf  |  | 1842  | Piano, unfinished  | based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527 by Mozart; unfinished; completions by Ferruccio Busoni and Leslie Howard
698  | Q19  | La mandragore (Ballade de l'opera Jean de Nivelle)  | pf  |  | 1881  | Piano, unfinished  | arr. of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete
699#  | —  | La notte | pf  |  | 1864–66  | Piano, unfinished  | renumbered as S.516a
700  | Q7  | Variations sur le Carnaval de Venise  | pf  |  | 1843  | Piano, unfinished  | based on the Il carnevale di Venezia, Op.10 by Niccolò Paganini; incomplete
700a/i  | A113  | Grande Fantaisie sur des thèmes de Paganini  | pf  |  | 1845  | Piano, unfinished  | using themes from the Violin Concerto No.2, Op.7, Paganini's 9th Caprice from his 24 Caprices and Il carnevale di Venezia, Op.10 by Niccolò Paganini; unfinished; completed by Imre Mezö; 1st version of S.700a/ii
700a/ii  | A113  | Variations de bravoure sur des thèmes de Paganini  | pf  |  | 1845  | Piano, unfinished  | 2nd version of S.700a/i
700f  | Q4  | La belle en robe des Dimanches  | v pf  |  | 1830–39?  | Vocal, unfinished  | incomplete
700g  | J44  | Zur Trauung | v 2pf  |  | 1883–87?  | Vocal, unfinished  | arr. of S.60
700j  | M14/1  | Titan (Auf des Athos blauen Felsenspitzen)  | v pf  |  | 1842  | Vocal, unfinished  | 1st version of S.79/1; pf part incomplete
701  | N15  | Den Felsengipfel stieg ich einst hinan  | v pf  |  | 1843?  | Vocal, unfinished  |
701a  | Q2  | Allegro di bravura  | orch  |  | 1830  | Orchestral, unfinished  | arr. of S.151 [by Liszt?]; incomplete sketch
701b  | Q5  | Marie-Poème en 6 chants  | pf/(str?)  |  | 1837  | Piano, unfinished  | incomplete sketch
701c  | —  | Andante sensibilissimo  | pf  |  | 1880–86  | Piano, unfinished  | incomplete sketch
701d  | Q16  | Melodie in Dorische Tonart (Prose des Morts)  | pf  |  | 1861  | Piano, unfinished  | incomplete sketch; based on the Dies irae
701e  | —  | Album Leaf ("Dante fragment")  | pf  |  | 1837  | Piano, unfinished  | incomplete sketch
701f  | —  | Album Leaf ("Glasgow fragment")  | pf  |  | 1841?  | Piano, unfinished  | incomplete sketch
701g  | A253  | Polnisch  | pf  |  | 1876?  | Piano, unfinished  | sketch
701h/1  | —  | Valse infernale  | pf  |  | 1841?  | Piano, unfinished  | arr. of theme of the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch
701h/2  | —  | Album Leaf  | pf  |  | 1841  | Piano, unfinished  | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch
701j  | —  | La Charité  | pf  |  | 1847  | Piano, unfinished  | incomplete sketch for S.552a; originally intended for S.172a
701k  | —  | Korrekturblatt  | pf  |  | 1882  | Piano, unfinished  | incomplete sketch for S.199a
701l  | —  | Album Leaf ("Weimar fragment")  | pf  |  | 1886?  | Piano, unfinished  | incomplete sketch
701m  | —  | Trio  | vn vc pf  | G minor  | 1886?  | Chamber, unfinished  | incomplete sketch for 2 Harmonies poétiques et religieuses
701n  | —  | Korrekturblatt  | org  |  | 1853?  | Piano, unfinished  | incomplete sketch for S.667b/2
701o  | R1  | Scherzo  | pf  |  | 1830  | Piano, unfinished  | incomplete
701v  | —  | Marche de Prozinsky  | pf  | C♯ minor  | 1846  | Piano, unfinished  | incomplete sketch for S.171d
701w  | —  | Tasso, Lamento e Trionfo  | pf  |  | 1856  | Piano, unfinished  | abandoned arr. of S.96
702–768  |  |

#### Doubtful or lost

[edit]

702–707  |  |

##### Sacred choral works

[edit]

702  | S1  | Tantum ergo  | ch  |  | 1822  | Choral, sacred  | lost
703  | Q15  | Psalm 2 (Quare fremuerunt gentes et populi)  | ten ch orch  |  | 1851  | Choral, sacred  | incomplete sketches; originally intended as 5th movement of S.690
704  | —  | Requiem (on the death of Emperor Maximilian of Mexico)  | vv ch ?orch  |  | 1867?  | Choral, sacred  | lost
705  | —  | The Creation  | vv ch ?orch  |  | 1867?  | Choral, sacred  | lost
706  | T45  | Benedictus  | ch  |  | ?  | Choral, sacred  | unrealized project
707  | —  | Excelsior  | ch?  |  | ?  | Choral, sacred  | unrealized project
708a–708b  |  |

##### Secular choral works

[edit]

708a  | L6  | Rinaldo  | ten mch orch  |  | 1848  | Choral, secular  | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and August Conradi as S.708b
708b  | L6  | Rinaldo  | ten mch pf  |  | 1848  | Choral, secular  | arr. of S.708a by Liszt and August Conradi
709–712  |  |

##### For orchestra

[edit]

709#  | —  | Salve Polonia | orch  |  | 1863  | Orchestral  | renumbered as S.113
710  | S41  | Funeral March  | orch  |  | 1850  | Orchestral  | lost; possibly the same as S.102 or S.761
711  | S62  | Csárdás macabre  | orch  |  | 1882?  | Orchestral  | lost; reconstruction by G. Darvos not based on authentic material
712  | W9  | Romance oubliée  | orch  |  | 1881  | Orchestral  | arr. of S.527; Liszt's authorship doubtful
713–716  |  |

##### For piano and orchestra

[edit]

713/1  | S8  | Piano Concerto  | pf orch  | A minor  | 1825?  | Orchestral, piano  | lost; not the same as S.713/2
713/2  | S9  | Piano Concerto  | pf orch  |  | 1825?  | Orchestral, piano  | lost; not the same as S.713/1
714  | Q20  | Ungarische Zigeunerweisen [Konzert im ungarischen Stil]  | pf orch  |  | 1885  | Orchestral, piano  | formerly S. 126a; by Sophie Menter, orch. by Tchaikovsky
715  | S19  | Piano Concerto (in the Italian style)  | pf orch  |  | 1830–39?  | Orchestral, piano  | lost
716  | —  | Grande fantaisie symphonique  | pf orch (?)  |  | ?  | Orchestral, piano  | Deleted; see S. 120
717–723a  |  |

##### Other instrumental works

[edit]

717#  | D2  | Trio  | vn vc pf  | D♭ major  | 1825  | Chamber  | deleted; renumbered as S. 126c
718  | S11  | Quintet  | 2vn va vc db?  |  | 1825  | Chamber  | lost
718a  | —  | Duo on Rossini's Semiramide  | vn pf  |  | 1827  | Chamber  | based on themes from the opera Semiramide by Gioachino Rossini; lost
718b  | —  | The Fall of Paris – a Military Air with Variations  | fl pf  |  | 1827  | Chamber  | lost
718c  | —  | Fantasia  | vn pf  |  | 1827  | Chamber  | lost
718d  | —  | Un petit morceau  | vn pf  |  | 1829  | Chamber  | lost
718e  | —  | Sextetto  | 2vn 2va 2vc  |  | 1835 or earlier  | Chamber  | lost
718f  | —  | Grand Fantasie on God Save the Queen and Rule Britannia  | vn va vc pf  |  | 1841  | Chamber  | arr. of S.694; doubtful
719#  | —  | Die vier Jahreszeiten | 2vn va vc  |  | 1880?  | Chamber  | renumbered as S.692a
720  | S18  | Allegro moderato  | vn pf  | E major  | 1829  | Chamber  | lost
721  | S63  | Prelude  | vn (+ pf?)  |  | 1882  | Chamber  | lost
722#  | —  | La notte | vn pf  |  | 1864–66  | Chamber  | renumbered as S.377a
723#  | —  | Tristia | vn vc pf  |  | 1880?  | Chamber  | renumbered as S.378a, S.378b, S.378c
723a#  | W6  | Postlude (on a theme from Orpheus)  | ?  |  | 1871  | Chamber  | based on S.98; now attributed to Leopold Alexander Zellner
724–754  |  |

##### For piano solo

[edit]

724/1  | S3  | Rondo  | pf  |  | 1824  | Piano  | lost; possibly S.152?
724/2  | S4  | Fantasia  | pf  |  | 1824  | Piano  | lost
725/1  | S5  | Piano Sonata  | pf  | F minor  | 1825  | Piano  | lost; only several bars were copied down from memory later by Liszt
725/2  | S6  | Piano Sonata  | pf  | C minor  | 1825  | Piano  | lost; only three bars were copied down from memory in a letter from Liszt to his mother
725/3  | S7  | Piano Sonata  | pf  |  | 1825  | Piano  | lost
726  | —  | Etude  | pf  |  | ?  | Piano  | lost
726a  | S23  | Valse  | pf  | E major  | 1835  | Piano  | lost
727#  | —  | Prélude omnitonique | pf  |  | 1844  | Piano  | renumbered as S.166e
728#  | —  | Sospiri! | pf  |  | 1879  | Piano  | renumbered as S.192/5
729  | —  | Tantum ergo  | pf  |  | 1869  | Piano  | lost; possibly arr. of S.42 or S.702
730  | —  | Dem Andenken Petöfis | pf  |  | 1877  | Piano  | renumbered as S.195
731#  | —  | Valse élégiaque | pf  |  | 1839  | Piano  | renumbered as S.210
732#  | —  | Valse oubliée No.4 | pf  |  | 1884  | Piano  | renumbered as S.215/4
733#  | —  | Marche hongroise | pf  | E♭ minor  | 1844  | Piano  | renumbered as S.233b
734#  | —  | Ländler | pf  |  | 1879  | Piano  | renumbered as S.211a
735#  | —  | Air cosaque  | pf  |  | 1879  | Piano  | renumbered as S.249c
736  | W16  | Kerepsi csárdás  | pf  |  | ?  | Piano  | lost; Liszt's authorship doubtful
737  | W15  | Morceaux en style de danse ancien hongrois (3)  | pf  |  | 1850  | Piano  | manuscript lost; Liszt's authorship doubtful
738#  | A114  | Grosse Konzertfantasie über spanische Weisen  | pf  |  | 1844  | Piano  | renamed and renumbered as S. 695c.
739  | S38  | Corolian Overture  | pf  |  | 1846–47  | Piano, arr.  | arr. of Coriolan, Op.62 by Ludwig van Beethoven; lost
740  | S39  | Egmont Overture  | pf  |  | 1846–47  | Piano, arr.  | arr. of the overture from the incidental music to Egmont, Op.84 by Ludwig van Beethoven; lost
741  | S37  | Le carnaval romain  | pf  |  | 1844–49?  | Piano, arr.  | arr. of the overture Le carnaval romain, H.95 by Hector Berlioz; lost
742#  | —  | Duettino de La favorite | pf  |  | 1847  | Piano, arr.  | renumbered as S.400a
743  | S55  | Chœur des soldats de Faust  | pf  |  | 1864  | Piano, arr.  | arr. of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost
743a  | S31  | Fantaisie sur des thèmes de l'opéra Guitarero  | pf  |  | 1841  | Piano, arr.  | based on themes from the opera Guitarrero by Fromental Halévy; lost
744  | S36  | Dom Sebastien (Paraphrase de concert)  | pf  |  | 1843–44?  | Piano, arr.  | based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost
745#  | —  | Marche funèbre | pf  |  | 1827  | Piano, arr.  | renumbered as S.226a
746  | —  | Andante maestoso  | pf  |  | ?  | Piano, arr.  | lost
747  | W3  | Poco adagio  | pf  |  | 1847?  | Piano, arr.  | arr. from S.9; lost; Liszt's authorship uncertain
747a  | —  | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | pf  |  | 1862?  | Piano, arr.  | based on a theme from the opera Le prophète by Giacomo Meyerbeer; arr. from S.259 or 259a; lost; apparently never notated but performed by Liszt
748  | S35  | Die Zauberflöte  | pf  |  | 1843?  | Piano, arr.  | arr. of the overture to the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart; lost
749  | S56  | Preussischer Armeemarsch  | pf  |  | 1866?  | Piano, arr.  | arr. of an unidentified composition, attributed to "Radovsky"; lost
750#  | —  | Introduction et variations sur une marche du Siège de Corinthe | pf  |  | 1830?  | Piano, arr.  | renumbered as S.421a
751  | —  | Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie)  | pf  |  | 1839–41  | Piano, arr.  | lost, but recently rediscovered; based on themes from the operas Maometto Secondo and Mosè in Egitto by Gioachino Rossini
752#  | S43  | Gelb rollt  | pf  |  | 1881  | Piano, arr.  | renumbered as S.554/1
753  | S42  | Alfonso und Estrella  | pf  |  | 1850–51  | Piano, arr.  | arr. of Act I of the opera Alfonso und Estrella, D.732 by Franz Schubert; lost
754#  | —  | Seconda mazurka variata | pf  |  | 1880  | Piano, arr.  | renumbered as S.573a
755–755b  |  |

##### For piano, four hands

[edit]

755  | S10  | Sonata  | pf4h  |  | 1825  | Piano, 4 hands  | lost
755a  | W10  | A magyarok Istene (Ungarns Gott)  | pf4h  |  | 1881  | Piano, 4 hands  | arr. of S.339; Liszt's authorship doubtful
755b  | S30  | Grosse Fantasie über God Save the Queen und Rule Britannia (Fantasie uber englische Themen)  | pf4h  |  | 1841  | Piano, 4 hands  | arr. of S.694; lost
756–757  |  |

##### For two pianos

[edit]

756  | W5  | Mosonyis Grabgeleit  | 2pf  |  | 1870  | Piano, 2 pianos  | arr. of S.194; Liszt's authorship uncertain
757  | S57  | Le triomphe funèbre du Tasse  | 2pf  |  | 1866–69  | Piano, 2 pianos  | arr. of S.112/3; lost
758–761  |  |

##### For organ

[edit]

758  | S40  | Die Orgel  | org  |  | 1850–59?  | Organ  | symphonic poem after Johann Gottfried Herder; lost
759#  | E22/2  | Adagio | org  | D♭ major  | 1866–67?  | Organ  | renumbered as S.672d/2
759a  | —  | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | org  |  | 1874-75  | Organ  | based on a theme from the opera Le prophète by Giacomo Meyerbeer; 2nd version of S.259; doubtful
760  | S59  | Cantico del sol di Francesco d'Assisi  | org  |  | 1881  | Organ, arr.  | arr. of S.4/2; lost
761  | S51  | Marche funèbre  | vc pf org  |  | 1860–69?  | Organ, arr.  | arr. of the 3rd movement from the Piano Sonata No.2, Op.35 by Frédéric Chopin
762–766  |  |

##### Songs with piano

[edit]

762  | S46  | Air de Chateaubriand  | v (pf?)  |  | 1858  | Vocal, song  | lost; possibly the same as S.18/4
763  | S47  | Strophes de Herlossohn  | v pf  |  | 1858  | Vocal, song  | lost
764  | S48  | Kränze pour chant  | v pf  |  | 1858  | Vocal, song  | lost
765  | S45  | Die Glöckchen  | v pf  |  | 1857  | Vocal, song  | intended as S.316/3; lost
765a  | S32  | L'aube naît  | v pf  |  | 1842  | Vocal, song  | lost
766  | W4  | Der Papsthymnus  | v pf  |  | 1865?  | Vocal, song  | Liszt's authorship doubtful
767  |  |

##### Other vocal works

[edit]

767  | W8  | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)  | v org  |  | 1874  | Vocal  | arr. of prelude from S.6; Liszt's authorship doubtful
768  |  |

##### Recitations with pianoforte

[edit]

768  | S60  | Der ewige Jude  | nar pf orch  |  | 1881  | Vocal, recitation  | melodrama to words by Christian Friedrich Daniel Schubart; lost

## References

[edit]

1. ^ Brosche, G nter (1995). ""HERR HAYDN SAGTE MIR: ... IHR SOHN IST DER GR SSTE COMPONIST ..." Neuerwerbungen der Musiksammlung der sterreichischen Nationalbibliothek im Jahre 1993". Studien zur Musikwissenschaft. 44: 349–365\. ISSN 0930-9578. JSTOR 41467091.
2. ^ Benton, Rita; Reich, Nancy B.; Köhler, Karl-Heinz (1979). "Communiqués/Mitteilungen/Communications". Fontes Artis Musicae. 26 (3): 235–238\. ISSN 0015-6191. JSTOR 23505431.
3. ^ REICH, NANCY B. (1976). "Liszt's Variations on the March from Rossini's Siège de Corinthe". Fontes Artis Musicae. 23 (3): 102–106\. ISSN 0015-6191. JSTOR 23506355.

## External links

[edit]

1. List of works by Franz Liszt: Work list at the International Music Score Library Project

* v
* t
* e

Franz Liszt

List of compositions

Music|

* Musical works
* Late works
* Transcriptions
* Lisztomania

Operas|

* Don Sanche
* Sardanapalo

Choral works|

* The Bells of the Strasbourg Cathedral
* Slavimo slavno, Slaveni!
* Via crucis
* Les Quatre Élémens

Symphonic poems|

* Ce qu'on entend sur la montagne
* Tasso: lamento e trionfo
* Les Préludes
* Orpheus
* Prometheus
* Mazeppa
* Festklänge
* Héroïde funèbre
* Hungaria
* Hamlet
* Hunnenschlacht
* Die Ideale

Other orchestral works|

* Faust Symphony
* Dante Symphony
* Mephisto Waltzes

Piano and orchestra|

* Hungarian Fantasy
* Piano Concerto No. 1
* Piano Concerto No. 2
* Piano Concerto No. 3
* Totentanz

Solo piano|

* Ab Irato
* Années de pèlerinage
* "Bagatelle sans tonalité"
* Ballade No. 1
* Ballade No. 2
* Beethoven Symphonies
* Consolations
* Csárdás
* Dante Sonata
* "Dem Andenken Petőfis"
* Deux Légendes
* Feuilles d'album
* Glanes de Woronince
* "Grand Galop chromatique"
* Grandes Études de Paganini
* Harmonies poétiques et religieuses
* Hungarian Rhapsodies
* "La lugubre gondola"
* Liebesträume
* "Mephisto Polka"
* Mephisto Waltzes
* Morceau de salon
* "Nuages gris"
* Rhapsodie espagnole
* "Rondeau fantastique"
* Sarabande and Chaconne
* Sonata in B minor
* Three Concert Études
* Transcendental Études
* Two Concert Études
* "Valse-Impromptu"
* Variation on a Waltz by Diabelli
* Weihnachtsbaum

Opera paraphrases|

* Réminiscences de Don Juan
* Fantasy on Themes from Mozart's Figaro and Don Giovanni

Family|

* Adam Liszt (father)
* Cosima Wagner (daughter)

Pupils|

* Carl Baermann
* Arthur H. Bird
* Hans Bronsart von Schellendorff
* Hans von Bülow
* Eugen d'Albert
* Arthur De Greef
* Élie-Miriam Delaborde
* Amy Fay
* Arthur Friedheim
* Karl Klindworth
* Martin Krause
* Carl Lachmund
* Frederic Lamond
* Georg Liebling
* Max Liebling
* Heinrich Lutter
* Sophie Menter
* Sebastian Bach Mills
* José Vianna da Motta
* Dionys Pruckner
* Laura Rappoldi
* Carl Reinecke
* Martha Remmert
* Eduard Reuss
* Moriz Rosenthal
* Emil von Sauer
* Giovanni Sgambati
* William Hall Sherwood
* Alexander Siloti
* Agnes Street-Klindworth
* Karl Tausig
* István Thomán
* Anton Urspruch
* Bettina Walker
* Józef Wieniawski
* Géza Zichy

Related|

* Liszthaus Raiding (Liszt's birthplace)
* Franz Liszt Academy of Music
* International Franz Liszt Piano Competition
* Franz Liszt International Piano Competition (Budapest)
* Lisztomania (1975 film)
* Lisztomania (song)
* University of Music Franz Liszt Weimar

* Category
* Audio

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