List of compositions by Franz Schubert (1813)

Lists of

Compositions by
Franz Schubert

* D: 1–1C
* 2–12
* 13–37
* 37A–91
* 92–126
* 127–330
* 331–510
* 511–598
* 599–632
* 633–678
* 679–708
* 708A–732
* 733–767
* 768–798
* 799–822
* 823–862
* 863–895
* 896–936
* 936A–965B
* 966–992
* Anh. I
* II
* III

By genre

* Stage works
* Songs and part-songs
* Song cycles
* Symphonies
* Sonatas, duos and fantasies
* Solo piano

Publications

* Opus/Deutsch number concordance
* 19th century complete edition
* New Schubert Edition

* v
* t
* e

Franz Schubert's compositions of 1813 are mostly in the Deutsch catalogue (D) range D 37A–91,[1] and include:

* Instrumental works:
* Symphony No. 1, D 82
* String Quartet No. 4, D 46
* String Quartet No. 5, D 68
* String Quartet No. 6, D 74
* String Quartet No. 10, D 87
* Vocal music:
* Des Teufels Lustschloß, D 84 (composition started late October 1813)
* "Trinklied", D 75
* "Sehnsucht", D 52
* "Der Taucher", D 77

## Table

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### Legend

[edit]

Legend to the table  column  | content

|

1  | D '51  | Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2  | D utd  | most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3  | Op.
pbl  | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4  | AGA  | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]

* Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884)
* Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886)
* Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889)
* Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890)
* Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892)
* Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886)
* Series IX: Pianoforte zu vier Händen (Anton Door, 1888)
* Series X: Sonaten für Pianoforte (Julius Epstein, 1888)
* Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888)
* Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889)
* Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887)
* Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888)
* Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893)
* Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891)
* Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892)
* Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891)
* Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892)
* Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895)
* Series XXI: Supplement (Eusebius Mandyczewski, 1897)
1. Instrumentalmusik No. 1-5
2. Instrumentalmusik No. 6-13
3. Instrumentalmusik No. 14-
4. Gesangsmusik
* Series XXII: Revisionsbericht

5  | NSA  | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]

* Series I: Church Music
* Series II: Stage Works
* Series III: Part Songs
* Series IV: Lieder
* Series V: Orchestral Works
* Series VI: Chamber Music
1. Octet and Nonet
2. String Quintet
3. String Quartets I
4. String Quartets II
5. String Quartets III
6. String Trios
7. Works for Piano and several instruments
8. Works for Piano and one instrument
9. Dances for several instruments
* Series VII: Piano Music
1. Works for Piano Four Hands
2. Works for Piano Two Hands
* Series VIII: Supplement, 2\. Schubert's Studies

6  | Name  | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7  | Key / incipit  | incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8  | Date  | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9  | Additional info  | may include:

* Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
* Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
* Forces needed for performance ("For ..."):
* may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
* "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
* Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
* Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
* Information about versions (e.g. "Two versions: ...")

### List

[edit]

Compositions by Franz Schubert listed in the Deutsch catalogue for 1813  D
'51  | D
utd  | Op.
pbl  | AGA  | NSA  | Name  | Key / incipit  | Date  | Additional info

|
|
|
|
|
|
|
|

967 | 37A |  |  | VII/2, 4 Anh.
VIII, 2 No. 13 | Fugue sketches, D 37A |  | 1813?  | For piano
38 | 38 | (1892)  | XIX
No. 20 | III, 4 No. 1 | Totengräberlied, D 38  | Grabe, Spaden, grabe! | 1813?  | Text by Hölty (other setting: D 44); For ttb
39 | 39 | (1969)  |  | IV, 6
Anh No. 2 | Lebenstraum | Ich saß an einer Tempelhalle | early 1810?  | Text by Baumberg; Sketch; Music related to D 1A
| 39A  |  |  | VI, 9 | Three Minuets with Trios, D 39A  |  | 1813  | For orchestra; Lost
41 | 41 | (1889)  | XII
No. 30 | VII/2, 6 | Thirty Minuets with Trios, D 41 | Various keys  | 1813  | For piano; Nos. 1–8, 11–18 and 20–23 are extant
| 41A |  |  | VII/2, 4 Anh. | Fugue, D 41A | E minor  | 1813  | For piano; Fragment
42 | 42 | (1895)
(1969)  | XX, 10
No. 570 | IV, 6 No. 5 Anh. No. 3 | Aria di Timante | Misero pargoletto | 1813?  | Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments
43 | 43 | (1897)  | XXI, 4
No. 43 | III, 4 No. 2
VIII, 2 No. 34 | Sprüche des Confucius, D 43  | Dreifach ist der Schritt der Zeit | 8/7/1813  | Text by Schiller (other settings: D 69 and 70); For ttb
44 | 44 | (1894)  | XX, 1
No. 7 | IV, 6
No. 6 | Totengräberlied, D 44  | Grabe, Spaden, grabe! | 19/1/1813  | Text by Hölty (other setting: D 38)
45 | 45 | (1888)  | XIV No. 21 | I, 5 | Kyrie, D 45 | B♭ major
Kyrie | 1/3/1813  | Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB
46 | 46 | (1890)  | V No. 4 | VI, 3 No. 6 | String Quartet No. 4 | C major  | 3/3/1813–
7/3/1813  | Adagio – Andante con moto – Minuet – Finale
47 | 47 | (1974)  |  | III, 2b
Anh. No. 1 | Dithyrambe, D 47 | Nimmer, das glaubt mir, erscheinen die Götter | 29/3/1813  | Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment
48 | 48 | (1871)
(1888)  | IX, 3
No. 32 | VII/1, 1
No. 3 | Fantasy, D 48, a.k.a. Grand Sonata | C minor  | April 1813–
10/6/1813  | For piano duet; AGA includes concluding fugue
49 | 49 | (1888)  | XIV No. 15 | I, 5 | Kyrie, D 49 | D minor
Kyrie | early April
1813–
15/4/1813  | Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass
50 | 50 | (1894)  | XX, 1
No. 8 | IV, 6
No. 7 | Die Schatten | Freunde, deren Grüfte sich schon bemoosten! | 12/4/1813  | Text by Matthisson
51 | 51 | (1897)  | XXI, 4
No. 37 | III, 4 No. 3 | Unendliche Freude, D 51  | Unendliche Freude durchwallet das Herz | 15/4/1813  | Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb
52 | 52 | (1868)  | XX, 1
No. 9 | IV, 2b No. 8 | Sehnsucht, D 52  | Ach, aus dieses Tales Gründen | 15/4/1813–
17/4/1813  | Text by Schiller (other setting: D 636); For b and piano
53 | 53 | (1892)  | XIX
No. 9 | III, 4 No. 4 | Vorüber die stöhnende Klage | Vorüber die stöhnende Klage! | 18/4/1813  | Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb
54 | 54 | (1873)  | XIX
No. 22 | III, 4 No. 5
VIII, 2 No. 17 | Unendliche Freude, D 54  | Unendliche Freude durchwallet das Herz | 19/4/1813  | Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices
55 | 55 | (1892)  | XIX
No. 12 | III, 4 No. 6 | Selig durch die Liebe | Selig durch die Liebe Götter | 21/4/1813  | Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb
56 | 56 | (1892)  | XIX
No. 29 | I, 5
VIII, 2 No. 18 | Sanctus, D 56 | B♭ major
Sanctus | 21/4/1813  | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions
57 | 57 | (1897)  | XXI, 4
No. 38 | III, 4 No. 7 | Hier strecket der wallende Pilger | Hier strecket der wallende Pilger | 29/4/1813  | Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb
58 | 58 | (1892)  | XIX
No. 10 | III, 4 No. 8 | Dessen Fahne Donnerstürme wallte | Dessen Fahne Donnerstürme wallte | May 1813  | Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb
59 | 59 | (1832)  | XX, 1
No. 10 | IV, 6
No. 8 | Verklärung | Lebensfunke, vom Himmel entglüht | 4/5/1813  | Text by Herder after Pope's "The dying Christian to his soul"
60 | 60 | (1892)  | XIX
No. 11 | III, 4 No. 16 | Hier umarmen sich getreue Gatten | Hier umarmen sich getreue Gatten | 3/10/1813  | Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb
61 | 61 | (1897)  | XXI, 4
No. 39 | III, 4 No. 9
VIII, 2 No. 19 | Ein jugendlicher Maienschwung | Ein jugendlicher Maienschwung | 8/5/1813  | Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices
62 | 62 | (1897)  | XXI, 4
No. 40 | III, 4 No. 10
VIII, 2 No. 35 | Thronend auf erhabnem Sitz | Thronend auf erhabnem Sitz | 9/5/1813  | Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A
63 | 63 | (1892)  | XIX
No. 13 | III, 4 No. 11 | Wer die steile Sternenbahn | Wer die steile Sternenbahn | 10/5/1813  | Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb
64 | 64 | (1897)  | XXI, 4
No. 41 | III, 4 No. 12
VIII, 2 No. 36 | Majestät'sche Sonnenroße | Majestät'sche Sonnenroße | 10/5/1813  | Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb
65 | 65 | (1892)  | XIX
Anh. I, No. 35 | III, 4
Anh. II No. 1
VIII, 2 No. 20 | Schmerz verzerret ihr Gesicht | Schmerz verzerret ihr Gesicht | 11/5/1813  | Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch
66 | 66 | (1888)  | XIV No. 16 | I, 5 | Kyrie, D 66 | F major
Kyrie | 12/5/1813  | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra
67 | 67 | (1897)  | XXI, 4
No. 42 | III, 4 No. 13 | Frisch atmet des Morgens lebendiger Hauch | Frisch atmet des Morgens lebendiger Hauch | 15/5/1813  | Text by Schiller (other setting: D 402); For ttb
68 | 68 | (1890)  | V No. 5 | VI, 3 No. 7 | String Quartet No. 5 | B♭ major  | 8/6/1813–
18/8/1813  | Allegro maestoso – Allegro; Middle movements missing
69 | 69 | (1892)  | XIX
No. 23 | III, 4 No. 14
VIII, 2 No. 21 | Sprüche des Confucius, D 69  | Dreifach ist der Schritt der Zeit | 8/7/1813  | Text by Schiller (other settings: D 43 and 70); Canon for three voices
70 | 70 | (1974)  |  | III, 4
Anh. I No. 1
VIII, 2 No. 33 | Sprüche des Confucius, D 70  | Dreifach ist der Schritt der Zeit | 8/7/1813  | Text by Schiller (other settings: D 43 and 69); For ttb; Fragment
71 | 71 | (1892)  | XIX
No. 14 | III, 4
No. 15 | Die zwei Tugendwege | Zwei sind der Wege | 15/7/1813  | Text by Schiller; For ttb
| 71A | (1956)  |  | I, 8
VIII, 2 No. 22 | Alleluja, D 71A | F major  | July 1813?  | Canon for three voices
| 71B |  |  | VII/2, 4 Anh.
VIII, 2 No. 14 | Fugue, D 71B | E minor  | July 1813  | For piano; Fragment
966A | 71C |  |  | V, 6 No. 5 | Orchestral piece, D 71C | D major  | Aug. or
Sep. 1813  | Fragment; First pages, a.k.a. D 74A, based on D 74
72 | 72 | (1889)
(1890)  | III No. 2
XXII v1 | VI, 1 No. 1
& Anh. | Wind Octet | F major  | completed
18/8/1813  | Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost?
73 | 73 | (1868)  | XX, 1
No. 11 | IV, 4 | Thekla: Eine Geisterstimme, D 73  | Wo ich sei, und wo mich hingewendet | 22/8/1813–
23/8/1813  | Text by Schiller (other setting: D 595)
74 | 74 | (1890)  | V No. 6 | VI, 4 No. 8 | String Quartet No. 6 | D major  | 22/8/1813–
Sep. 1813  | Allegro ma non troppo – Andante – Minuet – Allegro
966A | 74A |  |  | V, 6 No. 4 | Orchestral piece, D 74A | D major  | Aug. or
Sep. 1813  | Fragment; Variant D number for first pages of D 71C
75 | 75 | (1850)  | XVI
No. 16 | III, 3 No. 18 | Trinklied, D 75  | Freunde, sammelt euch im Kreise | 29/08/1813  | Text by Schäffer [scores]; For bTTB and piano
76 | 76 | (1871)
(1969)  | XX, 10
No. 571 | IV, 6 No. 9 Anh. No. 4 | Aria di Fronimo | Pensa, che questo istante | 7 and 13
Sep. 1813  | Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA)

111 | 77 | (1831)
(1894)  | XX, 1
No. 12 | IV, 6
No. 10 | Der Taucher | Wer wagt es, Rittersmann oder Knapp | 17/9/1813–
early 1815  | Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111
78 | 78 | (1895)  | XX, 10
No. 572 | IV, 6 No. 11 | Aria di Venere | Son fra l'onde | 18/9/1813  | Text by Metastasio, from Gli orti esperdi, I; For s and piano
79 | 79 | (1889)  | III No. 3 | VI, 1 No. 2 | Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer | E♭ minor  | 19/9/1813  | Grave con espressione
80 | 80 | (1892)  | XIX
No. 4 | III, 3 No. 2
Anh. III No. 1
Anh. IV No. 1 | Zur Namensfeier meines Vaters | Ertöne Leier zur Festesfeier! | 27/9/1813  | Text by Schubert; For ttb and guitar
81 | 81 | (1895)  | XX, 10
No. 583 | IV, 14 | Auf den Sieg der Deutschen | Verschwunden sind die Schmerzen | fall 1813  | Text by Schubert? (other setting: D 88); For voice, two violins and cello
82 | 82 | (1884)  | I, 1
No. 1 | V, 1 No. 1 | Symphony No. 1 | D major  | completed
28/10/1813  | Adagio, Allegro vivace – Andante – Minuet – Allegro vivace
83 | 83 | (1895)  | XX, 10
No. 582 | IV, 14 | Zur Namensfeier des Herrn Andreas Siller | Des Phöbus Strahlen | 28/10/1813–
4/11/1813  | For voice, violin and harp
84 | 84 | (1888)  | XV, 1
No. 1 | II, 1 | Des Teufels Lustschloß | (Singspiel in three acts)  | 30/10/1813–
22/10/1814  | Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A
86 | 86 | (1886)  | II
No. 10 | VI, 4
Anh. No. 1
VI, 9 | Minuet, D 86 | D major  | November
1813?  | For string quartet
87 | 87 | 125p,1
(1840)  | V
No. 10 | VI, 4 No. 9 | String Quartet No. 10 | E♭ major  | November
1813  | Allegro più moderato – Scherzo – Adagio – Allegro
| 87A |  |  | VI, 4
Anh. No. 2 | Andante, D 87A | C major  | November
1813  | For four voices (string quartet or vocal ensemble?); Fragment
88 | 88 | (1892)  | XIX
No. 21 | III, 4 No. 17
VIII, 2 No. 23 | Verschwunden sind die Schmerzen | Verschwunden sind die Schmerzen | 15/11/1813  | Text by Schubert? (other setting: D 88); Canon for ttb

90 | 89 | (1886)  | II No. 8
and No. 9 | VI, 9 | Five Minuets and Five German Dances | Various keys  | 19/11/1813  | For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda
91 | 91 | (1956)  |  | VII/2, 6 | Two Minuets, D 91 | Various keys  | 22/11/1813  | For piano; Each minuet with two Trios

## References

[edit]

1. ^ Deutsch 1978, pp. 30–69.
2. ^ Deutsch 1951.
3. ^ NSA website.
4. ^ AGA 1884–1897.
5. ^ NSA scores.
6. ^ a b Reed 1997.
7. ^ a b LiederNet Archive.

## Sources

[edit]

Multi-volume editions, websites and catalogues

* Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). Johannes Brahms; Ignaz Brüll; Anton Door; Julius Epstein; Johann Nepomuk Fuchs; Josef Gänsbacher; Joseph Hellmesberger Sr.; Eusebius Mandyczewski (eds.). Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
* Deutsch catalogue (D) = Schubert Thematic Catalogue:
* Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1951). Schubert: Thematic Catalogue of all his Works in Chronological Order (1st ed.). London: Dent. 1995 reprint, with errata correction: Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1995). The Schubert Thematic Catalogue (Dover ed.). Mineola, N.Y.: Dover Publications. ISBN 0486286851.
* Deutsch, Otto Erich (1978). Walther Dürr; Arnold Feil; Christa Landon [in German]; Werner Aderhold (eds.). Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge. New Schubert Edition (in German). Kassel: Bärenreiter. ISBN 9783761805718. ISMN 9790006305148.
* Series VIII (Supplement)
* Volume 4
* Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
* Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV6 (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
* Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
* NSA scores: Schubert, Franz (1968–2019). International Schubert Association (Tübingen) (ed.). Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Kassel: Bärenreiter. [over 80 volumes in eight series] Individual volumes:
* NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas (eds.). Sacontala. New Schubert Edition (in German). Kassel: Bärenreiter. ISMN 9790006497294.
* Series II (Stage Works), Vol. 15
* NSA VIII, 4: See above Deutsch (1978)
* NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
* Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
* The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.

Other

* Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Cambridge University Press. ISBN 0521088720.
* Walther Dürr "Schubert's Songs and Their Poetry" pp. 1–24
* Rufus Hallmark "Schubert's 'Auf dem Strom'" pp. 25–46
* Elaine Brody "Schubert and Sulzer Revisited" pp. 47–60
* Marius Flothuis "Schubert Revises Schubert" pp. 61–84
* Elizabeth Norman McKay "Schubert as Composer of Operas" pp. 85–104
* Peter Branscombe "Schubert and the Melodrama" pp. 105–142
* Christoph Wolff "Schubert's 'Der Tod und dad Mädchen'" pp. 143–172
* Peter Gülke on String Quintet D 956 pp. 173–186
* Paul Badura-Skoda on Schubert's 'Great' C major Symphony pp. 187–208
* Robert Winter "Paper Studies and the Future of Schubert Research" pp. 209–276
* Eva Badura-Skoda "The Chronology of Schubert's Piano Trios" pp. 277–296
* Reinhard Van Hoorickx "The Chronology of Schubert's Fragments and Sketches" pp. 297–326
* Arnold Feil "Rhythm in Schubert" pp. 327–346
* Alexander Weinmann on Leopold Puschl and Schubert's sojourn in Zseliz pp. 347–356
* Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
* Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1\. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
* Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
* Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
* Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
* Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
* Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
* Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 25 (1). Belgian Musicological Society: 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
* Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 28–30. Belgian Musicological Society: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.

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* t
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Franz Schubert

Compositions|

| By genre|

* Chamber music
* Church music
* Orchestral works (Symphonies)
* Piano music (piano solo)
* Sonatas, duos and fantasies
* Songs and part-songs (song cycles)
* Stage works
* Arrangements
* Copies
* Doubtful and spurious

|

By year|

* 1810
* '11
* '12
* '13
* '14
* '15
* '16
* '17
* '18
* '19
* '20
* '21
* '22
* '23
* '24
* '25
* '26
* '27
* '28
* undated

Publications|

* Deutsch catalogue
* opus/Deutsch number concordance
* 19th century complete edition
* New Schubert Edition

Media|

* Schubertiade
* Das Dreimäderlhaus (1916 operetta)
* Schubert at the Piano (1899 painting)
* 1928 International Columbia Graphophone Competition
* Schubert's Dream of Spring (1931 film)
* Gently My Songs Entreat (1933 film)
* Serenade (1940 film)
* The Great Awakening (1941 film)
* It's Only Love (1947 film)
* La Belle Meunière (1949 film)
* Franz Schubert (1953 film)
* Angeli senza paradiso (1970 film)

People|

* Eva Badura-Skoda
* Otto Erich Deutsch
* Walther Dürr
* Julius Epstein
* Dietrich Fischer-Dieskau
* Max Friedlaender
* Johann Nepomuk Fuchs
* Therese Grob
* Ernst Hilmar
* Anselm Hüttenbrenner
* Eusebius Mandyczewski
* Johann Mayrhofer
* Elizabeth Norman McKay
* Gustav Nottebohm
* Wilhelm Müller
* Johann Philipp Neumann
* Brian Newbould
* Antonio Salieri
* Franz von Schober
* Ferdinand Schubert
* Johann Senn
* Joseph von Spaun
* Rita Steblin
* Johann Michael Vogl

* Category
* Audio

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