Magic in Middle-earth

Use of magic in J. R. R. Tolkien's Middle-earth fiction

Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth. Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil.

Several of the races of Middle-earth are inherently able to work magic, from the godlike Ainur (including Wizards and Balrogs, both being members of the angelic race of Maiar) and the immortal Elves to Dragons and to some extent also Dwarves. Men and Hobbits could not directly work magic, but could make use of more or less magical artefacts made by others, such as Númenorean swords (made by Men with Elvish blood) and the Phial of Galadriel given to Frodo. Some of the magical artefacts were of great power, including the Palantíri or Stones of Seeing, but by far the most powerful was the One Ring, made by the Dark Lord Sauron and embodying much of his former power.

Scholars have written that Tolkien felt the need for a magical cosmology to counter modernity's war against mystery and magic. In the sense that magic is the use of power to dominate other people, it is evil, and associated in Tolkien's mind with technology. The opposite of that is enchantment, something that Frodo experiences in the Elvish realms of Rivendell and Lothlórien, both preserved by the power of the Three Elvish Rings. That too can be a trap, as the Elves are obliged to let their Rings and their realms fade, just as the Fellowship of the Ring have to let the One Ring go, its addictive power corrupting the wearer's mind to evil.

## Appearances

[edit]

Middle-earth is described both as being quite natural, with the ordinary features of Earth's rivers, mountains and plains, trees and plants under the sky, and supernatural, with magical powers shared by many of its races of beings from Wizards to Dwarves, and a variety of magical artefacts from rings to impenetrable walls.[1][2][3]

### By race

[edit]

The various races of Middle-earth had differing powers:[3]

Powers of Middle-earth races  Race | Description | Examples

|
|

Wizards | Maiar, spirit beings sent in Man-like form by the godlike Valar to intervene at need in the affairs of Middle-earth[4] | Saruman, of great power but also able to use deceptive power to create illusions;[T 1] Gandalf, able to create fire[T 2] or blazing light;[T 3] use many spells;[T 4] read Frodo's mind and memory[T 5]
Dark Lords | Melkor (Morgoth, a fallen Vala) and Sauron, a fallen Maia[T 6][T 7] | Sauron greatly increased his power by putting much of his own power into the One Ring[T 8]
Balrogs | Evil fire-spirits, Maiar corrupted by Morgoth, in a man-shaped body | Durin's Bane started to open a door in Moria closed with a spell by Gandalf.[T 9]
Dragons | Descendants of Glaurung, created by Morgoth in the First Age in his war with the Elves[T 10] | Smaug exerts a specific hypnotic power, the dragon-spell[T 11]
Nazgûl (Ringwraiths) | Kings of men trapped by Sauron's gift of Rings of power | Able to use spells of beckoning, location, and fire as weapons; their "Black Breath" spread depression and terror among their enemies.[T 12][T 13]
Elves | Immortal beings with powers from arts and crafts to the clearly magical[3] | Glorfindel and Elrond commanded the river Bruinen to rise and sweep the Nazgûl away, drowning their horses.[T 14] Elvish rope was extremely light, strong, and able to untie itself on command.[5][T 15][T 16] Elvish waybread, Lembas, was capable of keeping a "traveller on his feet for a day of long labour".[T 17][3] Elvish cloaks served almost magically as camouflage.[T 18] Galadriel's gifts, the Phial of Galadriel and the box of earth she gave to Sam had magical effects.[T 17]
Dwarves | Mortal beings, but able to set spells on gold and forge magical things | Narvi made the spell-operated Doors of Durin.[T 4][T 19]
Men, Hobbits | Mortal beings who in the Third Age were without magical powers; able to use magical things made by the Elves or by the Númenóreans, Men of the Second Age, at least some of whom had some Elvish blood[3] | Use of spell-wrapped swords[T 13][6] and the Phial of Galadriel[T 20][7] Denethor, Steward of Gondor, examines Pippin's spell-wrapped, rune-decorated sword and asks "Whence came this? ... Many, many years lie on it. Surely this is a blade wrought by our own kindred [Men descended from Númenóreans] in the North in the deep past?"[T 21]
Tom Bombadil (unknown race) | Timeless being in Manlike form; fearless, with powers in his cheerful singing [T 22] | Rescues hobbits from Old Man Willow, and again from the spell of the Barrow-wight, by singing[T 22][8]

### By artefact

[edit]

Magical power is wielded through different artefacts:[3]

Magical artefacts  Artefact | Description | Examples

|
|

The One Ring | Extremely powerful, wholly evil;[3] able to corrupt any being of power such as an Elf-lord, King of Men, or Wizard; controlled all other Rings of power; conferred invisibility[T 12][T 8] | Effects on all who come close to the Ring
The Palantíri | Stones of Seeing, made by Elves of Valinor, allow thoughts to be "transferred between wills"[T 23][T 24] | Saruman is deceived by Sauron through the Orthanc Stone.[T 24]
Hidden writing | Magical writing, invisible under normal conditions | Moon-letters on Thror's map of Lonely Mountain, telling how to open secret door;[T 25] similar letters, of Mithril, written around Doors of Durin at western entrance to Moria, made visible by a spell[T 4]
Indomitable masonry | Stonework embodying power preventing it from being broken by force | Unassailable tower of Orthanc built with wizardry "older and stronger than Saruman's";[T 26] "indomitable" Númenórean masonry of outermost wall of Minas Tirith.[T 27]
Wizards' staffs | Channelled the Wizards' own power[9][T 28] | Saruman's staff broken by Gandalf the White at Orthanc; Gandalf's staff broken on Bridge of Khazad-dûm, and he died[T 29]
Spell-wrapped weapons | Men of Númenor wielded named swords forged by Elves with power to shine in presence of Orcs,[10] or to break spells protecting the Nazgûl[T 13][6] | Narsil (Andúril),[T 12][T 2] Orcrist, and Glamdring; Morgul knife used by Nazgûl on Weathertop;[T 5] battering-ram Grond had evil spells of destruction written around it.[T 27][11]
Magic horn | Ancient horn brought from the North by Eorl the Young, from Scatha the Worm's dragon-hoard, brings joy to friends, fear to enemies | Merry Brandybuck rouses the Shire by blowing the horn-call of Buckland on it[T 30][12]

## Analysis

[edit]

### A magical cosmology

[edit]

The scholar and critic Patrick Curry argued that Tolkien felt the need for a magical cosmology combining polytheism and animism with Christian values like compassion and humility, to counter modernity's "war against mystery and magic".[1] He believed that Tolkien considered magic as something negative, associated with modern science and machinery, as in his essay On Fairy-Stories: a means of "power ... [and] domination of things and wills" that corrupts those who use it, for example, trapping the wizard Saruman in his desire for ultimate knowledge and order.[13] Such magic contrasts with the enchantment of Tolkien's fictional elvish lands, which he saw as a form of pure art and an appreciation of the wonders of the world.[2]

### Two kinds of magic

[edit]

In an unsent draft of a letter in 1954, Tolkien distinguished two kinds of magic with the Greek words μαγεία (mageia "ordinary magic") and γοητεία (goeteia, "witchcraft").[T 31]

* Mageia involves the use of some mechanism, like speaking the proper words at a magic door, such as the Doors of Durin, to make it open. Sauron used it to create the dark cloud that covered Mordor and Gondor before the Battle of the Pelennor Fields.[3]

* Goeteia influences perception and will. The Elves used it to create artistic beauty without effort and without deception. Sauron used it to dominate the wills of his subjects.[3][2]

Tolkien stated that these could not be acquired by studying ancient lore or books of spells, but that they were "inherent power not possessed or attainable by Men as such".[T 31] He however qualified this by writing "But the Númenóreans used 'spells' in making swords?" alongside the end of the letter explaining these points.[T 32] He further explained that both Mageia and Goeteia could be used for good and bad purposes, but neither was inherently good or bad in itself. In his view, using them to control free will was the most extreme kind of evil.[T 31]

### Enchantment

[edit]

"The magic of Galadriel":[T 33] A hobbit looking into the Mirror of Galadriel. Scraperboard illustration by Alexander Korotich, 1981

Curry states that enchantment is "the paradigmatic experience, property and concern of the Elves", as seen both in Rivendell when Frodo listens to the Elves' singing in the Hall of Fire,[T 5] and even more strongly in Lothlórien:[14]

> Frodo stood awhile still lost in wonder. It seemed to him that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name.... He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them... On the land of Lórien there was no stain.[T 34]

Curry cites what he calls Max Weber's crucial insight, namely that "The unity of the primitive image of the world, in which everything was concrete magic [his italics], has tended to split into rational cognition and mastery of nature, on the one hand, and into 'mystic' experiences, on the other". In his view, enchantment heals the split, seen in Platonic, Christian, and Cartesian philosophy, between subjectivity and objectivity.[14]

In the Tolkien scholar Verlyn Flieger's view, the attractive enchantment of the Elves might then seem entirely perfect; but she argues that this is not so. In her 2001 book A Question of Time, she writes that in Middle-earth, as in human life, any attempt to hold on to enchantment is doomed; the Elves are put to the test of letting Lórien's timeless beauty go, just as the members of the Fellowship of the Ring are put to the test of letting the Ring go. In Curry's view, this explains why the magical power of the three Elvish Rings too must fade when the One Ring is destroyed.[14]

### Deceptive in use

[edit]

Further information: Palantír

A palantír could not be made to create false images, even by Sauron, but he could use one to selectively display truthful images to create a false impression in the viewer's mind. In each of the four uses of a stone in The Lord of the Rings, a true image is shown, but the viewer draws a false conclusion from the facts. This applies even to Sauron, when he sees Pippin in Saruman's stone and assumes that Pippin has the One Ring, and that Saruman has therefore captured it.[15][T 24] Similarly, Denethor is deceived by Sauron, who drives Denethor to suicide by truthfully showing him the Black Fleet approaching Gondor, without telling him that the ships are crewed by Aragorn's men.[16] The Tolkien scholar Tom Shippey suggests that Tolkien's message is that one should not try to double-guess the future through any device, but should trust in providence and make one's own mind up, bravely facing one's duty in each situation.[15]

### Addiction to power

[edit]

Main article: Addiction to power in The Lord of the Rings

The One Ring offers power to its wearer, and progressively corrupts the wearer's mind to evil; the effect is strongly addictive.[17][18] Shippey applied Lord Acton's 1887 statement that "Power tends to corrupt, and absolute power corrupts absolutely. Great men are almost always bad men" to it, noting that this was a distinctively modern thought: contemporary authors such as George Orwell with Animal Farm (1945), William Golding with Lord of the Flies (1954), and T. H. White with The Once and Future King (1958) similarly wrote about the corrupting effects of power.[19]

### Wish-fulfilment

[edit]

Merry's magic horn brought joy and cleansing to the Shire, something that Tolkien much wished he could bring to England.[12]

Shippey writes that there is a "streak of 'wish-fulfilment'" in the account of "The Scouring of the Shire". Merry returns from Rohan with a magic horn, brought from the North by Eorl the Young, founder of Rohan, from the dragon-hoard of Scatha the Worm. The horn, he explains, is "a magic one, though only modestly so":[12] blowing it brings joy to his friends in arms, fear to his enemies, and it awakens the Hobbits to purify the Shire of Saruman's ruffians.[12] Shippey suggests that Tolkien wished to do the same for England, and notes that with his novels he at least succeeded in bringing joy.[12] The historian Caitlin Vaughn Carlos writes that Sam Gamgee's exclamation "This is worse than Mordor! ... It comes home to you, they say; because it is home, and you remember it before it was ruined"[T 30] encapsulates the impulse to nostalgia.[20]

## References

[edit]

### Primary

[edit]

1. ^ Tolkien 1954, book 3, ch. 10 "The Voice of Saruman"
2. ^ a b Tolkien 1954a, book 2, ch. 3 "The Ring Goes South"
3. ^ Tolkien 1954, book 3, ch. 5 "The White Rider"
4. ^ a b c Tolkien 1954a, book 2, ch. 4 "A Journey in the Dark"
5. ^ a b c Tolkien 1954a, book 2, ch. 1 "Many Meetings"
6. ^ Tolkien 1977, "Ainulindalë"
7. ^ Carpenter 2023, #156 to Robert Murray, S.J., 4 November 1954
8. ^ a b Carpenter 2023, #131 to Milton Waldman, late 1951
9. ^ Tolkien 1954a, book 2, ch. 5 "The Bridge of Khazad-Dum"
10. ^ Tolkien 1977, "Of the Return of the Noldor"
11. ^ Tolkien 1937, ch. 12 "Inside Information"
12. ^ a b c Tolkien 1977, "Of the Rings of Power and the Third Age"
13. ^ a b c Tolkien 1955, book 5, ch. 6 "The Battle of the Pelennor Fields"
14. ^ Tolkien 1954a, book 1, ch. 12 "Flight to the Ford"
15. ^ Tolkien 1989, ch. 13 "Galadriel"
16. ^ Tolkien 1954, book 4, ch. 1 "The Taming of Sméagol"
17. ^ a b Tolkien 1954a, book 2, ch. 8 "Farewell to Lórien"
18. ^ Tolkien 1954, book 3, ch. 2 "The Riders of Rohan"
19. ^ Tolkien 1980, part 2, ch. 4 "The History of Galadriel and Celeborn", "Concerning Galadriel and Celeborn"
20. ^ Tolkien 1954, book 4, ch. 9: "Shelob's Lair"
21. ^ Tolkien 1955, book 5, ch. 1 "Minas Tirith"
22. ^ a b Tolkien 1954a, book 1, chs. 6–8, "The Old Forest", "In the House of Tom Bombadil", "Fog on the Barrow-downs"
23. ^ Tolkien 1980, part 4, ch. 3 "The Palantíri"
24. ^ a b c Tolkien 1954, book 3, ch. 11 "The Palantír"
25. ^ Tolkien 1937, ch. 3 "A Short Rest"
26. ^ Tolkien 1954, book 3, ch. 8 "The Road to Isengard"
27. ^ a b Tolkien 1955, book 5, ch. 4 "The Siege of Gondor"
28. ^ Tolkien 1980, part 4, ch. 2 "The Istari"
29. ^ Tolkien 1954a, book 2, chapter 5 "The Bridge of Khazad-dûm"
30. ^ a b Tolkien 1955, book 6 ch. 8 "The Scouring of the Shire"
31. ^ a b c Carpenter 2023, #155 to Naomi Mitchison (draft, September 1954)
32. ^ Carpenter 2023, footnote 2 to #155 to Naomi Mitchison (draft, September 1954)
33. ^ Tolkien 1954a, book 2, ch. 7 "The Mirror of Galadriel". "'And you?' [Galadriel] said, turning to Sam. 'For this is what your folk would call magic, I believe; though I do not understand clearly what they mean; and they seem also to use the same word of the deceits of the Enemy. But this, if you will, is the magic of Galadriel. Did you not say that you wished to see Elf-magic?'"
34. ^ Tolkien 1954a, book 2, ch. 6 "Lothlórien"

### Secondary

[edit]

1. ^ a b Curry 2004, p. 19.
2. ^ a b c Purtill 2003, pp. 139–140.
3. ^ a b c d e f g h i Perry 2013, pp. 400–401.
4. ^ Stanton 2013, pp. 709–710.
5. ^ Russell 2005, p. 21 note 27.
6. ^ a b Kocher 1974, pp. 44–45.
7. ^ Milbank 2013, p. 35.
8. ^ Jacobs 2020, Article 6.
9. ^ Shippey 2005, p. 110.
10. ^ Burdge & Burke 2013, pp. 703–705.
11. ^ Shippey 2005, pp. 242–243.
12. ^ a b c d e Shippey 2005, pp. 198–199.
13. ^ Curry 2004, p. 68.
14. ^ a b c Curry 2008, pp. 99–112.
15. ^ a b Shippey 2005, pp. 188, 423–429.
16. ^ Kocher 1974, p. 63.
17. ^ Perkins & Hill 1975, pp. 57–68.
18. ^ Roberts 2006, p. 63.
19. ^ Shippey 2002, pp. 112–119.
20. ^ Carlos 2020, p. 535.

### Sources

[edit]

* Burdge, Anthony; Burke, Jessica (2013) [2007]. "Weapons, Named". In Drout, Michael D. C. (ed.). J.R.R. Tolkien Encyclopedia: Scholarship and Critical Assessment. Routledge. pp. 703–705\. ISBN 978-0415865111.
* Carlos, Caitlin Vaughn (2020). "'Ramble On': Medievalism as a Nostalgic Practice in Led Zeppelin's Use of J.R.R. Tolkien". In Meyer, Stephen C.; Yri, Kirsten (eds.). The Oxford Handbook of Music and Medievalism. Oxford University Press. ISBN 978-0-19-065844-1.
* Carpenter, Humphrey, ed. (2023) [1981]. The Letters of J. R. R. Tolkien: Revised and Expanded Edition. New York: Harper Collins. ISBN 978-0-35-865298-4.
* Curry, Patrick (2004) [1997]. Defending Middle-Earth: Tolkien: Myth and Modernity. Houghton Mifflin. ISBN 0-6184-7885-X.
* Curry, Patrick (2008). "Enchantment in Tolkien and Middle-earth". In Stratford Caldecott; Thomas Honegger (eds.). Tolkien's The Lord of the Rings: Sources of Inspiration (PDF). Walking Tree. pp. 99–112\. ISBN 978-3-90570-312-2.
* Jacobs, Suzanne (2020). "Tolkien's Tom Bombadil: An Enigma '(Intentionally)'". Mythlore. 38 (2). Article 6.
* Kocher, Paul (1974) [1972]. Master of Middle-earth: The Achievement of J.R.R. Tolkien. Penguin Books. ISBN 0140038779.
* Milbank, Alison (2013). "'My Precious': Tolkien's Fetishized Ring". In Gregory Bassham; Eric Bronson (eds.). The Lord of the Rings and Philosophy: One Book to Rule Them All. Open Court. ISBN 978-0-8126-9806-0.
* Perry, Michael W. (2013) [2007]. "Magic: Middle-earth". In Drout, Michael D. C. (ed.). J.R.R. Tolkien Encyclopedia. Routledge. pp. 400–401\. ISBN 978-0-415-86511-1.
* Perkins, Agnes; Hill, Helen (1975). "The Corruption of Power". In Lobdell, Jared (ed.). A Tolkien Compass. Open Court. ISBN 978-0-8754-8303-0.
* Purtill, Richard L. (2003) [1984]. J.R.R. Tolkien: Myth, Morality, and Religion (new ed.). Ignatius Press. pp. 139–140\. ISBN 0-89870-948-2.
* Roberts, Adam (2006). "The One Ring". In Eaglestone, Robert (ed.). Reading The Lord of the Rings: New Writings on Tolkien's Classic. Continuum. p. 63\. ISBN 9780826484604.
* Russell, Beth (2005). "Botanical Notes on the Mallorn". Mallorn (The Journal of the Tolkien Society) (43): 21 note 27.
* Shippey, Tom (2002). J.R.R. Tolkien: Author of the Century. HarperCollins. ISBN 978-0-2611-0401-3.
* Shippey, Tom (2005) [1982]. The Road to Middle-Earth (Third ed.). HarperCollins. ISBN 978-0261102750.
* Stanton, Michael N. (2013) [2007]. "Wizards". In Drout, Michael D. C. (ed.). J.R.R. Tolkien Encyclopedia. Routledge. pp. 709–710\. ISBN 978-0-415-86511-1.
* Tolkien, J. R. R. (1937). Douglas A. Anderson (ed.). The Annotated Hobbit. Boston: Houghton Mifflin (published 2002). ISBN 978-0-618-13470-0. `{{cite book}}`: ISBN / Date incompatibility (help)
* Tolkien, J. R. R. (1954a). The Fellowship of the Ring. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 9552942.
* Tolkien, J. R. R. (1954). The Two Towers. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 1042159111.
* Tolkien, J. R. R. (1955). The Return of the King. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 519647821.
* Tolkien, J. R. R. (1977). Christopher Tolkien (ed.). The Silmarillion. Boston: Houghton Mifflin. ISBN 978-0-395-25730-2.
* Tolkien, J. R. R. (1980). Christopher Tolkien (ed.). Unfinished Tales. Boston: Houghton Mifflin. ISBN 978-0-395-29917-3.
* Tolkien, J. R. R. (1989). Christopher Tolkien (ed.). The Treason of Isengard. Boston: Houghton Mifflin. ISBN 978-0-395-51562-4.

* v
* t
* e

Middle-earth

* J. R. R. Tolkien
* Bibliography
* Canon
* Legendarium
* Outline

Works|

| In Tolkien's
lifetime|

* The Hobbit (1937)
* The Lord of the Rings (1954-55)
* The Fellowship of the Ring
* "The Shadow of the Past"
* "The Council of Elrond"
* The Two Towers
* The Return of the King
* "The Scouring of the Shire"
* "The Tale of Aragorn and Arwen"
* The Adventures of Tom Bombadil (1962)

|

Posthumous|

* The Silmarillion (1977)
* "Ainulindalë"
* Unfinished Tales (1980)
* The Letters of J. R. R. Tolkien (1981)
* Bilbo's Last Song (1990)
* The three "Great Tales"
* The Children of Húrin (2007)
* Beren and Lúthien (2017)
* The Fall of Gondolin (2018)
* The Fall of Númenor (2022)

History of
composition|

| History of
Middle-earth|

* [1–2] The Book of Lost Tales (1983–84)
* Ælfwine
* [3] The Lays of Beleriand (1985)
* [4] The Shaping of Middle-earth (1986)
* [5] The Lost Road and Other Writings (1987)
* The Etymologies
* Lhammas
* [6–9] The History of The Lord of the Rings (1988–92)
* The Notion Club Papers
* [10] Morgoth's Ring (1993)
* [11] The War of the Jewels (1994)
* [12] The Peoples of Middle-earth (1996)

|

Others|

* John D. Rateliff
* The History of The Hobbit (2007)
* Carl F. Hostetter
* The Nature of Middle-earth (2021)

Fictional
universe|

| Peoples,
monsters|

* Ainur
* Maiar
* Balrogs
* Wizards
* Valar
* Dragons
* Ancalagon
* Smaug
* Dwarves
* Eagles
* Elves
* Half-elven
* Noldor
* Sundering
* Ents
* Hobbits
* Men
* Beornings
* Drúedain
* Dúnedain
* Orcs
* Trolls

|

Characters|

* First and Second Ages
* Celebrimbor
* Eärendil and Elwing
* Elendil
* Fëanor
* Fingolfin
* Finwë and Míriel
* Gil-galad
* Húrin
* Isildur
* Lúthien and Beren
* Melian
* Morgoth
* Thingol
* Tuor and Idril
* Túrin Turambar
* Ungoliant
* Third Age
* Elrond
* Galadriel
* Gandalf
* Glorfindel
* Goldberry
* Gollum
* Saruman
* Sauron
* Tom Bombadil

Places|

* First and Second Ages
* Beleriand
* Númenor
* Valinor
* Third Age
* Bree
* Esgaroth
* Gondor
* Harad
* Isengard
* Lonely Mountain
* Lothlórien
* Mirkwood
* Mordor
* Moria
* Rivendell
* Rohan
* The Shire
* Bag End

Objects|

* Mithril
* Palantír
* Red Book of Westmarch
* Rings of Power
* One Ring
* Silmarils
* Two Trees of Valinor
* List of weapons and armour

Analysis|

| Elements|

* Artwork
* Family trees
* Heraldry
* Languages
* Adûnaic
* Black Speech
* Elvish
* Quenya
* Sindarin
* Khuzdul
* Valarin
* Westron
* Maps
* Tolkien's poetry
* Scripts
* Cirth
* Sarati
* Tengwar

|

Themes|

* Anachronism
* Ancestry as guide to character
* Architecture
* Christianity
* Cosmology
* Round World dilemma
* Death and immortality
* Decline and fall
* Dreams and visions
* Economy
* England
* Environmentalism
* Evil
* First World War
* Forests
* Frame stories
* Hell
* Heroism
* Light
* Luck and fate
* Magic
* Mental illness
* Modernism
* Moral dilemma
* Music
* Naming of weapons
* Northern courage
* Old Straight Road
* Paganism
* Plants
* Psychological journeys
* Quests
* Sound and language
* Time
* Trees

Literary|

* Tolkien's impact on fantasy
* Influences
* Beowulf
* Celtic
* Classical world
* Finnish language and literature
* Medieval
* Modern
* William Morris
* Norse
* Philology
* Shakespeare
* Prose style
* Ambiguity
* A mythology for England

Geographic|

* The Atlas of Middle-earth
* Journeys of Frodo
* A Map of Middle-earth

Adaptations,
legacy|

| Artists|

* Pauline Baynes
* Cor Blok
* Anke Eißmann
* Brothers Hildebrandt
* Jenny Dolfen
* Mary Fairburn
* Donato Giancola
* John Howe
* Tove Jansson
* Alexander Korotich
* Alan Lee
* Tom Loback
* Margrethe II of Denmark
* Ted Nasmith

|

Composers|

* Bo Hansson
* Johan de Meij
* Symphony No. 1 The Lord of the Rings
* Howard Shore
* Music of The Lord of the Rings film series
* Music of The Hobbit film series
* Music of The Rings of Power TV series
* Blind Guardian
* Nightfall in Middle-Earth

Settings|

* Donald Swann
* The Road Goes Ever On
* Poems and Songs of Middle Earth
* The Tolkien Ensemble
* An Evening in Rivendell
* A Night in Rivendell
* At Dawn in Rivendell
* Leaving Rivendell

Other media|

* Impact
* Middle-earth Enterprises
* Works inspired by Tolkien
* Fan fiction
* Film
* Calendars
* Video games
* Things named after Tolkien and his works

Literary
criticism|

* The Complete Guide to Middle-earth
* A Companion to J. R. R. Tolkien
* Interrupted Music
* Master of Middle-Earth
* Picturing Tolkien
* A Question of Time
* J. R. R. Tolkien: Author of the Century
* The J. R. R. Tolkien Companion and Guide
* J. R. R. Tolkien Encyclopedia
* The Lord of the Rings: A Reader's Companion
* Perilous Realms
* The Road to Middle-Earth
* Splintered Light
* Tolkien and the Invention of Myth
* Tolkien's Art: 'A Mythology for England'
* Tolkien: A Look Behind The Lord of the Rings
* A Tolkien Compass
* Tolkien: Maker of Middle-earth
* Tolkien, Race and Cultural History
* Tolkien's Legendarium
* Tolkien and the Great War
* The Worlds of J. R. R. Tolkien
* The Ring of Words: Tolkien and the Oxford English Dictionary

* v
* t
* e

The Lord of the Rings

* J. R. R. Tolkien
* Constructing The Lord of the Rings

About|

* Volumes
* The Fellowship of the Ring
* The Two Towers
* The Return of the King
* Stories
* "The Shadow of the Past"
* "The Council of Elrond"
* "The Scouring of the Shire"
* "The Tale of Aragorn and Arwen"
* Translating
* list
* Swedish
* Reception
* Impact
* Literary
* Fandom
* Fan fiction
* Oxonmoot
* Tolkienmoot
* Works inspired
* Tolkien's impact on fantasy

Elements|

| Languages|

* Black Speech
* Elvish
* Quenya
* Sindarin
* Khuzdul
* Westron

|

Poetry|

* A Elbereth Gilthoniel
* Namárië
* Song of Eärendil
* The Man in the Moon Stayed Up Too Late
* The Road Goes Ever On
* A Walking Song

Other|

* Artwork
* Family trees
* Heraldry
* Maps
* Proverbs
* Scripts
* Cirth
* Tengwar

Analysis|

| Themes|

* Addiction to power
* Ancestry as guide to character
* Architecture
* Company of the Ring
* Death and immortality
* Decline and fall
* Divination
* Dreams and visions
* Economy
* England
* Environmentalism
* Evil
* Feudal allegiance
* Forests
* Hell
* Heroism
* Luck and fate
* Magic
* Mental illness
* Moral dilemma
* Music
* Naming of weapons
* Northern courage
* Paganism
* Plants
* Prophecy
* Psychological journeys
* Quests
* Race
* Sexuality
* Sound and language
* Time
* Trees
* Women

|

Influences|

* Antiquarianism
* Beowulf
* Celtic
* Christianity
* Classical world
* Edwardian adventure stories
* First World War
* Norse
* Medieval
* Modern sources
* Modernism
* William Morris
* A mythology for England
* Philology
* Shakespeare

Techniques|

* Anachronism
* Character pairing
* Editorial framing
* Frame stories
* Pseudotranslation
* Impression of depth
* Narrative structure
* Interlacing
* Storytelling
* Prose style
* Ambiguity
* Epic Pooh

Peoples|

| Maiar|

* Balrogs
* Sauron
* Wizards
* Gandalf
* Radagast
* Saruman

|

Free
peoples|

* Dwarves
* Balin
* Gimli
* Elves
* Galadriel
* Glorfindel
* Half-elven
* Arwen
* Elrond
* Legolas
* Thranduil
* Ents
* Treebeard
* Hobbits
* Bilbo
* Frodo
* Merry
* Pippin
* Sam
* Men
* Beornings
* Drúedain
* Dúnedain
* Aragorn
* of Gondor
* Boromir
* Denethor
* Faramir
* of Rohan
* Éomer
* Éowyn
* Théoden
* Wormtongue

Monsters|

* Barrow-wight
* Gollum
* Nazgûl
* Witch-king of Angmar
* Old Man Willow
* Orcs
* Shelob
* Trolls
* Wargs
* Watcher in the Water

Other|

* Eagles
* Goldberry
* Tom Bombadil

World|

| Geography|

* Middle-earth
* Eriador
* Bree
* Old Forest
* Rivendell
* The Shire
* Bag End
* Gondor
* Harad
* Lothlórien
* Mirkwood
* Moria
* Mordor
* Rohan
* Isengard
* Undying Lands

|

Battles|

* Helm's Deep
* Pelennor Fields
* Morannon

Things|

* Mithril
* Oliphaunts
* Palantírs
* Phial of Galadriel
* Rings of Power
* One Ring
* List of weapons and armour

Related
works|

* The Hobbit
* The Adventures of Tom Bombadil
* Errantry
* Fastitocalon
* The Sea-Bell
* Donald Swann
* The Road Goes Ever On
* Bilbo's Last Song
* The Silmarillion
* Unfinished Tales
* The Letters of J. R. R. Tolkien
* The History of Middle-earth
* The Children of Húrin
* The History of The Hobbit
* Beren and Lúthien
* The Fall of Gondolin
* The Nature of Middle-earth

Adaptations and derivative works

Books|

* Bored of the Rings (1969)
* The Last Ringbearer (1999)
* Muddle Earth (2003)

Illustrations|

* A Map of Middle-earth
* Pauline Baynes
* Barbara Remington
* John Howe
* Alan Lee
* Margrethe II of Denmark
* Ted Nasmith

Theatre|

* Fellowship! (2005)
* The Lord of the Rings (2006)

Music|

* Bo Hansson
* Music Inspired by Lord of the Rings (1972)
* Johan de Meij
* Symphony No. 1 The Lord of the Rings (1988)
* Led Zeppelin
* "Ramble On" (1969)
* "Misty Mountain Hop" (1971)
* "The Battle of Evermore" (1971)

Radio|

* The Lord of the Rings (BBC, 1955)
* The Lord of the Rings (NPR, 1979)
* Hordes of the Things (1980)
* The Lord of the Rings (BBC, 1981)
* Der Herr der Ringe (1992)

Film|

| Animated|

* The Lord of the Rings (Bakshi, 1978)
* The Return of the King (Rankin/Bass, 1980)
* The War of the Rohirrim (Kamiyama, 2024)

|

Peter Jackson
series|

* The Fellowship of the Ring (2001)
* The Two Towers (2002)
* The Return of the King (2003)

Music|

* "Concerning Hobbits"
* "Into the West"
* "May It Be"

Approach|

* Production
* Hobbiton Movie Set
* Peter Jackson's interpretation
* Picturing Tolkien
* Tolkien on Film

Other|

* Sagan om ringen (1971)
* Khraniteli (1991)
* Hobitit (1993)
* The Rings of Power (2022)
* music

Fan-made|

* The Hunt for Gollum (2009)
* Born of Hope (2009)

Video games|

* Journey to Rivendell
* Game One
* Game Two: Shadows of Mordor
* War in Middle Earth
* Vol. I (1990)
* Vol. I (SNES)
* Riders of Rohan
* Elendor
* Vol. II: The Two Towers
* The Fellowship of the Ring
* The Two Towers
* The Return of the King
* War of the Ring
* The Third Age
* Game Boy Advance
* The Battle for Middle-earth
* Tactics
* The Battle for Middle-earth II
* The Rise of the Witch-king
* Conquest
* Aragorn's Quest
* War in the North
* Lego The Lord of the Rings
* Guardians of Middle-earth
* Shadow of Mordor
* Shadow of War
* Gollum
* Return to Moria

| The Lord of the Rings Online|

* Mines of Moria
* Siege of Mirkwood
* Rise of Isengard
* Riders of Rohan
* Helm's Deep
* Mordor
* Minas Morgul
* War of Three Peaks
* Fate of Gundabad
* Before the Shadow

|

Tabletop role-
playing games|

* Middle-earth Role Playing
* The Lord of the Rings Roleplaying Game
* The One Ring Roleplaying Game
* Adventures in Middle-earth

Board games|

* Middle Earth
* War of the Ring
* Gondor: The Siege of Minas Tirith
* Sauron
* Lord of the Rings
* War of the Ring

Card games|

* Middle-earth Collectible Card Game
* The Lord of the Rings Trading Card Game
* The Lord of the Rings: The Card Game

Other games|

* Middle-earth Strategy Battle Game
* Lego The Lord of the Rings

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