Magistrate of Brussels

Unfinished oil painting or sketch by Anthony van Dyck

Magistrate of Brussels

The restored painting

Artist| Anthony van Dyck
Year| Circa 1634
Medium| Oil on canvas
Owner| Father Jamie MacLeod

For the lost artwork, see Magistrates of Brussels.

Close-up of part of the work, before restoration.

Magistrate of Brussels is an unfinished oil painting or oil sketch by Anthony van Dyck, rediscovered in 2013 after being shown on episodes of the BBC television programme Antiques Roadshow.

The work was purchased for £400 from a Nantwich, Cheshire, antiques shop some years previously by Father Jamie MacLeod and hung in the Whaley Hall Ecumenical Retreat House, which he runs, at Whaley Bridge.[1] At one point, it fell from the wall there, smashing a CD player, but sustained no significant damage. The frame was labelled "Sir A van Dyck", but the picture was thought to be a copy.[1] He took the painting to a recording of Antiques Roadshow at Newstead Abbey, Nottinghamshire, in 2012.[relevant?][1][2]

MacLeod then took it to a second recording, at the Royal Agricultural University, Cirencester.[3] There, it was recognised as potentially a van Dyck by presenter Fiona Bruce,[1][4] who had been working with art historian Philip Mould on an episode of another BBC programme (Fake or Fortune?), which recently featured works by van Dyck.[5] Mould shared her suspicions and suggested that the work be treated by an expert restorer, in what he described as "the art equivalent of an [archaeological] excavation".[1] The painting was restored by Simon Gillespie, who used solvent to remove layers of overpainting, in a process that took the equivalent of three weeks of full-time work.[1] The removal of later painting returned what had appeared to be a finished portrait into a sketch with unfinished details. The ruff in particular was shown only in outline.[1] The work was then confirmed as van Dyck's by Christopher Brown, a noted authority on the painter.[1]

Grisaille sketch of Magistrates of Brussels, in the Ecole Nationale Superieure des Beaux-Arts in Paris

Mould thought that the painting was probably a preparatory sketch for Van Dyck's 1634 work Magistrates of Brussels, which was destroyed in the Bombardment of Brussels in 1695.[6] Its composition is known from a grisaille sketch, in the Ecole Nationale Superieure des Beaux-Arts in Paris,[7] which van Dyck prepared to show how he planned to lay out the piece.[1] Another three sketches of magistrates' heads for the same work, with the same red background as MacLeod's painting,[1] are known to exist: two in the Ashmolean Museum at Oxford, and a third which was sold to an unknown buyer.[8] A further work, in the Royal Collection, may also be from the same series.[8] Mould pointed out that the pose of the MacLeod portrait matched that of the rightmost individual in the grisaille sketch.[1]

Mould valued the sketch at between £300,000 and £400,000,[1] making it the most valuable painting identified in the 36-year history of the programme.[2] MacLeod announced his intention to sell it and to use the money to buy church bells, in commemoration of the centenary of the start of the First World War.[1] In May 2014, it was announced that the work would be auctioned at Christie's on 8 July.[9] Still, it failed to sell on that occasion.[10] It was later sold to a private collector.[11] In 2015, the painting was on loan to the Rubenshuis, and in 2016 it was exhibited at the Frick Collection in New York.[12] As of September 2018, it remained a part of the Rubenshuis exhibition.[11]

## See also

[edit]

* List of paintings by Anthony van Dyck

## References

[edit]

1. ^ a b c d e f g h i j k l m "Antiques Roadshow Retrospective". Antiques Roadshow. Series 36. Episode 11. 29 December 2013. BBC. Retrieved 29 December 2013.
2. ^ a b "Antiques Roadshow portrait revealed to be by Anthony Van Dyck". BBC Online. 29 December 2013. Retrieved 29 December 2013.
3. ^ "Antiques Roadshow Cirencester 1". Antiques Roadshow. Series 36. Episode 7. 3 December 2013. BBC. Retrieved 29 December 2013.
4. ^ "Fiona Bruce's Antiques Roadshow 'hunch' leads to discovery of lost". The Independent. 29 December 2013. Retrieved 22 August 2023.
5. ^ "Van Dyck: What Lies Beneath". Fake or Fortune?. Series 2. Episode 3. 30 September 2012. BBC. Retrieved 5 October 2012.
6. ^ Withnall, Adam (29 December 2013). "Fiona Bruce's Antiques Roadshow 'hunch' leads to discovery of lost £400,000 Van Dyck masterpiece". The Independent. Retrieved 29 December 2013.
7. ^ "A new Van Dyck discovery at the Royal Collection – Art History News – by Bendor Grosvenor". Art History news. 15 May 2013. Retrieved 29 December 2013.
8. ^ a b Grosvenor, Bendor. "A Study for the Head of a Magistrate of Brussels". Artnet. Retrieved 29 December 2013.
9. ^ "Antiques Roadshow Van Dyck To Go Under The Hammer At Christie's". Artlyst. 30 May 2014. Retrieved 30 May 2014.
10. ^ "Antiques Roadshow Van Dyck painting fails to sell at auction". BBC News. 9 July 2014. Retrieved 16 November 2014.
11. ^ a b "Anthony van Dyck | Rubenshuis".
12. ^ "Sketch of a Brussels Magistrate by Anthony van Dyck on long term loan to the Rubenshuis". 17 November 2015.

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Anthony van Dyck

List of paintings

Religious subjects|

* Entry of Christ into Jerusalem (1617)
* Crucifixion with the Virgin, Saint John and Saint Mary Magdalene (1617–1619)
* Saint Martin Dividing his Cloak (1618)
* The Brazen Serpent (c. 1618–1620)
* The Apostle Matthew (c. 1618–1620)
* The Crowning with Thorns (1618–1620)
* The Betrayal of Christ (1618–1620)
* Bristol
* Madrid
* Minneapolis
* Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620)
* Samson and Delilah
* 1620
* 1630
* Susanna and the Elders (c. 1631–1632)
* Madonna and Child (1621–1627)
* The Mocking of Christ (1628–1630)
* The Coronation of Saint Rosalia (1629)
* The Vision of the Blessed Hermann Joseph (1629–1630)
* Madonna and Child with Two Donors (1630)
* Rest on the Flight into Egypt (1630)
* Crucifixion (1630)
* The Resurrection (1631–1632)
* Madonna with Partridges (1632)
* Deposition / Lamentation over the Dead Christ
* 1615
* 1618
* 1619
* 1629
* 1629–1630
* 1634
* 1635
* 1640

Saint Rosalia series
(1624–1625)|

* Houston
* London
* Madrid
* New York
* Ponce
* Palermo (studio work)
* Munich (autograph or studio)

Mythological subjects|

* Drunken Silenus (1620)
* Jupiter and Antiope (1620)
* Diana and a Nymph Surprised by a Satyr (1622–1627)
* The Shepherd Paris (1628)
* Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632)
* Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632)
* Cupid and Psyche (1638–1640)

Portraits|

* Cornelis van der Geest (1620)
* Theresa Shirley (1622)
* Robert Shirley (1622)
* Cardinal Guido Bentivoglio (c. 1623)
* The Lomellini Family (c. 1625–1627)
* Gaston, Duke of Orléans (1632 or 1634)
* Charles I with M. de St Antoine (1633)
* Equestrian Portrait of Francisco de Moncada (1634)
* Francisco de Moncada (1634)
* Thomas Francis, Prince of Carignano (1634)
* Charles I at the Hunt (c. 1635)
* Charles I in Three Positions (1635 or 1636)
* The Three Eldest Children of Charles I (Turin) (1635)
* The Three Eldest Children of Charles I (Royal Collection) (1636)
* Equestrian Portrait of Charles I (1637–1638)
* Triple Portrait of Henrietta Maria (1638)
* Mary Hill, Lady Killigrew (1638)
* William Killigrew (1638)
* Queen Henrietta Maria as St Catherine (1639)
* Luigia Cattaneo-Gentile (c. 1622)
* Magistrates of Brussels (Preparatory sketch) (1634–1635)
* Olivia Porter (1630s)
* Mary Villiers, Lady Herbert of Shurland (c. 1636)
* Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)

Self-portraits|

* Vienna (1613–1614)
* New York (1620–1621)
* Self-Portrait with a Sunflower (1632–1633)
* Self-portrait with Sir Endymion Porter (1635)
* London (1640)

Other paintings|

* A Soldier on Horseback (c. 1616)
* Mucius Scaevola before Lars Porsenna (c. 1618–1620)

Related|

* Hendrick van Balen the Elder (master)
* Peter Paul Rubens (master)
* Paul de Vos (collaborator)
* Van Dyke beard

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