Mario Santoro Woith

Italian photographer

A major contributor to this article appears to have a close connection with its subject. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. Please discuss further on the talk page. (October 2019) (Learn how and when to remove this template message)

|

Mario Santoro – Woith

Born|  (1968-03-23) 23 March 1968 (age 55)

Havana, Cuba

Nationality| Italian
Education| Sapienza University of Rome
Known for| Photography, printmaking, artist's books
Movement| Experimental photography, xerography, xerox art, documentary photography, fine-art photography, conceptual photography,
Website| www.santoro-woith.com

Mario Santoro – Woith (born 1968 in Cuba) is an Italian photographer working in the field of experimental photography, xerography, printmaking and self-publishing artist's books. He is based in Todi (Umbria).

His work has been exhibited internationally and is held in numerous private and public Artist's book collections including the Museum of Modern Art in New York City.[1][2] Together with William A. Ewing [fr] and Todd Brandow, Mario is one of the founders of the Todi Circle, a photography think tank held every year in Todi during the month of June.[3]

## Education[edit]

Mario Santoro-Woith studied Visual Anthropology at the University of Rome "La Sapienza" from 1988 to 1993.[1][4] In 1996, during a Visual sociology Seminar held in Viterbo, he met Professor John Grady, who invited him to exhibit his photographs at Wheaton College (Boston). The subsequent exhibition took place shortly after at the Wallace library.[1]

## Works and Technique[edit]

From the "Dis – sectum" project

Mario's mastery of the conceptual, technical and mechanical aspects of experimental photography culminate in his extensive use of photocopying machines and industrial machines overlaid with photography. With these machines and techniques, he created large-scale works and installations. Such prints span many meters and have been exhibited in installations as well as set designs for theater performances. One of Mario's primary photography philosophies is to reject the notion that xerography is less sophisticated or complex than other artistic printing processes and mediums. Alongside other artists working with similar mediums, Mario consistently encourages the production and documentation of artworks made with these mechanical techniques. In 2015, he joined Makroscope Artist's group and exhibited his works at the Klaus Urbons Copymuseum in Mülheim an der Ruhr (Germany), where this group is based.

Mario's recent artworks are printed with an Electrophotography (LED head) technique, Organic Photoconductor Drums and closed toner system. Mario also researches on paper making and attentively chooses his printing papers: black recycled paper, rice paper and other handmade japanese papers.[5]

## Artist's books[edit]

Mario Santoro-Woith has self-published several limited edition artist's books.[6][7] These books largely investigate controversial topics, in the hopes of provoking questions and eliciting impassioned responses. The visual research displayed in these books explores the darker part of humanity and draws our attention to evil in all its guises – racism, pornography, terrorism etc. He seeks to push social and political boundaries.

In 2011, his book trilogy, "EUR", "Decadence, Darkness, Empire" and "More War, Less Art" was acquired by the Library Council Collection of artist's books at the Museum of Modern Art (New York). In book one, he looks at propaganda and the form it takes in architecture (the "EUR" book), in book two, he visually explores imperialism ("Decadence, Darkness, Empire"), and in book three, he focuses on symbolism ("More War, Less Art").

The books present various photographic techniques, drawing, screen printing and other media. He designs and prints them individually in his studio. The final print consists of four colors, printed one at a time (black, white, red and blue) that results in a tridimensional multi-layer print. These books are hand bound in Perugia, Italy. Each copy is numbered and signed. From 2010 to 2012 he was one of the artists of the ABC Artists' Books Cooperative.

* From the "EUR" book

* From the "More War, Less Art" book

* From the "More War, Less Art" book

## Selected Shows[edit]

The logo of Mario Santoro Woith

* 2015 – Klaus Urbons Copymuseum \ Makroscope \ Medienhaus (Mulheim an der Ruhr);[5]
* 2015 – Nun Relais e Museum (Assisi;)[8]
* 2014 – Acta International Gallery (Rome);
* 2014 – Castello di Sismano (Todi);
* 2014 – Antonello Colonna Resort (Labico);
* 2012 New York – "Archi-Texture" – (Jadite Gallery);
* 2011 Venice Biennale – Umbrian Pavilion – Palazzo Collicola – Spoleto;
* 2006 New York – "Empire, Decadence, Darkness" – Italian Academy at Columbia University;[9][10]
* 2005 Tokyo – "Heisenberg's Snapshots II" (Dazzle Gallery);
* 2003 New York – "The Wizard's House" (M.Y. Art Prospects Gallery);[11]
* 2002 New York – "Heisenberg's Snapshots" (M.Y. Art Prospects Gallery);[1][12]
* 2001 USA – "Art Miami";[1][2]
* 2000 Germania – "Kunst Colonia";[1][2]
* 1999 Milan – Galleria "Il Diaframma" (Curator Lanfranco Colombo [it]);
* 1998 Losanne – Musée de l'Élysée (Curator William A. Ewing [fr]);[1][2]
* 1997 Milan – Giovenzana "Images on the road" (Curator Lanfranco Colombo);
* 1996 Boston (MA) The Wallace Library, Wheaton College (Curator John Grady);
* 1995 Rome – Studio "S" Arte Contemporanea (Curator Carmine Siniscalco).

## References[edit]

1. ^ a b c d e f g "Mario Santoro-Woith. Press Release of the Heisenberg's Snapshots Exhibition". M.Y. ART PROSPECTS, NEW YORK. 2 October 2002. Archived from the original on 1 July 2016.
2. ^ a b c d "Cenni biografici". arte.it. 26 November 2002. Archived from the original on 5 September 2017.
3. ^ "The Todi Circle". FEP – Foundation for the Exhibition of Photography. Archived from the original on 13 February 2017. Retrieved 10 September 2017.
4. ^ "About the Artist: Mario Santoro-Woith". Wheaton College, MA.
5. ^ a b Lehmann, Annette (23 March 2015). "Mülheim: Echte Kunst aus dem Kopierer". Westdeutsche Allgemeine Zeitung. Archived from the original on 11 September 2017.
6. ^ "Mario's books in the Artist's Book Collection of the Museum of Modern Art New York". MoMA Manhattan Artists' Books.
7. ^ "Mario's books". Printed matter Bookstore NYC.
8. ^ "L'ARTISTA DEL MESE: MARIO SANTORO".
9. ^ "Photography and mixed media: Darkness, Decadence, Empire by Mario Santoro-Woith". Italian Academy at Columbia University, NYC. 2006.
10. ^ "Decadence, Darkness, Empire". arte.it. 9 November 2006. Archived from the original on 5 September 2017.
11. ^ "La casa del mago". arte.it. 9 February 2004. Archived from the original on 23 September 2015.
12. ^ "GLI SCATTI RUBATI DI SANTORO-WOITH". 26 November 2002. Archived from the original on 10 February 2017.

## Further reading[edit]

* Copy Art Bibliography compiled by Reed Altemus for Leonardo/ISAST
* Urbons, Klaus (1991). Copy art : Kunst und Design mit dem Fotokopierer (in German). Köln: DuMont Taschenbücher. ISBN 3770126556.
* Urbans, Klaus (1994). Elektrografie. Analoge und digitale Bilder (in German). Köln: DuMont. ISBN 3770132033.

## External links[edit]

Wikimedia Commons has media related to Mario Santoro.

* Official Website
* True Umbria website

Authority control databases: Artists |

* Photographers' Identities

|