Matt Stone

American actor, animator and filmmaker (born 1971)

Matt Stone

Stone at the 2016 San Diego Comic-Con International

Born|

Matthew Richard Stone

(1971-05-26) May 26, 1971 (age 51)

Houston, Texas, U.S.

Alma mater| University of Colorado Boulder (BA)
Occupation|

* Actor
* animator
* writer
* producer
* composer

Years active| 1989–present
Works| Filmography and awards
Spouse|

Angela Howard

(m. 2008)​

Children| 2[1]

Matthew Richard Stone[2] (born May 26, 1971)[3] is an American actor, animator, filmmaker, and composer. He is known for co-creating South Park (1997–present) and co-developing The Book of Mormon (2011) with his creative partner Trey Parker. Stone was interested in film and music as a child and at high school, and attended the University of Colorado Boulder, where he met Parker. The two collaborated on various short films, and starred in the feature-length musical Cannibal! The Musical (1993).

Stone and Parker moved to Los Angeles and wrote their second film, Orgazmo (1997). Before the premiere of the film, South Park premiered on Comedy Central in August 1997. The duo possess full creative control of the show, and have produced music and video games based on it. A film based on the series, South Park: Bigger, Longer & Uncut (1999), received good reviews from both critics and fans. Stone went on to write, produce, and star in the satirical action film Team America: World Police (2004), and, after several years of development, The Book of Mormon premiered on Broadway to good reviews. In 2013, Stone and Parker established their own production studio, Important Studios.

Stone has been the recipient of various awards over the course of his career, including five Primetime Emmy Awards for his work on South Park, as well as three Tony Awards and one Grammy Award for The Book of Mormon.

In 2021, Stone and Parker signed a $900 million deal with ViacomCBS to make six additional seasons of South Park and 14 movies in the South Park universe for streaming.[4]

## Contents

* 1 Early life
* 2 Career
* 2.1 Career beginnings
* 2.1.1 Cannibal! The Musical (1992–1994)
* 2.1.2 The Spirit of Christmas and Orgazmo (1995–1997)
* 2.2 South Park
* 2.2.1 Premiere and initial success (1997–1998)
* 2.2.2 Bigger, Longer, and Uncut and continued success (1999–present)
* 2.3 Television and film projects
* 2.3.1 That's My Bush! (2000–2001)
* 2.3.2 Team America (2002–2004)
* 2.4 Broadway and movie studio
* 2.4.1 The Book of Mormon (2011–present)
* 2.4.2 Important Studios and future projects (2013–present)
* 3 Personal life
* 4 Discography
* 4.1 Albums
* 4.1.1 Soundtrack albums
* 4.1.2 Cast recording
* 5 Filmography and accolades
* 6 References
* 7 External links

## Early life[edit]

Stone was born on May 26, 1971, in Houston, Texas, to economics professor Gerald Whitney Stone and Sheila Lois (Belasco). He is of Irish-American heritage from his father's side and Jewish heritage from his mother's side.[5][6] The South Park characters Gerald and Sheila Broflovski were named after them. Stone and his younger sister Rachel were raised in Littleton, Colorado, a suburb of Denver, where they attended Heritage High School.[7] He attended the University of Colorado Boulder. His father was worried he would "become a musician and a bum", so he insisted that his son major in something "practical". They compromised on Matt's majoring in both mathematics and film. Stone graduated with a double-major Bachelor of Arts degree in 1993.[8]

## Career[edit]

### Career beginnings[edit]

#### Cannibal! The Musical (1992–1994)[edit]

In 1992, Stone, Parker, McHugh[clarification needed], and Ian Hardin founded a production company named the Avenging Conscience. The company was named after the D. W. Griffith film by the same title (which was actively disliked by the group.)[9] Parker employed the cutout paper technique on Avenging Conscience's first production, Jesus vs. Frosty (1992), an animated short pitting the religious figure against Frosty the Snowman.

The quartet created a three-minute trailer for a fictional film titled Alferd Packer: The Musical. The idea was based on an obsession Parker had with Alferd Packer, a real nineteenth-century prospector accused of cannibalism.[10] During this time, Parker had become engaged to long-time girlfriend Liane Adamo, but their relationship fell apart shortly before production on the trailer began.[10] "Horribly depressed", Parker funneled his frustrations with her into the project, naming Packer's "beloved but disloyal" horse after her.[10][11] The trailer became something of a sensation among students at the school, leading Virgil Grillo, the chairman and founder of the university's film department, to convince the quartet to expand it to a feature-length film.[11] Parker wrote the film's script, creating an Oklahoma!-style musical featuring ten original show tunes.[12] The group raised $125,000 from family and friends and began shooting the film. The movie was shot on Loveland Pass as winter was ending, and the crew endured the freezing weather.[9][12] Parker – under the pseudonym Juan Schwartz – was the film's star, director and co-producer.[11]

Alferd Packer: The Musical premiered in Boulder in October 1993; "they rented a limousine that circled to ferry every member of the cast and crew from the back side of the block to the red carpet at the theater's entrance."[12] The group submitted the movie to the Sundance Film Festival, who did not respond. Parker told McHugh he had a "vision" they needed to be at the festival, which resulted in the group renting out a conference room in a nearby hotel and putting on their own screenings.[10] MTV did a short news segment on The Big Picture regarding the film,[9] and they made industry connections through the festival.[10][13] They intended to sell video rights to the film for $1 million and spend the remaining $900,000 to create another film.[13] The film was instead sold to Troma Entertainment in 1996 where it was retitled Cannibal! The Musical,[14] and upon the duo's later success, it became their biggest-selling title.[11] It has since been labeled a "cult classic" and adapted into a stage play by community theater groups and even high schools nationwide.[15]

#### The Spirit of Christmas and Orgazmo (1995–1997)[edit]

> We were sleeping on floors thinking, Wow, another two weeks and we're going to be fucking rich. And pretty soon two weeks turns into two months, and two months turns into two years, and you definitely stop listening.

Parker on his early career[13]

Following the film's success, the group, without Hardin, moved to Los Angeles.[12] Upon arrival, they met a lawyer for the William Morris Agency who connected them with producer Scott Rudin. As a result, the duo acquired a lawyer, an agent, and a script deal.[13] Despite initially believing themselves to be on the verge of success, the duo struggled for several years. Stone slept on dirty laundry for upwards of a year because he could not afford to purchase a mattress.[13] They unsuccessfully pitched a children's program titled Time Warped to Fox Kids, which would have involved fictionalized stories of people in history.[14] The trio created two separate pilots, spaced a year apart, and despite the approval of Fox Broadcasting Company development executive Pam Brady, the network disbanded the Fox Kids division.[12]

David Zucker, who was a fan of Cannibal!, contacted the duo to produce a 15-minute short film for Seagram to show at a party for its acquisition of Universal Studios.[16] Due to a misunderstanding, Parker and Stone improvised much of the film an hour before it was shot, creating it as a spoof of 1950s instructional videos.[16] The result, Your Studio and You, features numerous celebrities, including Sylvester Stallone, Demi Moore, and Steven Spielberg. "You could probably make a feature film out of the experience of making that movie because it was just two dudes from college suddenly directing Steven Spielberg", Parker later remarked, noting that the experience was difficult for the two.[16]

During the time between shooting the pilots for Time Warped, Parker penned the script for a film titled Orgazmo, which later entered production. Half of the budget for the picture came from a Japanese porn company called Kuki, who wanted to feature its performers in mainstream Western media.[12] Independent distributor October Films purchased the rights to the film for one million dollars after its screening at the Toronto International Film Festival.[12] The film received an NC-17 rating from the Motion Picture Association of America, which resulted in the poor box office performance of the film. Parker and Stone attempted to negotiate with the organization on what to delete from the final print, but the MPAA would not give specific notes.[13] The duo later theorized that the organization cared less because it was an independent distributor which would bring it significantly less money.[13]

Fox executive Brian Graden cut Parker and Stone a personal check of a few thousand dollars to produce a video greeting card he could deliver to friends; the film would be a sequel to their earlier short Jesus vs. Frosty.[12] Graden sent the film on a VHS to several industry executives in Hollywood; meanwhile, someone digitized the clip and put it up on the Internet, where it became one of the first viral videos.[12][17][18] Due to the popularity of Jesus vs. Santa, Parker and Stone wanted to turn the short into a television series later entitled South Park, and offered the show to Fox. While Fox executives were enthusiastic about the premise, they didn't want to air a show that included the talking poo character Mr. Hankey and passed on it after the duo refused to remove the character several times. Parker and Stone then entered negotiations with both MTV and Comedy Central. Parker preferred the show be produced by Comedy Central, fearing that MTV would turn it into a kids' show.[19] When Comedy Central executive Doug Herzog watched the short, he commissioned the development of the show into a series.[17][20]

### South Park[edit]

#### Premiere and initial success (1997–1998)[edit]

The pilot episode of South Park was made on a budget of $300,000,[21] and took between three and three and a half months to complete, and animation took place in a small room at Celluloid Studios, in Denver, Colorado, during the summer of 1996.[22][23] Similar to Parker and Stone's Christmas shorts, the original pilot was animated entirely with traditional cut paper stop motion animation techniques.[22] The idea for the town of South Park came from the real Colorado basin of the same name where, according to the creators, a lot of folklore and news reports originated about "cattle mutilations and UFO and bigfoot sightings."[24]

South Park premiered in August 1997 and immediately became one of the most popular shows on cable television, averaging consistently between 3.5 and 5.5 million viewers.[25] The show transformed the then-fledgling Comedy Central into "a cable industry power almost overnight".[17] At the time, the cable network had a low distribution of just 21 million subscribers.[25] Comedy Central marketed the show aggressively before its launch, billing it as "why they created the V-chip."[26] The resulting buzz led to the network earning an estimated $30 million in T-shirts sales alone before the first episode was even aired.[25] Due to the success of the series' first six episodes, Comedy Central requested an additional seven; the series completed its first season in February 1998.[27][28][29] An affiliate of the MTV Network until then, Comedy Central decided, in part due to the success of South Park, to have its own independent sales department.[30] By the end of 1998, Comedy Central had sold more than $150 million worth of merchandise for the show, including T-shirts and dolls.[31] Over the next few years, Comedy Central's viewership spiked largely due to South Park, adding 3 million new subscribers in the first half of 1998 alone and allowed the network to sign international deals with networks in several countries.[25]

Parker and Stone became celebrities as a result of the program's success; Parker noted that the success of South Park allowed him to pursue, for a time, a lifestyle that involved partying with women and "out-of-control binges" in Las Vegas.[13] Their philosophy of taking every deal (which had surfaced as a result of their lack of trust in the early success of South Park) led to their appearances in films, albums, and outside script deals. Among these included BASEketball, a 1998 comedy film that became a critical and commercial flop.

#### Bigger, Longer, and Uncut and continued success (1999–present)[edit]

Trey Parker (left) and Matt Stone (right) do most of the writing, directing and voice acting on South Park.

Parker and Stone signed a deal with Comedy Central in April 1998 that contracted the duo to producing South Park episodes until 1999, gave them a slice of the lucrative spinoff merchandising the show generated within its first year, as well as an unspecified seven-figure cash bonus to bring the show to the big screen, in theaters.[32] During the time, the team was also busy writing the second and third seasons of the series, the former of which Parker and Stone later described as "disastrous". As such, they figured the phenomenon would be over soon, and they decided to write a personal, fully committed musical.[33] Parker and Stone fought with the MPAA to keep the film R-rated; for months the ratings board insisted on the more prohibitive NC-17.[34] The film was only certified an R rating two weeks prior to its release, following contentious conversations between Parker/Stone, Rudin, and Paramount Pictures.[35] Parker felt very overwhelmed and overworked during the production process of the film, especially between April and the movie's opening in late June. He admitted that press coverage, which proclaimed the end of South Park was near, bothered him.[13] The film opened in cinemas in June 1999 and received critical acclaim while grossing $83 million at the box office.

Parker and Stone continue to write, direct, and voice most characters on South Park. Over time, the show has adopted a unique production process, in which an entire episode is written, animated and broadcast in one week.[36] Parker and Stone state that subjecting themselves to a one-week deadline creates more spontaneity amongst themselves in the creative process, which they feel results in a funnier show.[17] Although initial reviews for the show were negative in reference to its crass humor, the series has received numerous accolades, including five Primetime Emmy Awards, one Peabody Award, and numerous inclusions in various publications' lists of greatest television shows. As of 2011 its viewership was lower than at the height of its popularity in its earliest seasons, but South Park remained one of the highest-rated series on Comedy Central.[37] In 2012, South Park cut back from producing 14 episodes per year (seven in the spring and seven in the fall) to a single run of 10 episodes in the fall, to allow the duo to explore other projects the rest of the year.[38] The show is currently renewed through 2022, when it will reach its twenty-sixth season.[39]

South Park has expanded to music and video games. Comedy Central released various albums, including Chef Aid: The South Park Album and Mr. Hankey's Christmas Classics, in the late 1990s.[40][41][42] The song "Chocolate Salty Balls" (as sung by the character Chef) was released as a single in the UK in 1998 to support the Chef Aid: The South Park Album and became a number one hit.[43] Parker and Stone had little to do with the development of video games based on the series that were released at this time,[44][45] but took full creative control of South Park: The Stick of Truth, a 2014 video game based on the series that received positive reviews and for which they won the 2014 Writing in a Comedy award and Stone (as Various) was nominated for Performance in a Comedy, Supporting by National Academy of Video Game Trade Reviewers (NAVGTR).[46][47] Broadcast syndication rights to South Park were sold in 2003,[48][49] and all episodes are available for free full-length on-demand legal streaming on the official South Park Studios website.[50] In 2007, the duo, with the help of their lawyer, Kevin Morris, cut a 50–50 joint venture with Comedy Central on all revenue not related to television; this includes digital rights to South Park, as well as movies, soundtracks, T-shirts and other merchandise, in a deal worth $75 million.[51]

### Television and film projects[edit]

#### That's My Bush! (2000–2001)[edit]

In 2000, Parker and Stone began plotting a television sitcom starring the winner of the 2000 Presidential election. The duo were "95 percent sure" that Democratic candidate Al Gore would win, and tentatively titled the show Everybody Loves Al (a play on the show Everybody Loves Raymond).[52] The main goal was to parody sitcom tropes, such as a lovable main character, the sassy maid, and the wacky neighbor, in the context of the White House household.[53] Parker said the producers did not want to make fun of politics, but instead lampoon sitcoms.[52] They threw a party the night of the election with the writers, with intentions to begin writing the following Monday and shooting the show in January 2001 with the inauguration. With the confusion of whom the President would be, the show's production was pushed back.[52] The show was filmed at Sony Pictures Studios, and was the first time Parker and Stone shot a show on a production lot.[54]

Although That's My Bush!, which ran between April–May 2001, received a fair amount of publicity and critical notice, according to Stone and Parker, the cost per episode was too high at "about $1 million an episode".[55] Comedy Central officially cancelled the series in August 2001 as a cost-cutting move; Stone was quoted as saying "A super-expensive show on a small cable network ... the economics of it were just not going to work."[56] Comedy Central continued the show in reruns, considering it a creative and critical success.[55] Parker believed the show would not have survived after the September 11 attacks anyway, and Stone agreed, saying the show would not "play well".[57][58] During this time, the duo also signed a deal with Shockwave.com to produce 39 animated online shorts, in which they would retain full artistic control; the result, Princess, was rejected after only two episodes.

#### Team America (2002–2004)[edit]

In 2002, the duo began working on Team America: World Police, a satire of big-budget action films and their associated clichés and stereotypes, with particular humorous emphasis on the global implications of the politics of the United States.[59] Team America was produced using a crew of about 200 people; sometimes required four people at a time were needed to manipulate a marionette.[60] Although the filmmakers hired three dozen highly skilled marionette operators, execution of some very simple acts by the marionettes proved to be very difficult, with a simple shot such as a character drinking taking a half-day to complete successfully.[60] The deadline for the film's completion took a toll on both filmmakers, as did various difficulties in working with puppets, with Stone, who described the film as "the worst time of [his] life", resorting to coffee to work 20-hour days and sleeping pills to enable him to rest.[60][61][62] The film was barely completed in time for its October release date,[63] but reviews were positive and the film made a modest sum at the box office.[64]

### Broadway and movie studio[edit]

#### The Book of Mormon (2011–present)[edit]

Parker and Stone, alongside writer-composer Robert Lopez, began working on a musical centering on Mormonism during the production of Team America. Lopez, a fan of South Park and creator of the puppet musical Avenue Q, met with the duo after a performance of the musical, where they conceived the idea.[14][65] The musical, titled The Book of Mormon: The Musical of the Church of Jesus Christ of Latter-day Saints, was worked on over a period of various years; working around their South Park schedule, they flew between New York City and Los Angeles often, first writing songs for the musical in 2006.[14] Developmental workshops began in 2008,[66] and the crew embarked on the first of a half-dozen workshops that would take place during the next four years.[14] Originally, producer Scott Rudin planned to stage The Book of Mormon off-Broadway at the New York Theatre Workshop in Summer 2010, but opted to premiere it directly on Broadway, "[s]ince the guys [Parker and Stone] work best when the stakes are highest."[67]

Parker (left) and Stone at San Diego Comic-Con in July 2016

After a frantic series of rewrites, rehearsals, and previews,[14] The Book of Mormon premiered on Broadway at the Eugene O'Neill Theatre on March 24, 2011.[68][69] The Book of Mormon received broad critical praise for the plot, score, actors' performances, direction and choreography.[70] A cast recording of the original Broadway production became the highest-charting Broadway cast album in over four decades.[71] The musical received nine Tony Awards, one for Best Musical, and a Grammy Award for Best Musical Theater Album. The production has since expanded to two national tours, a Chicago production, and a UK production, and Parker and Stone have confirmed a film adaption is in pre-production.[38][51]

#### Important Studios and future projects (2013–present)[edit]

On January 14, 2013, Stone and Parker announced that they would be starting a film production company called Important Studios. Inspired by the production work of Lucasfilm and DreamWorks, Stone and Parker considered founding the studio for approximately two years before committing. The initial financial assets of the studio are valued at $300 million, with the majority of the money originating from South Park, The Book of Mormon, while $60 million is from an investment from Joseph Ravitch of the Raine Group, giving him a 20 percent minority stock.[72]

## Personal life[edit]

Stone met Angela Howard, a Comedy Central executive in 2001 and they began a relationship shortly after.[14] They got married in 2008, and have two children together.[1][73] Stone and his family live in Venice, Los Angeles.[74]

Stone has described himself as ethnically Jewish due to his mother being Jewish.[75][76] He is an atheist.[77][78]

Stone said in 2001, regarding his political views, "I hate conservatives, but I really fucking hate liberals."[79] In 2006, Stone described himself as libertarian.[80]

## Discography[edit]

### Albums[edit]

#### Soundtrack albums[edit]

List of soundtrack albums, with selected chart positions  Title  | Details  | Peak chart positions

|
|

[81] | Can
[82]
Chef Aid: The South Park Album |

* Release date: November 24, 1998
* Label: Columbia Records
* Formats: CD, vinyl, digital download

| 16  | 14
South Park: Bigger, Longer & Uncut |

* Release date: June 15, 1999
* Label: Atlantic Records
* Formats: CD, vinyl, digital download

| 28  | 20
Mr. Hankey's Christmas Classics |

* Release date: November 23, 1999
* Label: Sony Music Entertainment
* Formats: CD, vinyl, digital download

| —  | —
Team America: World Police |

* Release date: October 19, 2004
* Label: Atlantic Records
* Formats: CD, vinyl, digital download

| —  | —
"—" denotes releases that did not chart

#### Cast recording[edit]

List of cast recording albums, with selected chart positions  Title  | Details  | Peak chart positions

|
|

[83]
The Book of Mormon: Original Broadway Cast Recording |

* Release date: May 17, 2011
* Label: Ghostlight Records
* Formats: CD, vinyl, digital download

| 3
"—" denotes releases that did not chart

## Filmography and accolades[edit]

Main article: List of roles and awards of Matt Stone

* Cannibal! The Musical (1993)
* Orgazmo (1997)
* BASEketball (1998)
* South Park: Bigger, Longer & Uncut (1999)
* Terror Firmer (1999)
* Bowling for Columbine (2002)
* Run Ronnie Run (2002)
* Team America: World Police (2004)
* The Aristocrats (2005)
* This Film Is Not Yet Rated (2006)
* Electric Apricot: Quest for Festeroo (2007)
* Rush: Beyond the Lighted Stage (2010)
* South Park: Post Covid (2021)
* South Park: Post Covid: The Return of Covid (2021)
* South Park: The Streaming Wars (2022)
* South Park: The Streaming Wars Part 2 (2022)

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52. ^ a b c Parker, Trey (October 2006). That's My Bush! The Definitive Collection: "A Poorly Executed Plan" (DVD). Audio commentary: Paramount Home Entertainment.
53. ^ Stone, Matt (October 2006). That's My Bush! The Definitive Collection: "A Poorly Executed Plan" (DVD). Audio commentary: Paramount Home Entertainment.
54. ^ Parker, Trey (October 2006). That's My Bush! The Definitive Collection: "Eenie Meenie Miney Murder" (DVD). Audio commentary: Paramount Home Entertainment.
55. ^ a b Lynn Elber (August 3, 2001). "Comedy Central Cancels "That's my Bush"". Spartanburg Herald-Journal. AP Newswire. Retrieved March 14, 2010.
56. ^ "That's My Bush cancelled". Sun Journal. AP Newswire. August 3, 2001. Retrieved March 14, 2010.
57. ^ Parker, Trey (October 2006). That's My Bush! The Definitive Collection: "The First Lady's Persqueeter" (DVD). Audio commentary: Paramount Home Entertainment.
58. ^ Stone, Matt (October 2006). That's My Bush! The Definitive Collection: "The First Lady's Persqueeter" (DVD). Audio commentary: Paramount Home Entertainment.
59. ^ Patrick Sauriol (June 25, 2003). "'South Park Creators Prepare Team America'". Mania.com (source: Variety. Archived from the original on October 18, 2012. Retrieved June 12, 2011.
60. ^ a b c "Film Has South Park Guys at End Of Rope". Los Angeles Times. September 18, 2004. Archived from the original on July 27, 2011. Retrieved June 12, 2011.
61. ^ "Stone says Team America was 'lowest point'". The Guardian. December 31, 2004. Retrieved June 12, 2011.
62. ^ "Puppetry of the Meanest". In Focus. October 4, 2004. Archived from the original on July 27, 2011. Retrieved June 12, 2011.
63. ^ Roger Friedman (October 5, 2004). "Team America: Sex, Puppets & Controversy". Fox News Channel. Retrieved June 12, 2011.
64. ^ "Team America: World Police (2004)".
65. ^ Jones, Kenneth (April 4, 2011), "Playbill's brief encounter with Robert Lopez", Playbill, archived from the original on May 11, 2011
66. ^ Adams, Guy (November 19, 2008), "Mormons to get 'South Park' treatment", The Independent, London, archived from the original on May 12, 2022
67. ^ Healy, Patrick (May 13, 2011). "The Path of 'The Book of Mormon' to Broadway". The New York Times.
68. ^ Stack, Peggy Fletcher (February 25, 2011). "'Book of Mormon' musical called surprisingly sweet". The Salt Lake Tribune.
69. ^ "'The Book Of Mormon' to Open at Eugene O'Neill 3/24; Previews 2/24", broadwayworld.com, September 13, 2010
70. ^ "Broadway Review Roundup: THE BOOK OF MORMON". BroadwayWorld.com. March 25, 2011. Retrieved March 27, 2011.
71. ^ Keith Caulfield (June 15, 2011). "Adele Reclaims No. 1 on Billboard 200, Book of Mormon Makes History". Billboard. Retrieved June 15, 2011.
72. ^ Sorkin, Andrew Ross (January 14, 2013). "'South Park' Creators to Start Company, Important Studios". The New York Times.
73. ^ Swanson, Carl. "Latter-Day Saints". New York Magazine. March 6, 2011, Page 2
74. ^ "Matt Stone Slashes Price of Venice Compound". April 21, 2020.
75. ^ Raphael, Rebecca. "Who is Kyle Broslofski?". Jewish News of Greater Phoenix. Archived from the original on October 13, 2008. Retrieved January 3, 2009.
76. ^ "Chat with Matt Stone (11/15/2005)". South Park Studios. November 15, 2005. Archived from the original on October 5, 2007. Retrieved May 16, 2012.
77. ^ Swanson, Carl (March 11, 2011). "Trey Parker and Matt Stone Talk About Why The Book of Mormon Isn't Actually Offensive, and the Future of South Park". Vulture/New York Magazine.
78. ^ Nightline, ABC News, March 25, 2011, Quote: "I am an atheist, I live my life like I'm an atheist."
79. ^ Tierney, John (August 29, 2006). "South Park Refugees: Republicans can't count on the votes of "Team America"". The New York Times. Retrieved November 9, 2007.
80. ^ Gillespie, Nick; Walker, Jesse (December 2006). "South Park Libertarians". Reason. Archived from the original on November 30, 2009. Retrieved August 27, 2018.
81. ^ "South Park – Chart History: Billboard 200". Billboard. Retrieved January 14, 2015.
82. ^ "South Park – Chart History: Canada". Billboard. Retrieved January 14, 2015.
83. ^ Keith Caulfield (May 26, 2011). "The Book of Mormon Cast Album Scores Impressive Chart Debut". Billboard. Retrieved June 8, 2011.

## External links[edit]

* Matt Stone and Trey Parker at the Official South Park Website
* Matt Stone at IMDb
* Matt Stone at the Internet Broadway Database
* Fresh Air Interview
* "Mormon Composer Matt Stone Excited to Eat 'Shitty Awards Chicken' on Tony Night". Broadway.com. May 3, 2011. Retrieved May 3, 2011.

* v
* t
* e

Trey Parker and Matt Stone

* Parker filmography and awards
* Stone filmography and awards

Feature films|

* Cannibal! The Musical (1993)
* Orgazmo (1997)
* South Park: Bigger, Longer & Uncut (1999)
* Team America: World Police (2004)

Television|

* Time Warped (1995)
* South Park (since 1997)
* That's My Bush! (2001)
* Sassy Justice (2020)

Music|

* Chef Aid: The South Park Album
* South Park: Bigger, Longer & Uncut soundtrack
* "Blame Canada"
* "Timmy and the Lords of the Underworld"
* The Book of Mormon: Original Broadway Cast Recording

Theatre|

* The Book of Mormon (since 2011)

Paramount+ films|

* South Park: Post Covid (2021)
* South Park: Post Covid: The Return of Covid (2021)
* South Park The Streaming Wars (2022)
* South Park The Streaming Wars Part 2 (2022)

Video games|

* South Park: The Stick of Truth (2014)
* South Park: Phone Destroyer (2017)
* South Park: The Fractured but Whole (2017)

Characters|

| Parker|

* Stan Marsh
* Eric Cartman
* Jimmy Valmer
* Clyde Donovan
* Randy Marsh
* Mr. Garrison
* Mr. Mackey
* Phillip

|

Stone|

* Kyle Broflovski
* Kenny McCormick
* Butters Stotch
* Craig Tucker
* Gerald Broflovski
* Terrance

See also|

* The Spirit of Christmas
* Your Studio and You
* Princess
* 6 Days to Air

Awards for Matt Stone

* v
* t
* e

Britannia Awards

Excellence in Film|

* Albert R. Broccoli (1989)
* Michael Caine (1990)
* Peter Ustinov (1992)
* Martin Scorsese (1993)
* Anthony Hopkins (1995)
* Bob Weinstein and Harvey Weinstein (1996)
* Dustin Hoffman (1997)
* John Travolta (1998)
* Stanley Kubrick (1999)
* Steven Spielberg (2000)
* George Lucas (2002)
* Hugh Grant (2003)
* Tom Hanks (2004)
* Tom Cruise (2005)
* Clint Eastwood (2006)
* Denzel Washington (2007)
* Sean Penn (2008)
* Robert De Niro (2009)
* Jeff Bridges (2010)
* Warren Beatty (2011)
* Daniel Day-Lewis (2012)
* George Clooney (2013)
* Robert Downey Jr. (2014)
* Meryl Streep (2015)
* Jodie Foster (2016)
* Matt Damon (2017)
* Cate Blanchett (2018)
* Jane Fonda (2019)

Excellence in Directing|

* Peter Weir (2003)
* Jim Sheridan (2004)
* Mike Newell (2005)
* Anthony Minghella (2006)
* Martin Campbell (2007)
* Stephen Frears (2008)
* Danny Boyle (2009)
* Christopher Nolan (2010)
* David Yates (2011)
* Quentin Tarantino (2012)
* Kathryn Bigelow (2013)
* Mike Leigh (2014)
* Sam Mendes (2015)
* Ang Lee (2016)
* Ava DuVernay (2017)
* Steve McQueen (2018)
* Jordan Peele (2019)

Worldwide Contribution to
Entertainment|

* Howard Stringer (2003)
* Kirk Douglas (2009)
* Ridley Scott & Tony Scott (2010)
* John Lasseter (2011)
* Will Wright (2012)
* Ben Kingsley (2013)
* Judi Dench (2014)
* Harrison Ford (2015)
* Samuel L. Jackson (2016)
* Kenneth Branagh (2017)
* Kevin Feige (2018)
* Jackie Chan (2019)

British Artist of the Year|

* Rachel Weisz (2006)
* Kate Winslet (2007)
* Tilda Swinton (2008)
* Emily Blunt (2009)
* Michael Sheen (2010)
* Helena Bonham Carter (2011)
* Daniel Craig (2012)
* Benedict Cumberbatch (2013)
* Emma Watson (2014)
* James Corden (2015)
* Felicity Jones (2016)
* Claire Foy (2017)
* Emilia Clarke (2018)
* Phoebe Waller-Bridge (2019)

Excellence in Comedy|

* Betty White (2010)
* Ben Stiller (2011)
* Trey Parker and Matt Stone (2012)
* Sacha Baron Cohen (2013)
* Julia Louis-Dreyfus (2014)
* Amy Schumer (2015)
* Ricky Gervais (2016)
* Aziz Ansari (2017)
* Jim Carrey (2018)
* Steve Coogan (2019)

Excellence in Television|

* Aaron Spelling (1999)
* HBO Original Programming (2002)
* Dick Van Dyke (2017)
* Damian Lewis (2018)
* Norman Lear (2019)

Humanitarian Award|

* Richard Curtis (2007)
* Don Cheadle (2008)
* Colin Firth (2009)
* Idris Elba (2013)
* Mark Ruffalo (2014)
* Orlando Bloom (2015)
* Ewan McGregor (2016)

Retired Awards|

* BBC (1999)
* Tarsem Singh (1999)
* Angela Lansbury (2003)
* Helen Mirren (2004)
* Elizabeth Taylor (2005)
* Ronald Neame (2005)
* Sidney Poitier (2006)
* Bob Shaye and Michael Lynne (2007)

* v
* t
* e

Drama Desk Award for Outstanding Lyrics

1969–1975|

* Fred Ebb (1969)
* Stephen Sondheim/Bertolt Brecht (1970)
* Stephen Sondheim (1971)
* John Guare (1972)
* Stephen Sondheim (1973)
* Al Carmines (1974)
* Charlie Smalls (1975)

1976–2000|

* Edward Kleban (1976)
* Martin Charnin (1977)
* Carol Hall (1978)
* Stephen Sondheim (1979)
* Tim Rice (1980)
* Stephen Sondheim/Maury Yeston (1982)
* Howard Ashman (1983)
* Stephen Sondheim (1984)
* Roger Miller (1985)
* Stephen Sondheim (1988)
* David Zippel (1990)
* William Finn (1991)
* Susan Birkenhead (1992)
* Denis Markell and Douglas Bernstein (1993)
* Stephen Sondheim (1994)
* Jonathan Larson (1996)
* Gerard Alessandrini (1997)
* Lynn Ahrens (1998)
* Gerard Alessandrini (1999)
* Stephen Sondheim (2000)

2001–present|

* Mel Brooks (2001)
* Jason Robert Brown (2002)
* Scott Wittman and Marc Shaiman (2003)
* Stephen Schwartz (2004)
* Eric Idle (2005)
* Lisa Lambert and Greg Morrison (2006)
* Steven Sater (2007)
* Stew (2008)
* Stephen Sondheim (2009)
* John Kander and Fred Ebb (2010)
* Trey Parker, Robert Lopez and Matt Stone (2011)
* Glen Hansard and Markéta Irglová (2012)
* Tim Minchin (2013)
* Robert L. Freedman and Steven Lutvak (2014)
* Lin-Manuel Miranda (2015)
* Benj Pasek and Justin Paul (2016)
* David Yazbek (2017)
* Peter Kellogg (2018)
* David Yazbek (2019)
* Michael R. Jackson (2020)
* No Award (2021)
* Toby Marlow and Lucy Moss (2022)

* v
* t
* e

Drama Desk Award for Outstanding Music

1969–1975|

* Al Carmines/Burt Bacharach (1969)
* Stephen Sondheim/Kurt Weill (1970)
* Stephen Sondheim (1971)
* Galt MacDermot (1972)
* Stephen Sondheim (1973)
* Al Carmines (1974)
* Charlie Smalls (1975)

1976–2000|

* Marvin Hamlisch (1976)
* Cy Coleman (1977)
* Cy Coleman/Carol Hall (1978)
* Stephen Sondheim (1979)
* Andrew Lloyd Webber (1980)
* Maury Yeston (1982)
* Andrew Lloyd Webber (1983)
* Jerry Herman (1984)
* Larry Grossman (1985)
* Rupert Holmes (1986)
* Noel Gay/Claude-Michel Schönberg (1987)
* Andrew Lloyd Webber (1988)
* Cy Coleman (1990)
* Cy Coleman (1991)
* Erik Frandsen, Michael Garin, Paul Lockheart and Robert Hipkins (1992)
* Marvin Hamlisch (1993)
* Stephen Sondheim (1994)
* Jonathan Larson (1996)
* Cy Coleman (1997)
* Stephen Flaherty (1998)
* Jason Robert Brown (1999)
* Andrew Lippa (2000)

2001–present|

* David Yazbek (2001)
* Jason Robert Brown (2002)
* Marc Shaiman (2003)
* Jeanine Tesori (2004)
* Adam Guettel (2005)
* Lisa Lambert and Greg Morrison (2006)
* Duncan Sheik (2007)
* Stew and Heidi Rodewald (2008)
* Elton John (2009)
* David Bryan (2010)
* Trey Parker, Robert Lopez and Matt Stone (2011)
* Alan Menken (2012)
* David Byrne and Fatboy Slim (2013)
* Jason Robert Brown (2014)
* Lin-Manuel Miranda (2015)
* Steve Martin and Edie Brickell (2016)
* David Yazbek (2017)
* David Friedman (2018)
* David Yazbek (2019)
* Dave Malloy (2020)
* No Award (2021)
* Toby Marlow and Lucy Moss (2022)

* v
* t
* e

MTV Movie & TV Award for Best Musical Moment

Best Song from a Movie
(1992–1999, 2009, 2012)|

* Bryan Adams (1992)
* Whitney Houston (1993)
* Michael Jackson (1994)
* Stone Temple Pilots (1995)
* Brandy (1996)
* Bush (1997)
* Will Smith (1998)
* Aerosmith (1999)
* Miley Cyrus (2009)
* LMFAO (2012)

Best Musical Sequence
(2000–2002, 2005, 2014)|

* Terrence and Philip (2000)
* Piper Perabo (2001)
* Nicole Kidman and Ewan McGregor (2002)
* Jon Heder (2005)
* Backstreet Boys, Jay Baruchel, Seth Rogen and Craig Robinson (2014)

Best Musical Moment
(2013, 2017–present)|

* Anna Kendrick, Rebel Wilson, Anna Camp, Brittany Snow, Alexis Knapp, Ester Dean, and Hana Mae Lee (2013)
* Ensemble of Grease: Live (2017)
* Finn Wolfhard and Millie Bobby Brown (2018)
* Lady Gaga and Bradley Cooper (2019)
* No Award (2020)
* Madison Reyes, Charlie Gillespie, Owen Joyner and Jeremy Shada (2021)
* Beabadoobee (2022)

* v
* t
* e

Tony Award for Best Book of a Musical

1950–1975|

* South Pacific by Oscar Hammerstein II and Joshua Logan (1950)
* Hello, Dolly! by Michael Stewart (1964)
* Fiddler on the Roof by Joseph Stein (1965)
* Company by George Furth (1971)
* Two Gentlemen of Verona by John Guare and Mel Shapiro (1972)
* A Little Night Music by Hugh Wheeler (1973)
* Candide by Hugh Wheeler (1974)
* Shenandoah by James Lee Barrett, Peter Udell and Philip Rose (1975)

1976–2000|

* A Chorus Line by James Kirkwood Jr. and Nicholas Dante (1976)
* Annie by Thomas Meehan (1977)
* On the Twentieth Century by Betty Comden and Adolph Green (1978)
* Sweeney Todd by Hugh Wheeler (1979)
* Evita by Tim Rice (1980)
* Woman of the Year by Peter Stone (1981)
* Dreamgirls by Tom Eyen (1982)
* Cats by T. S. Eliot (1983)
* La Cage aux Folles by Harvey Fierstein (1984)
* Big River by William Hauptman (1985)
* The Mystery of Edwin Drood by Rupert Holmes (1986)
* Les Misérables by Alain Boublil and Claude-Michel Schönberg (1987)
* Into the Woods by James Lapine (1988)
* No Award (1989)
* City of Angels by Larry Gelbart (1990)
* The Secret Garden by Marsha Norman (1991)
* Falsettos by William Finn and James Lapine (1992)
* Kiss of the Spider Woman by Terrence McNally (1993)
* Passion by James Lapine (1994)
* Sunset Boulevard by Don Black and Christopher Hampton (1995)
* Rent by Jonathan Larson (1996)
* Titanic by Peter Stone (1997)
* Ragtime by Terrence McNally (1998)
* Parade by Alfred Uhry (1999)
* James Joyce's The Dead by Richard Nelson (2000)

2001–present|

* The Producers by Mel Brooks and Thomas Meehan (2001)
* Urinetown by Greg Kotis (2002)
* Hairspray by Thomas Meehan and Mark O'Donnell (2003)
* Avenue Q by Jeff Whitty (2004)
* The 25th Annual Putnam County Spelling Bee by Rachel Sheinkin (2005)
* The Drowsy Chaperone by Bob Martin and Don McKellar (2006)
* Spring Awakening by Steven Sater (2007)
* Passing Strange by Stew (2008)
* Billy Elliot the Musical by Lee Hall (2009)
* Memphis by Joe DiPietro (2010)
* The Book of Mormon by Trey Parker, Robert Lopez and Matt Stone (2011)
* Once by Enda Walsh (2012)
* Matilda the Musical by Dennis Kelly (2013)
* A Gentleman's Guide to Love and Murder by Robert L. Freedman (2014)
* Fun Home by Lisa Kron (2015)
* Hamilton by Lin-Manuel Miranda (2016)
* Dear Evan Hansen by Steven Levenson (2017)
* The Band's Visit by Itamar Moses (2018)
* Tootsie by Robert Horn (2019)
* No Ceremony (2020)
* Jagged Little Pill by Diablo Cody (2021)
* A Strange Loop by Michael R. Jackson (2022)

* v
* t
* e

Tony Award for Best Original Score

1947–1975|

* Street Scene by Kurt Weill (1947)
* Kiss Me, Kate by Cole Porter (1949)
* South Pacific by Richard Rodgers (1950)
* Call Me Madam by Irving Berlin (1951)
* No Strings by Richard Rodgers (1962)
* Oliver! by Lionel Bart (1963)
* Hello, Dolly! by Jerry Herman (1964)
* Fiddler on the Roof by Jerry Bock and Sheldon Harnick (1965)
* Man of La Mancha by Mitch Leigh and Joe Darion (1966)
* Cabaret by John Kander and Fred Ebb (1967)
* Hallelujah, Baby! by Jule Styne, Betty Comden, and Adolph Green (1968)
* Company by Stephen Sondheim (1971)
* Follies by Stephen Sondheim (1972)
* A Little Night Music by Stephen Sondheim (1973)
* Gigi by Frederick Loewe and Alan Jay Lerner (1974)
* The Wiz by Charlie Smalls (1975)

1976–2000|

* A Chorus Line by Marvin Hamlisch and Edward Kleban (1976)
* Annie by Charles Strouse and Martin Charnin (1977)
* On the Twentieth Century by Cy Coleman, Betty Comden, and Adolph Green (1978)
* Sweeney Todd by Stephen Sondheim (1979)
* Evita by Andrew Lloyd Webber and Tim Rice (1980)
* Woman of the Year by John Kander and Fred Ebb (1981)
* Nine by Maury Yeston (1982)
* Cats by Andrew Lloyd Webber and T. S. Eliot (1983)
* La Cage aux Folles by Jerry Herman (1984)
* Big River by Roger Miller (1985)
* The Mystery of Edwin Drood by Rupert Holmes (1986)
* Les Misérables by Claude-Michel Schönberg, Herbert Kretzmer, and Alain Boublil (1987)
* Into the Woods by Stephen Sondheim (1988)
* No Award (1989)
* City of Angels by Cy Coleman and David Zippel (1990)
* The Will Rogers Follies by Cy Coleman, Betty Comden, and Adolph Green (1991)
* Falsettos by William Finn (1992)
* Kiss of the Spider Woman by John Kander and Fred Ebb / The Who's Tommy by Pete Townshend (1993)
* Passion by Stephen Sondheim (1994)
* Sunset Boulevard by Andrew Lloyd Webber, Don Black, and Christopher Hampton (1995)
* Rent by Jonathan Larson (1996)
* Titanic by Maury Yeston (1997)
* Ragtime by Stephen Flaherty and Lynn Ahrens (1998)
* Parade by Jason Robert Brown (1999)
* Aida by Elton John and Tim Rice (2000)

2001–present|

* The Producers by Mel Brooks (2001)
* Urinetown by Mark Hollmann and Greg Kotis (2002)
* Hairspray by Marc Shaiman and Scott Wittman (2003)
* Avenue Q by Robert Lopez and Jeff Marx (2004)
* The Light in the Piazza by Adam Guettel (2005)
* The Drowsy Chaperone by Lisa Lambert and Greg Morrison (2006)
* Spring Awakening by Duncan Sheik and Steven Sater (2007)
* In the Heights by Lin-Manuel Miranda (2008)
* Next to Normal by Tom Kitt and Brian Yorkey (2009)
* Memphis by David Bryan and Joe DiPietro (2010)
* The Book of Mormon by Trey Parker, Robert Lopez and Matt Stone (2011)
* Newsies by Alan Menken and Jack Feldman (2012)
* Kinky Boots by Cyndi Lauper (2013)
* The Bridges of Madison County by Jason Robert Brown (2014)
* Fun Home by Jeanine Tesori and Lisa Kron (2015)
* Hamilton by Lin-Manuel Miranda (2016)
* Dear Evan Hansen by Benj Pasek and Justin Paul (2017)
* The Band's Visit by David Yazbek (2018)
* Hadestown by Anaïs Mitchell (2019)
* No Ceremony (2020)
* A Christmas Carol by Christopher Nightingale (2021)
* Six by Toby Marlow and Lucy Moss (2022)

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