Mean (song)

2011 single by Taylor Swift

For the Pink song, see Funhouse (Pink album).

"Mean"

Single by Taylor Swift
from the album  Speak Now
Released| March 7, 2011 (2011-03-7)
Genre|

* Country
* bluegrass

Length| 3:57
Label| Big Machine
Songwriter(s)| Taylor Swift
Producer(s)|

* Taylor Swift
* Nathan Chapman

Taylor Swift singles chronology
| "Back to December"
(2010)  | "Mean"
(2011)  | "The Story of Us"
(2011)

|
|

Music video
"Mean" on YouTube

"Mean" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Big Machine Records released it to country radio in the United States as the album's third single on March 7, 2011. Produced by Swift and Nathan Chapman, "Mean" is a six-string banjo-led country and bluegrass track that incorporates fiddle, mandolin, hand claps, and multitracked vocals. In the lyrics, Swift addresses her detractors, recognizes her own shortcomings, and strives to overcome the criticism and achieve success.

Some music critics deemed "Mean" an anti-bullying anthem and praised the production as airy and catchy; a few considered the narrative ineffective. Several publications have retrospectively listed it as one of the best country songs. "Mean" won Best Country Song and Best Country Solo Performance at the 2012 Grammy Awards. In the United States, the track peaked at number 11 on the Billboard Hot 100 chart and number 2 on the Hot Country Songs chart, receiving a triple platinum certification by the Recording Industry Association of America. It reached number 10 on the Canadian Hot 100 chart and received certifications in Australia, Brazil, Canada, New Zealand, and the United Kingdom.

The music video for "Mean" was directed by Declan Whitebloom, who wrote its treatment with Swift. Featuring themes of self-empowerment and anti-bullying, the video received a mixed response from critics, who criticized its stereotypical viewpoint on bullying and deemed its concept confusing. The video received nominations at the MTV Video Music Awards, the Academy of Country Music Awards, and the Country Music Association Awards. Swift included "Mean" in the set lists of the Speak Now World Tour (2011–2012) and the Red Tour (2013–2014), and performed it on some dates of her later tours.

Following a 2019 dispute regarding the ownership of her back catalog, Swift re-recorded the song as "Mean (Taylor's Version)" for her third re-recorded album, Speak Now (Taylor's Version) (2023). The track peaked at number 33 on the Billboard Global 200 and reached the national charts of Australia, Canada, New Zealand, the Philippines, Singapore, and the United States.

## Background

[edit]

Taylor Swift began working on her third studio album, Speak Now (2010), two years prior to its release.[1] She conceived it as a loose concept album about the things she wanted to tell certain people but never had a chance to.[2] She was inspired by her detractors to write the album's sixth track, "Mean", explaining that although she acknowledged constructive criticism, she was bothered by critics who were "just being mean".[3][4]

In an interview on 60 Minutes in 2011, Swift said that the particular inspiration came from a critical review by Bob Lefsetz, who chastised her following her off-key performance at the 2010 Grammy Awards. He questioned her vocal ability and thought that she "killed her career overnight" and was "too young and dumb to understand the mistake she made."[5][6] Remarking on Lefsetz, Swift said, "The things that were said about me by this dude, just floored me and like leveled me. I don't have thick skin. I hate reading criticisms. You never really, like, get past things hurting you."[5][7]

## Production and release

[edit]

Swift played acoustic guitar on "Mean" and produced it with Nathan Chapman, who additionally played bass guitar, electric guitar, acoustic guitar, piano, banjo, mandolin, synthesizer, organ, and Rhodes piano. They provided harmony vocals with Liz Huett and Caitlin Evanson, and handclapping with Mike Meadows and Al Wilson. Other musicians who played instruments for "Mean" include Bryan Sutton (acoustic guitar), Smith Curry (lap steel guitar), Rob Hajacos (fiddle), and Tim Lauer (piano, Hammond B3). Tommy Sims, Tim Marks, and Amos Heller played bass guitar; Grant Mickelson, Paul Sidoti, and Meadows played electric guitar; John Gardner, Shannon Forrest, and Nick Buda played drums; and Eric Darken and Wilson played percussion.[8][4] "Mean" was released for digital download on October 19, 2010, as part of a three-week iTunes promotional countdown for Speak Now.[9] Big Machine Records released the track to country radio in the United States on March 7, 2011, as the third single from the album.[10][11][12]

## Music and lyrics

[edit]

"Mean"

A sample of "Mean", featuring a banjo-led country and bluegrass production, hand claps, and multitracked vocals

* * *

Problems playing this file? See media help.

"Mean" is three minutes and fifty-seven seconds long.[13] Music journalists regarded it as the most country-sounding track on Speak Now[a] and in Swift's discography.[b] The six-string banjo-led bluegrass song incorporates several acoustic instruments associated with country music such as fiddle and mandolin.[23][16][24] The sparse production features an upbeat arrangement, hand claps, multitracked vocals, and roots music influences.[25][26][27] Writing for AllMusic, Stephen Thomas Erlewine believed that the country-leaning composition evokes the music of the Dixie Chicks.[28]

The musicologist James E. Perone commented that "Mean" is the only album track congruent with Swift's self-identity as a country musician, as opposed to Speak Now's dominant mainstream pop and rock styles. Analyzing the song structure, Perone noted the instrumental sliding up a whole step in open fifths at the end of each refrain, and the whole-step slide up from the lowered-seventh scale-step to tonic, which evokes the Mixolydian mode typically found in Anglo-American folk music. According to Perone, the refrain uses a short melodic motive, which creates its catchiness.[23]

The lyrics address the critics who questioned Swift's vocal ability following her live performances in 2009 and 2010.[29][30] During the verses, she accuses them of pointing out the flaws that she is self-aware of, which makes her walking "with [her] head down" and being "wounded".[23] In the refrain, Swift promises her critics that she will become successful so that their words will no longer affect her and declares that she will move to a "big old city" one day, which Perone noted as congruent with a recurring theme in Appalachian music of poor people moving to big cities to escape poverty.[31]

## Critical reception

[edit]

Music critics praised "Mean" for its airy bluegrass and country production;[c] Mandi Bierly from Entertainment Weekly believed that it rendered Swift's emotions more authentic and emphasized the lyrical narrative.[29] Theon Weber from The Village Voice described the track as "huge, and hugely compassionate, and fearless".[26] Now's Kevin Ritchie and Entertainment Weekly's Seija Rankin picked it as the best song on Speak Now,[35][36] and South China Morning Post's Finley Liu considered it one of the album's standout tracks.[37] Several music journalists lauded "Mean" for its message against bullying and deemed it an anti-bullying anthem.[d] Some critics also praised the production as catchy[e] and lauded its "irresistible" hook.[48]

Other critics regarded the narrative of "Mean" as ineffective. Slant Magazine's Jonathan Keefe stated that the song showcased Swift's "lack of self-awareness"; he criticized her for focusing on the people who highlighted her vocal issues rather than improving her vocal pitch.[49] Scott Hansen of the Wausau Daily Herald described the track as "counterproductive" and similarly criticized it for "calling out bullies in a way that makes Swift a bully."[44] "Mean" appeared in rankings of Swift's discography by Variety's Chris Willman (13 out of 75),[40] Vulture's Nate Jones (18 out of 245),[34] NME's Hannah Mylrea (28 out of 161),[38] Rolling Stone's Rob Sheffield (66 out of 274),[50] and Paste's Jane Song (82 out of 158).[51]

### Accolades

[edit]

Rolling Stone ranked "Mean" at number 24 on its 2014 list of the "100 Greatest Country Songs of All Time"—the highest ranking for a song released in the 21st century.[52] In a 2024 update, the magazine placed the track at number 20 on its revised list of the "200 Greatest Country Songs of All Time".[53] Taste of Country ranked "Mean" as the 15th best country song of the 2010s,[42] and Parade considered it the 50th best country track of all time.[54] The Tennessean included the song in a 2019 unranked list of the 100 best country songs of all time.[55]

"Mean" won Best Country Song and Best Country Solo Performance at the 2012 Grammy Awards,[56] and Choice Country Song at the 2011 Teen Choice Awards.[57] At the BMI Country Awards in 2012, "Mean" was one of the 50 award-winning songs and helped the song's publisher, Sony/ATV Music Publishing Nashville, earn the award for Publisher of the Year.[58] The track received nominations for Song of the Year at the 2011 Country Music Association Awards[59] and Female Single of the Year at the 2011 American Country Awards.[60]

## Commercial performance

[edit]

In the United States, "Mean" debuted and peaked at number 11 on the Billboard Hot 100 chart dated October 30, 2010—the highest debut of the week. This made Swift the first artist to have the Hot 100's highest chart entry in three consecutive weeks, following the debuts of "Speak Now" and "Back to December".[61][62] The track debuted at number 55 on the Hot Country Songs chart dated November 13, 2010, as the highest entry of the week.[63][64] It reached number nine on the week ending May 14, 2011, making Swift the second female artist to have 13 singles reach the top 10 of the chart.[65][66] "Mean" reached its peak position of number two on the Hot Country Songs chart issued for June 25, 2011.[67]

In August 2011, "Mean" became Swift's thirteenth song to sell more than one million copies in the United States, which is more than any other country music artist in the digital history.[68] By the end of 2011, "Mean" had sold 1.2 million digital copies[69] and reached number 24 on the year-end Hot Country Songs chart.[70] It was certified triple platinum by the Recording Industry Association of America in August 2014.[71] As of November 2017, the track had sold 2.5 million digital copies in the United States—the best-selling Speak Now track.[72]

"Mean" reached number 2 on the Canada Country chart,[73] number 10 on the Canadian Hot 100 chart,[74] number 45 on the Australian Singles chart,[75] and number 92 on the South Korea International Singles chart.[76] It received a double platinum certification in Australia,[77] a platinum certification in New Zealand,[78] gold certifications in Brazil and Canada,[79][80] and a silver certification in the United Kingdom.[81]

## Music video

[edit]

### Background and release

[edit]

The music video for "Mean" was directed by Declan Whitebloom, who wrote its treatment with Swift.[82] It was filmed within two days at the Orpheum Theatre in Los Angeles.[83] Swift wanted to convey the experience of being bullied by showcasing the stories of others rather than her own narrative, allowing a broader audience to connect with its message.[84] Whitebloom characterized the video as sketches that resemble Broadway performances and are influenced by various time periods, ranging from those reminiscent of the vaudeville era to those that recall the 2000 musical film O Brother, Where Art Thou?.[85] The music video, which stars Joey King and Presley Cash, premiered on Country Music Television on May 6, 2011.[82][86] Behind-the-scenes footage of the music video's production aired on Great American Country in July 2011,[87] and was included on a Target-exclusive edition of Swift's live video album Speak Now World Tour – Live (2011), released on November 21, 2011.[88][89]

### Synopsis

[edit]

The music video begins with Swift playing a banjo in a theater alongside her band, all dressed in vintage-style outfits. The video then shows a young male who is being bullied by football team members for reading a fashion magazine. Swift is seen donning a white 1920s-inspired dress, tied to railroad tracks by an antagonist who mocks her with his friends. A young woman (played by Cash), earning money for college by wearing a costume to promote a fast food restaurant, is shown being bullied by her peers who throw food at her. Another young female (played by King) cannot join a group of girls during lunch because she is wearing a different colored ribbon around her waist and is forced to eat in the school bathroom.[83]

The theater stage transforms into a luxurious nightclub, with Swift wearing a sparkling flapper dress and performing with her band. The video then reveals that the male who was reading a fashion magazine is now a renowned fashion designer, the restaurant employee has become an executive, and the female with the unique-colored ribbon is the only audience member in the theater, watching and applauding as Swift finishes her performance.[83]

### Reception

[edit]

The music video was met with a mixed response from critics,[47] who criticized Swift's perspective on bullying.[90][91][92] Kyle Anderson of Entertainment Weekly deemed its narrative confusing and criticized her for likening a professional critic's review to bullying someone for being different.[32] Donna Kaufman of iVillage described the video's characters as "shallow stereotypes" and commented that Swift "doesn't seem at all vulnerable": "[Her] smirking to the camera about how successful she is, and how much of a loser her imaginary bully is, seems a bit like gloating."[47] In a more positive review, Ashley Lasimone of Taste of Country praised the video's vintage-style aesthetic for complementing its artistic direction.[46]

The video's themes of self-empowerment and anti-bullying received positive feedback within the LGBTQ community, specifically for the part where the young male character becomes a famous fashion designer and is seen presenting a runway fashion show with his designs of women's clothing.[31][93] The music video received nominations for Best Video with a Message at the 2011 MTV Video Music Awards,[94] Music Video of the Year at the 2011 Country Music Association Awards,[59] and Video of the Year at the 2012 Academy of Country Music Awards.[95]

## Live performances

[edit]

Swift performing "Mean" at the Speak Now World Tour

Swift performed "Mean" for the first time as part of NBC's 2010 Thanksgiving television special, which premiered on November 25, 2010.[96] She sang it at the 46th Academy of Country Music Awards in April 2011,[97] and on The Ellen DeGeneres Show the next month.[98] Swift played the track at the CMA Music Festival in June 2011 and June 2013,[99][100] and at the iHeartRadio Music Festival in September 2012.[101] She sang it as part of Late Show with David Letterman and VH1 Storytellers episodes that took place in October 2012.[102][103] Swift performed "Mean" at the 54th Grammy Awards in February 2012, changing the lyric "But someday I'll be living in a big old city" to "But someday I'll be singing this at the Grammys".[56] The performance received a standing ovation from the audience.[104][105][106]

Swift included "Mean" in the set list of the Speak Now World Tour (2011–2012), where she performed it playing a banjo guitar and danced with a band member playing a fiddle.[107][108] The performance was recorded and released as part of Speak Now World Tour – Live.[88] She included the song in the set list of the Red Tour (2013–2014) and played it on a banjo.[109] She performed it on acoustic guitar at the 1989 World Tour in 2015 at concerts in Saint Paul,[110] Los Angeles,[111] Seattle,[112] and Houston.[113] Swift sang an acoustic rendition of "Mean" at the first Dublin show of the Reputation Stadium Tour in June 2018; Rolling Stone's Andy Greene picked it as one of the ten best acoustic performances of the tour.[114][6] She performed the track on acoustic guitar at the Eras Tour (2023–2024) at the third Tampa show in April 2023,[115] and as part of a mashup with her song "Thank You Aimee" (2024) at the second London show in June 2024.[116]

## Personnel

[edit]

Credits shown below are adapted from Qobuz[8] and the liner notes of Speak Now.[4]

* Taylor Swift – songwriter, producer, vocals, harmony vocals, acoustic guitar, handclapping
* Nathan Chapman – producer, bass guitar, electric guitar, acoustic guitar, piano, banjo, mandolin, synthesizer, organ, Rhodes piano, handclapping
* Tommy Sims – bass guitar
* Tim Marks – bass guitar
* Amos Heller – bass guitar
* Grant Mickelson – electric guitar
* Paul Sidoti – electric guitar
* Mike Meadows – electric guitar, handclapping
* Bryan Sutton – acoustic guitar
* Smith Curry – lap steel guitar
* Rob Hajacos – fiddle
* Shannon Forrest – drums
* John Gardner – drums
* Nick Buda – drums
* Al Wilson – percussion, handclapping
* Eric Darken – percussion
* Tim Lauer – piano, Hammond B3
* Liz Huett – harmony vocals
* Caitlin Evanson – harmony vocals

## Charts

[edit]

### Weekly charts

[edit]

| Chart (2010–2011)  | Peak
position

|

Australia (ARIA)[75] | 45
Canada (Canadian Hot 100)[74] | 10
Canada Country (Billboard)[73] | 2
South Korea International Singles (Gaon)[76] | 92
US Billboard Hot 100[62] | 11
US Hot Country Songs (Billboard)[67] | 2

### Year-end charts

[edit]

| Chart (2011)  | Position

|

US Hot Country Songs (Billboard)[70] | 24

## Certifications

[edit]

Certifications for "Mean"  Region  | Certification | Certified units/sales

|
|

Australia (ARIA)[77] | 2× Platinum  | 140,000‡
Brazil (Pro-Música Brasil)[79] | Gold  | 30,000‡
Canada (Music Canada)[80] | Gold  | 40,000*
New Zealand (RMNZ)[78] | Platinum  | 30,000‡
United Kingdom (BPI)[81] | Silver  | 200,000‡
United States (RIAA)[71] | 3× Platinum  | 3,000,000‡

* Sales figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

## "Mean (Taylor's Version)"

[edit]

"Mean (Taylor's Version)"

Song by Taylor Swift
from the album  Speak Now (Taylor's Version)
Released| July 7, 2023 (2023-07-7)
Studio|

* Blackbird (Nashville)
* Prime Recording (Nashville)
* Kitty Committee (London)

Genre| Country pop
Length| 3:58
Label| Republic
Songwriter(s)| Taylor Swift
Producer(s)|

* Taylor Swift
* Christopher Rowe

Lyric video
"Mean (Taylor's Version)" on YouTube

Swift departed from Big Machine and signed with Republic Records in November 2018.[117] She began re-recording her first six studio albums in November 2020.[118] The decision followed a public dispute in 2019 between her and Scooter Braun, who acquired Big Machine including the masters of her albums which the label had released.[119][120] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substitute the Big Machine–owned masters.[121] The re-recorded version of "Mean", subtitled "Taylor's Version", was released as part of her third re-recorded album, Speak Now (Taylor's Version), on July 7, 2023.[122]

### Production

[edit]

Swift produced "Mean (Taylor's Version)" with Christopher Rowe, who recorded her vocals at Kitty Committee Studio in London. David Payne recorded the track at Blackbird Studio in Nashville; Derek Garten provided additional engineering at Prime Recording Studio in Nashville, assisted by Lowell Reynolds. It was mixed by Serban Ghenea at MixStar Studios in Virginia Beach, Virginia; engineered for mix by Bryce Bordone; and mastered by Randy Merrill at Sterling Sound Studios in Edgewater, New Jersey. Musicians who played instruments include Heller (bass guitar), Sidoti (acoustic guitar), Meadows (banjo, mandolin), Max Bernstein (acoustic guitar), Matt Billingslea (drums, percussion), and Jonathan Yudkin (fiddle). Heller, Meadows, and Billingslea provided handclapping, while Swift, Huett, and Evanson provided background vocals.[123] A country pop track,[124] "Mean (Taylor's Version)" is three minutes and fifty-eight seconds long.[125] The production has a few differences: the fiddle is mixed lower,[126] the vocal harmonies are softer,[127] and Swift sings without the country twang of the original version.[128]

### Reception

[edit]

Critics praised Swift's mature vocals as interesting,[129][130] although they "can seem jarring, at first, to hear".[131] The Guardian's Laura Snapes thought that "Mean (Taylor's Version)" sounds "more conciliatory" than the original version due to its mature and softer vocals.[132] Mark Sutherland of Rolling Stone UK considered it one of the Speak Now (Taylor's Version) songs that retained the intensity that made Speak Now a standout album: "The wounded distress [...] still cuts every bit as deep."[133] Kate Solomon from the i stated that the re-recording made her appreciate the song's "silly satisfaction".[134]

"Mean (Taylor's Version)" debuted at number 33 on the Billboard Global 200 chart dated July 22, 2023.[135] In the United States, it reached number 17 on the Hot Country Songs chart[136] and number 39 on the Billboard Hot 100 chart.[137] The track charted in the Philippines (10),[138] Singapore (27),[139] New Zealand (28),[140] Australia (30),[141] and Canada (41).[142] In the United Kingdom, it peaked at number 57 on the Audio Streaming chart.[143]

### Personnel

[edit]

Credits shown below are adapted from the liner notes of Speak Now (Taylor's Version).[123]

* Taylor Swift – songwriter, producer, lead vocals, background vocals
* Christopher Rowe – producer, Swift's vocal recording engineer
* David Payne – recording engineer
* Derek Garten – additional recording engineer
* Lowell Reynolds – assistant recording engineer
* Serban Ghenea – mixer
* Bryce Bordone – mixing engineer
* Randy Merrill – mastering engineer
* Matt Billingslea – drums, percussion, handclapping
* Amos Heller – bass guitar, handclapping
* Paul Sidoti – acoustic guitar
* Mike Meadows – banjo, mandolin, handclapping
* Max Bernstein – acoustic guitar
* Jonathan Yudkin – fiddle
* Liz Huett – background vocals
* Caitlin Evanson – background vocals

### Charts

[edit]

Chart performance for "Mean (Taylor's Version)"  Chart (2023)  | Peak
position

|

Australia (ARIA)[141] | 30
Canada (Canadian Hot 100)[142] | 41
Global 200 (Billboard)[135] | 33
New Zealand (Recorded Music NZ)[140] | 28
Philippines (Billboard)[138] | 10
Singapore (RIAS)[139] | 27
UK Streaming (OCC)[143] | 57
US Billboard Hot 100[137] | 39
US Hot Country Songs (Billboard)[136] | 17

## Footnotes

[edit]

1. ^ Attributed to American Songwriter's Rick Moore,[14] The Star-Ledger's Tris McCall,[15] The Washington Post's Allison Stewart,[16] Rolling Stone's Grady Smith,[17] and Roughstock's Matt Bjork.[18]
2. ^ Attributed to Smith,[17] McCall,[19] Taste of Country's Billy Dukes,[20] The Independent's Roisin O'Connor,[21] and the Boston Herald's Jed Gottlieb.[22]
3. ^ Attributed to Entertainment Weekly's Mandi Bierly[29] and Kyle Anderson,[32] UDiscoverMusic's Martin Chilton,[33] and Vulture's Nate Jones.[34]
4. ^ Attributed to Bjork,[18] Jones,[34] O'Connor,[21] NME's Hannah Mylrea,[38] Billboard's Kate Atkinson,[39] Variety's Chris Willman,[40] and Screen Rant's Gina Wurtz.[41]
5. ^ Attributed to Wurtz,[41] Dukes,[42] Uproxx's Josh Kurp,[43] the Wausau Daily Herald's Scott Hansen,[44] Paste's Liz Stinson,[45] Taste of Country's Ashley Iasimone,[46] and iVillage's Donna Kaufman.[47]

## References

[edit]

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### Source

[edit]

* Perone, James E. (2017). The Words and Music of Taylor Swift. The Praeger Singer-Songwriter Collection. ABC-Clio. ISBN 978-1440852947.

* v
* t
* e

Taylor Swift songs

* Singles discography

Taylor Swift|

* "Tim McGraw"
* "Picture to Burn"
* "Teardrops on My Guitar"
* "A Place in This World"
* "Should've Said No"
* "Our Song"

Fearless|

* "Fearless"
* "Fifteen"
* "Love Story"
* "Hey Stephen"
* "White Horse"
* "You Belong with Me"
* "Breathe"
* "You're Not Sorry"
* "The Way I Loved You"
* "Forever & Always"
* "The Best Day"
* "Change"

| Taylor's Version|

* "You All Over Me"
* "Mr. Perfectly Fine"
* "That's When"

|

Speak Now|

* "Mine"
* "Sparks Fly"
* "Back to December"
* "Speak Now"
* "Dear John"
* "Mean"
* "The Story of Us"
* "Never Grow Up"
* "Enchanted"
* "Better than Revenge"
* "Innocent"
* "Haunted"
* "Long Live"
* "Ours"

| Taylor's Version|

* "Electric Touch"
* "When Emma Falls in Love"
* "I Can See You"
* "Castles Crumbling"

|

Red|

* "State of Grace"
* "Red"
* "Treacherous"
* "I Knew You Were Trouble"
* "All Too Well"
* "22"
* "We Are Never Ever Getting Back Together"
* "The Last Time"
* "Holy Ground"
* "Everything Has Changed"
* "Begin Again"

| Taylor's Version|

* "Nothing New"
* "Message in a Bottle"
* "I Bet You Think About Me"
* "Forever Winter"

|

1989|

* "Welcome to New York"
* "Blank Space"
* "Style"
* "Out of the Woods"
* "All You Had to Do Was Stay"
* "Shake It Off"
* "I Wish You Would"
* "Bad Blood"
* "Wildest Dreams"
* "How You Get the Girl"
* "This Love"
* "I Know Places"
* "Clean"
* "Wonderland"
* "You Are in Love"
* "New Romantics"

| Taylor's Version|

* "'Slut!'"
* "Say Don't Go"
* "Now That We Don't Talk"
* "Suburban Legends"
* "Is It Over Now?"

|

Reputation|

* "...Ready for It?"
* "End Game"
* "I Did Something Bad"
* "Don't Blame Me"
* "Delicate"
* "Look What You Made Me Do"
* "So It Goes..."
* "Gorgeous"
* "Getaway Car"
* "King of My Heart"
* "Dress"
* "This Is Why We Can't Have Nice Things"
* "Call It What You Want"
* "New Year's Day"

Lover|

* "I Forgot That You Existed"
* "Cruel Summer"
* "Lover"
* "The Man"
* "The Archer"
* "Miss Americana & the Heartbreak Prince"
* "Paper Rings"
* "Cornelia Street"
* "Death by a Thousand Cuts"
* "London Boy"
* "Soon You'll Get Better"
* "False God"
* "You Need to Calm Down"
* "Me!"
* "Daylight"

Folklore|

* "The 1"
* "Cardigan"
* "The Last Great American Dynasty"
* "Exile"
* "My Tears Ricochet"
* "Mirrorball"
* "Seven"
* "August"
* "This Is Me Trying"
* "Illicit Affairs"
* "Invisible String"
* "Mad Woman"
* "Epiphany"
* "Betty"
* "Peace"
* "Hoax"
* "The Lakes"

Evermore|

* "Willow"
* "Champagne Problems"
* "'Tis the Damn Season"
* "Tolerate It"
* "No Body, No Crime"
* "Happiness"
* "Dorothea"
* "Coney Island"
* "Long Story Short"
* "Marjorie"

Midnights|

* "Lavender Haze"
* "Maroon"
* "Anti-Hero"
* "Snow on the Beach"
* "You're on Your Own, Kid"
* "Midnight Rain"
* "Question...?"
* "Vigilante Shit"
* "Bejeweled"
* "Labyrinth"
* "Karma"
* "Sweet Nothing"
* "Mastermind"
* "Hits Different"
* "Bigger Than the Whole Sky"
* "Would've, Could've, Should've"
* "You're Losing Me"

The Tortured Poets
Department|

* "Fortnight"
* "The Tortured Poets Department
* "My Boy Only Breaks His Favorite Toys"
* "Down Bad"
* "So Long, London"
* "But Daddy I Love Him"
* "Fresh Out the Slammer"
* "Florida!!!"
* "Guilty as Sin?"
* "Who's Afraid of Little Old Me?"
* "I Can Fix Him (No Really I Can)"
* "Loml"
* "I Can Do It with a Broken Heart"
* "The Smallest Man Who Ever Lived"
* "The Alchemy"
* "Clara Bow"
* "The Black Dog"
* "So High School"
* "Thank You Aimee"

Soundtrack songs|

* "Crazier"
* "Today Was a Fairytale"
* "Safe & Sound"
* "Eyes Open"
* "Sweeter than Fiction"
* "I Don't Wanna Live Forever"
* "Beautiful Ghosts"
* "Only the Young"
* "Carolina"

Featured songs|

* "Two Is Better Than One"
* "Half of My Heart"
* "Both of Us"
* "Babe"
* "Gasoline"
* "Renegade"
* "The Joker and the Queen"
* "The Alcott"
* "Us"

Other songs|

* "Best Days of Your Life"
* "Ronan"
* "Highway Don't Care"
* "Better Man"
* "Christmas Tree Farm"
* "All of the Girls You Loved Before"

* Category

Awards for "Mean"

* v
* t
* e

Grammy Award for Best Country Solo Performance

2010s|

* "Mean" – Taylor Swift (2011)
* "Blown Away" – Carrie Underwood (2012)
* "Wagon Wheel" – Darius Rucker (2013)
* "Something in the Water" – Carrie Underwood (2014)
* "Traveller" – Chris Stapleton (2015)
* "My Church" – Maren Morris (2016)
* "Either Way" – Chris Stapleton (2017)
* "Butterflies" – Kacey Musgraves (2018)
* "Ride Me Back Home" – Willie Nelson (2019)

2020s|

* "When My Amy Prays" – Vince Gill (2020)
* "You Should Probably Leave" – Chris Stapleton (2021)
* "Live Forever" – Willie Nelson (2022)
* "White Horse" – Chris Stapleton (2023)
* "It Takes a Woman" – Chris Stapleton (2024)

* v
* t
* e

Grammy Award for Best Country Song

1960s|

* "Dang Me" – Roger Miller (songwriter) (1964)
* "King of the Road" – Roger Miller (songwriter) (1965)
* "Almost Persuaded" – Billy Sherrill & Glenn Sutton (songwriters) (1966)
* "Gentle on My Mind" – John Hartford (songwriter) (1967)
* "Little Green Apples" – Bobby Russell (songwriter) (1968)
* "A Boy Named Sue" – Shel Silverstein (songwriter) (1969)

1970s|

* "My Woman, My Woman, My Wife" – Marty Robbins (songwriter) (1970)
* "Help Me Make It Through the Night" – Kris Kristofferson (songwriter) (1971)
* "Kiss an Angel Good Mornin'" – Ben Peters (songwriter) (1972)
* "Behind Closed Doors" – Kenny O'Dell (songwriter) (1973)
* "A Very Special Love Song" – Norro Wilson & Billy Sherrill (songwriters) (1974)
* "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" – Chips Moman & Larry Butler (songwriters) (1975)
* "Broken Lady" – Larry Gatlin (songwriter) (1976)
* "Don't It Make My Brown Eyes Blue" – Richard Leigh (songwriter) (1977)
* "The Gambler" – Don Schlitz (songwriter) (1978)
* "You Decorated My Life" – Debbie Hupp & Bob Morrison (songwriters) (1979)

1980s|

* "On the Road Again" – Willie Nelson (songwriter) (1980)
* "9 to 5" – Dolly Parton (songwriter) (1981)
* "Always on My Mind" – Wayne Carson, Johnny Christopher & Mark James (songwriters) (1982)
* "Stranger in My House" – Mike Reid (songwriter) (1983)
* "City of New Orleans" – Steve Goodman (songwriter) (1984)
* "Highwayman" – Jimmy Webb (songwriter) (1985)
* "Grandpa (Tell Me 'Bout the Good Old Days)" – Jamie O'Hara (songwriter) (1986)
* "Forever and Ever, Amen" – Paul Overstreet & Don Schlitz (songwriters) (1987)
* "Hold Me" – K. T. Oslin (songwriter) (1988)
* "After All This Time" – Rodney Crowell (songwriter) (1989)

1990s|

* "Where've You Been" – Don Henry & Jon Vezner (songwriters) (1990)
* "Love Can Build a Bridge" – John Barlow Jarvis, Naomi Judd & Paul Overstreet (songwriters) (1991)
* "I Still Believe in You" – Vince Gill & John Barlow Jarvis (songwriters) (1992)
* "Passionate Kisses" – Lucinda Williams (songwriter) (1993)
* "I Swear" – Gary Baker & Frank J. Myers (songwriters) (1994)
* "Go Rest High on That Mountain" – Vince Gill (songwriter) (1995)
* "Blue" – Bill Mack (songwriter) (1996)
* "Butterfly Kisses" – Bob Carlisle & Randy Thomas (songwriters) (1997)
* "You're Still the One" – Robert John "Mutt" Lange & Shania Twain (songwriters) (1998)
* "Come On Over" – Robert John "Mutt" Lange & Shania Twain (songwriters) (1999)

2000s|

* "I Hope You Dance" – Mark D. Sanders & Tia Sillers (songwriters) (2000)
* "The Lucky One" – Robert Lee Castleman (songwriter) (2001)
* "Where Were You (When the World Stopped Turning)" – Alan Jackson (songwriter) (2002)
* "It's Five O'Clock Somewhere" – Jim "Moose" Brown & Don Rollins (songwriters) (2003)
* "Live Like You Were Dying" – Tim Nichols & Craig Wiseman (songwriters) (2004)
* "Bless the Broken Road" – Bobby Boyd, Jeff Hanna, & Marcus Hummon (songwriters) (2005)
* "Jesus, Take the Wheel" – Hillary Lindsey, Brett James & Gordie Sampson (songwriters) (2006)
* "Before He Cheats" – Chris Tompkins & Josh Kear (songwriters) (2007)
* "Stay" – Jennifer Nettles (songwriter) (2008)
* "White Horse" – Liz Rose & Taylor Swift (songwriters) (2009)

2010s|

* "Need You Now" – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott (songwriters) (2010)
* "Mean" – Taylor Swift (songwriter) (2011)
* "Blown Away" – Josh Kear & Chris Tompkins (songwriters) (2012)
* "Merry Go 'Round" – Shane McAnally, Kacey Musgraves & Josh Osborne (songwriters) (2013)
* "I'm Not Gonna Miss You" – Glen Campbell & Julian Raymond (songwriters) (2014)
* "Girl Crush" – Hillary Lindsey, Lori McKenna, & Liz Rose (songwriters) (2015)
* "Humble and Kind" – Lori McKenna (songwriter) (2016)
* "Broken Halos" – Mike Henderson & Chris Stapleton (songwriters) (2017)
* "Space Cowboy" – Luke Laird, Shane McAnally, & Kacey Musgraves (songwriters) (2018)
* "Bring My Flowers Now" – Brandi Carlile, Phil Hanseroth, Tim Hanseroth, & Tanya Tucker (songwriters) (2019)

2020s|

* "Crowded Table" – Brandi Carlile, Natalie Hemby & Lori McKenna (songwriters) (2020)
* "Cold" – Dave Cobb, J.T. Cure, Derek Mixon & Chris Stapleton (songwriters) (2021)
* "'Til You Can't" – Matt Rogers & Ben Stennis (songwriters) (2022)
* "White Horse" – Chris Stapleton & Dan Wilson (songwriters) (2023)
* "The Architect" – Shane McAnally, Kacey Musgraves & Josh Osborne (songwriters) (2024)

Authority control databases |

* MusicBrainz work
* MusicBrainz release group

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