Medea (Reimann)

Opera by Aribert Reimann

For other uses, see Medea (disambiguation).

Medea

Opera by Aribert Reimann

The composer in 2010

Language| German
Based on| Medea
by Franz Grillparzer
Premiere|

28 February 2010 (2010-02-28)

Vienna State Opera

Medea is a German-language opera by Aribert Reimann after the play by Franz Grillparzer. It was premiered at the Vienna State Opera in February 2010. The German premiere was at the Oper Frankfurt in August 2010.

## History

[edit]

Aribert Reimann had already written seven literary operas, including Melusine, Lear and Troades, when he received a commission from the Vienna State Opera to write an opera for the conclusion of the era of Ioan Holender as General Director of the opera house. He chose the play Medea by Franz Grillparzer as a basis for the work,[1] the last part of Grillparzer's trilogy Das goldene Vließ [de] (The Golden Fleece) which is focused on Greek mythology and based on the Argonautica by Apollonius of Rhodes and Medea by Euripides.[1][2]

The opera was successfully premiered at the Vienna State Opera in February 2010,[1] staged by Marco Arturo Marelli, conducted by Michael Boder, with Marlis Petersen in the title role.[1] The German premiere was at the Oper Frankfurt in August 2010.[3]

## Roles

[edit]

Role  | Voice type | Premiere cast, 28 February 2010
Conductor: Michael Boder[1][4]

|
|

Medea  | coloratura soprano | Marlis Petersen
Kreusa  | mezzo-soprano | Michaela Selinger
Gora  | contralto | Elisabeth Kulman
Kreon  | tenor | Michael Roider
Jason  | baritone | Adrian Eröd
The Herald  | countertenor | Max Emanuel Cenčić

## Music

[edit]

Grillparzer showed Medea as a foreigner without protection who becomes the victim of powerful men, a view of the tragedy appealing to Reimann.[5] In a production at the Komische Oper Berlin, staged by Benedict Andrews with Nicole Chevalier in the title role, Medea is shown as a barbarian woman, a stranger to the society and therefore expelled.[5][6]

A reviewer of the premiere noteds that the vocal lines are highly ornamented, full of melisma, and with sharply jagged contours ("wild gezackt, scharf geschnitten"), demanding virtuosity from the singers. The metre changes without rest, also in the orchestra. The strings are divided multiple times, while the winds often have solo function. The vocal style was described as highly artificial ("hochartifiziell").[1]

## Recordings

[edit]

* DVD (cast of the premiere): Marlis Petersen, Michaela Selinger, Elisabeth Kulman, Michael Roider, Orchestra of the Vienna State Opera, Michael Boder, 2010[7][8]
* CD (cast of the German premiere): Claudia Barainsky, Tanja Ariane Baumgartner, Michael Nagy, Michael Baba, Paula Murrihy, Tim Severloh, Frankfurter Opern- und Museumsorchester, Erik Nielsen. Oehms, 2CDs 2010[2][9]

## References

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1. ^ a b c d e f Büning, Eleonore (1 March 2010). "Oper: "Medea" in Wien. Eine antike Brünnhilde" [Opera: 'Medea' in Vienna. An ancient Brünnhilde]. Frankfurter Allgemeine Zeitung (in German). Retrieved 22 July 2017.
2. ^ a b Clements, Andrew (26 May 2011). "Medea – review Barainsky/Baumgartner/Nagy/Baba/Frankfurt Opera/Nielsen (Oehms, two CDs)". The Guardian. Retrieved 22 July 2017.
3. ^ Carlà, Filippo; Berti, Irene (2016). Ancient Magic and the Supernatural in the Modern Visual and Performing Arts. Bloomsbury Academic. ISBN 978-1350007949. "Reimann's work, following Franz Grillparzer's Medea (1820), the primary source for the libretto, can safely be ascribed to the second type. Reimann's social and political interpretation of Medea's magical abilities allows him to reflect on the violence of the power that fears and distrusts – but at the same time needs – the unknown, the foreigner."
4. ^ "Medea". Schott. 2010. Retrieved 27 July 2019. "Uraufführung: 28. Februar 2010 Wien, Staatsoper (A)"
5. ^ a b "Aribert Reimann / Medea". Komische Oper Berlin. 2017. Archived from the original on 8 October 2017. Retrieved 22 July 2017.
6. ^ Ossowski, Maria (22 May 2017). ""Medea" an der Komischen Oper – "Erarmt bin ich an Macht"" [Reviews: "Medea" at the Komische Oper – "I am in power"]. Rundfunk Berlin-Brandenburg (in German). Retrieved 24 July 2017.
7. ^ Whittall, Arnold (2010). "Reimann Medea / Reimann's take on a bloodthirsty tale, filmed during its Vienna premiere run". Gramophone. Retrieved 22 July 2017.
8. ^ OCLC 867911287
9. ^ OCLC 871957922

## External links

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* The wrath of a woman scorned: Reimann’s murderous Medea at the Wiener Staatsoper bachtrack.com 2017
* Medea / Trailer / Komische Oper Berlin (2017) on YouTube

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* e

Aribert Reimann

Operas|

* Ein Traumspiel (1965)
* Melusine (1971)
* Lear (1978)
* Die Gespenstersonate (1984)
* Troades (1986)
* Das Schloß (1992)
* Bernarda Albas Haus (2000)
* Medea (2010)
* L'Invisible (2017)

Category:Compositions by Aribert Reimann

* v
* t
* e

Medea

Family|

* Helios (grandfather)
* Aeëtes (father)
* Chalciope (sister)
* Circe (aunt)
* Apsyrtus (brother)
* Jason (1st husband)
* Aegeus (2nd husband)
* Mermerus and Pheres (sons)
* Alcimenes and Tisander  (sons)
* Medus (son)
* Thessalus (son)
* Achilles (3rd husband)

Films|

* A Dream of Passion (1978)
* Medea (1969)
* Medea (1988)
* Médée (2001)
* Medea (2005)
* Medea Miracle (2007)

Operas|

* Médée (1693, Charpentier)
* Medea (1775, Benda)
* Médée (1797, Cherubini)
* Medea in Corinto (1813, Mayr)
* Medea (1843, Pacini)
* Medea (2010, Reimann)

Plays|

* Medea (431 BC)
* Medea (ca. 50)
* Médée (1635)
* Medea (1730)
* Médée (1946)
* The Hungry Woman (1995)

Ballets|

* Jason et Médée (1763)
* La hija de Cólquide (1944)
* Medea (1946)

Musicals|

* Medea, the Musical (1994)
* Marie Christine (1999)

Music|

* Medea's Dance of Vengeance (1956)

Art|

* Medea (painting)
* Jason and Medea (painting)
* Vision of Medea (painting)
* Medea statue

Other depictions|

* Medea (character)
* "Medea Culpa"

Authority control databases

International|

* VIAF

National|

* Germany
* United States

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