Meiji Memorial Picture Gallery

Building in Tōkyō, Japan

Meiji Memorial Picture Gallery

聖徳記念絵画館

Aerial view of the gallery

General information
Address| 1-1 Kasumigaoka-machi
Town or city| Shinjuku, Tōkyō
Country| Japan
Coordinates| 35°40′44″N 139°43′04″E﻿ / ﻿35.678778°N 139.717639°E﻿ / 35.678778; 139.717639
Construction started| 3 October 1919[1]
Completed| 22 October 1926[2]
Opened| 23 October 1926[1]
Technical details
Floor count| Single storey, plus basement[3]
Floor area| 2,348.52 square metres (25,279.3 sq ft)[3]
Design and construction
Architect(s)| Kobayashi Masatsugu
(design amended by Meiji Jingū Construction Bureau (明治神宮造営局))[2]
Main contractor| Ōkura Doboku (大倉土木) (now Taisei Corporation)[4]
Website
Official website

Meiji Memorial Picture Gallery (聖徳記念絵画館, Seitoku Kinen Kaigakan) is a gallery commemorating the "imperial virtues" of Japan's Meiji Emperor, installed on his funeral site in the Gaien or outer precinct of Meiji Shrine in Tōkyō. The gallery is one of the earliest museum buildings in Japan and itself an Important Cultural Property.

On display in the gallery are eighty large paintings, forty in "Japanese style" (Nihonga) and forty in "Western style" (Yōga), that depict, in chronological order, scenes from the Emperor's life and times. The gallery opened to the public in 1926, with the final paintings completed and installed ten years later. The selection and investigation of suitable topics for the paintings was overseen by Kaneko Kentarō, who also served as head of the editorial boards of Dai-Nihon Ishin Shiryō and Meiji Tennōki [ja], major contemporary historiographic undertakings respectively to document the Meiji Restoration (in 4,215 volumes) and the Meiji Emperor and his era (in 260 volumes);[5] as such, the gallery and its paintings may be viewed as a highly-visible historiographic project in its own right.[5][6]

## Background

[edit]

Kamakura period portrait of Emperor Go-Toba, attributed to Fujiwara no Nobuzane (Minase Jingū) (National Treasure)[7]

Conté crayon portrait of Emperor Meiji by Edoardo Chiossone (1888), the widely distributed goshin'ei (御真影) ("imperial portrait" or "Emperor's true likeness")[8][9]

In his brief survey of pre-Meiji Japanese imperial portraiture, surviving exemplars of which are known at least from the Kamakura period, Donald Keene writes that these "reveal very little individuality", eschewing realism "instead to convey courtly elegance or Buddhist consecration".[8] A trend that lasted "well into" the nineteenth century, this was in part also an artefact of the artist typically not knowing what the emperor looked like.[8] The earliest, extant though unpublished, photograph of the Meiji Emperor was taken late in 1871 at the Yokosuka Naval Yard.[8] The next photographs were taken the following year, in response to a request by the Iwakura Mission, delegates having observed Western diplomats exchanging portraits of their respective heads of state.[8][9] When Itō Hirobumi and Ōkubo Toshimichi briefly returned to Tōkyō, they were instructed to return with an official portrait; though they did not take the 1872 photographs, of the young Emperor in court dress, with them when they set off again for the US, the following year two new photographs, this time of the Emperor of Japan in Western dress, were taken and sent on to the Mission with the earlier pair (selected from the seventy-two taken at the first session).[8][9] The final official photographs of the Emperor were taken later in 1873 after the return of the Mission, with the Emperor, his top-knot now cut off, in the Western military uniform that was to become his customary attire.[8] These photographs were not widely distributed: when in 1874 someone in Tōkyō began selling unauthorized copies, after debate in government about the propriety of selling such, such sale was prohibited.[8] Continuing to circulate nevertheless, the 16 April 1878 edition of the Yomiuri Shimbun featured a reported sighting of one hanging in a house of ill-repute in the Yoshiwara district, and it was not until 1898 that the official ban was lifted.[9] In the meantime, commissioned by Hijikata Hisamoto, Chiossone's 1888 goshin'ei (御真影) (pictured above) had come to be widely distributed in the form of reproductions, not least, though initially only upon request, to schools across the country, where it helped foster "patriotism and loyalty to the emperor".[8][9] Around a dozen incidents have been catalogued, between the mid-1890s and 1947, of teachers risking their lives to save this portrait from tsunami, fire, earthquake, air raid, even theft.[9] Such respect and reticence might be understood in the light of the Meiji Constitution, according to Article 3 of which "The Emperor is sacred and inviolable", as well as Itō Hirobumi's Commentaries on the Constitution, in which he observes that the Tennō should not be the subject of common talk.[10]

## The gallery

[edit]

1917 plan for the Gaien, with the gallery off to the left from the central "roundabout", a memorial tower on the site of the Emperor's funeral, on the "roundabout" above[5]

1918 plan, as constructed, with the Meiji Memorial Picture Gallery occupying the site of the Meiji Emperor's funeral[5]

Kobayashi Masatsugu's winning design for the
Meiji Memorial Picture Gallery[11]

The Naien or inner precinct of Meiji Jingū was constructed between 1912 and 1920, supported by central government funds.[5] In 1915, the Meiji Shrine Support Committee was established to raise funds for and plan the shrine's Gaien, or outer precinct.[5] After a public competition in 1918, Kobayashi Masatsugu's design was the following year selected from the one hundred and fifty-six submissions received, Furuichi Kōi and Itō Chūta numbering amongst the judges.[4][1] With some amendment by the shrine's building department, construction began in 1919 and ran until 1926, Ōkura Doboku, a legacy firm of what is now Taisei Corporation, starting their work in 1921.[4][12] This was temporarily suspended due to the Great Kantō earthquake, after which the scaffolding was taken down and temporary barracks built to shelter victims, some 6,400 of whom were accommodated on the site.[4] Construction resumed in May 1924.[1] Internal finishing works began in 1925 and the building phase was completed late the following year.[4][12] While Ōkura Doboku were responsible for most of the construction work and finishing, the materials were supplied by the government.[4] Gravel was sourced from a government-owned direct collection site along the Sagami River, Asano Cement, a legacy firm of today's Taiheiyō Cement, provided the cement, and steel was brought at a heavily discounted rate from the government-owned Yahata Steel Works, the connecting railways and steamships carrying the loads at half the usual freight rate as their contribution to this important national project.[4]

Of reinforced concrete, the gallery extends some 112 metres (367 ft) from east to west and 34 metres (112 ft) from north to south, rising to a height of 32 metres (105 ft) at the apex of the central dome, its two wings standing some 16 metres (52 ft) high.[12][13] The outer walls are faced with Mannari granite [ja] from Okayama Prefecture, copper sheeting covering much of the roof.[3][12] The interior takes the form of a spacious central hall, beneath the dome, clad in domestically-sourced marble (56% from Mino-Akasaka in Gifu Prefecture, the remainder from Ehime, Fukushima, Gunma, Okayama, Yamaguchi, &c) and with a marble and mosaic tiled floor; the two painting galleries open off to the sides, each with forty paintings, to the right the first forty nihonga, to the left the forty yōga.[3][14] One of the earliest museum buildings in the country, the architecture, in which straight lines are emphasized, is "memorable, solid, and stately", and in June 2011 the gallery was designated an Important Cultural Property, for its "excellence of design" and "superior construction techniques", in particular those used in the shell dome and for the lighting the painting galleries, which are naturally lit from above.[3][note 1][14]

Completed on 22 October 1926, the Gallery specially opened to the public for one day the following day, although at this point only five paintings had been dedicated, one nihonga, four yōga.[1] The same year also saw the dedication of the Gaien or Meiji Shrine's outer gardens, covering some 77 acres (31 ha).[6] From 1 October 1927 the Gallery was open on weekends and public holidays only.[1] 21 April 1936 saw a special commemorative ceremony on the completion of the paintings and exactly one year later the Gallery opened to the public on a full-time basis.[1][5] In December 1944 the Gallery closed due to the war situation.[1] With the US Occupation, the Gallery was requisitioned by occupying forces (cf., the Bayreuth Festspielhaus), a state of affairs that continued until 1952.[1] More recently, in 2005 2,200 glass plates from the time of construction were found in a gallery storeroom.[1]

## Painting topics

[edit]

"Preparatory painting" of the Emperor's visit to a silver mine, by Goseda Hōryū [ja][5]

Final painting, by Gomi Seikichi [ja][5]

Discussion of which topics should be selected for the paintings began at committee level at the beginning of 1916 and, two years later, eighty-five possible subjects were selected, those rejected including Commodore Perry's Arrival at Uruga.[5] Later in 1918 a panel of five began their research trips across Japan, to confirm suitability, document locations, and draft explanatory texts, amongst them Goseda Hōryū [ja], who prepared "provisional paintings".[1][5] In 1921 the final eighty were proposed, and these were approved the following year.[5]

A recent analysis of the subject matter of the paintings has highlighted their range of topic (11 showing palace scenes, 10 grand politics, 11 diplomacy, 18 military, 8 economy, 4 education, 3 health, 3 religion, 1 transport, 5 "love for the people", the remainder cultural pursuits and/or visits to prominent figures), geographic setting (15 in Kyōto, 37 in Tōkyō, also Hokkaidō, Tōhoku, Kantō, Kinki, Chūgoku, Kyūshū, Okinawa, also Taiwan, Manchuria, Korea, Karafuto, and the US, as well as domestic waters and the high seas), and how neither Emperor nor Empress appear in a quarter of the paintings, the Emperor hidden in a further thirteen (the remainder: 15 Emperor standing (including 1 with the Empress), 12 sitting (including 2 with the Empress), 5 riding, 1 in a carriage, 8 the Empress (standing), 1 the Empress (hidden)).[15]

## The paintings

[edit]

While there are eighty paintings, there are not quite eighty different artists, Kondō Shōsen and Yūki Somei [ja] responsible for two, and Kobori Tomoto for three.[6] The pictures each measure approximately 3 metres (9.8 ft) by 2.5 metres (8 ft 2 in) to 2.7 metres (8 ft 10 in); as such together they run almost 250 metres (820 ft) and, at this scale, are sometimes described as "murals" (壁画).[6][1] Tosa washi was selected as the official support for the paintings, although not all artists chose to use it.[5]

| Painting[note 2][6] | Date of event  | Painter  | Dedication of painting  | Comments  | Image  | Dedicator

|
|
|
|
|
|
|

1 | The Birth of Emperor Meiji
御降誕
Go-kōtan | 3 November 1852 | Takahashi Shūka
(高橋秋華)
(1877–1953) | July 1930 | depicted is the Lying-in Chamber (御産室), erected by the future emperor's maternal grandfather Nakayama Tadayasu in the grounds of Kyoto Imperial Palace |  | Marquis Nakayama Sukechika (中山輔親)
2 | The Rites of Growth
御深曾木
On-fukasogi | 6 May 1860 | Kitano Tsunetomi
(北野恒富)
(1880–1947) | November 1934 | ceremonial dressing of the hair, performed by Minister of the Left Ichijō Tadaka (一条忠香) in the Omima |  | Baron Kōnoike Zenemon (鴻池善右衛門)
3 | Investiture of the Crown Prince
立親王宣下
Ritsu shinnō senge | 10 November 1860 | Hashimoto Eihō
(橋本永邦)
(1886–1944) | June 1931 | Nijō Nariyuki presents the imperial proclamation at the Palace |  | Mitsubishi Gōshi gaisha
4 | Accession to the Throne

Senso | 13 February 1867 | Kawasaki Shōko
(川崎小虎)
(1886–1977) | August 1930 | the Emperor, aged fifteen, appointed Nijō Nariyuki as regent in the Seiryōden on the day of his accession | (not public domain until 2047) | Marquis Ikeda Nobumasa (池田宣政)
5 | Resignation of the Last Shōgun
大政奉還
Taisei hōkan | 7 November 1867 | Murata Tanryō
(邨田丹陵)
(1872–1940) | October 1935 | Tokugawa Yoshinobu informs officials of his decision at Nijō-jō |  | Prince Tokugawa Yoshimitsu (徳川慶光)
6 | Restoration of Imperial Rule
王政復古
Ōsei-fukko | 3 January 1868 | Shimada Bokusen
(島田墨仙)
(1867–1943) | March 1931 | the Emperor abolishes the offices of Sesshō, Kampaku, and Shōgun |  | Marquis Matsudaira Yasutaka (松平康荘)
7 | The Battles of Toba and Fushimi
伏見鳥羽戦
Fushimi-Toba-sen | 29 January 1868 | Matsubayashi Keigetsu
(松林桂月)
(1876–1963) | July 1933 |  |  | Prince Mōri Motoaki (毛利元昭)
8 | Attainment of Majority Ceremony
御元服
Go-genpuku | 8 February 1868 | Itō Kōun
(伊東紅雲)
(1880–1939) | November 1928 | held shortly after the Emperor turned 16; his hairstyle was changed, he donned the robes of manhood, and he was crowned by Prince Fushimi Kuniie |  | Prince Konoe Fumimaro
9 | The Emperor's Visit to the Dajōkan
二条城太政宮代行幸
Nijō-jō Dakōjan dai-gyōkō | 25 February 1868 | Kobori Tomoto
(小堀鞆音)
(1864–1931) | April 1933 | the Emperor was conveyed to Nijō-jō by palanquin |  | Baron Mitsui Hachirōemon
10 | The Imperial Army Leaves Kyōto
大総督熾仁親王京都進発
Dai-sōtoku Taruhito shinnō Kyōto shinpatsu | 8 March 1868 | Takatori Wakanari
(高取稚成)
(1867–1935) | September 1931 | Prince Arisugawa Taruhito salutes the Emperor in front of the Kenreimon before setting out for Edo |  | Marquis Hachisuka Masaaki (蜂須賀正韶)
11 | The Emperor Receives Foreign Ministers
各国公使召見
Kakkoku kōshi shōken | 23 March 1868 | Hiroshima Kōho
(広島晃甫)
(1889–1951) | November 1930 | the Emperor receives Dirk de Graeff van Polsbroek; to the left and right of the imperial dais are Prince Yamashina Akira and Iwakura Tomomi |  | Marquis Date Muneharu (伊達宗彰)
12 | Proclamation of the Imperial Oath
五箇條御誓文
Gokajō no go-seimon | 6 April 1868 | Inui Nanyō
(乾南陽)
(1870–1940) | April 1928 | Sanjō Sanetomi reads the Oath in Five Articles |  | Marquis Yamauchi Toyokage (山内豊景)
13 | The Surrender of Yedo Castle
江戸開城談判
Edo kaijō danpan | 6 April 1868 | Yūki Somei
(結城素明)
(1875–1957) | December 1935 | Saigō Takamori and Katsu Kaishū negotiate the surrender without bloodshed of Edo Castle |  | Marquis Saigō Michinosuke (西郷吉之助), Count Katsu Kuwashi (勝精)
14 | The Emperor Reviewing Clan Warships
大阪行幸諸藩軍艦御覧
Ōsaka gyōkō shohan gunkan goran | 18 April 1868 | Okada Saburōsuke
(1869–1939) | April 1936 | in Ōsaka Bay |  | Marquis Nabeshima Naomitsu (鍋島直映)
15 | Enthronement of the Emperor
即位礼
Sokui no rei | 12 October 1868 | Ikai Shōkoku
(猪飼嘯谷)
(1881–1939) | December 1934 | in the grounds of Kyōto Imperial Palace |  | Kyōto City
16 | The Emperor Viewing Rice Harvest
農民収穫御覧
Nōmin shūkaku goran | 11 November 1868 | Morimura Gitō
(森村宜稲)
(1872–1938) | August 1930 | in Hatchōnowate (八丁畷), Owari Province, while en route to Tōkyō |  | Marquis Tokugawa Yoshichika (徳川義親)
17 | The Emperor Arriving in Tōkyō
東京御着輦
Tōkyō go-chakuren | 26 November 1868 | Kobori Tomoto
(小堀鞆音)
(1864–1931) | October 1934 | arrival at Edo Castle |  | Tōkyō City
18 | Installation of the Empress
皇后冊立
Kōgō no sakuritsu | 9 February 1869 | Suga Tatehiko
(菅楯彦)
(1878–1963) | December 1935 | Princess Haruko arrived at the Kyōto Imperial Palace in the traditional ox-cart |  | Ōsaka City
19 | The Emperor at the Grand Shrine of Ise
神宮親謁
Jingū shinetsu | 23 April 1869 | Matsuoka Eikyū
(松岡映丘)
(1881–1938) | April 1927 | the Emperor left Kyōto for Tōkyō for the second time on 8 April 1869, stopping en route at Ise Jingū |  | Marquis Ikeda Nakahiro (池田仲博)
20 | The End of the Feudal Clans
廃藩置県
Haihan chiken | 29 August 1871 | Kobori Tomoto
(小堀鞆音)
(1864–1931) | September 1931 | Sanjō Sanetomi reads the edict |  | Count Sakai Tadamasa (酒井忠正)
21 | The Iwakura Mission to America and Europe
岩倉大使欧米派遣
Iwakura taishi Ōbei haken | 23 December 1871 | Yamaguchi Hōshun
(1893–1971) | December 1934 | the party board the steamship SS America in the Port of Yokohama | (not public domain until 2041) | Yokohama City
22 | The Great Imperial Thanksgiving Rite
大嘗祭
Daijō-sai | 28 December 1871 | Maeda Seison
(1885–1977) | July 1933 | performed once by each emperor; the Emperor offers up newly harvested rice and sake | (not public domain until 2047) | Count Kamei Koretsune (亀井茲常)
23 | Imperial Tour of Chūgoku and Kyūshū (Entering Nagasaki Port)
中国西国巡幸（長崎御入港）
Chūgoku Saikoku junkō (Nagasaki go-nyūkō) | 19 July 1872 | Yamamoto Morinosuke
(山本森之助)
(1877–1928) | December 1928 | aboard the ironclad Ryūjō |  | Nagasaki City
24 | Imperial Tour of Chūgoku and Kyūshū (The Emperor in Kagoshima)
中国西国巡幸（鹿児島着御）
Chūgoku Saikoku junkō (Kagoshima chakugyo) | 27 July 1872 | Yamanouchi Tamon
(山内多門)
(1878–1932) | November 1930 | the imperial entourage enters the Shimazu residence, where the Emperor stayed nine days |  | Kagoshima City
25 | Opening of the Tokyo-Yokohama Railway
京浜鉄道開業式行幸
Keihin tetsudō kaigyō-shiki gyōkō | 14 October 1872 | Komura Daiun
(小村大雲)
(1883–1938) | June 1935 | the Emperor arrives at Shimbashi Station by carriage before proceeding to Yokohama Station by train |  | Ministry of Railways
26 | Establishment of the Ryūkyū Clan
琉球藩設置
Ryūkyū-han setchi | 3 March 1873 | Yamada Shinzan
(山田真山)
(1885–1977) | December 1928 | in 1872 Shō Tai, last king of the Ryūkyū Kingdom, sent an envoy to Tōkyō; the ship is shown returning to Naha | (not public domain until 2047) | Shuri City
27 | The Emperor Reviewing Military Manoeuvres
習志野之原演習行幸
Narashino-no-hara enshū gyōkō | 30 April 1873 | Koyama Eitatsu
(小山栄達)
(1880–1945) | September 1929 | on the Narashino Plain in Chiba Prefecture |  | Marquis Saigō Jūtoku (西郷従徳)
28 | The Empress at a Silk Factory
富岡製糸場行啓
Tomioka seishijō gyōkei | 24 June 1873 | Arai Kampō
(1878–1945) | February 1933 | Empress Shōken and Empress Dowager Eishō visit Tomioka Silk Mill |  | Dainichi Silkworm Society (大日蚕糸会)
29 | The Emperor Drilling Soldiers
御練兵
Go-renbei | 1874 | Machida Kyokukō
(町田曲江)
(1879–1967) | November 1928 | on the grounds of the Akasaka Temporary Palace |  | Jūgo Bank (十五銀行)
30 | His Majesty at Lecture
侍講進講
Jikō shinkō | 1874 | Dōmoto Inshō
(1891–1975) | October 1934 | Motoda Nagasane (元田永孚) lectures to the Emperor | (not public domain until 2045) | Bank of Taiwan
31 | The Emperor on a Personal Visit
徳川邸行幸
Tokugawa-tei gyōkō | 4 April 1875 | Kimura Buzan
(1876–1942) | December 1930 | while viewing cherry blossoms at the residence of Tokugawa Akitake, the Emperor composed a tanka in honour of the loyalty of his host's forebears Tokugawa Mitsukuni and Tokugawa Nariaki |  | Prince Kuniyuki Tokugawa
32 | The Empress Viewing Rice-Planting
皇后宮田植御覧
Kōgō-miya taue goran | 18 June 1875 | Kondō Shōsen
(近藤樵仙)
(c.1866–1951) | December 1927 | in the grounds of the Akasaka Temporary Palace |  | Prince Ichijō Sanetaka (一条実孝)
33 | The First Conference of Governors
地方官会議臨御
Chihōkan kaigi ringyo | 20 June 1875 | Isoda Chōshū
(磯田長秋)
(1880–1947) | January 1928 |  |  | Marquis Kido Kōichi
34 | The Empress at a School for Girls
女子師範学校行啓
Joshi shihan gakkō gyōkei | 29 November 1875 | Yazawa Gengetsu
(矢沢弦月)
(1886–1952) | April 1934 | the Empress attends the opening ceremony of Tokyo Normal School for Girls |  | group Ōinkai (桜蔭会)
35 | The Emperor Inspecting Horses
奥羽巡幸馬匹御覧
Ōu junkō bahitsu goran | 7 July 1876 | Neagari Tomiji
(根上富治)
(1895–1981) | October 1934 | at Morioka Hachimangū | (not public domain until 2051) | Nippon Kangyō Bank (日本勧業銀行)
36 | The Imperial Mausoleum at Unebi
畝傍陵親謁
Unebi-ryō shinetsu | 11 February 1877 | Yoshida Shūkō
(吉田秋光)
(1887–1946) | January 1932 | the Emperor worships at the mausoleum of Emperor Jimmu at Unebi |  | Baron Sumitomo Kichizaemon (住友吉左衛門)
37 | The Siege of Kumamoto Castle
西南役熊本籠城
Seinan-eki Kumamoto rōjō | March 1877 | Kondō Shōsen
(近藤樵仙)
(c.1866–1951) | October 1926 | rebels under Saigō Takamori shell Kumamoto Castle during the Satsuma Rebellion |  | Marquis Hosokawa Moritatsu (細川護立)
38 | Attending an Industrial Exhibit
内国勧業博覧会行幸啓
Naikoku kangyō hakurankai gyōkō kei | 21 August 1877 | Yūki Somei
(結城素明)
(1875–1957) | April 1936 | The Emperor and Empress attend the First National Industrial Exhibition in Ueno Park |  | Marquis Ōkubo Toshinaka (大久保利和)
39 | The Emperor and Empress Dowager at a Noh Play
能楽御覧
Nōgaku goran | 5 July 1878 | Konoshima Ōkoku
(木島桜谷)
(1877–1938) | December 1934 | at the Aoyama Palace |  | Baron Fujita Heitarō (藤田平太郎)
40 | The Empress Composing a Poem
初雁の御歌
Hatsu-gan no o-uta | 26 September 1878 | Kaburagi Kiyotaka
(1878–1972) | February 1932 | Empress Shōken composed over thirty thousand poems, including one linking the flight of the wild geese she saw at the Akasaka Temporary Palace with the absent Emperor; her ladies-in-waiting subsequently sent the poem to the Emperor | (not public domain until 2042) | Meiji Jingū Hōsankai (明治神宮奉賛会)
41 | The Emperor Meeting General U. S. Grant
グラント将軍と御対話
Guranto shōgun to o-taiwa | 10 August 1879 | Ōkubo Sakujirō
(大久保作次郎)
(1890–1973) | July 1930 | the Emperor and Grant met at the Hama-rikyū Detached Palace, Yoshida Kiyonari serving as interpreter | (not public domain until 2043) | Viscount Shibusawa Eiichi
42 | The Emperor in Hokkaidō
北海道巡幸屯田兵御覧
Hokkaidō junkō tondenhei goran | 1 September 1881 | Takamura Shimpu
(高村真夫)
(1876–1955) | August 1928 | the Emperor visits a tondenhei community in the village of Yamana (山鼻村), now Sapporo |  | Government of Hokkaidō Agency (北海道庁)
43 | Visiting a Silver Mine
山形秋田巡幸鉱山御覧
Yamagata Akita junkō kōzan o | 21 September 1881 | Gomi Seikichi
(五味清吉)
(1886–1954) | October 1926 | at Innai Silver Mine (院内銀山) in Akita Prefecture |  | Baron Furukawa Toranosuke (古河虎之助)
44 | Establishment of the Monetary Conversion System
兌換制度御治定
Dakan seido go-jijō | 14 October 1881 | Matsuoka Hisashi
(1862–1944) | February 1928 | Minister of the Treasury Matsukata Masayoshi explains the currency conversion system to the Emperor |  | Bank of Japan
45 | Imperial Mandate for the Army and Navy
軍人勅諭下賜
Gunjin chokuyu kashi | 4 January 1882 | Terasaki Takeo
(寺崎武男)
(1883–1967) | October 1926 | the Emperor hands the mandate to Army Minister Ōyama Iwao |  | Prince Yamagata Isaburō
46 | Conference on the Revision of Treaties
条約改正会議
Jōyaku kaisei kaigi | 5 April 1882 | Ueno Hiroichi
(上野広一)
(1886–1964) | January 1931 | Minister of Foreign Affairs Inoue Kaoru delivers a speech |  | Marquis Inoue Katsunosuke
47 | The Emperor Visiting a Sick Iwakura
岩倉邸行幸
Iwakura-tei gyōkō | 19 July 1883 | Kita Renzō
(北蓮蔵)
(1877–1953) | January 1927 | Iwakura Tomomi died the following day |  | Federation of Chambers of Commerce (商業会議所連合会)
48 | The Empress at the Peeress' School
華族女学校行啓
Kazoku jogakkō gyōkei | 3 November 1885 | Atomi Yutaka
(跡見泰)
(1884–1953) | November 1927 | Empress Shōken listens to the Principal reading a congratulatory message to the assembled students and teachers |  | Tokiwakai (常磐会)
49 | Patroness of the Tokyo Charity Hospital
東京慈恵医院行啓
Tōkyō jikei iin gyōkei | 9 May 1887 | Mitsutani Kunishirō
(1874–1936) | May 1927 | Empress Shōken donated annually to the hospital and visited regularly |  | Tōkyō Jikeikai (東京慈恵会)
50 | Conference on Drafting a Constitution
枢密院憲法会議
Sūmitsuin kenpō kaigi | 18 June 1888 | Goseda Hōryū
(五姓田芳柳)
(1864–1943) | October 1926 | Itō Hirobumi explains the draft of the Meiji Constitution to the Emperor and the Privy Council |  | Prince Itō Hirokuni (伊藤博邦)
51 | Promulgation of the Constitution
憲法発布式
Kenpō happu shiki | 11 February 1889 | Wada Eisaku
(1874–1959) | April 1936 | the Emperor hands the Meiji Constitution to Prime Minister Kuroda Kiyotaka at a ceremony in the Imperial Palace |  | Prince Shimazu Tadashige
52 | Grand Parade to Celebrate the Constitution
憲法発布観兵式行幸啓
Kenpō happu kanpei shiki gyōkō kei | 11 February 1889 | Katata Tokurō
(片多徳郎)
(1889–1934) | February 1928 | after promulgation of the Meiji Constitution, the Emperor and Empress leave the Imperial Palace on their way to the Aoyama Parade Grounds (青山練兵場) for a military review |  | Industrial Bank of Japan
53 | Poetry Party at the Imperial Palace
歌御会始
Uta-gokai hajime | 18 January 1890 | Yamashita Shintarō
(1881–1966) | December 1927 | held in the Phoenix Hall at the Imperial Palace, with poems composed on the topic of the celebration of national prosperity |  | Ministry of the Imperial Household
54 | The Emperor at Joint Military Manoeuvres
陸海軍大演習御統監
Rikukaigun dai-enshū go-tōkan | 31 March 1890 | Nahahara Kōtarō
(長原孝太郎)
(1864–1930) | May 1931 | the Emperor watches from a hill near Nagoya during a rain storm |  | Nagoya City
55 | The Imperial Rescript on Education
教育勅語下賜
Kyōiku chokugo kashi | 30 October 1890 | Ataka Yasugorō
(安宅安五郎)
(1883–1960) | November 1930 | Prime Minister Yamagata Aritomo (in front) and Minister of Education Yoshikawa Akimasa (behind) leave the Imperial Palace with the Rescript |  | Meikeikai (茗渓会)
56 | Inauguration of the First Imperial Diet
帝国議会開院式臨御
Teikoku Gikai kaiin shiki ringyo | 29 November 1890 | Kosugi Misei
(小杉未醒)
(1881–1964) | September 1928 | Itō Hirobumi, Speaker of the House of Peers, receives the Emperor's message, while Speaker of the House of Representatives Nakajima Nobuyuki (中島信行) stands below |  | House of Peers, House of Representatives
57 | Silver Wedding Anniversary of the Emperor
大婚二十五年祝典
Daikon nijūgo-nen shukuten | 9 March 1894 | Hasegawa Noboru
(長谷川昇)
(1886–1973) | June 1927 | a performance of traditional dances in the Imperial Palace | (not public domain until 2043) | Kazoku Kaikan
58 | The Battle of Pyongyang
日清役平壌戦
Nisshin-eki Pyon'yan-sen | 15 September 1894 | Kanayama Heizō
(1883–1964) | December 1933 | the Mixed Ninth Brigade, under General Ōshima Yoshimasa, in action, during the First Sino-Japanese War |  | Kobe City
59 | The Battle of the Yellow Sea
日清役黄海海戦
Nisshin'eki Kō-kai kaisen | 17 September 1894 | Ōta Kijirō
(太田喜二郎)
(1883–1951) | July 1934 | the Japanese fleet, under Admiral Itō Sukeyuki, engages the Chinese |  | Ōsaka Shōsen Kabushiki gaisha (大阪商船株式会社)
60 | The Emperor at Imperial Headquarters
広島大本営軍務親裁
Hiroshima daihon'ei gunmu shinsai | 1894–5 | Minami Kunzō
(1883–1950) | July 1928 | the Emperor as Supreme Commander is briefed by Vice-Chief of the General Staff Kawakami Sōroku at headquarters in Hiroshima |  | Marquis Asano Nagakoto
61 | The Empress Visiting Wounded Soldiers
広島予備病院行啓
Hiroshima yobi byōin gyōkei | 22 March 1895 | Ishii Hakutei
(1882–1958) | December 1929 | Empress Shōken visits the Army Auxiliary Hospital in Hiroshima |  | Japanese Association of Medical Sciences, Japan Medical Association
62 | Peace Conference at Shimonoseki
下関講和談判
Shimonoseki kōwa danpan | 17 April 1895 | Nagatochi Hideta
(永地秀太)
(1873–1942) |  | the signing of the treaty |  | Shimonoseki City
63 | Restoration of Peace in Taiwan
台湾鎮定
Taiwan chintei | 11 June 1895 | Ishikawa Toraji
(石川寅治)
(1875–1964) | April 1928 | Prince Kitashirakawa Yoshihisa enters Taipei |  | Government-General of Taiwan
64 | The Emperor at Yasukuni Shrine
靖国神社行幸
Yasukuni Jinja gyōkō | 17 December 1895 | Shimizu Yoshio
(清水良雄)
(1891–1954) | July 1929 | the Emperor ascends the stairs to honour those who fell in the First Sino-Japanese War |  | Daiichi Bank (第一銀行)
65 | Shintenfu Hall
振天府
Shintenfu | March 1897 | Kawamura Kiyoo
(1852–1934) | October 1931 | the hall was built in the grounds of the Imperial Palace to house items relating to the war, including photographs of all the officers and the names of all the dead |  | Prince Tokugawa Iesato
66 | The Anglo-Japanese Treaty of Alliance
日英同盟
Nichiei dōmei | 12 February 1902 | Yamamoto Kanae
(1882–1946) | October 1932 | Prime Minister Katsura Tarō reads the Treaty to the House of Peers |  | Bank of Chōsen
67 | The Empress at a Red Cross Meeting
赤十字社総会行啓
Akajūji-sha sōkai gyōkei | 21 October 1902 | Yuasa Ichirō
(湯浅一郎)
(1869–1931) | July 1929 | Empress Shōken addresses the 11th General Meeting of the Japanese Red Cross Society in Ueno Park |  | Japanese Red Cross Society
68 | Declaration of War with Russia
対露宣戦布告御前会議
tai-Ro sensen fukoku gozen kaigi | 4 February 1904 | Yoshida Shigeru
(吉田苞)
(1883–1953) | March 1934 | the Emperor, Prime Minister Katsura Tarō, elder statesman Itō Hirobumi, and others agree to the declaration of war with Russia at a Gozen Kaigi |  | Prince Matsukata Iwao (松方巌)
69 | The Surrender of Port Arthur
日露役旅順開城
Nichiro-eki ryojun kaijō | 5 January 1905 | Arai Rokuo
(荒井陸男)
(1885–1972) | October 1928 | General Anatoly Stessel presents his horse to General Nogi Maresuke in the village where the surrender was signed three days earlier | (not public domain until 2042) | Kwantung Government (関東庁)
70 | The Battle of Mukden
日露役奉天戦
Nochiro-eki Hōten-sen | 15 March 1905 | Kanokogi Takeshirō
(1874–1941) | October 1926 | General Ōyama Iwao and his staff enter the South Gate of Mukden, after the city fell on the 10th |  | South Manchuria Railway Company
71 | The Battle of the Japan Sea
日露役日本海海戦
Nichiro-eki Nihon-kai kaisen | 27 May 1905 | Nakamura Fusetsu
(1866–1943) | October 1928 | Admiral Tōgō Heihachirō's flagship, the Mikasa, leads the Japanese fleet into action at the Battle of Tsushima |  | Nippon Yusen Kabushiki gaisha
72 | The Portsmouth Peace Conference
ポーツマス講和談判
Pōtsumasu kōwa danpan | 5 September 1905 | Shirataki Ikunosuke
(白滝幾之助)
(1873–1960) | November 1931 | Komura Jutarō, Sergei Witte, and others sign the Treaty, bringing to an end the Russo-Japanese War |  | Yokohama Specie Bank
73 | The Triumphal Grand Naval Review
凱旋観艦式
Gaisen kankan shiki | 23 October 1905 | Tōjō Shōtarō
(東城鉦太郎)
(1865–1929) | May 1929 | the Emperor aboard the Asama reviews the Combined Fleet in Yokohama Bay on 23 October 1905, with Commander-in-Chief Tōgō Heihachirō to his left and the future Taishō Emperor to his right, flanked in turn by Navy Minister Yamamoto Gonnohyōe and Chief of the Navy General Staff Itō Sukeyuki; over 160 vessels took part in the 1905 Triumphal Grand Review that celebrated the navy's contribution to victory in the Russo-Japanese War |  | Ministry of the Navy
74 | The Triumphal Grand Army Review
凱旋観兵式
Gaisen kanbei shiki | 30 April 1906 | Kobayashi Mango
(小林万吾)
(1870–1947) | December 1931 | the Emperor reviews the troops at the Aoyama Parade Grounds (東京青山練兵場), with Ōyama Iwao riding behind |  | Ministry of the Army
75 | Demarcation of the Sakhalin Frontier
樺太国境画定
Karafuto kokkyō kakutei | June 1906 | Yasuda Minoru
(安田稔)
(1881–1965) | December 1932 | Japanese and Russian representatives designate the boundary marker on the 50th parallel, after the Treaty of Portsmouth |  | Nippon Oil Kabushiki gaisha
76 | The Chrysanthemum Garden Party
観菊会
Kangikukai | 19 November 1909 | Nakazawa Hiromitsu
(中沢弘光)
(1874–1964) | May 1931 | the Emperor and Empress attend the party at the Akasaka Palace for the first time |  | Marquis Tokugawa Yorisada (徳川頼貞)
77 | The Union of Korea and Japan
日韓合邦
Nikkan gappō | 22 August 1910 | Tsuji Hisashi
(辻永)
(1884–1974) | October 1927 | depicted is the Namdaemun at the time of annexation | (not public domain until 2044) | The Provinces of Korea
78 | The Emperor at Tokyo Imperial University
東京帝国大学行幸
Tōkyō Teikoku Daigaku gyōkō | 10 July 1912 | Fujishima Takeji
(1867–1943) | April 1936 | the arrival of the Emperor for the graduation ceremonies |  | Marquis Maeda Toshinari
79 | The Emperor's Final Illness

Fuyo | July 1912 | Tanabe Itaru
(田辺至)
(1886–1968) | March 1927 | as the Emperor's condition worsened, people gather outside the Tokyo Imperial Palace to pray for his recovery | (not public domain until 2038) | Tōkyō Prefecture
80 | The Imperial Funeral

Taisō | 14 September 1912 | Wada Sanzō
(1883–1967) | July 1933 | after a ceremony at the Aoyama Funeral Pavilion (青山葬場殿) in Tōkyō on 13 September, the Emperor's coffin was taken by train to Kyōto, before being conveyed to Fushimi Momoyama no Misasagi (伏見桃山陵) |  | Meiji Jingū Commemorative Association (明治神宮奉賛会)

This list is complete and up to date as of September 2020.

## Related plans and period photographs

[edit]

* 1901 image of the Galerie des Batailles at the Palace of Versailles; Terasaki Takeo [ja], artist of painting #45, included an image in a report in which he cited Napoleon's "triumphal appropriation" of mural painting for nation-building purposes[5]

* 1929 image of the Galerie des Rubens at the Louvre; Terasaki Takeo similarly included an image in his report, preferring this room for its spacing between the paintings and the way they are emphasized by the less ornate envelope[5]

* Interior of the Meiji Memorial Picture Gallery in 1927, from the Tokyo Nichi Nichi Shimbun, with many of the paintings yet to be completed and installed

* Interior, in a 1932 Meiji Jingū publication

* Interior, in a 1937 Meiji Jingū publication

* Kobayashi Masatsugu's winning design for the Meiji Memorial Picture Gallery; front

* Rear

* Front and rear elevations

* Cross sections

* Ground floor plan

* Basement plan

* Detail of ornamentation

* 2007 image of the central entrance as realized, showing rustication of the lower courses, dentilation, glyphs, engaged pilasters in the wings, and stained glass windows

* 1948 aerial photograph of Meiji Jingū Gaien and its environs, with the Gallery just above the centre, and the gingko avenue

* Plan of main floor, as realized (this and the following eleven images are from the December 1926 issue of The Koji Gaho, a former journal of the Japan Society of Civil Engineers)[13]

* Plan of the lower floor, as realized

* Side view, showing clearly the rustication of the lower courses

* Rear view, with a memorial tree in place of the structure proposed

* Front entrance, with bronze doors

* Stained glass windows, near the entrance

* Central hall, with marble cladding and a marble and mosaic tile floor

* View of the dome, above the central hall

* Gallery view

* The rest room

* The lower rest room

* The "Switching Room"

* Unimplemented 1935 proposal for the central hall, by Itō Kōun, artist of painting #08

## See also

[edit]

* Historiographical Institute of the University of Tokyo
* List of Important Cultural Properties of Japan (Taishō period: structures)
* List of museums in Tokyo
* Meiji no Mori Minō Quasi-National Park
* Meiji no Mori Takao Quasi-National Park

## Notes

[edit]

1. ^ 「記念性の高い重厚な外観意匠」「重文指定基準１：(一）意匠的に優秀なもの」「重文指定基準２：(二）技術的に優秀なもの」
2. ^ The eighty paintings are illustrated and described, in Japanese and English, the former identifying all the figures via accompanying labelled line drawings, in Meiji Jingū Gaien, ed. (2001)

## References

[edit]

Wikimedia Commons has media related to Meiji Memorial Picture Gallery.

1. ^ a b c d e f g h i j k l 聖徳記念絵画館とは [About the Meiji Memorial Picture Gallery] (in Japanese). Meiji Jingū Gaien. Retrieved 1 September 2020.
2. ^ a b 聖徳記念絵画館 [Meiji Memorial Picture Gallery] (in Japanese). Meiji Jingū Gaien. Retrieved 31 August 2020.
3. ^ a b c d e 聖徳記念絵画館 [Meiji Memorial Picture Gallery] (in Japanese). Agency for Cultural Affairs. Retrieved 31 August 2020.
4. ^ a b c d e f g 2008年度ご報告 [2008 Annual Report] (PDF). Taisei Corporation. p. 12. Retrieved 1 September 2020.
5. ^ a b c d e f g h i j k l m n o Imaizumi Yoshiko (2011). "The Making of a Mnemonic Space: Meiji Shrine Memorial Art Gallery 1912–1936". Japan Review. 23. International Research Center for Japanese Studies: 143–176.143-176&rft.date=2011&rft.au=Imaizumi+Yoshiko&rft_id=http://www.jstor.com/stable/41304927&rfr_id=info:sid/en.wikipedia.org:Meiji+Memorial+Picture+Gallery" class="Z3988">
6. ^ a b c d e Meiji Jingū Gaien, ed. (2001). 聖徳記念絵画館壁画 [Explanatory Notes on pictures in Memorial Picture Gallery, Meiji Jingū] (in Japanese).
7. ^ 紙本著色後鳥羽天皇像〈伝藤原信実筆／〉 [Portrait of Emperor Go-Toba, colour on paper, attributed to Fujiwara Nobuzane] (in Japanese). Agency for Cultural Affairs. Retrieved 20 August 2020.
8. ^ a b c d e f g h i Keene, Donald (1999). "Portraits of the Emperor Meiji". Impressions. 21. Japanese Art Society of America: 16–29.16-29&rft.date=1999&rft.au=Keene,+Donald&rft_id=http://www.jstor.com/stable/42597873&rfr_id=info:sid/en.wikipedia.org:Meiji+Memorial+Picture+Gallery" class="Z3988">
9. ^ a b c d e f Yoshie Hirokazu (2017). Quotidian Monarchy: The Portrait of the Emperor in Everyday Life in Japan, 1889–1948 (Thesis). Harvard University. pp. 12 ff.
10. ^ Nish, Ian, ed. (2013). Collected Writings of Richard Storry. Routledge. p. 347\. ISBN 978-1-903350-11-9.
11. ^ Shiota Masahiro 塩田昌弘 (2006). 聖徳記念絵画館についての一考察 [A Study of Meiji Memorial Picture Gallery]. Otemae Journal of Socio-Cultural Studies (in Japanese). 6. Otemae University: 73–109.73-109&rft.date=2006&rft.au=Shiota+Masahiro+塩田昌弘&rft_id=http://id.nii.ac.jp/1160/00000373/&rfr_id=info:sid/en.wikipedia.org:Meiji+Memorial+Picture+Gallery" class="Z3988">
12. ^ a b c d "Meiji Memorial Picture Gallery". Meiji Jingū Gaien. Retrieved 2 September 2020.
13. ^ a b Kobayashi Masaichi 小林政一 (1926). 聖徳記念絵画館工事に就て [On the Construction of the Meiji Memorial Picture Gallery]. The Koji Gaho 土木建築工事画報 (in Japanese). 2 (12). Japan Society of Civil Engineers: 5–14.5-14&rft.date=1926&rft.au=Kobayashi+Masaichi+小林政一&rft_id=http://library.jsce.or.jp/Image_DB/mag/gaho/kenchikukouji/02_12.html&rfr_id=info:sid/en.wikipedia.org:Meiji+Memorial+Picture+Gallery" class="Z3988">
14. ^ a b 平成23年(2011年)6月20日 国の重要文化財に指定 [Designated an Important Cultural Property at the National Level (2011-06-20)] (PDF) (in Japanese). Meiji Jingū Gaien. Retrieved 1 September 2020.
15. ^ Chung Nyon 鄭ニョン (2015). 明治聖徳記念絵画館壁画考 [Thoughts on the "Wall Paintings" of Meiji Memorial Picture Gallery]. The Komaba Journal of Area Studies (Thesis) (in Japanese). Vol. 18\. University of Tokyo. pp. 72–94\. doi:10.15083/00035609.

## External links

[edit]

* (in English) Meiji Memorial Picture Gallery
* (in Japanese) The paintings arranged by month (Meiji Jingū Gaien)
* (in Japanese) Gallery timeline (Meiji Jingū Gaien)

Authority control databases

International|

* VIAF

National|

* United States
* Japan

People|

* ISIL: JP-2001269