Mianfu

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Mianfu

Painting of Wanli Emperor of the Ming dynasty wearing mianfu

Type| Traditional imperial robe as part of hanfu
Place of origin| Shang dynasty, China
Introduced| Liao dynasty, Jin dynasty (1115–1234), Korea (at least since 1065 AD), Japan, Vietnam. Yuan Dynasty
Mianfu

Chinese name
Chinese| 冕服
Literal meaning| Coronation clothing
| Transcriptions

Standard Mandarin
Hanyu Pinyin| Miǎnfú
Vietnamese name
Vietnamese alphabet| Cổn Miện
Miện phục
Chữ Hán| 袞冕

Korean name
Hangul| 면복
Hanja| 冕服
| Transcriptions

Revised Romanization| Myeonbok

Mianfu (Chinese: 冕服; pinyin: miǎnfú; lit. 'coronation costume') is a kind of Chinese clothing in hanfu; it was worn by emperors, kings, and princes, and in some instances by the nobles in historical China from the Shang to the Ming dynasty. The mianfu is the highest level of formal dress worn by Chinese monarchs and the ruling families in special ceremonial events such as coronation, morning audience, ancestral rites, worship, new year's audience and other ceremonial activities. There were various forms of mianfu, and the mianfu also had its own system of attire called the mianfu system which was developed back in the Western Zhou dynasty.[1]: 14 [2] The mianfu was used by every dynasty from Zhou dynasty onward until the collapse of the Ming dynasty. The Twelve Ornaments were used on the traditional imperial robes in China,[3]: 88 including on the mianfu.[4] These Twelve Ornaments were later adopted in clothing of other ethnic groups; for examples, the Khitan and the Jurchen rulers adopted the Twelve ornaments in 946 AD and in 1140 AD respectively.[3]: 88 The Korean kings have also adopted clothing embellished with nine out of the Twelve ornaments since 1065 AD after the Liao emperor had bestowed a nine-symbol robe (Chinese: 九章服; pinyin: jiǔzhāngfú) to the Korean king, King Munjong, in 1043 AD[3]: 88 where it became known as gujangbok (Korean: 구장복; Hanja: 九章服; RR: gujangbok).[5]

## Construction and design

[edit]

The mianfu is typically a set of clothing, which includes a type of Chinese crown (guan) called mianguan (冕冠), looked like a board which leans forward and had chains of beads at the front and back.[4] Usually, the mianguan has 12 chains; however, it could also vary in numbers (i.e. 9, 7, 5, 3) depending on the importance of an event and in rank difference.[4] To fasten the mianguan to the hair, hairpins are used.[4] The mianfu was also worn together with other accessories, such as gedai (革带) which is a type of leather belt, dadai (大带) which is a large silk belt, peishou (佩綬) which is a type of ribbon ornament, and clogs with wooden soles called xi (舄) [1]: 13 The shoes worn by the emperor which goes with the mianfu is made of silk with double-layered wooden soles.[4] The shoes could vary in colour depending on events, and by order of importance, the emperor would wear red, white, or black shoes.[4] All these originated from the primitive clothing worn by the shamans in ancient China.[1]: 13

The upper garment of the emperor's mianfu is usually black in colour while the lower garment is crimson red in colour in order to symbolize the order of heaven and earth.[4] The upper and lower garment are tied with a belt. A pure red coloured bixi, an important component for ceremonial clothing, hangs down under the belt.[4] Twelve Ornaments, including the dragons, are the usual decoration of the mianfu.[4] When decorated with all the Twelve Ornaments, the mianfu can be classified as shierzhangfu (Chinese: 十二章服; pinyin: shíèrzhāngfú) while decorated with nine out of the twelve symbols, it is can be classified as jiuzhangyi (Chinese: 九章衣; pinyin: jiǔzhāngyī) or jiuzhangfu (Chinese: 九章服; pinyin: jiǔzhāngfú).

* Emperor Wu of Northern Zhou wearing mianfu

* Emperor Wu of Han wearing mianfu

* Tang dynasty emperor and officials from Mogao murals from AD 642, located in Cave 220, Dunhuang, Gansu.

* Emperor Cheng of Han as depicted on lacquer screen from Northern Wei.

* Tracing of figure wearing mianfu in Yinan Tomb stone-relief in Shandong Province.

### Designs and social ranks

[edit]

There are various forms of mianfu which can be classified in five grades and which was worn by the members of the nobility aside from those worn by the Chinese emperor.[1]: 14 The difference in forms and appearance was used to distinguish between the ranks of its wearer; these differences were often form in the number of symbols and the tassels which were attached to the headwear worn in the mianfu.[1]: 14 Examples of mianfu include the:[1]: 14

1. Daqiumian (Chinese: 大裘冕)
2. Gunmian (Chinese: 袞冕)
3. Bimian (Chinese: 鷩冕)
4. Cuimian (Chinese: 毳冕)
5. Ximian (Chinese: 絺冕)
6. Xuanmian (Chinese: 玄冕)

## History

[edit]

Mianfu was first developed in the Shang dynasty,[6] and later improved and standardized during the Zhou dynasty. The mianfu was also a strict system of attire which was defined based the social rank of its wearer and had to fulfil requirements based on specific events.[1]: 14 The mianfu system was developed in the Western Zhou dynasty.[2]

In the Zhou dynasty, there were various types of mianfu; including the gunmian, bimian, cuimian, ximian and xuanmian, which are the five grades of the mianfu worn by the members of the nobility apart from the Emperor; the Zhouli stipulated which types of mianfu were allowed to be worn depending on each noble and official ranks of its wearer:[1]: 14

> The dress of dukes (gong 公) resembles that of the emperor at or below the grade of gunmian 衮冕; the dress of marques (hou 侯) and earls (bo 伯) resembles that of the dukes at or below the grade of bimian 鷩冕; the dress of viscounts (zi 子) and barons (nan 男) resembles that of marques and earls at or below the grade of cuimian 毳冕; the dress of solitaries (gu 孤) resembles that of viscounts and baron at or below the grade of ximian 絺冕; the dress of ministers (qing 卿) and grand masters (dafu 大夫) resembles that of solitaries at or below the grade of xuanmian 玄冕.

> — Translated by Zhang Fa (2015), in the book "The History and Spirit of Chinese Art", volume 1, translated from the original text, Zhouli

Though the use of mianfu was abolished during the Qin dynasty, in favour of a black shenyi called junxuan(袀玄) and tongtianguan,[7][8] which was continued to be used throughout the Western Han dynasty, the mianfu and mianguan were later restored by Emperor Ming of Han in the Eastern Han dynasty based on Rites of Zhou and Confucian Classic of Rites.[9]

In the Song dynasty, the emperor wore mianfu which included: daqiumian and gunmian.[10]: 2 The crown prince of the Song dynasty also wore gunmian.[10]: 2 The rulers of the Jurchen-led Jin dynasty also created their own carriages and apparel system by adopting the clothing system of the Han people and by imitating the Song dynasty; and the Jin emperors wore gunmian.[10]: 41, 58 According to the Yuanshi, Möngke wore the gunmian in 1252.[11]: 45

After the Manchu conquerors established the Qing dynasty, the new government initiated a policy that forbade Han Chinese to wear Hanfu. Qing emperors did not use Mianfu as the emperor's official garb, which eventually resulted in this style of clothing disappearing from use.

## Influence and derivatives

[edit]

Due to the strong cultural influence China exerted on its neighbours, Mianfu was also worn by rulers in other East Asian countries that belonged to the so-called Sinosphere, such as Korea (in the form of myeonbok), Japan (known as Raifuku[12]) and Vietnam (known as Cổn Miện) during the imperial era.

* Yi Won wearing myeonbok

* Japan Emperor Kōmei's Mianfu (冕服

* Emperor Go-Sanjō in benpuku (冕服)

* Enthronement ceremony of Emperor Kōmei, benpuku (冕服) was used as ceremonial clothes.

* Emperor Khải Định of Vietnam wearing Cổn miện

* Paintings of Cổn miện costumes in the Nguyễn dynasty by Nguyễn Văn Nhân

* Simulation of Cổn miện of the Lý \- Trần dynasties in the book Ngàn năm áo mũ by Trần Quang Đức

## See also

[edit]

* Mianguan
* Bianfu
* Hanfu
* Twelve Ornaments

## References

[edit]

1. ^ a b c d e f g h Zhang, Fa (2016). History and spirit of chinese art. Volume 1, From prehistory to the Tang dynasty. Honolulu: Silkroad Press. ISBN 978-1-62320-126-5. OCLC 933441686.
2. ^ a b Gu, Weilie (2022). A GENERAL INTRODUCTION TO CHINESE CULTURE. Translated by Sun, Lixin. American Academic Press. ISBN 9781631815379.
3. ^ a b c Kwon, Cheeyun Lilian (2019). Efficacious underworld : the evolution of Ten Kings paintings in medieval China and Korea. Honolulu. ISBN 978-0-8248-5603-8. OCLC 1098213341.`{{cite book}}`: CS1 maint: location missing publisher (link)
4. ^ a b c d e f g h i Hua, Mei; 华梅 (2004). Zhongguo fu shi (Di 1 ban ed.). Beijing: Wu zhou chuan bo chu ban she. pp. 16–18. ISBN 7-5085-0540-9. OCLC 60568032.
5. ^ "Gujangbok: Ceremonial Robe Symbolizing the King's Prestige | Curator's Picks". NATIONAL MUSEUM OF KOREA. Retrieved 2022-10-13.
6. ^ (Chinese)陳邦懷，《殷代史料徵存》，鄴中片羽三集卷。
7. ^ "120". Book of Later Han. ""秦以戰國即天子位，滅去禮學，郊祀之服皆以袀玄。漢承秦故。""
8. ^ "25". Book of Jin. ""通天冠，本秦制。高九寸，正竖，顶少斜却，乃直下，铁为卷梁，前有展筒，冠前加金博山述，乘舆所常服也。 ""
9. ^

"120". Book of Later Han. "显宗遂就大业，初服旒冕，衣裳文章，赤舄絇屦，以祠天地，养三老五更于三雍，于时致治平矣。"

"2". Book of Later Han. ""二年春正月辛未，宗祀光武皇帝於明堂，帝及公卿列侯始服冠冕、衣裳、玉佩、絇屨以行事"

10. ^ a b c Zhu, Ruixi; 朱瑞熙 (2016). A social history of middle-period China : the Song, Liao, Western Xia and Jin dynasties. Bangwei Zhang, Fusheng Liu, Chongbang Cai, Zengyu Wang, Peter Ditmanson, Bang Qian Zhu (Updated ed.). Cambridge, United Kingdom. ISBN 978-1-107-16786-5. OCLC 953576345.`{{cite book}}`: CS1 maint: location missing publisher (link)
11. ^ Shea, Eiren L. (2020). Mongol court dress, identity formation, and global exchange. New York, NY. ISBN 978-0-429-34065-9. OCLC 1139920835.`{{cite book}}`: CS1 maint: location missing publisher (link)
12. ^ Yu, A. C. "Raifuku (the Imperial Court) - Japanese Wiki Corpus". www.japanese-wiki-corpus.org. Retrieved 2022-08-07.

* v
* t
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Traditional Han Chinese clothing

Characteristics|

| Garment and neckline (list)|

* Jiaoling youren
* Mandarin collar

|

Fastening|

* Pankou
* Chinese button knot
* Zimukou

Styles|

* Baoyi bodai
* Shangjian xiafeng
* Fuyao
* Hufu
* List of hanfu

Textile decoration and craft|

* Diancui
* Chinese knotting
* Chinese embroidery
* Chinese auspicious ornaments in textile and clothing (list)
* Xiangyun
* Lishui (sea-waves)
* Mandarin square
* Chinese ornamental gold silk
* Goldwork
* Chinese patchwork

Belief system and social movement|

* Confucianism
* Taoism
* Wufu
* Wuxing (Chinese philosophy)
* Yin and Yang
* Hanfu movement

Sumptuary laws|

* Tifayifu

Related rituals|

* Guan Li
* Ji Li (ceremony)

Garments|

| Set of attire|

* Ruqun
* Tanling ruqun
* Qixiong ruqun
* Qungua
* Xiuhefu
* Mianfu
* Bianfu
* Tongtianguanfu
* Xuanduan
* Diyi
* Zaju chuishao fu
* Shanku

|

Upper garment|

* Ru
* Yi
* Shan
* Ao
* Chang'ao
* Baijiayi
* Daxiushan
* Bijia
* Banbi
* Dahu
* Beizi
* Pifeng
* Hechang
* Shuitianyi
* Yuanlingshan

Robe|

* Shenyi
* Zhiju
* Quju
* Paofu
* Daopao
* Zhiduo
* Yuanlingpao
* Fanlingpao
* Panling Lanshan
* Longpao
* Mangfu
* Tieli
* Yesa
* Zhisun
* Feiyufu

Inner and undergarment|

* Dudou
* Hezi
* Moxiong
* Maweiqun

Lower garment|

* Ku
* Qun
* Baidiequn
* Mamianqun

Religious clothing|

* Daojiao fushi

Headwear (list)|

| Guan|

* Mianguan
* Fengguan

|

Futou|

* Tang official headwear
* Song official headwear

Mao|

* Humao
* Damao
* Liangmao
* Weimao

Jin|

* Fujin
* Wangjin

Hairpin|

* Chinese hairpin
* Buyao

Comb|

* Shubi

Veil|

* Honggaitou
* Mili

Footwear (list)|

* Xiuhuaxie
* Tiger-head shoes
* Lotus shoes

Accessories (list)|

| Head|

* Lingzi

|

Neck|

* Yingluo
* Yunjian
* Fangxingquling

Shoulders|

* Pibo
* Xiapei

Chest|

* Yajin

Waist|

* Yaoqun

Lap|

* Bixi

Ribbons and knots|

* Lào zi

Portable|

* Hebao
* Xiangnang (fragrant sachet)
* Hu (ritual baton)
* Fu (tally)
* Yufu (fish tally)
* Yudai (fish bag)
* Folding fan
* Tuanshan

Jewellery|

* Longevity lock
* Yupei
* Jinbu

Influenced clothing|

| Traditional clothing|

* Kimono
* Hanbok
* Ryusou
* Vietnamese clothing

|

Performance costume|

* Xifu
* Guzhuang

Cosmetics|

* Huadian

* List of Hanfu

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