Moria, Middle-earth

Underground complex in Middle-earth

Moria

'The Lord of the Rings' location

Durin's emblem, as on Moria's West-gate

In-universe information
Other name(s)| Khazad-dûm
Type| Greatest city of Dwarves
subterranean realm, labyrinth
Ruled by| Kings of Durin's Folk (to T.A. 1981); Durin's Bane, Azog; Balin; Durin VII
Geography| Central Misty Mountains
Lifespan| Years of the Trees – T.A. 1981; Fourth Age
Founder| Durin

In the fictional history of the world by J. R. R. Tolkien, Moria, also named Khazad-dûm, is an ancient subterranean complex in Middle-earth, comprising a vast labyrinthine network of tunnels, chambers, mines, and halls under the Misty Mountains, with doors on both the western and the eastern sides of the mountain range. Moria is introduced in Tolkien's novel The Hobbit, and is a major scene of action in The Lord of the Rings.

In much of Middle-earth's history, Moria was the greatest city of the Dwarves. The city's wealth was founded on its mines, which produced mithril, a fictional metal of great beauty and strength, suitable for armour. The Dwarves dug too greedily and too deep for mithril, and disturbed a demon of great power: a Balrog, which destroyed their kingdom. By the end of the Third Age, Moria had long been abandoned by the Dwarves, and was a place of evil repute. It was dark, in dangerous disrepair, and in its labyrinths lurked Orcs and the Balrog.

Scholars have identified likely sources for Tolkien's Moria: he had studied a Latin inscription about a lost ring at the temple of Nodens in Gloucestershire, at a place called Dwarf's Hill full of old mine-workings. The name Moria, Tolkien wrote, echoed the name of a castle in a Norwegian folktale, while Gandalf's death and reappearance reminded critics of the resurrection and transfiguration of Jesus. The West Gate that the Watcher in the Water crashes closed behind the Fellowship recalled to commentators the Wandering Rocks of Greek mythology, and Odysseus's passage between the devouring Scylla and the whirlpool Charybdis. Finally, the Fellowship's entry into the darkness via the deadly lake by the West Gate, and its exit into the light via the beautiful Mirrormere, alongside Gandalf's death and reappearance, has been compared to a baptism, a ceremony that combines a symbolic death and the gift of new life.

Moria provided dramatic scenes in Peter Jackson's film The Lord of the Rings: The Fellowship of the Ring, inspired by Alan Lee's illustrations. Its multiple levels of tunnels and halls have served, too, as the basis for a variety of computer and board games.

## Names

[edit]

The name "Moria" means "the Black Chasm" or "the Black Pit", from Sindarin mor, "dark, black" and iâ, "void, abyss".[T 1] The element mor had the sense "sinister, evil", especially by association with infamous names such as Morgoth and Mordor; indeed Moria itself had an evil reputation by the times in which The Hobbit and The Lord of the Rings are set. The name Moria had (within the fiction) originally applied only to the Black Chasm itself. However, after the Dwarves were forced to abandon Khazad-dûm, its many lamps went out, and the whole subterranean complex became dark. Tolkien borrowed the name Moria itself, but not its meaning, from a book he had read.[T 1][1]

Khazad-dûm is the name of the fabulous city-kingdom of the Dwarves, especially in a historical or nostalgic context. In the fictional history, Khazad-dûm was Moria's original name, given by the Dwarves in their own language, Khuzdul. It is rendered (in "translated Westron") as the Dwarrowdelf, an archaic form of what would be the Dwarves' delving in more modern English. Tolkien rhymes dûm with "tomb".[T 2]

## Tolkien's account

[edit]

### Geography

[edit]

Mist on the Alps: Tolkien's experiences on his 1911 visit gave him the idea for difficulties crossing the Misty Mountains.[T 3]

Moria was originally a system of natural caves located in Dimrill Dale, a valley on the eastern side of the Misty Mountains. The appearance of the Misty Mountains, and some of the experiences of Tolkien's protagonists, were inspired by his travels in the Swiss Alps in 1911.[T 3]

The caves led to the Black Chasm, a subterranean abyss, some fifty feet wide and of indeterminate depth, which was crossed only by Durin's Bridge, "a slender bridge of stone, without kerb or rail".[T 2] It forced any group wishing to cross to go in single file, limiting the power of any attack.[T 4]

Moria's location, beneath the Misty Mountains, opening on to Dimrill Dale, surrounded by three high mountains, Celebdil, Caradhras and Fanuidhol. Mirrormere lies in Dimrill Dale; the River Celebrant flows out of it.

Moria lay on the western edge of the Middle-earth region of Wilderland. The Mountains of Moria, three of the Misty Mountains' most massive peaks, surrounded Dimrill Dale: Silvertine on the west, Redhorn on the north, and Cloudyhead on the east – in Sindarin respectively Celebdil, Caradhras and Fanuidhol. Their Khuzdûl names, respectively Zirakzigil,[a] Barazinbar and Bundushathûr, are mentioned by Gimli, as the Fellowship nears Moria. The caves of Moria, where the Dwarf city-kingdom of Khazad-dûm was founded, were situated under Silvertine; their mouth overlooked Dimrill Dale, which contained many waterfalls and a long, oval lake that reflected stars even in daylight. Perceiving these stars as a crown glittering above his head, Durin took this as an auspicious sign, named the lake Kheled-zâram, the Mirrormere, and chose the eastward-facing caves above it for his new stronghold.[T 5]

### Geology

[edit]

Further information: Mithril

The Dwarves excavated most of Khazad-dûm out of solid rock, leaving polished walls.[T 2] Minerals included gold, gems and iron ore. However the principal mineral was mithril, a fabulously precious and versatile metal found nowhere else in Middle-earth. It was the source of Khazad-dûm's huge wealth, but ultimately its mining was the cause of its downfall. Beginning under the Silvertine, the Dwarves mined ever deeper, and down towards the roots of Mount Caradhras. There they unearthed the Balrog, which drove the Dwarves into exile.[T 2]

Far below even the deepest mines of the Dwarves lay a primordial underworld of tunnels, streams and lakes in perpetual darkness, inhabited by primitive creatures. The tunnels were "gnawed by nameless things" from the beginnings of Arda,[T 6] and, as Gandalf suggested, from this underworld the Watcher in the Water may have emerged.[T 2]

### History

[edit]

Moria was founded by Durin at the end of the Ages of the Stars. During his reign, the precious metal mithril was discovered in the mines, and some of the major structures of Moria were built: Durin's Bridge, the Second Hall, the Endless Stair and Durin's Tower. Durin died before the end of the First Age. He was buried in the royal tombs of Khazad-dûm.[T 2][T 7] Orcs constantly attacked the dwarf kingdom; men and dwarves fought together against the orcs.[T 8] The dwarves became friendly with the Elves of Eregion to the west; the Elves assisted in developing Khazad-dûm's mansions, making it "far more beautiful" as it grew westwards through tunnels to the West Gate,[T 9] which opened on to Eregion. Celebrimbor, the Lord of Eregion, used ithildin lettering on this gate on behalf of its builder, his friend the dwarf smith Narvi.[T 2]

In the Second Age, Rings of Power were made by elves in Eregion. Durin III, the King of Khazad-dûm at the time, obtained one of the rings; another was Nenya, made from Moria's mithril; it became Galadriel's ring. When the elves discovered that Sauron, the Dark Lord had made the One Ring, giving him control of all the other rings, the War of the Elves and Sauron broke out.[T 8] Sauron conquered Eregion, but Khazad-dûm's intervention enabled Elves including Elrond and Celeborn to escape Eregion's destruction and found Rivendell.[T 9] Khazad-dûm was closed, and its population dwindled. At the end of the Second Age, Khazad-dûm fought Sauron in the War of the Last Alliance, helping to defeat him.[T 10]

In the Third Age, the more easily accessible seams of mithril were exhausted, and the Dwarves dug deeper until they disturbed a Balrog, a powerful fire-demon. It killed King Durin VI, acquiring the name Durin's Bane, and then Náin I, his son. The Dwarves abandoned Khazad-dûm and fled into Wilderland.[T 7]

Orcs occupied Moria, while the Balrog haunted its depths. The Orc-chieftain Azog became the master of Moria. Thrór, the heir of the Dwarf-kings of Khazad-dûm, attempted to enter his people's ancestral home, and was killed by Azog. This started the War of the Dwarves and Orcs; Azog was beheaded by Dáin Ironfoot, but the victory was Pyrrhic, and the Dwarves did not dare face the Balrog.[T 7] Much later, Balin left Erebor to recolonize Moria, but after five years his colony was destroyed by Orcs.[T 11]

As the War of the Ring loomed, a messenger from Sauron offered Dáin the return of Moria and three Dwarf-Rings if he helped Sauron to find the One Ring. Dáin refused, sending Glóin and his son Gimli to the Council of Elrond, starting the quest of the Fellowship of the Ring.[T 11]

The Fellowship of the Ring in Moria. Scraperboard illustration by Alexander Korotich, 1981

The Fellowship reluctantly passed through Moria in winter, gambling that most of its Orcs had been killed in the Battle of Five Armies. They were attacked by the monstrous Watcher in the Water as they entered the West-gate, and faced further perils in the subterranean passages. They reached the Chamber of Mazarbul, the ancient repository of documents holding Balin's tomb and his colony's chronicle, the Book of Mazarbul.[T 2] They were attacked there by a Troll and many Orcs, before being approached by the Balrog. Gandalf confronted the Balrog on Durin's Bridge. The two duelled briefly before plunging together into the chasm, allowing the rest of the Fellowship to escape to the Eastern Gates.[T 4]

Unknown to the Fellowship, Gandalf climbed to the top of Mount Celebdil and continued to fight the Balrog for two days in the Battle of the Peak; both died, but Gandalf returned to Middle-earth as Gandalf the White.[T 6]

Khazad-dûm lay empty. Some centuries into the Fourth Age, the auspiciously-named Durin VII, a descendant of Dáin Ironfoot, succeeded as the King of the Longbeards and heir of the Kings of Khazad-dûm.[T 12] He led his people back to Khazad-dûm, where they remained "until the world grew old and the Dwarves failed and the days of Durin's race were ended".[T 12]

### Architecture

[edit]

The city of Khazad-dûm had many levels, linked by flights of stone steps. There were at least six levels above the Great Gates, and many more levels —or Deeps— below it. Every level consisted of a network of arched passages, chambers and many-pillared halls, often with "black walls, polished and smooth as glass".[T 2] Below the level of the Gates lay treasuries, armouries, dungeons, and mines. The Endless Stair of many thousands of steps rose in an unbroken spiral from the lowest dungeon of Moria to Durin's Tower at the summit of Celebdil; it was destroyed in the battle between Gandalf and the balrog, Durin's Bane.[T 6]

During the kingdom of Khazad-dûm, the subterranean realm was "full of light and splendour", illuminated by many "shining lamps of crystal".[T 2] The higher levels had skylights carved through the mountain-side which provided daylight. The East-gate or the Dimrill Gate was the main entrance, looking over Dimrill Dale.[T 2] It opened into the First Hall of Moria. The West-gate enabled travellers to pass right through the Misty Mountains, thus providing a weather-free alternative to the notorious and arduous Redhorn Pass, 15–20 miles to the north. The J. R. R. Tolkien Encyclopedia notes that Middle-earth gates are important both symbolically and practically: "They mark exclusion or admission. They test character and wisdom. They suggest mystery, secrecy, and privilege."[3]

#### Doors of Durin

[edit]

Further information: Tolkien's artwork

Tolkien's illustration of the Doors of Durin, with Sindarin inscription in Tengwar script[4]

The Doors of Durin, also called the West-gate or the West-door, formed the western entrance to Moria. When shut, the gates were invisible and impossible to open by physical means. They were however decorated with designs engraved in ithildin made by the elf-Lord Celebrimbor of Eregion and the dwarf Narvi from mithril mined in Moria. The designs included the emblems of Durin, the two trees of the High Elves, and the Star of the House of Fëanor. Tolkien's drawing of the designs on the Doors of Durin was the only illustration in The Lord of the Rings during his lifetime (other than cover-art and calligraphy). In moonlight, a password made the designs visible. The designs contained a second password to open the doors. When the Fellowship entered, the Watcher in the Water, the aquatic guardian of the gates, slammed the doors shut with its tentacles, plunging the Fellowship into darkness.[T 13][T 14][5]

The inscription was in the Elvish language of Sindarin, using the Tengwar script;[4] Gandalf translates it as "The Doors of Durin, Lord of Moria. Speak, friend, and enter. I, Narvi, made them. Celebrimbor of Hollin drew these signs."[T 13] Scholars have commented that "Moria", an unfriendly Elvish description meaning "The Black Pit", was hardly how a ruler of Khazad-Dûm would choose to describe his realm; and that since the name was not used until the Balrog was awakened in the Third Age, it was also anachronistic. Possible resolutions have been proposed: that Celebrimbor had foresight of the name; that the magic lettering reshaped itself; or that Gandalf indeed saw the Sindarin name "Hadhodrond" on the door, and read it out as "Moria" for the benefit of those listening (and in the same way, he must have seen "Eregion" and read out "Hollin").[4]

## Origins

[edit]

### Nodens

[edit]

Tolkien visited the temple of Nodens at a place called "Dwarf's Hill" and translated an inscription with a curse upon a ring. It may have inspired his dwarves, mines, rings, and Celebrimbor "Silver-Hand", an Elven-smith who contributed to Moria's building.[6]

Further information: Nodens and Ring of Silvianus

In 1928, a 4th-century pagan mystery cult temple was excavated at Lydney Park, Gloucestershire.[7] Tolkien was asked to investigate a Latin inscription there: "For the god Nodens. Silvianus has lost a ring and has donated one-half [its worth] to Nodens. Among those who are called Senicianus do not allow health until he brings it to the temple of Nodens."[8] An old name for the place was Dwarf's Hill, and in 1932 Tolkien traced Nodens to the Irish hero Nuada Airgetlám, "Nuada of the Silver-Hand".[T 15] The Tolkien scholar Tom Shippey thought this "a pivotal influence" on Tolkien's Middle-earth, combining as it did a god-hero, a ring, dwarves, and a silver hand.[6] The J. R. R. Tolkien Encyclopedia notes also the "Hobbit-like appearance of [Dwarf's Hill]'s mine-shaft holes", and that Tolkien was extremely interested in the hill's folklore on his stay there, citing Helen Armstrong's comment that the place may have inspired Tolkien's "Celebrimbor and the fallen realms of Moria and Eregion".[6][9] The scholar of English literature John M. Bowers notes that the name of the Elven-smith Celebrimbor is the Sindarin for "Silver Hand" and that "because the place was known locally as Dwarf's Hill and honeycombed with abandoned mines, it naturally suggested itself as background for the Lonely Mountain and the Mines of Moria."[10]

### Norwegian Folktales

[edit]

Moria first appeared in Tolkien's 1937 novel The Hobbit. Tolkien later recalled that the name was "a casual 'echo' of Soria Moria Castle in one of the Scandinavian tales translated by Dasent. ... I liked the sound-sequence; it alliterated with 'mines', and it connected itself with the MOR element in my linguistic construction."[T 1] The tales translated by Dasent were from the 1852 collection Norwegian Folktales.[1] A historic source is the Poetic Edda, with which Tolkien was familiar; the protagonist in the Skírnismál notes that his quest will involve misty mountains, orcs, and giants.[11]

## Analysis

[edit]

Further information: Christianity in Middle-earth

The first page from The Book of Mazarbul, artwork created by Tolkien to support the story. The publishers did not include it in the first edition of The Lord of the Rings.[12][T 16]

The Tolkien scholar Jane Chance observes that the fall of the dwarves, first those of Durin, then those of Balin, is brought about through avarice, their greed for Moria's deeply-buried mithril. She identifies this as "their internal vice",[13] which the Balrog "monstrously projects".[13] Chance notes further that Balin meets his death at the lake Mirrormere, "a very dark mirror in which he is blind to himself."[13]

The scholar Clive Tolley notes that the contest between the wizard Gandalf and the evil Balrog on Durin's Bridge somewhat recalls a shamanistic contest but that a far closer parallel is medieval vision literature, giving the example of St Patrick's Purgatory and even Dante's Divine Comedy.[14]

Scholars such as Chance and Jerram Barrs have recognised the death of Gandalf the Grey (at the hands of the Balrog), and his reappearance as Gandalf the White, as a transfiguration,[15] the change in colour hinting at "a parallel with Christ's own death and resurrection".[16][17][18]

The professor of English literature Sue Zlosnik notes that the fantasy world in Tolkien's invented mythology for England[19] is constructed with elaborate detail. She cites Humphrey Carpenter's biographical account of Tolkien's "painstaking crafting" of The Book of Mazarbul that appears in Moria, complete with "burnt and tattered" pages, and Tolkien's disappointed wish for a facsimile of this artefact to appear in the first edition of Fellowship of the Ring. In Zlosnik's view, this sort of detail recalls Horace Walpole's love of the "Gothic".[19]

Erin Derwin, writing in The Artifice, compares the fellowship's time in Moria with Siegfried Sassoon's First World War poem "The Rear-Guard", in which he describes "groping along the tunnel" in a labyrinth of dark trenches, with "muttering creatures underground", recalling, Derwin suggests, the awakening of the Orcs and the Balrog by the hobbit Pippin.[20]

The scholar of English literature Charles A. Huttar compares this "clashing gate" that crashed shut behind the travellers to the Wandering Rocks that in Greek mythology lie near the opening of the underworld, Hades, and, along with the monstrous Watcher in the Water, to Odysseus's passage between the devouring Scylla and the whirlpool Charybdis.[5]

* Scholars such as Jane Chance have compared Gandalf's death in Moria and subsequent reappearance as "the White" to Christ's Transfiguration,[16] as in this painting by Raphael, c. 1520.

* Gateway to Hell: the Fellowship's passage through the West-gate has been compared to Odysseus's passage between the devouring Scylla and the whirlpool Charybdis.[5] Painting by Ary Renan, 1894

* Matthew Dickerson writes that Moria, symbolising both Tomb and Womb, can be seen as a place of Baptism.[21] Detail of painting by Jean Bozia, 1825

Matthew Dickerson, writing in The J. R. R. Tolkien Encyclopedia, suggests that of all the caves, barrows, tunnels and underground kingdoms in Tolkien's writings, Moria is "the most significant".[21] He writes that these dark places, home to many of the major events in the stories, from the Paths of the Dead to Gollum's various tunnels and the Glittering Caves of Aglarond serve as symbols of darkness and death, the Tomb, or of fertility and new life, the Womb. Moria, he argues, citing Hugh Keenan's description of the two contrasting lakes at the Fellowship's entrance and exit from Moria, and giving the example of Gandalf's death and rebirth, functions as both Womb and Tomb. In Christianity, he notes, Baptism is at once a symbolic death and the gift of new life.[21][22]

Matthew Dickerson's analysis of Moria's symbolism[21] "Tomb" | "Womb"

|

Baptism
Gandalf falls to his death in the Black Chasm | Gandalf is reborn as "the White"
Entrance lake:
Monstrous Watcher in the Water offers death | Exit lake:
Beautiful Mirrormere (Kheled-Zaram) offers life

Tolkien was asked whether the name Moria meant the biblical mountains of Moriah, where Abraham was to sacrifice his son, Isaac. Tolkien wrote that his mind did not work that way, explaining that Moria meant "Black Chasm" in Sindarin, the root Mor occurring in Mordor, Morgoth, Morgul. He went on "As for the 'land of Morīah' (note stress): that has no connection (even 'externally') whatsoever."[T 1]

## Adaptations

[edit]

### Film

[edit]

Jackson's depiction of the underground halls of Moria was largely inspired by Alan Lee's illustration.[23]

Peter Jackson's portrayal of Moria in his The Lord of the Rings: The Fellowship of the Ring movie was mostly inspired by Alan Lee's illustrations.[24][23] Lee worked as the project's conceptual artist in New Zealand throughout the making of the film trilogy.[25] Moria was modelled for the film at 1/12 scale.[24][23]

### Games

[edit]

The roguelike computer game Moria was modelled on The Lord of the Rings events. The goal in the game is to reach the bottom of a maze-like simulation of the Mines of Moria and kill a Balrog.[26]

Moria is featured in board games such as Reiner Knizia's Lord of the Rings.[27]

The first expansion pack of the MMORPG The Lord of the Rings Online named Mines of Moria takes place almost entirely in Moria, which has several levels. The uppermost is the path of Durin's Way, which pierces the mountain to reach the cliffs of Zirak-Zigil. The main levels of Moria span from the Doors of Durin to Dolven-View, Zelem-Melek, Nud-Melek and the East doors, known as the First Hall. Further down in the subterranean realm are the Silvertine Lodes and the Redhorn Lodes, and the furthest depths contain the submerged Water-Works, the fiery Flaming Deeps, and the Foundations of Stone, where Gandalf and the Balrog fought before ascending the Endless Stair.[28][29]

### Music

[edit]

The Dutch composer Johan de Meij wrote a movement in his Symphony No. 1 "The Lord of the Rings" called "Journey in the Dark", that was directly inspired by Moria. The movement is split into two sections, "The Mines of Moria" and "The Bridge of Khazad-dûm", and it depicts the events that take place there in The Fellowship of the Ring (novel).[30]

## Notes

[edit]

1. ^ In early editions, the name was mostly hyphenated, as Zirak-zigil, but by 2004 Christopher Tolkien had established that his father preferred the unhyphenated form.[2]

## References

[edit]

### Primary

[edit]

1. ^ a b c d Carpenter 2023, letter #297 draft to Mr Rang, August 1967
2. ^ a b c d e f g h i j k Tolkien 1954a, book 2, ch. 4 "A Journey in the Dark"
3. ^ a b Carpenter 2023, letter #306 to Michael Tolkien, October 1968
4. ^ a b Tolkien 1954a, book 2, ch. 5 "The Bridge of Khazad-dûm"
5. ^ Tolkien 1954a, book 2, ch. 6 "Lothlórien"
6. ^ a b c Tolkien 1954, book 3, ch. 5 "The White Rider"
7. ^ a b c Tolkien 1955, Appendix A: III "Durin's Folk"
8. ^ a b Tolkien 1996, part 2 ch. 10 "The Shibboleth of Fëanor"
9. ^ a b Tolkien 1980, part 2 ch. 4 "Concerning Galadriel and Celeborn"
10. ^ Tolkien 1977, "Of the Rings of Power and the Third Age"
11. ^ a b Tolkien 1954a, book 2, ch. 2 "The Council of Elrond"
12. ^ a b Tolkien 1996, "The Making of Appendix A", (iv) "Durin's Folk"
13. ^ a b Tolkien 1954, book 2, ch. 4 "A Journey in the Dark"
14. ^ Carpenter 2023, #137 to Rayner Unwin, 11 April 1953
15. ^ Tolkien, J. R. R., "The Name Nodens", Appendix to "Report on the excavation of the prehistoric, Roman and post-Roman site in Lydney Park, Gloucestershire", Reports of the Research Committee of the Society of Antiquaries of London, 1932; also in Tolkien Studies: An Annual Scholarly Review, Vol. 4, 2007
16. ^ Carpenter 2023, #141 to Allen & Unwin, 9 October 1953

### Secondary

[edit]

1. ^ a b Hammond & Scull 2005, p. 224 "Moria".
2. ^ Hammond & Scull 2005, p. 267 "The Ring goes South".
3. ^ Stanton, Michael N. (2013) [2007]. "Doors and Gates". In Drout, Michael D. C. (ed.). The J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment. Taylor & Francis. p. 127\. ISBN 978-0-415-86511-1.
4. ^ a b c Hammond & Scull 2005, pp. 279–283.
5. ^ a b c Huttar, Charles A. (1975). "Hell and the City: Tolkien and the Traditions of Western Literature". In Lobdell, Jared (ed.). A Tolkien Compass. Open Court. pp. 121–122. ISBN 978-0875483030. "Clearly Charybdis is yet another route to hell."
6. ^ a b c Anger, Don N. (2013) [2007]. "Report on the Excavation of the Prehistoric, Roman and Post-Roman Site in Lydney Park, Gloucestershire". In Drout, Michael D. C. (ed.). The J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment. Routledge. pp. 563–564\. ISBN 978-0-415-86511-1.
7. ^ Shippey 2005, pp. 40–41.
8. ^ "RIB 306. Curse upon Senicianus". Roman Inscriptions of Britain. Retrieved 17 February 2020.
9. ^ Armstrong, Helen (May 1997). "And Have an Eye to That Dwarf". Amon Hen: The Bulletin of the Tolkien Society (145): 13–14.
10. ^ Bowers, John M. (2019). Tolkien's Lost Chaucer. Oxford University Press. pp. 131–132\. ISBN 978-0-19-884267-5.
11. ^ Shippey 2005, pp. 80–81.
12. ^ Holmes, John R. (2013) [2007]. "Art and Illustrations by Tolkien". In Drout, Michael D. C. (ed.). J.R.R. Tolkien Encyclopedia. Routledge. pp. 27–32\. ISBN 978-0-415-86511-1.
13. ^ a b c Nitzsche, Jane Chance (1980) [1979]. Tolkien's Art: 'A Mythology for England'. Papermac. pp. 108–109\. ISBN 0-333-29034-8.
14. ^ Tolley, Clive (2014). "Old English influence on The Lord of the Rings". In Allard, Joe; North, Richard (eds.). Beowulf and Other Stories (PDF). Routledge. p. 55\. doi:10.4324/9781315832951. ISBN 978-1-31583295-1. Archived from the original (PDF) on 17 May 2017. Retrieved 10 January 2020.
15. ^ Barrs, Jerram (2013). Echoes of Eden: Reflections on Christianity, Literature, and the Arts. Crossway. p. 123\. ISBN 978-1-4335-3600-7.
16. ^ a b Nitzsche, Jane Chance (1980) [1979]. Tolkien's Art. Papermac. p. 42\. ISBN 0-333-29034-8.
17. ^ Petty, Anne C. (2013) [2007]. "Allegory". In Drout, Michael D. C. (ed.). The J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment. Routledge. pp. 6–7\. ISBN 978-0-415-86511-1.
18. ^ Maher, Michael W. (2003). ""'A land without stain': medieval images of Mary and their use in the characterization of Galadriel"". In Chance, Jane (ed.). Tolkien the Medievalist. Routledge. p. 225.
19. ^ a b Zlosnik, Sue (2006). "Gothic Echoes". In Eaglestone, Robert (ed.). Reading The Lord of the Rings: New Writings on Tolkien's Classic. A&C Black. p. 50\. ISBN 978-0-8264-8460-4.
20. ^ Derwin, Erin (8 July 2014). "World War I and The Lord of the Rings: The Trenches of Moria". The Artifice.
21. ^ a b c d Dickerson, Matthew (2013) [2007]. "Moria". In Drout, Michael D. C. (ed.). The J. R. R. Tolkien Encyclopedia: Scholarship and Critical Assessment. Routledge. pp. 438–439\. ISBN 978-0-415-86511-1.
22. ^ Keenan, Hugh (2000). "The Appeal of The Lord of the Rings: A Struggle for Life". In Bloom, Harold (ed.). J.R.R. Tolkien's The Lord of the Rings: Modern Critical Interpretations. Chelsea House Publishers. pp. 3–5\. ISBN 978-1-349-38251-4.
23. ^ a b c Russell, Gary (2002). The Lord of the Rings : the Art of The Fellowship of the Ring. London: HarperCollins. ISBN 978-0-00-713563-9. OCLC 50329727.
24. ^ a b Leotta, Alfio (2015). Peter Jackson. Bloomsbury Publishing. p. 176\. ISBN 978-1-62356-948-8.
25. ^ Barnett, David M. (3 September 2018). "Making fantasy reality: Alan Lee, the man who redrew Middle-earth". The Guardian.
26. ^ Koeneke, Robert Alan (1983). "The Dungeons of Moria". Internet Archive.
27. ^ Woodruff, Teeuwynn (2007). "Lord of the Rings". In Lowder, James (ed.). Hobby Games: The 100 Best. Green Ronin Publishing. pp. 183–187\. ISBN 978-1-932442-96-0.
28. ^ Royce, Bree (19 December 2016). "Turbine Spins Lord of the Rings Online and DDO Teams out to New Studio, Using Daybreak as Publisher". Massively Overpowered. Retrieved 20 December 2016.
29. ^ Michael (26 February 2019). "Lord of the Rings Online Expansion to Include Minas Morgul and Shelob". MMOCourt. Retrieved 27 August 2019.
30. ^ "Der Herr der Ringe, Johan de Meij - Sinfonie Nr.1". Archived from the original on 11 October 2014. Retrieved 21 October 2021.

### Sources

[edit]

* Carpenter, Humphrey, ed. (2023) [1981]. The Letters of J. R. R. Tolkien: Revised and Expanded Edition. New York: Harper Collins. ISBN 978-0-35-865298-4.
* Hammond, Wayne G.; Scull, Christina (2005). The Lord of the Rings: A Reader's Companion. London: HarperCollins. ISBN 0-00-720907-X.
*   * Shippey, Tom (2005) [1982]. The Road to Middle-Earth: How J. R. R. Tolkien Created a New Mythology (Third ed.). HarperCollins. ISBN 978-0-261-10275-0.
* Tolkien, J. R. R. (1954a). The Fellowship of the Ring. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 9552942.
* Tolkien, J. R. R. (1954). The Two Towers. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 1042159111.
* Tolkien, J. R. R. (1955). The Return of the King. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 519647821.
* Tolkien, J. R. R. (1977). Christopher Tolkien (ed.). The Silmarillion. Boston: Houghton Mifflin. ISBN 978-0-395-25730-2.
* Tolkien, J. R. R. (1980). Christopher Tolkien (ed.). Unfinished Tales. Boston: Houghton Mifflin. ISBN 978-0-395-29917-3.
* Tolkien, J. R. R. (1996). Christopher Tolkien (ed.). The Peoples of Middle-earth. Boston: Houghton Mifflin. ISBN 978-0-395-82760-4.

* v
* t
* e

The Lord of the Rings

* J. R. R. Tolkien
* Constructing The Lord of the Rings

About|

* Volumes
* The Fellowship of the Ring
* The Two Towers
* The Return of the King
* Stories
* "The Shadow of the Past"
* "The Council of Elrond"
* "The Scouring of the Shire"
* "The Tale of Aragorn and Arwen"
* Translating
* list
* Swedish
* Reception
* Impact
* Literary
* Fandom
* Fan fiction
* Oxonmoot
* Tolkienmoot
* Works inspired
* Tolkien's impact on fantasy

Elements|

| Languages|

* Black Speech
* Elvish
* Quenya
* Sindarin
* Khuzdul
* Westron

|

Poetry|

* A Elbereth Gilthoniel
* Namárië
* Song of Eärendil
* The Man in the Moon Stayed Up Too Late
* The Road Goes Ever On
* A Walking Song

Other|

* Artwork
* Family trees
* Heraldry
* Maps
* Proverbs
* Scripts
* Cirth
* Tengwar

Analysis|

| Themes|

* Addiction to power
* Ancestry as guide to character
* Architecture
* Company of the Ring
* Death and immortality
* Decline and fall
* Divination
* Dreams and visions
* Economy
* England
* Environmentalism
* Evil
* Feudal allegiance
* Forests
* Hell
* Heroism
* Luck and fate
* Magic
* Mental illness
* Moral dilemma
* Music
* Naming of weapons
* Northern courage
* Paganism
* Plants
* Prophecy
* Psychological journeys
* Quests
* Race
* Sexuality
* Sound and language
* Time
* Trees
* Women

|

Influences|

* Antiquarianism
* Beowulf
* Celtic
* Christianity
* Classical world
* Edwardian adventure stories
* First World War
* Norse
* Medieval
* Modern sources
* Modernism
* William Morris
* A mythology for England
* Philology
* Shakespeare

Techniques|

* Anachronism
* Character pairing
* Editorial framing
* Frame stories
* Pseudotranslation
* Impression of depth
* Narrative structure
* Interlacing
* Storytelling
* Prose style
* Ambiguity
* Epic Pooh

Peoples|

| Maiar|

* Balrogs
* Sauron
* Wizards
* Gandalf
* Radagast
* Saruman

|

Free
peoples|

* Dwarves
* Balin
* Gimli
* Elves
* Galadriel
* Glorfindel
* Half-elven
* Arwen
* Elrond
* Legolas
* Thranduil
* Ents
* Treebeard
* Hobbits
* Bilbo
* Frodo
* Merry
* Pippin
* Sam
* Men
* Beornings
* Drúedain
* Dúnedain
* Aragorn
* of Gondor
* Boromir
* Denethor
* Faramir
* of Rohan
* Éomer
* Éowyn
* Théoden
* Wormtongue

Monsters|

* Barrow-wight
* Gollum
* Nazgûl
* Witch-king of Angmar
* Old Man Willow
* Orcs
* Shelob
* Trolls
* Wargs
* Watcher in the Water

Other|

* Eagles
* Goldberry
* Tom Bombadil

World|

| Geography|

* Middle-earth
* Eriador
* Bree
* Old Forest
* Rivendell
* The Shire
* Bag End
* Gondor
* Harad
* Lothlórien
* Mirkwood
* Moria
* Mordor
* Rohan
* Isengard
* Undying Lands

|

Battles|

* Helm's Deep
* Pelennor Fields
* Morannon

Things|

* Mithril
* Oliphaunts
* Palantírs
* Phial of Galadriel
* Rings of Power
* One Ring
* List of weapons and armour

Related
works|

* The Hobbit
* The Adventures of Tom Bombadil
* Errantry
* Fastitocalon
* The Sea-Bell
* Donald Swann
* The Road Goes Ever On
* Bilbo's Last Song
* The Silmarillion
* Unfinished Tales
* The Letters of J. R. R. Tolkien
* The History of Middle-earth
* The Children of Húrin
* The History of The Hobbit
* Beren and Lúthien
* The Fall of Gondolin
* The Nature of Middle-earth

Adaptations and derivative works

Books|

* Bored of the Rings (1969)
* The Last Ringbearer (1999)
* Muddle Earth (2003)

Illustrations|

* A Map of Middle-earth
* Pauline Baynes
* Barbara Remington
* John Howe
* Alan Lee
* Margrethe II of Denmark
* Ted Nasmith

Theatre|

* Fellowship! (2005)
* The Lord of the Rings (2006)

Music|

* Bo Hansson
* Music Inspired by Lord of the Rings (1972)
* Johan de Meij
* Symphony No. 1 The Lord of the Rings (1988)
* Led Zeppelin
* "Ramble On" (1969)
* "Misty Mountain Hop" (1971)
* "The Battle of Evermore" (1971)

Radio|

* The Lord of the Rings (BBC, 1955)
* The Lord of the Rings (NPR, 1979)
* Hordes of the Things (1980)
* The Lord of the Rings (BBC, 1981)
* Der Herr der Ringe (1992)

Film|

| Animated|

* The Lord of the Rings (Bakshi, 1978)
* The Return of the King (Rankin/Bass, 1980)
* The War of the Rohirrim (Kamiyama, 2024)

|

Peter Jackson
series|

* The Fellowship of the Ring (2001)
* The Two Towers (2002)
* The Return of the King (2003)

Music|

* "Concerning Hobbits"
* "Into the West"
* "May It Be"

Approach|

* Production
* Hobbiton Movie Set
* Peter Jackson's interpretation
* Picturing Tolkien
* Tolkien on Film

Other|

* Sagan om ringen (1971)
* Khraniteli (1991)
* Hobitit (1993)
* The Rings of Power (2022)
* music

Fan-made|

* The Hunt for Gollum (2009)
* Born of Hope (2009)

Video games|

* Journey to Rivendell
* Game One
* Game Two: Shadows of Mordor
* War in Middle Earth
* Vol. I (1990)
* Vol. I (SNES)
* Riders of Rohan
* Elendor
* Vol. II: The Two Towers
* The Fellowship of the Ring
* The Two Towers
* The Return of the King
* War of the Ring
* The Third Age
* Game Boy Advance
* The Battle for Middle-earth
* Tactics
* The Battle for Middle-earth II
* The Rise of the Witch-king
* Conquest
* Aragorn's Quest
* War in the North
* Lego The Lord of the Rings
* Guardians of Middle-earth
* Shadow of Mordor
* Shadow of War
* Gollum
* Return to Moria

| The Lord of the Rings Online|

* Mines of Moria
* Siege of Mirkwood
* Rise of Isengard
* Riders of Rohan
* Helm's Deep
* Mordor
* Minas Morgul
* War of Three Peaks
* Fate of Gundabad
* Before the Shadow

|

Tabletop role-
playing games|

* Middle-earth Role Playing
* The Lord of the Rings Roleplaying Game
* The One Ring Roleplaying Game
* Adventures in Middle-earth

Board games|

* Middle Earth
* War of the Ring
* Gondor: The Siege of Minas Tirith
* Sauron
* Lord of the Rings
* War of the Ring

Card games|

* Middle-earth Collectible Card Game
* The Lord of the Rings Trading Card Game
* The Lord of the Rings: The Card Game

Other games|

* Middle-earth Strategy Battle Game
* Lego The Lord of the Rings

* v
* t
* e

Middle-earth

* J. R. R. Tolkien
* Bibliography
* Canon
* Legendarium
* Outline

Works|

| In Tolkien's
lifetime|

* The Hobbit (1937)
* The Lord of the Rings (1954-55)
* The Fellowship of the Ring
* "The Shadow of the Past"
* "The Council of Elrond"
* The Two Towers
* The Return of the King
* "The Scouring of the Shire"
* "The Tale of Aragorn and Arwen"
* The Adventures of Tom Bombadil (1962)

|

Posthumous|

* The Silmarillion (1977)
* "Ainulindalë"
* Unfinished Tales (1980)
* The Letters of J. R. R. Tolkien (1981)
* Bilbo's Last Song (1990)
* The three "Great Tales"
* The Children of Húrin (2007)
* Beren and Lúthien (2017)
* The Fall of Gondolin (2018)
* The Fall of Númenor (2022)

History of
composition|

| History of
Middle-earth|

* [1–2] The Book of Lost Tales (1983–84)
* Ælfwine
* [3] The Lays of Beleriand (1985)
* [4] The Shaping of Middle-earth (1986)
* [5] The Lost Road and Other Writings (1987)
* The Etymologies
* Lhammas
* [6–9] The History of The Lord of the Rings (1988–92)
* The Notion Club Papers
* [10] Morgoth's Ring (1993)
* [11] The War of the Jewels (1994)
* [12] The Peoples of Middle-earth (1996)

|

Others|

* John D. Rateliff
* The History of The Hobbit (2007)
* Carl F. Hostetter
* The Nature of Middle-earth (2021)

Fictional
universe|

| Peoples,
monsters|

* Ainur
* Maiar
* Balrogs
* Wizards
* Valar
* Dragons
* Ancalagon
* Smaug
* Dwarves
* Eagles
* Elves
* Half-elven
* Noldor
* Sundering
* Ents
* Hobbits
* Men
* Beornings
* Drúedain
* Dúnedain
* Orcs
* Trolls

|

Characters|

* First and Second Ages
* Celebrimbor
* Eärendil and Elwing
* Elendil
* Fëanor
* Fingolfin
* Finwë and Míriel
* Gil-galad
* Húrin
* Isildur
* Lúthien and Beren
* Melian
* Morgoth
* Thingol
* Tuor and Idril
* Túrin Turambar
* Ungoliant
* Third Age
* Elrond
* Galadriel
* Gandalf
* Glorfindel
* Goldberry
* Gollum
* Saruman
* Sauron
* Tom Bombadil

Places|

* First and Second Ages
* Beleriand
* Númenor
* Valinor
* Third Age
* Bree
* Esgaroth
* Gondor
* Harad
* Isengard
* Lonely Mountain
* Lothlórien
* Mirkwood
* Mordor
* Moria
* Rivendell
* Rohan
* The Shire
* Bag End

Objects|

* Mithril
* Palantír
* Red Book of Westmarch
* Rings of Power
* One Ring
* Silmarils
* Two Trees of Valinor
* List of weapons and armour

Analysis|

| Elements|

* Artwork
* Family trees
* Heraldry
* Languages
* Adûnaic
* Black Speech
* Elvish
* Quenya
* Sindarin
* Khuzdul
* Valarin
* Westron
* Maps
* Tolkien's poetry
* Scripts
* Cirth
* Sarati
* Tengwar

|

Themes|

* Anachronism
* Ancestry as guide to character
* Architecture
* Christianity
* Cosmology
* Round World dilemma
* Death and immortality
* Decline and fall
* Dreams and visions
* Economy
* England
* Environmentalism
* Evil
* First World War
* Forests
* Frame stories
* Hell
* Heroism
* Light
* Luck and fate
* Magic
* Mental illness
* Modernism
* Moral dilemma
* Music
* Naming of weapons
* Northern courage
* Old Straight Road
* Paganism
* Plants
* Psychological journeys
* Quests
* Sound and language
* Time
* Trees

Literary|

* Tolkien's impact on fantasy
* Influences
* Beowulf
* Celtic
* Classical world
* Finnish language and literature
* Medieval
* Modern
* William Morris
* Norse
* Philology
* Shakespeare
* Prose style
* Ambiguity
* A mythology for England

Geographic|

* The Atlas of Middle-earth
* Journeys of Frodo
* A Map of Middle-earth

Adaptations,
legacy|

| Artists|

* Pauline Baynes
* Cor Blok
* Anke Eißmann
* Brothers Hildebrandt
* Jenny Dolfen
* Mary Fairburn
* Donato Giancola
* John Howe
* Tove Jansson
* Alexander Korotich
* Alan Lee
* Tom Loback
* Margrethe II of Denmark
* Ted Nasmith

|

Composers|

* Bo Hansson
* Johan de Meij
* Symphony No. 1 The Lord of the Rings
* Howard Shore
* Music of The Lord of the Rings film series
* Music of The Hobbit film series
* Music of The Rings of Power TV series
* Blind Guardian
* Nightfall in Middle-Earth

Settings|

* Donald Swann
* The Road Goes Ever On
* Poems and Songs of Middle Earth
* The Tolkien Ensemble
* An Evening in Rivendell
* A Night in Rivendell
* At Dawn in Rivendell
* Leaving Rivendell

Other media|

* Impact
* Middle-earth Enterprises
* Works inspired by Tolkien
* Fan fiction
* Film
* Calendars
* Video games
* Things named after Tolkien and his works

Literary
criticism|

* The Complete Guide to Middle-earth
* A Companion to J. R. R. Tolkien
* Interrupted Music
* Master of Middle-Earth
* Picturing Tolkien
* A Question of Time
* J. R. R. Tolkien: Author of the Century
* The J. R. R. Tolkien Companion and Guide
* J. R. R. Tolkien Encyclopedia
* The Lord of the Rings: A Reader's Companion
* Perilous Realms
* The Road to Middle-Earth
* Splintered Light
* Tolkien and the Invention of Myth
* Tolkien's Art: 'A Mythology for England'
* Tolkien: A Look Behind The Lord of the Rings
* A Tolkien Compass
* Tolkien: Maker of Middle-earth
* Tolkien, Race and Cultural History
* Tolkien's Legendarium
* Tolkien and the Great War
* The Worlds of J. R. R. Tolkien
* The Ring of Words: Tolkien and the Oxford English Dictionary

* v
* t
* e

Subterranea

Natural features|

| Types|

* Alcove
* Ant colony
* Aquifer
* Burrow
* Burrow fossil
* Communal burrow
* Paleoburrow
* Cave
* Glacier cave
* Grotto
* Ice cave
* Lava cave
* Lava tube
* Pit Cave
* Show cave
* Solutional cave
* Talus cave
* Cenote
* Karst
* Lava tree mold
* Magma chamber
* Maternity den
* Nest
* Bee
* Pit crater
* Rock shelter
* Sinkhole
* Subterranean fauna
* Subterranean river
* Subterranean waterfall
* Underground lake
* Volcanic pipe
* Warren

|

Exemplars|

* Balve Cave
* Castellana Caves
* Hang Sơn Đoòng
* Jewel Cave National Monument
* Kazumura Cave
* Lechuguilla Cave
* Mammoth Cave National Park
* Reed Flute Cave
* Subterranean rivers of London
* Veryovkina Cave
* Wind Cave National Park

Man-made features|

| Types|

* Air raid shelter
* Basement
* Burial vault
* Borehole
* Bunker
* Blast shelter
* Catacombs
* Casemate
* Crypt Mausoleum
* Dungeon
* Dugout (shelter)
* Dry well
* Earth shelter
* Erdstall
* Fallout shelter
* Fogou
* Foxhole
* Hypogeum
* Manhole
* Mine
* Missile launch facility
* Passage grave
* Quarry
* Rock-cut tomb
* Root cellar
* Tunnel
* Utility vault
* Underground city
* Underground base
* Underground hangar
* Well
* Wine cave
* Subway system
* Secret passage
* Semi-basement
* Sewerage
* Septic tank
* Stepwell
* Storm cellar
* Smuggling tunnel
* Spider hole
* Ventilation shaft

|

Exemplars|

* 816 Nuclear Military Plant
* Caves of Maastricht
* The Caves of Ægissíða
* Almadén Mercury Mines
* Coober Pedy
* Cheyenne Mountain Complex
* Chicago Tunnel Company
* Houston tunnel system
* Kosvinsky Kamen
* Kőbánya cellar system
* Kome Caves
* Underground City (Beijing)
* Underground City, Montreal
* Underground Great Wall of China
* Maginot Line
* Mines of Paris
* Mustang Caves
* Mount Yamantau
* Mogao Caves
* Naples underground geothermal zone
* North American Aerospace Defense Command
* Raven Rock Mountain Complex
* Shanghai tunnels
* Subterranean London
* Subterranean Toledo
* Turda Salt Mines
* Yaodong

Fictional features|

| Types|

* Hollow Earth
* Subterranean fiction

|

Exemplars|

* Allegory of the cave
* Batcave
* Greek Underworld
* Journey to the Center of the Earth
* Moria (Middle-earth)
* Nome Kingdom
* Pellucidar
* Subterranea (comics)
* Tunnels in popular culture
* Underdark
* Underland (Narnia)
* Wonderland (fictional country)

Organisations|

* American Society of Reclamation Sciences
* Bergamt
* Cave Research Foundation
* History of hard rock miners' organizations
* National Mine Map Repository
* National Mining Association
* National Speleological Society
* Grotto
* Institute of Materials, Minerals and Mining
* Institution of Mining Engineers
* International Union of Speleology
* Research Centre for Deep Drilling
* Society of Economic Geologists
* Southern African Institute of Mining and Metallurgy

Related topics|

* Cave conservation
* Cave dweller
* Cave diving
* Cave gate
* Cave rescue
* Cave painting
* Caving
* Civil defense
* Tunnel warfare
* Tunnel network
* Trench warfare
* Underground construction
* Tunnel construction
* Underground living
* Mine rescue
* Mine exploration
* Mining engineering
* Mole people
* in fiction
* Speleology
* Subterranean warfare

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