Paul Martin (director)

Hungarian film director

Paul Martin

Born| (1899-02-08)8 February 1899

Kolozsvár, Transylvania, Austria-Hungary (now Cluj-Napoca, Cluj County, Romania)

Died| 26 January 1967(1967-01-26) (aged 67)

Berlin, Germany

Occupations|

* Film director
* Screenwriter

Years active| 1932–1967

Paul Martin (8 February 1899 – 26 January 1967) was a Hungarian film director and screenwriter who worked for many years in the German film industry. He directed 60 films between 1932 and 1967. He was romantically involved with the film star Lilian Harvey and directed her in a number of films until he left her in 1938 for the actress Frauke Lauterbach.[1] They made one final film Woman at the Wheel together during the filming of which their relationship remained cold.

## Selected filmography[edit]

### Screenwriter[edit]

* Come Back, All Is Forgiven (1929)

### Director[edit]

Film

* Happy Ever After (1932)
* The Victor (1932)
* A Blonde Dream (1932)
* Orient Express (1934)
* Black Roses (1935)
* Lucky Kids (1936)
* Seven Slaps (1937)
* Fanny Elssler (1937)
* A Prussian Love Story (1938)
* Woman at the Wheel (1939)
* What Does Brigitte Want? (1941)
* Beloved Darling (1943)
* Carnival of Love (1943)
* Mask in Blue (1943)
* The Deadly Dreams (1951)
* Heart's Desire (1951)
* Don't Ask My Heart (1952)
* When the Heath Dreams at Night (1952)
* The Private Secretary (1953)
* Life Begins at Seventeen (1953)
* Red Roses, Red Lips, Red Wine (1953)
* The Big Star Parade (1954)
* My Sister and I (1954)
* Ball at the Savoy (1955)
* Love, Dance and a Thousand Songs (1955)
* The Bath in the Barn (1956)
* La Paloma (1959)
* Yes, Women are Dangerous (1960)
* Ramona (1961)
* Wedding Night In Paradise (1962)
* Massacre at Marble City (1964)
* Diamond Walkers (1965)
* Count Bobby, The Terror of The Wild West (1966)

Television

* Bezauberndes Fräulein (1963) – (based on Bezauberndes Fräulein)
* Die lustige Witwe (1963) – (based on The Merry Widow)
* Jenny und der Herr im Frack (1964) – (remake of Jenny und der Herr im Frack, 1941)
* Paris ist eine Reise wert (1966) – (screenplay by Max Colpet)
* Das kleine Teehaus (co-director: Eugen York, 1967) – (based on The Teahouse of the August Moon)

## References[edit]

1. ^ Ascheid, p. 245.

## Bibliography[edit]

* Ascheid, Antje (2003). Hitler's Heroines: Stardom and Womanhood in Nazi Cinema. Philadelphia: Temple University Press. ISBN 978-1-56639-984-5.

## External links[edit]

* Paul Martin at IMDb

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The films of Paul Martin

* A Blonde Dream (1932)
* A Blonde Dream (1932)
* Happy Ever After (1932)
* The Victor (1932)
* Orient Express (1934)
* Black Roses (1935)
* Lucky Kids (1936)
* Fanny Elssler (1937)
* Seven Slaps (1937)
* A Prussian Love Story (1938)
* Woman at the Wheel (1939)
* What Does Brigitte Want? (1941)
* Carnival of Love (1943)
* Mask in Blue (1943)
* Beloved Darling (1943)
* The Deadly Dreams (1951)
* Heart's Desire (1951)
* Don't Ask My Heart (1952)
* When the Heath Dreams at Night (1952)
* The Private Secretary (1953)
* Red Roses, Red Lips, Red Wine (1953)
* Life Begins at Seventeen (1953)
* The Big Star Parade (1954)
* My Sister and I (1954)
* Ball at the Savoy (1955)
* Love, Dance and a Thousand Songs (1955)
* The Bath in the Barn (1956)
* La Paloma (1959)
* Marina (1960)
* Yes, Women are Dangerous (1960)
* Ramona (1961)
* Wedding Night in Paradise (1962)
* Massacre at Marble City (1964)
* Diamond Walkers (1965)
* Count Bobby, The Terror of The Wild West (1966)

Authority control

International|

* ISNI
* VIAF
* WorldCat

National|

* Spain
* France
* BnF data
* Germany
* United States
* Czech Republic
* Poland

Artists|

* MusicBrainz

People|

* Deutsche Biographie

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