Payroll (film)

1961 British crime thriller directed by Sidney Hayers

Payroll

UK movie poster

Directed by| Sidney Hayers
Written by| George Baxt
Based on| Payroll by Derek Bickerton
Produced by| Norman Priggen
Julian Wintle
Starring| Michael Craig
Françoise Prévost
Billie Whitelaw
William Lucas
Cinematography| Ernest Steward
Edited by| Tristam Cones
Music by| Reg Owen

Production
companies

Lynx
Independent Artists

Distributed by| Anglo-Amalgamated Film Distributors

Release dates

* 20 April 1961 (1961-04-20) (London West End)
* 21 May 1961 (1961-05-21) (UK general release)

Running time

| 102 minutes
Country| United Kingdom
Language| English

Payroll is a 1961 British neo-noir crime thriller film directed by Sidney Hayers and starring Michael Craig, Françoise Prévost, and Billie Whitelaw.[1] The screenplay by George Baxt was adapted from Derek Bickerton's 1959 novel of the same name. The film revolves around a group of criminals who plan and execute a wages robbery, which ultimately ends in disaster. The movie is one of the most highly regarded crime films from Anglo-Amalgamated.[2]

## Plot

[edit]

Four crooks, Johnny Mellors, Monty, Blackie, and Bert, devise a plan to rob a payroll van with the assistance of Dennis Pearson, an accountant working at the targeted firm. Pearson is compelled to support his wife Katie, who desires a more luxurious lifestyle. During the heist, the van driver Harry Parker, is killed, and Bert sustains a fatal injury from Parker's colleague, Frank Moore. Despite the setbacks, the gang successfully escapes with £50,000.

Having found out that Pearson was the 'inside man', Parker's widow Jackie starts posting threatening letters to him. Katie in the meantime has become involved with Johnny, hoping to get some of the money for herself. As the gang members start to argue amongst themselves, they are pursued by both Katie and Jackie, as well as the police. The climax takes place in Norfolk, with Johnny and Katie double-crossing each other and Jackie tracking Johnny in her bid for revenge.

## Cast

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* Michael Craig as Johnny Mellors
* Françoise Prévost as Katie Pearson
* Billie Whitelaw as Jackie Parker
* William Lucas as Dennis Pearson
* Kenneth Griffith as Monty Dunston
* Tom Bell as Blackie
* Barry Keegan as Bert Langridge
* Edward Cast as Detective Sergeant Bradden
* Andrew Faulds as Detective Inspector Carberry
* William Peacock as Harry Parker
* Glyn Houston as Frank Moore
* Joan Rice as Madge Moore
* Vanda Godsell as Doll
* Stanley Meadows as Bowen
* Brian McDermott as Brent
* Hugh Morton as Mr John
* Keith Faulkner as Alf
* Bruce Beeby as Worth
* Murray Evans as Billy
* Kevin Bennett as Archie Murdock
* Mary Laura Wood as Mrs Murdock
* Pauline Shepherd as secretary
* Paddy Edwards as Beryl
* Meadows White as Strange
* Michael Barrington as Hay
* Anthony Bate as detective (uncredited)
* Anita Sharp-Bolster as landlady (uncredited)

## Production

[edit]

The film's working title was I Promise to Pay. Much of it was shot on location in and around Gateshead and Newcastle upon Tyne[3] Other scenes were shot in Tynemouth, Rugby and Southwold; after location work was complete, the film began studio shooting at Beaconsfield Studios on 10 October 1960.[4]

Michael Craig was loaned from Rank. Of Hayers he said "I think he'd learned 'directing' from a manual".[5]

## Theme music

[edit]

The theme music, by Reg Owen and His Orchestra, was issued as a single on the Palette label (PG.9013).[6]

The song "It Happens Every Day", sung in a nightclub scene in the film by Eddie Ellis, was composed by Tony Osborne and Norman Newell, and released as a single on the Parlophone label (R. 4749).[7]

## Release

[edit]

The film opened at the Plaza cinema in London's West End on 20 April 1961, and went into general release in the UK on 21 May 1961.[8]

## Critical reception

[edit]

The Monthly Film Bulletin wrote:

> Payroll would seem to have ambitions superior to its second-feature credentials. Though these ambitions are more apparent in the latter half, it is the first half, the account of the actual robbery, which is reasonably if conventionally done along big-feature lines, with nicely calculated photography of the Newcastle backgrounds, zoom lenses homing on the armoured-van until it is crushed between a truck carrying concrete slabs and the gang's ramming truck, and a forceful performance by Tom Bell as the most aggressive of the crooks. From then on, however, the producers – perhaps painfully aware that bank-robberies have become a humdrum, everyday hazard in filmgoers' lives – appear to be celebrating their graduation from the second-feature thriller by throwing into their stock brew just about every ingredient known to the manual of classic melodrama. Anonymous letters flop down upon the door-mat; guilt complex is proclaimed with the tics and perspiration more usually associated with the German silent cinema; knock-out drops and poison are dispensed with Borgia-like abandon; a nocturnal chase through a wood followed by asphyxiation in a quagmire summons up echoes of The Mummy; and a police-car, screaming to a stop on the foreshore, disgorges an Inspector who takes one look at the vengeful widow (Billie Whitelaw), scything down the villain with a motor-launch, before remarking with faint surprise: "Look, it's Mrs, Parker!" Unfortunately the playing of such usually proficient actors as William Lucas and Kenneth Griffith can do nothing to mitigate the lunacies of a film whose main purpose apparently lies in shifting every conceivable manifestation of anxiety neurosis that members of its audience may be afflicted with upon the shoulders of its many much-suffering characters. Payroll is also distinguished by the dour presence of a French actress, Francoise Prévost, who bears a worrying resemblance at moments of emotional crisis to her leading man, Michael Craig.[9]

The Radio Times Guide to Films gave the film 2/5 stars, writing: "Sidney Hayers is one of the forgotten journeymen of 1960s British cinema. This is a solidly crafted crime story in which the perfect blag begins to unravel as the gang lies low. Michael Craig is on surprisingly good form as the gang leader, but it's Billie Whitelaw, as the widow of a murdered security van guard, who commands centre-stage as she risks her own life to snare the culprits."[10]

## References

[edit]

1. ^ "Payroll". British Film Institute Collections Search. Retrieved 14 February 2024.
2. ^ Vagg, Stephen (16 January 2025). "Forgotten British moguls: Nat Cohen – Part Two (1957-1962)". Filmink. Retrieved 16 January 2015.
3. ^ "10 great films set in north-east England".
4. ^ Bill Edwards, 'Production', Kinematograph Weekly vol 521 no 2767, 13 October 1960
5. ^ Craig, Michael (2005). The Smallest Giant: An Actor's Life. Allen and Unwin. p. 96.
6. ^ "Lord of the Boot Sale or Forgotten Vinyl: Reg Owen and His Orchestra - Payroll". Archived from the original on 2 November 2014. Retrieved 1 November 2014.
7. ^ "Eddie Ellis with Tony Osborne and his Orchestra – Honey I Gotta Have You /It Happens Every Day". Discogs. Retrieved 14 February 2024.
8. ^ F. Maurice Speed, Film Review 1961-62, Macdonald & Co 1961
9. ^ "Payroll". The Monthly Film Bulletin. 28 (324): 76. 1 January 1961 - via ProQuest.
10. ^ Radio Times Guide to Films (18th ed.). London: Immediate Media Company. 2017. p. 710\. ISBN 9780992936440.

## External links

[edit]

* Payroll at IMDb
* Payroll at Letterbox DVD

* v
* t
* e

Films directed by Sidney Hayers

* Violent Moment (1959)
* The White Trap (1959)
* Circus of Horrors (1960)
* Echo of Barbara (1960)
* The Malpas Mystery (1960)
* Payroll (1961)
* Night of the Eagle (1962)
* This Is My Street (1964)
* The Trap (1966)
* Three Hats for Lisa (1966)
* Finders Keepers (1966)
* The Southern Star (1969)
* Mister Jerico (1969)
* The Firechasers (1971)
* Assault (1971)
* Revenge (1971)
* All Coppers Are... (1972)
* Deadly Strangers (1974)
* What Changed Charley Farthing? (1975)
* Diagnosis: Murder (1975)
* One Away (1976)
* The Seekers (1979)
* Condominium (1980)

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