Portrait of Henry VIII

Lost painting by Hans Holbein the Younger

This article is about the lost full-length portrait by Hans Holbein the Younger. For the half-length portrait in Rome, see Portrait of Henry VIII (Holbein, Rome).

Portrait of Henry VIII

Artist| After Hans Holbein the Younger
Year| 1536–1537
Medium| Oil on canvas
Location| Walker Art Gallery, Liverpool
Copy in oils of the Whitehall Mural, commissioned by Charles II, 1667

Portrait of Henry VIII is a lost painting by Hans Holbein the Younger depicting Henry VIII. It is one of the most iconic images of Henry VIII and is one of the most famous portraits of any English or British monarch. It was created in 1536–1537 as part of the Whitehall Mural showing the Tudor dynasty at the Palace of Whitehall, Westminster, which was destroyed by fire in 1698, but is still well known through many copies.

## Description

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Hans Holbein the Younger, originally from Germany, had been appointed the English King's Painter in 1536. The portrait was created to adorn the privy chamber of Henry's newly acquired Palace of Whitehall. Henry was spending vast sums to decorate the 23-acre (93,000 m2) warren of residences he had seized after the downfall of Cardinal Wolsey. The original mural featured four figures arranged around a marble plinth: Henry, his wife Jane Seymour, and his parents, Henry VII and Elizabeth of York. The mural was thus commissioned sometime during the brief marriage of Henry and Jane Seymour and was completed in 1537. It may well have been commissioned to celebrate the coming or actual birth of Henry's long-awaited heir, Edward, born in October 1537.[1] It is not clear where in the palace the mural was located, but it may have been in the king's Privy Chamber or study, where only a very select few would have seen it.[2]

Henry is posed without any of the standard royal accoutrements such as a sword, crown, or sceptre. This was common in progressive royal portraiture of the period, for example the portraits by Titian of the Habsburg family and other royalty, and also French and German royal portraits. But Holbein's success in conveying royal majesty without such specific props is exceptional. The majestic presence is conveyed through Henry's aggressive posture, standing proudly erect, directly facing the viewer. His legs are spread apart, and arms held from his side in the pose of a warrior or a wrestler. In one hand he holds a glove, while the other reaches towards an ornate dagger hanging at his waist. Henry's clothes and surroundings are ornate, with the original painting using gold leaf to highlight the opulence. The detailed blackwork embroidery is especially notable. He wears an array of jewellery including several large rings and a pair of necklaces. His large codpiece and heavily padded shoulders further enhance the aggressive masculinity of the image.[citation needed]

The portrait has been called a work of propaganda, designed to enhance Henry's majesty. It deliberately skews his figure to make him more imposing. Comparisons of surviving sets of Henry's armour show that his legs were much shorter in reality than in the painting. The painting also shows Henry as young and full of health, when in truth he was in his forties and had been badly injured earlier in the year in a tiltyard accident. He was also already suffering from the health problems that would affect the latter part of his life.[3]

Henry recognized the power of the image Holbein created, and encouraged other artists to copy the painting and distributed the various versions around the realm, giving them as gifts to friends and ambassadors. Major nobles would commission their own copies of the painting to show their loyalty to Henry. The many copies made of the portrait explain why it has become such an iconic image, even after the destruction of the original when Whitehall Palace was consumed by fire in 1698. It has had a lasting effect on Henry's public image. For instance, Charles Laughton's Oscar-winning performance in The Private Life of Henry VIII was modelled after the swaggering Henry depicted by Holbein.[4]

## Surviving images

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A full-size cartoon done by Holbein in preparation for the portrait group survives in the collection of the National Portrait Gallery, showing only the left-hand third of the group, with the two Henries. This was used to make an outline of the design on the wall, by pricking holes along the main lines and pushing powdered soot through.[5] The cartoon differs slightly from the final version. Most notably it shows Henry standing in a more traditional three-quarters view rather than the final and iconic head-on position.

Also surviving is a much smaller half-length portrait of Henry by Holbein that is today in the collection of the Thyssen-Bornemisza Museum in Madrid. This, the only surviving painting of Henry from Holbein's hand, may also have been a preparatory study. In it Henry wears much the same clothing as the final mural but is still posed in a three-quarters view. For many years this painting was owned by the Spencer family and housed at Althorp. Financial problems forced the 7th Earl Spencer to sell much of the art collection, and it was purchased by Heinrich Thyssen.

All the remaining copies of the painting are today attributed to other artists, though in most cases the name of the copyist is unknown. They vary dramatically in their quality and faithfulness to the original source. Most of the reproductions only copy the image of Henry, though a copy by Remigius van Leemput of the entire mural is in the Royal Collection, usually on display at Hampton Court Palace. This was made in 1667 for Charles II.[6] The highest quality, and best known, copy is that currently in the collection of the Walker Art Gallery (illustration), which may have been commissioned by Edward Seymour, Jane's brother.[7]

Location  | Date  | Notes  | Image

|
|
|

Art Gallery of Ontario | 2nd half 16th century  | Circle of Hans Holbein the Younger  |
Belvoir Castle |  |  |
Formerly Castle Howard | 1542  |  |
Chatsworth House | c. 1560–73  | by Hans Eworth, likely commissioned by William Cavendish |
Hampton Court Palace | 1667  | Remigius van Leemput, only surviving depiction of the full mural  |
Holyroodhouse |  |  |
National Maritime Museum |  |  |
Galleria Nazionale d'Arte Antica, Rome  |  | Workshop of Hans Holbein the Younger, commissioned at the age of 49 |
National Museum in Warsaw | 1540s  | Workshop of Hans Holbein the Younger  |
National Portrait Gallery |  | Preparatory cartoon done by Holbein  |
National Portrait Gallery |  |  |
National Portrait Gallery |  |  |
National Portrait Gallery |  |  |
National Portrait Gallery |  |  |
New College, Oxford |  |  |
Parham House |  |  |
Petworth House | Dendrochronology puts the boards at some time after 1525  | Created by Holbein's studio  |
Royal College of Physicians |  |  |
St Bartholomew's Hospital |  | Donated in 1737  |
Thyssen-Bornemisza Museum | c. 1534–1536  | Preparatory portrait done by Holbein  |
Trinity College, Cambridge | c. 1567  | By Hans Eworth, oil on 5 oak planks, 229.6 x 124.1 cm on display in Trinity College's Hall. It was commissioned and bequeathed in 1567 by Robert Beaumont, one of the first Masters of the college.[8] Briefly displayed at the Fitzwilliam Museum in Cambridge, UK in 2015[9] |
Walker Art Gallery | Dendrochronology puts the boards at some time after 1530  |  |
Unknown location (sold Christie's November 2006)  | Dendrochronology puts the panels as from a tree felled between 1540 and 1560  |  |
Weiss Gallery, London  | c. 1600–10  | Painted for Sir Henry Lee, and at Ditchley Park until sold in the estate sale of his descendant Harold Arthur Lee-Dillon, 17th Viscount Dillon (1844–1932), 24 May 1933. With the Weiss Gallery as of 2012.[10] |
Windsor Castle, Royal Collection | 1535–44  |  |
Windsor Castle, Royal Collection  | c. 1538–47?  |  |
Windsor Castle, Royal Collection | 1550–1650  |  |
Windsor Castle, Royal Collection | 1550–99  |  |

[11]

## See also

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* List of paintings by Hans Holbein the Younger
* Cultural depictions of Henry VIII

## References

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1. ^ "King Henry VIII; King Henry VII", NPG
2. ^ "King Henry VIII; King Henry VII", NPG
3. ^ Derek Wilson "Was Hans Holbein's Henry VIII the best piece of propaganda ever?" The Telegraph 23 April 2009
4. ^ Holbein's legacy Archived 3 September 2009 at the Wayback Machine
5. ^ "King Henry VIII; King Henry VII", NPG
6. ^ "VIII Revealed." Walker Art Gallery, Liverpool
7. ^ Walker Art Gallery's Henry Archived 12 April 2009 at the Wayback Machine
8. ^ Luminarium. "Portraits of Henry VIII: The Whitehall Mural". Retrieved 18 April 2018.
9. ^ Fitzwilliam Museum. "King Henry VIII on display in August". Retrieved 18 April 2018.
10. ^ Weiss Gallery (2012). "Tudor and Stuart Portraits From The Collections of the English Nobility and their Great Country Houses". pp. 14–16. Retrieved 25 March 2012.[permanent dead link]
11. ^ Portraits of King Henry VIII: Hans Holbein and His Legacy.

* v
* t
* e

Henry VIII

King of England and Ireland (1509–1547)

Family|

* Henry VII (father)
* Elizabeth of York (mother)
* Arthur, Prince of Wales (brother)
* Edmund Tudor, Duke of Somerset (brother)
* Margaret, Queen of Scots (sister)
* Mary, Queen of France and Duchess of Suffolk (sister)

| Wives|

* Catherine of Aragon
* Anne Boleyn
* Jane Seymour
* Anne of Cleves
* Catherine Howard
* Catherine Parr

|

Children|

* Henry, Duke of Cornwall
* Mary I
* Elizabeth I
* Edward VI
* Henry FitzRoy, Duke of Richmond and Somerset (illegitimate)

Reign|

* Coronation
* English Reformation
* Dissolution of the Monasteries
* Field of the Cloth of Gold (1520)

Events|

* Reformation Parliament (1529–1536)
* Treaty of Bruges (1521)
* Treaty of Perpetual Peace (1534)
* Acts of Succession
* First (1534)
* Second (1536)
* Third (1543)
* Treason Act (1540)

| Battles|

* Battle of the Spurs
* Battle of Solway Moss
* Battle of Haddon Rig
* Rough Wooing

|

Inventory|

* Tudor Crown
* Writing desk
* Horned helmet

Depictions|

| Portraiture|

* Lost portrait
* Rome portrait

|

Plays and
musicals|

* Henry VIII (1613)
* The Rose Without a Thorn (1933)
* A Man for All Seasons (1954)
* Rex (1976)
* Wolf Hall (2013)
* Six (2017)
* The Mirror and the Light (2021)

Film|

* The Private Life of Henry VIII (1933)
* Anne of the Thousand Days (1969)
* Henry VIII and His Six Wives (1972)
* Monarch (2000)
* The Other Boleyn Girl (2008)
* Firebrand (2023)

Novels|

* Wolf Hall
* Bring Up the Bodies
* The Mirror & the Light
* The Constant Princess
* The King's Curse
* The Taming of the Queen
* The Sixth Wife
* The Other Boleyn Girl

Television|

* Wolf Hall
* Wolf Hall: The Mirror and the Light
* The Spanish Princess
* The Tudors
* The Six Wives of Henry VIII

Related|

* Tudor period
* Mistresses

* ← Henry VII
* Edward VI →

* v
* t
* e

Hans Holbein the Younger

* List of paintings
* List of portrait drawings

Paintings|

* Double Portrait of Jakob Meyer zum Hasen and Dorothea Kannengießer (1516)
* Portrait of Bonifacius Amerbach (1519)
* The Body of the Dead Christ in the Tomb (1520–1522)
* Solothurn Madonna (1522)
* Portrait of Erasmus of Rotterdam (1523)
* Lais of Corinth (c. 1524)
* Darmstadt Madonna (1526)
* Sir Thomas More and Family (lost; 1527)
* Portrait of Sir Thomas More (1527)
* Portrait of a Lady with a Squirrel and a Starling (1526–1528)
* Portrait of Nicolaus Kratzer (1528)
* Portrait of the Artist's Family (1528–1529)
* Portrait of Georg Giese (1532)
* The Ambassadors (1533)
* Portrait of Hermann Hillebrandt de Wedigh (1533)
* Portrait of Thomas Cromwell (c. 1532–1534)
* Portrait of Charles de Solier, Sieur de Morette (1534–1535)
* Portrait Miniature of Margaret Roper (1535–1536)
* Portrait of Sir Richard Southwell (1536–1537)
* Portrait of Henry VIII (lost; 1536–1537)
* Portrait Miniature of Hans Schwarzwaldt (c. 1535–1540)
* Portrait of Christina of Denmark (1538)
* Portrait of a Lady, probably a Member of the Cromwell Family (c. 1535–1540)
* Portrait of Jane Small (c. 1540)
* Portrait of Henry VIII (Rome; 1540)
* Portrait of a Young Merchant (1541)
* Self-portrait (1542–1543)
* Portrait of Johann von Schwarzwaldt (1543)

Family|

* Hans Holbein the Elder (father)
* Ambrosius Holbein (brother)

Related|

* Northern Renaissance

*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template
*[c.]: circa