Portraits of Vincent van Gogh

Vincent van Gogh, Self-portrait without beard, end September 1889, (F 525), oil on canvas, 40 × 31 cm., private collection. This may have been Van Gogh's last self-portrait. Given as a birthday gift to his mother.[1]

The portraits of Vincent van Gogh (1853–1890) include self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face.

## Self-portraits

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See also: Self-portraiture

### 1885

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On July 14, 2022, an almost certainly authentic self-portrait of van Gogh was uncovered under his 1885 painting "Head of a peasant woman".[2] Lesley Stevenson, a conservator at the Scottish National Gallery of Modern Art, discovered it during an X-ray examination of their existing pieces. It shows a bearded van Gogh in a brimmed hat and a neckerchief around his throat. His left ear was clearly visible.[3] The portrait is covered under layers of cardboard and glue, which experts are searching for ways to remove in order to confirm its authenticity.[4] They believe it was painted when van Gogh moved to France and learnt about the work of the impressionists there, an experience that influenced his more colourful and expressive style that is much admired today.[3] Van Gogh was known to often reuse his canvases or work on their reverse in order to save money. The X-ray image will be featured at a Royal Scottish Academy exhibit in Edinburgh and displayed using a specially made lightbox.[2][5]

### Paris 1886

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The first self-portrait by van Gogh that survived is dated 1886.

* Two Self-Portraits and Several Details, Drawing, Paris, 1886
Van Gogh Museum, Amsterdam (F1378r)

* Self-Portrait with Dark Felt Hat at the Easel, 1886
Van Gogh Museum, Amsterdam (F181)

* Self-Portrait with Pipe, 1886
Van Gogh Museum, Amsterdam (F208)

* Self-Portrait with Pipe, 1886
Van Gogh Museum, Amsterdam (F180)

* Self-Portrait with Dark Felt Hat, 1886
Van Gogh Museum, Amsterdam (F208a)

* Self-Portrait, Autumn 1886, Paris
Gemeentemuseum Den Haag, The Hague (F187v)

* Self-Portrait, Winter 1886/87
Wadsworth Atheneum, Hartford (F268)

* Self-Portrait, Winter 1886/87
Van Gogh Museum, Amsterdam (F269v)

* Self-Portrait, Winter 1886/87
Van Gogh Museum, Amsterdam (F267)

* Self-Portrait, Winter 1886/87
Kröller-Müller Museum, Otterlo (F380)

* Self-Portrait, 1887
Oil on pasteboard, 42 cm x 34 cm
Rijksmuseum, Amsterdam (F295)

### Paris 1887

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* Self-Portrait with Pipe and Glass, 1887
Van Gogh Museum, Amsterdam (F263a)

* Self-Portrait with Grey Felt Hat, March/April 1887
Oil on pasteboard, 19 × 14 cm
Van Gogh Museum, Amsterdam (F296)

* Self-Portrait, 1887
Oil on artist's board, mounted on cradled panel, 41 × 32.5 cm
Art Institute of Chicago (F345)

* Self-Portrait with Straw Hat, Summer 1887
Van Gogh Museum, Amsterdam (F469)

* Self-Portrait with Straw Hat (reverse image), 1887
Van Gogh Museum, Amsterdam (F61v)

* Self-Portrait with Straw Hat, Summer 1887
Oil on pasteboard, 34.9 × 26.7 cm
Detroit Institute of Arts (F526)

* Self-Portrait with Straw Hat, 1887
Metropolitan Museum of Art (F365v)

* Self-Portrait with Straw Hat and a Pipe (reverse image), 1887
Van Gogh Museum, Amsterdam (F179v)

* Self-Portrait, Summer 1887
Van Gogh Museum, Amsterdam (F356)

* Self-Portrait, Summer 1887, Paris
Van Gogh Museum, Amsterdam (F77v)

* Self-Portrait, Summer 1887, Paris
Van Gogh Museum, Amsterdam (F109v)

* Self-Portrait, Autumn 1887
Oil on canvas, 47 × 35 cm
Musée d'Orsay, Paris (F320)

* Self-Portrait with Japanese print December, 1887
Kunstmuseum, Basel (on loan from Emily Dreyfus Foundation) (F319)

* Self-Portrait with Grey Felt Hat, Winter 1887/88
Oil on canvas, 44 × 37.5 cm
Van Gogh Museum, Amsterdam (F344)

* Self-Portrait, 1887–88, (F1672a)

* Self-Portrait, 1887–88
Foundation E.G. Bührle Collection, Zürich (F366)

* Self-Portrait as a Painter, December 1887 – February 1888, Oil on canvas, 65.1 cm × 50 cm
Van Gogh Museum, Amsterdam (F522)

### Arles

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* Self-Portrait with Pipe and Straw Hat, Summer 1888
Oil on pasteboard, 42 × 31 cm
Van Gogh Museum, Amsterdam (F524)

* Self-portrait dedicated to Paul Gauguin, September 1888
Oil on canvas, 62 × 52 cm
Fogg Art Museum, Cambridge, MA (F476 – see Provenances below)

* Self-portrait dedicated to Charles Laval, Arles, November/December 1888
Private collection (F501)

* Self-portrait with Bandaged Ear, January 1889
Oil on canvas, 51 × 45 cm
Private Collection (F529)

* Self-portrait with Bandaged Ear, Easel and Japanese Print, January 1889
Oil on canvas, 60 × 49 cm
Courtauld Institute Galleries, London (F527)

* Painter on his way to work: Vincent van Gogh on the road to Montmajour, August 1888 (F448), Oil on canvas, 48 × 44 cm, believed to have been destroyed by fire in World War II

### Saint-Rémy

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All the self-portraits executed in Saint-Rémy show the artist's head from the left, i.e. the side with non-mutilated ear.

* Self-Portrait, August 1889
Oil on canvas, 57 × 43,5 cm
National Gallery of Art, Washington D.C. (F626, JH1770) [6][7][8][9]

* Self-Portrait, September 1889
Oil on canvas, 65 × 54 cm
Musée d'Orsay, Paris. This may have been Van Gogh's last self-portrait.[10] (F627 – see Remarks below)

* Self-portrait without beard, end September 1889
Oil on canvas, 40 × 31 cm
Private collection. Another contender for being Van Gogh's last self-portrait (F525 – see Remarks below).

### Auvers-sur-Oise

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No self-portraits were executed by van Gogh in Auvers-sur-Oise, during the final weeks of his life.

## Remarks

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* F208a: Self-Portrait with Dark Felt Hat is amongst the earliest of van Gogh's self-portraits. It was discovered late in the family collection and was not exhibited before 1945. Opinions differ about the date and place of its execution. De la Faille thought it painted in Antwerp before 1886, while Hulsker thought it painted in Paris in spring 1886. Hendriks and Tilborgh opt for autumn 1886, based on its resemblance to van Gogh's work that winter when he began to embrace Neo-impressionism. X-ray analysis reveals a nude figure study below. Since students did not work from nude models at Antwerp, this places the painting as executed in Paris where van Gogh had enrolled in Fernand Cormon's atelier. There is no other work in van Gogh's oeuvre which complements this portrait, which has led to some authors such as Dorn questioning its authenticity.[11] However Hendriks and Tilborgh are satisfied that the painting is consistent with others executed at the beginning and end of van Gogh's first year in Paris.[12] Marc Edo Tralbaut, van Gogh's principal biographer, especially valorised the portrait, selecting it for the dust-jacket of his biography and stating that van Gogh had "laid himself bare" for the portrait.[13] Tralbaut notes that van Gogh painted a number of self-portraits at this time, possibly because of his difficulty in getting models to sit for him. He was in poor health and his teeth were falling out, prompting him to grow a moustache to conceal them. At this time he was wearing city-clothes in an effort to stress his middle-class background as he strove to establish a conventional career for himself as an artist.
* F627: This painting may have been van Gogh's last self-portrait, which he gave to his brother.[10]
* F525: This painting may have been van Gogh's last self-portrait, which he gave to his mother as a birthday gift.[1][14] Van Gogh painted Self-Portrait without beard just after he had shaved himself (Hulsker thought it painted in Arles following his admission to hospital after mutilating his ear when he was also shaved, as can be seen in the "bandaged ear" portraits F527 and F529). The painting can be seen in the third (smaller) version of Bedroom in Arles at the Musée d'Orsay. The self-portrait is one of the most expensive paintings of all time, selling for $71.5 million in 1998 in New York. At the time, it was the third (or an inflation-adjusted fourth) most expensive painting ever sold.

## Provenances

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* F476: Vincent van Gogh, Arles, (1888) gift; to Paul Gauguin, (1888–1897) sold. [Ambroise Vollard, Paris.] [Paul Cassirer Gallery, Berlin.] Hugo von Tschudi, Berlin, (1906–1911), by descent; to his widow, Angela von Tschudi, Munich (1911–1919), to Neue Staatsgalerie, Munich, (1919–1939); removed from the collection by the National Socialist (Nazi) authorities in 1938, (EK16554) consigned; to [Galerie Fischer, Lucerne, Switzerland, sale: Gemälde und Plastiken Moderner Meister aus Deutschen Museen, 30 June 1939, no. 45]; to Maurice Wertheim (1939–1951) bequest; to Fogg Art Museum, 1951. Notes: Gauguin sold the painting for Fr 300, Hugo von Tschudi bought the painting for the Nationalgalerie, Berlin, with funds from sponsors, but did not submit it to the Kaiser for pre-approval. He took the painting to Munich when he assumed post there.[15]

## Scandals

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In Nazi Germany, Vincent van Gogh's works were among those labelled generally "degenerate art". Several works were seized and sold/or destroyed by NS authorities including the self-portrait dedicated to Paul Gauguin, September 1888, which was seized from the Neue Staatsgalerie in Munich, part of the Bavarian State Paintings Collections, to be sold at auction in 1939 in Lucerne, Switzerland, while other works by van Gogh could remain in this collection, but were kept under lock and key.

## Fakes

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Self-Portrait, à l'oreille mutilée, 1889? (F528)
Oil on canvas, 40 × 31 cm
National Gallery, Oslo

Almost at the same time as when his Catalogue raisonné was published, Jacob Baart de la Faille had to admit that he had included paintings emerging from dubious sources, and of dubious quality. Shortly after, in 1930, De la Faille rejected some thirty odd paintings, which he had originally included in his catalogue – together with a hundred of others he had already excluded: Self-portraits – and Sunflowers – held a prominent place in the set he now rejected. In 1970, the editors of De la Faille's posthumous manuscript brand marked most of these dubious Self-portraits as forgeries,[16] but could not settle all disputes, at least on one:

* The Selfportrait 'a l'éstampe japonais', then in the collection of William Goetz, Los Angeles, was included, though all editors refused its authenticity.[17]

Meanwhile, the authenticity of a second "self-portrait" has been challenged:

* The Selfportrait, 'à l'oreille mutilée', acquired in 1910 for the Nasjonalgalleriet, Oslo, had been unanimously rejected by scholars and technical researchers for decades, until provenance research by staff members reported pro domo the contrary.[18] On January 20, 2020 the results of research into this painting were published, and the conclusion was that this is a real Van Gogh painting, painted in the time that he was in a mental institution.[19]

Note the painter shows his right ear, if painted via a mirror, while Van Gogh cut his left ear.

## Portraits of Vincent van Gogh by other artists

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* John Russell, Vincent van Gogh, 1886, Van Gogh Museum, Amsterdam

* Henri de Toulouse-Lautrec, Portrait of Vincent van Gogh, 1887, pastel on cardboard, Van Gogh Museum, Amsterdam

* Paul Gauguin, The Painter of Sunflowers, 1888, Van Gogh Museum, Amsterdam

* Lucien Pissarro, Vincent and Theo van Gogh in Conversation, 1887, drawing of Vincent with his brother Theo van Gogh.

* Paul Gachet, Van Gogh on his Deathbed, 1890, drawing of van Gogh in his death bed after committing suicide.

## Photographs

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* Photograph of Vincent van Gogh, age 13, 1866

* Photograph of Vincent van Gogh, age 19, c. 1873

* Photo by Victor Morin, c. 1886, Quebec. Discovered in the early 1990s, a disputed, unconfirmed photograph of Vincent.[20]

## See also

[edit]

* List of works by Vincent van Gogh

## Sources

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### Notes

[edit]

1. ^ a b Pickvance (1986), 131
2. ^ a b "Vincent Van Gogh: Self-portrait discovered in Scotland – CBBC Newsround". Retrieved 2022-07-15.
3. ^ a b Ogg, Jordan (2022-07-14). "Hidden Van Gogh self-portrait discovered". National Galleries of Scotland. Archived from the original on 2022-07-14.
4. ^ Timsit, Annabelle (2022-07-14). "Secret Van Gogh self-portrait discovered by X-ray of another painting". Washington Post. ISSN 0190-8286.
5. ^ "Hidden Van Gogh self-portrait found behind painting in Scotland". Reuters. 2022-07-14. Retrieved 2022-07-18.
6. ^ "Vincent Van Gogh – Self-portrait". Online catalogue. National Gallery of Art, Washington, DC.
7. ^ "To Theo van Gogh. Saint-Rémy-de-Provence, Thursday, 5 and Friday, 6 September 1889". Vincent van Gogh: The Letters. Van Gogh Museum. Note 4. Retrieved 26 February 2012. "People say – and I'm quite willing to believe it – that it's difficult to know oneself ..."
8. ^ "To Theo van Gogh. Saint-Rémy-de-Provence, on or about Friday, 20 September 1889". Vincent van Gogh: The Letters. Van Gogh Museum. Note 14. Retrieved 26 February 2012. "I have another one which is an attempt from when I was ill."
9. ^ "To Willemien van Gogh. Saint-Rémy-de-Provence, Thursday, 19 September 1889". Vincent van Gogh: The Letters. Van Gogh Museum. Note 16. Retrieved 26 February 2012. "Lately I've done two portraits of myself, one of which is quite in character, I think, ..."
10. ^ a b Walther 2000, p. 74.
11. ^ Dorn 2005 pp. 19, 21
12. ^ Hendriks, Tilborgh 2011 pp. 271–273
13. ^ Tralbaut 1961. pp. 188–189
14. ^ "To Theo van Gogh. Saint-Rémy-de-Provence, Saturday, 28 September 1889". Vincent van Gogh: The Letters. Van Gogh Museum. 1r:1. "... a little portrait of me."
15. ^ "From the Harvard Art Museums' collections Self-Portrait Dedicated to Paul Gauguin".
16. ^ De la Faille 1970, nos. CHK
17. ^ De la Faille 1970, no. 476a: inscribed étude à la bougie
18. ^ Marit Ingeborg Lange: The provenance of Vincent van Gogh's 'Self-portrait' in Oslo, Burlington Magazine CXLVIII/1235, February 2006, pp. 113–116
19. ^ "Onderzoekers concluderen over betwijfeld schilderij: Dit is toch echt een van Gogh".
20. ^ "A portrait of the artist as a middle-aged man?". TheGuardian.com. 24 February 2004.

### References

[edit]

* Dorn, Roland: Vincent, portraitiste: Bemerkungen zu ein paar heissen Eisen, in: Lukas Gloor, ed.: Van Gogh echt falsch: Zwei Selbstbildnisse der Sammlung Emil Bührle, Zürich 2005, pp. 7 – 21
* Hammacher, A. M.: Van Gogh: Selbstbildnisse, Philipp Reclam jun., Stuttgart 1960; 2nd edition 1970
* Hendriks, Ella; van Tilborgh, Louis. Vincent Van Gogh Paintings: 2, Lund Humphries 2011, ISBN 978-1848220836
* Van Lindert, Juleke, & Van Uitert, Evert: Een eigentijdse expressie: Vincent van Gogh en zijn portretten, Meulenhoff/Landshoff, Amsterdam 1990 ISBN 90-290-8350-6
* Pickvance, Ronald. Van Gogh In Saint-Rémy and Auvers (exh. cat. Metropolitan Museum of Art, New York: Abrams, 1986. ISBN 0-87099-477-8
* Tralbaut, Marc Edo. Vincent van Gogh, London 1961, Macmillan, ISBN 033-3109104
* Walther, Ingo (2000). Van Gogh. Cologne: Taschen. ISBN 978-3-8228-6322-0.

## External links

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* Van Gogh, paintings and drawings: a special loan exhibition, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on these portraits (see index)
* photograph supposedly of Van Gogh and Gauguin from 1887...
* Media related to Self-portraits by Vincent van Gogh at Wikimedia Commons

* v
* t
* e

Vincent van Gogh

General|

* Biography
* List of works
* List of drawings
* Chronology
* The Letters of Vincent van Gogh
* Health
* Auberge Ravoux
* Death
* Nazi looting of artworks by Vincent van Gogh
* Posthumous fame
* Cultural depictions
* Lost Arles sketchbook

Groups of
works|

* Early works (1881–82)
* Portraits (1881–1890)
* Peasant Character Studies (1881–1885)
* Van Gogh's family in his art (1881–1888)
* Sien (1882–83)
* Cottages (1883–1885)
* Water Mill at Gennep (1884)
* Still life paintings, Netherlands (1884–85)
* Old Church Tower at Nuenen (1884–85)
* Amsterdam (1885)
* Wheat Fields (1885–1890)
* Le Moulin de la Galette (1886)
* Still life paintings, Paris (1886–87)
* Montmartre (1886–87)
* Self portraits (1886–1889)
* Outskirts of Paris (1887)
* Asnières (1887)
* Seine (1887)
* Japonaiserie (1887)
* Sunflowers (1887–1889)
* Trees and Undergrowth (1887–1890)
* Copies by Vincent van Gogh (1887–1890)
* Langlois Bridge at Arles (1888)
* Saintes-Maries (1888)
* Boats du Rhône (1888)
* Décoration for the Yellow House (1888)
* The Roulin Family (1888–89)
* Hospital in Arles (1888–89)
* Flowering Orchards (1888–89)
* Almond Blossoms (1888–1890)
* Paintings of Children (1888–1890)
* The Wheat Field (1889)
* Reaper (1889)
* Olive Trees (1889)
* Wheat Fields (1889)
* Butterflies (1889–90)
* Saint-Paul Asylum, Saint-Rémy (1889–90)
* Auvers Double-squares and Squares (1890)
* Lost works by Vincent van Gogh
* Display at Les XX, 1890

Oil paintings|

| 1882|

* Beach at Scheveningen in Stormy Weather
* Girl in White in the Woods
* Lying Cow
* A Girl in the Street, Two Coaches in the Background

|

1883|

* Cows in the Meadow
* Farmhouses Among Trees
* Bulb Fields
* Landscape with a Church at Twilight
* Landscape with Dunes
* Footbridge across a Ditch
* Marshy Landscape
* A Wind-Beaten Tree
* Farm with Stacks of Peat
* Farmhouses in Loosduinen near The Hague at Twilight
* Three Figures near a Canal with Windmill

1884|

* Two Rats
* Congregation Leaving the Reformed Church in Nuenen
* The Parsonage Garden at Nuenen
* Landscape with Pollard Willows
* Cart with Black Ox
* Cart with Red and White Ox
* Lane in Autumn
* Water Mill at Opwetten
* Water Mill at Kollen
* Village at Sunset
* Avenue of Poplars in Autumn
* Avenue of Poplars at Sunset
* Head of an Old Farmer's Wife in a White Hat

1885|

* Still Life with Straw Hat
* The Potato Eaters
* Peasant Woman Digging
* Peasant Woman Digging Up Potatoes
* Skull of a Skeleton with Burning Cigarette

1886|

* Vase with Red Poppies
* Vase with White and Red Carnations
* The Kingfisher

1887|

* Poppy Flowers
* Wheat Field with a Lark
* View of Paris from Vincent's Room in the Rue Lepic
* Portrait of Père Tanguy
* A Woman Walking in a Garden
* Imperial Fritillaries in a Copper Vase
* Agostina Segatori Sitting in the Café du Tambourin
* Red Cabbages and Garlic

1888|

* Madame Roulin and Her Baby
* Landscape with Snow
* La Mousmé
* The Zouave
* Still Life: Vase with Oleanders
* The Night Café
* The Yellow House
* Van Gogh's Chair
* Café Terrace at Night
* Starry Night Over the Rhône
* Portrait of the Artist's Mother
* Bedroom in Arles
* The Painter on the Road to Tarascon
* Les Alyscamps
* A Lane in the Public Garden at Arles
* Falling Autumn Leaves
* L'Arlésienne
* The Red Vineyard
* Memory of the Garden at Etten (Ladies of Arles)
* Les Arènes
* Interior of a Restaurant in Arles
* A Lane near Arles
* Arles: View from the Wheat Fields
* Sunset at Montmajour
* Farmhouse in Provence
* Orchard with Cypresses

1889|

* Valley with Ploughman Seen from Above
* View of Arles, Flowering Orchards
* Portrait of Doctor Rey
* Crab on its Back
* Two Crabs
* Irises
* Lilac Bush
* The Starry Night
* The Gardener
* Self-portrait (1889)
* Self-portrait without beard
* Self-Portrait with Bandaged Ear
* A Meadow in the Mountains: Le Mas de Saint-Paul
* A Road at Saint-Remy with Female Figure
* Enclosed Field with Peasant
* Rain
* Cypresses
* Wheat Field with Cypresses
* Green Wheat Field with Cypress
* The Diggers
* The Ravine of the Peyroulets
* Ivy
* View of the Asylum and Chapel of Saint-Rémy
* The Large Plane Trees
* The Mulberry Tree

1890|

* The Siesta
* Road with Cypress and Star
* At Eternity's Gate
* Thatched Cottages and Houses
* Portrait of Dr. Gachet
* Doctor Gachet's Garden in Auvers
* Houses at Auvers
* White House at Night
* Landscape with a Carriage and a Train
* Girl in White
* The Church at Auvers
* Daubigny's Garden
* Farms near Auvers
* The Cows
* The Town Hall at Auvers
* Blossoming Chestnut Branches
* Peasant Woman Against a Background of Wheat
* Still Life: Vase with Pink Roses
* Portrait of Adeline Ravoux
* Plain near Auvers
* Wheatfield Under Thunderclouds
* Wheatfield with Crows
* Prisoners' Round (after Gustave Doré)
* Tree Roots
* Landscape at Auvers in the Rain
* Poppy Field

Watercolours|

* Boy Cutting Grass with a Sickle (1881)
* Meadows near Rijswijk and the Schenkweg (1882)
* The 'Laakmolen' near The Hague (1882)
* Church Pew with Worshippers (1882)
* Woman on Her Deathbed (1883)
* Landscape with Trees (1883)
* Peatery in Drenthe (1883)
* Landscape with Wheelbarrow (1883)
* Drawbridge in Nieuw-Amsterdam (1883)
* Breton Women (1888)
* Old Vineyard with Peasant Woman (1890)

Drawings|

* 87 Hackford Road (1873 or 1874)
* Marsh with Water Lilies (1881)
* Sorrow (1882)
* Portrait of a Man in a Top Hat (1882)
* Torso of Venus and a Landscape (1887)
* Head of a Girl (1888)

Museums|

* Van Gogh Museum
* Van Gogh House (Drenthe)
* Maison Van Gogh
* Kröller-Müller Museum
* Monastery of Saint-Paul de Mausole
* Fondation Vincent van Gogh Arles

Portrayals|

* Vincent van Gogh (1886 painting)
* Portrait of Vincent van Gogh (1887)
* The Painter of Sunflowers (1888 painting)
* Lust for Life (1934 novel)
* Van Gogh (1948 film)
* Lust for Life (1956 film)
* Van Gogh (1956 opera)
* Vincent and Theo van Gogh (1963 statue)
* "Vincent" (1971 song)
* Vincent (1987 film)
* Vincent & Theo (1990 film)
* Vincent and Me (1990 film)
* Dreams (1990 film)
* Vincent (1990 opera)
* Van Gogh (1991 film)
* Vincent in Brixton (2003 play)
* The Yellow House (2007 film)
* "Vincent and the Doctor" (2010 TV episode)
* Loving Vincent (2017 film)
* At Eternity's Gate (2018 film)

Family|

* Theo van Gogh (brother)
* Wil van Gogh (sister)
* Cor van Gogh (brother)
* Johanna van Gogh-Bonger
* Andries Bonger
* Theo van Gogh (film director)
* Anton Mauve
* Johannes Stricker

Cataloguers|

* Jacob Baart de la Faille (1928 and 1970; "F")
* Jan Hulsker (1978, revised 1989; "JH")

Related|

* The Vincent Award
* Van Gogh immersive experience

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