Renaissance (Beyoncé album)

2022 studio album by Beyoncé

Renaissance

Studio album by

Beyoncé

Released| July 29, 2022
Recorded| 2020–2022
Studio|

*     * Sing Mastering
* Tree Sound (Atlanta)

*     * Avenue A West
* Hardcover
* Henson Recording
* Juicy Juicy
* Kings Landing West
* Nightbird Recording
* Parkwood West
* Record Plant (Los Angeles)

* Trailer (East Hampton, New York)
* Blakeslee (North Hollywood, California)
* Zak Starkey (Ochi Rios, Jamaica)
* Le Crib (Westport, Connecticut)

Genre|

* Dance
* house
* pop
* R&B

Length| 62:14
Label|

* Parkwood
* Columbia

Producer|

* BAH
* Beam
* Beyoncé
* Boi-1da
* Al Cres
* A. G. Cook
* Honey Dijon
* Kelman Duran
* Hit-Boy
* Jameil Aossey
* Leven Kali
* Mike Dean
* Neenyo
* No I.D.
* Nova Wav
* P2J
* Chris Penny
* Luke Solomon
* Syd
* Skrillex
* Tricky Stewart
* Jahaan Sweet
* Symbolyc One
* Sevn Thomas
* The-Dream

Beyoncé chronology
| The Lion King: The Gift
(2019)  | Renaissance
(2022)  | Cowboy Carter
(2024)

|
|

Alternative cover

For select vinyl releases, the artwork features Luca Giordano's 1690 painting La Conversion de Saint Paul behind Beyoncé atop a disco ball horse.[1][2]

Singles from  Renaissance

1. "Break My Soul"
Released: June 20, 2022
2. "Cuff It"
Released: September 30, 2022
3. "America Has a Problem"
Released: May 19, 2023
4. "Virgo's Groove"
Released: June 2, 2023

Renaissance (also referred to as Act I: Renaissance) is the seventh studio album by American singer and songwriter Beyoncé. Released on July 29, 2022, by Parkwood Entertainment and Columbia Records, Renaissance is the first installment of her trilogy project. Beam, Grace Jones and Tems appear as guest vocalists on the album.

Beyoncé conceived and recorded Renaissance during the COVID-19 pandemic, intending to inspire joy and escapism in listeners after a period of collective isolation. Celebrating the club culture that served as a refuge for marginalized communities—particularly Black and queer people—the album pays homage to the pioneers who shaped those spaces. Arranged like a continuous DJ mix, Renaissance incorporates post-1970s Black dance music styles—such as disco, house, funk—and pays homage to the overlooked contributions of the pioneers who shaped those genres. Its lyrical themes center on escapism, hedonism, confidence, and self-expression.

The album was promoted with the Renaissance World Tour in 2023—the highest-grossing tour by a Black artist in history—and an accompanying concert film. Renaissance became Beyoncé's seventh consecutive album to debut at number one on the U.S. Billboard 200 chart, and has since been certified platinum. It also reached number one in Australia, Belgium, Canada, Denmark, France, Ireland, the Netherlands, New Zealand, Sweden, and the United Kingdom. Four singles supported the album: the U.S. Billboard Hot 100 number-one song "Break My Soul"; the top-ten single "Cuff It"; and "America Has a Problem" and "Virgo's Groove".

Renaissance received widespread critical acclaim for its eclectic yet cohesive sound, celebratory tone, and Beyoncé's vocal performance. It was the best-reviewed album of 2022 and topped year-end lists from major outlets including The New York Times, Los Angeles Times, NPR, Pitchfork, and Rolling Stone, the latter of which later ranked included it on its list of the "500 Greatest Albums of All Time". At the 65th Annual Grammy Awards, the album and its tracks earned nine nominations and won four awards, including Best Dance/Electronic Album, which made Beyoncé the most awarded artist in Grammy history. The second installment of the trilogy, Cowboy Carter, followed on March 29, 2024.

## Background and conception

[edit]

> Creating this album allowed me a place to dream and to find escape during a scary time for the world. It allowed me to feel free and adventurous in a time when little else was moving. My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking. A place to scream, release, feel freedom.

— Beyoncé on Renaissance[3]

In the latter half of the 2010s, Beyoncé released several critically acclaimed, narrative-driven[4] projects that explored the legacies of Black musicians and artists,[5] including 2016's Lemonade; her 2018 Coachella performance and the Netflix film and live album that documented it; and 2019's The Lion King soundtrack album The Gift and its visual companion, 2020's Black Is King.[6]

Beyoncé told British Vogue that the lockdown due to the COVID-19 pandemic changed her as a person, stating that she has "spent a lot of time focusing on building my legacy and representing my culture the best way I know how. Now, I've decided to give myself permission to focus on my joy."[7] Further, she called this period the most creative time in her life as she sought to escape feelings of isolation by recording new music.[3] As lockdowns began to end, Beyoncé told Harper's Bazaar that "we are all ready to escape, travel, love, and laugh again. I feel a renaissance emerging, and I want to be part of nurturing that escape in any way possible."[8]

Beyoncé sought inspiration in post-1970s Black ball culture, dance music and club culture.[9] Beyoncé noted that she was largely introduced to this culture by her "Uncle" Johnny, her gay cousin[a] who helped raise her until his death during the AIDS epidemic.[11][12][13] Further, she wanted the album to be a celebration of the underappreciated pioneers of dance music, whose contributions had been unrecognized in the mainstream.[14]

> I had no idea what type of genre I would end up singing for [Renaissance], but I tried to stay open and open my palette and discover aspects of myself or create something new. [...] I always wanted to make a record that I could work out to [..] It's a little bit over an hour and it's exactly that. It just makes you wanna move, it makes you wanna dance, it makes you laugh, it makes you wanna fall in love and it makes you wanna be with your man or your woman, it makes you just wanna have some joy and have some fun and that's really all I wanted to do. I felt like that was my mission and that was my assignment. I was inspired by so many incredible artists, I knew if I was gonna do an album that had dance music elements, l would have to make it my own and mix a few things together, so I think it has elements of disco, techno, electronic and soul and still some elements of hip hop. I wanted to give myself permission to just have fun, that's the goal. Because I definitely had fun recording it.

— Beyoncé in pre-recorded audio speech at 'Club Renaissance' 2022 party.[15]

Renaissance was heavily influenced by Studio 54.[16] Beyoncé wanted to challenge listeners with songs of longer length, bridges, vamps and melody in a musical landscape where it was lacking.[15] An early version of "Thique" was made in 2014, but the track did not fully materialize until Beyoncé picked it back up again 8 years later for the album.[17]

## Cover artwork

[edit]

The cover art has been compared to Lady Godiva, an 1897 painting by English artist John Collier.

On June 30, 2022, Beyoncé revealed the album's cover art, shot by fashion photographer Carlijn Jacobs, on her social media accounts. In the image, she is seated atop a mirrored disco ball horse[18][19] (dubbed "Reneigh" by fans)[20][21][22] in a 3D printed silver bodysuit designed by Nusi Quero.[23] The piece is helix-shaped, detailed with spikes and embellished with crystals.[24] Critics interpreted the equestrian pose as an allusion both to John Collier's 1897 painting Lady Godiva and to photographs of Bianca Jagger riding a horse into Studio 54.[25][26]

An alternate cover image for the vinyl release features Beyoncé atop the same horse, but "wearing a white cowboy hat with a silver headpiece that hides her hair" and "sparkling silver chains that drape her arms and legs, as white, feathery poofs hang along the body of the horse".[1] Behind her lies Luca Giordano's 1690 painting La Conversion de Saint Paul, depicting the Conversion of Paul the Apostle.[2]

## Composition

[edit]

Beyoncé collaborated with several progenitors of dance music on the album, such as Grace Jones (left) and Nile Rodgers. (right)

According to critics, Renaissance has an "innovative" and "playful" approach to genre,[27][28][29] blending and shifting between several styles, primarily various genres of post-1970s black dance music.[30][31][32][5][14] Described as a dance,[32] house,[33] pop, and R&B album,[28][34] its songs incorporate elements of a wide variety of sub-genres, namely bounce, Detroit techno, dembow,[35] reggaeton,[35] garage,[36][37] Afrobeats, boogie,[38] funk, gospel, Miami bass, psychedelic soul, hip-hop, trap, gqom, new jack swing, Jersey club,[27][29] Chicago house,[32] deep house,[38] electro house,[39] hip house,[27] synth-pop, hyperpop,[40] dancehall, and nu-disco.[32][41]

The tracks are connected by seamless transitions facilitated by beatmatching, evoking a DJ mix.[42][43] This reflects "the shifting moods and the physicality of the dance floor" rather than "the constraints of a radio station or a playlist", according to The New Yorker's Carrie Battan.[44] Some tracks also have unconventional song structures, containing multiple tempos and movements.[27][45][9]

Lyrically, Renaissance contains themes of escapism, self-assurance, self-expression, hedonism and pleasure,[42][46][47] with Beyoncé inspiring joy and confidence in listeners.[48] According to The Guardian, it "urg[es] listeners to wholeheartedly embrace pleasure", particularly referencing joy in Black culture.[29] The album's lyrics emphasize dance as both a measure of personal catharsis and a liberating spiritual practice.[49]

Beyoncé collaborated with, sampled and interpolated several progenitors of dance music on the album, including both mainstream and underground artists. This made the album a celebration of Black and Black queer dance culture, with Vulture's Charlie Harding likening it to "a DJ set curated by house-music pioneers".[50]

## Promotion and release

[edit]

Beyoncé originally intended to release Cowboy Carter (2024) as the first installment of her trilogy project, but explained that "with the pandemic, there was too much heaviness in the world", and so released Renaissance first, because "[people] deserved to dance."[51]

Beyoncé began to tease a new album on June 7, 2022, by removing her profile picture from all of her social media platforms.[52][53] Four days later, the text "What is a B7?" appeared on the homepage of the singer's official website.[54] Fans noticed that the website also had a placeholder for "B8", interpreted as referencing an eighth studio album.[55] Beyoncé officially announced the album and released the pre-sale for Renaissance on her website and digital streaming platforms the following day.[56][57][58]

After first joining TikTok in December 2021, Beyoncé posted her first video, a compilation of people (including American rapper Cardi B) "dancing, vibing, and singing along" to Renaissance's lead single, "Break My Soul", on July 14, 2022.[59] Further, she made her entire catalog available for use on the platform,[60] attracting significant media attention.[61][62][63] Two days before the scheduled release, on July 27, the album arrived in retailers in France and eventually leaked onto the Internet.[64]

> So, the album leaked, and you all actually waited until the proper release time so you all can enjoy it together. I've never seen anything like it. I can't thank yall enough for your love and protection. I appreciate you for calling out anyone that was trying to sneak into the club early. It means the world to me. Thank you for your unwavering support. Thank you for being patient. We are going to take our time and enjoy the music. I will continue to give my all and do my best to bring you joy.

— Beyoncé via social media on the day of the album's release.[65]

The album was released on July 29, 2022. Upon the album's release, Beyoncé posted a note on her website revealing that Renaissance is the first part of a trilogy project that she recorded over the past three years, during the COVID-19 pandemic.[66]

Critics opined that Renaissance appeared to be getting a more conventional rollout than a number of Beyoncé's previous albums, which were surprise releases, an approach Beyoncé herself was credited with popularizing. The New York Times wrote that the album's rollout reflected its throwback themes and music, with Beyoncé eschewing an exclusive digital release and instead releasing elaborate vinyl and CD packages.[67] This ushered in a revival of CD sales, according to Billboard.[68]

However, despite Beyoncé's decision to forego a surprise release, Renaissance's rollout quickly proved to be unconventional and disruptive in several other ways. Beyoncé kept her public appearances to a minimum, foregoing interviews and promotional efforts, and mostly keeping her communication limited to subtle clues, Easter eggs, and messages placed throughout her online media. She also completely avoided promotional live performances for the album until the Renaissance World Tour. Her only other performance following the album's release was a private concert at Atlantis The Royal, Dubai in January 2023, but, despite anticipation, the set list did not contain any material from Renaissance. Most notably, Beyoncé has eschewed a traditional release schedule for music videos. As of now, there are no official music videos available to accompany the songs from the album as part of its promotional efforts.[69]

### Singles

[edit]

On June 20, 2022, Beyoncé announced the album's lead single, "Break My Soul", would be released at midnight Eastern Time on June 21, to coincide with the 2022 summer solstice.[70][71] The song appeared on music streaming service Tidal hours early, on June 20, and a lyric video was later released on YouTube.[72][73] The song peaked atop the US Billboard Hot 100, making it her twelfth total career chart topper (eighth as a solo artist) and her first song without an accompanying artist to do so since "Single Ladies (Put a Ring on It)" in 2008.[74] On August 5, 2022, Beyoncé released a remix exclusively through her online store, before releasing it to streaming services; "The Queens Remix" is a collaboration with Madonna, sampling and interpolating her 1990 song "Vogue". It features Beyoncé name-dropping Madonna and many iconic black women during the song's rap verse.[75]

On September 21, 2022, Hiphop-n-more reported that "Church Girl" would be released as the album's second single; a week later, it was announced that it would be simultaneously released alongside "Cuff It" as the next two singles.[76] "Church Girl" was scheduled to impact rhythmic contemporary radio on October 4, 2022,[77] but the release failed to materialize whereas "Cuff It" was released as the sole second single, being sent to radio in France on September 28, 2022.[78] It impacted rhythmic and urban contemporary radio stations in the United States on October 4, 2022.[77][79] The song peaked at number 6 on the Billboard Hot 100, making it the 21st song in her solo career to reach this milestone, and 31st overall.[80] On April 11, 2023, the song became Beyoncé's longest-charting solo Hot 100 song.[81] Charting for a 34th week on the Hot 100, the song surpassed her collaboration with Lady Gaga, "Telephone" which released in 2010 and charted for 33 weeks.[81]

A remix of "America Has a Problem" featuring Kendrick Lamar was released through digital and streaming platforms on May 19, 2023, as the third single. The remix debuted at 38 on the US Billboard Hot 100.[82] "Virgo's Groove" impacted Italian radio stations on June 2, 2023, as the radio follow-up to "Cuff It" and fourth overall single.[83]

### Tour

[edit]

Main article: Renaissance World Tour

Beyoncé performing at the Renaissance World Tour in 2023

On February 1, 2023, Beyoncé announced the Renaissance World Tour via her Instagram account.[84] The concert run began on May 10, 2023, at Friends Arena in Stockholm. It was her first solo tour since The Formation World Tour in 2016. The tour quickly received widespread acclaim, with Rolling Stone dubbing it a "once-in-a-lifetime show from one of pop's greatest live performers".[85]

### Visuals

[edit]

When Renaissance was first released, Beyoncé stated through a press release that she wanted fans to focus on the music, rather than any visual components, but confirmed that visuals were eventually forthcoming.[86] On August 9, 2022, Beyoncé released a teaser video for the album's opening track, "I'm That Girl", that included a rapid montage of over twenty outfits that news outlets interpreted as previewing the various impending music videos for each track on the album. Some scenes included Beyoncé recreating Moi Renee performing her 1992 song "Miss Honey", Beyoncé and 2 dancers fronting La Conversion de Saint Paul, and Beyoncé in a hedge maze labyrinth.[87][88]

9 months later, Beyoncé embarked on the album's companion tour on May 10, 2023. Part of her tour visuals additionally included a message stating that, although fans were demanding visuals, "a queen moves at her own pace".[89] During her concert in Louisville, Kentucky, on July 17, 2023, Beyoncé addressed a fan's sign inquiring about the visuals, responding, "You are the visuals, baby."[90] Jeff Sneider of Above the Line reported on August 31, 2023, that a visual album for Renaissance, directed by Nadia Lee Cohen, was secretly filmed and is being shopped to various studios and streamers. He described it as an art film that is "weirder" than Beyoncé's previous works, Lemonade (2016) and Black Is King (2020).[91]

The last show of the Renaissance World Tour at Arrowhead Stadium in Kansas City, Missouri on October 1, 2023, closed out with a trailer for Renaissance: A Film by Beyoncé. Released on December 1, 2023, the film features highlights from the tour and documentary footage from the development of both the album and the tour.[92][93] A non-album track "My House" plays over the end credits; it was released as a single the same day as the film.[94]

> I thought it was important that during a time where all we see is visuals, that the world can focus on the voice. The music is so rich in history and instrumentation. It takes months to digest, research, and understand. The music needed space to breathe. Sometimes a visual can be a distraction from the quality of the voice and the music [...] The fans from all over the world became the visual. We got the visual on tour and from my film.

— Beyoncé speaking to GQ in September 2024.[95]

### Renaissance Couture

[edit]

In July 2022, Balmain's creative director Olivier Rousteing was inspired by Renaissance to sketch designs that related to the songs and lyrics. Rousteing refined the sketches during a vacation in August and proposed to Beyoncé and her stylist Marni Senofonte to create a couture collection in collaboration. Over the next five months, they developed a Balmain x Beyoncé couture collection inspired by the history of the house and the performer's musical heritage. The collection includes 16 pieces for the 16 tracks on the album, two of which were worn by Beyoncé at the Grammys and the BRIT Awards in early 2023. Rousteing described the collaboration as historic, expressing his gratitude to Beyoncé for launching the collaboration and partnering with him to design a collection that reflected the power of the album's compositions. Rousteing noted that he is the first Black person to lead a Parisian couture house and that he believes Beyoncé is the first Black woman to oversee a collection from a Parisian couture house.[96] Beyoncé fronted the April 2023 edition of Vogue France to promote the collection.[97]

## Reception

[edit]

### Critical response

[edit]

Professional ratingsAggregate scores

Source| Rating
AnyDecentMusic?| 8.6/10[98]
Metacritic| 91/100[99]
Review scores
Source| Rating
AllMusic| [100]
And It Don't Stop| A+[101]
Clash| 9/10[102]
Entertainment Weekly| A[9]
Exclaim!| 10/10[48]
The Guardian| [29]
MusicOMH| [103]
NME| [37]
Pitchfork| 9.0/10[5]
Rolling Stone| [38]

Renaissance received critical acclaim,[104][105][106] many of whom praised its cohesive yet eclectic production, joyous nature, vocal performance, and celebration of post-1970s Black dance music.[107][108] Renaissance is the most highly lauded album of 2022, topping many critics' year-end lists.[109] On review aggregator Metacritic, Renaissance received a score of 91 out of 100 based on 26 reviews, indicating "universal acclaim".

Veteran critic Robert Christgau hailed Renaissance as "the album of the year" and Beyoncé's "finest album", calling it unconventionally political, "erotically explicit, knowledgeable, and felt", with each song a "shrewdly differentiated pop smash".[101] Characterizing it as a "modern classic" and Beyoncé's most impressive album, Exclaim!'s Vernon Ayiku wrote that Renaissance is "the sound of a once-in-a-generation superstar performing at her peak".[48] According to Kyle Denis of Billboard, Renaissance is an "absolutely stunning body of work", and perhaps Beyoncé's most innovative and experimental album with her "most nuanced vocal performances" to date.[27] NPR's Ann Powers described it as "Beyoncé's Sistine Chapel", with its "stunning" design and detail, multifaceted nature and "timeless" impact.[109]

Describing the album as "intergenerational musical exchange that landed like a cultural comet", Okayplayer's Robyn Mowatt praised Beyoncé's ability to bring together dance legends (such as Grace Jones and Nile Rodgers) with contemporary underground musicians.[110] The Line of Best Fit critic David Cobbald described the album as one of Beyoncé's best, noting that it is a departure from her previous work. Cobbald praised the album for celebrating "underappreciated architects" of disco, house and funk music.[111] Music journalist Kate Solomon, writing for i, dubbed the album a "dazzling tribute to underground and underappreciated Black culture" and a dancefloor record aimed to heal "the pain and anguish" of the COVID-19 pandemic.[112] Melissa Ruggieri described it "a danceteria devoted to hedonism, sex and most importantly self-worth" in USA Today.[47]

Wesley Morris of The New York Times noted Beyoncé's "galactic" vocal performance, delivery and range.[113] Mikael Wood of the Los Angeles Times called the album "the year's smartest record [and] also its most deep-feeling", praising its rhythms, harmonies and vocals.[114] Pitchfork critic Julianne Escobedo Shepherd called it "a challenging, densely-referenced album" that forays into dance and club music more successfully than similar projects by Beyoncé's peers.[5] Marcus Shorter of Consequence wrote that Renaissance is "damn close to perfect" with its "infectious and not overbearing, elegant, but not shallow" songs.[115] John Amen, writing for PopMatters, complimented the album's contemporaneous production, dubbing it "a litany of samples, allusions, and tributes" but with "more style than substance" at times.[116] Resident Advisor's Kiana Mickles praised Beyoncé's use of experimental production and genres on the album but wrote that it "falls flat" when Beyoncé references Black/Brown queer ballroom culture.[117]

### Featured, sampled and interpolated artists

[edit]

Producer Kelman Duran, who received permission from the late Memphis rapper Princess Loko's family and main collaborator Tommy Wright III to use her catalog of songs in his productions, sampled a song of hers with Wright (1994s "Still Pimpin") to create dembow and reggaeton-infused opening track "I'm That Girl".[118][119] Jamaican singer Grace Jones was featured on the track "Move"; Jones said how she does not usually collaborate with other artists, but agreed to work with Beyoncé because she is "a beautiful person, a beautiful talent" and she attends the same church as Jones' brother.[120][121] American television personality Ts Madison, whose viral video clip "Bitch, I'm Black" is sampled on "Cozy", expressed gratitude to Beyoncé for allowing her to "let me use my voice" and "let it be known that we are all Black in totality" to a global audience.[122] Other artists who expressed gratitude for being included on Renaissance include Kevin Aviance, whose song "Cunty" is sampled on "Pure/Honey";[123] and ballroom commentator Kevin JZ Prodigy, whose chants are borrowed from the 2009 DJ MikeQ track "Feels Like" on "Pure/Honey".[124]

While many artists felt honored to have their work sampled on this album, a few took issue with it. One of them being American singer and songwriter Kelis, whose 2003 single "Milkshake" was interpolated on "Energy". Beyoncé sought permission from Pharrell Williams and Chad Hugo of the Neptunes – the sole writers, producers, and rights owners of "Milkshake" – who subsequently cleared the interpolation. Kelis voiced anger about this, claiming that the Neptunes made her sign an exploitative contract and that she should have been notified of the song's use in advance. In response, the interpolation was removed from "Energy".[125] British tabloid The Sun claimed that English pop duo Right Said Fred said that Beyoncé did not seek permission to interpolate their 1991 single "I'm Too Sexy" on "Alien Superstar". In response, Beyoncé's representative said that the accusation is false, with permission being sought on May 11, 2022, and granted on June 15, noting that the duo had previously spoken of their gratitude for being on the album on social media.[126] Other featured producers on the album include Skrillex, A. G. Cook, Nile Rodgers, Honey Dijon, and Green Velvet.[127][128][32]

Additionally, the song "Heated" was met with criticism online for its use of the word "spaz" in its lyrics, which, as Australian disability advocate Hannah Diviney pointed out, is an ableist slur,[129][130] and other fans agreed.[131][132] Other users online said that "spaz" has a different meaning in African-American English and is synonymous with "freaking out".[133][131] Beyoncé announced the following day that the word would be removed from the song, with the word soon being replaced with "blast".[134]

## Accolades

[edit]

At the end of 2022, Renaissance appeared atop several critics' lists ranking the year's top albums. According to Metacritic, it was the most prominently ranked record of 2022, and the album that was listed at number one by the most publications (25 publications).[135] Renaissance was the most nominated album at the 65th Annual Grammy Awards, receiving eight including Album of the Year, Song of the Year and Record of the Year. This tied Beyoncé with Jay-Z as the most Grammy-nominated artists of all time. Her four wins made her the most awarded artist in Grammy history with 32 wins, surpassing the previous record of 31 that was held for 22 years by Hungarian-British conductor Georg Solti.[136][137] Rolling Stone placed Renaissance at number 71 on their 500 Greatest Albums of All Time list.[138] Pitchfork named the record the fifth best album of the 2020s so far, on their ranking of the one hundred best music projects released during this period (2020–2024).[139]

### Awards

[edit]

Organization  | Year  | Award  | Result  | Ref.

|
|
|
|

American Music Awards |

2022

| Favorite Pop/Rock Album | Nominated  |

[140]

Favorite Soul/R&B Album | Won
Danish Music Awards |

2022

| International Album of the Year  | Nominated  | [141]
People's Choice Awards |

2022

| The Album of 2022  | Nominated  |

[142]

Soul Train Music Awards |

2022

| Best Album of the Year | Won  |

[143]

BET Awards |

2023

| Album of the Year | Won[b] |

[144]

Billboard Music Awards |

2023

| Top Dance/Electronic Album  | Won  |

[145]

Top R&B Album  | Nominated
Fonogram – Hungarian Music Awards |

2023

| Foreign Modern Pop-Rock Album of the Year  | Nominated  |

[146]

GAFFA Awards (Denmark) |

2023

| International Release of the Year  | Nominated  |

[147]

Grammy Awards |

2023

| Album of the Year | Nominated  |

[148]

Best Dance/Electronic Album | Won
iHeartRadio Music Awards |

2023

| R&B Album of the Year  | Won  |

[149]

Kids' Choice Awards |

2023

| Favorite Album  | Nominated  |

[150]

MTV Video Music Awards |

2023

| Album of the Year | Nominated  |

[151]

NAACP Image Awards |

2023

| Outstanding Album | Won  |

[152]

Urban Music Awards |

2023

| Best Album  | Nominated  |

[153]

### Year-end rankings

[edit]

Selected year-end rankings of Renaissance Publication  | List  | Rank  | Ref.

|
|
|

The A.V. Club | The 30 Best Albums of 2022  |

| [154]
Clash | Albums of the Year 2022  |

| [155]
Entertainment Weekly | The 10 Best Albums of 2022  |

[156]

The Guardian | The 50 Best Albums of 2022  |

[157]

The Hollywood Reporter | The 10 Best Albums of 2022  |

[158]

Los Angeles Times | The 20 Best Albums of 2022  |

[159]

NPR | Best Albums of 2022  |

[160]

Pitchfork | The 50 Best Albums of 2022  |

[161]

Rolling Stone | The 100 Best Albums of 2022  |

[162]

Vulture | The Best Albums of 2022  |

[163]

## Commercial performance

[edit]

Renaissance was a commercial success.[164] Upon release, Beyoncé became the first artist in history to simultaneously chart at #1 on 23 or more Billboard charts.[165] Renaissance garnered the record for the most single-day streams for an album by a female artist on Spotify in 2022, with over 43 million streams.[166] Within three months of its release, Renaissance amassed over 1 billion streams on Spotify.[167] It was also the 17th best-selling album of the year according to the International Federation of the Phonographic Industry (IFPI).[168] Renaissance was the number one most streamed album worldwide on Deezer in 2023.[169]

### United States

[edit]

Renaissance debuted at number one on the Billboard 200 chart, with 332,000 album-equivalent units—the second biggest 2022 album debut by a female artist and the third-biggest overall.[170][171] In doing so, Renaissance became Beyoncé's seventh consecutive studio album to debut at number one and the first album released by a woman in 2022 to reach number one.[170] Already the first artist to have her first six albums all debut at number one, she became the only female artist whose first seven albums did so as well.[172]

Following its release, all tracks from Renaissance charted on the Billboard Hot 100 in the chart dated August 13, 2022. All 15 new tracks debuted inside the top 70 of the chart, while previously released lead single "Break My Soul" ascended to number one,[173] making Renaissance Beyoncé's second album to chart all of its tracks simultaneously after Lemonade achieved the feat in 2016.[174] Additionally, Renaissance became Beyoncé's first album since I Am... Sasha Fierce (2008) to achieve multiple top ten singles in the United States, with "Break My Soul" and "Cuff It" peaking at number 1 and 6 respectively.[175]

Renaissance received 179.06 million streams in its first week, the eighth-biggest of the year overall, and the most of Beyoncé's career.[170] In terms of traditional album sales, Renaissance posted the fourth-largest sales week for an album in 2022 with 190,000 albums sold. Additionally, the album sold 26,000 vinyl copies in its debut week.[171]

Renaissance went on to spend its first 14 consecutive weeks within the top 10 of the Billboard 200\. It returned to the Top 15 after a boost following the 65th Annual Grammy Awards.[176]

### Internationally

[edit]

By its second day of release, Renaissance was outselling the rest of the week's top five bestselling albums combined in the UK.[42] The album debuted at number one on the UK Albums Chart, becoming Beyoncé fourth album to do so as a solo act, and her fifth including Destiny's Child. The album also debuted at number one on the Official Vinyl Albums Chart.[177]

In Ireland, Renaissance debuted atop the Irish Albums Chart, becoming Beyoncé's fifth number one album in the country. Simultaneously, "Break My Soul" also peaked at number one on the Irish Singles Chart, allowing Beyoncé to score an Irish chart double.[178]

In France, Renaissance debuted at number one on the SNEP albums chart, becoming Beyoncé's first number one album and her fourth top-ten album in the country. Previously, 4 was Beyoncé's highest-charting album in the country, peaking at number two in 2011. Additionally, the album was the first album by a female artist to top the chart in 2022.[179]

In Canada, Renaissance debuted at number one on the Canadian Albums Chart, becoming Beyoncé's third consecutive album to do so and her fourth number one album overall.[180]

In the Netherlands, the album landed atop the Album Top 100, becoming Beyoncé's third consecutive album to reach the summit in the country. The album has so far spent three non-consecutive weeks at number one, following its return to number one in its 11th week on the chart.[181]

In Australia, the album debuted at number one on the Australian Albums Chart, becoming Beyoncé's third consecutive number-one album in the country after Beyoncé and Lemonade.[182] Additionally, seven tracks from the album debuted in the top 50.[183] It spent two consecutive weeks at number one, becoming her first album to do so since Beyoncé.

In New Zealand, Renaissance debuted at number one on the New Zealand Albums Chart, becoming Beyoncé's second consecutive number one album in the country following 2016's Lemonade, and her seventh top ten albums in the country overall.[184]

In Brazil, the album achieved massive success and was awarded diamond certification by Pro-Música Brasil.[185]

## Impact

[edit]

Upon release, Renaissance sparked conversations and essays on the history of dance music and its roots in Black culture.[186][187]

Several industry fellows reacted positively toward the release. American singer Crystal Waters, who helped make house music mainstream in the 1990s, said she was "ecstatic" when she heard Beyoncé's new music and expressed gratitude for how she is shining a light on underappreciated house singers.[188] Chicago house DJ Ron Carroll described Renaissance as a "trailblazing" album that has reintroduced house music to the radio and encouraged other musicians to follow Beyoncé's lead.[189] Aluna Francis of English electronic music duo AlunaGeorge lauded Renaissance for its impact on dance music and its Black creators. Francis explained that throughout her career, she had hoped and fought for the widespread recognition of Black musicians' place in dance music. Francis wrote that this revolution has now occurred following the release of Renaissance, with Beyoncé breaking stigmas and declaring that dance music is Black music, in turn encouraging listeners to reflect on the visibility and exploitation of Blackness within dance genres. Francis added that Renaissance could greatly benefit the investment and growth of communities around the world which allow Black dance music to thrive.[190]

Other musicians also praised the album for its impact and musicology. British singer-songwriter Ellie Goulding said that her then-upcoming album Higher Than Heaven is a dance and house album in the same vein as Renaissance, with Beyoncé taking those genres to a global level.[191] She later said that Renaissance restored her faith in pop music after the genre was heading in a bad direction.[192] American singer SZA said that the album was the biggest risk a mainstream artist has taken in recent years.[193] American musician Sufjan Stevens praised the production on the album, telling Stereogum: "The wizardry on that album is so awesome and frustrating for me as a musician because even if you took out her vocals, I'm still obsessed; I'm still intrigued by the engineering and production that's going on and the harmonic relationship between chords."[194]

Beyoncé's mention of Telfar and Birkin bags in the closing track "Summer Renaissance" caused searches for both items to increase on Google Trends and multiple re-sale websites.[195]

Considered by many music critics and journalists to be the favorite for Album of the Year at the 65th Annual Grammy Awards, Renaissance's loss to Harry Styles's Harry's House was widely considered a "snub" or upset, with some critics ascribing Beyoncé's repeated losses in this category to the Recording Academy's overlooking or misunderstanding of Black female musicians and African American musical styles.[196][197][198]

## Track listing

[edit]

Renaissance track listing[199]No.| Title| Writer(s)| Producer(s)| Length

|
|
|
|

1.| "I'm That Girl"|

* Beyoncé
* Terius Gesteelde-Diamant
* Andrea Summers
* Kelman Duran
* Michael Dean
* Tommy Wright III

* Beyoncé
* Kelman Duran
* Mike Dean[a]
* Symbolyc One[b]
* Jameil Aossey[b]
* Stuart White[b]

| 3:28
2.| "Cozy"|

* Beyoncé
* Nija Charles
* Gesteelde-Diamant
* Ts Madison
* Honey Redmond
* Christopher Penny
* Luke Solomon
* Dave Giles II
* Dean
* Corece Smith
* Curtis Jones
* Kim Cooper
* Peter Rauhofer

* Beyoncé
* Honey Dijon
* Chris Penny
* Solomon
* Dean[a]

| 3:30
3.| "Alien Superstar"|

* Beyoncé
* David Brown
* Shawn Carter
* Danielle Balbuena
* Saliou Diagne
* Redmond
* Penny
* Solomon
* Denisia Andrews
* Brittany Coney
* Dave Hamelin
* Leven Kali
* Levar Coppin
* Dean
* Atia Boggs
* Rob Manzoli
* Richard Fairbrass
* Christopher Fairbrass
* John Holiday
* Barbara Ann Teer
* Kim Cooper
* Peter Rauhofer

* Beyoncé
* Honey Dijon
* Penny
* Solomon
* The-Dream[a]
* Dean[a]
* Nova Wav[b]
* Kali[b]

| 3:35
4.| "Cuff It"|

* Beyoncé
* Andrews
* Coney
* Nova Wav
* Morten Ristorp
* Raphael Saadiq
* Gesteelde-Diamant
* Teena Marie
* Allen McGrier
* Nile Rodgers

* Beyoncé
* Nova Wav
* Rissi[a]
* Saadiq[a]
* The-Dream[b]

| 3:45
5.| "Energy" (featuring Beam)|

* Beyoncé
* Tyshane Thompson
* Almando Cresso
* Jordan Douglas
* Tizita Makuria
* Sonny Moore
* Andrews
* Coney
* Gesteelde-Diamant
* Marie
* McGrier
* Pharrell Williams
* Chad Hugo
* Adam Pigott
* Freddie Ross

* Beyoncé
* Beam
* Skrillex
* Al Cres
* Nova Wav[b]

| 1:56
6.| "Break My Soul"|

* Beyoncé
* Gesteelde-Diamant
* Ross
* Carter
* Christopher Stewart
* Allen George
* Fred McFarlane
* Pigott
* Ross

* Beyoncé
* The-Dream
* Tricky Stewart
* Jens Christian Isaken[a]

| 4:38
7.| "Church Girl"|

* Beyoncé
* Gesteelde-Diamant
* Ernest Wilson
* Elbernita Clark
* Jimi Payton
* Dion Norman
* Derrick Ordogne
* James Brown
* Orville Hall
* Phillip Price
* Ralph MacDonald
* William Salter

* Beyoncé
* No I.D.
* The-Dream
* White[b]

| 3:44
8.| "Plastic Off the Sofa"|

* Beyoncé
* Sydney Bennett
* Sabrina Claudio
* Nick Green
* Patrick Paige II

* Beyoncé
* Syd
* Kali[b]

| 4:14
9.| "Virgo's Groove"|

* Beyoncé
* Dustin Bowie
* Darius Scott
* Jocelyn Donald
* Andrews
* Coney
* Kali
* Jesse Wilson
* Solomon Cole
* Daniel Memmi

* Beyoncé
* Kali
* The-Dream[b]

| 6:08
10.| "Move" (featuring Grace Jones and Tems)|

* Beyoncé
* Ariowa Irosogie
* Andrews
* Coney
* Temilade Openiyi
* Richard Isong
* Ronald Banful

* Beyoncé
* P2J
* GuiltyBeatz[a]
* MeLo-X[b]
* The-Dream[b]
* White[b]

| 3:23
11.| "Heated"|

* Beyoncé
* Aubrey Graham
* Andrews
* Coney
* Ricky Lawson
* Clarence Coffee Jr.
* Sean Seaton
* Rupert Thomas Jr.
* Jahaan Sweet
* Matthew Samuels
* Oliver Rodigan
* Travis Garland
* Aviel Calev Hirschfield
* Jeremy Reeves
* Jonathan Yip
* Malcolm McDaniel
* Ray Charles McCullough II
* Ray Romulus

* Beyoncé
* Neenyo
* Sevn Thomas
* Sweet
* Boi-1da
* Cadenza[a]
* Calev[b]
* Duran[b]
* White[b]
* Harry Edwards[b]

| 4:20
12.| "Thique"|

* Beyoncé
* Gesteelde-Diamant
* Chauncey Hollis Jr.
* Boggs
* Julian Mason
* Jabbar Stevens
* Cherdericka Nichols

* Beyoncé
* Hit-Boy
* LilJuMadeDaBeat[a]
* White[b]
* Ink[b]

| 4:04
13.| "All Up in Your Mind"|

* Beyoncé
* Stevens
* Nichols
* Michael Tucker
* Alexander Cook
* Dean
* Larry Griffin Jr.
* Jameil Aossey

* Beyoncé
* BAH
* BloodPop[a]
* A. G. Cook[a]
* Dean[a]
* Symbolyc One[a]
* Jameil Aossey[a]
* The-Dream[b]

| 2:49
14.| "America Has a Problem"|

* Beyoncé
* Gesteelde-Diamant
* Carter
* Dean
* Andrell Rogers
* Tino McIntosh

* Beyoncé
* The-Dream
* Dean[a]

| 3:18
15.| "Pure/Honey"|

* Beyoncé
* Moi Renee
* Scott
* Michael Pollack
* Eric Snead
* Count Maurice
* Kevin Bellmon Richard Cowie Tucker
* Andrews
* Coney
* Gesteelde-Diamant
* Saadiq
* Jerel Black
* Michael Cox

* Beyoncé
* BloodPop
* Nova Wav
* Saadiq[b]
* The-Dream[b]
* White[b]
* Dean[b]

| 4:48
16.| "Summer Renaissance"|

* Beyoncé
* Boggs
* Coppin
* Diagne
* Lawson
* Andrews
* Coney
* Gesteelde-Diamant
* Kali
* Dean
* Donna Summer
* Giorgio Moroder
* Peter Bellotte

* Beyoncé
* Nova Wav
* Dean[a]
* The-Dream[b]
* Kali[b]
* Sol Was[b]

| 4:34
Total length:| 62:14

Notes

* ^[a] indicates a co-producer
* ^[b] indicates an additional producer

### Samples and interpolations

[edit]

Adapted from Billboard[200]

* "I'm That Girl"
* contains elements of "Still Pimpin", written by Tommy Wright III and Andrea Summers and performed by Tommy Wright III & Princess Loko.
* "Cozy"
* contains an excerpt of "Bitch I'm Black" by Ts Madison
* contains a sample of "Get with U", written by Curtis Alan Jones and performed by Lidell Townsell & M.T.F
* contains a sample of "Unique", as performed by Danube Dance featuring Kim Cooper.
* "Alien Superstar"
* contains an interpolation of "I'm Too Sexy", written by Rob Manzoli, Richard Fairbrass, and Christopher Fairbrass and performed by Right Said Fred.
* contains a sample of "Moonraker", written by John Michael Cooper and performed by Foremost Poets
* contains a sample of Barbara Ann Teer's "Black Theatre" speech
* contains a sample of "Unique", written by Kim Cooper and Peter Rauhofer and performed by Danube Dance.
* "Cuff It"
* contains an interpolation of "Ooh La La La", written by Teena Marie and Allen McGrier and performed by Teena Marie.
* "Energy"
* contains an interpolation of "Ooh La La La", written by Teena Marie and Allen McGrier and performed by Teena Marie
* contains a sample of "Explode", written by Freddie Ross and Adam Piggot and performed by Big Freedia.
* contains an interpolation of "Milkshake", written by Pharrell Williams and Chad Hugo and performed by Kelis (later removed on digital and streaming versions).[201]
* "Break My Soul"
* contains elements of "Show Me Love", written by Allen George and Fred McFarlane and performed by Robin S.
* contains a sample of "Explode", written by Freddie Ross and Adam Piggot and performed by Big Freedia.
* "Church Girl"
* contains a sample of "Center of Thy Will", written by Elbernita Clark and performed by The Clark Sisters.
* contains elements and interpolations of "Where They At", written by Jimi Payton, Dion Norman, and Derrick Ordogne and performed by DJ Jimi.
* contains elements and interpolations of "Think (About It)", written by James Brown and performed by Lyn Collins.
* contains elements of "Drag Rap (Triggerman)", written by Orville Hall and Phillip Price and performed by the Showboys.
* contains a sample of "Mister Magic" written by Ralph MacDonald and William Salter and performed by Grover Washington Jr.
* "Heated"
* contains a sample of "Where to Land", written by Travis Garland and The Stereotypes and performed by Travis Garland.
* "America Has a Problem"
* contains a sample of "Cocaine", written by Tino McIntosh and Andrell Rogers and performed by Kilo Ali.
* "Pure/Honey"
* contains a sample of "Miss Honey", written by Andrew Richardson, Count Maurice, and Moi Renee and performed by Moi Renee.
* contains a sample of "Cunty (Wave Mix)", written by Eric Snead and Jerel Black and performed by Kevin Aviance.
* contains a sample of "Feels Like", written by Michael Cox and Kevin Bellmon and performed by MikeQ & Kevin Jz Prodigy.
* "Summer Renaissance"
* contains elements and interpolations of "I Feel Love" written by Donna Summer, Giorgio Moroder, and Pete Bellotte and performed by Donna Summer.

## Credits and personnel

[edit]

### Recording locations

[edit]

Atlanta, Georgia

* Sing Mastering (1–16)
* Tree Sound Studios (3, 16)

Los Angeles, California

* Avenue A Studio West (1–16)
* Hardcover (13)
* Henson Recording Studios (6, 11)
* The Juicy Juicy (1–16)
* Kings Landing West (5, 8–12, 15–16)
* Nightbird Recording Studios (3)
* Parkwood West (1–16)
* Record Plant (2, 15)

New York City, New York

* Trailer East Hampton (1, 3, 5–7, 11–12, 14)

North Hollywood, California

* Blakeslee Studios (3,15)

Ocho Rios, Jamaica

* Zak Starkey Studio (10)

Westport, Connecticut

* Le Crib (3)

|

### Personnel

[edit]

* Beyoncé – vocals (all tracks), programming (tracks 1, 15), horn (15), vocal production
* Beam – vocals (4, 5, 11), drums (5)
* Grace Jones – vocals (10)
* Tems – vocals (10)
* The-Dream – background vocals (1, 11), synthesizer (3, 4, 9), programming (7, 14), drums (13, 15)
* Kelman Duran – programming (1, 11)
* Stuart White – programming (1), drums (7, 11, 12, 15)
* Mike Dean – synthesizer (1–3, 13, 14, 16), drums (13), programming (16)
* Nija Charles – background vocals (2)
* Chris Penny – keyboards (2, 3), programming (2–4)
* Honey Dijon – programming (2–4)
* Luke Solomon – programming (2–4)
* Dave Giles – vocals (2)
* Blu June – background vocals (3, 15)
* Raphael Saadiq – bass, clavichord, drums, strings (4); horn (15)
* Nile Rodgers – guitar (4)
* Sheila E. – percussion (4)
* Daniel Crawford – piano (4)
* Scott Mayo – saxophone (4)
* Lemar Guillary – trombone (4)
* Jamella Adisa – trumpet (4)
* Al Cres – drums (5)
* Skrillex – drums (5)
* Nova Wav – synthesizer (5)
* The Samples[c] – choir (6)
* Jason White – conductor (6)
* Caleb Curry – vocals (6)
* Danielle Withers – vocals (6)
* Jasmine Patton – vocals (6)
* Jorel Quinn – vocals (6)
* Kim Johnson – vocals (6)
* Kristen Lowe – vocals (6)
* Sabrina Claudio – background vocals (8)
* Patrick Paige II – bass (8)
* Derek Renfroe – guitar (8)
* Leven Kali – synthesizer (8), background vocals (9, 16)
* Annika Gesteedle-Diamant – background vocals (9)
* Ashlee Wingate – background vocals (9)
* Kye Young – background vocals (9)
* Laylani Gesteedle-Diamant – background vocals (9)
* Ari PenSmith – background vocals (10)
* Tatiana "Tatu" Matthews – background vocals (11)
* Calev – guitar (11)
* Cadenza – programming (11)
* Hit-Boy – programming (12)
* Lil Ju – programming (12)
* Jameil Aossey – drums (13)
* S1a0 – drums (13)
* BAH – programming (13)
* BloodPop – programming (13, 15), synthesizer (13)
* DIXSON – background vocals (15)
* Kenneth Whalum – saxophone (15)
* Lee Blaske – strings (15)
* Keyon Harrold – trumpet (15)
* Colin Leonard – mastering
* Stuart White – mixing, recording
* Andrea Roberts – engineering (all tracks), recording (11)
* John Cranfield – engineering
* Brandon Harding – recording (1, 2, 4–7)
* Chi Coney – recording (3–5, 11, 15, 16)
* Hotae Alexander Jang – recording (4, 15), engineering assistance (15)
* Russell Graham – recording (4)
* Steve Rusch – recording (4)
* Chris Mclaughlin – recording (6)
* Delroy "Phatta" Pottinger – recording (10)
* GuiltyBeatz – recording (10)
* Jabbar Stevens – recording (13)
* Matheus Braz – engineering assistance
* Mariel Gomerez – A&R
* Ricky Lawson – A&R/Project Manager

## Charts

[edit]

### Weekly charts

[edit]

Weekly chart performance for Renaissance | Chart (2022)  | Peak
position

|

Australian Albums (ARIA)[202] | 1
Austrian Albums (Ö3 Austria)[203] | 2
Belgian Albums (Ultratop Flanders)[204] | 1
Belgian Albums (Ultratop Wallonia)[205] | 1
Canadian Albums (Billboard)[206] | 1
Czech Albums (ČNS IFPI)[207] | 4
Croatian International Albums (HDU)[208] | 3
Danish Albums (Hitlisten)[209] | 1
Dutch Albums (Album Top 100)[181] | 1
Finnish Albums (Suomen virallinen lista)[210] | 3
French Albums (SNEP)[211] | 1
German Albums (Offizielle Top 100)[212] | 2
Greek Albums (IFPI)[213] | 3
Hungarian Albums (MAHASZ)[214] | 13
Icelandic Albums (Tónlistinn)[215] | 2
Irish Albums (OCC)[216] | 1
Italian Albums (FIMI)[217] | 2
Japanese Albums (Oricon)[218] | 40
Japanese Hot Albums (Billboard Japan)[219] | 44
Lithuanian Albums (AGATA)[220] | 2
New Zealand Albums (RMNZ)[221] | 1
Norwegian Albums (VG-lista)[222] | 3
Polish Albums (ZPAV)[223] | 3
Portuguese Albums (AFP)[224] | 2
Scottish Albums (OCC)[225] | 1
Slovak Albums (ČNS IFPI)[226] | 4
Spanish Albums (PROMUSICAE)[227] | 3
Swedish Albums (Sverigetopplistan)[228] | 1
Swiss Albums (Schweizer Hitparade)[229] | 3
Swiss Albums (Romandie)[230] | 1
UK Albums (OCC)[231] | 1
US Billboard 200[232] | 1
US Top Dance Albums (Billboard)[233] | 1
US Top R&B/Hip-Hop Albums (Billboard)[234] | 1

### Year-end charts

[edit]

2022 year-end chart performance for Renaissance | Chart (2022)  | Position

|

Australian Albums (ARIA)[235] | 56
Belgian Albums (Ultratop Flanders)[236] | 25
Belgian Albums (Ultratop Wallonia)[237] | 72
Danish Albums (Hitlisten)[238] | 71
Dutch Albums (Album Top 100)[239] | 21
French Albums (SNEP)[240] | 79
Icelandic Albums (Tónlistinn)[241] | 95
Lithuanian Albums (AGATA)[242] | 44
New Zealand Albums (RMNZ)[243] | 43
Portuguese Albums (AFP)[244] | 48
Spanish Albums (PROMUSICAE)[245] | 63
Swiss Albums (Schweizer Hitparade)[246] | 35
UK Albums (OCC)[247] | 35
US Billboard 200[248] | 21
US Top R&B/Hip-Hop Albums (Billboard)[249] | 11
2023 year-end chart performance for Renaissance Chart (2023)  | Position

|

Australian Albums (ARIA)[250] | 98
Belgian Albums (Ultratop Flanders)[251] | 31
Belgian Albums (Ultratop Wallonia)[252] | 55
Canadian Albums (Billboard)[253] | 45
Danish Albums (Hitlisten)[254] | 98
Dutch Albums (Album Top 100)[255] | 20
French Albums (SNEP)[256] | 67
Icelandic Albums (Tónlistinn)[257] | 55
Spanish Albums (PROMUSICAE)[258] | 58
Swiss Albums (Schweizer Hitparade)[259] | 93
UK Albums (OCC)[260] | 39
US Billboard 200[261] | 22
US Top Dance/Electronic Albums (Billboard)[262] | 1
US Top R&B/Hip-Hop Albums (Billboard)[263] | 7
2024 year-end chart performance for Renaissance Chart (2024)  | Position

|

Belgian Albums (Ultratop Flanders)[264] | 149
French Albums (SNEP)[265] | 199
Portuguese Albums (AFP)[266] | 116
US Billboard 200[267] | 177
US Top Dance/Electronic Albums (Billboard)[268] | 3
US Top R&B/Hip-Hop Albums (Billboard)[269] | 69

## Certifications and sales

[edit]

Certifications and sales for Renaissance Region  | Certification | Certified units/sales

|
|

Australia (ARIA)[270] | Gold  | 35,000‡
Belgium (BRMA)[271] | Gold  | 10,000‡
Brazil (Pro-Música Brasil)[272] | Diamond  | 160,000‡
Canada (Music Canada)[273] | Platinum  | 80,000‡
Denmark (IFPI Danmark)[274] | Platinum  | 20,000‡
France (SNEP)[275] | Platinum  | 100,000‡
Hungary (MAHASZ)[276] | Gold  | 2,000‡
Iceland (FHF)  | —  | 1,156[277][278]
Italy (FIMI)[279] | Gold  | 25,000‡
New Zealand (RMNZ)[280] | Platinum  | 15,000‡
Poland (ZPAV)[281] | Platinum  | 20,000‡
Spain (PROMUSICAE)[282] | Gold  | 20,000‡
Sweden (GLF)[283] | Gold  | 15,000‡
United Kingdom (BPI)[284] | Platinum  | 300,000‡
United States (RIAA)[285] | 2× Platinum  | 2,000,000‡

‡ Sales+streaming figures based on certification alone.

## Release history

[edit]

Release history for Renaissance Initial release date  | Edition  | Format(s)  | Ref.

|
|
|

July 29, 2022  | Standard  |

* Digital download
* streaming
* CD
* vinyl LP

| [286][287][288]

## See also

[edit]

* List of Billboard 200 number-one albums of 2022
* List of number-one albums of 2022 (Australia)
* List of number-one albums of 2022 (Belgium)
* List of number-one albums of 2022 (Canada)
* List of number-one albums from the 2020s (Denmark)
* List of number-one hits of 2022 (France)
* List of number-one albums of 2022 (Ireland)
* List of number-one albums from the 2020s (New Zealand)
* List of number-one albums of 2022 (Scotland)
* List of number-one singles and albums in Sweden
* List of UK Albums Chart number ones of the 2020s

## Notes

[edit]

1. ^ John Edward Rittenhouse Jr. was nephew of Beyoncé's mother Tina Knowles-Lawson. Tina stated that, although Beyoncé and her sister Solange referred to him as "Uncle", Johnny was her nephew, not her brother.[10]
2. ^ Tied with SZA's SOS.
3. ^ The Samples choir consists of Alexandria Griffin, Anthony McEastland, Ashley Washington, Ashly Williams, Chelsea Miller, Deanna Dixon, Erik Brooks, Fallynn Rian, Herman Bryant, Jamal Moore, Javonte Pollard, Jonathan Coleman, Naarai Jacobs, and Porcha Clay.

## References

[edit]

1. ^ a b Chan, Anna (July 22, 2022). "Beyonce Drops 2 New Versions of "Break My Soul," Reveals "Renaissance" Vinyl Art". Billboard. Archived from the original on July 22, 2022. Retrieved July 23, 2022.
2. ^ a b Etancelin, Valentin (July 28, 2022). ""Renaissance" de Beyoncé regorge de rumeurs, voici ce qu'on sait". HuffPost. Archived from the original on April 26, 2023. Retrieved April 26, 2023.
3. ^ a b "Beyonce Shares A Statement Before The "Renaissance" Release". UPROXX. July 28, 2022. Archived from the original on September 4, 2022. Retrieved September 4, 2022.
4. ^ Pappis, Konstantinos (August 1, 2022). "Album Review: Beyoncé, "RENAISSANCE"". Our Culture. Archived from the original on August 1, 2022. Retrieved September 4, 2022.
5. ^ a b c d Escobedo Shepherd, Julianne (August 1, 2022). "Beyoncé: Renaissance Album Review". Pitchfork. Archived from the original on August 1, 2022. Retrieved August 1, 2022.
6. ^ Grady, Constance (August 15, 2022). "How Beyoncé turned herself into a pop god". Vox. Archived from the original on August 27, 2022. Retrieved September 4, 2022.
7. ^ ""I've Decided To Give Myself Permission To Focus On My Joy": How Beyoncé Tackled 2020". British Vogue. November 1, 2020. Archived from the original on September 4, 2022. Retrieved September 4, 2022.
8. ^ Greenidge, Kaitlyn (August 10, 2021). "Beyoncé's Evolution". Harper's Bazaar. Archived from the original on June 16, 2022. Retrieved June 16, 2022.
9. ^ a b c Johnston, Maura (August 1, 2022). "Beyoncé's Renaissance is a master class in dance music history". Entertainment Weekly. Archived from the original on August 3, 2022. Retrieved September 4, 2022.
10. ^ Clarke, Tenille (December 1, 2023). "An Interview With Ms. Tina Knowles: The Quintessential Renaissance Woman". Forbes. Archived from the original on December 12, 2023. Retrieved December 12, 2023.
11. ^ Nolfi, Joey (July 28, 2022). "Beyoncé dedicates "Renaissance" to her gay uncle and "fallen angels"". EW.com. Archived from the original on September 4, 2022. Retrieved September 4, 2022.
12. ^ Nesta Kupemba, Danai (July 27, 2022). "New Beyoncé album Renaissance is a tribute to her "fabulous" late gay uncle". PinkNews. Archived from the original on July 28, 2022. Retrieved July 28, 2022.
13. ^ Rock, Audrey (July 29, 2022). "Uncle Jonny: 5 Things To Know About Beyonce's Gay Uncle Who Inspired "Renaissance"". Hollywood Life. Archived from the original on July 29, 2022. Retrieved July 29, 2022.
14. ^ a b Powers, Ann; King, Jason; Harris, LaTesha (August 1, 2022). "Revolutionary Fun: Why we can't stop talking about Beyoncé's "Renaissance"". NPR. Archived from the original on August 7, 2022. Retrieved August 7, 2022.
15. ^ a b Dupree, Jessica (December 21, 2022). "Amazon Music and Parkwood Entertainment Teamed up for an Exclusive Club Renaissance Experience in Los Angeles". ThisIsRnB. Archived from the original on March 27, 2024. Retrieved March 27, 2024.
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* v
* t
* e

Beyoncé

* Albums discography
* Singles discography
* Awards and nominations
* Live performances
* Songs
* Videography

Studio albums|

* Dangerously in Love
* B'Day
* I Am... Sasha Fierce
* 4
* Beyoncé
* Lemonade
* Renaissance
* Cowboy Carter

Visual albums|

* B'Day Anthology
* Above and Beyoncé
* Elements of 4
* Beyoncé
* Lemonade
* Black Is King

Compilation albums|

* Irreemplazable
* Above and Beyoncé
* 4: The Remix

Soundtrack albums|

* Carmen
* The Fighting Temptations
* Dreamgirls
* Cadillac Records
* The Lion King: The Gift

Live albums|

* The Beyoncé Experience Live
* I Am... Yours
* I Am... World Tour
* Homecoming

Concert films|

* Live at Wembley
* The Ultimate Performer
* The Beyoncé Experience Live
* I Am... Yours
* I Am... World Tour
* Live at Roseland
* Life Is But a Dream
* Live in Atlantic City
* Live
* On the Run
* Homecoming
* Renaissance

Concert tours|

* Dangerously in Love Tour
* Verizon Ladies First Tour
* The Beyoncé Experience
* I Am... Tour
* The Mrs. Carter Show World Tour
* On the Run Tour
* The Formation World Tour
* On the Run II Tour
* Renaissance World Tour
* Cowboy Carter Tour

Live performances|

* I Am... Yours
* 2011 Glastonbury performance
* 4 Intimate Nights with Beyoncé
* Revel Presents: Beyoncé Live
* Super Bowl XLVII halftime show
* Super Bowl 50 halftime show
* 2023 Dubai performance
* Beyoncé Bowl

Brands and retail|

* True Star
* House of Deréon
* Heat
* Rise
* Tidal
* Ivy Park
* Cécred
* SirDavis

Legacy|

* Cultural impact
* List of songs referencing Beyoncé
* Surprise album
* Visual album
* Global Release Day
* Mute challenge
* Premier Tower
* Scaptia beyonceae

Family|

* Angela Beyincé
* Blue Ivy Carter
* Jay-Z
* Mathew Knowles
* Solange Knowles
* Tina Knowles

Related groups|

* Destiny's Child
* The Carters
* Everything Is Love

Related articles|

* BeyGood
* EveryBODYisflawless
* Let's Move! Flash Workout
* Parkwood Entertainment
* Suga Mama

* Category

Awards for Renaissance

* v
* t
* e

BET Award for Album of the Year

* Lemonade – Beyoncé (2017)
* Damn – Kendrick Lamar (2018)
* Invasion of Privacy – Cardi B (2019)
* Please Excuse Me for Being Antisocial – Roddy Ricch (2020)
* Heaux Tales – Jazmine Sullivan (2021)
* An Evening with Silk Sonic – Silk Sonic (2022)
* Renaissance – Beyoncé / SOS – SZA (2023)
* Michael – Killer Mike (2024)
* GNX – Kendrick Lamar (2025)

* v
* t
* e

Grammy Award for Best Dance/Electronic Album

2000s|

* Kish Kash – Basement Jaxx (2005)
* Push the Button – The Chemical Brothers (2006)
* Confessions on a Dance Floor – Madonna (2007)
* We Are the Night – The Chemical Brothers (2008)
* Alive 2007 – Daft Punk (2009)

2010s|

* The Fame – Lady Gaga (2010)
* La Roux – La Roux (2011)
* Scary Monsters and Nice Sprites – Skrillex (2012)
* Bangarang – Skrillex (2013)
* Random Access Memories – Daft Punk (2014)
* Syro – Aphex Twin (2015)
* Skrillex and Diplo Present Jack Ü – Jack Ü (2016)
* Skin – Flume (2017)
* 3-D The Catalogue – Kraftwerk (2018)
* Woman Worldwide – Justice (2019)

2020s|

* No Geography – The Chemical Brothers (2020)
* Bubba – Kaytranada (2021)
* Subconsciously – Black Coffee (2022)
* Renaissance – Beyoncé (2023)
* Actual Life 3 (January 1 – September 9 2022) – Fred Again (2024)
* Brat – Charli XCX (2025)

* v
* t
* e

NAACP Image Award for Outstanding Album

1980s|

* Bad – Michael Jackson (1987)
* Giving You the Best That I Got – Anita Baker (1988)
* Back on the Block – Quincy Jones (1989)

1990s|

* No Award (1990)
* Power of Love – Luther Vandross (1991)
* Boomerang: Original Soundtrack Album – Various Artists (1992)
* The Bodyguard: Original Soundtrack Album – Whitney Houston (1993)
* No Award (1994)
* Waiting to Exhale: Original Soundtrack Album – Whitney Houston (1995)
* The Preacher's Wife: Original Soundtrack Album – Whitney Houston (1996)
* Soul Food – Various Artists (1997)
* The Miseducation of Lauryn Hill – Lauryn Hill (1998)
* The Best Man: Music from the Motion Picture – Various Artists (1999)

2000s|

* At the Close of a Century – Stevie Wonder (2000)
* Songs in A Minor – Alicia Keys (2001)
* The Rebirth of Kirk Franklin – Kirk Franklin (2002)
* Dance with My Father – Luther Vandross (2003)
* Musicology – Prince (2004)
* The Emancipation of Mimi – Mariah Carey (2005)
* Dreamgirls: Music from the Motion Picture – Various Artists (2006)
* As I Am – Alicia Keys (2007)
* Jennifer Hudson – Jennifer Hudson (2008)
* Stronger with Each Tear – Mary J. Blige (2009)

2010s|

* Wake Up! – John Legend and The Roots (2010)
* I Remember Me – Jennifer Hudson (2011)
* I Will Always Love You: The Best of Whitney Houston – Whitney Houston (2012)
* Love, Charlie – Charlie Wilson (2013)
* Aretha Franklin Sings the Great Diva Classics – Aretha Franklin (2014)
* Woman – Jill Scott (2015)
* Lemonade – Beyoncé (2016)
* DAMN. – Kendrick Lamar (2017)
* Ella Mai – Ella Mai (2018)
* Homecoming: The Live Album – Beyoncé (2019)

2020s|

* Chilombo – Jhené Aiko (2020)
* Heaux Tales – Jazmine Sullivan (2021)
* Renaissance – Beyoncé (2022)
* Jaguar II – Victoria Monét (2023)
* Cowboy Carter – Beyoncé (2024)

* v
* t
* e

Pitchfork

Publications|

* The Pitchfork 500
* The Dissolve
* The Pitchfork Review

Music festivals|

* Intonation Music Festival
* Pitchfork Music Festival

Album of the Year|

* How It Feels to Be Something On − Sunny Day Real Estate (1998 original)
* Aquemini − Outkast (1998 retrospective)
* Emergency & I − Dismemberment Plan (1999)
* Kid A − Radiohead (2000)
* The Glow Pt. 2 − the Microphones (2001)
* Turn On the Bright Lights − Interpol (2002)
* Echoes − the Rapture (2003)
* Funeral − Arcade Fire (2004)
* Illinois − Sujfan Stevens (2005)
* Silent Shout − the Knife (2006)
* Person Pitch − Panda Bear (2007)
* Sun Giant / Fleet Foxes − Fleet Foxes (2008)
* Merriweather Post Pavilion − Animal Collective (2009)
* My Beautiful Dark Twisted Fantasy − Kanye West (2010)
* Bon Iver, Bon Iver − Bon Iver (2011)
* Good Kid, M.A.A.D City − Kendrick Lamar (2012)
* Modern Vampires of the City − Vampire Weekend (2013)
* Run the Jewels 2 − Run the Jewels (2014)
* To Pimp a Butterfly − Kendrick Lamar (2015)
* A Seat at the Table − Solange (2016)
* Damn − Kendrick Lamar (2017)
* Be the Cowboy − Mitski (2018)
* Norman Fucking Rockwell! − Lana Del Rey (2019)
* Fetch the Bolt Cutters − Fiona Apple (2020)
* Heaux Tales − Jazmine Sullivan (2021)
* Renaissance − Beyoncé (2022)
* SOS − SZA (2023)
* Diamond Jubilee − Cindy Lee (2024)

Track of the Year|

* "Hey Ya!" − Outkast (2003)
* "Heartbeat" − Annie (2004)
* "Hope There's Someone" − Antony and the Johnsons (2005)
* "My Love" − Justin Timberlake (2006)
* "All My Friends" − LCD Soundsystem (2007)
* "Blind" − Hercules and Love Affair (2008)
* "My Girls" − Animal Collective (2009)
* "Round and Round" − Ariel Pink's Haunted Graffiti (2010)
* "Midnight City" − M83 (2011)
* "Oblivion" − Grimes (2012)
* "Hold On, We're Going Home" − Drake featuring Majid Jordan (2013)
* "Seasons (Waiting on You)" − Future Islands (2014)
* "Alright" − Kendrick Lamar (2015)
* "Ultralight Beam" − Kanye West (2016)
* "Bodak Yellow" − Cardi B (2017)
* "Love It If We Made It" − the 1975 (2018)
* "Cellophane" − FKA Twigs (2019)
* "WAP" − Cardi B featuring Megan Thee Stallion (2020)
* "Bunny Is a Rider" − Caroline Polachek (2021)
* "Belinda Says" − Alvvays (2022)
* "A&W" − Lana Del Rey (2023)
* "Not Like Us" − Kendrick Lamar (2024)

Video of the Year|

* Alright − Kendrick Lamar (2015)
* Lemonade − Beyoncé (2016)
* The Gate − Björk (2017)
* Malamente – Cap 1: Augurio − Rosalía (2018)
* Cellophane − FKA Twigs (2019)

Authority control databases

International|

* VIAF

Other|

* MusicBrainz release group

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