Seyler Theatre Company

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Seyler Theatre Company" – news · newspapers · books · scholar · JSTOR (February 2017) (Learn how and when to remove this template message)

|

Seyler Theatre Company

A silhouette of Abel Seyler

Company type| Theatre company
Predecessor| Hamburg National Theatre
Founded| 1769
Defunct| 1779
Owner| Abel Seyler

The Seyler Theatre Company, also known as the Seyler Company (German: Seylersche Schauspiel-Gesellschaft, sometimes Seylersche Truppe), was a theatrical company founded in 1769 by Abel Seyler, a Hamburg businessman originally from Switzerland who became "the leading patron of German theatre" in his lifetime.[1] It was largely a continuation of the Hamburgische Entreprise, whose dramaturge was Gotthold Ephraim Lessing and whose main owner was Seyler. The Seyler theatrical company became one of the most famous theatrical companies of Europe in the 18th century, attracting some of Germany's leading actors, playwrights and composers. It originally comprised around 60 members, including an orchestra, a ballet, house dramatists and set designers. Between 1777 and 1778 Seyler employed some 230 actors, singers and musicians. The company was originally (from 1769) contracted by the Hanoverian court with performing at Hanover and other cities of the kingdom. The company would eventually perform all across Germany, and performed for three years at the Weimar Schlosstheater, invited by Duchess Anna Amalia of Brunswick-Wolfenbüttel. When Anna Amalia succeeded in engaging the Seyler Company, this was "an extremely fortunate coup. The Seyler Company was the best theatre company in Germany at that time."[2] The company had an important role in the development of German opera in the late 18th century.

A number of plays were written for the Seyler theatrical company. For example, the play Sturm und Drang (which gave its name to the Sturm und Drang period) was written originally for the company by Friedrich Maximilian Klinger (Goethe's childhood friend), then employed as its playwright, and first performed in 1777. In 1789, Abel Seyler's wife, the celebrated actress Friederike Sophie Seyler, published the Singspiel Hüon und Amande, that was plagiarized by the troupe of Emanuel Schikaneder and also greatly influenced The Magic Flute.[3]

Threatened by bankruptcy in 1770, the company was saved by Seyler's brother-in-law, Johann Gerhard Reinhard Andreae.

## People associated with the Seyler Theatre Company[edit]

Konrad Ekhof Esther Charlotte Brandes as Ariadne in Ariadne auf Naxos, a play written for the Seyler Theatre Company

* Abel Seyler (director/owner/actor)
* Friederike Sophie Seyler, formerly Hensel (actress; wife of the latter)
* Konrad Ekhof (actor)
* Georgine Ekhof (actress; wife of the latter)
* Franziska Romana Koch (soprano)
* Johann Christian Brandes (actor)
* Esther Charlotte Brandes (actress; wife of the latter)
* Friedrich Maximilian Klinger (playwright)
* Johann Adam Hiller (musical director)
* Christian Gottlob Neefe (musical director)
* Georg Anton Benda (composer)
* Anton Schweitzer (musical director)
* Christoph Martin Wieland (librettist)[4]
* Heinrich Leopold Wagner (dramatist, producer, translator and lawyer)[5]
* Giovanni Federico Toscani (tenor, 1775–77)

## Works written for the Seyler company (selection)[edit]

* Sturm und Drang by Friedrich Maximilian Klinger
* Ariadne auf Naxos by Georg Anton Benda
* Medea by Georg Anton Benda
* Alceste by Anton Schweitzer (composer) and Christoph Martin Wieland (libretto)

## References[edit]

1. ^ Wilhelm Kosch, "Seyler, Abel", in Dictionary of German Biography, eds. Walther Killy and Rudolf Vierhaus, Vol. 9, Walter de Gruyter editor, 2005, ISBN 3110966298, p. 308
2. ^ "Herzogin Anna Amalie von Weimar und ihr Theater," in Robert Keil (ed.), Goethe's Tagebuch aus den Jahren 1776–1782, Veit, 1875, p. 69
3. ^ Peter Branscombe, W. A. Mozart: Die Zauberflöte, Cambridge University Press, 1991, p. 28
4. ^ Ritchie Robertson, Mock-Epic Poetry from Pope to Heine, Oxford University Press, 2009, ISBN 0191610143
5. ^ Alan Leidner, Sturm und Drang: Lenz, Wagner, Klinger, and Schiller: The Soldiers, The Childmurderess, Storm and Stress, and The Robbers, p. xii, Continuum International Publishing Group, 1992, ISBN 0826407056

## Bibliography[edit]

* Thomas Bauman, "New directions: the Seyler company" (pp. 91–131), in North German Opera in the Age of Goethe, Cambridge University Press, 1985
* Thomas Bauman, Music and Drama in Germany: A Traveling Company and Its Repertory, 1767–1781, PhD dissertation on the Seyler Theatre Company, University of California, Berkeley, 1977

* v
* t
* e

Theatre companies in Germany

* Augsburger Puppenkiste
* Berliner Ensemble
* Chiemgauer Volkstheater
* Comoedia Mundi
* Deutsches Theater
* Dramaturgische Gesellschaft
* Dulce Compania
* Düsseldorfer Schauspielhaus
* Familie Flöz
* Freiburger Puppenbühne
* Hessisches Staatstheater Wiesbaden
* Improtheater Emscherblut
* Improvisationstheater DRAMA light
* Landestheater Oberpfalz
* Landestheater Schwaben
* League for Proletarian Culture
* Mannheim National Theatre
* Meiningen Ensemble
* PAN.OPTIKUM
* Rems-Murr-Bühne Leutenbach
* Schauspiel Frankfurt
* Seyler Theatre Company
* Staatstheater Kassel
* Staatstheater Mainz
* Stadtbühne Vohenstrauß
* Städtische Bühnen Frankfurt
* TeAtrum VII
* Theater Bonn
* Theater Dortmund
* Theater im Marienbad
* Theater Krefeld und Mönchengladbach
* Theater Regensburg
* Theatergemeinschaft Amerang
* Theaterpathologisches Institut
* UBI Theatre Leipzig
* Velthen Company
* Verband Bayerischer Amateurtheater
* Theatre of West Pomerania
* Wuppertaler Bühnen
* Zeitraumexit

* See also:
* Theatres in Germany
* Theatre festivals in Germany

*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template