Sir Harold of Zodanga

Book by Lyon Sprague de Camp

Sir Harold of Zodanga

Cover of The Exotic Enchanter (Baen Books, 1995), in which "Sir Harold of Zodanga" was first published

Author| L. Sprague de Camp
Country| United States
Language| English
Series| Harold Shea
Genre| Fantasy
Publisher| Baen Books

Publication date

| 1995
Media type| Print (Paperback)
Pages| 288 pp
Preceded by| Sir Harold and the Hindu King
Followed by| Harold Shakespeare

Sir Harold of Zodanga is a fantasy novella by American writer L. Sprague de Camp, part of the Harold Shea series he originated in collaboration with Fletcher Pratt and later continued with Christopher Stasheff. It was first published in paperback by Baen Books in de Camp and Stasheff's shared world anthology The Exotic Enchanter (1995). It was later reprinted together with the remainder of the de Camp/Pratt Harold Shea stories in the collection The Mathematics of Magic: The Enchanter Stories of L. Sprague de Camp and Fletcher Pratt (2007).[1]

The Harold Shea stories are parallel world tales in which universes where magic works coexist with our own, and in which those based on the mythologies, legends, and literary fantasies of our world and can be reached by aligning one's mind to them by a system of symbolic logic. In "Sir Harold of Zodanga", in a new wrinkle, Shea visits a parallel Mars rather than a parallel Earth, Edgar Rice Burroughs' Barsoom.

## Plot summary[edit]

Dimension hopping Harold Shea, having returned home to his psychological practice, is visited by the malevolent enchanter Malambroso, an enemy of Shea and his partner Reed Chalmers who has also discovered the secret of transdimensional travel. Having been thwarted in his attempt to steal Chalmers' wife Florimel in previous adventures, the enchanter attempts to subvert Shea into aiding him. Rebuffed, he threatens vengeance, which he shortly puts into practice by kidnapping Voglinda, the young daughter of Shea and his wife Belphebe of Faerie.

In their search for their daughter, Harold and Belphebe find Malambroso has been residing in their world for some time, and from reading material discovered in his abandoned dwelling discover that he had become a fan of the Barsoom novels of Edgar Rice Burroughs. Reasoning that it is this alternate vision of Mars to which their foe has fled with the girl, they determine to travel there themselves by means of the symbolic logic formulas originally devised by Chalmers. Accordingly, they outfit themselves for the journey, or rather, de-outfit themselves, much to Belphebe's embarrassment; Burroughs' Barsoomians go about largely naked.

Arriving on Barsoom, the Sheas seek out the aid of the royal family of the city-state of Helium, which includes Burroughs' protagonist, the transplanted earthman John Carter. Carter is not present, but they manage to obtain an audience with his father-in-law, Mors Kajak, "jed" (king) of Lesser Helium. Kajak turns out to be somewhat sour on earthmen, including his own son-in-law, presenting a picture of them very different from that of Burroughs. He regards Carter as something of a blowhard, claiming impossible prowess in battle, and Ulysses Paxton, the other earthman resident on Barsoom, as a rabble-rouser, advocating Terran ideas of equality and freedom unwelcome to the hierarchical, slave-owning Martians.

Kajak suggests they seek guidance from Paxton's old mentor Ras Thavas, the so-called "master-mind of Mars," formerly villainous and still somewhat amoral. Thavas consents to aid the couple in return for some professional help from psychologist Shea; having previously had Paxton transplant his brain from his original aged body into a young and virile one, he has had difficulty adjusting to changed societal expectations, not to mention the youthful urges of his new form. With his assistance it is discovered that Malambroso has sought refuge in the one Barsoomian city-state that has shown itself receptive to Paxton's ideas – Zodanga, the traditional foe of Helium.

Together, the Sheas and Thavas succeed in tracking down Malambroso, first on thoat-back to Zodanga, and then by flier to the Great Toonoolian Marshes, with a stopover in Ptarth when their flier is damaged in an air skirmish. Over the course of their journey, Shea counsels the irascible genius successfully. Barsoom is found to be somewhat divergent from the romantic world written of by Burroughs. While the beasts are generally multi-legged, as described, the number of their limbs tend to be fewer than reported. Aside from in the medical area, the superior technology of the Martians has likewise been exaggerated, more comparable to that of Earth's nineteenth century than the futuristic vision portrayed in the novels. And as for Barsoomian honor, vaunted as much by Thavas as it had been by Carter, they are quickly disillusioned when a Zodangan makes a crude pass at Belphebe. On the other hand, Thavas provides something of a corrective to the jaundiced Kajak's view of Carter, who in his experience is a genuinely charismatic leader who can exact pledges of a defeated foe and make them stick. He attributes his own reform to Carter's influence.

The final battle is between Harold and an assassin hired by the enchanter to do his dirty work; they prove fairly evenly matched swordsmen until Thavas, with his superior mental powers, makes the hired killer believe he is confronting six Harolds rather than one. The assassin then abandons the conflict, and Belphebe shoots Malambroso with her bow. Voglinda is safe, as the villain had grown somewhat fond of and paternal toward his captive while on the lam from the Sheas.

Thavas uses his medical skills to save the life of the enchanter to keep Belphebe out of trouble with the law (a sword duel is considered a fair fight by Barsoomians, while a shooting death is murder). The recovering Malambroso abandons his vendetta; having become smitten by his Barsoomian nurse, he forswears his previous infatuation with Florimel. Satisfied, the Sheas depart, though not (immediately) to their home dimension; their pursuit has been costly, and they need to return their rented flier to Zodanga to recover their deposit on it, and resell the purchased thoats they had left there.

## Differences from earlier Harold Shea stories[edit]

In previous tales Harold indulged his yearning for romantic adventure; this one, as in de Camp's immediately preceding Harold Shea story "Sir Harold and the Gnome King", brings his more practical characteristics to the fore. It continues the changes marked by the earlier work in both the fantasy worlds visited by the protagonist to and the manner in which they are portrayed.

Previous venues were generally based on mythology or pre-modern fantastic literature; these were depicted faithfully according to the original sources, and much of the action involved puzzling out and becoming proficient in the magical systems holding sway in them. Now the venues are drawn from modern fantasy or science fiction and are re-imagined in a way that strips them of what de Camp regards as their more absurd aspects. Thus, exploration of the source material is displaced by a revisionist view of it, while the protagonists’ interest in figuring out the local physics gives way to the pursuit of more immediate goals. In the present tale there isn't even a magical system to explore in the first place.

Unlike "Sir Harold and the Gnome King," in which de Camp's alterations of the original venue are attributable to events in the venue itself and the different viewpoint of the protagonist, the vision of Barsoom articulated in the present story is incompatible with Burroughs' original stories. While de Camp rationalizes his changes by attributing Burroughs's portrayal as erroneous reporting, the method of dimensional travel utilized by his characters depends on that reporting, in that the destination world is set by it. Thus, absurd or not, Malambroso and the Sheas should have ended up in the "erroneous" Burroughs version of Barsoom, not the "correct" de Camp version. Possibly de Camp's implication is that Burroughs' version would be impossible in any universe, and the one his characters reach is the closest approximation.

In any case, the "absurdities" dispensed with in de Camp's version of Barsoom include the impossible swordsmanship of John Carter, the unlikely rectitude and supposedly advanced technology of the inhabitants, the excessive attributes of the fauna (multitudinous limbs, physically impossible size, as of the supposedly gigantic hornet-like siths), and like matters, all set down to the exaggerated storytelling of Carter, Burroughs, or both. It is a firmly de-romanticized Barsoom through which the Sheas travel.

The story shares with its predecessor another inconsistency with previous entries in the series, in that the era in which it takes place seems to have been silently revised from the 1940s of the original tales to the 1990s in which it was written. In the most notable instance, the Burroughs works Malambroso is found to have read consist of contemporary paperback copies in addition to the editions available earlier in the century, and the Sheas too appear familiar with the later versions.

## Notes[edit]

1. ^ Sir Harold of Zodanga title listing at the Internet Speculative Fiction Database

Preceded by

"Sir Harold and the Hindu King"

|  Harold Shea Series
Sir Harold of Zodanga | Succeeded by

"Harold Shakespeare"

|
|

* v
* t
* e

Edgar Rice Burroughs's Barsoom

Characters|

* John Carter of Mars
* Ulysses Paxton
* Dejah Thoris
* Tars Tarkas
* Ras Thavas

Literature series|

* A Princess of Mars
* The Gods of Mars
* The Warlord of Mars
* Thuvia, Maid of Mars
* The Chessmen of Mars
* The Master Mind of Mars
* A Fighting Man of Mars
* Swords of Mars
* Synthetic Men of Mars
* Llana of Gathol
* John Carter of Mars

Films|

* Princess of Mars (2009)
* John Carter (2012)

Games|

* Warriors of Mars
* John Carter, Warlord of Mars (role-playing game)
* Jetan
* John Carter: Warlord of Mars (board game)

Culture|

* Kaldane
* Tharks
* Barsoomian language

Other|

* John Carter, Warlord of Mars (comics)
* The Number of the Beast (novel)
* "Sir Harold of Zodanga" (short story)
* "Mars: The Home Front" (short story)
* Rainbow Mars (short story collection)
* Weird Worlds (comics)
* Burroughs (Martian crater)

Related|

* Edgar Rice Burroughs, Inc.
* James Cameron's Avatar franchise

* v
* t
* e

L. Sprague de Camp

Viagens
Interplanetarias|

| Krishna|

* "Finished" (1949)
* The Queen of Zamba (1949)
* The Hand of Zei (1950)
* "Perpetual Motion" (1950)
* "Calories" (1951)
* The Virgin of Zesh (1953)
* The Tower of Zanid (1958)
* The Hostage of Zir (1977)
* The Prisoner of Zhamanak (1982)
* The Bones of Zora (1983)
* The Swords of Zinjaban (1991)

|

Kukulkan|

* The Stones of Nomuru (1988)
* The Venom Trees of Sunga (1992)

Other|

* "The Animal-Cracker Plot" (1949)
* "The Colorful Character" (1949)
* "Git Along!" (1950)
* "The Inspector's Teeth" (1950)
* "Summer Wear" (1950)
* The Continent Makers (1951)
* "The Galton Whistle" (1951)
* Rogue Queen (1951)

Harold Shea|

* "The Roaring Trumpet" (1940)
* "The Mathematics of Magic" (1940)
* The Castle of Iron (1941/50)
* The Wall of Serpents (1953)
* The Green Magician (1954)
* Sir Harold and the Gnome King (1990)
* Sir Harold of Zodanga (1995)

Pusadian|

* The Tritonian Ring (1951)
* "The Eye of Tandyla" (1951)
* "The Owl and the Ape" (1951)
* "The Hungry Hercynian" (1953)
* "The Stronger Spell" (1953)
* "Ka the Appalling" (1958)
* "The Rug and the Bull" (1974)
* "The Stone of the Witch Queen" (1977)

Novarian|

* The Goblin Tower (1968)
* The Clocks of Iraz (1971)
* "The Emperor's Fan" (1973)
* The Fallible Fiend (1973)
* The Unbeheaded King (1983)
* The Honorable Barbarian (1989)

Neo-Napolitanian|

* The Incorporated Knight (1987)
* The Pixilated Peeress (1991)

Conan|

| Novels|

* Conan and the Spider God (1980)
* Conan of the Isles (1968)
* Conan the Barbarian (1982)
* Conan the Buccaneer (1971)
* Conan the Liberator (1979)
* The Return of Conan (1957)

|

Short stories|

* "Black Sphinx of Nebthu" (1973)
* "The Treasure of Tranicos" (1953)
* "Black Tears" (1968)
* "The Blood-Stained God" (1955)
* "The Castle of Terror" (1969)
* "The City of Skulls" (1967)
* "The Curse of the Monolith" (1968)
* "Drums of Tombalku" (1966)
* The Flame Knife (1955/81)
* "The Frost Giant's Daughter" Conan (1953)
* "The Gem in the Tower" (1978)
* "The God in the Bowl" (1952)
* "The Hall of the Dead" (1967)
* "Hawks Over Shem" (1955)
* "The Ivory Goddess" (1978)
* "The Lair of the Ice Worm" (1969)
* "Legions of the Dead" (1978)
* "Moon of Blood" (1978)
* "The People of the Summit" (1970/78)
* "Red Moon of Zembabwei" (1974)
* "The Road of the Eagles" (1955)
* "Shadows in the Dark" (1978)
* "Shadows in the Skull" (1975)
* "The Snout in the Dark" (1969)
* "The Star of Khorala" (1978)
* "The Thing in the Crypt" (1967)
* "The Witch of the Mists" (1972)
* "Wolves Beyond the Border" (1967)

Other
speculative
fiction|

| Novels|

* The Carnelian Cube (1948)
* Genus Homo (1950)
* The Glory That Was (1960)
* The Great Fetish (1978)
* Land of Unreason (1942)
* Lest Darkness Fall (1941)
* None but Lucifer (1939)
* Solomon's Stone (1942)

|

Short stories|

* "Aristotle and the Gun" (1958)
* "The Blue Giraffe" (1939)
* "The Command" (1938)
* "The Contraband Cow" (1942)
* "Cornzan the Mighty" (1955)
* "Divide and Rule" (1939)
* "The Egg" (1956)
* "Employment" (1939)
* "The Gnarly Man" (1939)
* "The Guided Man" (1952)
* "A Gun for Dinosaur" (1956)
* "The Hardwood Pile" (1940)
* "The Hibited Man" (1949)
* "Hyperpilosity" (1938)
* "In-Group" (1952)
* "Internal Combustion" (1956)
* "The Isolinguals" (1937)
* "Judgment Day" (1955)
* "Let's Have Fun" (1957)
* "Living Fossil" (1939)
* "The Merman" (1938)
* "Nothing in the Rules" (1939)
* "The Reluctant Shaman" (1947)
* "The Saxon Pretender" (1952)
* "The Space Clause" (1952)
* "The Stolen Dormouse" (1941)
* "Throwback" (1949)
* "The Wheels of If" (1940)

Historical fiction|

* The Dragon of the Ishtar Gate (1961)
* The Arrows of Hercules (1965)
* An Elephant for Aristotle (1958)
* The Bronze God of Rhodes (1960)
* The Golden Wind (1969)

Fiction edited|

* The Wolf Leader (1950)
* Swords and Sorcery (1963)
* The Spell of Seven (1965)
* Conan the Warrior (1967)
* The Fantastic Swordsmen (1967)
* Conan the Conqueror (1967)
* Warlocks and Warriors (1970)
* 3000 Years of Fantasy and Science Fiction (1972)
* Tales Beyond Time (1973)

Nonfiction|

| Science and
history|

* Inventions and Their Management (1937)
* The Evolution of Naval Weapons (1947)
* Antarctic Conquest (1949)
* Engines (1959)
* The Heroic Age of American Invention (1961)
* Man and Power (1961)
* Energy and Power (1962)
* The Ancient Engineers (1963)
* Ancient Ruins and Archaeology (1964)
* Elephant (1964)
* Spirits, Stars, and Spells (1966)
* The Story of Science in America (1967)
* The Day of the Dinosaur (1968)
* The Great Monkey Trial (1968)
* Darwin and His Great Discovery (1972)
* Great Cities of the Ancient World (1972)
* The Ragged Edge of Science (1980)
* The Fringe of the Unknown (1983)
* The Ape-Man Within (1995)
* Rubber Dinosaurs and Wooden Elephants (1996)

|

Lit crit and
biography|

* Blond Barbarians and Noble Savages (1975)
* The Conan Reader (1968)
* Dark Valley Destiny (1983)
* Lands Beyond (1952)
* Literary Swordsmen and Sorcerers (1976)
* Lost Continents (1954)
* Lovecraft: A Biography (1975)
* The Miscast Barbarian (1975)
* Science-Fiction Handbook (1953/75)
* Time and Chance (1996)

Nonfiction edited|

* The Conan Swordbook (1969)
* The Conan Grimoire (1972)
* To Quebec and the Stars (1976)
* The Blade of Conan (1979)
* The Spell of Conan (1980)

Poetry|

* Demons and Dinosaurs (1970)
* Heroes and Hobgoblins (1981)
* Phantoms and Fancies (1972)

Collections|

* The Continent Makers and Other Tales of the Viagens (1953)
* The Virgin of Zesh & The Tower of Zanid (1983)
* The Incomplete Enchanter (1941)
* Wall of Serpents (1960)
* The Compleat Enchanter (1975)
* The Complete Compleat Enchanter (1989)
* The Enchanter Reborn (1992)
* The Exotic Enchanter (1995)
* The Mathematics of Magic (2007)
* The Tritonian Ring and Other Pusadian Tales (1953)
* The Reluctant King (1985)
* Conan (1967)
* The Conan Chronicles (1989)
* The Conan Chronicles 2 (1990)
* Conan of Aquilonia (1977)
* Conan of Cimmeria (1969)
* Conan the Adventurer (1966)
* Conan the Avenger (1968)
* Conan the Freebooter (1968)
* Conan the Swordsman (1978)
* Conan the Usurper (1967)
* Conan the Wanderer (1968)
* Sagas of Conan (2004)
* Tales of Conan (1955)
* The Treasure of Tranicos (1980)
* Aristotle and the Gun (2002)
* The Best of L. Sprague de Camp (1978)
* Divide and Rule (1948)
* Footprints on Sand (1981)
* A Gun for Dinosaur (1963)
* The Purple Pterodactyls (1980)
* The Reluctant Shaman (1970)
* Rivers of Time (1993)
* Scribblings (1972)
* Sprague de Camp's New Anthology (1953)
* Tales from Gavagan's Bar (1953/78)
* The Undesired Princess (1951)
* The Virgin & the Wheels (1976)
* The Wheels of If (1948)
* Years in the Making (2005)

About de Camp|

* GURPS Planet Krishna (1997)
* The Enchanter Completed (2005)

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