St. George and the Dragon (Carpaccio)

Painting by Vittore Carpaccio

St. George and the Dragon

Artist| Vittore Carpaccio
Year| 1502
Medium| Tempera on canvas
Dimensions| 141 cm × 360 cm (56 in × 140 in)
Location| Scuola di San Giorgio degli Schiavoni, Venice

St. George and the Dragon is a tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio. It is housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy.

## History

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The works dates to Carpaccio's mature period, when he was commissioned by the "scuola" (guild or corporation) of the Schiavoni (Dalmatians) to execute a cycle of nine paintings narrating the stories of their patron saints (George, Jerome, Augustine and Tryphon). The work began in 1502 and was completed in 1508.

In the 1940s, the paintings underwent restoration that has since discoloured Carpaccio's original vibrant palette to amber tones. Some works have also partially detached from their canvas support and have areas of lifting and flaking paint, as well as scratches and abrasions. In September 2019, an expected two-year conservation campaign began under the sponsorship by the non-profit organization Save Venice Inc.

Detail of the dragon and of the macabre remains on the ground.

## Description

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The painting shows the first of the three episodes dedicated to St. George's life: the other two are the Triumph of St. George and the Baptism of the Selenites. St. George is portrayed while riding a horse above a wide background, his lance piercing the dragon's head. On the right is a praying princess. A diagonal line connects the princess head, passing through the lance, to the twisted tail of the dragon.

The arid terrain of a desert, with a few bunches of herbs, is covered with the remains of the dragon's victims: the scrawny stump of a woman, a half-devoured dress, a man with amputated limbs, a severed foot and arm, skulls and bones, both of animals and humans. The inhospitality of the place is further enhanced by the presence of vipers, lizards, toads, vultures, as well by the nearly monocromatic use of yellow and pale greens: the only bright tones are those associated with George's metal armor, the horse's harness and the princess' dress.

On the left side of the painting, even nature is dead. Behind the dragon’s wings a tree stump is surrounded by a scorched plant bed. Half of the leaves have been burned off on the farthest tree while on its right side they are alive. As much as, on the right side of the painting, the trees on top and in front of the arched rocks are alive and green, confirming that the dragon's presence is deadly to both humans and nature.

In the background is a fantastic city, Silene of Libya. A crowd is looking at the scene from terraces and open pavilions. The hills, featuring castles and rocky spurs, slope down to a harbor where there is a grounded ship and a vessel crowned by a natural arch of edifices, which has parallels with fantastic creations in the Ferrara school.

## See also

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* St. Augustine in His Study (Carpaccio)

Wikimedia Commons has media related to Saint George and the Dragon by Carpaccio.

## Sources

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* Valcanover, Francesco (2007). "Vittore Carpaccio". Pittori del Rinascimento. Florence: Scala. ISBN 88-8117-099-X.

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Vittore Carpaccio

Paintings|

* Two Venetian Ladies (c. 1490)
* Man with Red Hat (c. 1490–1493) (attribution)
* Christ between Four Angels (1496)
* Miracle of the Relic of the Cross at the Ponte di Rialto (c. 1496)
* Portrait of Doge Leonardo Loredan (c. 1501–1502)
* St. Augustine in His Study (1502)
* St. George and the Dragon (1502)
* Holy Family and Donors (1505)
* Young Knight in a Landscape (1510)
* The Sermon of St. Stephen (1514)

Painting series|

* Zadar Polyptych (c. 1480–1490)
* Legend of Saint Ursula (1490s)
* Life of the Virgin (1504–1508)

Related|

* Lazzaro Bastiani (master)
* Venetian School
* Carpaccio (food)

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