Star Wars (film)

1977 film by George Lucas

This article is about the original 1977 film. For other films in the franchise, see List of Star Wars films. "A New Hope" redirects here. For other uses, see A New Hope (disambiguation).

Star Wars

Theatrical release poster by Tom Jung

Directed by| George Lucas
Written by| George Lucas
Produced by| Gary Kurtz
Starring|

* Mark Hamill
* Harrison Ford
* Carrie Fisher
* Peter Cushing
* Alec Guinness

Cinematography| Gilbert Taylor
Edited by|

* Paul Hirsch
* Marcia Lucas
* Richard Chew

Music by| John Williams

Production
company

Lucasfilm Ltd.

Distributed by| Twentieth Century-Fox

Release date

* May 25, 1977 (1977-05-25)

Running time

| 121 minutes[1]
Country| United States[2]
Language| English
Budget| $11 million[3][4]
Box office| $775.4 million[3]

Star Wars (later retitled Star Wars: Episode IV – A New Hope) is a 1977 American epic space opera film written and directed by George Lucas, produced by Lucasfilm Ltd. and released by Twentieth Century-Fox. It is the first film in the Star Wars franchise and the fourth chronological chapter of the "Skywalker Saga". Set in a fictional galaxy under the rule of the tyrannical Galactic Empire, the film follows a group of freedom fighters known as the Rebel Alliance, who aim to destroy the Empire's ultimate weapon, the Death Star. When the rebel leader Princess Leia is captured by the Empire, Luke Skywalker acquires stolen architectural plans for the Death Star and sets out to rescue her while learning the ways of a metaphysical power known as "the Force" from the Jedi Master Obi-Wan Kenobi. The cast includes Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, Peter Mayhew, David Prowse, and James Earl Jones.

Lucas had the idea for a science fiction film in the vein of Flash Gordon around the time he completed his first film, THX 1138 (1971), and he began working on a treatment after the release of American Graffiti (1973). After numerous rewrites, principal photography began in March of 1976 in locations including Tunisia and Elstree Studios in Hertfordshire, England. Lucas formed the visual effects company Industrial Light & Magic to help create the film's visual effects. Star Wars suffered production difficulties: the cast and crew believed the film would be a failure, and it went $3 million over budget due to delays.

Few were confident in the film's box office prospects. It was released in a small number of theaters in the United States on May 25, 1977, and quickly became a surprise blockbuster hit, leading to it being expanded to a much wider release. Star Wars opened to universal acclaim, with praise for its special effects. It grossed $410 million worldwide during its initial run, surpassing Jaws (1975) to become the highest-grossing film until the release of E.T. the Extra-Terrestrial (1982); subsequent releases have brought its total gross to $775 million. When adjusted for inflation, Star Wars is the second-highest-grossing film in North America (behind Gone with the Wind) and the fourth-highest-grossing film of all time. It received Academy Awards, BAFTA Awards, and Saturn Awards, among others. The film has been reissued many times with Lucas's support, including the 1981 reissue giving the film the subtitle Episode IV – A New Hope, and the 1997 "Special Edition". The reissues have contained many changes, including new scenes, visual effects, and dialogue.

Often regarded as one of the greatest and most influential films of all time, Star Wars quickly became a worldwide pop culture phenomenon, launching an industry of tie-in products, including novels, comics, video games, amusement park attractions and merchandise such as toys, games, and clothing. It became one of the first 25 films selected by the United States Library of Congress for preservation in the National Film Registry in 1989,[a] and its soundtrack was added to the U.S. National Recording Registry in 2004. The Empire Strikes Back (1980) and Return of the Jedi (1983) followed Star Wars, rounding out the original Star Wars trilogy. A prequel trilogy and a sequel trilogy have since been released, in addition to two standalone films and various television series.

## Plot

[edit]

Luke, Leia, and Han (from left to right)

In an unspecified time period in the distant past, amid a galactic civil war, Rebel Alliance spies have stolen blueprints to the Death Star, a colossal space station built by the Galactic Empire that is capable of destroying entire planets. Princess Leia Organa of Alderaan, secretly a rebel leader, has obtained the schematics, but her ship is intercepted and boarded by Imperial forces under the command of Darth Vader. Leia is taken prisoner, but the droids R2-D2 and C-3PO escape with the plans, crashing on the nearby desert planet of Tatooine. Darth Vader learns of this and orders the Imperials to pursue the droids.

The droids are captured by Jawa traders, who sell them to the moisture farmers Owen and Beru Lars and their nephew, Luke Skywalker. While Luke is cleaning R2-D2, he discovers a recording of Leia requesting help from a former ally named Obi-Wan Kenobi. R2-D2 goes missing, and while searching for him, Luke is attacked by Sand People. He is rescued by the elderly hermit Ben Kenobi, who soon reveals himself as Obi-Wan. He tells Luke about his past as one of the Jedi Knights, former peacekeepers of the Galactic Republic, who drew mystical abilities from the Force but were exterminated by the Empire. Luke learns that his father, also a Jedi, fought alongside Obi-Wan during the Clone Wars until Vader, Obi-Wan's former pupil, turned to the dark side of the Force and murdered him. Obi-Wan gives Luke his father's lightsaber, the signature weapon of the Jedi. R2-D2 plays Leia's full message, in which she begs Obi-Wan to take the Death Star plans to Alderaan and give them to her father, a fellow veteran, for analysis. Luke initially declines Obi-Wan's offer to accompany him to Alderaan and learn the ways of the Force. Still, he is left with no choice after Imperial stormtroopers murder his family and destroy his home while searching for the droids. Seeking a way off the planet, Luke and Obi-Wan travel with the droids to the city of Mos Eisley and hire the smuggler Han Solo and his Wookiee partner Chewbacca, pilots of the starship Millennium Falcon.

Before the Falcon reaches Alderaan, the Death Star commander Grand Moff Tarkin has the planet obliterated by the station's superlaser.[6] En route to Alderaan aboard the Falcon, Obi-Wan begins Luke's training in the use of the Force, but the old Jedi is overwhelmed by emotion when the planet is destroyed and millions of people are killed. Upon arrival, the Falcon is captured by the Death Star's tractor beam, but the passengers avoid detection and infiltrate the station. As Obi-Wan leaves to deactivate the tractor beam, Luke persuades Han and Chewbacca to help him rescue Leia, who is scheduled for execution after refusing to reveal the location of the rebel base. After disabling the tractor beam, Obi-Wan sacrifices himself in a lightsaber duel against Vader, which allows the rest of the group to escape. Using a tracking device placed on the Falcon, the Empire locates the rebel base on the moon Yavin 4.

Analysis of the Death Star schematics reveals a weakness in a small exhaust port leading directly to the station's reactor. Luke joins the Rebellion's X-wing squadron in a desperate attack against the Death Star, while Han and Chewbacca leave to pay off a debt to the crime lord Jabba the Hutt. In the ensuing battle, Vader leads a squadron of TIE fighters and destroys several rebel ships, while Tarkin orders the Death Star to manuever into position to destroy Yavin 4. Han and Chewbacca unexpectedly return in the Falcon, knocking Vader's ship off course before he can shoot Luke down. Guided by the voice of Obi-Wan's spirit, Luke uses the Force to aim his torpedoes into the exhaust port, causing the Death Star to explode moments before it can fire on the rebel base. Vader regains control of his ship, sees the destruction of the Death Star, and flees into deep space. Leia awards Luke and Han medals for their heroism in a triumphant ceremony.

## Cast

[edit]

See also: List of Star Wars characters and List of Star Wars cast members

Left to right: Mark Hamill (pictured in 2019), Harrison Ford (2017), and Carrie Fisher (2013)

* Mark Hamill as Luke Skywalker: A young adult raised by his aunt and uncle on Tatooine, who dreams of something more than his current life.[7][8]
* Harrison Ford as Han Solo: A smuggler and captain of the Millennium Falcon[9][10]
* Carrie Fisher as Princess Leia Organa: Princess of the planet Alderaan, member of the Imperial Senate, and a leader of the Rebel Alliance[11]
* Peter Cushing as Grand Moff Tarkin: The commander of the Death Star[12][13]
* Alec Guinness as Obi-Wan "Ben" Kenobi: An aging Jedi Master who introduces Luke to the Force[14][15]
* Anthony Daniels as See Threepio (C3PO): A humanoid protocol droid[b][16]
* Kenny Baker as Artoo Detoo (R2-D2): An astromech droid[17]
* Peter Mayhew as Chewbacca: Han's Wookiee friend and co-pilot of the Millennium Falcon[18]
* David Prowse / James Earl Jones (voice) as Lord Darth Vader: Obi-Wan's former Jedi apprentice who fell to the dark side of the Force[19][20]

Phil Brown and Shelagh Fraser appear as Luke's Uncle Owen and Aunt Beru, respectively,[21][22] and Jack Purvis portrays the Chief Jawa.[23] Rebel leaders include Alex McCrindle as General Dodonna and Eddie Byrne as General Willard. Imperial commanders include Don Henderson as General Taggi,[c] Richard LeParmentier as Admiral Motti, and Leslie Schofield as General Bast. Rebel pilots are played by Drewe Henley (Red Leader, mistakenly credited as Drewe Hemley),[26] Denis Lawson (Red Two/Wedge, credited as Dennis Lawson), Garrick Hagon (Red Three/Biggs), Jack Klaff (Red Four/John "D"), William Hootkins (Red Six/Porkins), Angus MacInnes (Gold Leader, credited as Angus McInnis), Jeremy Sinden (Gold Two), and Graham Ashley (Gold Five).[27] Uncredited actors include Paul Blake as the bounty hunter Greedo,[28] Alfie Curtis as the outlaw who confronts Luke in the cantina,[d][31] Shane Rimmer as a rebel technician on Yavin IV,[32] and Peter Geddis as the rebel officer who is strangled by Darth Vader.[e][35] Heavily synthesized audio recordings of John Wayne (from his earlier films) were used for the voice of Garindan, an Imperial spy.[36]

## Production

[edit]

### Development

[edit]

Star Wars creator George Lucas (pictured in 1986)

Lucas had the idea for a space opera prior to 1971.[37] According to Mark Hamill, he wanted to make it before his 1973 coming-of-age film American Graffiti.[38] His original plan was to adapt the Flash Gordon space adventure comics and serials into films, having been fascinated by them since he was young.[39] Lucas attempted to purchase the rights, but they had already been acquired by producer Dino De Laurentiis.[40] Lucas then discovered that Flash Gordon was inspired by the John Carter of Mars book series by Edgar Rice Burroughs, the author of Tarzan. Burroughs, in turn, had been influenced by Gulliver on Mars, a 1905 science fantasy written by Edwin Arnold. Lucas took the science fantasy concept and began developing what he would later call a "space fantasy".[39]

In May 1971, Lucas persuaded the head of United Artists, David Picker, to take a chance on two of his film ideas: American Graffiti and the space opera.[41] Although Lucas signed a two-picture deal, the studio ultimately declined to produce Graffiti. Universal Pictures picked it up, and Lucas spent the next two years making the coming-of-age film, which was immensely successful.[41] In January 1973, he began working on the space opera full-time.[39] He began the process by inventing odd names for characters and places. By the time the screenplay was finalized he had discarded many of the names, but several made it into the final script and later sequels.[42] He used his early notes to compile a two-page synopsis titled Journal of the Whills, which chronicled the tale of CJ Thorpe, an apprentice "Jedi-Bendu", who was being trained by the legendary Mace Windy.[43] He felt that this story was too difficult to understand, however.[44]

Lucas began writing a 13-page treatment called The Star Wars on April 17, 1973, which had narrative parallels with Kurosawa's 1958 film The Hidden Fortress.[45] He later explained that Star Wars is not a story about the future, but rather a "fantasy" that has more in common with the Brothers Grimm than 2001: A Space Odyssey. He said his motivation for making the film was to give young people an "honest, wholesome fantasy life," of the kind his generation had. He hoped it would offer "the romance, the adventure, and the fun that used to be in practically every movie".[46]

While impressed with the innocence of the story and the sophistication of Lucas's fictional world, United Artists declined to fund the project. Lucas and Kurtz then presented the treatment to Universal Pictures, the studio that financed American Graffiti. Universal agreed it could be a successful venture, but had doubts about Lucas's ability to execute his vision.[38] Kurtz has claimed the studio's rejection was primarily due to Universal head Lew Wasserman's low opinion of science fiction, and the generally low popularity of the genre at the time.[47] Francis Ford Coppola subsequently brought the project to a division of Paramount Pictures he ran with fellow directors Peter Bogdanovich and William Friedkin, but Friedkin questioned Lucas's ability to direct the film, and both directors declined to finance it.[48] Walt Disney Productions also turned down the project.[49]

Star Wars was accepted by Twentieth Century-Fox in June 1973. Studio president Alan Ladd Jr. did not grasp the technical side of the project, but believed in Lucas's talent. Lucas later stated that Ladd invested in him, not in the film.[50] The Fox deal gave Lucas $150,000 (equivalent to $1,100,000 in 2024) to write and direct the film.[51] In August, American Graffiti opened to massive success, which afforded Lucas the necessary leverage to renegotiate the deal and gain control of merchandising and sequel rights.[42][50]: 19

### Writing

[edit]

> It's the flotsam and jetsam from the period when I was twelve years old. All the books and films and comics that I liked when I was a child. The plot is simple—good against evil—and the film is designed to be all the fun things and fantasy things I remember. The word for this movie is fun.

—George Lucas, 1977[52]

Since commencing the writing process in January 1973, Lucas wrote four different screenplays for Star Wars, searching for "just the right ingredients, characters and storyline."[39] By May 1974, he had expanded the original treatment into a full, 132-page rough draft, which included elements such as the Sith, the Death Star, and a general named Annikin Starkiller.[50]: 14 [53] He then changed Starkiller to an adolescent boy, and shifted the general—who came from a family of dwarfs—into a supporting role.[50][54] Lucas envisioned the Corellian smuggler, Han Solo, as a large, green-skinned monster with gills. He based Chewbacca on his Alaskan Malamute dog, Indiana, who often acted as his "co-pilot" by sitting in the passenger seat of his car. The dog's name would later be given to the character Indiana Jones.[54][55]

Lucas completed a second draft in January 1975 entitled Adventures of the Starkiller, Episode One: The Star Wars. He had made substantial simplifications and introduced the young, farm-dwelling hero as Luke Starkiller. In this draft, Luke had several brothers. Annikin became Luke's father, a wise Jedi Knight who played a minor role at the end of the story. Early versions of the characters Han Solo and Chewbacca were present, and closely resemble those seen in the finished film.[56] This draft introduced a mystical energy field called "The Force," the concept of a Jedi turning to the dark side, and a historical Jedi who was the first to turn, and who subsequently trained the Sith. The script also included a Jedi Master with a son who trains to be a Jedi under his father's friend; this would ultimately form the basis for the finished film and, later, the original trilogy.[53][57] This version was more a fairy tale quest than the action-filled adventure story of the previous draft, and ended with a text crawl that previewed the next story in the series. According to Lucas, the second draft was over 200 pages long, which led him to split up the story into several films spanning several trilogies.[58]

While writing a third draft, Lucas claims to have been influenced by comics,[59] J. R. R. Tolkien's The Hobbit,[60][61] Joseph Campbell's The Hero with a Thousand Faces,[62] James George Frazer's The Golden Bough,[63] and Bruno Bettelheim's The Uses of Enchantment. Author Michael Kaminski has objected to Lucas's claim regarding the Bettelheim book, arguing that it was not released until after Star Wars was filmed (J.W. Rinzler speculates that Lucas may have obtained an advance copy). Kaminski also writes that Campbell's influence on Star Wars has been exaggerated by Lucas and others, and that Lucas's second draft was "even closer to Campbell's structure" than the third.[64]

Lucas has claimed he wrote a version of the screenplay that was 250–300 pages long, which outlined the plot of the entire original trilogy. Realizing it was too lengthy for a single film, he decided to spread the story over three films.[50][65][66] This division caused problems with the first episode; Lucas had to use the ending of Return of the Jedi for Star Wars, which resulted in a Death Star being included in both films.[67][68][f] In 1975, Lucas envisioned a trilogy which would end with the destruction of the Empire, and possibly a prequel about Obi-Wan as a young man. After Star Wars became tremendously successful, Lucasfilm announced that Lucas had already written twelve more Luke Skywalker stories, which, according to Kurtz, were "separate adventures" rather than traditional sequels.[71][72]

On February 27, 1975, Fox granted the film a budget of $5 million (equivalent to $29 million in 2024), which was later increased to $8.25 million (equivalent to $48 million).[50]: 17:30 Lucas then started writing with a budget in mind, conceiving the cheap, "used" look of much of the film, and—with Fox having just shut down its special effects department—reducing the number of complex special effects shots called for by the script.[73] The finalized third draft, dated August 1, 1975, was titled The Star Wars From the Adventures of Luke Starkiller. This version had most of the elements of the final plot, with only some differences in the characters and settings. It presented Luke as an only child whose father was already dead, and who was cared for by a man named Ben Kenobi.[53] This script would be rewritten for the fourth and final draft, dated January 1, 1976, and titled The Adventures of Luke Starkiller as taken from the Journal of the Whills, Saga I: The Star Wars. Lucas's friends Gloria Katz and Willard Huyck helped him revise the fourth draft into the final pre-production script.[74]

Lucas finished the screenplay in March 1976, when the crew started filming. During production, he changed Luke's surname from Starkiller to Skywalker, and changed the title first to The Star Wars, and then, finally, to Star Wars.[50][53] For the film's opening crawl, Lucas originally wrote a composition of six paragraphs with four sentences each.[51][75] He showed the draft to his friend, director Brian De Palma, who called it "gibberish" that "goes on forever."[76][77] De Palma and screenwriter Jay Cocks helped edit the crawl into its final form, which contains only four sentences.[76][78]

### Casting

[edit]

Left to right: Alec Guinness (pictured in 1973), Anthony Daniels (2011), and Peter Mayhew (2015)

Lucas had a preference for casting unknown (or relatively unknown) actors,[50] which led him to select Hamill and Fisher for leading roles. Hamill was cast as Luke over Robby Benson, Robert Englund, William Katt, Kurt Russell, and Charles Martin Smith,[79][80][81] while Fisher was cast as Leia over Karen Allen, Amy Irving, Terri Nunn, Cindy Williams, and Linda Purl.[82][83] Jodie Foster auditioned for the role, but turned it down because she was under contract with Disney.[84][85] Koo Stark was also considered for Leia, but was instead cast as Luke's friend Camie Marstrap, a character that did not make the final cut of the film.[86][87]

Lucas initially resisted casting Ford as Han, since Ford had previously worked with Lucas on American Graffiti, and was therefore not unknown. Instead, the director asked Ford to assist with auditions by reading lines with other actors. However, Lucas was eventually won over by Ford, and cast him as Han over many other actors who auditioned. Other actors who reportedly were considered for the role of Han Solo include James Caan, Chevy Chase, Robert De Niro, Richard Dreyfuss, Steve Martin, Bill Murray, Jack Nicholson, Nick Nolte, Burt Reynolds, Kurt Russell, Robert Englund, Sylvester Stallone, John Travolta, Christopher Walken, Glynn Turman, and Perry King, who later played Solo in the radio series.[g] Al Pacino turned down the part because he didn't understand the script.[95]

Lucas recognized that he needed an established star to play Obi-Wan. He considered Cushing for the role, but decided the actor's lean features would be better employed as the villainous Tarkin.[96] The film's producer, Gary Kurtz, felt a strong character actor was required to convey the "stability and gravitas" of Obi-Wan.[50] Before Guinness was cast, the Japanese actor Toshiro Mifune—who stars in many Akira Kurosawa films—was considered for the role.[82] His daughter, Mika Kitagawa, said her father "had a lot of samurai pride" and turned down the roles of Obi-Wan and Vader because he thought Star Wars would employ cheap special effects and would therefore "cheapen the image of samurai".[97] Lucas credited Guinness with inspiring the cast and crew to work harder, which contributed significantly to the completion of filming.[98] Ford said he admired Guinness's preparation, professionalism and kindness towards the other actors. He recalled Guinness having "a very clear head about how to serve the story."[50] On top of his salary, Guinness received 2.25% of the film's backend grosses, which made him wealthy later in life.[99]

Daniels said he wanted the role of C-3PO after he saw a Ralph McQuarrie concept painting of the character and was struck by the vulnerability in the droid's face.[50][100] After casting Daniels for the physical performance, Lucas intended to hire another actor for the droid's voice. According to Daniels, thirty well-established actors auditioned—including Richard Dreyfuss and Mel Blanc—but Daniels received the voice role after one of the actors suggested the idea to Lucas.[101][102][103][50]

Baker (R2-D2) and Mayhew (Chewbacca) were cast largely due to their height. At 3 feet 8 inches (1.12 m), Baker was offered the role of the diminutive droid immediately after meeting Lucas. He turned it down multiple times, however, before finally accepting it.[104] R2-D2's beeps and squeaks were made by sound designer Ben Burtt by imitating baby noises, recording his voice over an intercom, and finally mixing the sounds together using a synthesizer.[105] Mayhew initially auditioned for Vader, but Prowse was cast instead. However, when Lucas and Kurtz saw Mayhew's 7-foot-3-inch (2.21 m) stature, they quickly cast him as Chewbacca. Mayhew modeled his performance on the mannerisms of animals he observed in public zoos.[50][106][107]

Prowse was originally offered the role of Chewbacca, but turned it down, as he wanted to play the villain.[108] Prowse portrayed Vader physically, but Lucas felt his West Country English accent was inappropriate for the character, and selected James Earl Jones for Vader's voice.[68] Lucas considered Orson Welles for the voice role, but was concerned his voice would be too familiar to audiences. Jones was uncredited cinematically until 1983 [50][68][109] (he was credited in the 1978 TV special, Star Wars Holiday Special).[110][111] However, upon the film's release, audiences and critics immediately recognized Jones' voice as Darth Vader.[112][113][114]

### Design

[edit]

During pre-production, Lucas recruited several conceptual designers: Colin Cantwell, who visualized the initial spacecraft models; Alex Tavoularis, who created storyboard sketches from early scripts; and Ralph McQuarrie, who created conceptual images of characters, costumes, props, and scenery.[39] McQuarrie's paintings helped the studio visualize the film, which positively influenced their decision to fund the project.[115][116] His artwork also set the visual tone for Star Wars and the rest of the original trilogy.[39]

> The trouble with the future in most futurist movies is that it always looks new and clean and shiny ... What is required for true credibility is a used future.

—George Lucas on the aesthetic of Star Wars[117]

Lucas wanted to create props and sets (based on McQuarrie's paintings) that had never before been used in science-fiction films. He hired as production designers John Barry and Roger Christian, who were then working on the film Lucky Lady (1975). Christian remembers that Lucas did not want anything in Star Wars to stand out, and "wanted it [to look] all real and used." In this "used future" aesthetic, all devices, ships, and buildings related to Tatooine and the rebels look aged and dirty, and the rebel ships look cobbled together in contrast to the Empire's sleeker designs.[118][119] Lucas believed this aesthetic would lend credibility to the film's fictional places, and Christian was enthusiastic about this approach.[117][120]

Barry and Christian started working with Lucas before Star Wars was funded by Fox. For several months, in a studio in Kensal Rise, England, they planned the creation of props and sets with very little money. According to Christian, the Millennium Falcon set was the most difficult to build. He wanted the interior of the ship to look like a submarine, and used inexpensive airplane scrap metal to achieve the desired effect.[120][121] Set construction later moved to Elstree Studios, where Barry created thirty sets. All nine sound stages at Elstree were needed to house the fabricated planets, starships, caves, control rooms, cantinas, and Death Star corridors. The rebel hangar was so massive it had to be built at nearby Shepperton Studios, which contained Europe's largest sound stage at the time.[117]

### Filming

[edit]

See also: List of Star Wars filming locations

In 1975, Lucas founded the visual effects company Industrial Light & Magic (ILM) after discovering that Fox's visual effects department had been shut down. ILM began its work on Star Wars in a warehouse in Van Nuys, California. Most of the visual effects used pioneering digital motion control photography developed by John Dykstra and his team, which created the illusion of size by employing small models and slowly moving cameras. The technology is now known as the Dykstraflex system.[50][122][123][124]

Visually, Lucas wanted Star Wars to have the "ethereal quality" of a fairy tale, but also "an alien look." He hoped to achieve "the seeming contradiction of [the] strange graphics of fantasy combined with the feel of a documentary."[117] His first choice for cinematographer was Geoffrey Unsworth, who had worked on 2001: A Space Odyssey. Unsworth initially accepted the job, but eventually withdrew to work on the Vincente Minnelli-directed A Matter of Time (1976).[47] Unsworth was replaced by Gilbert Taylor, who had overseen photography for Dr. Strangelove and A Hard Day's Night (both 1964). Lucas admired Taylor's work on both films, describing them as "eccentrically photographed pictures with a strong documentary flavor."[117]

Once photography was under way, Lucas and Taylor had many disputes.[47] Lucas's lighting suggestions were rejected by Taylor, who believed Lucas was overstepping his boundaries by giving specific instructions, sometimes even moving lights and cameras himself. After Fox executives complained about the soft-focus visual style of the film, Taylor changed his approach, which infuriated Lucas.[125] Kurtz said that Lucas's inability to delegate tasks resulted from his history directing low-budget films, which required him to be involved with all aspects of the production.[47] Taylor claims that Lucas avoided contact with him, which motivated the cinematographer to make his own decisions about how to shoot the film.[126][127]

Hotel Sidi Driss, the underground building used as Luke's Tatooine home

Originally, Lucas envisioned Tatooine as a jungle planet, and Kurtz traveled to the Philippines to scout locations.[128] However, the thought of spending months filming in the jungle made Lucas uncomfortable, so he made Tatooine a desert planet instead.[46] Kurtz then researched various desert locales around the globe. He ultimately decided that Southern Tunisia, on the edge of the Sahara, would make an ideal Tatooine. Principal photography began in Chott el Djerid on March 22, 1976. Meanwhile, a construction crew in nearby Tozeur spent eight weeks creating additional Tatooine locations.[117] The scenes of Luke's Tatooine home were filmed at the Hotel Sidi Driss, in Matmata.[129] Additional Tatooine scenes were shot at Death Valley in the United States.[130]

The filmmakers experienced many problems in Tunisia. Production fell behind schedule in the first week due to malfunctioning props and electronic breakdowns.[50][131][132] The radio-controlled R2-D2 models functioned poorly.[46] The left leg of Anthony Daniels's C-3PO costume shattered, injuring his foot.[133] A rare winter rainstorm struck the country, which further disrupted filming.[134][135] After two and a half weeks in Tunisia, production moved to Elstree Studios in London for interior scenes.[129][132]

Kurtz has described Lucas as a shy "loner" who does not enjoy working with a large cast and crew. According to Carrie Fisher, he gave very little direction to the actors, and when he did, it usually consisted of the words "faster" and "more intense".[50] Laws in Britain stipulated that filming had to finish by 5:30 pm, unless Lucas was in the middle of a shot, in which case he could ask the crew to stay an extra 15 minutes.[51] However, his requests were usually turned down. Most of the British crew considered Star Wars a children's film, and the actors sometimes did not take the project seriously. Kenny Baker later confessed that he thought the film would be a failure.[50]

Scenes of the rebel base on Yavin 4 were filmed in Tikal, Guatemala

According to Taylor, it was impossible to light the Elstree sets in the conventional way. He was forced to break open the walls, ceilings and floors, placing quartz lamps inside the openings he created. This lighting system gave Lucas the ability to shoot in almost any direction without extensive relighting.[134] In total, filming in Britain took fourteen and a half weeks.[129] While visiting an English travel agency, Lucas saw a poster depicting Tikal, Guatemala, and decided to use the location for the moon Yavin 4.[136] The scenes of the rebel base on Yavin were filmed in the local Mayan temples. The animation of the Death Star plans shown at the base were created by computer programmer Larry Cuba, using the GRASS programming language. It is the only digital computer animation utilized in the original version of Star Wars.[137] The visual simulation of Yavin 4 orbiting its mother planet was created on the Scanimate analog computer. All the other computer monitors and targeting displays in the film featured simulated computer graphics, which were generated using pre-digital animation methods, such as hand-drawn backlit animation.[138][139]

Although Obi-Wan did not die in the final version of the script, Alec Guinness disliked the character's dialogue and said he begged Lucas to kill him off.[140] Lucas, however, claimed he added Obi-Wan's death because the character served no purpose after his duel with Vader.[141][142]

At Fox, Alan Ladd endured scrutiny from board members over the film's complex screenplay and rising budget.[50][132] After the filmmakers requested more than the original $8 million budget, Kurtz said the executives "got a bit scared." According to Kurtz, the filmmaking team spent two weeks drafting a new budget.[47] With the project behind schedule, Ladd told Lucas he had to finish production within a week or it would be shut down. The crew split into three units, led by Lucas, Kurtz, and production supervisor Robert Watts. Under the new system, they met the studio's deadline.[50][132]

The screenplay originally featured a human Jabba the Hutt, but the character was removed due to budget and time constraints.[105] The idea of Jabba being an alien did not arise until work began on the 1979 Star Wars re-release.[143] Lucas would later claim he had wanted to superimpose a stop-motion creature over a human actor; he accomplished a similar effect with computer-generated imagery (CGI) in the 1997 Special Edition.[144][145] According to Greedo actor Paul Blake, his character was created as a result of Lucas having to cut the Jabba scene.[146]

During production, the cast attempted to make Lucas laugh or smile, as he often appeared depressed. At one point, the project became so demanding that Lucas was diagnosed with hypertension and exhaustion and was warned to reduce his stress level.[50][132] Post-production was equally stressful due to increasing pressure from the studio. Another obstacle arose when Hamill's face became visibly scarred after a car accident, which restricted re-shoots featuring Luke.[132]

### Post-production

[edit]

Star Wars was originally slated for release on December 25, 1976, but production delays pushed it back to mid-1977.[147] Editor John Jympson began cutting the film while Lucas was still filming in Tunisia; as Lucas noted, the editor was in an "impossible position" because Lucas had not explained any of the film's material to him. When Lucas viewed Jympson's rough cut, he felt the editor's selection of takes was questionable.[148] He felt Jympson did not fully understand the film nor Lucas's style of filmmaking, and he continued to disapprove of Jympson's editing as time went by.[149] Halfway through production, Lucas fired Jympson and replaced him with Paul Hirsch, Richard Chew, and his then-wife, Marcia Lucas. The new editing team felt Jympson's cut lacked excitement, and they sought to inject more dynamism into the film.[50][150]

Jympson's rough cut of Star Wars (often called the "Lost Cut") differed significantly from the final version. Author David West Reynolds describes Jympson's version as "more leisurely paced", and estimates that it contained 30–40% different footage from the final cut. Although most of the differences relate to extended scenes or alternate takes, there were also scenes which were completely removed to accelerate the pace of the narrative.[151] The most notable of these were a series from Tatooine, when Luke is first introduced. Set in the city of Anchorhead, the scenes depicted Luke's everyday life among his friends, and showed how their lives are affected by the space battle above the planet. These scenes also introduced Biggs Darklighter, Luke's closest friend who leaves to join the Rebellion.[152] Hirsch said the scenes were removed because they presented too much information in the first few minutes of the film, and they created too many storylines for the audience to follow.[153] The removal of the Anchorhead scenes also helped distinguish Star Wars from Lucas's previous film; Alan Ladd called the deleted scenes "American Graffiti in outer space".[152] Lucas also wanted to shift the narrative focus to C-3PO and R2-D2 at the beginning of the film. He explained that having "the first half hour of the film be mainly about robots was a bold idea."[154][155]

Meanwhile, ILM was struggling to achieve unprecedented special effects. The company had spent half its budget on four shots that Lucas deemed unacceptable.[132] With hundreds of shots remaining, ILM was forced to finish a year's work in six months. To inspire the visual effects team, Lucas spliced together clips of aerial dogfights from old war films. These kinetic segments helped the team understand his vision for scenes in Star Wars.[50] The explosion of the Death Star was created by visual effects artist Bruce Logan and pyrotechnics expert Joe Viskocil. To simulate the effect of an explosion in the zero gravity environment of outer space, Logan pointed a high-speed camera upward at a series of miniature bombs created by Viskocil, which were composed of black powder, gasoline, titanium chips and napalm. The camera was surrounded by a sheet of plywood, with a hole cut out for the lens and a sheet of glass covering it.[156][157][158]

Sound designer Ben Burtt had created a library of sounds that Lucas referred to as an "organic soundtrack". Blaster sounds were created by modifying the noise of a steel cable being struck while under tension. Lightsaber sound effects were a combination of the hum of movie projector motors and interference caused by a television set on a shieldless microphone. Burtt discovered the latter accidentally while searching for a buzzing, sparking sound to add to the projector-motor hum.[159] For Chewbacca's speech, Burtt combined the sounds of four bears, a badger, a lion, a seal, and a walrus.[160] Burtt achieved Vader's breathing noise by breathing through the mask of a scuba regulator; this process inspired the idea of Vader being a burn victim.[161][162] The film was mixed in a new six-track stereo layout developed by Dolby Laboratories called "baby boom" that consolidated vocals to the center channel, while the side channels were used to enhance deep bass effects.[163]

In February 1977, Lucas screened an early cut of the film for Fox executives, several director friends, and Roy Thomas and Howard Chaykin of Marvel Comics, who were preparing a Star Wars comic book. The cut had a different crawl from the finished version and used Prowse's voice for Vader. It also lacked most special effects; hand-drawn arrows took the place of blaster beams, and footage of World War II dogfights replaced space battles between TIE fighters and the Millennium Falcon.[164] Several of Lucas's friends failed to understand the film, and their reactions disappointed Lucas. Marcia Lucas also admitted at her initial unhappiness with the film describing it as the "At Long Last Love of science fiction." Steven Spielberg enjoyed it, however, and believed the lack of enthusiasm from others was due to the absence of finished special effects. In contrast, Ladd and the other studio executives loved the film; production executive Gareth Wigan described the experience as the "most extraordinary day of [his] life." Lucas, who was accustomed to negative reactions from executives, found the experience shocking and rewarding.[50][165]

Ladd reluctantly agreed to release an extra $50,000 (equivalent to $260,000 in 2024) in funding.[166] The unit also completed additional studio footage for the Mos Eisley cantina sequence.[167]

Star Wars was completed less than a week before its May 25, 1977, release date. With all of the film's elements coming together just in time, Lucas described the work as not so much finished, but "abandoned".[168] Star Wars began production with a budget of $8 million; the total budget eventually reached $11 million (equivalent to $47 and $61 million, respectively, in 2024).[169]

## Soundtrack

[edit]

Main article: Star Wars (soundtrack)

Lucas initially planned to use pre-existing music for Star Wars, rather than an original score. Since the film portrayed alien worlds, he believed recognizable music was needed to create a sense of familiarity. He hired John Williams as a music consultant, and showed him a collection of orchestral pieces he intended to use for the soundtrack.[170] After Williams convinced Lucas that an original score would be preferable, Lucas tasked him with creating it. A few of the composer's finished pieces were influenced by Lucas's initial orchestral selections. The "Main Title Theme" was inspired by the theme from the 1942 film Kings Row (scored by Erich Wolfgang Korngold), and the "Dune Sea of Tatooine" was influenced by the music of Bicycle Thieves (scored by Alessandro Cicognini). Lucas later denied he ever considered using pre-existing music for the film.[171][172]

Over a period of 12 days in March 1977, Williams and the London Symphony Orchestra recorded the Star Wars score.[50] The soundtrack was released as a double LP in 1977 by 20th Century Fox Records.[173][174] That year, the label also released The Story of Star Wars, an audio drama adaptation of the film utilizing some of its music, dialogue, and sound effects.[175][176]

In 2005, the American Film Institute chose the Star Wars soundtrack as the best film score of all time.[177]

## Cinematic and literary allusions

[edit]

See also: Star Wars sources and analogues

Before creating Star Wars, Lucas had hoped to make a Flash Gordon film, but was unable to obtain the rights. Star Wars features many elements ostensibly derived from Flash Gordon, such as the conflict between rebels and imperial forces; the fusion of mythology and futuristic technology; the wipe transitions between scenes; and the text crawl at the beginning of the film.[178][better source needed] Lucas also reportedly drew from Joseph Campbell's book The Hero with a Thousand Faces and Akira Kurosawa's 1958 film The Hidden Fortress.[40][178][179] Robey has also suggested that the Mos Eisley cantina brawl was influenced by Kurosawa's Yojimbo (1961), and that the scene in which Luke and his friends hide in the floor of the Millenium Falcon was derived from that film's sequel, Sanjuro (1962).[178]

Star Wars has been compared to Frank Herbert's Dune book series.[180] Both have desert planets: Star Wars has Tatooine, while Dune has Arrakis, which is the source of a longevity spice. Star Wars, meanwhile, makes references to spice mines and a spice freighter. Jedi mind tricks in Star Wars have been compared to "The Voice", a controlling ability used by the Bene Gesserit in Herbert's novels. Luke's Uncle Owen and Aunt Beru are moisture farmers; on Arrakis, dew collectors are used by Fremen to collect and recycle small amounts of water.[better source needed][181][180] Herbert reported that David Lynch, director of Dune's 1984 film adaptation, "had trouble with the fact that Star Wars used up so much of Dune." Herbert and Lynch found "sixteen points of identity" between the two universes, and argued that these similarities could not be a coincidence.[182]

Writing for Starwars.com in 2013, Bryan Young noted many similarities between Lucas's space opera and the World War II film The Dam Busters (1955). In Star Wars, rebel ships assault the Death Star by diving into a trench and attempting to fire torpedoes into a small exhaust port; in Dam Busters, British bombers fly along heavily defended reservoirs and aim bouncing bombs at dams to cripple the heavy industry of Germany (also, Star Wars cinematographer Gilbert Taylor filmed the special effects sequences in Dam Busters).[183] Lucas used clips from both Dam Busters and 633 Squadron (1964), another war film with a climactic bomber run through narrow fjords, to illustrate his vision for dogfights in Star Wars.[184]

It has also been noted that the film's final rebel ceremony bears a strong resemblance to Leni Riefenstahl's 1935 propaganda film Triumph des Willens (Triumph of the Will).[185]

Journalist and blogger Martin Belam has pointed out similarities between the Death Star's docking bay and the docking bay on the space station in 2001.[186] In 2014, Young observed a number of parallels between Lucas's space opera and Fritz Lang's 1927 film Metropolis.[187] Star Wars has also been compared to The Wizard of Oz (1939).[101]

## Marketing

[edit]

Rendition of Dan Perri's original Star Wars logotype

While the film was in production, a logo was commissioned from Dan Perri, a title sequence designer who had worked on The Exorcist (1973) and Taxi Driver (1976). Perri created a logotype consisting of block-capital letters filled with stars and leaning towards a vanishing point. The graphic was designed to follow the same perspective as the opening text crawl. Ultimately, Perri's logo was not used for the film's opening title sequence, although it was used widely in pre-release print advertising and on cinema marquees.[188][189]

The logotype eventually selected for on-screen use originated in a promotional brochure that was distributed by Fox to cinema owners in 1976. The brochure was designed by Suzy Rice, a young art director at the Los Angeles advertising agency Seiniger Advertising. On a visit to ILM in Van Nuys, Rice was instructed by Lucas to produce a "very fascist" logo that would intimidate the viewer. Rice employed an outlined and modified Helvetica Black typeface in her initial version. After some feedback from Lucas, Rice joined the S and T of STAR and the R and S of WARS. Kurtz was impressed with Rice's composition and selected it over Perri's design for the film's opening titles, after flattening the pointed tips of the letter W. The Star Wars logo became one of the most recognizable designs in cinema, though Rice was not credited in the film.[188]

For the film's US release, Fox commissioned a promotional poster from the advertising agency Smolen, Smith and Connolly. The agency contracted the freelance artist Tom Jung, and gave him the phrase "good over evil" as a starting point. His poster, known as Style 'A', depicts Luke standing in a heroic pose, brandishing a shining lightsaber above his head. Leia is slightly below him, and a large image of Vader's helmet looms behind them. Some Fox executives considered this poster "too dark" and commissioned the Brothers Hildebrandt, a pair of well-known fantasy artists, to modify it for the UK release. When Star Wars opened in British theaters, the Hildebrandts' Style 'B' poster was used on cinema billboards. Fox and Lucasfilm later decided to promote the film with a less stylized and more realistic depiction of the lead characters, and commissioned a new design from Tom Chantrell. Two months after Star Wars opened, the Hildebrandts' poster was replaced by Chantrell's Style 'C' version in UK cinemas.[h]

Fox gave Star Wars little marketing support beyond licensed T-shirts and posters. The film's marketing director, Charley Lippincott, had to look elsewhere for promotional opportunities. He secured deals with Marvel Comics for a comic book adaptation and with Del Rey Books for a novelization. A fan of science fiction, Lippincott used his contacts to promote the film at San Diego Comic-Con and elsewhere within the science-fiction community.[50][47]

External videos

Star Wars: Teaser Trailer

The film's teaser trailer was released in late 1976, with Malachi Throne as the narrator.[194]

## Release

[edit]

### MPAA rating

[edit]

When Star Wars was submitted to the Motion Picture Association of America's rating board, the votes for the rating were evenly split between G and PG. In an unusual move, Fox requested the stricter PG rating, in part because it believed the film was too scary for young children, but also because it feared teenagers would perceive the G rating as "uncool". Lucasfilm marketer Charley Lippincott supported Fox's position after witnessing a five-year-old at the film's preview become upset by a scene in which Darth Vader chokes a rebel captain. Although the board initially opted for the G rating, it reneged after Fox's request and applied the PG rating.[195]

### First public screening

[edit]

On May 1, 1977, the first public screening of Star Wars was held at Northpoint Theatre in San Francisco,[196][197] where American Graffiti had been test-screened four years earlier.[198][199]

### Premiere and initial release

[edit]

Lucas wanted the film released in May, on the Memorial Day weekend. According to Fox executive Gareth Wigan, "Nobody had ever opened a summer film before school was out." Lucas, however, hoped the school-term release would build word-of-mouth publicity among children.[200] Fox ultimately decided on a release date of May 25, the Wednesday before the holiday weekend. Very few theaters, however, wanted to show Star Wars. To encourage exhibitors to purchase the film, Fox packaged it with The Other Side of Midnight, a film based on a bestselling book. If a theater wanted to show Midnight, it was required to show Star Wars as well.[50]

Lucas's film debuted on Wednesday, May 25, 1977, in 32 theaters. Another theater was added on Thursday, and ten more began showing the film on Friday.[168] On Wednesday, Lucas was so absorbed in work—approving advertising campaigns and mixing sound for the film's wider-release version—that he forgot the film was opening that day.[165] His first glimpse of its success occurred that evening, when he and Marcia went out for dinner on Hollywood Boulevard. Across the street, crowds were lining up outside Mann's Chinese Theatre, waiting to see Star Wars.[132][201]

Two weeks after its release, Lucas's film was replaced by William Friedkin's Sorcerer at Mann's because of contractual obligations. The theater owner moved Star Wars to a less-prestigious location after quickly renovating it.[202] After Sorcerer failed to meet expectations, Lucas's film was given a second opening at Mann's on August 3. Thousands of people attended a ceremony in which C-3PO, R2-D2 and Darth Vader placed their footprints in the theater's forecourt.[203][50] By this time, Star Wars was playing in 1,096 theaters in the United States.[204] Approximately 60 theaters played the film continuously for over a year. In May 1978, Lucasfilm distributed "Birthday Cake" posters to those theaters for special events on the one-year anniversary of the film's release.[205][206] Star Wars premiered in the UK on December 27, 1977. News reports of the film's popularity in America caused long lines to form at the two London theaters that first offered the film; it became available in 12 large cities in January 1978, and additional London theaters in February.[207]

> On opening day I ... did a radio call-in show ... this caller, was really enthusiastic and talking about the movie in really deep detail. I said, "You know a lot about the film." He said, "Yeah, yeah, I've seen it four times already."

—Gary Kurtz, on when he realized Star Wars had become a cultural phenomenon[208]

The film immediately broke box office records.[203] Three weeks after it opened, Fox's stock price had doubled to a record high. Prior to 1977, the studio's highest annual profit was $37 million. In 1977, it posted a profit of $79 million.[50] Lucas had instantly become very wealthy. His friend, director Francis Ford Coppola, sent a telegram to his hotel asking for money to finish his film Apocalypse Now.[165] Cast members became instant household names, and even technical crew members, such as model makers, were asked for autographs.[50] When Harrison Ford visited a record store to buy an album, enthusiastic fans tore half his shirt off.[165]

Lucas had been certain Spielberg's Close Encounters of the Third Kind would outperform his space opera at the box office. Before Star Wars opened, Lucas proposed to Spielberg that they trade 2.5% of the profit on each other's films. Spielberg accepted, believing Lucas's film would be the bigger hit. Spielberg still receives 2.5% of the profits from Star Wars.[209]

### Box office

[edit]

Star Wars remains one of the most financially successful films of all time. It earned over $2.5 million in its first six days ($13.3 million in 2024 dollars).[210] According to Variety's weekly box office charts, it was number one at the US box office for its first three weeks. It was dethroned by The Deep, but gradually added screens and returned to number one in its seventh week, building up to $7-million weekends as it entered wide release ($36.3 million in 2024 dollars) and remained number one for the next 15 weeks.[3] It replaced Jaws as the highest-earning film in North America just six months into release,[211] eventually grossing over $220 million during its initial theatrical run ($1.14 billion in 2024 dollars).[212] Star Wars entered international release towards the end of the year, and in 1978 added the worldwide record to its domestic one,[213] earning $314.4 million in total.[3] Its biggest international market was Japan, where it grossed $58.4 million.[214]

On July 21, 1978, while still showing in 38 theaters in the US, the film expanded into a 1,744 theater national saturation windup of release and set a new U.S. weekend record of $10,202,726.[215][216][217] The gross prior to the expansion was $221,280,994. The expansion added a further $43,774,911 to take its gross to $265,055,905. Reissues in 1979 ($22,455,262), 1981 ($17,247,363), and 1982 ($17,981,612) brought its cumulative gross in the U.S. and Canada to $323 million,[218][219] and extended its global earnings to $530 million.[220] In doing so, it became the first film to gross $500 million worldwide,[221] and remained the highest-grossing film of all time until E.T. the Extra-Terrestrial broke that record in 1983.[222]

The release of the Special Edition in 1997 was the highest-grossing reissue of all-time with a gross of $138.3 million, bringing its total gross in the United States and Canada to $460,998,007, reclaiming the all-time number one spot.[223][3][224][225] Internationally, the reissue grossed $117.2 million, with $26 million from the United Kingdom and $15 million from Japan.[214] In total, the film has grossed over $775 million worldwide.[3]

Adjusted for inflation, it had earned over $2.5 billion worldwide at 2011 prices,[226] which saw it ranked as the third-highest-grossing film at the time, according to Guinness World Records.[227] At the North American box office, it ranks second behind Gone with the Wind on the inflation-adjusted list.[228]

## Reception

[edit]

### Critical response

[edit]

Star Wars received many positive reviews upon its release. Roger Ebert of the Chicago Sun-Times called the film "an out-of-body experience".[229] Vincent Canby of The New York Times described it as "the most elaborate ... most beautiful movie serial ever made".[230] A. D. Murphy of Variety called the film "magnificent" and said Lucas had succeeded in his attempt to create the "biggest possible adventure fantasy" based on the serials and action epics of his childhood.[112] Writing for The Washington Post, Gary Arnold gave the film a positive review, calling it "a new classic in a rousing movie tradition: a space swashbuckler."[231] Star Wars was not without its detractors, however. Pauline Kael of The New Yorker said "there's no breather in the picture, no lyricism", and no "emotional grip".[232] John Simon of New York magazine also panned the film, writing, "Strip Star Wars of its often striking images and its highfalutin scientific jargon, and you get a story, characters, and dialogue of overwhelming banality."[233]

In the UK, Barry Norman of Film... called the movie "family entertainment at its most sublime", which combines "all the best-loved themes of romantic adventure".[234] The Daily Telegraph's science correspondent Adrian Berry said that Star Wars "is the best such film since 2001 and in certain respects it is one of the most exciting ever made". He described the plot as "unpretentious and pleasantly devoid of any 'message'".[235]

Gene Siskel, writing for the Chicago Tribune, said, "What places it a sizable cut above the routine is its spectacular visual effects, the best since Stanley Kubrick's 2001."[236][237] In his 1977 review, Robert Hatch of The Nation called the film "an outrageously successful, what will be called a 'classic,' compilation of nonsense, largely derived but thoroughly reconditioned. I doubt that anyone will ever match it, though the imitations must already be on the drawing boards."[238] In a more critical review, Jonathan Rosenbaum of the Chicago Reader stated, "None of these characters has any depth, and they're all treated like the fanciful props and settings."[239] Peter Keough of the Boston Phoenix said, "Star Wars is a junkyard of cinematic gimcracks not unlike the Jawas' heap of purloined, discarded, barely functioning droids."[240]

In a 1978 appearance on The Tonight Show Starring Johnny Carson, scientist Carl Sagan called attention to the overwhelming whiteness of the human characters in the film.[241] Actor Raymond St. Jacques echoed Sagan's complaint, writing that "the terrifying realization ... [is] that black people (or any ethnic minority for that matter) shall not exist in the galactic space empires of the future."[242][i][j] Writing in the African-American newspaper New Journal and Guide, Walter Bremond claimed that due to his black garb and his being voiced by a black actor, the villainous Vader reinforces a stereotype that "black is evil".[246][249]

The film continues to receive critical acclaim from contemporary critics. On the review aggregator website Rotten Tomatoes, 94% of 205 critics' reviews are positive, with an average rating of 9.1/10. The website's consensus reads: "A legendarily expansive and ambitious start to the sci-fi saga, George Lucas opened our eyes to the possibilities of blockbuster filmmaking and things have never been the same."[250] Metacritic, which uses a weighted average, assigned the film a score of 90 out of 100, based on 24 critics, indicating "universal acclaim".[251] In his 1997 review of the film's 20th-anniversary release, Michael Wilmington of the Chicago Tribune gave the film four out of four stars, calling it "[a] grandiose and violent epic with a simple and whimsical heart".[252] A San Francisco Chronicle staff member described the film as "a thrilling experience".[253] In 2001 Matt Ford of the BBC awarded the film five out of five stars and wrote, "Star Wars isn't the best film ever made, but it is universally loved."[254] Andrew Collins of Empire magazine, reviewing the 2006 DVD release, awarded the film five out of five and said, "Star Wars' timeless appeal lies in its easily identified, universal archetypes—goodies to root for, baddies to boo, a princess to be rescued and so on—and if it is most obviously dated to the 70s by the special effects, so be it."[255] CinemaScore reported that audiences for the film's 1999 re-release gave the film a "A+" grade.[256]

### Accolades

[edit]

Star Wars won many awards after its release, including six Academy Awards, two BAFTA Awards, one Golden Globe Award, three Grammy Awards, one Hugo Award, and thirteen Saturn Awards. Additionally, the Academy of Motion Picture Arts and Sciences gave a Special Achievement Academy Award to Ben Burtt, and granted a Scientific and Engineering Award to John Dykstra, Alvah J. Miller, and Jerry Jeffress for the development of the Dykstraflex camera system.[257][258]

Organization  | Category  | Nominee  | Result

|
|
|

Academy Awards[259] | Best Picture | Gary Kurtz | Nominated
Best Director | George Lucas | Nominated
Best Supporting Actor | Alec Guinness | Nominated
Best Original Screenplay | George Lucas | Nominated
Best Art Direction | John Barry, Norman Reynolds, Leslie Dilley and Roger Christian | Won
Best Costume Design | John Mollo | Won
Best Film Editing | Paul Hirsch, Marcia Lucas and Richard Chew | Won
Best Original Score | John Williams | Won
Best Sound | Don MacDougall, Ray West, Bob Minkler and Derek Ball | Won
Best Visual Effects | John Stears, John Dykstra, Richard Edlund, Grant McCune and Robert Blalack | Won
Special Achievement Academy Award | Ben Burtt | Won
Scientific and Engineering Award | John Dykstra, Alvah J. Miller and Jerry Jeffress | Won
American Music Awards | Favorite Pop/Rock Album | John Williams  | Nominated
BAFTA Awards[260] | Best Film | Gary Kurtz  | Nominated
Best Costume Design | John Mollo  | Nominated
Best Editing | Paul Hirsch, Marcia Lucas and Richard Chew  | Nominated
Best Original Music | John Williams  | Won
Best Production Design | John Barry  | Nominated
Best Sound | Sam Shaw, Robert Rutledge, Gordon Davidson, Gene Corso, Derek Ball, Don MacDougall, Bob Minkler, Ray West, Michael Minkler, Les Fresholtz, Richard Portman and Ben Burtt  | Won
Directors Guild of America Awards | Outstanding Directing – Feature Film | George Lucas  | Nominated
Golden Globe Awards[261] | Best Motion Picture – Drama | Gary Kurtz  | Nominated
Best Director | George Lucas  | Nominated
Best Supporting Actor – Motion Picture | Alec Guinness  | Nominated
Best Original Score | John Williams  | Won
Grammy Awards[262] | Best Instrumental Composition | John Williams  | Won
Best Original Score Written for a Motion Picture or a Television Special | John Williams  | Won
Best Pop Instrumental Performance | John Williams  | Won
Hugo Awards[263] | Best Dramatic Presentation | George Lucas  | Won
Saturn Awards[264] | Best Science Fiction Film | Gary Kurtz  | Won
Best Director | George Lucas  | Won
Best Actor | Harrison Ford  | Nominated
Mark Hamill  | Nominated
Best Actress | Carrie Fisher  | Nominated
Best Supporting Actor | Alec Guinness  | Won
Peter Cushing  | Nominated
Best Writing | George Lucas  | Won
Best Costume Design | John Mollo  | Won
Best Make-up | Rick Baker and Stuart Freeborn | Won
Best Music | John Williams  | Won
Best Special Effects | John Dykstra and John Stears  | Won
Best Art Direction  | Norman Reynolds and Leslie Dilley  | Honored
Best Cinematography  | Gilbert Taylor  | Honored
Best Editing  | Paul Hirsch, Marcia Lucas and Richard Chew  | Honored
Best Set Decoration  | Roger Christian  | Honored
Best Sound  | Ben Burtt and Don MacDougall  | Honored
Writers Guild of America Awards | Best Original Screenplay | George Lucas  | Nominated

In its May 30, 1977, issue, Time named Star Wars the "Movie of the Year". The publication said it was a "big early supporter" of the vision which would become Star Wars. In an article intended for the cover of the issue, Time's Gerald Clarke wrote that Star Wars is "a grand and glorious film that may well be the smash hit of 1977, and certainly is the best movie of the year so far. The result is a remarkable confection: a subliminal history of the movies, wrapped in a riveting tale of suspense and adventure, ornamented with some of the most ingenious special effects ever contrived for film." Each of the subsequent films of the Star Wars saga has appeared on the magazine's cover.[265]

AFI 100 Years... series

>   * AFI's 100 Years...100 Movies (1998) – #15[266]

>   * AFI's 100 Years...100 Thrills (2001) – #27[267]
>   * AFI's 100 Years...100 Heroes & Villains (2003):
>     * Han Solo – #14 Hero[268]
>     * Obi-Wan Kenobi – #37 Hero[268]
>   * AFI's 100 Years...100 Movie Quotes (2004):
>     * "May the Force be with you." – #8[269]
>   * AFI's 100 Years of Film Scores (2005) – #1[177]
>   * AFI's 100 Years...100 Cheers (2006) – #39[270]
>   * AFI's 100 Years...100 Movies (10th Anniversary Edition) (2007) – #13[271]
>   * AFI's 10 Top 10 (2008) – #2 Sci-Fi Film[272]

American Film Institute[273]

Star Wars was voted the second most popular film by Americans in a 2008 nationwide poll conducted by the market research firm Harris Interactive.[274] It has also been featured in several high-profile audience polls: In 1997, it ranked as the 10th Greatest American Film on the Los Angeles Daily News Readers' Poll;[275] in 2002, Star Wars and its sequel The Empire Strikes Back were voted the greatest films ever made in Channel 4's 100 Greatest Films poll;[276] in 2011, it ranked as Best Sci-Fi Film on Best in Film: The Greatest Movies of Our Time, a primetime special aired by ABC that ranked the best films as chosen by fans, based on results of a poll conducted by ABC and People magazine; and in 2014, the film placed 11th in a poll undertaken by The Hollywood Reporter, which balloted every studio, agency, publicity firm, and production house in the Hollywood region.[277]

In 2008, Empire magazine ranked Star Wars at 22nd on its list of the "500 Greatest Movies of All Time". In 2010, the film ranked among the "All-Time 100" list of the greatest films as chosen by Time film critic Richard Schickel.[278][279]

Lucas's screenplay was selected by the Writers Guild of America as the 68th greatest of all time.[280] In 1989, the United States Library of Congress named Star Wars among its first selections to the National Film Registry as being "culturally, historically, or aesthetically significant"; at the time, it was the most recent film to be selected and it was the only film from the 1970s to be chosen.[281] Although Lucas declined to provide the Library with a workable copy of the original film upon request (instead offering the Special Edition), a viewable scan was made of the original copyright deposit print.[282][283] In 1991, Star Wars was one of the first 25 films inducted into the Producers Guild of America's Hall of Fame for setting "an enduring standard for American entertainment."[284] The soundtrack was added to the United States National Recording Registry 15 years later (in 2004).[285] The lack of a commercially available version of the 1977 original theatrical edit of the film since early '80s VHS releases has spawned numerous restorations by disgruntled fans over the years, such as Harmy's Despecialized Edition.[286]

In addition to the film's multiple awards and nominations, Star Wars has also been recognized by the American Film Institute on several of its lists. The film ranks first on 100 Years of Film Scores,[177] second on Top 10 Sci-Fi Films,[272] 15th on 100 Years ... 100 Movies[266] (ranked 13th on the updated 10th-anniversary edition),[271] 27th on 100 Years ... 100 Thrills,[267] and 39th on 100 Years ... 100 Cheers.[270] In addition, the quote "May the Force be with you" is ranked eighth on 100 Years ... 100 Movie Quotes,[269] and Han Solo and Obi-Wan Kenobi are ranked as the 14th and 37th greatest heroes respectively on 100 Years ... 100 Heroes & Villains.[268]

The February 2020 issue of New York Magazine lists Star Wars as among "The Best Movies That Lost Best Picture at the Oscars."[287]

## Post-release

[edit]

### Theatrical re-releases

[edit]

See also: Changes in Star Wars re-releases

The film's opening features the Star Wars logotype. The 1981 theatrical re-release added Episode IV and A New Hope to the start of the text crawl.

Star Wars was re-released theatrically in 1978, 1979, 1981, and 1982.[288] The subtitles Episode IV and A New Hope were added for the 1981 re-release.[289][290][k] This brought the film into line with its 1980 sequel, which was titled on-screen as Star Wars: Episode V—The Empire Strikes Back.[291] Lucas claims the subtitles were intended from the beginning, but were dropped for Star Wars to avoid confusing audiences.[292] Kurtz said they considered calling the first film Episode III, IV, or V, to capture the experience of encountering a Flash Gordon serial halfway through its run.[293][294] However Michael Kaminski and Chris Taylor point out that multiple early screenplay drafts of Star Wars were subtitled "Episode One", and that early drafts of Empire were called "Episode II".[295][293]

In 1997, Star Wars was digitally remastered with some altered scenes for a theatrical re-release, dubbed the "Special Edition". In 2010, Lucas announced that all six previously released Star Wars films would be scanned and transferred to 3D for a theatrical release, but only 3D versions of the prequel trilogy were completed before the franchise was sold to Disney in 2012.[296] In 2013, Star Wars was dubbed into Navajo, making it the first major motion picture dubbed into the Navajo language.[297][298] The original print was not publicly shown again until 2025, when it was presented at a British Film Institute event.[299]

In August 2025, it was announced that the film would be rereleased in theaters on April 30, 2027 in honor the film's 50th anniversary.[300]

#### Special Edition

[edit]

The theatrical release poster for the 1997 Special Edition

After ILM began to create CGI for Steven Spielberg's 1993 film Jurassic Park, Lucas decided that digital technology had caught up to his "original vision" for Star Wars.[50] For the film's 20th anniversary in 1997, Star Wars was digitally remastered with some altered scenes and re-released to theaters, along with The Empire Strikes Back and Return of the Jedi, under the campaign title Star Wars Trilogy: Special Edition. This version of Star Wars runs 124 minutes.

The Special Edition contains visual shots and scenes that were unachievable in the original film due to financial, technological, and time constraints.[50] The process of creating the new visual effects was explored in the documentary Special Effects: Anything Can Happen, directed by Star Wars sound designer Ben Burtt.[301] Although most changes are minor or cosmetic in nature, many fans and critics believe that Lucas degraded the film with the additions.[302][303][304] A particularly controversial change in which the bounty hunter Greedo shoots first when confronting Han Solo has inspired T-shirts bearing the phrase "Han shot first".[305][306]

Star Wars required extensive recovery of misplaced footage and restoration of the whole film before Lucas's Special Edition modifications could be attempted. In addition to the negative film stock commonly used for feature films, Lucas had also used Color Reversal Internegative (CRI) film, a reversal stock subsequently discontinued by Kodak. Although it theoretically was of higher quality, CRI deteriorated faster than negative stocks. Because of this, the entire composited negative had to be disassembled, and the CRI portions cleaned separately from the negative portions. Once the cleaning was complete, the film was scanned into the computer for restoration. In many cases, entire scenes had to be reconstructed from their individual elements. Digital compositing technology allowed the restoration team to correct for problems such as misalignment of mattes and "blue-spill".[307]

In 1989, the 1977 theatrical version of Star Wars was selected for preservation by the National Film Registry of the United States Library of Congress.[281] 35 mm reels of the 1997 Special Edition were initially presented for preservation because of the difficulty of transferring from the original prints, but it was later revealed that the Library possessed a copyright deposit print of the original theatrical release.[282] By 2015, this copy had been transferred to a 2K scan, now available to be viewed by appointment.[283] Shortly after the release of Rogue One: A Star Wars Story, director Gareth Edwards claimed he viewed a 4K restoration of the original theatrical version of Star Wars, created by Disney. The company has never confirmed its existence, however.[308][309]

### Home media

[edit]

In the United States, France, West Germany, Italy and Japan, parts of or the whole film were released on Super 8.[310] Clips were also released for the Movie Viewer toy projector by Kenner Products in cassettes featuring short scenes.[311][312]

Star Wars was released on Betamax,[313] CED,[314] LaserDisc,[315] Video 2000, and VHS[316][317] during the 1980s and 1990s by CBS/Fox Video. The final issue of the original theatrical release (pre-Special Edition) on VHS occurred in 1995, as part of a "Last Chance to Own the Original" campaign, and was available as part of a trilogy set or as a standalone purchase.[318] The film was released for the first time on DVD on September 21, 2004, in a box set with The Empire Strikes Back, Return of the Jedi, and a bonus disc of supplementary material. The films were digitally restored and remastered, and more changes were made by Lucas (in addition to those made for the 1997 Special Edition). The DVD features a commentary track from Lucas, Fisher, Burtt and visual effects artist Dennis Muren. The bonus disc contains the documentary Empire of Dreams: The Story of the Star Wars Trilogy, three featurettes, teaser and theatrical trailers, TV spots, image galleries, an exclusive preview of Episode III: Revenge of the Sith, a playable Xbox demo of the LucasArts game Star Wars: Battlefront, and a making-of documentary about the Episode III video game.[319] The set was reissued in December 2005 as a three-disc limited edition without the bonus disc.[320]

The trilogy was re-released on separate two-disc limited edition DVD sets from September 12 to December 31, 2006, and again in a limited edition box set on November 4, 2008;[321] the original theatrical versions of the films were added as bonus material. The release was met with criticism because the unaltered versions were from the 1993 non-anamorphic LaserDisc masters, and were not re-transferred using modern video standards. This led to problems with colors, image quality, and digital image jarring.[322]

All six existing Star Wars films were released by 20th Century Fox Home Entertainment on Blu-ray on September 16, 2011, in three different editions. A New Hope was available in both a box set of the original trilogy[323][324] and with the other five films in the set Star Wars: The Complete Saga, which includes nine discs and over 40 hours of special features.[325] The original theatrical versions of the films were not included in the box set. Nor have they been released officially since then. Furthermore, new changes were made to the films, provoking mixed responses from critics and fans alike.[326]

On April 7, 2015, Walt Disney Studios, Twentieth Century Fox, and Lucasfilm jointly announced the digital releases of the six existing Star Wars films. Fox released A New Hope for digital download on April 10, 2015, while Disney released the other five films.[327][328] Disney reissued A New Hope on Blu-ray, DVD, and for digital download on September 22, 2019.[329] Additionally, all six films were available for 4K HDR and Dolby Atmos streaming on Disney+ upon the service's launch on November 12, 2019.[330] This version of A New Hope was also released by Disney in a 4K Ultra HD Blu-ray box set on March 31, 2020.[331]

### Merchandising

[edit]

Main articles: Kenner Star Wars action figures, Star Wars: From the Adventures of Luke Skywalker, and Star Wars comics

Little Star Wars merchandise was available for several months after the film's debut, as only Kenner Products had accepted marketing director Charles Lippincott's licensing offers. Kenner responded to the sudden demand for toys by selling boxed vouchers in its "empty box" Christmas campaign. Television commercials told children and parents that vouchers contained in a "Star Wars Early Bird Certificate Package" could be redeemed for four action figures between February and June 1978.[50] Jay West of the Los Angeles Times said that the boxes in the campaign "became the most coveted empty box[es] in the history of retail."[332] In 2012, the Star Wars action figures were inducted into the National Toy Hall of Fame.[333]

The novelization of the film was published as Star Wars: From the Adventures of Luke Skywalker in December 1976, six months before the film was released. The credited author was George Lucas, but the book was revealed to have been ghostwritten by Alan Dean Foster. Marketing director Charles Lippincott secured the deal with Del Rey Books to publish the novelization in November 1976. By February 1977, a half million copies had been sold.[50] Foster also wrote the sequel novel Splinter of the Mind's Eye (1978) to be adapted as a low-budget film if Star Wars was not a financial success.[334]

Marvel Comics also adapted the film as the first six issues of its licensed Star Wars comic book, with the first issue sold in April 1977. The comic was written by Roy Thomas and illustrated by Howard Chaykin. Like the novelization, it contained certain elements, such as the scene with Luke and Biggs, that appeared in the screenplay but not in the finished film.[164] The series was so successful that, according to comic book writer Jim Shooter, it "single-handedly saved Marvel".[335] From January to April 1997, Dark Horse Comics, which had held the comic rights to Star Wars since 1991, published a comic book adaptation of the "Special Edition" of the film, written by Bruce Jones with art by Eduardo Barreto and Al Williamson; 36 years later, the same company published The Star Wars, an adaptation of the plot from Lucas's original rough draft screenplay, from September 2013 to May 2014.[336]

Lucasfilm adapted the story for a children's book-and-record set. Released in 1979, the 24-page Star Wars read-along book was accompanied by a 33+1⁄3 rpm 7-inch phonograph record. Each page of the book contained a cropped frame from the movie with an abridged and condensed version of the story. The record was produced by Buena Vista Records, and its content was copyrighted by Black Falcon, Ltd., a subsidiary of Lucasfilm "formed to handle the merchandising for Star Wars."[337] The Story of Star Wars was a 1977 record album presenting an abridged version of the events depicted in Star Wars, using dialogue and sound effects from the original film. The recording was produced by George Lucas and Alan Livingston, and was narrated by Roscoe Lee Browne. The script was adapted by E. Jack Kaplan and Cheryl Gard.[175][176]

An audio CD boxed set of the Star Wars radio series was released in 1993, containing the original 1981 radio drama along with the radio adaptations of the sequels, The Empire Strikes Back and Return of the Jedi.[338]

## Legacy and influence

[edit]

Ford, who subsequently starred in the Indiana Jones series (1981–2023), Blade Runner (1982), and Witness (1985), told the Daily Mirror that Star Wars "boosted" his career.[339][better source needed] The film also spawned the Star Wars Holiday Special, which debuted on CBS on November 17, 1978, and is often considered a failure; Lucas himself disowned it.[340] The special was never aired again after its original broadcast, and it has never been officially released on home video. However, many bootleg copies exist, and it has consequently become something of an underground legend.[341]

### In popular culture

[edit]

See also: Cultural impact of Star Wars

Star Wars and its subsequent film installments have been explicitly referenced and satirized across a wide range of media. Hardware Wars, released in 1978, was one of the first fan films to parody Star Wars. It received positive critical reaction, earned over $1 million (equivalent to $4.8 million in 2024), and is one of Lucas's favorite Star Wars spoofs.[342][343][344][345] Writing for The New York Times, Frank DeCaro said, "Star Wars littered pop culture of the late 1970s with a galaxy of space junk."[346] He cited Quark (a short-lived 1977 sitcom that parodies the science fiction genre)[346] and Donny & Marie (a 1970s variety show that featured a 10-minute musical adaptation of Star Wars guest starring Daniels and Mayhew)[347] as "television's two most infamous examples."[346] Mel Brooks's Spaceballs, a satirical comic science-fiction parody, was released in 1987 to mixed reviews.[348] Lucas permitted Brooks to make a spoof of the film under "one incredibly big restriction: no action figures."[349] In the 1990s and 2000s, animated comedy TV series Family Guy,[350] Robot Chicken,[351] and The Simpsons[352] produced episodes satirizing the film series. A Nerdist article published in 2021 argues that "Star Wars is the most influential film of all time" partly on the basis that "if all copies ... suddenly vanished, we could more or less recreate the film ... using other media," including parodies.[353]

Many elements of Star Wars are prominent in popular culture. Darth Vader, Han Solo, and Yoda were all named in the top twenty of the British Film Institute's "Best Sci-Fi Characters of All-Time" list.[354] The expressions "Evil empire" and "May the Force be with you" have become part of the popular lexicon.[355] A pun on the latter phrase ("May the Fourth") has led to May 4 being regarded by many fans as an unofficial Star Wars Day.[356] To commemorate the film's 30th anniversary in May 2007, the United States Postal Service issued a set of 15 stamps depicting the characters of the franchise. Approximately 400 mailboxes across the country were also designed to look like R2-D2.[357]

Star Wars and Lucas are the subject of the 2010 documentary film The People vs. George Lucas, which explores filmmaking and fandom as they pertain to the film franchise and its creator.[358]

### Cinematic influence

[edit]

In his book The Great Movies, Roger Ebert called Star Wars "a technical watershed" that influenced many subsequent films. It began a new generation of special effects and high-energy motion pictures. The film was one of the first films to link genres together to invent a new, high-concept genre for filmmakers to build upon.[118] Along with Steven Spielberg's Jaws, it shifted the film industry's focus away from the more personal filmmaking of the 1970s towards fast-paced, big-budget blockbusters for younger audiences.[50][359][360]

Filmmakers who have been influenced by Star Wars include J. J. Abrams, James Cameron, Dean Devlin, Gareth Edwards,[361] Roland Emmerich, David Fincher, Peter Jackson, John Lasseter,[362] Damon Lindelof, Christopher Nolan, Ridley Scott, John Singleton, Kevin Smith,[118] and Joss Whedon. Lucas's "used future" concept was employed in Scott's Alien (1979) and Blade Runner (1982); Cameron's Aliens (1986) and The Terminator (1984); and Jackson's The Lord of the Rings trilogy.[118] Nolan cited Star Wars as an influence when making Inception (2010).[363]

Some critics have complained that Star Wars, as well as Jaws, "ruined" Hollywood by shifting its focus from "sophisticated" films such as The Godfather, Taxi Driver, and Annie Hall to films about spectacle and juvenile fantasy.[364] On a 1977 episode of Sneak Previews, Gene Siskel said he hoped Hollywood would continue to cater to audiences who enjoy "serious pictures".[365] Peter Biskind claimed that Lucas and Spielberg "returned the 1970s audience, grown sophisticated on a diet of European and New Hollywood films, to the simplicities of the pre-1960s Golden Age of movies ... They marched backward through the looking-glass."[364][165] In contrast, Tom Shone wrote that through Star Wars and Jaws, Lucas and Spielberg did not betray cinema, but instead "plugged it back into the grid, returning it ... to its roots as a carnival sideshow, a magic act, one big special effect", which amounted to "a kind of rebirth."[360]

## Sequels, prequels, and adaptations

[edit]

Main article: Star Wars

Further information: The Empire Strikes Back, Return of the Jedi, Star Wars prequel trilogy, and Star Wars sequel trilogy

Star Wars was followed by the sequels The Empire Strikes Back (1980) and Return of the Jedi (1983), which conclude the original film trilogy.[l] Both were financially successful and fared well with critics. The original trilogy is considered one of the best film trilogies in history.[m]

A radio drama adaptation of Star Wars was broadcast on the American National Public Radio network in 1981. It was written by Brian Daley and directed by John Madden, and was produced with cooperation from George Lucas, who donated the rights to NPR. Williams's music and Burtt's sound design were retained for the show, and Hamill and Daniels reprised their roles.[374] The narrative began with a backstory to the film, recounting Leia's acquisition of the Death Star plans. It also featured scenes not seen in the final cut of the film, such as Luke's observation of the space battle above Tatooine, a skyhopper race, and Vader's interrogation of Leia. The radio version was originally part of the official Star Wars canon,[375][376] but has since been supplanted by revised canonical narratives.[377]

More than twenty years after the release of Star Wars, Lucas created a prequel trilogy, consisting of the films The Phantom Menace (1999), Attack of the Clones (2002), and Revenge of the Sith (2005). The trilogy chronicles the history between Obi-Wan, Qui-Gon Jinn's apprentice, and Anakin Skywalker, a slave boy who became a Jedi, portrayed by Ewan McGregor and Hayden Christensen, and the latter's fall to the dark side and transformation into Darth Vader. The prequel trilogy was financially successful, but some of the plot threads and new characters polarized critics and fans.[378][379][380][381][382] After Lucas sold the Star Wars franchise to the Walt Disney Company in 2012, Disney developed a sequel trilogy, consisting of The Force Awakens (2015), The Last Jedi (2017), and The Rise of Skywalker (2019).[383][384][385][386][387] Original trilogy cast members including Ford, Hamill, and Fisher reprised their roles, alongside new characters such as Rey, Finn, Kylo Ren and Poe Dameron, portrayed respectively by Daisy Ridley, John Boyega, Adam Driver, and Oscar Isaac.[388] In 2016, Disney released the standalone film Rogue One, which depicts the successful rebel attempt to steal the Death Star plans. It serves as a direct prequel to Star Wars, ending where Star Wars begins. Other standalone films and television series have also been released.[389][390][391][392][393]

## See also

[edit]

* List of cult films

## Notes

[edit]

1. ^ However, they have not yet received a print of the 1977 version, potentially owing to Lucas’s desire for the Special Editions to take their place.[5]
2. ^ In the credits of Star Wars, the droid's name is spelled without a hyphen (C3PO). In later films, it is spelled with a hyphen (C-3PO).
3. ^ The character is referred to as "General Cassio Tagge" in later Star Wars media.[24][25]
4. ^ The character is referred to as "Dr. Evazan" in later Star Wars media,[29][30]
5. ^ The character is referred to as "Captain Raymus Antilles" in later Star Wars media.[33][34]
6. ^ Lucas's claims are internally inconsistent, and have been refuted by Kurtz, Kaminski,[58] and Chris Taylor.[69] Lucas sometimes admitted to have only had notes rather than complete treatments or scripts, and in 2010 confided to the showrunners of Lost that: "when Star Wars first came out, I didn't know where it was going either. The trick is to pretend you've planned the whole thing out in advance."[70]
7. ^ Attributed to multiple references:[50][88][89][82][90][91][92][93][81][94]
8. ^ Attributed to multiple references:
[190][191][192][193]
9. ^ A few black extras appear in Mos Eisley external shots, which were filmed in Tunisia.[243][244] The treatment of the droids, who are sold like slaves and expelled from the Mos Eisley cantina, may allude to racial discrimination in the United States.[245][246]
10. ^ Having modeled the evil Galactic Empire upon the infamous Nazis,[247][248] Lucas was surprised at accusations that his film promoted racism.[246]
11. ^ In The Cinema of George Lucas, Marcus Hearn claims the title was changed earlier, in July 1978 (Hearn 2005, p. 124).
12. ^ Attributed to multiple references:
[366][367][368]
13. ^ Attributed to multiple references:
[367][369][370][371][372][373]

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* Holub, Christian (December 17, 2015). "'Star Wars' reviews: What critics thought of the 1977 film when it was first released". Entertainment Weekly. Retrieved August 17, 2024.
* Saporito, Jeff (November 11, 2015). "Why was "Star Wars Episode IV: A New Hope" originally released under another title?". Screen Prism. Archived from the original on November 18, 2018.
* Seitz, Matt Zoller (200). "Star Wars", The A List: The National Society of Film Critics' 100 Essential Films — via National Film Registry.
* Star Wars: Episode IV – A New Hope archive review: a monumentally empty blockbuster Sight & Sound. December 28, 2019.

## External links

[edit]

Wikibooks has a book on the topic of: Star Wars

Wikiquote has quotations related to Star Wars.

Wikiquote has quotations related to Star Wars (film).

Wikimedia Commons has media related to:
Star Wars (category)

Wikimedia Commons has media related to Star Wars: Episode IV – A New Hope.

* Official website at StarWars.com
* Official website at Lucasfilm.com
* Star Wars at the AFI Catalog of Feature Films
* Star Wars, Episode IV: A New Hope (1977) at Filmsite.org
* Star Wars at IMDb
* Star Wars at the TCM Movie Database
* Star Wars at Rotten Tomatoes

Star Wars

* v
* t
* e

Star Wars original trilogy

Films|

| Theatrical|

* Star Wars (1977)
* The Empire Strikes Back (1980)
* Return of the Jedi (1983)

|

Television|

* Holiday Special (1978)
* Caravan of Courage (1984)
* The Battle for Endor (1985)

Characters|

* Admiral Ackbar
* Admiral Piett
* Bib Fortuna
* Boba Fett
* C-3PO
* Chewbacca
* Darth Vader
* R2-D2
* Grand Moff Tarkin
* Greedo
* Han Solo
* Jabba the Hutt
* Lando Calrissian
* Princess Leia Organa
* Luke Skywalker
* Mon Mothma
* Obi-Wan Kenobi
* Emperor Palpatine
* Wedge Antilles
* Yoda

Novelizations|

* Star Wars: From the Adventures of Luke Skywalker
* The Empire Strikes Back
* Return of the Jedi

| Related novels|

* Splinter of the Mind's Eye
* Journal

|

Soundtracks|

* Star Wars
* "Main Title"
* The Empire Strikes Back
* "The Imperial March"
* Return of the Jedi
* "Ewok Celebration"

Video games|

| Episode IV|

* Star Wars (1983)
* Star Wars (1987)
* Star Wars (1991)
* Super Star Wars (1992)

|

Episode V|

* The Empire Strikes Back (1982)
* The Empire Strikes Back (1985)
* The Empire Strikes Back (1992)
* Super Star Wars: The Empire Strikes Back (1993)

Episode VI|

* Return of the Jedi: Death Star Battle (1983)
* Return of the Jedi: Ewok Adventure (cancelled)
* Return of the Jedi (1984)
* Super Star Wars: Return of the Jedi (1994)

Other|

* Jedi Arena (1983)
* Star Wars Arcade (1993)
* Yoda Stories (1997)
* Star Wars Trilogy Arcade (1998)
* Flight of the Falcon (2003)
* Star Wars Trilogy: Apprentice of the Force (2004)
* Lego Star Wars II: The Original Trilogy (2006)
* Angry Birds Star Wars (2012)

* v
* t
* e

Star Wars

Films|

| Skywalker Saga|

| Original trilogy|

* Star Wars (1977)
* The Empire Strikes Back (1980)
* Return of the Jedi (1983)

|

Prequel trilogy|

* The Phantom Menace (1999)
* Attack of the Clones (2002)
* Revenge of the Sith (2005)

Sequel trilogy|

* The Force Awakens (2015)
* The Last Jedi (2017)
* The Rise of Skywalker (2019)

Animated|

* The Clone Wars (2008)

Other|

* Rogue One (2016)
* Solo (2018)
* The Mandalorian and Grogu (2026)

Television|

* Holiday Special (1978)
* The Ewok Adventure (1984)
* Ewoks: The Battle for Endor (1985)

Television series|

| Animated|

* Droids (1985)
* Ewoks (1985)
* Clone Wars (2003)
* The Clone Wars (2008; episodes)
* Detours (unaired)
* Rebels (2014; episodes)
* Forces of Destiny (2017)
* Resistance (2018)
* The Bad Batch (2021)
* Visions (2021)
* Tales (2022)
* Young Jedi Adventures (2023; episodes)
* Maul – Shadow Lord (2026)

|

Live-action|

* The Mandalorian (2019)
* The Book of Boba Fett (2021)
* Obi-Wan Kenobi (2022)
* Andor (2022)
* Ahsoka (2023)
* The Acolyte (2024)
* Skeleton Crew (2024)

Characters|

* Rebels
* The Mandalorian
* The Book of Boba Fett
* Legends
* Knights of the Old Republic

Music and audio|

| Audio dramas|

* The Story of Star Wars
* Audio novels
* Radio dramatizations of the films

|

Compositions|

* "Main Title"
* "The Imperial March"
* "Duel of the Fates"
* "Star Wars Theme/Cantina Band"

Soundtracks|

* Star Wars
* The Empire Strikes Back
* Return of the Jedi
* Ewoks
* The Phantom Menace
* Attack of the Clones
* Revenge of the Sith
* The Clone Wars
* The Force Awakens
* Rogue One
* The Last Jedi
* Solo
* The Rise of Skywalker
* Obi-Wan Kenobi
* Andor

Other media|

| Attractions|

* A Galactic Spectacular
* Jedi Training: Trials of the Temple
* Star Tours
* The Adventures Continue
* Path of Jedi
* Galaxy's Edge
* Millennium Falcon – Smugglers Run
* Rise of the Resistance
* Galactic Starcruiser
* Hyperspace Mountain
* Launch Bay
* Star Wars Weekends
* Where Science Meets Imagination
* Star Wars Celebration
* In Concert
* Hyperspace Lounge

|

Documentaries|

* The Making of Star Wars
* SP FX: The Empire Strikes Back
* Classic Creatures: Return of the Jedi
* From Star Wars to Jedi: The Making of a Saga
* Empire of Dreams: The Story of the Star Wars Trilogy
* Science of Star Wars
* The Legacy Revealed
* Star Wars Tech

Lego|

* Droid Tales
* The Resistance Rises
* The Freemaker Adventures
* Rebuild the Galaxy

Merchandise|

* Action figures
* Kenner
* list
* Hasbro
* Vintage Collection
* Transformers
* Pez
* Force Trainer
* Shepperton Design Studios
* Trading cards
* Vinylmation

Other|

* Video games
* list
* Books
* reference books
* Star Wars Insider
* Comics
* list
* manga
* Legends
* characters
* Thrawn trilogy
* Shadows of the Empire
* Galaxies
* Knights of the Old Republic
* The Force Unleashed
* The Old Republic
* The High Republic

Production|

* George Lucas
* Lucasfilm
* Cast
* film
* television series
* Changes in film re-releases
* Han shot first
* Filming locations
* Opening crawl
* Art
* Sources and analogues
* comparison to Star Trek
* Accolades
* The Force Awakens
* Special effects of The Empire Strikes Back
* Duel of the Fates
* Light & Magic

Cultural impact|

* Star Wars fandom
* 501st Legion
* Rebel Legion
* Religion
* Chewbacchus
* Jediism
* Jedi census phenomenon
* Star Wars Day
* Star Wars and Other Galactic Funk
* Fan websites
* Wookieepedia
* TheForce.Net
* Spaceballs
* Force for Change
* Chewbacca defense
* Yoda conditions
* Death Star (business)
* Strategic Defense Initiative
* List of organisms named after the Star Wars series
* Robot Chicken: Star Wars
* The Family Guy Trilogy
* "The Saga Begins"
* Darth Vader in Ukrainian politics
* Statue of Darth Vader

| The Simpsons Disney+ shorts|

* The Force Awakens from Its Nap
* Rogue Not Quite One
* May the 12th Be with You

|

* Category

* v
* t
* e

George Lucas

* Filmography
* Bibliography
* Awards and nominations

Films directed|

| Feature|

* THX 1138 (1971)
* American Graffiti (1973)
* Star Wars (1977)
* Star Wars: Episode I – The Phantom Menace (1999)
* Star Wars: Episode II – Attack of the Clones (2002)
* Star Wars: Episode III – Revenge of the Sith (2005)

|

Short|

* Look at Life (1965)
* Herbie (1966)
* Freiheit (1966)
* 1:42.08 (1966, documentary)
* Anyone Lived in a Pretty How Town (1967)
* The Emperor (1967, documentary)
* Electronic Labyrinth: THX 1138 4EB (1967)
* 6-18-67 (1967, documentary)
* Filmmaker (1968, documentary)

Films written|

* The Empire Strikes Back (1980)
* Raiders of the Lost Ark (1981)
* Return of the Jedi (1983)
* Indiana Jones and the Temple of Doom (1984)
* The Ewok Adventure (1984, TV film)
* Ewoks: The Battle for Endor (1985, TV film)
* Captain EO (1986, short attraction)
* Willow (1988)
* Indiana Jones and the Last Crusade (1989)
* Radioland Murders (1994)
* Indiana Jones and the Kingdom of the Crystal Skull (2008)
* Strange Magic (2015)

TV series created|

* The Young Indiana Jones Chronicles (1992–96 / 1999–2001)
* Star Wars: The Clone Wars (2008–14; 2020)
* Star Wars Detours (unaired)

Books written|

* Star Wars: From the Adventures of Luke Skywalker (1976, credit only)
* Shadow Moon (1995)
* Shadow Dawn (1996)
* Shadow Star (2000)

Franchises created|

* Star Wars
* Indiana Jones

Related|

* Bald: The Making of THX 1138
* The George Lucas Talk Show
* Light & Magic
* American Zoetrope
* Lucasfilm
* ILM
* LucasArts
* Lucasfilm Animation
* Skywalker Sound
* Pixar
* The Star Wars Corporation
* Lucas Museum of Narrative Art
* Skywalker Ranch
* THX
* George Lucas Educational Foundation

* v
* t
* e

Lucasfilm

A subsidiary of Walt Disney Studios, a division of The Walt Disney Company.

Productions|

| Films|

* American Graffiti (1973)
* Star Wars (1977)
* More American Graffiti (1979)
* The Empire Strikes Back (1980)
* Raiders of the Lost Ark (1981)
* Return of the Jedi (1983)
* Twice Upon a Time (1983)
* Indiana Jones and the Temple of Doom (1984)
* Latino (1985)
* Mishima: A Life in Four Chapters (1985)
* Labyrinth (1986)
* Howard the Duck (1986)
* Tucker: The Man and His Dream (1988)
* Willow (1988)
* The Land Before Time (1988)
* Indiana Jones and the Last Crusade (1989)
* Radioland Murders (1994)
* Star Wars: Episode I – The Phantom Menace (1999)
* Episode II – Attack of the Clones (2002)
* Episode III – Revenge of the Sith (2005)
* Indiana Jones and the Kingdom of the Crystal Skull (2008)
* Star Wars: The Clone Wars (2008)
* Red Tails (2012)
* Strange Magic (2015)
* Star Wars: The Force Awakens (2015)
* Rogue One: A Star Wars Story (2016)
* Star Wars: The Last Jedi (2017)
* Solo: A Star Wars Story (2018)
* Star Wars: The Rise of Skywalker (2019)
* Indiana Jones and the Dial of Destiny (2023)
* The Mandalorian and Grogu (2026)

| Unproduced|

* Star Wars: Duel of the Fates

|

TV series|

* Star Wars: Droids (1985–1986)
* Ewoks (1985–1986)
* Maniac Mansion (1990–1993)
* The Young Indiana Jones Chronicles (1992–1996)
* Star Wars: Clone Wars (2003–2005)
* The Clone Wars (2008–2020)
* Rebels (2014–2018)
* Lego Star Wars: The Freemaker Adventures (2016–2017)
* Star Wars Forces of Destiny (2017–2018)
* Resistance (2018–2020)
* The Mandalorian (2019–2023)
* Visions (2021–present)
* The Book of Boba Fett (2021–2022)
* Star Wars: The Bad Batch (2021–2024)
* Obi-Wan Kenobi (2022)
* Light & Magic (2022–2025)
* Andor (2022–2025)
* Star Wars: Tales (2022–present)
* Willow (2022–2023)
* Star Wars: Young Jedi Adventures (2023–present)
* Ahsoka (2023–present)
* The Acolyte (2024)
* Skeleton Crew (2024–present)
* Star Wars: Maul – Shadow Lord (2026)

| Unaired|

* Star Wars Detours

|

TV films|

* Caravan of Courage: An Ewok Adventure (1984)
* Ewoks: The Battle for Endor (1985)

Theme park
films|

* Captain EO (1986)
* Star Tours (1987)
* ExtraTERRORestrial Alien Encounter (1995)
* Star Tours – The Adventures Continue (2011)

Franchises|

* Star Wars
* Indiana Jones

Related
productions|

* THX 1138 (1971)

Divisions|

* Industrial Light & Magic
* Skywalker Sound
* Lucasfilm Animation
* Lucasfilm Games

| Former divisions|

* The Droid Works
* EditDroid
* SoundDroid
* Kerner Optical
* Pixar
* THX

|

People|

* George Lucas (Founder)
* Kathleen Kennedy (President)
* Howard Roffman (EVP, Franchise Management)

Other|

* StageCraft
* The Seventh Tower (2000−2001)

Awards for Star Wars

* v
* t
* e

Academy Award for Best Visual Effects

1963–1980|

* Emil Kosa Jr. – Cleopatra (1963)
* Peter Ellenshaw, Eustace Lycett, and Hamilton Luske – Mary Poppins (1964)
* John Stears – Thunderball (1965)
* Art Cruickshank – Fantastic Voyage (1966)
* L. B. Abbott – Doctor Dolittle (1967)
* Stanley Kubrick – 2001: A Space Odyssey (1968)
* Robbie Robertson – Marooned (1969)
* A. D. Flowers and L. B. Abbott – Tora! Tora! Tora! (1970)
* Alan Maley, Eustace Lycett, and Danny Lee – Bedknobs and Broomsticks (1971)
* L. B. Abbott and A. D. Flowers – The Poseidon Adventure (1972)
* Frank Brendel, Glen Robinson, and Albert Whitlock – Earthquake (1974)
* Albert Whitlock and Glen Robinson – The Hindenburg (1975)
* Carlo Rambaldi, Glen Robinson, and Frank Van der Veer – King Kong (1976)
* John Stears, John Dykstra, Richard Edlund, Grant McCune, and Robert Blalack – Star Wars (1977)
* Les Bowie, Colin Chilvers, Denys Coop, Roy Field, Derek Meddings, and Zoran Perisic – Superman (1978)
* H. R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder, and Dennis Ayling – Alien (1979)
* Brian Johnson, Richard Edlund, Dennis Muren, and Bruce Nicholson – The Empire Strikes Back (1980)

1981–2000|

* Richard Edlund, Kit West, Bruce Nicholson, and Joe Johnston – Raiders of the Lost Ark (1981)
* Carlo Rambaldi, Dennis Muren, and Kenneth F. Smith – E.T. the Extra-Terrestrial (1982)
* Richard Edlund, Dennis Muren, Ken Ralston, and Phil Tippett – Return of the Jedi (1983)
* Dennis Muren, Michael J. McAlister, Lorne Peterson, and George Gibbs – Indiana Jones and the Temple of Doom (1984)
* Ken Ralston, Ralph McQuarrie, Scott Farrar, and David Berry – Cocoon (1985)
* Robert Skotak, Stan Winston, John Richardson, and Suzanne M. Benson – Aliens (1986)
* Dennis Muren, Bill George, Harley Jessup, and Kenneth F. Smith \- Innerspace (1987)
* Ken Ralston, Richard Williams, Edward Jones, and George Gibbs – Who Framed Roger Rabbit (1988)
* John Bruno, Dennis Muren, Hoyt Yeatman, and Dennis Skotak – The Abyss (1989)
* Eric Brevig, Rob Bottin, Tim McGovern, and Alex Funke – Total Recall (1990)
* Dennis Muren, Stan Winston, Gene Warren Jr., and Robert Skotak – Terminator 2: Judgment Day (1991)
* Ken Ralston, Doug Chiang, Douglas Smythe, and Tom Woodruff Jr. – Death Becomes Her (1992)
* Dennis Muren, Stan Winston, Phil Tippett, and Michael Lantieri – Jurassic Park (1993)
* Ken Ralston, George Murphy, Stephen Rosenbaum, and Allen Hall – Forrest Gump (1994)
* Scott E. Anderson, Charles Gibson, Neal Scanlan, and John Cox – Babe (1995)
* Volker Engel, Douglas Smith, Clay Pinney, and Joe Viskocil – Independence Day (1996)
* Robert Legato, Mark Lasoff, Thomas L. Fisher, and Michael Kanfer – Titanic (1997)
* Joel Hynek, Nicholas Brooks, Stuart Robertson, and Kevin Mack – What Dreams May Come (1998)
* John Gaeta, Janek Sirrs, Steve Courtley, and Jon Thum – The Matrix (1999)
* John Nelson, Neil Corbould, Tim Burke, and Rob Harvey – Gladiator (2000)

2001–2020|

* Jim Rygiel, Randall William Cook, Richard Taylor, and Mark Stetson – The Lord of the Rings: The Fellowship of the Ring (2001)
* Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke – The Lord of the Rings: The Two Towers (2002)
* Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke – The Lord of the Rings: The Return of the King (2003)
* John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier – Spider-Man 2 (2004)
* Joe Letteri, Brian Van't Hul, Christian Rivers, and Richard Taylor – King Kong (2005)
* John Knoll, Hal Hickel, Charles Gibson, and Allen Hall – Pirates of the Caribbean: Dead Man's Chest (2006)
* Michael L. Fink, Bill Westenhofer, Ben Morris, and Trevor Wood – The Golden Compass (2007)
* Eric Barba, Steve Preeg, Burt Dalton, and Craig Barron – The Curious Case of Benjamin Button (2008)
* Joe Letteri, Stephen Rosenbaum, Richard Baneham, and Andrew R. Jones – Avatar (2009)
* Paul Franklin, Chris Corbould, Andrew Lockley, and Peter Bebb – Inception (2010)
* Robert Legato, Joss Williams, Ben Grossmann, and Alex Henning – Hugo (2011)
* Bill Westenhofer, Guillaume Rocheron, Erik-Jan de Boer, and Donald R. Elliott – Life of Pi (2012)
* Tim Webber, Chris Lawrence, Dave Shirk, and Neil Corbould – Gravity (2013)
* Paul Franklin, Andrew Lockley, Ian Hunter, and Scott R. Fisher – Interstellar (2014)
* Mark Ardington, Sara Bennett, Paul Norris, and Andrew Whitehurst – Ex Machina (2015)
* Robert Legato, Adam Valdez, Andrew R. Jones, and Dan Lemmon – The Jungle Book (2016)
* John Nelson, Gerd Nefzer, Paul Lambert, and Richard R. Hoover – Blade Runner 2049 (2017)
* Paul Lambert, Ian Hunter, Tristan Myles, and J. D. Schwalm – First Man (2018)
* Guillaume Rocheron, Greg Butler, and Dominic Tuohy – 1917 (2019)
* Andrew Jackson, David Lee, Andrew Lockley, and Scott R. Fisher – Tenet (2020)

2021–present|

* Paul Lambert, Tristan Myles, Brian Connor, and Gerd Nefzer – Dune (2021)
* Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett – Avatar: The Way of Water (2022)
* Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi, and Tatsuji Nojima – Godzilla Minus One (2023)
* Paul Lambert, Stephen James, Rhys Salcombe, and Gerd Nefzer – Dune: Part Two (2024)

* v
* t
* e

Hugo Award for Best Dramatic Presentation

* The Incredible Shrinking Man (1958)
* No Award (1959)
* The Twilight Zone (1960)
* The Twilight Zone (1961)
* The Twilight Zone (1962)
* No Award (1963)
* No Award (1964)
* Dr. Strangelove (1965)
* No Award (1966)
* Star Trek – "The Menagerie" (1967)
* Star Trek – "The City on the Edge of Forever" (1968)
* 2001: A Space Odyssey (1969)
* News coverage of Apollo 11 (1970)
* No Award (1971)
* A Clockwork Orange (1972)
* Slaughterhouse-Five (1973)
* Sleeper (1974)
* Young Frankenstein (1975)
* A Boy and His Dog (1976)
* No Award (1977)
* Star Wars (1978)
* Superman (1979)
* Alien (1980)
* The Empire Strikes Back (1981)
* Raiders of the Lost Ark (1982)
* Blade Runner (1983)
* Return of the Jedi (1984)
* 2010: The Year We Make Contact (1985)
* Back to the Future (1986)
* Aliens (1987)
* The Princess Bride (1988)
* Who Framed Roger Rabbit (1989)
* Indiana Jones and the Last Crusade (1990)
* Edward Scissorhands (1991)
* Terminator 2: Judgment Day (1992)
* Star Trek: The Next Generation – "The Inner Light" (1993)
* Jurassic Park (1994)
* Star Trek: The Next Generation – "All Good Things..." (1995)
* Babylon 5 – "The Coming of Shadows" (1996)
* Babylon 5 – "Severed Dreams" (1997)
* Contact (1998)
* The Truman Show (1999)
* Galaxy Quest (2000)
* Crouching Tiger, Hidden Dragon (2001)
* The Lord of the Rings: The Fellowship of the Ring (2002)

* v
* t
* e

Los Angeles Film Critics Association Award for Best Film

1975–2000|

* Dog Day Afternoon / One Flew Over the Cuckoo's Nest (1975)
* Network / Rocky (1976)
* Star Wars (1977)
* Coming Home (1978)
* Kramer vs. Kramer (1979)
* Raging Bull (1980)
* Atlantic City (1981)
* E.T. the Extra-Terrestrial (1982)
* Terms of Endearment (1983)
* Amadeus (1984)
* Brazil (1985)
* Hannah and Her Sisters (1986)
* Hope and Glory (1987)
* Little Dorrit (1988)
* Do the Right Thing (1989)
* Goodfellas (1990)
* Bugsy (1991)
* Unforgiven (1992)
* Schindler's List (1993)
* Pulp Fiction (1994)
* Leaving Las Vegas (1995)
* Secrets & Lies (1996)
* L.A. Confidential (1997)
* Saving Private Ryan (1998)
* The Insider (1999)
* Crouching Tiger, Hidden Dragon (2000)

2001–present|

* In the Bedroom (2001)
* About Schmidt (2002)
* American Splendor (2003)
* Sideways (2004)
* Brokeback Mountain (2005)
* Letters from Iwo Jima (2006)
* There Will Be Blood (2007)
* WALL-E (2008)
* The Hurt Locker (2009)
* The Social Network (2010)
* The Descendants (2011)
* Amour (2012)
* Gravity / Her (2013)
* Boyhood (2014)
* Spotlight (2015)
* Moonlight (2016)
* Call Me by Your Name (2017)
* Roma (2018)
* Parasite (2019)
* Small Axe (2020)
* Drive My Car (2021)
* Everything Everywhere All at Once / Tár (2022)
* The Zone of Interest (2023)
* Anora (2024)

* v
* t
* e

Nebula Award for Best Script/Ray Bradbury Award

Nebula Award
for Best Script|

* Soylent Green – Stanley R. Greenberg (1973)
* Sleeper – Woody Allen (1974)
* Young Frankenstein – Mel Brooks and Gene Wilder (1975)
* Star Wars – George Lucas (1977)
* The Sixth Sense – M. Night Shyamalan (1999)
* Galaxy Quest – David Howard and Robert Gordon (2000)
* Crouching Tiger, Hidden Dragon – James Schamus, Kuo Jung Tsai, and Hui-Ling Wang (2001)
* The Lord of the Rings: The Fellowship of the Ring – Fran Walsh, Philippa Boyens, and Peter Jackson (2002)
* The Lord of the Rings: The Two Towers – Fran Walsh, Philippa Boyens, Stephen Sinclair, and Peter Jackson (2003)
* The Lord of the Rings: The Return of the King – Fran Walsh, Philippa Boyens, and Peter Jackson (2004)
* Serenity – Joss Whedon (2005)
* Howl's Moving Castle – Hayao Miyazaki, Cindy Davis Hewitt, and Donald H. Hewitt (2006)
* Pan's Labyrinth – Guillermo del Toro (2007)
* WALL-E – Andrew Stanton, Jim Reardon, and Pete Docter (2008)

Ray Bradbury Award
for Outstanding
Dramatic Presentation|

* Terminator 2: Judgment Day – James Cameron (1992)
* Babylon 5 – J. Michael Straczynski (1999)
* 2000X – Tales of the Next Millennia – Yuri Rasovsky and Harlan Ellison (2001)
* Joss Whedon (2008)
* District 9 – Neill Blomkamp and Terri Tatchell (2009)
* Inception – Christopher Nolan (2010)
* Doctor Who: "The Doctor's Wife" – Richard Clark and Neil Gaiman (2011)
* Beasts of the Southern Wild – Benh Zeitlin and Lucy Alibar (2012)
* Gravity – Alfonso Cuarón and Jonás Cuarón (2013)
* Guardians of the Galaxy – James Gunn and Nicole Perlman (2014)
* Mad Max: Fury Road – George Miller, Brendan McCarthy, and Nico Lathouris (2015)
* Arrival – Denis Villeneuve and Eric Heisserer (2016)
* Get Out – Jordan Peele (2017)
* Spider-Man: Into the Spider-Verse – Phil Lord and Rodney Rothman (2018)
* Good Omens: "Hard Times" – Neil Gaiman (2019)
* The Good Place: "Whenever You're Ready" – Michael Schur (2020)
* WandaVision – Jac Schaeffer and writing staff (2021)
* Everything Everywhere All at Once \- Daniel Kwan and Daniel Scheinert (2022)
* Barbie \- Greta Gerwig and Noah Baumbach (2023)
* Dune: Part Two \- Jon Spaihts and Denis Villeneuve (2024)

* v
* t
* e

Saturn Award for Best Science Fiction Film

* Slaughterhouse-Five (1972)
* Soylent Green (1973)
* Rollerball (1974/75)
* Logan's Run (1976)
* Star Wars (1977)
* Superman (1978)
* Alien (1979)
* The Empire Strikes Back (1980)
* Superman II (1981)
* E.T. the Extra-Terrestrial (1982)
* Return of the Jedi (1983)
* The Terminator (1984)
* Back to the Future (1985)
* Aliens (1986)
* RoboCop (1987)
* Alien Nation (1988)
* Total Recall (1989/90)
* Terminator 2: Judgment Day (1991)
* Star Trek VI: The Undiscovered Country (1992)
* Jurassic Park (1993)
* Stargate (1994)
* 12 Monkeys (1995)
* Independence Day (1996)
* Men in Black (1997)
* Armageddon/Dark City (1998)
* The Matrix (1999)
* X-Men (2000)
* A.I. Artificial Intelligence (2001)
* Minority Report (2002)
* X2: X-Men United (2003)
* Eternal Sunshine of the Spotless Mind (2004)
* Star Wars: Episode III – Revenge of the Sith (2005)
* Children of Men (2006)
* Cloverfield (2007)
* Iron Man (2008)
* Avatar (2009)
* Inception (2010)
* Rise of the Planet of the Apes (2011)
* The Avengers (2012)
* Gravity (2013)
* Interstellar (2014)
* Star Wars: The Force Awakens (2015)
* Rogue One: A Star Wars Story (2016)
* Blade Runner 2049 (2017)
* Ready Player One (2018/19)
* Star Wars: The Rise of Skywalker (2019/20)
* Nope (2021/22)
* Avatar: The Way of Water (2022/23)
* Dune: Part Two (2023/24)

* v
* t
* e

Seiun Award for Best Dramatic Presentation

1970–2000|

* Charly / The Prisoner (1970)
* UFO (1971)
* The Andromeda Strain (1972)
* A Clockwork Orange (1973)
* Soylent Green (1974)
* Space Battleship Yamato (1975)
* Star (1976)
* Solaris (1978)
* Star Wars (1979)
* Alien (1980)
* The Empire Strikes Back (1981)
* Blade Runner (1983)
* The Dark Crystal (1984)
* Nausicaä of the Valley of the Wind (1985)
* Back to the Future (1986)
* Brazil (1987)
* Royal Space Force: The Wings of Honnêamise (1988)
* My Neighbor Totoro (1989)
* Gunbuster (1990)
* Ginga Uchū Odyssey (1991)
* Terminator 2: Judgment Day (1992)
* Mama wa Shōgaku 4 Nensei (1993)
* Jurassic Park (1994)
* Zeiram 2 (1995)
* Gamera: Guardian of the Universe (1996)
* Gamera 2: Attack of Legion (1997)
* Ultraman Tiga (1998)
* Martian Successor Nadesico: The Motion Picture – Prince of Darkness (1999)
* Cowboy Bebop (2000)

2001–present|

* Gunparade March (2001)
* Kamen Rider Kuuga (2002)
* Voices of a Distant Star (2003)
* The Lord of the Rings: The Two Towers (2004)
* Planetes (2005)
* Tokusou Sentai Dekaranger (2006)
* The Girl Who Leapt Through Time (2007)
* Dennō Coil (2008)
* Macross Frontier (2009)
* Summer Wars (2010)
* District 9 (2011)
* Puella Magi Madoka Magica (2012)
* Bodacious Space Pirates (2013)
* Pacific Rim (2014)
* Space Battleship Yamato 2199: Odyssey of the Celestial Ark (2015)
* Girls und Panzer der Film (2016)
* Shin Godzilla (2017)
* Kemono Friends (2018)
* SSSS.Gridman (2019)
* Astra Lost in Space (2020)
* Ultraman Z (2021)
* Godzilla Singular Point (2022)
* Shin Ultraman (2023)
* Godzilla Minus One (2024)

* v
* t
* e

Yearly highest-grossing films in the United States

Films listed as number-one by in-year release

1970s–1980s|

* Star Wars (1977)
* Grease (1978)
* Kramer vs. Kramer (1979)
* The Empire Strikes Back (1980)
* Raiders of the Lost Ark (1981)
* E.T. the Extra-Terrestrial (1982)
* Return of the Jedi (1983)
* Beverly Hills Cop (1984)
* Back to the Future (1985)
* Top Gun (1986)
* Three Men and a Baby (1987)
* Rain Man (1988)
* Batman (1989)

1990s−2000s|

* Home Alone (1990)
* Terminator 2: Judgment Day (1991)
* Aladdin (1992)
* Jurassic Park (1993)
* Forrest Gump (1994)
* Toy Story (1995)
* Independence Day (1996)
* Titanic (1997)
* Saving Private Ryan (1998)
* Star Wars: Episode I – The Phantom Menace (1999)
* How the Grinch Stole Christmas (2000)
* Harry Potter and the Sorcerer's Stone (2001)
* Spider-Man (2002)
* The Lord of the Rings: The Return of the King (2003)
* Shrek 2 (2004)
* Star Wars: Episode III – Revenge of the Sith (2005)
* Pirates of the Caribbean: Dead Man's Chest (2006)
* Spider-Man 3 (2007)
* The Dark Knight (2008)
* Avatar (2009)

2010s−2020s|

* Toy Story 3 (2010)
* Harry Potter and the Deathly Hallows – Part 2 (2011)
* The Avengers (2012)
* The Hunger Games: Catching Fire (2013)
* American Sniper (2014)
* Star Wars: The Force Awakens (2015)
* Rogue One (2016)
* Star Wars: The Last Jedi (2017)
* Black Panther (2018)
* Avengers: Endgame (2019)
* Bad Boys for Life (2020)
* Spider-Man: No Way Home (2021)
* Top Gun: Maverick (2022)
* Barbie (2023)
* Inside Out 2 (2024)

List of highest-grossing films in the United States and Canada

Portals:

* Speculative fiction
* Film
* United States
* Science Fiction

Authority control databases

International|

* VIAF

National|

* Germany
* United States
* France
* BnF data
* Spain
* Norway
* Poland
* Israel
* Catalonia

Other|

* IdRef

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