Stars at Tallapoosa

Poem by Wallace Stevens

"Stars at Tallapoosa" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1922, so it is in the public domain.[1]

Stars at Tallapoosa

> The lines are straight and swift between the stars.
>  The night is not the cradle that they cry,
>  The criers, undulating the deep-oceaned phrase.
>  The lines are much too dark and much too sharp.

>  The mind herein attains simplicity.
>  There is no moon, on single, silvered leaf.
>  The body is no body to be seen
>  But is an eye that studies its black lid.

>  Let these be your delight, secretive hunter,
>  Wading the sea-lines, moist and ever-mingling,
>  Mounting the earth-lines, long and lax, lethargic.
>  These lines are swift and fall without diverging.

>  The melon-flower nor dew nor web of either
>  Is like to these. But in yourself is like:
>  A sheaf of brilliant arrows flying straight,
>  Flying and falling straightway for their pleasure,

>  Their pleasure that is all bright-edged and cold;
>  Or, if not arrows, then the nimblest motions,
>  Making recoveries of young nakedness
>  And the lost vehemence the midnights hold.

It can be read as one of Stevens's poems about the transfiguring power of poetic imagination, which in this case need not accept the night of the dolorous criers, but instead find in it qualities, like a sheaf of brilliant arrows or the nimblest motions, that make it the delight of the secretive hunter.

Buttel finds this poem noteworthy for its connections to Whitman. Like Whitman, Stevens prized the lyrical qualities of American place names and animal names, and the title of this poem is one of Buttel's examples.[2] He reads "Stars at Tallapoosa" as partly a refutation of Whitman's "Out of the Cradle Endlessly Rocking" yet at the same time a variation on the mood and theme of that poem, even displaying some of Whitman's tone and manner, as in the lines about wading the sea-lines and mounting the earth-lines. Less brooding than Whitman's poem, "Stars at Tallapoosa" calls for an "active, imaginative transcendence over the blackness: in the mind's eye of his secretive hunter the intangible lines between the stars should become 'brilliant arrows' which will redeem his isolation."[3]

Eleanor Cook recommends comparing the argument of this poem with Stevens's "Palace of the Babies".[4]

## Notes

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1. ^ Buttel, p. 227. See also Librivox Archived 2010-10-13 at the Wayback Machine and the Poetry web site. Archived 2008-02-03 at the Wayback Machine
2. ^ Buttel references Whitman's "Starting from Paumanok" to document this shared affinity:

> The red aborigines,
>  Leaving natural breaths, sounds of rain and winds,
>  calls as of birds and animals in the woods,
>  syllabled to us for names,
>  Okonee, Koosa, Ottawa, Monongahela, Sauk,
>  Natchez, Chattahoochee....

3. ^ Buttel, p. 228.
4. ^ Cook, p. 68.

## References

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* Buttel, Robert. Wallace Stevens: The Making of Harmonium. 1967: Princeton University Press.
* Cook, Eleanor. A Reader's Guide to Wallace Stevens. 2007: Princeton University Press.

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Harmonium by Wallace Stevens

* "Earthy Anecdote"
* "Invective Against Swans"
* "The Paltry Nude Starts on a Spring Voyage"
* "The Plot Against the Giant"
* "Infanta Marina"
* "Domination of Black"
* "The Snow Man"
* "The Ordinary Women"
* "The Load Of Sugar-Cane"
* "Le Monocle de Mon Oncle"
* "Nuances of a Theme by Williams"
* "Metaphors of a Magnifico"
* "Ploughing on Sunday"
* "Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges"
* "Hibiscus on the Sleeping Shores"
* "Fabliau of Florida"
* "Doctor of Geneva"
* "Homunculus et la Belle Etoile"
* "The Comedian as the Letter C"
* "From the Misery of Don Joost"
* "O Florida, Venereal Soil"
* "Last Looks at the Lilacs"
* "The Worms at Heaven's Gate"
* "The Jack-Rabbit"
* "Valley Candle"
* "Anecdote of Men by the Thousand"
* "The Apostrophe to Vincentine"
* "Floral Decorations for Bananas"
* "Anecdote of Canna"
* "On the Manner of Addressing Clouds"
* "Of Heaven Considered as a Tomb "
* "Of the Surface of Things"
* "Anecdote of the Prince of Peacocks"
* "A High-Toned Old Christian Woman"
* "The Place of the Solitaires"
* "The Weeping Burgher"
* "The Curtains in the House of the Metaphysician"
* "Banal Sojourn"
* "Depression Before Spring"
* "The Emperor of Ice-Cream"
* "The Cuban Doctor"
* "Tea at the Palaz of Hoon"
* "Disillusionment of Ten O'Clock"
* "Sunday Morning"
* "The Virgin Carrying a Lantern"
* "Stars at Tallapoosa"
* "Explanation"
* "Six Significant Landscapes"
* "Bantam in Pine-Woods"
* "Anecdote of the Jar"
* "Palace of the Babies"
* "Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs"
* "Jasmine's Beautiful Thoughts Underneath The Willow"
* "Cortège for Rosenbloom"
* "Tattoo"
* "The Bird with the Coppery, Keen Claws"
* "Life Is Motion"
* "The Wind Shifts"
* "Colloquy with a Polish Aunt"
* "Gubbinal"
* "Two Figures in Dense Violet Night"
* "Theory"
* "To the One of Fictive Music"
* "Hymn from a Watermelon Pavilion"
* "Peter Quince at the Clavier"
* "Thirteen Ways of Looking at a Blackbird"
* "Nomad Exquisite"
* "The Man Whose Pharynx Was Bad"
* "The Death of a Soldier"
* "Negation"
* "The Surprises of the Superhuman"
* "Sea Surface Full of Clouds"
* "The Revolutionists Stop for Orangeade"
* "Lunar Paraphrase"
* "Anatomy of Monotony"
* "The Public Square"
* "Indian River"
* "Tea"

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