Supernumerary actor

This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (November 2016) (Learn how and when to remove this message)

|

Supernumerary actors are usually amateur character actors in opera and ballet performances who train under professional direction to create a believable scene.[1]

Look up supernumerary in Wiktionary, the free dictionary.

## Definition

[edit]

Supernumeraries rehearse a scene of Giuseppe Verdi's Don Carlos

The term's original use, from the Latin supernumerarius, meant someone paid to appear on stage in crowd scenes or in the case of opera as non-singing small parts. The word can still be found used for such in theatre and opera. It is the equivalent of "extra" in the motion picture industry. Any established opera company will have a supernumerary core of artists to enhance the opera experience. The Metropolitan Opera (Met) in New York and the Washington National Opera are known for their high profile and seasoned supernumeraries.[citation needed]

The WNO has had some major supernumerary personalities on stage such as U.S. Supreme Court Justices Ginsburg and Kennedy.[citation needed]

## Typical supernumerary work

[edit]

Supernumeraries are usually amateur character artists who train under professional direction to create a believable scene. They almost become part of the props and give a sense of credibility to scenes where crowds, court assistants, lackeys, peasants or a variety of period characters are needed. Some operas require over 50 supernumeraries. Work is assigned according to the ability to deliver an understated performance that doesn't "steal focus from the main actors" but it is still vibrant and effusive.[citation needed]

## See also

[edit]

* Spear carrier

## Notes

[edit]

1. ^ Ceadel, E. B. (1941). "The Division of Parts among the Actors in Sophocles' Oedipus Coloneus". The Classical Quarterly. 35 (3/4): 139–147\. doi:10.1017/S0009838800027580. JSTOR 637244. S2CID 170941901.139-147&rft.date=1941&rft_id=https://api.semanticscholar.org/CorpusID:170941901#id-name=S2CID&rft_id=https://www.jstor.org/stable/637244#id-name=JSTOR&rft_id=info:doi/10.1017/S0009838800027580&rft.aulast=Ceadel&rft.aufirst=E.+B.&rfr_id=info:sid/en.wikipedia.org:Supernumerary+actor" class="Z3988">

## References

[edit]

* The New Grove Dictionary of Opera; edited by Stanley Sadie (1992), 5,448 pages, is the best, and by far the largest, general reference for opera in the English language. ISBN 0-333-73432-7 and ISBN 1-56159-228-5
* The Viking Opera Guide (1994), 1,328 pages, ISBN 0-670-81292-7
* Opera, the Rough Guide; by Matthew Boyden et al. (1997), 672 pages, ISBN 1-85828-138-5
* Opera: A Concise History; by Leslie Orrey and Rodney Milnes. (World of Art.) London: Thames & Hudson